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#do I care? fuck no
just-somedude · 10 months
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My head's pounding, I'm think about pounding you, let's make something happen
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voxmilia · 6 months
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Josh Groben's evermore made it on to my wrapped and I fully blame my huleth playlist thank you
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nekokvmaa · 2 days
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Wait since when was Edgar trans what did I miss😭?
Literally fucking always? Bro idk what you missed 😭
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It's been written in his profile since forever
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yknow i like to think of wilbur's finale as a bad ending thats framed to be happy (like whiplash's)
because this was wilbur making his final mistake, leaving tommy alone fighting for scraps once again because he didnt give himself the time to learn his lesson, and most importantly he never quite forgave himself so he left to go home without being able to give the last sorry, and the most important he never got to forgive himself and be able to sleep at night peacefully because his mistakes will follow him around forever until he forgives himself which apparently will never happen so in my point of view this ending is like whiplash's
(whiplash spoilers below)
in whiplash's ending, we see neiman give his sólo, give his heart to the craft and we see for he first time ever, fletcher give him approval, its a happy ending until you realize that thisis actually neiman's abuser gaining power over neiman again, but why does it feel like a happy ending until you rethink the implications?
framing
In whiplash, this final moment is framed from neiman' perspective, the lights are bright yellow, the audience isnt there at all and the only person out there is him in the spotlight and fletcher's approval. (another proof is how the colors go dead when we see his dad' pov, he's frightened, his isnt a happy ending, this is self destruction and his dad is seeing this without being able to save his son)
Then in wilbur's ending, we are seeing his pov, we see him leave while the sun rises, we see a bright blue sky and vivid colors when he arrives to utah, we also see the closeup to his face when he realizes he made it home, he's happy, he's free.But there's also two peculiar shots i'd like to talk about which are first, the ending shot.
Wilbur is alone, we see his happiness, yet emptiness, he's all alone, just him and the sign to what he thinks is his happy ending, yet he chooses to use a wideshot, you could argue that it is an establishing shot due to this scene introducing us to a new location, but what separates this shot from an establishing shot is the subjects in the scene and the way it frames itself from the position of the camera.
it doesnt try and introduce the setting, it instead focuses the sign and wilbur, in the center, surrounded by emptiness, by the fact that he just left the only person who was always there for him to rot, and he is now fully alone and pathetic without realizing it yet.
the other shot is tommy crying before wilbur sails to the sunset, as soon as we switch from the beautiful scenary shown in wilbur's pov to tommy's, which is rainy, cloudy, lonely, it also shows a closeup to tommy's facecam as a way to express how miserable he has been left (similary to the closeup to neiman's father which helps express his fear for what his son had become)
My point here is, wilbur has been an unreliable narrator from the start and this ending is a sad ending for both wilbur and Tommy, but it is framed as a happily ever after due to the subjectiveness presented in the format wilbur presents his story in, we see the way he sees the world as a happy ending yet get short glimpses to the cruel reality and empty life he has yet to realize he has trapped himself and tommy in.
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fcb-mv33 · 1 year
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Max🤝Leo
Being called cheating cunts before Christmas lmao✌️
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alixlives · 1 year
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hey do you think i have enough c!tommy designs
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lilacponds · 1 year
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now resumes the belting out love songs to pretend someone has romantic feelings for me etc. etc.
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What kinds of songs do you think idol randy would sing owo
Okay, so, Randy's definitely the type that likes to perform high-energy songs! Like, he feels like the type whose taste in music can be pretty much summed up as anything he can vibe with. So, the stuff he listens to can range from bright and upbeat songs to those with a more gritty, in-your-face kind of sound.
In the AU, he's a bit of an all-rounder, so a lot of his training focuses on both vocals and dance. Songs that can help him show off his singing, rapping, and dancing are often his go-to performance pieces.
