#etho mp4

[strelitzien-gewaechs]

"The keyboard's fine. I've learned to adjust to the spacebar being broken." aka live cleo + scar reaction to ethos broken keyboard

(from scars stream: 26.02.2024, around 3 h 25 min in)

#etho just wanted to get other hermtis to procrastinate and it ended with his awful setup being exposed #the pause before etho asks why cleo brought up the keyboard... #goodtimeswithscar #ethoslab #zombiecleo #etho #zombie cleo #hermitcraft #etho mp4 #scar mp4 #cleo mp4 #this clip... #love love this stream

[vulqan]

scientists download my brain onto a hard drive when i die and it's just this clip playing on a loop

TRANSCRIPT:

clip context: the Hermits are playing Among Us in Minecraft. Tango and Grian have just stopped the reactor from being sabotaged.

Tango: excellent, excellent.

Bdubs: very good, boys, very good, very good, very good.

Zedaph (overlapping Bdubs): horrible noise.

Bdubs: back to the mine!

Etho is about to run down into the mine but turns back and does a little loop.

Tango: aw, look at this—oh, Etho, where ya goin'? doing all kinds of weird loops—

Etho (overlapping Tango): uhh, i don't know, almost like, uh, i don't know what i'm doin'!

Tango (overlapping Etho): "oh, gee, maybe i'll walk over here to see if anyone goes into the mine!" yeah, uh huh.

Bdubs (overlapping Tango): wait—was that—was something sus here?

Tango: Etho's big-brain and he just made a move that was very dumb.

Etho: am not!

(death sound as Bdubs shoots Tango)

Tango: (groans, laughs uproariously)

Etho: that's like the real game, Tango. you always know it and you never call it.

END TRANSCRIPT.

#ethoslab #tangotek #bdoubleo100 #hermitblr #accessiblehermitcraft #please. my father's name is mr. slab. call me etho. #bubbles #mcyt #.mp4 #captioned #transcribed #* #this was a massive pain in the ass to get please appreciate it #youtube stop taking down download websites challenge #ethubs #team tall n short #popular i know about popular #1k #synnieclips

[ethtyn]

ok.

#ethoslab spoilers #hermitcraft spoilers #hermitcraft 10 spoilers #* #.mp4 #undescribed #i was multitasking as i watched and this literally stopped me in my tracks. #like. thousand yard stare for a moment. #then i rewound and watched it a couple more times. #anyway ! #please. my father's name is mr. slab. call me etho.

[megabuild]

https://va.media.tumblr.com/tumblr_rwsdydvcYX1zdw0l1_720.mp4 <- for the etho truthing if you haven't gotten it already

THANK YOU i love this clip so much. i was considering making it a video compilation but this is convincing me to change it to a list because i don't think i could dare cut this up. maybe speed it up... we'll see

#anon #asks

[ncaatech]

Cabrini Movie Watch for Free Now! 2024 - Mp4, 720p, 1080p, 2k, 4k Online

30 min ago — “The much-awaited film ‘Cabrini Movie’ has been released. Discover where you can stream this highly sought-after movie online at no cost. Is it available on platforms such as HBO Max, Netflix, 123movies, Reddit, Disney Plus Amazon Prime, or Peacock?

In 2024, the impact of Francesca Cabrini’s life work has been brought to light in an eponymous film, titled “Cabrini.” This biographical drama provides a cinematic portrayal of an Italian immigrant whose legacy has transcended generations. Known as Mother Cabrini, she became a beacon of hope for Italian immigrants in the United States through her tireless charitable efforts, epitomized by her role in founding the Missionary Sisters of the Sacred Heart of Jesus. As the first United States citizen to be canonized, Mother Cabrini’s story is a testament to the determination and compassion that can spark substantial social change.

Without delving into the narrative specifics to avoid spoilers, the film underscores her immense contributions to aiding immigrants and establishes her significance within the context of American history and the Catholic Church. This portrayal is not solely confined to the silver screen, as Cabrini University, recognizing her patronage, upholds her principles in their academic environment, reflecting her continued influence in education and community service.

