#for context i know this show has been over for like two decades but some of my buddies still haven’t seen it ..

[kittennature]

i love being inspired by shitposts on the internet

#death note #light yagami #near #near death note #nate river #man idfk what tag to use for him #dn spoilers #for context i know this show has been over for like two decades but some of my buddies still haven’t seen it .. #olive art

[gimmethatagustd]

blood on the sheets | kth

Despite what some people may think, your roommate isn't a monster. You know Taehyung; he'd never hurt anyone.

↳ pairing: vampire!taehyung x human!(f)reader

↳ rating/genre: BTS | 18+ | fantasy/supernatural | roommates to... lovers? | dead dove | smut | angst

↳ wc/date: 4.7k | October 2023

↳ warnings: blood, biting, blood drinking, yandere, (technically temporary) character death, homicidal tendencies, vaginal fingering, cunnilingus (face sitting), period sex, unprotected vaginal sex, blood as lube, emotional manipulation, possessiveness, yandere, dubcon blood drinking, dubcon sex, vampire venom is intoxicating, mc and tae complain about men who are rude toward menstruating people and ik that some men do menstruate so pls know that they are referring to cis men in this context

↳ notes: this is for @taehyungcentral for halloween 🦇 i hope it's everything you wanted bby. you nasty whore

↳ more notes: this is very unedited i'm sorry jhskds i also REALLY wanted to keep it at a normal drabble length and i obviously failed. so i'll try to do better with the rest of the halloween drabbles lmfao rip

↳ masterlist / taglist

↳ what was jai listening to? this vampire kpop playlist hali showed me  

Halloween 2023 Masterlist

“Doesn’t he, y’know, creep you out?” 

Robin takes a sip of her cocktail with lips so accustomed to being pursued in snootiness that little wrinkles have formed around the edges of her mouth despite her young age. It’s a shame, but the look is fitting. Sometimes, a person’s ugliness on the inside does reflect on the outside. 

“What’s that supposed to mean?” you ask with thinly-veiled irritation. 

You haven’t known Robin for a long time, though you suppose it wouldn’t have mattered if you knew her for a day or an entire year. She’s the type of person you could spend hours talking to and walk away knowing nothing about her. You’re simply coworkers, and that’s enough for you.

Robin shrugs and tosses her blonde hair over her shoulder when she turns to blatantly stare across the room. The bar isn’t big, just large enough for a few tables and booths lining the walls and a small dancefloor in the middle of the room. It’s intimate, so your coworkers picked it for the office’s monthly night out. Alcohol, catchy pop music, and hipster bars are perfect ingredients for morale-boosting activities, but Robin doesn’t know how to not be nasty. 

You follow her gaze, and a small smile lifts the corners of your mouth despite her rude question when you see who she’s looking at. 

The cup in Taehyung’s hand is colored glass. In the dim lights, the cup appears to be a dark forest green that pairs prettily with his fire-engine red hair and the contacts that turn his dark eyes a mossy color. You helped him pick out the contacts while the two of you got ready for the work outing. The green are just as alluring as the other colored contacts he owns, but they’re less intimidating than his favorite gray ones. 

The colored cups are the bar’s effort to hide the deep crimson liquid inside. Supposedly, it’s for the comfort of all their patrons, but everyone knows what passes through Taehyung’s plush lips when he brings the cup to his mouth. 

You watch his throat bob as he swallows. The v-cut of his shirt exposes his elegant neck and collarbones, not that you’re looking or anything.  

“He eats people, for Christ’s sake. How could you live with something like that?” 

Your vodka-cranberry drink is down to the ice, and your patience for Robin has melted with it. 

“Fuck you,” you snap. “Taehyung doesn’t eat people. And he’s not a thing; he’s a person.” 

It’s so unlike you to be this aggressive, but something mean twists inside your stomach whenever you’re forced to interact with people like Robin, who use their prejudice to infect everyone around them. Vampires have been integrated into human society for decades with very few incidents, yet there are still humans like Robin who hold onto the horror stories of the past. 

Besides, Robin doesn’t even know Taehyung. You’ve brought him around your coworkers before as a plus-one to work events, but Robin doesn’t actually know him. She doesn’t know how kind he is, how he looks after you when even your friends rarely do, how he goes out of his way to prove that just because he’s a vampire doesn’t mean he’s a monster. 

The pounding of your heart is enough evidence that you aren’t used to this hostile behavior. You nearly knock over your chair when you stand, and your hands are too shaky to pick up your drink from where it sits on the table before you. 

Robin glares at you with eyes that pierce through your tough facade. Her cherry-red lips part to expose teeth more dangerous-looking than a vampire’s fangs, but whatever she has to say dies on her tongue. 

“Hey, love.” Taehyung’s fingers skirt your lower back, and the cold of his fingertips bleeds through your thin shirt. “You okay?” 

“Yup!” You give Taehyung a slight smile that doesn’t quite reach your eyes. “I was just telling Robin that I’m going home. Is that alright?” 

Taehyung hums in understanding, his fingers now pressing against your hip bone. The pressure is light, but it’s enough to force your body to turn slightly to face him rather than the table where Robin still sits. 

You naturally gravitate toward him regardless. When you first became friends and shortly before you decided to live together, you’d playfully accused Taehyung of using his vampiric charms on you. 

“I don’t need magic to make you fall in love with me, baby,” Taehyung had replied with a lopsided grin, no fangs in sight.  

Admittedly, you spent far too many of the following nights replaying that comment in your head. 

“Of course,” Taehyung slips his index finger through one of your belt loops and tugs on it absentmindedly, “I’ll leave with you; I’ve lost interest in listening to Seokjin’s passionate rambling. There’s only so much video game lore I can handle.” 

Robin mutters something snarky under her breath that you can’t hear, but your heart hurts because you know Taehyung can. You’re sure it’s his superhuman hearing that set him off to rescue you from Robin’s bitchy attitude, considering how your heart is beating at a worrying pace. This situation is yet another example of how kind Taehyung is. 

Robin doesn’t know shit.

Going home is a good call for more than just escaping Robin’s bitchy behavior. From the time it takes Taehyung to drive home, your lower stomach begins to hurt with such extreme stabbing pain that you can barely walk upright once you arrive. Taehyung has to wrap his arm around your shoulders and slowly guide you up the elevators and down the hall to your apartment's front door. Once he enters the passcode, he helps you inside and leads you into the kitchen. 

“You weren’t supposed to start for another week,” Taehyung comments off-handedly as he fetches you a glass of water. He speaks with the casualness of discussing the weather or your weekend plans. 

It makes your cheeks warm, and you stare at the water in your glass once he hands it to you. “How do you know that?” 

“I pay attention to you, love,” Taehyung murmurs. You should think it’s weird when he inhales deeply through his nose, but you only feel warm as goosebumps scatter across your skin. “I can also… smell it.” 

With a gentle grip on your waist, Taehyung draws you closer to where he leans against the kitchen counter. Once you’re standing directly before him, he slips his hand beneath your shirt to press his cold palm against your lower stomach. The gut-wrenching pain is still there, but in the mix of the pain, butterflies are swirling about, and the cool of his skin feels good against your too-hot body. 

Some of your friends have commented on how you act with Taehyung - or, more so, how Taehyung acts with you. He's touchy, and personal boundaries mean very little. For some, it would be off-putting how Taehyung initiates touch without asking, but you find it comforting. You don't mind; if anything, you're endeared by it. It means he's comfortable with you and knows you trust him.

Trust, you're quickly learning, is important for vampires in a world that distrusts them.

“I’m sorry. I’m sure that’s really gross.” 

“Gross?” Taehyung rubs his thumb along the sensitive skin of your stomach and watches you intently with his mossy green eyes. It should be unnerving, but you’re too captivated by Taehyung to think anything of it. 

“All my ex-boyfriends never even wanted to talk about periods, let alone…” You’re too shy to finish your sentence; repeating what Taehyung said seems too embarrassing. It’s embarrassing enough that you’re comparing your roommate to your ex-boyfriends. 

You let out a quiet sigh when Taehyung removes his hand from beneath your shirt. He takes your empty glass from your hands and places it on the kitchen counter. Letting Taehyung take care of you feels nice, especially when your period cramps make breathing difficult. 

“Humans are strange,” Taehyung murmurs as he gently turns you around by your shoulders to guide you to your bedroom. “There is nothing dirty or disgusting about blood. It is natural. A life source, in more ways than one.”

After changing into a new pair of underwear and comfy pajamas, you slip into your bed and patiently wait for Taehyung to finish getting ready for bed.

It isn’t unusual for you to spend time together at night, especially since you don’t have much time that overlaps due to Taehyung being nocturnal. He doesn’t sleep all day, but getting all covered up is a hassle just to brave the sunlight, so Taehyung prefers to spend his days inside. 

You get cuddled in your blankets with a heating pad pressed to your lower stomach. At the same time, Taehyung sets up his laptop on your bed before you, pulling up your favorite reality TV show because he knows you’re too sensitive to handle anything emotional. 

Taehyung is dressed in a loose white t-shirt and form-fitting grey sweatpants. It’s a deadly combination, and you hate that he can hear your heart flutter when he climbs into bed with you. You’re close enough that your shoulders press together, and Taehyung’s cool temperature seeps into your body, contrasting nicely with the heating pad resting on your stomach.

Sometimes, you wonder if Taehyung has figured out that he’s the reason you're a jittery mess. You wonder if he knows that your heart races around him, not because you’re afraid of him but because you’ve considered what it would feel like to let him sink his fangs into your flesh.

He probably has no idea, you think as you appraise him out of the corner of your eye. He's charming and naturally flirty. He probably thinks you're just matching his energy.

You're terrible at flirting anyway.

Clearing your throat, you adjust the blankets and try to focus on the TV show. However, it’s difficult to concentrate with Taehyung snuggled against your side. He’s being more affectionate than usual, likely because you get more sensitive when you’re on your period. You can’t complain. It feels nice to have his strong arm curled around your waist and his large hand resting against your hip. 

“Comfortable?” Taehyung turns his head to the side to speak against the curve of your ear. His cool breath against your skin makes you shiver. 

“Mhm,” you hum. “Are you?” 

“I’m with you, aren’t I?” 

“Shut up,” you hiss and give Taehyung a sharp slap to the leg that you know won’t hurt him. 

You slide further into the blankets to rest your head on Taehyung’s shoulder. There’s no reason for you to be whispering, but you do. Perhaps it’s the atmosphere, your bedroom dark except for a single bedside lamp casting a shallow yellow glow, and Taehyung’s laptop lighting up your bed sheets a pale blue. 

After a few minutes of silence between the two of you passes while the show plays through, Taehyung begins thrumming his fingers against your hip. 

“Were your exes truly mean to you about something so natural?”

“What?” You twist your torso slightly to look up at him. “Like, not wanting to talk about periods and stuff?” 

Taehyung nods. He’s no longer wearing his contacts, so you can see the lamp’s yellow light reflect in his deep red eyes, making them burn orange. Having known Taehyung for a year now, you’ve learned that the color of his eyes changes pretty regularly. You aren’t sure what the colors mean, though you’re pretty sure they have more to do with his mood than his hunger levels – contrary to what vampire films and novels might lead you to believe. 

“Well, yeah. Guys think periods are gross. A lot of people do, honestly. Because of blood, and also, y’know, misogyny and all that shit.” You shrug, having come to terms with these facts long ago. “Like, one time I told my ex about this article I read that said orgasms can temporarily relieve cramps, and he went on this whole rant about how period sex is disgusting. It made me feel like I was disgusting, honestly. But whatever.” 

Throughout your explanation, Taehyung’s face slowly contorts until he looks legitimately upset. It startles you because why should he care about any of this? 

Sweet Taehyung is too empathetic for his own good, you think. 

“Human men are pathetic,” Taehyung finally says with a snort. “Period sex sounds fun.” 

You struggle to swallow with how dry your mouth and throat have become. Why did you bring up sex while you sit halfway leaned against Taehyung’s chest in your bed, with the lights off, quite literally Netflix and chilling on a Friday night?

“W-well,” you start to stutter but quickly try to pull yourself together, “I wouldn’t know.” 

Taehyung hums and then falls silent again, so you assume the topic is dropped. That is until a few more minutes pass with Taehyung’s fingers playing with the hem of your t-shirt, and he eventually leans toward your ear again. 

“Would you like to find out?” 

This time, you turn around to face Taehyung. He keeps his head bent, which positions his face to be level with yours. You can smell the woody notes of his cologne that make you salivate. 

“What?” you squeak, but you hear him more clearly than you hear your own thoughts.  

“You still have cramps, don’t you?” You nod. “I could help you, love. You need not suffer.” 

Blood rushes to your ears, causing your heartbeat to throb inside your brain. The pounding has a ripple effect, creating beating waves that roll throughout your entire body. It's as though you've become a giant heart trembling and pulsing from the prospect of having sex with the man you've desired in secret for far too long.

Likely noticing your body falling into distress, Taehyung cups the side of your face with his free hand. Using his hold on you, he tilts your head slightly. His eyes bore into yours with such intensity that you don’t think it’s physically possible for you to look away. 

“Are you afraid of me?” 

"No," you respond without hesitation. You aren't.

Your response pleases Taehyung, and you're reminded of the importance of trust. When he smiles, you think his canines look slightly pointier than usual.  

"You know," Taehyung begins slowly, his gaze dropping from your eyes to your slightly parted lips. "Humans drown themselves in shame. I have never understood it. What is so reprehensible about pleasure, hm? Is it so wrong to seek it?"

"I don't know," you admit through a breathy exhale when Taehyung brushes the pad of his thumb across your bottom lip.

"Your ex made you feel ashamed, didn't he?"

You nod, rendered speechless from how Taehyung trails his fingers along your jaw and neck. Gently, he presses his index and middle fingers against the soft spot of your throat where your heart panics beneath your skin.

Taehyung wets his lips.

"I could make you feel good."

All it takes is a light tap of his fingers against your hip, and you're leaning into Taehyung's chest. His large hand slides from the side of your neck to the back of your head, pulling you into a bruising kiss. It's deep and demanding, sending your head spinning as you struggle to keep up with Taehyung's soft lips.

You moan when the tip of his tongue flicks against your mouth, coaxing you open for him to taste. You fall apart for him willingly, ready to bear your soul if he so much as whispers the request against your lips.

Taehyung could kiss you forever; he doesn't need to breathe. You have to force yourself to pull back to gasp for air when you begin to feel lightheaded, and you struggle to register that you've somehow ended up in Taehyung's lap. You straddle his firm thighs with your knees on either side of his hips and your fingers digging into his broad shoulders. It's embarrassing, the feeling of suddenly having no control over yourself, but Taehyung squeezes your hips when you try to get up.

"Will you let me?" His eyes are a deep red, nearly black, as he searches your face for your answer when you don't immediately respond.

Your entire body throbs with anticipation. Sleeping with Taehyung is everything you've forced yourself not to imagine - out of shame because what is more shameful than thirsting over your roommate who has no interest in you?

Except he does. You can feel his hard cock underneath you, and when you subtly scoot your ass against it, his fingers dig deeper into your hips.

"Please," you whisper. The word barely leaves your lips when you're suddenly tossed onto your back.

Taehyung's nimble fingers slip beneath your t-shirt and push it up, murmuring, "Lift your arms, love," and discarding it onto the floor in one sweep. Leaning forward, Taehyung kisses each of your now-exposed nipples, flicking his cool tongue over them until they're hard and wet.

You moan and instinctually arch your back, pushing your chest against his open mouth.

"Can't wait to taste you," Taehyung groans into your skin as he slips his hands into the elastic waistband of your pajama shorts. The fabric easily slides down your legs. Taehyung flings them onto the floor, where they melt into a pool of blood-red silk. "You smell delicious. Always do."

Understanding Taehyung's praises is difficult when he lights up your nerves with every kiss and harsh suck of your skin into his mouth. You don't feel anything sharp for now, but you want to. Again, it's shame that squanders the urge to admit your desires to Taehyung. All you can do is tangle your fingers in his pretty red hair and stare into his eyes as he sucks wet kisses down your stomach.

Your thighs are already slightly wet with your arousal and, unfortunately, blood. It's hot and sticky. You try to close your legs, but Taehyung keeps them propped open. To your horror, you watch him drag his hands up your inner thighs, smearing the little traces of arousal and blood that have rubbed off onto your skin. It leaves light pink streaks on his palms.

With dark eyes, Taehyung holds your gaze as he brings one hand to his mouth and licks up the entire length of his palm.

"Fuck," he lets out a shuddery moan, eyes fluttering closed. "Goddamn, love."

It shouldn't be hot, the feral look in Taehyung's eyes when he opens them again. It shouldn't be hot, the way his fangs naturally drop. He snaps his mouth shut, and you watch his throat bob as he swallows a few times. His fangs are gone the next time he opens his mouth.

"Sit on my face."

You nearly choke. "Excuse me?"

Reaching behind his head, Taehyung pulls his t-shirt off with one hand. Smooth, unblemished skin glows honey gold in the dim lighting. Possessed, you can't stop yourself from reaching out to run your hands down his chest. His abs tense and contract when you caress them. By the time you reach the waistband of his sweatpants, you've lost the little bit of courage you had.

"I want you to sit on my face." Taehyung's voice is thick and gravelly. There's a dangerous edge to it that you can't quite name.

"O-okay," you whimper.

A thrill pulses through your body when you remember what Taehyung is.

He's a person, not a monster. But he's dangerous all the same.

Taehyung lies on his back and holds his arms out, coaxing you forward. His large hands squeeze your thighs, just below your ass, to haul you further up until you're hovering right over his face.

"Are you su-"

"It is impossible for you to understand how painful it has been to wait for this moment." Taehyung holds eye contact with you as he slides his hands up to squeeze your ass cheeks and pull your pussy down onto his mouth.

"Oh my god," you moan, scrambling to grab the bedframe to steady yourself.

Taehyung licks a stripe from your entrance to your clit, lapping up the mouthwatering mixture of arousal and blood gushing from you with every pulse of your pussy. Using the tip of his tongue, he swirls your clit, flicking it repeatedly until he gets tired of that and sucks it into his mouth instead.

Your thighs quiver, and chants of Taehyung's name flow from your lips like honey as he tongues your entrance. His mouth is relentless, nipping, licking, and sucking your clit until you're trembling so severely that Taehyung has to prop his arms up to hold most of your weight. It only gets worse when he presses his tongue inside your pussy, fucking into you as he devours your sweet blood and juices with the moans of a starved man.

"T-Taehyung," you gasp, reaching down to dig your fingers into his hair. Your nails scrape against his scalp, and the rumble of his moans into your pussy is to die for. "I'm gonna come, oh my god, oh, pl-, ah, please d-don't-"

Your eyes, which had fallen shut as you focused on the feeling of Taehyung's mouth on your pussy, fly open when something sharp presses into the inside of your thigh. You look down to see Taehyung's fangs buried into your flesh, just at the crease of your inner thigh, where the skin is soft and supple. The pain quickly morphs into mind-numbing pleasure, so white hot that it feels like your brain is melting out of your ears when you finally come.

You slump forward with your face pressed against the wall and your hands weakly gripping the bed frame as your body convulses in Taehyung's hold.

"Tae, Tae, Taehyung, oh god." It hurts how deeply he bites into you, but the longer he clamps on, the more intoxicated you become by the venom all vampires carry in their bite.

It's distracting, the way you feel like you're floating. Your eyes flutter as you feel Taehyung pull you onto the bed on your back. He hovers over you, the bloodied face of a fallen angel closing in on you.

"I'm your first," Taehyung states the question, already knows the answer, but you nod your head to confirm. Taehyung is the first vampire to bite you. It's why the effects are so intense; your body has no built-up immunity.

He's smug as he leans forward to kiss you, shoving his tongue into your mouth to force you to taste yourself on him. It doesn't taste good, but you aren't thinking when you stick your tongue out to lick the blood and cum off his lips. You lick and suck his lips, cleaning them off just to let him dirty you up.

"Fuck, love, you're so fucking sexy," Taehyung growls once you release his bottom lip from between your teeth. "Mine. All mine. You're mine."

You give him a sleepy smile and loop your arms around his neck. "Yours."

Taehyung nuzzles his face into the crook of your neck and runs his tongue along the crease, swiping back and forth between wet kisses. 

"Gonna fuck you now, baby." He rakes his fangs down your neck, drawing blood in thin parallel lines. "Mark you, ruin you. Do you want that? Want me to make you feel good?"