If ya need examples, here's a playlist I put together that illustrates how I envision Randy's range (which also doubles as my, like, headcanon for some of his fave Kpop/Jpop artists and his fave songs by them):
Walk It Like I Talk It
Algorithm
Move the Soul
Born To Be Wild
YOLO-konde
Speed of Light
Universe
Double 20
Ready to Burn
Do It Like This
Nemonade
Hot Sauce
Diggity
Beatbox
BOOM
Don't Need Your Love
CIRCUS
MANIAC
CHEESE
Back Door
Good Boy Gone Bad
LO$ER=LO♡ER
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bluebaronness · 2 years
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EVERYONE STOP LOOKING AT ME IM RB INSIDE JOB SPOILERS LIKE A BITCH
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soulless-paper-bag · 2 years
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Pass the happy! 🧡 When you get this, reply with 5 things that make you happy and send this to the last 10 people in your notifications!
Ok!
1. Wall-E
2. Sky: Children of the Light
3. My friends :3
4. Gravity Falls
5. Over The Garden Wall
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ink-the-artist · 11 months
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Love the contrast between the Americans’ “Apollo” and the Soviets’ “Sputnik.” You got the Americans naming their rocket after a Greek god trying to communicate the grandness and importance of this rocket. And you got the Soviets naming their rocket “fellow traveler.” Like a friend you go on an  adventure with together. This rocket is our little friend lol 
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artkaninchenbau · 3 months
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A h-heartfelt reunion..?
Bonus
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marsbars1714 · 3 months
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Am I forcibly introducing an irl friend to CoD characters I have hyperfixated on? Mayhaps
Do I regret it? No I’m not gonna stop
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shadowtraveled · 3 months
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
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but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
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the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
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which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
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the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
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yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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squidsmeister · 1 year
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dungeon meshi is my favorite road-trip comedy film
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so in an attempt to actually use positive thinking, anytime i fuck up and my brain reacts as if ive cause a minor apocalyptic event, i compare my fuck up to the 4 minute fuck up committed by the crew of the uss william d porter.
and only today, as i was having to explain what happened to my mom when i was explaining the whole comparison thing, did i realise that most people dont know about it and ive decided that needs to change because its objectively hilarious.
...which is a weird thing to say about an event that occured on a warship in 1943, specifically november 14th.
see the uss william d porter was a fletcher-class destroyer but you dont need to know what that means, just that she had guns that went bang bang and that she was escorting another ship, the uss iowa, to cairo.
while they were on their way there, they performed some gun trials like testing the anti-aircraft guns or the torpedos. and while they were running a torpedo drill, the crew of the porter managed to fire a live torpedo straight at the iowa which you know, in terms of a list of things to do while escorting a ship, shooting a torpedo at them is not on that list.
especially if the president of the united states is on board.
yeah so fdr was on board and the gun trials were actually his idea, and part of the trials was that they were conducted under radio silence.
and that means the crew of the porter couldnt just call the iowa to be like "move out the way, we accidentally shot a torpedo at you."
but they did have signal lamps and you know, the signalman on board was trained to signal this exact kind of message.
...and uh never mind, the signalman did manage to successfully tell the iowa that a torpedo was coming toward them but wasnt as successful when it came to the direction the torpedo was coming from.
not all hope is lost though because the signalman could still use the signal lamp to correct his previous mistake and-, never mind, he announced that the porter was reversing, which she wasnt.
yeah so at catastrophic mistake number 3, they broke radio silence to warn the iowa and she managed to turn out of the way just in time which meant no one got hurt. and even though the inquiry into the incident led to chief torpedoman (fantastic job title btw) lawton dawson being sentences to hard labour, fdr intervened and waved away his sentence, saying it was all an accident.
but yeah, so thats my new measure for "how much did i really fuck up?" and when i compared accidentally picking up a pencil case without a tag on it in wilko, turns out it was a very minor fuck-up. yes, the cashier had to ask another worker to grab a duplicate so they could scan the barcode, but i didnt nearly kill the president during wartime via accidental friendly fire
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