Your understanding of Francesca Cabrini is enriched through this recent cinematic exploration and also through educational institutions such as Cabrini University. The university inherits its values from her work, underscoring her enduring ethos. With critical acclaim and a high Rotten Tomatoes score, the film “Cabrini” invites you to grasp the historical and cultural impact of a woman whose work reshaped the Italian immigrant experience in America, bridging past and present.

Life and Legacy of Francesca Cabrini

Early Years and Religious Calling

Francesca Cabrini came from an ordinary family and was born in Sant’Angelo Lodigiano, Italy, on July 15, 1850. At the age of seventeen, as the youngest child, she confronted many misfortunes, such as bad health. Contrary to her overwhelming belief, her will to succeed was further renewed by her firm religious conviction. From the time you really know her, you understand that the right choice for her is to join as a missionary to serve. At first, she was rejected because of her illness and for turning to religious orders. However, she believed firmly that she would accomplish her goal of serving God. Serenaded by the advice of Leo the XIII, given an instruction to help not go to the east but to the west, she proceeded by working with Italian emigrants whose numbers were on an upward trend.

Missionary Work and Establishment of Institutions

➤💥 Start Watching the Movie Now!

Path to Sainthood

Francesca Cabrini, despitethe fact that her devoted service never went unappreciated, Five years after her death on December 22, 1917, the beatification process began, and on November 13, 1938, it was St. Elizabeth of Czeczec who was beatified by Pope Pius XI. At this point, she was proclaimed a saint of heaven on July 7, 1946; consequently, she was the first United States citizen to acquire the title. Besides that, she took the title of Patron Saint of Immigrants, which is also evidence of her role as a guardian who protects those who are away from their native soil.

#Cabrini #CabriniMovie #CabriniMovieWatch #WatchCabrini #Watch #Movie

[teknically-pike]

Heya, I'm Pike!

i'm a physics major who likes minecraft a little too much

i primarily watch hermitcraft, but i love so many others!

most watched: tango, scar, grian, etho, mumbo, cub, xisuma, and impulse!

tags:

.img - images

.mp4 - videos/clips

.txt - textposts

fanart - fanart

screenies - screenshots

funny - memes and such

info - general (not necessarily fandom related)

>>> pike's peak - my stuff

i tag the content creators as a shortened ver of their user (ex. 'bdubs'), and if there's too many people i'll just tag their group (ex. 'hermitcraft')

#!! pike's pinned #>>> pike's peak #.txt #.img #.mp4 #fanart #screenies #funny #info

[hypno-love-bot]

he do be runnin tho

#ethorb #etho #ethoslab #cookies art #cookies crumbs #tumblr hates mp4s #maybe next time ill try webm or smth

[limelocked]

I'm imagining Grian and Etho doing the spiderman pointing meme because of your headcanon thingy of the Writers, Watchers, and Listeners -crafted-dreams (Minty)

etho: hey why do you have wings?

grian: oh im a watcher

etho: ... Oh Really

#my brain just played 'etho voice: oh really dot mp4'

[strelitzien-gewaechs]

some normal boat boy clips thanks to Tangos stream today (ft gem and her new "oh my god" horn)

#stream from today: 03/04/2024 #first clip starts at about 2h 08min :) #love this bit they have and how they can not be normal about each other even/especially in front of other hermtis #ethoslab #etho #smallishbeans #joel smallishbeans #boat boys #geminitay #tango tek #etho mp4 #joel mp4 #gem mp4 #tango mp4 #hermitcraft #hermit mp4

[vulqan]

yes Etho own it 😌

TRANSCRIPT:

Scar: has anybody seen that strong, handsome person—

Etho: i—i'm right here, Scar. (laughing)

Scar: did you guys, anyone see it? they have, like, they're wearing orange, and they have, like, a cowboy hat?