Blood trickles down both sides of your neck to pool in your collarbones. Eventually, the pools overflow, sending rivers of red cascading down your chest, past your hardened nipples, and the hickeys Taehyung sucked into the skin of your abdomen. Between your legs, a giant black bruise spreads in your inner thigh, and blood trickles from the multiple puncture wounds there. 

“Please, fuck me, please,” you beg, eyes half-closed. Your head lolls to the side to watch Taehyung remove his sweatpants. Red splotches cover the grey fabric like a homemade tie-dye. 

“Look at you,” Taehyung’s voice is saccharine. He kneels in front of you on the bed and squeezes the thigh he bit into. With a yelp, your entire body jerks from the pain, though the haze of Taehyung’s venom makes the discomfort temporary. “So pretty.” 

Your blood drips from Taehyung’s fingers and follows the lines in his palms down to curve around his wrist. Something stirs inside your stomach as Taehyung smears your blood all over his cock, using it as a lubricant to jerk himself off. His skin turns slick and shiny red. 

With his free hand, he cups the back of your knee to hike your leg up, adjusting you into the perfect position for him to swirl the head of his cock in the blood on your thigh. Gathering more on the tip, Taehyung gives himself one last squeeze before positioning himself between your legs. 

He isn’t gentle when he enters you, sinking his cock into you in one bloody thrust. How his hip presses into the crease of your thigh hurts, applying pressure to your wounds that still bleed, but the pleasure of Taehyung’s thick cock pounding into you is enough to block out the pain. You’re so high, your soul barely attached to your body as Taehyung fucks you, each stroke fast and deep. His grip on you is supernaturally rough. Bruises immediately bloom across your skin, and his blunt nails dig crescent cuts into your skin. 

More blood. 

“Feel good, love?” Taehyung’s voice is on edge. He practically growls, and his words are slightly slurred from his fangs dropping down once again. This time, he doesn’t try to retract them. When he kisses you, you feel them press against your lips like cold daggers. One slices a small cut in the corner of your mouth, and blood collects in the creases of your lips until Taehyung sucks it all up. 

“Can’t, fuck, get enough.” Taehyung punctuates his sentiments with a snap of his hips. Pleasure rolls off of you in waves, dragging your mind deeper and deeper into a blank void. Taehyung is dizzying, so pretty with his bloody mouth and wild eyes. 

Your eyes flutter shut when you feel his lips press against your neck, leaving kisses far gentler than the way he fucks you. The coil building in your stomach is so hot and tight that you don’t even feel the pain of Taehyung biting your neck. You immediately come, your orgasm ripping through your body as Taehyung’s fangs rip through your flesh.  

Taehyung moans through his teeth as he comes inside of you, filling you up at the same time he empties you. 

“Taehyung,” you try to whisper, but your mouth hardly moves. 

He’s drinking too much. 

The realization hits you too late. There are bite marks all along your neck, the inside of your thighs, your tits, your wrists. Taehyung has his lips latched onto one of your bloody nipples, lapping up your skin. Your bed is flooded in red, soaked through the sheets and into the mattress.

“You’re mine, love.” Taehyung runs a bloody hand down your face, leaving streaks along your temple. “Fuck those bitches you work with. Those pieces of shit who think you couldn’t possibly love someone like me. They’re wrong, baby—all this shame. Humans drown in it, but not us. We won’t drown.” 

Red tears stream down Taehyung’s high cheekbones. You want to comfort him but realize in a panic that you can’t move. With wide eyes, you stare up at Taehyung in a silent plea. 

“Shhh, it’s okay, love. You have to let go. Let go for me, and then I’ll keep you safe. Forever, I’ll keep you safe.” Taehyung brings his wrist to his mouth. There’s a sickening crunch, and thick, black blood slides down Taehyung’s forearm like tar. 

His elegant fingers squeeze your jaw, forcing you to keep your mouth open as he presses his bleeding wrist to your lips. 

“Mine,” Taehyung repeats as he smears his black blood on your lips and lets it leak onto your tongue. “And I will be yours, just like you wanted. No one else's.” 

Leaning down, Taehyung digs his fangs into your throat one final time and drinks until your last breath dies in your lungs. 

Halloween 2023 Masterlist

all rights reserved © gimmethatagustd on tumblr & AO3

do not copy, repost, modify, or translate any of my work

#bts x reader #taehyung x reader #bts fanfic #taehyung fanfic #taehyung angst #taehyung smut #bts angst #bts smut #jai writes #gimmethatagustd #halloween 2023 #bots

[hier--soir]

a lover's pinch | six

joel miller x f!reader

pairing: professor!joel miller x f!reader rating: explicit, 18+ minors dni summary: joel and rachel have dinner. a confession is made. warnings/tags: au, university professor joel, age gap [20 something years diff], ethically dubious relationship due to inherent power imbalance, JOEL POV, sexting/nudes, joel has bad restaurant etiquette lmao, descriptions of arousal, references to past smut, the guilt and shame that sometimes go so neatly hand in hand with wanting, miller daughter cameo, mild angst, discussion of a car accident. word count: 4.8k series masterlist | main masterlist a lover's pinch playlist a/n: just a reminder that this is set within ALP5, when joel goes to have dinner w rachel. just a short little peek into my beloved professor’s mind, and some context between j & r. hope you like it x follow @hier--soirupdates if you'd like to be notified when i share my writing this is part six of ALP. you can read the previous parts here: one, two, three, four, five.

Sunday.

“Nina thinks it’ll rain tomorrow. Overcast too, probably.”  

There’s a faint hum through the phone as she speaks. A vague buzz that crackles and pops in almost every beat of silence. Not for the first time, Joel wishes she would let him buy her a new phone.

A gust of wind whips against his face and he cringes, turning his back against the draft.

“Okay,” he replies. “That’s okay, right?”

“It’s fine,” she grumbles. “Wanted to take you to this bar, though. They do these tacos we love. Nina says it’s the best Mexican place in New York.”

“Now how many times do I have to tell you there’s no good Mexican food in New York?”

“Yeah, yeah.”

Joel can practically hear her rolling her eyes. He chuckles.

“What time are you coming ‘round?” Ellie asks. “I’ll be in the studio for most of the day, but we normally get home around five. Could do dinner around eight?”

Joel hesitates, and then raises his voice to be heard over the rushing wind. “I was actually thinkin’ I’d come see your studio.”

A moment of humming, crackling silence.

“I’d love to see some of your work,” he continues, peering in through the window of the restaurant. He thinks he can see Rachel through the frosted glass – her mess of dark curls vaguely visible, tucked away somewhere in the corner of the space. He hears Ellie breathing through the phone as he looks. “And s’been too long since you showed your old man any of your paintings.”

“Joel,” she huffs, and it’s that smartass, pained tone that has him grinning wider than anything she’s said up until this point.

It’s few and far between lately – hearing that name coming from her mouth. Joel. Something that’s been intermittent for almost a decade, and has been steadily decreasing since she moved to New York five years ago.

Joel, Dad, Joel, Dad, Joel, Dad.

Joel for years, and then one day—Dad.

It was Summer; Ellie was eighteen and he was thirty-nine, and this word that he’d grown so accustomed to hearing suddenly felt like a fist squeezing around his heart. It became something new, something different. Because Joel knew that, for her, family had always meant mistrust. Had always meant loneliness. Knew that sometimes her childhood felt like a knife stuck in her throat, and on those days, she had to decide whether to leave it in and stem the blood flow, or pluck out the blade and watch everything turn red.

And then one day, years on, it seemed that she’d drawn that dagger enough times. The blood stopped, the mistrust fell away, and—Dad.

Dad to Sarah and now, finally, Dad to Ellie.

“Ellie,” he imitates her tone, well-versed in mirroring her attitude after so many years of practice.

A voice rears up directly behind him and Joel stiffens, glancing over his shoulder to watch a couple exit the restaurant. Coat collars dragged up to protect their necks, arms linked as they smile and start down the street. He imagines Rachel sitting inside, alone, and his smile falters. He knows he should go back in soon, but can’t quite bring himself to cut this short.

“Yeah, okay,” Ellie answers finally, and he can feel the weight that rests in those words.

The admission, but also everything that goes unsaid alongside it. A silent acknowledgement of years spent reading between the lines, trying to know each other; years of her locking her bedroom door, hiding her journals, her artbooks, her pencils. Anything to keep someone else from seeing the way she expresses herself – from understanding that she feels anything. And this yeah, okay – well, it’s as close to I love you as the two of them ever get.

Joel says, “I’ve been missin’ you, kiddo.”

And she says, “I know.”

More silence. More contemplation of how to respond, how to keep emotions level when he is not Joel in this moment, but Dad.

Plucking out the blade.

“Ten tomorrow morning. I’ll send you the address,” Ellie says after a while. “Don’t be late or I’m not showing you shit, old man.”

Heat blasts his face when he steps back inside the restaurant. He tugs his jacket off as he wanders his way toward their little corner table inside San Vecchio—old saint. A small Italian place that Rachel likes to visit whenever she’s the city, and has slowly but surely grown on him.

When he gets close enough to see the table his stomach drops, face twisting into something apologetic as he lowers himself into his chair.

“Shit,” Joel mutters, staring at their food. Brought out while he was on the phone, sitting untouched; she didn’t even pick up her fork in his absence. A shameful heat rises in his face. “I’m sorry, Rach.”

“Hon,” she just laughs him off. “It’s okay, it only just came out.”

He nods, grateful, and lets her pour him a generous glass of wine. Red. A bottle of the Carignan, please, he remembers her telling the waiter. Although, when he takes a sip, he can’t tell the difference between this and the twenty-dollar cabernet he buys once a fortnight from the grocer.

They press the lips of their glasses together and murmur soft calls of cheers and another conference done, the words all but swallowed up by the raucous sounds around them.

“How is she then?” she prompts, never able to tame her curiosity.

“Ellie?” Joel’s eyebrows jut up, and he sets his wine glass down. “Good, yeah, good. It was nice to hear her voice, I, uh, I’ve missed too many of that kid’s calls over the past few months.”

Rachel nods, and when she smiles his chest feels a little lighter, because it’s the type of smile that says it’s okay, everything is okay, you’re a good dad, you took the call. And she has always had that kind of soothing effect on him, since the day he met her all those years ago. There’s this compassion to her character; a warmth akin to that of a sister. Smarter than hell and kinder than she’s ever been given credit for.  

“Are you seeing her while you’re in town?”

“Mhm, tomorrow.”

“Well, that will be lovely,” she beams and takes a sip of her wine. Carignan stains her mouth. “Is she still with Nina?”

“She is.”

“God, that must be, what, four years they’ve been together now? That’s great, Joel.”

“I’m happy for her,” he smiles, gripping his fork. “They’re renting out this art studio together at the moment – Nina’s an artist too, did I—?”

“Yeah, you told me.”  

“Yeah, they’ve been using the space to work on some new stuff. Ellie was tellin’ me ‘bout this gallery downtown, how they’ve offered her some exhibit space. Gonna have a show down there in March.”

“Wow, that sounds amazing,” Rachel’s eyebrows raise, top lip quirking into a soft smirk as she twirls her fork through a mess of red pasta. “Do you think they’ll get married? Follow in Sarah and Tim’s footsteps?”

Joel can’t help but laugh at the idea. He tries to imagine Ellie and Nina in a chapel, or on a beach, or anywhere, professing their love for one another with friends and family watching on. Tries to imagine Ellie, all tattoos, messy hair, and gangly arms, tucked into a suit or a dress. The image doesn’t come easily.

“I don’t really think they’re the type,” he admits, and Rachel laughs too then.

“No,” she agrees. “I guess not.”

She asks more questions about the girls, the way she always does. Asks about Sarah’s job at the primary school, if teaching is all she thought it would be.

And something like halfway through their meal, around a mouthful of food, Rachel says, “You know I’m glad we’re here, because I need to ask you something.”

Joel’s hands still, face going slack as he meets her eye. There’s something conniving in them. Something sly in the way she smiles, baring her teeth at him. It makes his stomach twist into a tight, burning knot. What does she know?

“Okay,” he says slowly, lowering his knife.

“So,” she hums. “At the conference yesterday…”

“Yeah?” he rasps, blunt nails digging into his thigh beneath the table.

“I couldn’t ask you about it because I didn’t want anyone to overhear us, but… did you see what Professor Neilson was wearing? That blazer?”

“Jesus,” he deflates.

“Oh, come on,” she sputters, and there’s lipstick stained on her front teeth and he finds himself smiling too, relaxing.

“You’re a filthy gossip, you know that?” he raises an eyebrow.

She grins back at him. Winks and says, “Don’t act like you don’t love it, Miller.”

So, for an hour they eat, and talk, and drink. Don’t stop until their cheeks are sore from smiling and their ribs are tight and aching from laughter.  

With full bellies and rosy cheeks, they scrape their plates clean. Lips purse and pucker around final sips of wine, and then… and then Rachel reaches across the table and places her hand atop his.

And Joel has never noticed that she has sunspots across her knuckles. Never noticed that she wears a ring on her pinkie finger, one with a dark emerald stone in the middle. Never noticed the thin white scar beside the nail on her index. She squeezes his hand, the pad of a finger skimming his wrist, and he remembers how he held someone else’s wrist only hours before this. Felt her skin beneath his fingers – the frailty of the tendons and veins beneath it, swimming with life as his thumb pressed down.   

Joel feels his eye twitch. Works to keep his face relaxed, calm. And when she leaves her hand there, he laughs a little. A choked, wary sound. Turns his hand over so his knuckles are against the table and his palm is against her palm and squeezes once in return. Rachel isn’t smiling anymore.

“You okay, Rach?”

“Do you…” she pauses, mouth twisting into a shy smile as she clears her throat. Joel feels something heavy settle in his stomach. A type of dread that curdles and burns like red sky at morning. “Do you remember when Sarah was in that car accident a few years back?”

Joel swallows. Her hand feels too warm against his, her palm tacky with sweat.

“We were… we were at work, and… and Tim called you and told you she was in the hospital—”

He almost cringes at the memory. Her husband’s name flashing across his phone screen during a lecture. Stomach churning and why is Tim calling me, heart racingand Tim never calls. Remembers hearing those panicky breaths down the line and thinking Texas and Maine had never felt further apart than in that moment.

“You drove me to the airport,” he nods. His knuckles feel tight – he wants to pull his hand back and crack them. Wants to feel the joints pop beneath his skin, let the tension slip away like a sigh.

“You were so distraught,” Rachel sighs. “I’d never seen you like that. So uncomposed, so… chaotic.”

Joel huffs out an awkward laugh and tries to pull his hand back, but she squeezes harder. Keeps it in place beneath her own.

“What’s this all about?” his eyebrows furrow, face pinching into a sort of scowl. He can feel it, he can always feel it when his face does this. So unpleasant, so unwelcoming, and he knows it. Just never figured out how to stop it from happening.

“We were in the car,” she continues, and her eyes are so earnest now. So wide, the whites shining, her lashes darkened and fanned out around them in a way he’s never seen before. She’s wearing makeup. “And you didn’t even have a bag packed, you just wanted to get to your girl. Needed to see her with your own eyes, make sure she was okay.”

His jaw feels tight inside his head; teeth clenched painfully, digging into the gums around his molars as the memory plays in his mind.

Tim’s voice wavering, crying, she was unconscious when they pulled her out.

His hand is numb beneath Rachel’s. She’s fine, he reminds himself. Sarah’s fine, that was years ago.

“I think I knew then,” she says quietly.

“Knew what?” Joel tries to keep his voice level. Ignoring the odd feeling that twists in his chest and has his heart racing faster, so much faster than normal, faster than it has ever raced for Rachel.

“That I loved you.”

It’s almost dreamlike, the way everything seems to blur and fade around them after she says it. Or perhaps nightmarish is the right word. A sharp pain sparks between his ribs and he feels his body stiffen and then loosen all at once. Face, shoulders, hand beneath hers – everything softens. Fuck. His mouth tastes like sandpaper, tongue resting fat and gravelly against the roof of it as she stares at him.

When he doesn’t say a word, she says, “I’d always known you were so kind, so generous to the people around you. But to see the way you love? It’s… shit, Joel, I just knew.”

He’s convinced his throat is tightening.

“And I held it in all of these years, and I’m sorry for that. I was just never sure of how you felt, and you never tried anything with me, never hinted at any feelings. But after the conference yesterday...”

“The conference?” he whispers. He pictures that bench outside NYU. Remembers the nasty wind, an empty champagne flute on the ground, the side of his body going hot where it pressed against hers.

“Walking around that hall together,” Rachel smiles. “You kept holding your arm out for me to hold, and I thought, god, maybe this is it. Maybe you actually feel the same.”

Joel imagines that this must be what people describe as critical velocity. Everything that once was smooth turns turbulent. Every second, every minute, that he’s allowed himself to careen forward, wanton and reckless, on the deliciously destructive course he’s set for himself – all of it just for someone close to him to step directly into his line of fire.

And his silence is so painfully telling. He knows immediately when it’s been too long, too much quiet, too many seconds of nothing said, of no reassurances offered. The muscle in her jaw ticks, and a vertical line appears between pinched eyebrows. Confusion, surprise, hurt. Her hand pulls back, and he tucks his in his lap quickly.

“Oh,” she whispers. “Oh, shit.”  

Joel is suddenly certain that he’s going to be sick. His hands shake beneath the table, a violent tap tap tap where they’re clasped against the inside of his thigh.

“Rachel—”

“I’m sorry, I didn’t—”

“Please, don’t apol—”

“I shouldn’t have said—”

“Rachel,” Joel’s voice raises, just a little, just enough to make her pause, enough for conversation at the table beside them to halt for a second. “If anythin’, I should be the one apologisin’.”

She laughs; a sad, quiet thing. Shakes her head at him.

“I guess I… somewhere in my head, I thought you knew,” Rachel says quietly. “Thought you….” The unspoken words hang in the air between them. Thought you felt the same.

And it hurts. His skin prickles at the sound of her voice; laced with pain, with rejection. Your fault, he thinks. That pain is your fault.

“Is there someone else?” she asks then, and her voice is so feeble. So small, so un-Rachel that it makes his chest feel tight. Your fault.

Joel sighs, cringes, fumbles for the right words. The words to explain something that he himself doesn’t even fully understand. Words that will make her feel better, that will put her at ease. Put him at ease.

“It’s not….” he trails off, half-prepared to lie. But then he meets her gaze. Sees the tears that have settled on her waterline and knows he can’t. Wants to hate her for asking, wants to beg her to take back the question. But in the end he just admits quietly, “I suppose there is.”

She sniffles, and when she speaks again, it almost sounds like a question.

“You never mentioned anyone.”  

“I know,” Joel nods. “I’m sorry, I think I just… it’s complicated, and it… it’s new.”

“New,” she repeats softly. “And you never… you never thought of me that way.” This time it isn’t posed like a question. There is nothing open ended about it. Instead it’s resigned; final.

The corners of her mouth are downturned, and her lower lip wobbles, a movement so miniscule that he could have missed it if his eyes weren’t trained on her face. Trying painfully to understand this situation that feels as if it has crept up on him in his sleep. 

“I’m sorry,” Joel finds himself saying again, and he thinks his eyes must be wide, unblinking, because they’re dry, and he feels panicked.  

In his mind all he can think of is every cup of coffee in her office, every borrowed book, every sly joke in the corridor at work. Comforting smiles offered at conferences, snarky notes passed back and forth during faculty meetings. His friend. One of the truest, longest, most persevering ones in his life. One so dear to his heart. The idea of all of that being no more seems almost too painful to contemplate in the middle of a restaurant, with your fault thundering in his chest.

Rachel waves a hand. Feigns nonchalance and offers a watery smile.

“I’m happy for you, Joel,” she says. He doesn’t miss the waver in her voice, nor the harsh splash of crimson humiliation that stains the skin of her face. “I am. Really.”

Except he doesn’t know how to respond to that, doesn’t know what there is to be happy for. Can only watch her face. Can only sit, and stare like a fool at the way the skin beneath her eyes tightens as she draws back tears.

“I’m—” Rachel swallows. Sucks in a huge breath and flattens her palms against the table. Her napkin, stained with soft blots of red and brown, is pressed beneath the fingers of her left hand. The one with the sunspots and the ring and the scar. “Sorry, if you’ll excuse me for a minute, I’m going to use the restroom—”

“Rach,” he tries, hand reaching across the table for—for what? Joel isn’t sure. What is there to do? To say? “What can I do?”