END TRANSCRIPT.

#ethoslab #goodtimeswithscar #hermitblr #friday night stabby #friday night stabby spoilers #.mp4 #transcribed #* #mcyt #synnie's watching fns again #please. my father's name is mr. slab. call me etho. #popular i know about popular #synnieclips

[micaramel]

Artist: Sofu Teshigahara

With: Kaz Yokou Kitajima, Ken Domo

Venue: Nonaka Hill, Los Angeles

Date: February 8 – April 11, 2020

Click here to view slideshow

  Full gallery of images, press release and link available after the jump.

Images:

Video:



Hiroshi Teshigahara (the artists son)(1927-2001), Ikebana, 1956, mp4, 32:29

Images courtesy of Nonaka Hill, Los Angeles

Press Release:

Nonaka-Hill is pleased to present a solo exhibition of works by Sofu Teshigahara (1900-1979). The artist’s first exhibition in Los Angeles introduces a selection of rarely seen metal sculptures and calligraphic works produced from the 1950s to the 1970s. The artist was founder of the Sogetsu School of Ikebana (1927 – ongoing), which is recognized as having made a significant mark on the history of postwar Japanese art. A grand-scale ikebana work composed by Teshigahara’s direct Sogetsu student, ikebana-master Kaz Yokou Kitajima, Ikkyu Shihan Riji of Sogetsu School of Ikebana spans the exhibition spaces. In the gallery’s back room, vintage photographs by Ken Domon (1909-1990) of Teshigahara’s ikebana works are also on display. The exhibition is on view until March 28, 2020.

Sofu Teshigahara was born in Osaka in 1900. It was the Meiji Era, a period of industrialization and modernization when the Japanese government imposed a mandate to “eliminate old customs” and to “search for new knowledge throughout the world”. At the same time, counteractive initiatives rose to preserve Japanese aesthetics, folk arts and the nation’s prehistoric spirit. In this paradoxical cultural climate, Sofu’s father Wafu Teshigahara taught the centuries old formalities of ikebana, but while wearing a Western-style suit. Under his father’s direction, young Sofu trained in ikebana and calligraphy during childhood, excelled and was already teaching ikebana by the age of thirteen.

The artist’s teenage and formative years, from twelve to twenty-six years old, were spanned by the liberal and worldly Taisho Era (1912-1926), and it was in this culturally expansive time that Sofu developed a disdain for the formalities of traditional ikebana and set his ambitions towards a radicalized ikebana practice. In 1927, Teshigahara left his father’s school in Osaka and moved to Tokyo to establish his Sogetsu School of Ikebana (Sogetsu translates as: Grass moon). Very soon thereafter, he was making exhibitions with students. By 1931, he had become very well known for his avant-garde works, which disregarded symbolisms, transcended the scale of living-room “tokonoma” alcoves, and could be shown outdoors. Together with fellow ikebana artists, Houn Ohara and Yukio Nakagawa, an “avant-garde Ikebana movement” rose which deviated from conventional practices and resulted in its unprecedented and thriving popularity. These artists referred to their temporal floral arrangements as “Objet”, borrowing the term from French Surrealists and inviting contemplation of ikebana as sculpture. Teshigahara stated “I hope to demonstrate that it is possible to create expressions using anything” and believed that ikebana could be made by anyone anytime, anywhere, using any material. Through treating materials such as iron, stone, and wood as equivalent to flowers, Teshigahara served to liberate Ikebana from its restricted visual and material language, meanwhile forming an approach to a considerable sculptural practice.

Teshigahara, who had spent decades working with ephemeral materials and saw his sculptural ikebana efforts come and go, chose more lasting materials for his sculptural practice. Around 1955, he devised a method of overlaying carved wood forms with brass, bronze or lead sheets covering the wood entirely or partially. The result was a hybrid of the organic and manmade, which covered and accentuated the forms underneath.

Throughout his sculptural practice, Teshigahara worked in themes that had apparent associations with the Japanese heritage. As the art historian, Soichi Tominaga had proposed, Teshigahara’s references to traditional Japanese arts were not a regression to the past but injecting new life into tradition. On his visit to Teshigahara’s studio, Tapié praised Teshighara for the experimental savoir vivre as an artist in contrast to academic artists. Tapié favorably described his sculptures as evoking internal reverberances from ancient Japanese pantheistic culture. Uzume [ウズメ] (1960), on display in the gallery comes from Teshigahara’s Kojiki series made in in the 1960s. His continued fascination for Kojiki [古事記], an 8th century anthology of Japanese ancient myths and history stemmed from a young age, being introduced to the book by Japanese literary scholar, Shuzo Okuda. The tall column form Tachi (sword) from 1968 bears associations in Japan to safeguarding the country, or to risking one’s destiny.

In his book Avant-Garde Art in Japan (1962), French art critic Michel Tapié writes: “The master Sofu Teshigahara is one of the three or four great masters in the art of flower arrangement (the Ikebana schools are certainly the only essentially artistic schools in the world which know what structure is and what space is). Though ruling an empire comprising some thirty thousand teachers and about a million pupils, Teshigahara engages in a number of other activities — I was going to call them annexes. I regard him as one of the three or four greatest living sculptors, not only in Japan, but in the world.” Tapies, who came to Japan in 1957 seeking to familiarize himself with Japan’s avant-garde artists, is credited with identifying the Gutai artists and debuting their works overseas. Teshigahara exhibited in Gutai exhibitions and could be said to be driven by a similar ethos to “make something which has never been seen before”.

Calligraphy demonstrated Teshigahara’s speed and deliberation of the brush, producing works which are at once word, image and action. With his swift yet, dramatic black ink lines on paper, Teshigahara formed words associated with nature and mythology, often from everyday language. In the gallery corridor, the large-scale ink calligraphy, Ryusui (Flowing Water) [流水] (1977) evoke a dynamic landscape. Compositionally, the kanji are off-center, off-kilter, and at times brimming at the edges of the panel. Kanji is deconstructed in various degrees, at times essentialized to symbolic gestures of the word exemplified specifically in Gekko (moonlight) [月光], and Nichirin (Sun Rays) [日輪]. The vigorous brushwork unbound by convention echoes that of Teshigahara’s approaches to ikebana and sculptures.

Yet another aspect of Teshigahara’s legacy is the Sogetsu Art Center. As early as 1936, Teshigahara spoke with journalists about wanting Japan to have a museum for Modern Art and finally, in collaboration with his son Hiroshi, Sogetsu Art Center opened in the basement auditorium space of the Sogetsu Kai-an. Notable events include early performances by Yoko Ono (1962) John Cage and David Tudor (1962), Merce Cunningham Dance Company’s Japan performance (1964), and “20 Questions for Bob Rauschenberg” (1964), a legendary Q&A session while the artist composed an extraordinary Rauschenberg work on a gold folding screen in front of an audience. The Sogetsu school was rebuilt and opened in 1977 with a ground floor exhibition space designed by Isamu Noguchi. Art installations are frequently held in the space currently.

Sofu Teshigahara, at a very young age was nick-named “Little Teacher”, and it seems that he embodied a life-long leadership role in Japan’s post-war culture. In rapidly changing times, Teshigahara engaged his considerable gifts in the visual arts to adapt intrinsically Japanese aesthetics with vigor into his work, reflecting a more globalized condition. Teshigahara received numerous honors including, L’Ordre des Arts et des Lettres, Officier (1960); French Legion of Honor, Chevalier (1961); and Japanese Ministry of Education, Culture, Sports, Science and Technology’ s Art Encouragement Prize (1962). Sofu Teshigahara’s influence on Ikebana remains unparalleled as Sogetsu Schools of Ikebana continue to operate brances in several cities worldwide, led currently by Iemoto (Headmaster) Akene Teshigahara in Tokyo.