“It’s okay,” she stands, holds a hand out to silence him. Steps out from the behind table and squeezes past him. Her fingers brush against his arm as she goes. “It’s fine, I’m fine, I just need a second to freshen up.”

Joel watches her weave through the restaurant, shifting around tables, until her back disappears through a door at the far end of the room.

There’s a minute of painful quiet. A sort of buzzing in his ears that won’t go away. For a moment all he’s aware of is the look of disdain coming from the woman on the table to his left, and the sharp pain in his chest, and then the sounds of the restaurant come rushing back in. Cutlery scraping against plates, conversation, laughter, the sound of a bell ringing. And something buzzing, really truly buzzing this time. Something against his leg.

Joel pulls his phone out of his pocket and tries not to wince when he sees her name on the screen.

Are you enjoying your dinner?

The glance he spares over his shoulder is short, searching, looking to see if she’s coming back yet. Don’t make this worse than it already is.

Yeah, the restaurant is nice.

What are you doing? 

Well my bags are packed, and I just tucked myself into bed

Something tightens in his stomach, and he knows what she’s doing, knows this game so well. The way she always manages to creep beneath his skin. Knows exactly what to say, to do, to have him hanging on her every word.

His fingers hover over the screen, contemplating a response.

Is that right? he types out, and then grimaces, backspacing quickly.  

Want some company? he types next.

“Christ,” Joel mutters under his breath, erasing that too.

Embarrassment itches across his body. And then guilt, like a tidal wave chaser rushing to cool his inflamed skin, as he notices Rachel walking back toward him. You fucking asshole.

He straightens in his seat, tucking his phone out of sight as she hovers beside the table, eyes darting between him and her empty chair. She doesn’t sit down again.

“I think,” she takes a deep breath. “I think I should probably go. Early flight to catch, you know? I need to get some rest.”

“Yeah,” he says quietly.

He can feel his mouth hanging open, dumbfounded, ridiculous, as his brain scavenges for something to say. Never the right words, never when he needs them. Not for her, and not for Rachel.

Rachel reaches for her purse, and he holds out a hand. “Hey, let me… I’ll cover this.”

She pauses, nods. “Thanks.”

“Course,” he says gruffly. She pulls her coat from the back of her chair, wraps it around herself and does the buttons up slowly. Her mascara is smudged. “Hey, Rach, can we… should we talk about this some more? I don’t want to—”

“Not tonight,” she interrupts sharply. “Please, Joel, I’m sorry, just…. not tonight.”

—lose you.

“Sure, okay.” His throat is tight, your fault lodged heavy against his Adam’s apple. “You need help to get a taxi?”

“I’m fine,” she places a hand lightly on his shoulder, and presses her thumb against the skin beneath his collarbone. “Get home safe, okay? We can talk in Maine.”

“In Maine,” he repeats, and the words split and sour inside his mouth. “Okay.”

He doesn’t watch her leave. Doesn’t want to have to see her retreating from him. Doesn’t want to think about if this will be the last time they get to do this.

The waiter returns and he pays the bill, hastily jotting down a generous tip, and offers the women at the table on his left a tight-lipped smile before standing up.

When he finally makes his way outside, he finds a tax idling by the curb, lights on. The driver notices Joel staring; rolls down the window and raises his eyebrows. Where to?

Joel only shakes his head a little, leans his back against the dank, cold brick wall behind him. He takes a deep, shuddering breath before opening his phone, and sends two words.

Show me.

And then, when she doesn’t respond for a moment, he sends another message. Insistent now. Desperate, and even more desperate not to let it show.

I know you want to show me, sweetheart.

And when she does show him, it takes all of his might not to let this guilt consume him. Takes everything not to ruminate on how quickly he can shift from I’m sorry to Show me.

Because her skin.

So much skin.

Soft, smooth; shrouded in a robe that covers more than he’d like, and he knows how it tastes. Knows how it feels. Could press his fingers, his lips, his nose, to every part of it that he’s touched, in the exact same places, from memory alone.

It’s cold outside – windy, the beginnings of tomorrow’s storm twisting through the air. He feels it snake across his neck, curl beneath the lip of his collar, as he takes in the curve of her breast, the stiff point of her nipple, peeking out from behind white fabric. His cock stiffens in his pants.

He gazes at the softest part of her stomach, the thatch of curls that cover her mound, and wants to press his palms against the plush of her thighs. Wants to lay himself atop her, feel that skin against his again, hear her whimper and moan beneath the broad weight of him as he slips inside her. Wants to snatch her finger from her mouth and glide it inside his own. With her slick and her skin against his tongue, he’d sink his teeth in and inhale that warmth, that beating, pulsating force that he’s found himself so intoxicated by.

And to think, only hours ago, he was doing just that. Lowering himself to the ground in a public bathroom and drinking her down. Feeling the muscles in her thighs pull tight and then loose against the sides of his head. Anything to satisfy the craving that only she seems to inspire in him.

Resolute, persistent – a probing, prodding thing that nips at his heels and thrusts him forward at a double time pace.

A hunger that follows him down the nights and down the days.

A hunger that can only ever be sated like the taking of a sacrament – on his knees, devotion in his eyes.

Jesus.

Are you wet?

You know I am.

Are you touching yourself?

Joel’s jaw tightens. He holds his breath and waits. Can’t quite tell what would be worse; knowing that she’s touching herself, alone, thinking about him, or that she isn’t, that she’s waiting for him. He can feel his cock leaking against his thigh.

No.

He exhales heavily, and the faintest hint of a groan slips out with it. Fuck, pull yourself together.

Joel’s fingers float over the keyboard, and for a moment he thinks of Rachel.

Thinks that if he could only bring himself to look up, to look away from her, he might be able to see Rachel still. The back of her coat, the dark scrawl of her hair, disappearing into the night. Joel thinks of the tears in her eyes, taunting him, threatening to spill spill spill, to streak down rosy cheeks and wet the hollow of her throat. Feels something throb and crack in his chest – a painful, resounding ache that hurts so much like fear, like loss. 

Your fault, your fault, your fault.

And wouldn’t that be so much easier? If he were to look away, to chase his friend down the street and tell her that he was wrong, that he wants her, that it makes sense for them to be together. Wouldn’t it be easier if that were true?

But he doesn’t stop looking at her. He thinks of Pothos, of Himeros, and stares at the soft curve of her stomach, the indent of her belly button.  Looks at the way her lower lip rests below her finger and pictures it swollen, slick with a medley of her spit and his. Even notices a small mark, nestled in the crevice between her hip and the top of her thigh. A fading remnant of where his teeth had once pinched – like a tangible little footprint, whispering that he was there.

Longing and desire flame between the cracks of his ribs; a bright white heat that curls itself around your fault until he manages to shake the thought.

What was it that Kaminsky said? There was no mythology: Odysseus hanged himself. Homer drank to death and stank of mud.

And perhaps he was right; for there is no witness to this. No being over his shoulder, God or mortal, to lay their eyes upon this moment and understand that all he has ever known of love is deprivation. That fondest, blindest, weakest part of his being that has always yearned for, or perhaps grieved over, this love that once seemed so intangible and now, at last, maybe he has been deemed worthy of.

Alone so long, living in a body grown accustomed to such quiet. Familiar with no touch other than that of his own rough palms. And now… the intensity of it shakes within him. The urge to sink his teeth in like a bad dog and hold, hold, hold, to consume and be consumed, and never yield to anyone who wants to take this away from him.

No, there is no looking away from that, from her. Joel feels the noose tighten around his neck the longer he stares – a dog on the leash of its own longing, that need only sharpening with every second that dares to pass.

And Joel knows that nothing has ever been easy. Considers the idea that maybe that’s how it was supposed to be for him. And perhaps he doesn’t want easy, doesn’t want simple. No – Joel was always drawn to the flame.

Good.

Dinner finished early. Where are you?

And that flame welcomes him now in kind. The arms of a lover spread open for embrace; the address of her hotel sent directly to his phone.

Joel looks up and makes eye contact with the taxi driver again. Light still on.

Where to?

**the Kaminsky mentioned in this is Ilya Kaminsky, and the quote is from Dancing in Odessa.

thank you for reading! x

#my writing #fic: a lover's pinch #professor!joel #joel miller x reader #joel miller fanfiction

[fanby-fckry]

You know what, I’m just gonna say it. I think that Alastor being aroace is part of the reason he’s so shippable to me.

Before you come at me, check the flag in my pfp; I’m aroace-spec.

Maybe it’s me projecting, maybe it’s because I love exploring relationships through an aroace lens, but goddamn. I ship him more than any other character and every time I do, his aroaceness is a major component in the ship.

Examples below the cut because it’s gonna get long:

📻🍎 || RadioApple:

There are so many versions of this dynamic and I am here for all of them.

We have the pre-canon kinky QPR that I show in UH3. I could talk about that all day, but to summarize:

Aroace x genuinely respectful allo is a dynamic that heals my soul.

Lucifer is less tied down by human constructs like amatonormativity, having never been human himself.

The Devil values consent.

Kinky cannibalism, kinky cannibalism, kinky cannibalism, kinky ca- *I am removed from the stage with a comically large hook*

Then we have the Evil and fucked up QPR dynamic:

And of course, trying to get along for Charlie’s sake and eventually bonding over their shared love of dad jokes and musical theatre, both being violinists (yup, Alastor plays violin too, check the wiki) with niche hobbies/interests (ducks, furby organ) and accidentally winding up in a loving, healthy QPR.

📻🕸️ || RadioDust:

There’s something about an aroace and a sex worker who very rarely falls in love.

Angel would know that Alastor isn’t with him for sex, would know that he values Angel beyond his body.

With greyro Alastor, Angel and Alastor would both be inexperienced with romance, but in wildly different ways. Angel has never had a healthy romantic relationship and therefor tries not to fall in love. Greyro Alastor has probably experienced romantic attraction like less than three times in his 100+ years of existence.

And if Alastor never gains romantic attraction for Angel, that’s a whole other level to the dynamic.

It’s got some great angst potential with Angel wondering if he’s not good enough to love romantically or Alastor feeling guilty or confused as to Why It Hasn’t Happened Yet when he cares for Angel so deeply, and eventually it gets resolved with the two of them accepting that their attractions don’t have to match up for them to love/appreciate/care for each other and they smash the amatonormative relationship hierarchy as queer platonic partners.

Or, Angel’s just totally cool with it from the start because he’s spent decades in the kink scene and has potentially been exposed to more relationship anarchy than Alastor.

Kink and queerness have a great deal of historical and cultural overlap, and that includes aroace queerness. Because Angel’s had way more canon exposure to both, it’s possible he knows more about Alastor’s orientation than Alastor does, and I love the idea of Angel introducing him to terms or just being super chill about not labeling things.

📻♥️ || RadioHusk:

Drawing like 90% from pilot dynamic and headcanon on this. They’re just two old men. They get drunk and cuddle. Alastor is one of the few people who knows Husk can purr and takes advantage of this fact. Alastor considers Husk a friend in a fucked up, possessive way. Husk considers Alastor a pain in the ass, but does care about him on some level.

It’s Fucked Up and Evil QPR: Remix Edition.

And the versions where the author puts them through fanfic couple’s therapy and actually gets them into a healthy point in their relationship? One where Alastor no longer owns Husk’s Soul? *chef’s kiss*

📻🌹 || RadioRose:

For me, personally, this is an exclusively nonsexual, non-romantic ship. They’re besties; they’re QPPs. They’re married for the tax benefits and so that they cannot be forced to testify against each other in court.

Rosie knew Alastor was aroace before he did and rather than sit down and explain it to him, she decided to make ace puns.

📻💋 || RadioSiren: [edit, context here] RadioFemme

Ok, so this is entirely based on non-canon-compliant Lilith. Or, I guess, non-series-compliant Lilith. More of the old WOG stuff from the pilot era, with a healthy dose of headcanon for flavor.

I love the idea of Lilith and Lucifer having an open marriage; I love the UH3 style polycule dynamic.

Lilith being the original seductress and Alastor being aesthetically but not sexually or romantically attracted to her is very near and dear to my heart.

I’m an aroace with a voice kink who is aesthetically attracted to Lilith and I think Alastor is an aroace with a voice kink who would be aesthetically attracted to Lilith, ok?

📻📺 || RadioStatic:

I’m gonna be real with you, 90% of my interest in RadioStatic is in the one-sided version where Vox is a pathetic little incel simp and Alastor is either oblivious, mildly annoyed, or finds the whole thing hilarious.

Whenever there’s any reciprocation on Alastor’s part, I always imagine it being in a very aroace, very Alastor-esque way. He needs to be get something out of it completely unrelated to sex/romance. And he needs to be manipulative and sadistic in the process.

Whether that something is kink-related, a business transaction, or simply the quality entertainment provided by Vox being a cringefail TV-headed little bitch, I love to see it.

#hazbin hotel #alastor #radioapple #radiodust #radiohusk #radiorose #radiofemme #radiostatic #onewaybroadcast #fanby’s fuckery #osha violation #suggestive

[the-snail-that-reads]

Please ramble about the Au I’m so curious

Well, since you asked so nicely~

(This isn't proof read. Forgive the incoherence)

I've just been calling this Traveling Companions Au. So basically, Odile meets Siffrin way before the events of the story, not long after the whole Island thing. So, when they're about eleven-ish and she's in her 30s.

And now Odile has this child on her hands who

Can barely communicate. (Going off the assumption that Siffrin was already taught some Vaugardian when he was young since the countries were so close)

Remembers nothing about where their from.

And seemingly just showed up out of the mist.

At this point, Odile has already begun traveling the world. So even if she was in the mood to take a random child in (which, she very much isn't) she isn't in any position to give them a stable home. So, she leaves them at the first orphanage she finds and that's that, isn't it?

Of course not. Because Siffrin just. Keeps. Finding her, having latched onto her like a duckling to the first thing it sees. And eventually she just kind of caves and stops trying to get rid of them. She understands what it's like to feel like you don't belong anywhere, after all.

She's not their mother, never tries to be their mother. She probably just calls them her ward until their old enough to reasonably be called a travel companion. Obviously she cares about him. She just. Never tells him how much she cares about him. In direct words.

And yes, while cute kid Siffrin stuff is all well and good. What I really wanna explore with this AU is how it affects the main story.

Sif grows up with a drier sense of humor. Though puns are still a thing. Odile will never be free from the puns.

Siffrin probably? Learns about her whole Familytale quest, but never pries into the context until the Friendship quests arc.

Self-esteem issues are still a thing, just in a different flavor.

He's definitely a lot more comfortable with making fun of Odile than he is in canon. Though it goes both ways. They've got over a decades worth of dirt on each other.

And if Odile was perceptive before, imagine how much easier to read Siffrin is going to be now? She's known them for like 2/3s of their life she's definitely going to notice somethings going on in most of their loops.

Mirabelle and Isabeau get two party members for the price of one in this AU! And with the way Odile and Siffrin behave around each other they assume they've been traveling together for a while.

One day, Mirabelle actually thinks to ask how long they've known each other. And when Odile casually replies, "oh... fourteen years? Fifteen?" She and Isabeau are baffled because ??? Siffrin's in his mid-20s????

At one point, Mirabelle or Isabeau mentions that Odile must be like a mother to Siffrin, and the absolutely disconcerted look Siffrin gives them in response is enough to make them never bring it up ever again.

So yeahhhhhh those are my rambles. Maybe I'll write a fic about this. Maybe I'll just release this into the wild and let people do what they want with it. Who knows?

#in stars and time #isat #isat siffrin #isat odile #isat spoilers #isat isabeau #isat mirabelle #isat au #au #in stars and time au #Traveling companions au

[revacholianpizzaagenda]

Apocalyptic squirreling

We're not, like, impaling these quotes like the proverbial shrike or anything, just hoarding them away in a nice stash. A collection of Disco Elysium tidbits about the end of the world compiled by @yekokataa and I, feel free to add!

...starting with the game's earliest teaser trailer.

(28 rather than 27 could be its own odd math, there's some miscounting in the text now and then just like there's the occasional typo, or it could follow the fact that the year of canon events was changed at some point. for that matter, the infamous 22 years to the nuke should be 21, like it originally followed that same 28 and wasn't edited - consistently, the variable it flags is ice.andre_hyper_rc_succ_28)

(this is an example of odd math to me, for the record, as it's 365x27 to the day. It could be it's the EXACT count and also that Elysium doesn't have leap years, but I would've expected a less precise number, personally)

:)

Ours has actual six thousand years of history: it spans from its own version of the early Bronze Age (Perikarnassian period) to the early Middle Ages (Franconigerian period), to the Renaissance (Dolorian period), right up to a decade we call “The Seventies”. It’s a world like ours, one that has evolved culturally and technologically over widely varied periods of time. No Truce With the Furies takes place in the modernity of this world.

(source)

Q: How tight is the connection between the book and the game? Is it a Witcher-like situation? KURVITZ: Things in this world are connected to each other like things in our world are connected to each other – not like things are connected to each other in Star Wars. The book and the game share themes and historical developments. The book is set in the early seventies and the game is set in the early fifties. They are connected the way two stories set in our world would be. The fault-lines developing in the fifties are more apparent in the seventies. The situation has worsened, the political climate has shifted, but there is no Skywalker saga. The main story in Elysium is history.

(source)

yes yes we've all seen the nuke convo but let's put it here for completionism's sake

This connection - saying 22 instead of 27, or 28 as the variable reminds us - could seem strange based on game data alone, but it neatly follows the context of the book, which shows us that the bombing of Revachol is one and the same as the material beginning of the end of the world.

This one is also a fun book throwback, from apocalyptic Kurvitz self-insert to apocalyptic Kurvitz self-insert

(being appreciative of that kind of future just nets you a YEEEAGH)

more personally ominous than globally ominous but ominous nonetheless

("we become vapour" being, of course, the planned title of the eventual Elysium tabletop setting rulebook. sigh.)

This one's intriguing, isn't it? With an eye to Le Retour...

Her echoes of the other dialogue options are similarly ominous, for the record.

And we don't know if Nilsen had visions of his own (the man sounds well-acquainted with his Half Light, on behalf of the war crimes, so it's not... entirely out of the question) but we do know that his pocket calculator lap cat second-bestie very much did and could've been his source.

Also a strong book callback, among other things. Remember kids: object permanence!

Harry, all these quotes like this one sound like they would make sense for the actual guy who goes and blows it all up, not you personal-

...ah yes. Ambrosius looms... yeah buddy it sure is solemn AND historical, I'm afraid:

and of course, in closing:

🥲

...for the remaining 276 pages of Elysium tidbits about the end of the world, of course, over here.

#disco elysium #yekokataa #fayde-weaving #or something

[precious-little-scoundrel]

Let’s Fall Out of Love

Divorce Part 1

Fully co-authored with @elvisabutler 💋

Thanks: are due to so many friends on here who helped craft this timeline and concept and helped me hone the motivations into something I trust our readers will find evocative and sympathetic. Y’all know who you are, thanks for being my buddies

Warnings: 18+ for thematic and sexual material. Strong language and bitter accusations between spouses, mentions of drugs, divorce proceedings, lying to spouses (for their eventual good???) mentions of past infidelity, Colonel Parker being the worst, poor Elvis being in a bad place with his health and mentally -and dub con smut. It is in no way non con but the context, the lack of voiced or implied consent and the aggression make it dubious. It is fairly clear both parties are engaging in hysterical bonding, still the scene is dubious as is the language used by the man regarding a wife having no say in it. So please heed that.

Note: it was the attempt of the writers to craft a rather cinematic experience with this fic, one aim was to skip times and have plenty of fade to black moments. Please note the time stamps above each scene to keep track of progression. Anything that is not clarified in this chapter will either be clarified in the next part or else in others. You’re of course welcome to ask questions.

|| 10th, APRIL 1977 ||

Divorce. Lil Tink is divorcin' him. Lil Laney is gonna be his ex-wife.

The thought rattles around in his aching brain as he chases her up Graceland’s stairway, past the portraits of their children and the plaques celebrating their successes and haunting likenesses of younger selves. Both of them home for a brief stint after Vegas Showrooms and California Courtrooms.

Home -it won’t be his home much longer, she’s gonna see to that.

Divorce.

It had taken up half his year already but he was so sure, so damn sure all she needed was to make a fuss and threaten like she does and then it would cool down, smooth over. He was ready to humor all sorts of shit and then she went and pushed for more. More money, more assets, took out a damn lien. His Tink who happily chucked half of custody at him without a fight has now drug this little show on for months, all for a couple more bucks.

She’s takin' everythin' he's worked so hard for, takin’ it all, going back for more even, just to make sure she can still be taken care of in the conditions and standards he had raised her to.

Spoiled lil middle class girl grown into a spoiled, hardened rich woman.

“Till death do you part”, he hurled the promises at her over the phone, as soon as that court order had landed in his hands -but if ya ask Elaine, he's been dead more times than she can count. Maybe he's dead to her in everythin' but body. Ain't that the other joke, he feels half dead even in body.

"Elaine Presley! Turn 'round when I'm talkin' t'ya! Ya know I hate it when people do that” As if she’s required to listen to him or required to pay attention after two decades of focusing so much of her attention and time and energy on a man who has forgotten all of that. On a man who’s forgotten that he’s married to her. That’s forgotten he has children with her, a life he promised her, and not to his manager who's twisted so much of what was between them into this. Whatever this is.

"Why?" She spits still climbing stairs she's climbed a thousand times before. Faintly she hears Marie playing in her room and a surprising amount of silence from Jack's and her heart twists. They don't need to hear this. None of her children do but her youngest- oh her youngest deserve to think their father is still something resembling a good man.

"Why?" As if Elvis is some sort of parrot, he repeats the question back at her. His confusion colors his face, warring for control with his anger and frustration as he follows her through the padded master doors. "Why? The hell kinda question is that?”

“I told you come by and grab those things you said you needed so badly.” she hauls open one of his drawers and the thing squeals on its track from her violent tug. “So do that. If you wanted to chat then we coulda chatted somewhere else. Or, you know -a year ago? Ten?”

“I’m just askin’ why.“ He embraces her own wording and tries to get nearer her, hem her in against the dresser like he’s done countless times before in this very room with dazzling success.

Elaine slips away between them like water and he’s left bracing himself on the smooth wooden top.

“I’m not actively trying to be a shrew.” she murmurs as she turns away and goes to the other side of the room, opening the wardrobe, “No matter what you believe. I told you that you’ll be welcome in this house no matter what, so that’s why.’I’m not allowing you to come around -you just can, it’s your mama’s house still, for all I’m concerned.”

“No, no I mean- why’re you throwin’ this away?” He emphasizes it with his hands, a pleading gesture that sweeps the whole room and its host of sacred memories. He’s used this before but that was back when he figured it was all one big tantrum. Signing custody papers has rather shaken that hope, delusion, comfort.

Tink purses her lips and he notices her face has gone so white this summer, rarely in the sun and addicted to wearing black like some melodramatic Prima Donna. She does look stunning in the papers all decked out in veils and heels, he’ll give her that. He doesn’t know when she turned from being the heart of the operation to the glamor of it all -and he the opposite.

“What’s my favorite color these days?” she asks him instead.

He stares at the sable color he’s seen her wearing for months now and sighs in exasperation, “Shit I dunno -black?” he swings, knowing it’s a miss the second he says it.

“I can’t do this anymore.” she informs him, like color has broken up a twenty year long marriage and he grinds his teeth so hard he thinks he cracks a filling. The pain adds to his headache that matches the pounding in his chest and the roaring in his ears builds to such a degree he’s honestly terrified for them both.

“Stop this.” he warns her, quite sure she knows the red hot fit she’s stoking with her callousness and hurt that she won’t help him out of it like she used to, that she’ll let him go into a blind rage and then blame him for it, no doubt. “I know when you’re lyin’, woman, and I ain’t ever seen a more lilly livered liar than you right now.” he snarls and tries a last appeal that comes out as a barb anyways, “You wouldn’t be goin’ on so rash if your daddy were still alive,” he jabs a finger at her, “guess I can be grateful he ain’t, so he’s not breakin’ down my door for explanations ‘bout a offense you won’t admit to me!“

Elaine absorbs this blow with a wavering face before the nonchalance cloaks her features once more and Elvis would resort to smacking it off her if he were a different sorta man. “Black is practical, that’s why I wear it. It’s not my favorite though.” she simpers, clutching at the shoe she’s picked up from the floor, something for her hands to worry, to hide her own anguish at having to keep him in the dark. To lie repeatedly to him as he breaks apart, she didn’t know it would cut him up so much.

It’s a mess, this web of connections that used to prop them up, used to be a community. Now it’s a den of tattle tales and if one of them suspects she’s anything but angry at Elvis, that this this divorce and seizing of assets isn’t a scorned wife gone nuts, but rather a calculated endeavor to get at his manager once and for all -well Charlie will spill to Vernon and Vernon will spill to Elvis and Elvis will have all the fuel he needs to plead her right back into complacent heartbreak in his arms -before he goes on tour again and murders himself from the workload.

“I’m on orange kick, actually.” her voice is hoarse.

“Then I’ll buy ya some fuckin’ orange curtains and you’ll stop divorcin’ me.” he jabs a tinged finger at her and he looks like he might fall over, his face is so flushed and sweaty, from pills and passion. Elaine readies to catch him, break his fall if he tips. At least here there’s carpet, unlike the hotel hallway that busted his head last year.

“I’m rather in the mood to buy my own from now on.” she lies and sweeps past him to get to the closet.

She never gets past him. His hand darts out and engulfs her dainty wrist, tugging her back and in a spin like he practiced in his movies so many times, a romantic, gallant, possessive gesture that lands her smack against his broad chest, locked in with an arm around her shoulders.

"Buy your own, hm? Gonna sell my mama's house to do that? Gonna sell ya children's home to do that?"

“Elvis, you get your damn hands off me.” she bites back, throwing her weight on his forearm that might as well be made of steel, so little room does she gain from her effort.

"Never minded my hands on ya before. Even 'fore I married ya, it was fine for me to touch ya. To inspect that lil house of yours to make sure it could have all those lil babies ya wanted. Gave 'em to ya didn't I? Gave ya every last one and two've ‘em are even still with ya till they leave." Never mind that Jack's been bouncing between here and California in an effort to do what he's wanted to do since Elvis would play sharks in the bed with him. "But now you're wantin' my hands off. Goin' on 'bout gettin' new curtains yourself."

His words are punctuated with spit and a hissing anger Elvis doesn't normally indulge in. The bitter anger she used on the road with champagne making her head float in a sea of lies and wants and needs and a twisted sort of love till she had to call it. She can feel her jaw tensing up at his calloused fingers finding their way under her chin, tapping at first to try and have her look up at him before clenching around it and tilting it upward instead.

"Who is it, Laney? Who's the person who's gonna take care of ya? Gonna help ya buy those curtains? Get Marie those cameras? Help Jack and Rosie pay for those commie schools of theirs?" With each passing word Elvis’s voice drops lower and lower in octave until he's reaching levels Elaine's never heard. Against her will, her body shivers in his arms. A sneer crosses his lips- a twisted version of his raised lip that everyone knows and loves. That raised lip she's kissed before with laughter and jokes on how "if you keep doing that your face'll stay that way, Naughty." It shouldn't be there like this and yet it is. "That why ya dragged me to our lil Ella Bella's weddin'? Figured the Martins could spoil our daughter rotten away from you and your new caretaker? Your new piggybank? Don't get shy on me now, Laney! Who's the lucky sonuvabitch who gets to have my wife?"

Elaine's learned how to be composed in every situation with Elvis. She'll shoot at the Colonel over love handles and movies that killed her Elvis's spirit. She'll titter at army wives mocking her house and implying she couldn't keep up with being Mrs. Presley and growing a second set of twins in two years. She'll handle losing little Joesphine with a body that betrayed them all and with a smile on her face because Mrs Kennedy had just lost hers and then John died and the US can't handle their Irish Catholic and their Southern Baptist Camelots falling to pieces all at once. But this, this is too much. This is her soon to be ex husband mocking her. Like she'd have had time to find someone else who would take care of her, like taking care of Elvis and their children allowed her to seek any other comfort than in the aging movie star her husband sought to emulate once upon a time before realizing he's just a man too. The aging movie star she considers one of her nearest and dearest friends and who'd- who would be her caretaker if she let him.

Knowing her luck it'd end up worse than this.

No, this is Elvis throwing out an insult to her character, the one he'd have defended till his dying breath except for when she turns on him like Red and Sonny did. Their book's gonna be coming out sooner rather than later and- she's made it obvious he can't trust a soul any more.

It won't do either one of them any good to react. It's not going to help her escape from his grip that's a vice around her. It won't help him see what she's doing and how she’s doing it for him. But she is only human just as he's only human and her lipstick covered mouth opens in defense of her own honor.

"What makes you think you deserve to know?" He can't see through everything to see why shes doing this, so why should he get an answer. "You won't have to worry, we'll all be taken care of. And you can be rebranded! A seasoned entertainer who's free as a bird to do whoever and whatever he wants. Or oooh -maybe the colonel will pick you out a new wife. Pretty little fool to take my place, without trappings like children -or brains."

“I chose my wife.” it sounds like a beg, anger and hurt battling for the upper hand in Elvis’ heart, his hand squeezes her chin stronger, watching her lips pucker just that little bit. Such a soft mouth has no right being so stern and derisive as it’s been these past months, once upon a time he knew how to make it gasp and smile with a word, a kiss, a mere glance. “I chose you, and you promised. It ain’t me breakin’ that promise, ain’t me sayin’ I can’t do this no more -I-I-I’ve spent my goddamn career givin’ you all this, I gave up w-women for you, I gave up movies for you, when you come to me with what’s wrong I do my damndest to fix it. Now you won’t tell me nothin’ but orange curtains, and if I thought those’d fix us I’d be out the damn door right now, headed to find you the best in the country. I would, Laney, you know I would. I’ve given-“ he stops to gasp in a ragged breath, unsure of what part of himself he hasn’t poured into his Tink, entrusted to her once caring little hands, vulnerability poured like so much oil into her heart for safe keeping, his flaws and secrets tucked safely in the little nooks and crannies of her generous mind. “I’ve given-“

-So Damn Much.

“I’ve given you my life.” His Laney stares back at him entirely unmoved, her eyes hard and sharp with their ebony liner, the squish of her lips beneath his fingers barely dismantling her disdain for him, “And seven children from my body. I never said you weren’t a good man,Elvis, or that you're not generous, but we both know we don’t want to go toe to toe in measuring costs for twenty years in heaven. And I’m saying, -I can’t do it anymore.”

“Anymore?” it’s bothered him all these months, that word and he wonders what she thinks she’ll have after this, like they’re not so intertwined and connected that, like twins, they will forever feel what the other feels, want what the other wants, a string tied between them from countless, immeasurable amounts of time spent merged as one, “I ain’t ever not gonna be in you, woman, once mine -always mine. What’s there for ya after this, huh? Seven children -twenty years! -Goddamn I’m in you!” he shakes her at that and sees a spark of something he knows light up her eyes.

Elvis slides a hand from her shoulders, down over her sternum and feels her heaving intake of breath at the missed feeling of his hands on her, down past the tie at her waist, down to the planes of her firm belly, just a little swell and some soft skin that speaks of the souls they once made with their love. He presses his hand, large and warm and cupped to that precious sanctuary, kneading it, lifting it, weighing it just that little bit in his palm.

The little house is empty.

Elvis outright laughs at his mistake then, a booming, jarring laugh at having forgotten just who he’s got in his arms. He can feel Elaine’s violent shuddering along the entire length of him at the strange sound in their gloomy bedroom. Or maybe it’s from the dig of his fingertips at her womb, like he’ll claw inside it from the outside if he’s barred from plundering her the natural way.

Sweet Miss Phipps, Elvis thinks, with her hungry mind and starved body, so damn eager to be possessed, to be made good use of, to be pumped full and burdened with child again and again. He shoulda kept her swollen this past decade, prioritized her hunger over the tours and then, maybe then, she’d not have gotten notions like this.

“God gave me a remarkable woman.” he murmurs to himself in realization, his hands loosening their grip on her jaw to run the backs of his fingers against against the soft swells of her cheeks and Elaine’s heart speeds up in recognition of the shift in his demeanor, that thrumming resolution taking over his body behind her and helplessly her own responds to it.

As if she's another person, someone she would counsel to resist, to stay strong, Elaine feels her face turn towards the caress of his ringed fingers, towards the admiring touch that’s been her joy to wake to a million times, a touch that’s brought her purpose and comfort for twenty years. Her mouth falls open with a surrendering quiver and she makes no move to avert her mouth when his fingers sweep over her face and across her lips in a revenant mapping of his wife’s well known features. Her tongue darts out to taste even a sliver of his salt, she tastes metal instead as his ring glides by. It’s a heady feeling for anyone to realize Elvis Presley intends to fuck them, it’s entirely heightened by a familiar knowledge of his capabilities and a divinely witnessed right to his person.

It’s no villain staring down at Elaine, pressing himself to her -the distance has been necessary all these months to keep her anger and fear prominent, to remind her of the need for such dire action as divorce, the slightest, kindest of touches from him would dismantle that resolve, that garish image in her imagination. Now she’s close to the finish line, so close he’s fully panicking and she can feel the lightness of soon being free of her deceit. He’s no villain, he’s just a good man who has hurt her, who hurts himself more often and worse than how she’s hurting him. And soon they’ll be able to save each other. Just not today.

His hand slips to her throat and he kneads it, contemplating the give and delicacy of her pale flesh, and her responses, the languid subjugation of her body to his touches, just like he’d taught her in this very bed across from them.

She sees when his eyes flick up from her throat to their marriage bed and it’s like a million hummingbirds erupt in her belly in disbelief, in panic, in a frantic sort of hopeful missing.

“Elvis-“ she doesn’t know if she’s trying to warn him, trying to remind him of the wrongness of what he’s thinking, or if it’s a beg for him to ignore her sensibilities, to take her and make her that new little wifey with the carefree face and the mindless little head.

His face is dark and flushed like he gets when he’s aroused, his features seeming to get richer with the heightened intensity of his feelings and she can feel the sweat break out behind her through his silk shirt, slicking up her own back through the gauze of her dress. Elvis’ eyes drop back to her face, remaining there with a million intentions painted therein but not a single flicker of wavering shows.

Elaine had no reason to be as startled as she was when she felt his hands drop to her waist and spin her around, picking her up beneath the ribs with his astounding strength and tossing her like he would rag doll on his karate mats. She landed with a silly bounce amongst the bedding. It could have been romantic if he had any blue left to his irises as he looked down at her, sauntering to the foot of the bed himself and surveying her where she lay.

“Wife.” he greeted before taking hold of a footsie in each hand and spreading them apart for him to step between her legs.

"Elvis." A whisper as if saying his name any louder would unleash something they might both come to regret. As if it'd cause the dam she's locked her emotions in this entire ordeal will finally break. If she calls him husband it's over. He knows her inside and out, every crevice and dip in her body and soul has been mapped by him. The lie will come apart with a simple utterance of his title that he still has in this moment. The title he still has for three more weeks.

"Elaine." Her name comes out in a shaky breath that she can tell he's attempting to control, to rein in. Those blue eyes she's fallen in love with more and more as years had gone by are an inky void, pupils covering every inch they can and not just because of some pill he had to take or because she had watched him die right in front of her. Both their tongues dart out to wet lips and catch errant drops of sweat before she hears the *clink* of his belt.

That noise isn't new to her, the jangle and clanging of the metal a familiar sound. In the quiet of the room, in the quiet of the house? Of their home? It steals a breath from her lungs as sure as his body pressing down on her would have. The belt sounds like one of the heaviest ones he owns and a shiver unbidden rolls through her body as the cacophony of that gaudy belt gets louder and louder in her ears. Each breath takes effort, forcing air between the two of them that threatens to stifle any calming thought or action. A final puff of air- of his breath- warm and humid runs across her hair, forcing a loose strand of it to move.

Elaine doesn't. Elaine doesn't move an inch even as his belt finally comes off in a subdued flourish and a minor curse. Her eyes focus on the gaudy little harem lamp above them even as Elvis drops the belt ever so gently next to her body. It still clangs against the rings of his hand and its own golden links.

Sweaty and warm, his bejeweled hand moves to cup her cheek. "Mrs. Presley." he breathes her title into her lax mouth like it’s Holy Spirit anointed before slotting his mouth against hers with firm conviction in the rightness of his claim to her.

"Elvis."

It's not fair that all this force, all this passion, all this wanting that has -if she’s being honest- waned for her at times over the years is coming out of him only now, now when he thinks he’s lost her. Now that he’s more fool than he’s ever been. They’ve been alone too often in their marriage, if not separated by miles and oceans, separated by intent and interpretations of it.

“Still mine, for a few more months you’re still mine. Ain’t nothin’ you can do about it. You jus’ take it, jus’ take me, Laney”

And if she weren’t blinded herself by a heartache the proportions of which were only matched by losing a child, she might think every grip and clash of their bodies tells her he wants her every bit as bad as she wants him.

Still.

Mindless and hazy she waits for him to notice how every give and shudder of her own frame declares her want for him. He thinks he’s forcing the matter -but all he’s doing is giving her some false hope to curl around and cry over when the fissure finally splits apart.

I wanted you. But I thought I was alone in it, she thinks she hears them both saying it with every lewd squelch and pant.

It’s cruel confirmation of how entwined they’ve become, how much knowledge of the other they’ve collected over the years that he can make her writhe even under these circumstances, have her shattering beneath him effortlessly like older, kinder, gentler times. It’s made worse when she can feel him slow, stopping partway in that familiar way when he’s edging himself, intending to make her go round the loop once more, the familiarity of it makes her want sob, not from any hurt of the present, but at the notion this may be the last time she feels it -they both want this to last. And that unity is a mocking thing, all context considered.

He’s sweaty and she’s trembling, there’s so much warmth coming off his angry frame that she feels like curling inside the furnace and letting him make her forget anything beyond this physical connection that was never in doubt, the sheets are cold and dry and foreign against her back by comparison and she thinks of sleeping alone amongst them for the rest of her life. Elvis seems to sense this weakness of hers, one he wished he supported sooner, taken advantage of back when she looked so indestructible but was privately fraying at the seams, trying to hold the whole fairytale together. He shoulda done this sooner.

Old dog, new tricks, maybe, but Elvis has always been clever, opportunistic even, and he keeps his thrusts shallow and tantalizing as his wife gasps back to life beneath him and he keeps her close, his hands wound into her hair, hairy forearms beneath her shoulders, her ankle caught somewhere near his ear and his sweaty nose dripping onto her cheek.

“C’mon now Tink, you’ve thrown your fit,” he reasons to her in a coo that is underscored by the cajoling gait of his hips rocking into her, it has her clenching around those first few inches of him again, “ya made your point. Don’t -don’t do this to us baby. You c’mon back now. Ain’t anythin’ out there that’d satisfy you like us. Ain’t nobody else needs ya more dan hims does, satnin, don’t leave hims, baby.”

A good fuck, that’s all she needed, he’s sure of it. Or a couple of ‘em. He shoulda started dishing them out in Palm Springs but he’d been so angry when she filed and she’d been so cold. A couple of good fucks, that’ll solve it.

And to be heard. Which -she’s gotten that, all of America’s been hearing how he can’t keep his own wife.

Whatever bit of sentimentality he’s feeling right now, the sort that makes him wanna spill over how pretty she looks, vanishes in the angry tumult of his recalled humiliation. It fires him up instead and he snorts in his breath above her like an angry bull, perfectly capable of making her pay, making her see some sense, too. The longer she doesn’t reply the more this feeling surmounts the gentler ones and if Elvis were being honest, he knows denial had given way to rage and now bargaining and he’s full on panicking, trying to keep a woman who he shouldn’t have to chase.

She’s his wife.

“Elaine?” even to his own ears he sounds frantic and rough.

She is crying beneath him now, he thinks, that’s not all sweat making her face shine and her lips are taut like when she’s trying to hold it in and he wonders why the hell she’s the one crying. He feels like crying, he’s being left without an explanation or a pot to piss in. And all that while he’s still perfectly capable of proving he’s the best she’ll ever get. It’s like she’s agreeing with him when her hips start to move on their own accord, disagreeing with his teasing thrusts and instead she impales herself up on him, rough and sloppy to the rhythm of her fits of crying.

“I loved you.” Elaine sobs into his neck and he could wring hers for the confusion of it, for the way he just doesn’t get her after a lifetime of trying and how only this, this communion, this passion, this fucking is the only thing they make great sense at. Back when it had a purpose, back when it was to bring joy, to make a baby or five, and even now -to tie her to him somehow.