Currently, Sofu Teshigahara has a major sculpture on view in Paris at Foundation Louis Vuitton in the “Charlotte Perriand” exhibition.

Recommended viewing: Ikebana, 1956 By Hiroshi Teshigahara Color/sound. 32:29 minutes Japanese with English subtitles. Available on YouTube: “The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director’s father Sofu Teshigahara worked as the grand master of the school.”.

Link: Sofu Teshigahara at Nonaka Hill

Contemporary Art Daily is produced by Contemporary Art Group, a not-for-profit organization. We rely on our audience to help fund the publication of exhibitions that show up in this RSS feed. Please consider supporting us by making a donation today.

from Contemporary Art Daily https://bit.ly/2JiNmJH

#micaramel

[businessliveme]

Bounce Leaps Into Oman This Summer

Bounce will be leaping into Oman this Summer. Renowned across the region, Bounce’s franchise in Oman is set to be located in Al Ghubrah. Spanning over 4,000 sqm, the ultimate indoor playground, Bounce, will have a wide variety of entertainment outlets – trampolines, climbing walls, parkour areas and other exciting activities lined up for thrill-seekers across the country.

https://www.businessliveme.com/wp-content/uploads/2019/04/Bounce-interview-2-resized.mp4

“Bounce’s facility in Muscat will be the first building to be built entirely from the ground up. It has been designed specifically for Bounce, which means when you get in there, you really get the feeling of space and grandeur around it,” says Doran Davies, Chief Executive Officer of Bounce Middle East.

Bounce held an X-Factor style audition at Muscat Grand Mall on the 18th and 19th of April. The interview was not your run of the mill main-stream affair; the Bounce team upped the ante by asking out of the box interview questions like “If you were stuck on an island with one person, who would you want it to be?” or “If you were given One Million Omani Rials, how would you spend it?”.

The playful nature of the questions is not just a reflection of Bounce’s ethos, but is also an attempt to challenge people and gauge the personalities of its potential employees.

Bounce Casting Call in Oman

Doran Davies, Chief Executive Officer of Bounce Middle East believes that whilst employees can be trained for the job, their personality is key to keep the spirit of Bounce alive. Bounce’s intention was to look for enthusiastic and new recruits to join their crew, drawing stunt-lovers, freestyle fanatics and all-out cool individuals to the exhilarating event. Contestants demonstrated their smooth moves and showcased their incredible personalities, some singing and others displaying some truly impressive freestyle moves.

The Bounce crew with their enthusiasm and flare were encouraging and were hyping the participants, infectiously raising the energy of all present. The recruitment process was two-fold, wherein whoever won the judges’ favour with their uniqueness were invited back to the next round of the competition to earn a spot in the BOUNCE Oman Tribe.

Khaled Al Maawali, partner at BOUNCE said, “I first experienced Bounce in Dubai three years ago and immediately fell in love with the concept, the brand and the Bounce Tribe. I am so excited to announce that we are coming to Muscat.  Bounce offers something different, an amazing adrenaline-fuelled experience led by a Tribe whose single-minded focus is to ‘Bring the Love and Inspire Progression’.  Watch this space!”

https://www.businessliveme.com/wp-content/uploads/2019/04/Bounce-omani-23-1.mp4

Ever since its establishment in 2012 at Melbourne, Australia, Bounce currently contains 32 indoor trampoline centres across 4 continents. Bounce caters to over 3 million customers across various age groups, including pre-schoolers, school children and teenagers, elite athletes, fitness class enthusiasts.

Evident from the try-outs event at Muscat Grand Mall, Bounce strives to provide a truly immersive experience in a motivational and engaging environment. Bounce will open its doors to those who crave high octave action in Oman, this Summer.