He folds her body viciously and plants his foot on the bed, thrusting so hard into her with all that wild abandon he knows she’d been jealous of him expending on his audience and not his family. “You greedy lil bitch, you love me,” he growls, “-what a revelation.”

‘Just an ounce of all that passion would go a long way, Elvis’ -he can hear the echo of her stupid little voice even now.

Passion? You want passion, Tink? He doesn’t think he’s ever been so passionately furious when he’s climaxed before ever in his life. For once it’s quite obvious he’s not ‘made love’, war maybe, but not love -and ain’t that another joke, he’d meant to make her love him again.

Elaine tears at his back with her fingernails and hears him snarling at her that he won’t stop, can’t stop, why can’t she stop this nonsense? She grips him harder, she seizes herself as he starts to slow, claws at his back with each vicious pump -seems they’ll both be shifting in their seats next time in the courtroom.

“Elaine?” he sounds so broken, like he does those times when they bring him back from heaven’s gates, it’s mumbled into her neck again like always but this time there’s no drugs to blame, not directly, not if she’s honest. She’s the one killing him. This little plan of hers to save him, just might finish him.

She prays God will be kind, prays he’ll keep her man alive long enough for her to finish this ugly business and restore his freedom, prays that maybe the hot slosh of spend coating her womb won’t be a waste. That she’ll have something of him left, just once more, please just one more. Something left of the man she married. Something to remind her of why they married and of what it was like to be happily married. Maybe just once more she wants to carry his entire world inside her.

“No, Elvis. I-I’m sorry, no.”

When he pulls away, it's not just sweat coating his lashes and his face. This plan of hers might just finish them both.

_______________________________

Every day in that courtroom is another layer of pride and image stripped away from Elvis and her and their perfect Southern Camelot. Every day is another headline for the papers with pictures of Elvis making a fool of himself in a way that can’t be smoothed over by anyone. Every day has cameras being shoved in Elaine’s face as she leaves with another hickey on her neck, bruising and blossoming in a way that looks grotesque when she sees it on the news later that night. The black outfits don’t help the contrast.

Every other day is being thrust against a bathroom stall’s wall with heels digging into Elvis’s back.

“E-Elaine-" He’ll stutter out, the feel of her clenching around his cock making it hard to focus or maybe it was the bite of her nails through his dress shirt. "You stop this. Been grovelin' 'n I deserve to have my wife listen."

"Ex. Wife." Elaine will huff out, words slurring into a quiet mewl as his cock brushes that one spot.

"Wife." An argument and a fact that he'll hammer home until the very last second he can. She never corrects him after the first time, too worried the knowledge would crush him to the point of everything finally giving out.

Jesse has taken to looking askance at her, worried and haunted little looks with fluttery hands at shoulder level that remind her of Elvis before he married her. If she had Elvis’ grit she’d ask her son if he had something to say and tell him to say it.

As it is she just pats his elegant hands, a man’s hands, she realizes, and thanks him profusely for his support, for being there at court with her day after day, missing practice and missing dates, letting a youthful spring and summer slip on by. They’ve been at this for close to a year.

“It’s nothin mama.” Jesse insists, almost offended at the idea he’d be anywhere but by her side.

________________________________

|| 5th, JUNE 1977 ||

When Ann makes her call, Elaine’s heart fills with all the old butterflies and girlish excitement of a past decade. They’ve kept in touch, of course they have, but between the touring, the marriages, and the unspoken acknowledgment of life falling apart from one and coming together for another, there’s less common ground to chat about compared to the days when Elaine used to share her husband and two little vixens named Thumper and Tink got to pick him apart in gleeful adoration like girls with their crush.

“Can I come by?” Thumper asks her, soft and kind but without the playful undercurrent that precipitated all her other visits.

“Well of course you can, you know you can.“ Elaine puzzles, finger worrying the wire in a nervous tick that has nothing to do with anticipation, dread pools in her belly instead.

There’s no children to greet Ann when she comes to the door, Marie at school and Jack away at his apprenticeship in California, Jesse has taken to spending his days in the studio when he’s not needed elsewhere, Daisy on the road and Rosalee in College, Ella married and attempting to assimilate with her in-laws. It feels like a ghost house compared to what Ann recalls. Maybe it’s just the passage of time but something terribly wrong and lonely strikes her at the lifelessness of the grand house, like it’s become haunted without a single death.

Unless it’s the death of the Presley’s as a whole. That would do it.

Elaine stands at the top of the stairs like old times, but there’s no gambit of children to wait for and so she speeds down the stairs at a breezy gait, smiling soft and subdued even as she refuses to be coy with her hug. She wraps Thumper up in a deep embrace and Ann squeezes her back, saying a million things at once by their clutching hold, murmuring little half sentences of condolences and “missed you’s”.

“What’d you come for?” Elaine asks her at the dining table after having supplied ice water and coasters for her guest. Ann turned down the saltines Elaine devoured with peculiar relish.

Always a straight shooter, Elaine. It makes Ann sigh and smooth out her skirt, clearing her voice to repay her candor with like. “I came to see what on earth was going on. To see if you were ok. And, I guess I came to see if it’s really happening. Nobody really thinks it’s happening. Or -I don’t know.”

“It’s happening.” Elaine replies with grim resignation.

“I don’t understand because Elvis says you’re the one divorcing and I always thought if one-“ Ann stops herself to scoff, “-I actually never thought either of you would ever divorce. You’re sincere?”

“It’s happening.” Elaine repeats, shielding her saltine chewing with a manicured hand. The action also flashes her still worn wedding band.

“So it’s not a threat?” Ann marvels, “When Roger insisted it was true, I thought it must be some drastic measure, something to get Elvis’ attention. His cooperation, you know, something to just-“

“-I’ve tried many drastic measures to gain that.” Elaine responds, “ all of them failed. I’d never ‘threaten’ something as horrible as this.“

“But…you’d do something…this horrible.” Ann murmurs, scared to play devil's advocate but utterly confused.

“You don’t know what I’ve been dealing with and, what you saw in the early days of residency, even the stuff on the film sets, it’s like aspirins compared to what he’s on now.”

“So it’s the drugs?” she whispers, heartsick, “You can’t handle being…around them? Around him?” she asks, then adds after careful consideration, “I have noticed you seem, seem still very tactile with him. I see the-“ she waves her finger at Elaine’s collarbones, “-I see the marks. Are you scared of him?”

It is unthinkable of Elvis. It really is, and Ann knows her face must show disbelief even when presented with her friend's mottled skin, and she hates herself for doubting a woman’s account, but if Elaine were to say she’s scared, Ann isn’t sure she’d be able to buy that. Not of Elvis. Even under the influence.

“Gosh no.” Elaine scoffs, a beat too late. “I just can’t do it anymore. All of it. Just the typical little things that build up in a marriage, I suppose.”

She tries to grin and Thumper thinks it’s the weakest acting she’s ever seen. Elaine more convincingly played a virgin in their home movies when deepthroating cucumbers for Elvis’ enjoyment.

“How’s Roger? Elaine asks, through with defending herself and Ann feels lost, adrift and unable to get near like she once did.

“Roger is fine.” Ann replies, “He sends his best. How is Ella?”

“Tell him I’m sorry they brought your name up, last week.” Elaine sighs, no apology offered to Thumper. They both know she’d be offended at an apology for being associated with them. “Ella is decidedly pregnant, that’s what she is.”

“Is she?” Thumper coos, followed by an alarmed quavering of hope and concern on her face. “Elaine, that’s-“ it is wonderful despite the circumstances but Elaine’s brittle posture suggests a to-do about it might sink her. “Congratulations, Grandma Tink.” Thumper settles for, daring to reach across the table top, seizing Elaine’s hand and squeezing its saltine dusted elegance.

“Thank you.” she whispers hoarsely, “She calls me everyday. Reminds me of you and me back when … her man he -he sounds sweet. Of course he’ll be gone awhile and so I’m all she has got to talk to about throwing up each morning and watching things swell.” None of this is how they expected or intended, Elvis and Elaine should both be hovering about and annoying their first grandchild before they’re even out in the world. Instead Ella’s perched down in Texas, no doubt terribly homesick, and Elaine’s talking about grandbabies like it’s another addition to the carport. “Tell Roger we’re sorry they brought your name up. Please tell him.”

“We don’t care.” Thumper insists and Elaine hopes that’s an accurate representation of Roger’s feelings. “He only asked-“ Ann stares out the front windows and down the drive towards the gates, summer colors brilliantly lush outside the house, she’s seen this view so many times it hurts, “-he asked that I make sure that…any…videos, and such, were disposed of.” she winces as she gets it out, once her manager, always her manager that man. “I wasn’t sure which of you to ask about them.”

Elaine stares at her intensely as if trying to read her soul. “I’ve most of them upstairs. Ruined by pregame juice mainly but the labels are sentimental so I’ve kept them.” Ann wonders if they’re ruined at all, and if they are she wonders if it’s by orange juice or by something far more lewd. Elvis never had great aim, “I’m sure Elvis has the ones we sent him under lock and key. Either way, you know neither of us would endanger you. You know that, Thumper.”

“Yes, yes I do.” Ann breathes, resting her chin in her hand, mournful at having insinuated otherwise.

“So you can tell Roger they’re not a worry.” Elaine prods with the shadow of an old smirk, “And you never know, in future it might not be so hard to track Naughty and I down at once.”

“Oh?” Ann squints at her in confusion.

“Mhmm.” Elaine just hums and shrugs her shoulders, the purple little mark on her clavicle shadowing with the movement. “Are you saying the night, Thumper?”

Ann leaves that evening more bewildered than when she arrived. “You were right, Roger,” she tells her husband as she settles beside him late that night, “she didn’t tell me a thing. Not really.”

___________________________

|| 9th, JUNE 1977 ||

“They’re gonna stop pressin’ ‘bout Thumper,” the murmur of his voice registering before the hand on her arm does as they both find themselves heading to the bathroom. It’s a flimsy sort of an excuse and one she’s beginning to think the papers and the news cameras see through.

“That’s good.” Her voice is a little too airy but today’s been a back and forth of yelling and excuses and all Elaine’s thinking about is how one of Daisy’s bandmates called her up from a payphone telling her that they almost couldn’t wake her for the show. The show she shouldn’t be doing but the show that Elaine let her do because she’s been playing being an adult for so long that who was she to argue against it?

“Told her we’d make sure it was- nothing came out. Roger was worried about it. For her image and for his, maybe.”

After all, it’s one thing to just be married to Ann-Margret, another thing entirely to be married to Thumper who’d rolled in the hay literally and figuratively with the Presleys at their lowest point. He’s never minded her continued friendship with them but that was before whispers of infidelity turned into whispers of sexual romps that were taped and stored or pictures that were taken and used as masturbatory material. He's never minded until Joe E, bless his soul, implied he might've seen copper locks in a video from Circle K that Elvis had shown a few of the members of the Mafia. Not that the court or anyone could find such a video.

The lock to the bathroom clicks behind Elvis and he turns around, raising an eyebrow. “Now hold on a minute, she- Thumper thought we’d- I’d never-”

“She didn’t. Roger was concerned. She knows us well enough, Elvis.” Still reassuring him as if they’re not going through what is turning out to be the messiest divorce the world has ever seen and likely will ever see. “I told her as much and she felt bad about asking.”

About the tapes and the photos, not so much about their divorce, Elaine reasons. As much as she wants to fault one of her oldest friends -it’s understandable. That was the purpose of the divorce. To come out of left field and appear to all concerned as if the faithful wife has finally grown unable to force herself to put up with Elvis Presley any more. The Colonel wouldn’t question that and had wanted it for years, if anyone were to ask him. Ann- their lil Thumper wouldn’t have been able to keep her plan a secret, her loyalty to Elvis and Elaine would have put her in a spot that Elaine didn’t dare want to shove her into. No, it was better for her to question the same as everyone else. Maybe if this went well they could all have a laugh about it in Hawaii. Or at the very least, Ann could forgive her.

“Don’t know why she didn’t jus’ ask me, ‘m the one who-'' Elvis's voice trails off when it hits him. Why would she ask the person who likely doesn’t hold most of them. Who’s fixin’ to lose everything in a divorce he desperately doesn’t want. “Least she knows now."

Elaine should agree with him, she should agree with him that at least Ann knows now, but she only knows part of the story. She only knows that the man she fell in love with on a movie set and his wife she maybe sometimes loves as more than a friend won’t damage her the way they’re damaging each other. How even Elaine had to joke that maybe it would be easy to run into them together in the future. Even during these hellish days in court they can’t escape each other’s orbits.

Pretending to not love and care for Elvis is an impossible task when what she’s doing is because her love and her care for a man who is sometimes brutish and stupid and selfish is so overwhelming it threatens to choke her.

At her silence, Elvis allows himself to crowd into her space, hands grasping at her hips ever so gently. "How's Rosalee?"

They're both too tired to fight in this bathroom, their energy having been spent outside of it for everything else. Asking about his favorite daughter, the one who's lived and breathed for her daddy for years feels safe.

"Not- she's not very good, Elvis. It's been- she hasn't really been the same." Since what happened. If things were different maybe she'd be taking the time to relax at home and maybe Daisy wouldn't have run off from guilt and - no. Elaine can't dwell on that even as her eyes start to water.

"It's hard on them." His tone isn't accusing, instead managing to just state a fact. This whole divorce has been hard on all of them. Even if Elaine's the one instigating everything he sees how unhealthy she looks. Feels how her body seems to be breaking down in ways that aren't as flashy as his body but the signs are there.

God knows he's not always been the most pious of men in action, that somehow all his good intentions and gospel songs haven’t managed to pull him back as he skidded down the road to hell, yet he’s got such a hankering to hide in the cleft of the rock once again. Acknowledge he’s a man, a failing man, a wayward husband, a prodigal son.

He finds himself reaching for Laney’s hand, palm up in a way she recognizes without a word. She clasps it without hesitation, in a time worn manner they’ve used before marriages, births, trips, shows, bedsides of sick and dying friends and here in this tiled little haven of the courthouse where they’re allowed to be as vulnerable and broken as their Heavenly Father knows them to be.

They bow their heads and Elvis finds himself begging his Almighty not for a return of fortunes but merely a cessation of tragedies. Elvis’ hand twitches, a pinky disentangling from Tink’s clasp and tickling her belly, like a presentment, like a benediction of nothing more than a heartbroken hunch on his part.

_____________________________

|| 29th, JULY 1977 ||

Elvis regrets answering the door to his penthouse the moment it swings open to reveal Johnny Cash with that sort of frantic and half crazed look in his eyes that Elvis thought he'd given up at the beginning of the decade. Wasn't that a hoot, the two of them swore up and down they had gotten clean for their women, the loves of their lives- the ones that God blessed them with to live out their present and future everlasting lives with- only to fall back into those old habits. What a cosmic joke.

"You're a fool, Presley." Short and to the point in a way that only Johnny can manage. Elvis exhales, wondering what exactly he's done to God to earn one of his oldest friends calling him a goddamn fool at the closest thing he's got to a home nowadays. His lil Schnucki comes to visit him, and Jesse's called once or twice but ever since that- ever since he realized how serious his Laney was about leaving him- Graceland ain't his home anymore.

"Ain't gonna say anythin'? No fight left in you?" The door to the penthouse is kicked in and if Elvis was any other person, or Johnny was any other person Elvis might've jumped. As it is, all he manages is a shrug as he pinches his nose. His head's achin' and his eyes hurt and all he wants to do is sleep. Take something to make every whisper floating in his head die down. An older brother telling him how he's ruined his life isn't remotely something he's got the patience for. Not after today's courtroom.

"Whatcha want me to say, John? Ya know everythin', so whatcha want me t'say, hm? Laney's leavin' me, takin' what she wants and leavin' me poorer than I met her."

Not monetarily, no, Elvis figures he could handle that better than the reality of his Laney, his Tink, the bjggest part of his soul other than his mama leaving him. Elaine's leaving him a man with barely any soul left in him to fight and go on. And he swears- lord he swears he felt something different about her recently. Something swelling that shouldn't.

"What I want'ya to say is that I'm gonna go back to my hotel and me and June are gonna tell each'otha that this whole thing's jus' you all been stubborn as a pair o'mules. Cause if it ain't, I gotta be real concerned June's gonna up and do the same thing on me." Johnny's always been someone who doesn't let Elvis get away with half the things everyone else does. Maybe it's because of how they started things together or how Johnny knows that half the reason he's got June is because of Elvis. Or maybe it was some misplaced need to be a brother to Elvis- to fill in a spot he figures his twin would've.

"June ain't gonna-" Elvis starts before Johnny uses the two inches he's got on Elvis to his advantage, staring the other man down as he cuts him off.

"Lane wouldn't've. Shouldn't've. Yet she is. This ain't- this ain't 'bout whatever damn excuse she's got. Can't be. There's somethin' you ain't tellin' everyone."

More and more Elvis has to laugh at his life and how everyone seems to think he's got some power over his Laney. That this whole divorce and the way he's embarrassing the both of them day after day is just another show. A snow job as the colonel would put it. This would be so much easier if that was the case. It isn't the case though, it isn't the case and Elvis feels his laughter escape him like the boom of a cannon.

"If there's anythin'- The whole damn country thinks I'm an idiot who can't keep his wife and here- I don't need you to be thinkin' 'm an idiot who don't know some grand plan his wife's cooked up. Ain't no plan. Ain't nothin' I ain't already groveled about and cried about in those hallowed halls. Laney jus' don't want me any more."

A silence settles between the two men at that revelation with Elvis breathing sounding so labored that even through the haze of his own drugs Johnny levels a look at his friend. It’s only after he’s sure that the other man won’t pass out and die on him that he actually speaks.

"You- You ain't me. She ain't Vivian. She- Elvis there ain't no way she's- that ain't it. You're both- you two can't keep your hands off each other even divorcin'. She- she still wants ya.”

“She wants my cock, John. Wants my money. Wants my house. My mama’s house. Know I said it was hers the moment we got hitched but- it wasn’t ever supposed to be hers. It’s- It’s ours.” Elvis isn’t one to break down, not in front of certain people and Johnny might be one of his friends that are near and dear to him but he doesn’t want to lose it in front of him. Doesn’t want to cry and blubber like he has been in the courtroom, pleading and begging for Elaine to just see sense. “We don’t- She don’t love me any more. T-That’s all there is to it. No grand con-spear-ah-see. Jus’ my wife wantin’ to be my ex-wife. Don’t know if I blame her. I ain’t-”

“You been a better husband than I was. Better husband than a lotta men. If- if 'Lane wanted to leave ya? She'd have done it back in the 60s. When you were carryin' on wit' what's her name- Swedish girl- fire hair. But she went 'n made friends wit' her. That woman's supposed to be yours till Kingdom Come 'n beyond. This doesn't make a single lick of sense and ya know it!"

One would think that nothing could echo in this penthouse and yet somehow Johnny's booming yell, filled with bass that Elvis is sure have made men greater than him bend and cower, echoes and reverberates in his ears. A stark reminder that Elaine and him seem to affect everyone around them for better or worse. Elvis's heart pumps a little harder as he tries to wrap his aching head around everything for what feels like the millionth time.

"I-I know it don't. This- you know these things don't take this long, John. I've-I been draggin' this out. Stickin' my damn heels in the mud. Anythin' to get her to come back, to see what- anythin' to not lose her. And she's jus'- ain't none of it workin'. Daisy up'n'ran off, Rosalee jus' wants me to be near her mama or her mama near me. Jesse's lookin'-"

"That what it is? Her doing it for the kids?” Johnny’s question has him tilting his head, not entirely unlike the millions of dogs Elvis’s children have had over the years. He ought to be offended Johnny cut him off so easily and without a care in the world and yet Johnny’s one of the few people he’d let do that. “She’s doin’ this for your kids.”

For once, Elvis has to look at Johnny and guess at what he means whether it’s because the man is too stunned to put it into words or because he doesn’t want to even entertain the idea, Elvis doesn’t know. He can hear his heartbeat going a bit too and a bit too hard in his ears as he answers.

“Ya mean- have i been failin’ them too? Have a been as bad of a father to ‘em as ‘ve been a bad husband?” The laugh that leaves Elvis sounds more like a sob than anything else. Johnny purses his lips even as he listens. "Ya mean how I found out I'm havin' a grandbaby through Laney? Or how Daisy's worse than you’n’I together on whatever she's takin'? Or how my boys acted like superheroes for their sister? How my lil Schnucki had- how I had to find that out from the Harrisons and my boys? ‘N I wasn’t there to blow those fools’ heads clean off their necks?”