The post Bounce Leaps Into Oman This Summer appeared first on Businessliveme.com.

from WordPress http://bit.ly/2Do3jvo via IFTTT

#IFTTT #WordPress

[bishopswag-blog1]

Download Supergirl Season 4 Episode 2 In HD, MP4, & 3GP Full Movie DOWNLOAD

Download Supergirl Season 4 Episode 2 In HD, MP4, & 3GP Full Movie DOWNLOAD

Download Supergirl Time 4 Episode 2 under.. Initial alittle recap..

Supergirl started off this week’s episode with a excellent graphic that encapsulates the show’s ethos: Supergirl grabbing the flagpole prior to it can harm everyone and plowing it into the sidewalk among opposing protest teams as they start to violently clash. The picture is the form that would be on the front website page of…

View On WordPress

#Hollywood Series

[cartzypage]

SURPRISE // ATLANTIC-PACIFIC X HALOGEN COMING 10/22

https://the-atlantic-pacific.com/wp-content/uploads/2018/10/201810_NPG_HALOGEN_ATLANTIC_PACIFIC_TEASER_FB_1x1_MASTER-1.mp4

Surprise! I am absolutely thrilled to announce my upcoming product collaboration with Nordstrom. After working closely with their incredibly talented team for the better part of a year, today we are officially going public with the upcoming Atlantic-Pacific x Halogen limited edition collection!

Together, we are releasing a buy-now-wear-now capsule of over 150 items, spanning apparel, footwear, and seasonal accessories. The vision for the collaboration started at the intersection of storytelling, styling, and surprise – three key tenants of the Atlantic-Pacific brand. The fall capsule collection takes a fresh approach to color, pattern, texture, and overt detailing, producing unique and quirky updates to feminine classics. Staying true to the “more is more” ethos of Atlantic-Pacific, the pieces can all be mixed and matched together and styled in a variety of unexpected ways (the more layering the better). It has been such a joy to get back to my merchandising and design roots to concept, build, and execute this collection – and I can’t wait for you to see it.

It all starts, well, now! I’ll be hosting a press preview this morning here in NYC, followed by a special event this evening to celebrate the upcoming launch. Be sure to follow Nordstrom on Instagram (and Atlantic-Pacific if you don’t already!) to catch today’s takeover, featuring details on the launch and behind the scenes access to the day’s activities.

Over the next few weeks, I’ll be showcasing the versatility of the collection with dedicated styling posts on the blog – so stay tuned for much, much (much!) more. I’ll also be in both Chicago and Los Angeles for in-store personal appearances. In the meantime, be sure to sign up to receive my emails for more exclusive content around the launch and follow along on all social media channels for updates. But for now, please enjoy the sneak peek teaser video from our campaign shoot. I know, I know, no sunglasses!

P.S. – I’ll be doing a Q&A on the site this Friday concerning all things Atlantic-Pacific x Halogen. Any and all questions please direct to me in the comments! I’ll be doing the best I can to respond to everyone.

I’m beyond excited for what’s to come, and as always, thank you from the bottom of my heart for following along!

XO, BEE

The post SURPRISE // ATLANTIC-PACIFIC X HALOGEN COMING 10/22 appeared first on Atlantic-Pacific.

SURPRISE // ATLANTIC-PACIFIC X HALOGEN COMING 10/22 published first on https://medium.com/@GoShopSingapore

[sammygurus1-blog]

VIDEO: SPHEctacula & DJ Naves – Believe ft. Tribal & DreamTeam VIDEO: SPHEctacula & DJ Naves – Believe ft. Tribal & DreamTeam Mp4 Download SPHEctacula and DJ Naves’ ‘Believe’ featuring Tribal and Dreamteam also gives an overview of life’s ethos’ over various important aspects of one’s life.

#Believe #DJ Naves #DreamTeam #Sphectacula #Tribal

[strelitzien-gewaechs]

Warning Etho Alert!

#etho #hes so endearing what the fuck #i took this clip for me and me alone #etho mp4 #hermit mp4 #hermitcraft #(im becoming a ethubs clip channel between this and the bdubs clips ig)