Johnny realizes right then he’s made a mistake coming here. Or maybe just made a mistake pressing this point like it’s honestly any of his damn business. “You haven’t-”

Elvis cuts him off with a wave of his hand as he steps away, trying to feel less like a caged animal. “That’s right, I haven’t. I haven’t, John. Haven’t been there, haven’t given ‘em what they need. I had one job. Take care of all of ‘em and love ‘em. Failed so- I don’t blame her, John. I- I love her. Ya know I do. You know this sorta love but I can’t, I can’t make her love me again. S-she ain’t gonna love me again. Not the way she has.” His breath comes in short pants as his hand shakes and his leg jitters like he’s a man twenty years and nearly ten children younger. “I tried fixin’ this. The kids- the kids tried fixin’ this. But they can’t- can’t get through to her, these days! They’re all beggin’ and cryin’ and torn up and the Tink I know wouldn’t’ve lasted a week after causin’ such hurt to our babies. Well this new edition of her’s done made it close to a year.”

Johnny opens his mouth to speak only for Elvis to hold up a finger and force himself to take a deep breath, like Laney told him to those times after she thumped his heart back to life for him. Laney’d get what she wants if he died but he’s got a grandbaby he’s gotta see. Wants to try and see. “A year. Been nearly a year and it ain’t workin’. Nothin’- been tryin’ to remind her’ve what we had. What I give t’her. It-” Elvis starts to trail off, the fight that Johnny had put inside him slowly deflating till all he’s left with is the shell of a man who’s bone tired. Bone tired and losing everything no matter what fight he puts up. His shoulders slump.

Watching someone who’s as larger than life as Elvis Presley seemingly fold in on himself feels wrong in Johnny’s mind, but it gives him the answer he needs. It gives him the answer he’s looking for when it comes to just what’s going on with this whole divorce and what’s going on with Elaine and Elvis. His legs cross over to where Elvis is in only a few steps and without missing a beat, his arm wraps around Elvis’s shoulder. Elvis might not be his brother in blood but they’ve gone through enough that- that he wouldn’t leave him out in the cold without a hint of comfort.

“You gotta make peace wit’ it, then. Gotta- The Lord ain’t gonna want to see the two of ya fightin’ till ya keel over and die. Gotta give- If what she wants is to not be your wife any more, ya gotta give it to her. Just to make peace.” His voice isn’t much louder than a low rumble and yet Elvis can hear him clear as day.

“She won’t be my Laney any more. Won’t be my Tink.” A response as if he's a child being denied his favorite toy. Johnny doesn't stop himself from huffing out a laugh.

"But she'll still be Elaine, your children's mama. It ain't like you won't ever see her, EP." But that’s not the problem, that’s never been the problem and from the way Johnny’s looking at him, he knows that. “But ya gotta- it’s not doin’ either of ya a bit o’good to be draggin’ it on and on. Not after everythin’. Been livin’ ‘part for so long-” Johnny trails off, hand moving to rub at his eyes as he shakes his head. “Nothin’ you’ve done’s fixed it. Might not be meant to be fixed in those ways.”

“I-I- I don’t have anythin’ to fall on, John. I leave her it’s jus’ me and-” The medicine I got coursin’ through me, is what he should say. “I don’t know how to not be her husband.”

A silence settles over the two of them, punctuated only by Elvis’s heavy breaths and Johnny’s sharp and quick ones until Johnny settles himself against the wall, crossing his arms and raising his leg to press against it.

“Never said ya had to stop actin’ like you were.”

__________________________________

|| 6th, AUGUST 1977 ||

It’s a supreme irony that after a year of wishing for a cessation of that old stubbornness, that bitter pride of his, when such submission comes in the form of a mute and sullen husband opposite in the courtroom, Elaine feels her heart hammer in her chest, bewildered and terrified as he concedes one settlement after another in quick session.

Jesse gasps beside her at the change, even looks ready to beg her to reconsider her greediness as 90% gets handed over without a hint of the raging qualms her opposition has been voicing for five months.

Only Colonel Parker appears scared as shit, angrily grabbing at Elvis’ limp arm and trying to interrupt his directions with the lawyers. Each new verdict gets waved through by a lazy flick of a bejeweled hand and Elaine thinks the repetition of the gavel granting her all she wants could make for a decent backbeat in the studio.

After an agreement to give up 90% of his catalog, Elaine and Jesse both share a look, heartbroken and relieved that he’s really, truly, finally given up.

It’s obvious to all that it’s a bodily wearing out, Elvis looks awful and no amount of jewelry or eyeliner or Snow Job paraphernalia can hide the fact Elaine’s husband is a sick man. Even the papers who’ve found him easy pickings for ridicule and blame suddenly find some heart for his obvious suffering, even if the compassion is wedged between headlines about his expanding waistline and her latest money grab.

“What’s with you?” she demands and this time it’s her hand around his wrist, the unsteady clop of his boots following her heels after the click of the bathroom latch. When she drops his wrist his gold studded hand lands heavily by his thigh, he makes no move to crowd her, to grip her hair and kiss her like old times. “What was all that about?” she finds herself angry instead of relieved, mimics his lazy hand waves and scoffs in his face. She knew and planned on this day coming, but it doesn’t make it less unsettling as she takes in the victory of her spirit over his. He’s her man after all, her daddy and her provider, tough and proud and one of a kind and she’s beat him at the game of wills. She can feel her eyes pooling and angrily runs a hand under her nose as he stares at her with a blank, droopy expression.

“M’tryin’ to make peace.” Elvis shrugs, it was Johnny’s advice. Whatever it took, even if it meant giving in, he’s the man of their house and he’s here to make peace. Maybe if they end on a kind note he’ll be thought of, invited into the inner circle even even, by the time Ella pops out their grandbaby. “Never cared about the fuckin’ catalogue Tink, was only ever about buyin’ time to convince you to stay.”

The colonel’s panic at this latest settlement, one that finished the final prying open of his carefully constructed facade, one that’s exposed him to years of investigations, jail time maybe -though few outside of Elaine, Mr. Corleone and the FBI know that yet- is like sipping a mojito after a long day baking in the sun for Elaine.

Two decades of her saying he wasn’t right and Vernon telling her to go mind the carpet bill, change a diaper, redo a curl.

It should be refreshing, it should be a tonic to the way she feels shaky most mornings and ravenous in the evenings. Instead she finds herself trembling and laying an icy hand to Elvis’ burning forehead, registering the unnatural heat even in this chilled bathroom. It’s not just the stupid velvet coat, one blue eye is far more dilated than the other now she’s pulled his glasses down. He flinches from it, whether from the brightness of the bare bulbs or her touch, she isn’t sure.

“What’ve they got you on?” she sounds like a frog, throat all constricted and voice thin. She cares, she still cares so much and it could’ve been just yesterday she folded her handsome young groom into that bathtub in Germany and held him through the shakes. She wishes she could ask him ‘why do you always waste my love?’ But somehow, even after all her cruelty, that feels a little mean. “Baby, talk to me, what’s -“

Elvis grabs her hand, gently this time and he folds it with her other in both of his, a tan, sparkly little cage, she wonders how long it’ll take him before he pulls his wedding band off. Will he discard it before they make it out of the courthouse today? “Don’t you fret yourself, lil mama, those days are over.” he rumbles as he squeezes her hands and she wonders if he means days of fretting or drugs, they coincide often enough, “You jus’ take care of y’self, ok?” he sucks in a trembling breath and his glasses pinch between her fingers in his squeeze, “Without me there to nag ya bout it I-I -you take care of y’self.”

“Oh Elvis-'' she whimpers, moving closer, wanting to beg for some forgiveness, all clever plans and well timed revelations beginning to fray as she watches him rally his old magnanimity despite his grief.

_____________________________

|| 28th, SEPTEMBER 1977 || >>

He’s not alone in this concern, Elaine doesn’t know if she has Jesse or Daisy to blame for the way Marlon shows up in Memphis like that Yankee son of a bitch belongs that land bound. There’s never been a reason to see Brando except on one coast or another and it’s jarring for Elaine, seeing him take up space that’s so uniquely Elvis’ property, even if it’s under her name.

To see him in her home. Her true home.

She’s no good at hiding her nerves or the exhausted paranoia of wondering how Elvis will react when he hears of this visit. Marlon reads her like a book and leans against her kitchen counter, acting like Mary isn’t throwing them a million side eyes over the biscuit batter, and asks after her well being.

“Pretty terrible, thanks. And you?” she shrugs, wringing out a dish towel over and over. She doesn’t know when she became so fidgety, nowadays it seems she’s always betraying her nerves with restless hands and she never had that trouble before. Always a baby to hold if she needed the excuse, she guesses.

Her last baby is nine years old. And so she wrings out her dish towels and stares back at an old lover with the weary openness of a woman who doesn’t really care anymore. Elvis has been her one goal, and saving him is killing her as effectively as it is him. Those last days she wasn’t sure he was going to keep making it into the courtroom, shifting in his chair not from her nails furrows but from the repeated shots in his rump. The ones that have killed him a few times over.

Jesse made a visit to him in Vegas. Elaine doesn’t know what he said but her boy has barely spoken since. She asked her son how his father was, quite aware she doesn’t know the particulars from his fevered attentions in the handicapped bathroom of the Santa Monica courthouse. Her man would crawl out of his grave for the chance to make love one last time, it’s not a good gauge. Jesse said he keeps the curtains closed constantly. That he’s not letting anyone up. Charlie barely let Jesse up. His eyes are bad, so bad the curtains stay closed, otherwise Jesse couldn’t tell, couldn’t get a good look at him. He didn’t stay for the concert. Cissy says his voice has held up this time, at least.

“Pretty terrible.” She tells Marlon, because he’s always been more friend than lover, and that’s why he’s in Memphis when it’s a fool's errand anyway.

For all Marlon will speak his mind about this that and the other on things he cares about- yet God does he *care* about Elaine and so he bites his tongue at the first thought that pops into his head. *You've been pretty terrible for years and now you decided to care and do something about it*.

Instead: "You look terrible."

Which is a gross oversimplification of his feelings, but Elaine doesn't watch as his eyes slide over her pale and wan cheeks that look thinner than he's ever seen them. She doesn't watch how his eyes drift downward to breasts that are pressing against the dress she's wearing.

They remind him of when she was pregnant with Marie. They remind him of her breasts when she cried out beneath him against her tiki bar. If he closes his eyes he can picture them bouncing in front of his face, begging for him to bury his face in them. The boy- her oldest boy was right. Marlon doesn't even need to look at her stomach and yet some sick twisted masochistic tendency compels him to as if that'll change things.

It's small. Smaller than he figures any of her bumps have been and yet it's there. Mocking and growing at its own pace.

Proof that Elaine Phipps wants to remain Elaine Presley till one of them dies and maybe even beyond. Marlon can't help the way he exhales through his nose, unable to look away even as Elaine talks,

"Marlon, are you even listening?"

No. But he needs to.

"Mind wandered off, you know how I get, Elaine." He straightens up and tries to stay alert, “So, all this really fixed things for ya, eh?” he quips sardonically and she smiles, rolls her eyes, fully aware he’s not mocking her, he’s mocking the hopelessness of it ever working.

“Yeah. It’s all coming up roses.” she snarks.

“I uh-“ he stipples his fingers on the counter and weighs his next move, “-I heard that Colonel Parker’s recently landed in some seriously hot water. Something about the audits during the divorce and how certain things don’t match up. Got it from the papers, you know how long they stretch a few vague facts. I had to read two whole pages to get ‘fraud’ and ‘debts’ out of them. Anyways, I thought you’d find that nice -hot water, all that.”

“So hot it’ll boil his coat of lies right off with any luck.” Elaine seethes and her sudden passion takes Marlon by surprise. Stirs an old appreciation for just how much verve is always bubbling beneath her doll-like exterior. His fingers itch to let out the excess in a gush around his fingers. “Illegal alien.” She expounds, warming to her argument in the way of someone long overdue a listen, “Would you believe it? All those endless homebound tours -runing Elvis into the ground on the same circuit simply because that greedy fool couldn’t tag along. Couldn’t step outside the country. Always wondered why he never crashed our time in Germany, knew he would if could. Fake, heartless, toad.”

“Fuck him.” Marlon agrees vehemently and Elaine looks up with the same appreciative eyes of a decade past when she got no arguments from him, unlike all the menfolk surrounding her most days. Marlon abides by a simple rule: if it pisses Elaine Presley off, he needs no further research to say it ain’t shit.

“Yes, well, I’ll leave that to the Justice Department, I’ve done my bit.” Elaine sighs, her little victory crow short lived and even with his bias for the unattached Miss Phipps, Marlon can see how hollow her achievements are without Elvis to pat her pretty head for them. “It’s been weeks and I- I’m afraid he’s angry Marlon.” they’re not talking of the Colonel now, Marlon can tell by her love-sick face, “I knew he would be, with the divorce and probably with framing Parker but -he was so kind that day. So kind I thought he might’ve forgiven or just, I don’t know but now, now he won’t even answer my calls. Marie hasn’t gotten through either and -it’s not like him, Marlon, it’s not.”

“You got something pressing to tell him?” Brando asks and doesn’t even bother to hide the way his eyes flick back over her ripening form, pondering if her boy hadn’t been silly after all, going on about her not noticing. If he were a woman, a pretty woman like Elaine still is, Marlon would be weighing those growing tits each day with pride and mesmerization -but then again, Elaine’s had more on her mind than appreciating her own assets like a horny old star who never learned to aim for his own league.

“No I only wanted to-” she bites her lip as if unsure or else what she wants is unspeakably optimistic for a woman who just threw it all away. “I missed his voice.”

_______________________________

<<< || 16th, AUGUST 1977 ||

The knock at the door startled them both. Elvis pulled his back from it and faced it like he was gonna defend his wife from the mob he suspected was outside. Old habits die hard.

“Y’all?” Jesse yelled through the thick wood, “There’s half the city crowdin’ outside, there’s not gonna be a path to squeeze through soon.”

“Yeah alright son, thank you.” Elvis cleared his throat as he dropped her hands, straightening his posture fully. “You ready?” he asked dully, eager to get the worst moment of his life over.

“I gue- I- yes.” she stumbled over her meaning and smoothed out her black jacket.

"Daddy?" Jesse's voice was heard over the wood once more and both Elaine and Elvis took matching deep breaths, sweat droplets falling on Elvis’s eyes with a wince.

It's not pity that had Elaine putting the glasses back on Elvis’s eyes, her fingertips brushing against his temples in a simple gesture she's done a million times before. No, it's her last hurrah as his wife, her last action as his wife. They may have signed the papers within the past hour and legally she may be Elaine Phipps once more but until they walk out of this bathroom and this courthouse she was Elaine Presley, wife of Elvis Presley. A low hum reverbated against her chest before she pulled away, a soft smile across her lips.

"There there, Mopey, all better," she whispered in the sort of tone she only uses for the children when bandaging a hurt. "Let's- let's go face the music."

“Got me more nervous than any curtain I’ve been behind,” he joked even as it falls flat and his breath comes quicker and quicker. This was the beginning of their new life as separate entities. As an ex-husband and an ex-wife.

The door wasn’t that heavy when he shut it earlier and yet it felt as if someone had remade it out of concrete as Elvis tried to push it open once the lock clicked open. He could already see the flashing bulbs from the cameras and the press of the mass of people outside waiting for them. They were no stranger to crowds but this one was one none of them wanted to face. A look was exchanged between the three of them as their shoes clicked against the floor of the courthouse, a silent acknowledgement to try and get to their waiting cars as soon as possible.

"Jess! Mama!" Elvis and Elaine looked up through the mob of people as they pushed and pulled at each other trying to catch a glimpse of the former couple with their oldest son. They found themselves half blinded by flashes of cameras and the sun's own light, trying to find the source of the bellowed words. "We're over heyer!"

Jack then. Jack who was growing more and more into Elvis’s twin if not in bulk but in charm and whose shout sounds something like Sargent Presley’s in the army. Elaine looked at Elvis, biting her lip as she did.

"Soundin’ more like me everyday." Elvis commented as if he was commenting on the weather. It had never been hard to talk to Elaine. Yet in this moment, Elvis found himself at a loss for words. And from the way Elaine was looking at him, the feeling was mutual. Matching pink tongues darted out to wet dry lips and Elvis opened his mouth, his arm outstretched as if he was going to grab at Elaine's only for his oldest son to pop up between them, taking Elaine's arm without a second thought.

"I've got you mama. I gotcha, let's go."

The look he leveled at Elvis made every single moment in this courtroom for the past five months seem like child's play. To have his oldest son look at him like he did with any suitor that tried to come Elaine’s way, hurt. But that was his life now wasn't it? That's Elvis Presley’s life without Elaine Phipps. That's Elaine Phipps's life without Elvis Presley, protected only by her sons and her daughters from a man she once called husband. The man she once loved with every fiber of her being or so Elvis thought. Make peace with it, Johnny said. Make peace with her, Johnny said. Elvis didn't think that it would feel like this.

“I know you do, Jesse. Let me say goodbye to your father.” Elaine said as softly as she could in order to avoid the prying ears of every journalist between here and her car. “Jack and your siblings aren’t going anywhere. Not in this crowd. Even if Jack’d run them over to protect me.”

A smile unbidden crossed Elvis’s lips at the joke between their eldest and Elaine. She wasn’t wrong, but that was his boys and their love for their mother in a nutshell, wasn’t it? Capable of murder to protect her the same as him. She- she would be alright even if- even if what he suspected to be true was.

“Jack drove us here, all of us.” She explained as her eyes flitted across his form one last time to check for imperfections and for signs he might be needing anything. “I’ll make sure Ella calls you about-”

“It’s fine, Elaine. Made my bed, gotta lie in it now.” His eyes scanned across the crowd, even as he winced from the light of the sun and the flashes even through his sunglasses, finally settling on his car with Colonel Parker in the passenger seat, waiting for Elvis with a look of pure displeasure and mild panic on his face. “Gotta get him and I outta here ‘fore I give him a heart attack.”

Elaine’s face hardened at the words, and Elvis, in a fit of nostalgic responsibility for her happiness, moved to place a soft kiss against her cheek, squeezing at her hands as he did.

“S’been the joy of my life knowin’ you, Miss Phipps.”

🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀🥀

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[phoenixyfriend]

Can you explain the Iran-Israel situation please?

Alright, let's get to it. Please note that I'm writing this on mobile during my lunch break, so I can't include reference/source links as much as I'd like. Thankfully, most of what I'm going to be telling you should be easily located by searching for an article on one of the following: APNews, Reuters, BBC Global News Podcast, Democracy Now!, NPR, or The New York Times. Long-term background is probably best found in videos by the YouTube channels Real Life Lore or tldr global news, or on Wikipedia if you prefer text.

The short version: Israel attacked Iran's consulate in Syria to get at some of the military commanders that were there, which is legally equivalent to attacking Iran itself. Iran responded by sending about 300 bombs at Israel, most of which were shot down in transit. Given that they still called it a success, even though it seems only one person was even hurt, my understanding is that it's very likely that they only intended the rockets to be a show of force, rather than an actual escalation, because Iran can't afford a war right now.

To support my blogging so I can move out of my parents’ house, I do have a ko-fi. Alternately, you can donate to one of the charities I list in this post OR this post.

The long version:

Okay, let's start with some background on Israel, then Iran. This is... a lot, so if you already know the broad strokes skip down to 2023.

Israel was established following WWII by the English and French, following borders the two countries had secretly drawn up decades earlier in the Sykes-Picot agreement. The intent was to give the Jewish people a place to go... or, depending on who you ask, a place to send them. Their ancestral homeland was viewed as the best choice, sort of like a deportation millennia after a diaspora. Given that WWII had just ended by the time Sykes-Picot was actually put into effect, 'getting out of Europe' was something a lot of Jews were given to agree with.

The Arab world was not happy, as that land had belonged to the Ottomans for centuries, and had long since 'naturalized' to being Arab. I'm not going to pretend to know the nuances to when people do or do not consider Palestine to have been its own nation; it was an Ottoman state until WWI, at which point it came under British control for just under three decades, and that period is known as the British Mandate of Palestine; it ended after WWII, with the creation of Israel. Palestine's land and people have sort of just been punted around from one colonizer to another for centuries.

Iran is the current form of what was once Persia. They were an empire for a very long time, and were a unitary monarchy up until the early 20th century; in 1925, Iran elected a Prime Minister who was then declared the monarch. The following several decades had Iran's monarchy slowly weakened, and occasionally beset by foreign interventions, including a covert coup by the US and UK in 1953. The country also became more corrupt throughout the 1970s due to economic policy failing to control inflation in the face of rising oil prices.

In 1979, there was a revolution that overthrew the monarchy and the elected government, replacing the system with a theocracy and declaring Iran to be an Islamic Republic, with the head of state being a religious authority, rather than an elected one. This was not popular with... most countries. 1980 saw the closure of all universities (reopened in 1983 with government-approved curriculums), as well as the taking of over fifty American hostages from the US Embassy in Iran. You may have heard about that in the context of Ronald Reagan encouraging Iran to keep the hostages until the end of Carter's term in order to force the election.

So, the West didn't like having an Islamic state because it claims to like democracy, and also because the Islamic state was explicitly anti-American and this has some Bad Effects on oil prices. The Soviets didn't like having an Islamic State because a theocracy goes directly against a lot of communist values (or at least the values they claim to have), and weakened any influence their supposedly secular union could have on Iran and the wider middle east. The other countries in the Arab world, many of them still monarchies, didn't like the Islamic republic because if the revolution spread, then it was possible their monarchies would be overthrown as well.

(Except Oman, which is not worried, but that's the exception, not the rule.)

This is not a baseless worry, because Iran has stated that this is its goal for the Arab world. Overthrow the monarchies, overthrow the elected governments, Islamic Rule for everyone. That is the purpose of its proxies, like Hezbollah (Lebanon), the Houthis (Yemen), and Hamas (Palestine), along with less well-known groups like the Salafi Jihadists in Mali, who are formally under the umbrella of al-Quaeda, which Iran denies having any relation to but is suspected of funding. In areas where these proxy groups have gained power, they are liable to enact hard Shari'a law such as has happened in Northern Mali and other parts of the Sahel region.

While other conflicts have occurred in these countries, I think the above is most relevant.

Israel has repeatedly attacked, or been attacked by, other nations in the middle east, as they are viewed as having taken over land that is not theirs, and as being a puppet of the US government. The biggest conflicts have been 1947-1948, 1968/1973, and 2014.

And then, of course, 2023.

Now, Iran, more than any other nation in the Middle East, hates Israel. They have for a very long time, viewing them as an affront to the goal of spreading Islam across the whole of the middle east, and as being a front and a staging ground for the United States and other Western powers. Two common refrains in the slogans of Iran and its proxies are "Death to America" and "Death to Israel."

Due to Iran's military power and virulence towards Israel, the United States has been funneling money to Israel for decades. It has more generally been to defend itself against the Arab world at large, but it has narrowed over the decades to being about Iran and its proxies as relations have normalized with other nations like Egypt and Saudi Arabia.

Cue October 7th, 2023. Hamas invades Israeli towns, kills some people, and takes others as hostage. Israel retaliates, and the conflict ramps up into what is by now tens of thousands of dead, some half of which are children.

In this time, Hamas's allies are, by definition, Iran and the other proxy forces. Hezbollah, being in Lebanon, share a border with Israel's north. They have been trading rocket fire across the border in waves for most of the past six months. The Houthis, down in Yemen, claim to be attacking the passing cargo ships in order to support Palestine. Given that the attacks often seem indiscriminate, and that the Houthi's control over their portion of Yemen is waning in the face of their poor governance, this is... debatable. It's their official reason, but given that "let's attack passing ships, claiming that we only attack Israeli or American ships and that it is to support Palestine" is rallying support domestically for their regime, it does seem to be more of a political move to garner support at home than about supporting Palestine.

Iran, however, has not attacked Israel. They've spoken out about it, yes, but they haven't done anything because nobody wants a regional war. Nobody can afford it right now. Iran is dealing with a domestic crisis due to oil subsidies bleeding the states' coffers dry, and the aging Ayatollah Ali Khamenei, the leader of Iran, refusing to pick a successor. They are looking at both an economic crisis and succession crisis, and a regional war would fuck up both situations further. Iran funds most of its proxies, and they can't do that, and fight a war on top of it, while their economy is in its current state. Pure self preservation says they don't want a war, especially with the ongoing unrest that's been going on for... well, basically since the revolution, but especially since the death of Mahsa Amini.

Meanwhile, in Israel, Netanyahu has been looking at corruption charges and legal issues since before the Hamas attack. It's generally agreed that if Israel were to hold new elections right now, he would lose and be replaced, and also immediately taken to court. Netanyahu wants to stay in power, and as long as the war on Hamas lasts, he is unlikely to get voted out. A change in leadership in the middle of a war is rarely a good idea for any country, and he's banking on that.

However, the war on Hamas rests on the shoulders of American money and supplies. Without that military support, Israel cannot fight this war, and America... is losing patience.

Officially, America and most of the western world have been telling Israel to not fucking escalate for the majority of the war.

There have been implied threats, more or less since Schumer's big speech about how Israel needs a new election, of American legislators putting conditions on any future aid. There have even been rumblings of aid being retracted entirely if Israel follows through on invading Raffah.

So...

American aid to Israel has, for a very long time, been given in the name of defending Israel against Iran and its proxies.

Israel has been fighting this war against Hamas for six months, killing what is by now innumerable civilians, on the power of US military aid.

Netanyahu benefits from the continued war due to domestic troubles.

Iran does not want a regional war, or really any big war, due to its own domestic troubles.

The US is, in theory, losing patience with Israel and threatening to pull the plug on unconditional support. It's very "we gave you this to fight Iran. Stop attacking civilians. If you keep attacking civilians, then you're going to have to rely on what we already gave you to fight off Iran so that you won't keep wasting it on civilians."

Israel... attacks Iran, prompting a response, and is now talking about escalating with Iran.

I am not explicitly saying that it looks to me like Israel, which is already fighting a war on two physical fronts and even more political/economic ones, has picked a fight with Iran so that America feels less like it is able to withdraw support.

I just... am finding it hard to understand why Israel, which is in fact fighting both Hamas and Hezbollah, would attack the Iranian consulate in Syria otherwise. They can't actually afford to fight this war, escalating to a full regional conflict, on a third front.

Not without pressuring American into keeping the faucet of military funding open at full blast.

To support my blogging so I can move out of my parents’ house, I do have a ko-fi. Alternately, you can donate to one of the charities I list in this post OR this post.

#phoenix politics #current events #iran #israel #hamas #houthis #hezbollah #syria #politics #united states #military funding #military aid

[doberbutts]

I think the terms TMA/TME work best when they're used as rules of thumb, rather than expected to function as strict categories. They're often helpful, but occasionally they can become obfuscatory, and there are edge cases where they can't be neatly applied. In those cases, they should be set aside, but with an understanding that they will be brought back into conversations when helpful.

To give a personal perspective - I'm a trans masc individual who has, upon occasion, experienced misdirected transmisogyny. I was on T for 5 years, then came off it (partly due to health problems, partly due to starting to identify as nonbinary rather than as a man) and began presenting in a more feminine manner, and people would regularly mistake me for a trans woman.

When people thought I was a trans woman, I did notice an increase in hostility, harassment and unwelcome advances from strangers. Groups of men would shout at me in the street, mothers would glare at me and physically pull their children further away from me if I came near. I also started getting catcalled and couldn't enjoy a night out in a club without being groped. I'd experienced some of these things as a trans man and as a girl, but probably never at such a high frequency or so intensely.

I definitely think I got a taste of transmisogyny and people do still assume I'm trans fem from time to time. But I still wouldn't describe myself as TMA. I don't shout it from the rooftops, but if it feels relevant in the context of a conversation, I will say I'm TME. Because I think the terms are about overarching dynamics, rather than whether or not an individual has ever faced a single instance of transmisogyny.

For me, there was always a sense of distance between myself and any negative experience, that came from knowing they'd misread my AGAB - "that lad just called me a chick with a dick! How funny! I'd be so lucky!" / "You're harassing me for using the female showers at the gym when I am literally menstruating. Are you going to stop being a creep, or do I have to show you my bloody tampon?" There's a degree to which I can sidestep or disavow their idea of me in a manner trans women can't.

I also don't know what it's like to deal with many other elements of transmisogyny, or deal with it as an overarching narrative in one's life rather than a freak episode.

I think it's fair to say I have at times been a grey area and I could use my experiences to argue against the validity of TME/TMA, but I don't want to do that. I don't like it when the terms are just used as a way to say AFAB/AMAB while being perceived as less problematic. But I think it is helpful to have little shorthand reminders about specific power dynamics that do have an impact in our communities. I have absolutely seen transmisogyny play out in queer spaces, both online and IRL, and I think it's worth having vocabulary that emphatically reminds people to check themselves and to not assume they don't have internalised bias against trans women just because they're trans masc.

Trans women are a boogeyman in popular culture and the collective unconscious in a way trans men never have been (at least, not to anything like the same extent). Trans women face an intensity of monstering that I think most people won't understand unless they spend a lot of time sharing space with and listening to trans women. The rapid adoption of TMA/TME feels like an attempt to fast-track that understanding en masse. Maybe it's a bit clumsy, but I do think it's having an impact and important conversations are happening. I don't know if the terms will stick or fall out of use. Having been in the trans community for over a decade and seeing how our vocabularies evolve, I'm inclined to think they'll stick around for a few years and then largely disappear. But I feel that while trans women are finding them useful, we need to be respectful of that fact.

Idk sorry to rant in your askbox, I wanted to give my two cents. Feel free to ignore lol

I'm going to be a bit blunt here: in the span of time I've been off tumblr to, you know, sleep... I've gotten 20 different asks trying to convince me to like the usage of tma/tme and also several transphobic asks about my top surgery. The transphobic ones I blocked and deleted because I'm literally 3 weeks out and will not be dissuaded. But I'm simply not willing to continue arguing a point I've made very clear that I don't love the usage of this particular theory the way it's currently being used.

You can like it for yourself. I have said this over and over again. I do not like it for me, and do not think it is accurate for my life or my experiences or the reality that is what I have to go through on a regular basis. True to everything else that I've posted, I don't really care what you call yourself. If you want to call yourself TME and you believe that framework works for your experience, more power to you. Just don't label me that, because I don't think it works for mine.

Trans women are absolutely a boogeyman in a way that trans men often aren't. That is, unfortunately, one of the ways that hypervisibility is such a curse. Everyone knows what a trans woman is, and a good majority of those people also think the only good one's a dead one. That's bad. That's transmisogyny, and we should ally with trans women to help fix this problem.

Also unfortunately, as trans men become more and more visible to the world, instead of facing mass erasure and dying in silence or escaping to live in stealth, trans men are also beginning to become a boogeyman as well. Now we are a social contagion, a craze, with rapid onset gender dysphoria, mutilating ourselves and ruining our precious bodies, carving out our wombs, simultaneously debasing ourselves and also becoming predators lurking to snatch daughters up and forcefeed them our ideology, betraying women by becoming a mockery of men. What's worse, we tend to politically close ranks with trans women and cis women alike so it's harder for transphobic lawmakers to divide and conquer as they're used to with cis men, so instead they have to demonize us to prevent any further allyship.

That's the conversation trans mascs are trying to have.

Genuinely, I do agree that trans women face an othering that most people do not grasp without understanding transmisogyny theory, which is why I think everyone should have at least a basic understanding of it. But I also think that's true of many other demographics, and that if we want to get out of the pit that bigoted society put us in, we've got to work together to do so. It was, after all, the combined efforts of Marsha P Johnson AND Storme de Laverie that brought us out in the open. And among me friend group, we have people from all different races and backgrounds and genders and more locking arms to ensure the safety of each other, wanting to understand and know each other, lifting each other up.

[wixhing0nastar]

Abuse Narratives in RWBY: Yang Xiao Long Edition (Feat. Ruby Rose)

We've all witnessed and talked about Blake and Weiss being abuse survivors for years. Blake escaping from Adam and Weiss escaping from her father were both huge, impactful events that have shaped the narrative of the story in many ways.

Yang on the other hand has managed to fly mostly under the radar with the abuse she's suffered up to this point. Her jokey, happy-go-lucky facade tricking the audience just as well as it has her friends and family for years.

(Note: this is going to be a long post, so strap in. Also this is your warning I am not going to be holding back in my criticism of Tai, so if you don't want to see me go into detail about how exactly he abused Yang, I highly suggest turning back now).

TL:DR: Yang was neglected and parentified (aka: abused) as a child and that’s the root of a lot of the issues that she’s currently struggling with in Volume 9 and a large part of her healing is going to be centered around her relationship with Blake going forward.

Let's start by establishing what exactly I'm referring to when I say that Yang has been abused. Because while I'm certainly referring to her being neglected after Summer's death, I'm more so referring to the years of Parentification that was caused by said neglect (in addition to the verbal and emotional abuse hurled her way).

Let's start by defining what exactly Parentification is since it's where most of Yang's current problems stem from.

[Parentification is] a disturbance in the generational boundaries, such that evidence indicates a functional and/or emotional role reversal in which the child sacrifices his or her own needs for attention, comfort, and guidance in order to accommodate and care for the logistical and emotional needs of a parent and/or sibling. (Hooper, 2007b, p. 323)

Ruby establishes in Volume 9, Chapter 1 that Yang was the one who raised her. It's important to note that in the context of her saying that, she's telling Yang that Yang was the one responsible for her moral development as a kid.

Research has shown that the building blocks for morality are generally in place by the age of 4. However, "children need adults to help them at every stage of childhood to nurture these seeds into full development." (Harvard, Raising Caring, Respectful, Ethical Children, p. 1) With "childhood" commonly considered infancy to age 12.

Using this we can reasonably assume that Yang was Ruby's primary caretaker or at the very least co-parenting with Tai from the time of Summer's death to at least age 14 (when Ruby was 12)... which mind you, is already over a decade total and only three years before the show starts.

Now that we've got some of the science out of the way, let's start looking at the show itself to see just how bad the situation was.

Burning the Candle

This iconic scene actually paints a fairly horrifying picture of Yang and Ruby's early childhood when you start to break it down.

I waited for dad to leave the house.

Meaning that by that point, probably only a few months after Summer's death based on the timeline Yang establishes, Yang already knows Tai will reliably leave her and Ruby alone without supervision for extended periods of time in order to pull this off.

I must have walked for hours.

Meaning that it likely took several hours for someone to even notice they were missing in the first place. The fact Qrow knew exactly where they were indicates that Yang either left a note or clue about where they were headed and I'm willing to bet the only reason it took Yang that long to walk was because she was like two feet tall at the time (since Patch is like... a tiny island... which brings me to the next line...

A toddler asleep in the back of a wagon

Again, to clarify, Ruby was a toddler. Toddlers are between 1-3 years old... meaning this all happened when Yang was a maximum of (and likely, based on their physical appearances) 5 years old.

So to summarize, Tai was regularly leaving Yang, his five-year-old, home alone and in charge of her three-year-old sister... which would be horrifying to think about on its own but this is Remnant.

Which means that Tai was regularly leaving his grieving five-year-old at home alone when they didn't live inside a kingdom's border and there were known wild Grimm in the area... who are attracted to negative emotions.

Wow... I wonder why Yang felt the need to try to diffuse the tension with humor and keep everyone in high spirits all the time. It’s almost like it was a life or death situation growing up. (/s)

Anger, Fear, and Burn

Before jumping into the next big narrative piece, let’s talk a little bit about Yang’s semblance, Burn, and how it works. Because it’s important to establish before starting to dig into Volume 4.

Let’s start with how Ruby describes it:

Don't worry! With each hit she gets stronger, and she uses that energy to fight back! That's what makes her special.

Notice how Ruby doesn't mention anything about Yang needing to be angry to use her Semblance? In fact, while it’s unclear if this is entirely true, it has been stated previously that Yang’s powers come in part from her hair and no one has refuted that claim in like 8 years so it holds some weight.

Moreover, recent volumes have actually been hinting that Yang likely doesn't even need to use her anger to activate/maintain burn. And that she just does so out of habit more than anything.

Now, why exactly would someone intentionally limit themselves by tying their semblance into in emotion like that? Well, first let’s answer the question, why anger?

And well... anger is a secondary emotion.

A secondary emotion is an emotion fueled by other emotions... masking your feelings of sadness, hurt or grief with anger can be easier than experiencing the primary emotion.

And moreover,

The feelings that anger commonly masks include fear, anxiety, guilt, shame, embarrassment, betrayal, jealousy, sadness, hurt, and worry. (Alta Loma, Understanding Anger as a Secondary Emotion, Web, emphasis added).

Fear is, of course, a bit of a running theme in RWBY, there was a whole speech and song about it at the end of Volume 7, after all.

But more than that, there've been two people on two separate occasions who've called Yang out for being scared when she's posturing: Ren and Raven.

And while Ren was pointing out that she uses humor to try to deflect when she’s scared, when Raven said this to Yang she was absolutely outwardly angry... and Yang admits to being scared in the moment yet still standing there.

Also note that humor = friends/winning, anger = enemies/losing.

Which makes you wonder, what was happening growing up that made Yang instinctively react to fear of danger with anger and planting her feet instead of running away? For that let's go back to what we learned from Burning the Candle and the V5 short real quick.

We know there are living Grimm on Patch. Maybe not as many as elsewhere, but both times we are given glimpses into Yang and Ruby's childhood on Patch they are attacked by Grimm, which isn't a great sign.

How old do you think Yang was the first time she or Ruby had a bad day and attracted one of them on accident and she had to fight it off on her own (because she couldn't run, she had to protect Ruby)?

How many nights do you think Yang would spend reading Ruby stories and telling her dumb jokes to get her to laugh to try to make sure they weren't attacked? How often did Ruby have to force herself to be okay? For both their sake?

Volume 4

Now let's talk about Volume 4, aka: when Tai had the chance to step up and didn't.

Now right off the bat he's okay. There's nothing inherently wrong with him bringing her the arm and being excited at the thought because he doesn't know how she's going to react to it though it is a little weird he opened her mail without permission.

The rest of Yang's first V4 episode, however, makes it very clear both to us as the audience and Tai that Yang isn't doing okay... but Tai doesn't do anything to attempt to help her.

Which is why what happens in the next episode is kinda messed up.

Yang wakes up from a nightmare about losing her arm in a seriously traumatizing event and goes downstairs when she realizes there's a distraction people are over.

Then we get the fight and despite Yang laughing it off in the end... honestly Tai is being very condescending towards her, which Yang even points out. Like, someone made a slightly adult joke in front of her and he flies off the handle and starts a fight with her and starts making digs about her not being a real adult ready for the real world and let's just break that down before dealing with the actual problems in this episode.

Yang, as established, has been fulfilling the role of parent (while barely getting any parenting herself) for years. She's been fulfilling the role of an adult since she was 5! And at this point in the show she's also legally an adult. So not only is it condescending, it's also untrue.

Then we get this line.

I guess you lost some brain cells along with that arm.

Not only is this beyond callus, Yang is clearly actually upset by this.

And notably, she only treats it as a joke after Oobleck dropped his cup. AKA: after being reminded that they aren’t alone in the room.

(And remember, Yang uses humor as a coping mechanism).

And both Oobleck and Port can clearly tell that this wasn’t appropriate at all and immediately following that, they pointedly step in to ask Yang how she is doing with everything.

Which Tai has not done.

And Yang opens up to them! And she tells them that she’s still struggling and coming to terms with what happened to her. Which in turn causes Tai to finally talk to her about it, but he’s being pushy about her getting back out and “being her new normal” and even refers to her PTSD as moping when she just got done saying she’s still trying to process and recover.

And it’s again Port specifically who steps in and gives her some genuine advice without trying to push her her into anything she’s not ready for and then Oobleck joins in and they go out if their way to ham it up to make her laugh.

So overall, Tai’s being extremely dismissive of the trauma that she’s gone through and minimizing her feelings at every turn.

Which then leads to this scene...

Which is when Tai’s dismissiveness starts to make sense (and I’ll come back to this when I’m analyzing the last episode).

Let’s break it down. To start, Tai knows that Yang is going up to her room, they pointedly have her call out goodnight from upstairs so Tai knows where she is physically and what her intentions are.

Secondly, there’s no way that Tai doesn't know you can hear people talking from the front door from Yang’s room. He’s owned this house for like two decades minimum at this point.

So when Oobleck and Port ask after Ruby, there’s no way he should assume Yang won’t be able to hear everything he says. And he very much lays the burden of Ruby’s safety at Yang’s feet. He’s not going after her because he has to “look after some things.”

AKA: Yang.

And then she comes to him literally the next day wearing the new arm and wanting to train and he doesn't question her at all, even though 12 hours earlier Yang was very much not ready?

We then don’t see her at all for five episodes until we get the scene where she’s training with Tai and honestly, his advice is kinda horrible.

To start, even he says his advice is based on watching her Vytal Festival fights, meaning that everything is based on watching three matches.

He points out she uses her semblance to win every fight after the qualifiers (which is true), and Yang rightly points out that everyone uses their semblances to help them win. Then Tai says this:

Because not everyone else’s is basically a temper tantrum.

Not only is this very unlikely to be true, but even if Yang does need to rely on her anger to activate her semblance, calling it a temper tantrum isn’t accurate at all.

In fact, the way Yang uses her semblance takes a great deal of emotional regulation to pull off. She not only is able to make herself angry enough to use it at will, she’s also able to stop using it at will. Meaning Yang is capable of instantaneously switching from one emotion to another.

That’s not a temper tantrum, that’s someone with superb emotional control choosing what emotion to feel when it’s most appropriate.

Furthermore, the “what happens if you miss” comment is so ridiculous I don’t even know how to start other than saying we literally saw exactly what happens when Yang misses her first attempt in Volume 2! When her semblance is being revealed! And the answer is... she gets another shot.

And if they’re stronger... like not using the thing that makes her ridiculously powerful is certainly not going to help.

And honestly... Yang doesn’t do what Tai says. He says it’s useful in a bind but Yang doesn’t use her semblance only in emergencies from here on end. In fact, what she actually does is pick up some tricks from Pyrrha and she starts hiding her semblance from people!

And noticeably, Tai isn’t the one who tells Yang to fight smarter. That’s a line of thinking she develops on her own between the first and second times she faced Adam.

And then Tai takes credit for her “suddenly” getting better like she hadn’t successfully hit him so hard he needed to take a pause and the fight he did win was only because he attacked her when she was being vulnerable with him... her father who she’s of course not going to assume is going to attack her while she’s opening up to him... because she wouldn’t do that to Ruby.

And then we get to Yang’s last (real) episode of the volume when she’s setting out to get Ruby. Remember when I said Tai’s dismissiveness started to make sense and we’d come back to it? Well we’re back to it.

Note how Yang pointedly doesn’t tell Tai that she’s leaving, despite him having indicated to Port and Oobleck that the only reason he wasn’t also going after Ruby was because he was staying with Yang?

And how in the end he doesn’t leave with Yang to go find Ruby even though supposedly the only reason he hadn’t was because he wanted to make sure Yang was okay? And now Yang’s going after Ruby? Alone?

Paired with how pushy and condescending he was acting towards her in the other two Volume 4 episodes he was in, on top of having neglected and parentified her for at least a decade, this really reads as him wanting Yang to get better so he can shove her out the door to go after Ruby, and not him caring at all about her as a person.

(Which is why I really struggle to feel bad for him in his V8 scene... if he was so worried he could have been there).

Yang’s Actual Temper Tantrums

Let’s address these really quick before moving on to the final section. We’ve actually seen/heard of four different instances where Yang actually was having something resembling a temper tantrum while using her semblance.

I’m going to start with the Neon fight because it’s the easiest. But Neon as a character relies on knocking her opponents off balance by getting under their skin in a fight. She tries to make them angry and yes, it does work on Yang in this instance. But that’s Neon’s whole thing, in any other match up Yang would have been fine.

The other three times all had to do with her hair (namely, when Junior gets her hair in her trailer, when the ursa gets her hair in the Emerald Forest and... in V4 when Tai refers to her having a rough first haircut).

Going back to the bit about how Yang’s powers, in part, come from her hair and this actually makes a lot of sense in the context of Yang’s childhood. If she was regularly in charge of protecting Ruby and some of the finite power she did have as a kid was because of her hair, of course she gets freaked out by losing some... and we’ve already talked about Yang using anger as a mask for fear.

Bumbleby and Volume 9

So let’s talk about where we’re going now, because of all three of the abuse survivors in this show, Yang is the only one who hasn’t really been confronted with and forced to deal with it yet.

Because at the end of the day, being parentified and neglected for years has left Yang scared to open up emotionally and more than that, uncertain of her identity outside of being Ruby’s parent.

Because up to going to Beacon, that was basically Yang’s entire life. It’s entirely possible the only reason she went to Signal was to learn how to protect Ruby better all things considered.

Which is why the development between her and Blake is so important this volume. Yang desperately needs to be valued as something other a caretaker and protector and so far they’ve been emphasizing the fact that Blake loves Yang because she’s a goofy dork who makes her smile, not because she’s strong enough to level a mountain.

And while Blake’s relationship with Adam was abusive, unlike Yang, Blake does have a framework for health relationships thanks to Ghira and Kali and she’s worked through her own trauma from being abused romantically enough that she’s in a place emotionally to help Yang start working though hers. Starting by giving Yang a person she can trust not to leave who also isn’t and has never been dependent on her to muck up Yang’s healing process.

Because there’s a difference between someone choosing to stay and someone not having any other choice because they were/are dependent on you. And (absolutely no shade to Ruby here) she’s already had someone in the latter position choose to leave her anyways.

In Conclusion

Yang was abused as a child and into her late teens and is in desperate need of some type of unconditional love and affection that she doesn’t feel there are strings attached to in order to finally begin healing...

And therapy, but they’re a little low on that for the foreseeable future.

#RWBY #RWBY Spoilers #RWBY Analysis #Yang Xiao Long #Bumbleby #When I say long I’m not joking #This is more than 3k words

[am-i-the-asshole-official]

Am I the asshole for joking about offering to kill our mother in the sibling group chat?

So me (22, FtM), my sister L (21, F), and my two brothers E and H (19, FtM and 15, M) have a sibling group chat on instagram to keep up with each other, mainly to keep up with me because I'm living states away from them while they still live back in my homestate and are relatively close to each other still, living situation wise.

A few days back, H messaged the group chat about some Bullshit that our mother has been up to.

For context, H has medicine he takes that he needs or he'll be severely lethargic and in pain at best and probably close to death--if not dead--at worst. He's been dealing with this ailment since he was about 4 or 5 and while he's gotten better in recent years thanks to infusions, he obviously still needs the medications he takes now to keep him stable.

And for some reason our mother, who has put us through several years of physical, mental, emotional, and psychological abuse, not to mention denied that H had anything wrong with him when he developed his ailment (so add medical neglect to the long list of fucked up things she's done), is the ONLY one who knows how to order H's medication, down to prescription and where to order it from.

And those few days back, H messaged the sibling group chat to tell us that our mother has essentially been holding his medication hostage as leverage to still be able to keep contact with him, because pretty much everybody on her side of the family has gone little to no contact with her after the bullshit she's been making everyone put up with for nearly two decades now.

E was getting right to fixing the problem, asking H for our mother's contact so he can get the info about H's medication so E can relay to H as well as our grandma, who has custody over H.

I was busy at the time and had my phone on silent (and oddly enough Instagram doesn't like to give me notifications anyway when it comes to DMs and group chat messages) so when I had the chance to catch up on chat I was very rightfully pissed, but didn't want to go all out rant mode in the chat when my brothers were already getting it dealt with and probably stressed and pissed too.

So to lighten the mood after reading and catching up in chat I send a message saying "do you want me to kill her for you" as a sorta dark humor kind of way to show I'm there for them as much as I can be being as physically distant as I am.

H says 'No', and E starts playing into the joke too. And up until this point, L had been quiet too. Until the me making a joke about offing our horribly abusive mother was a step too far apparently, and she sent a message saying "Bye, guys" before leaving group chat.

For additional context, L was the golden child out of the four of us. At least for our mother. She's dealt with her own issues of abuse too from our mother, but has certainly gotten the better end of the deal and was treated significantly better than the rest of us for all of our childhood. So despite everything, we all suspect on some level that L still has some sort of spot for our mother.

E had to reinvite L to the chat and explain to her that, in these words exactly: E: "No one was serious [L], no one actually wants to kill [Mother]"

E: "You have a bunch of siblings who are hurt over [Mother] being a horrible mother, sometimes shit gets said"

The chat's been quiet for a good few days ever since and, I dunno, it's all left a bitter taste in my mouth since it happened. Am I the asshole here, since I kinda caused her dipping from the group chat in the first place because of it?

What are these acronyms?

#aita #am i the asshole

[coldresolve]

Hi, I'm Elias, I'm a 26yo trans guy from Denmark. I write shit, I draw shit, and I get into unneccesarily tedious arguments with anons about torture apologia in fiction. I think that sums up my vibe

I've made a few posts about this already, but tl;dr: the Danish NHS has been refusing to treat me for gender dysphoria for the better part of a year now because they've deemed me "unstable." Unstable how, you ask?

I have depression.

No, that is quite literally it. Full context under the readmore.

Fighting to be heard and having the door repeatedly slammed in your face sucks peak ass, and I'm done now. The NHS is so lackluster when it comes to trans people, all of a sudden, it makes perfect sense to me why 31% of transgender Danes get HRT outside of the NHS.

And I'd rather not have to turn to the black market, so rn I'm hoping to get a prescription with GenderGP. The issue is, I'm poor as fuck and can't afford the start-up fees for the forseeable future - unless I do something like this. I hate asking others for money, and I hate it even more if I'm not in a place where I can give anything in return. But I also recognize I'm in over my head with this, so. If you've got a cent or two to spare, I'd be grateful as hell.

I've mathed it out, and my best estimate is that I need around 3500,- DKK / $500 USD. Again, this is just to cover the initial subscription as well as mandatory consultations/blood tests. I should be able to cover the prescriptions on my own, as well as further tests/consultations down the line, so I'm hoping this is a one-and-done sort of thing.

paypal: [email protected]

Also, important note. We're in a global cost of living/housing crisis and this isn't a strict life-or-death situation. If you're in a tough spot right now, don't send me anything, that'd just make me feel worse about asking. I appreciate the thought but you gotta take care of your own needs first. Peace and take care ✌️

So I've been dealing with major depressive disorder since I was 11. It runs in my family, and as you might imagine, after 15 years of living with this thing, I've learned how to manage it pretty well by now. I know what it's like to genuinely be unstable - and if I were in a place like that, no problem, I'd be open about that. I wouldn't be making decisions like this. I know myself. You kind of have to when you're dealing with a chronic mental illness.

Here's where I am right now: I've got no suicidal ideation, been clean from self harm for four years, no psychosis, no inpatient admissions for the last five years. I live on my own, take my meds, and I'm keeping my life in order. Depressed, yes, but about as stable as someone with my history can get, and ask anyone who knows me, me wanting to get on HRT isn't some spur of the moment decision. I've done a fucking decade of soul searching, and a few years ago, I finally (duh) reached the conclusion that living as a woman isn't something I can even fake being content with - believe me, I've tried. I'm well aware of the scope of medical transition, but I'm settled in who I am. And I just want to live like me now. That's the only thing I want.

If it counts for anything, my partner and family have supported me through this, which has been priceless obviously, but it also goes to show that me saying "I'm capable of making medical decisions" isn't purely a personal assessment. I'm pretty sure they'd speak up if they thought I was being unstable about it or whatever

But the CPH clinic for sexology, who have consistently refused to listen to me telling them all this, have somehow magically aquired divine knowledge on my capacity to make adult decisions about my own body, and on the basis that I have MDD, they're refusing to even set me up for a preliminary interview - one that would preceed a 6 month full-team psych evaluation before the prospect of HRT would even come up. They said in their latest refusal that they wont accept another referral from me until a year after my last in-clinic conversation with them, which happened on October 24th, 2023 - meaning that with the NHS, if they accepted my referral come October (which I don't have much faith they will), the earliest I could possibly get on HRT is April 2025. Arguing for my own sanity would've sucked enough as is, but it's made harder by the fact that they won't even talk to me. You're a trans guy who would like healthcare, but you have a mental illness? Good luck, you're on your own. Long live the Danish bureaucracy.

Dysphoria makes me fucking miserable. I'd rather not have to write a sob story here, and tumblr is like 80% trans people so I guess a good portion of you can imagine why waiting another year for the possibility of maybe-perhaps-if-all-goes-well getting on HRT would not actually make me less miserable about it.

So. I'm sitting down next week along with my mom to file a formal complaint with the patient's rights committee. I don't know what to call this other than some form of discrimination on the basis of mental illness, because nothing in my current situation would prohibit me from making medical decisions for myself. And I honestly don't think that a complaint is going to do much, but I intend to make it obnoxiously long, because by law, a specialized doctor and an attorney have to read through the whole thing. If you can't beat 'em, make 'em read 50 pages of you going into detail about why you think they suck, right

And yeah, like I said, in the meantime, I'm trying to go via GenderGP. It'd be nice if my poor ass could get HRT via the NHS instead of having to pay out of pocket, but apparently the bar for entry requires that you 1) have gender dysphoria to the point where it impedes normal function and 2) somehow aren't mentally ill. Who wrote these rules? Some 60yo cis guy in a suit in Christiansborg, I imagine.

Feel free ask about anything relating to this whole situation, I'll be as open as I can about it, cause I understand that if you're going to give money to someone, you want to know what it's going to. Though I hope you understand I'm not going to doxx myself more than I already have now, or give you my entire medical history - only what's relevant to my current situation.

I know Denmark is a welfare state and on a global scale we're doing alright, but I hope you don't mind if I say this: This shouldn't be happening as often as it does. Fuck the Danish NHS.

#other #slight self doxx ig #idec ill post my bare ass for testosterone #do rb if u want but also no pressure. i want this whole thing to be on a want-to only basis alright

[frangipanilove]

Richonne’s Yellow Car And Why Ethanol Represents A “Cure”

I just wanted to piggyback off of @emsee22 ’s excellent post about the ethanol theme and provide some additional context for how I understand the way this symbolism traditionally has been used in TWDU, I hope you don’t mind @emsee22 .

I’m writing this from an off grid cabin without phone reception and internet. There’s a pine tree near my cabin where there’s one bar of reception when the weather is just right and the tech gods are well fed and content. Fingers crossed this goes through, and I might edit it into a real post with pics, references and links when I return to civilization.

But for now just wanted to briefly add my two cents to the discussion on the ethanol theme, because it’s something that makes me very excited, and it’s something we first saw a long time ago.

Long story short, it’s a metaphor for a cure, as you say. We know this because TPTB explicitly told us so, in an old episode of FTWD. I can’t remember which season off the top of my head, but Martha, the villain of the season had tried to kill Morgan and company by mixing antifreeze into their water. I wrote a post about it after the episode aired, because the themes of methanol = poison and ethanol = the cure were so overwhelming. It was one of those things that, without interpreting it on a deeply symbolical level seemed rather bizarre and random. I wondered when that particular symbolism would return, and now we know it did, in TOWL 1x5 What We.

For starters, this is significant for TD because, like you mentioned, when Beth in Still said “bad moonshine can make you go blind” she was talking about how moonshine, when produced under less than perfect conditions, can end up containing methanol, which can indeed make you blind, That is, if it doesn’t kill you first. Antifreeze, like we saw in FTWD, contains methanol, and Martha’s intention with giving them the antifreeze was to kill them by way of methanol poisoning.

The antidote to methanol is ironically ethanol, which is simply a different word for alcohol. Morgan and company were conveniently driving around in a truck loaded with beer, and were therefore able to counteract the effects of the methanol poisoning by getting drunk on beer. Heavy plot armor here, as we see, which again suggests there’s symbolism at play.

In plain text: when methanol is the poison, ethanol is the literal cure. Therefore, I think it’s fair to say that the ethanol in the back of Michonne and Rick’s yellow escape vehicle is a direct reference to the episode of FTWD where we see ethanol acting as a cure for methanol poisoning, meaning ethanol is a metaphor for a “cure” And we know that TPTB really wanted us to be aware of that. They needed us to know that so badly, they devoted an entire episode of FTWD to it. If I remember correctly, I think it even was the season finale. I think the entire back half of that season revolved around Martha trying to kill them, eventually culminating in the season finale where they ended up drinking beer/ethanol to save their lives.

We also saw a reference to the antifreeze/ methanol poisoning theme in TWD 4x4 when Daryl and Bob came across a gas station where the people staying there had committed suicide by drinking antifreeze. So again, as we see over and over, symbolism on this show stays consistent over time, it literally stays consistent over the span of a decade. And, they’re sufficiently invested in this symbolism to spend the entire back half of a season of FTWD laying the groundwork for establishing a solid ethanol = cure connection for the season finale.

When Rick and Michonne escaped in their yellow car in 5x4 What We, most TD’ers were instinctively drawn to the “yellowness” because we tend to interpret the color yellow to be associated with Beth, due her yellow polo from Still.

In a post from a few days back I talked about the ways in which the yellow symbolism intersects with symbolism around cars, and how those cars relate to Beth. I focused on Carol’s yellow Jeep Cherokee and the symbolism around the Cherokee Rose, and I will circle back to that now because the ethanol is actually right at the center of it. Carol’s Jeep Cherokee had the same shade of yellow as Beth’s polo and Richonne’s yellow escape vehicle, and there’s a reason for that.

Anybody remember when Daryl in TWD 2x4 placed a Cherokee Rose in a beer bottle before giving it to Carol? Beer is ethanol, remember, it is LITERALLY what saved Morgan and company’s lives in FTWD. In my post about the yellow symbolism and the car symbolism, I argued that the Cherokee Rose is a resurrection symbol, and it’s tied to Beth in a number of ways, but especially through the yellow symbolism, derived from her yellow polo. Remember that TPTB spent an entire episode of FTWD telling us that beer is the cure for methanol poisoning. Beer = cure. The beer bottle with the Cherokee Rose from 2x4 is yet another representation of resurrection symbolism combined with a metaphor for a cure. And it’s all tied to Beth.

(The “beer” symbolism is also tied to the “North” symbolism, but I’ll leave that for a another day)

@emsee22 your post brought up a few new details that I hadn’t considered before, which I can’t wait to start researching once I get back to where I have internet. For starters, a symbolism-heavy episode of FTWD revolved around a funeral home with lots of references to formaldehyde, which I’m now heavily side-eying in a slightly different way. I can’t wait to sink my teeth into that rabbit hole when I get home😄

#bethyl #team delusional #team defiance #daryl dixon #the walking dead #beth greene #twd #daryl x beth #twd towl

[weedsmokingbfs]

WAHOO SOL BACKSTORY TIME. Well . More like Sols Deal with pandemonium. her entire childhood can wait for another day. this is her ass

First I need to give some context to the kingdom she lives in. Its a giant (and I mean HUGE. thousands of people live on it. you see those little lines of the sides? those are Trains to take you to each section. if thats a better size comparison) heres a drawing of it

Praecanema was founded and built by a supposed “great scientist” named Velda.

This giant hunk of metal roams around in a polluted desert, keeping the people inside safe from the outside air. Science is very important here, and your worth is dependent on your contributions. The kingdoms symbol is the trifecta, and its used to represent the scientific process (problem, effort, solution). The kingdom itself is anti magic, and has a superiority complex over magic users. Everyone here is kinda a massive asshole.

This was all instilled into their brains through Veldas propaganda. Why is she so anti magic? Because shes a Fraud. Infact, she uses magic Herself. She never was a great scientist, she has been harnessing the power of an entity to give her the intelligence to do any of this in the first place. This entity is also helping this giant machine to run. It was never organic fuel, it was Magic. To keep anyone from finding out, she turned her kingdom against the concept of magic entirely.

Time skip a couple of decades, and this entity is starting to grow tired of Velda constantly taking advantage of it. Veldas power over it id starting to slip. With no entity, theres no one to run the ship, and with no ship, theres no protection from the outside air. Everyone would have to evacuate, and Velda would lose her precious kingdom and reputation. She needs a new fuel source before this entity detaches from her entirely, but since shes a fraud scientist she needs Help.

This is where Sol comes in. Its not uncommon from people on this ship to be crazy, but Sol fits under the Crazy Crazy. Known to take her experiments to far, and getting herself hurt in the process. Shes also been in trouble with the law on multiple occasions. So basically, the perfect candidate for Velda to pull into her experiment. Not only has she been know to do crazy things in the name of science, shes also Completely Disposable if something goes wrong. No ones gonna miss the criminal.

Sol has constantly been belittled and is always fighting for peoples respect, so when Velda offered her to opportunity to work on a project with her, she was Thrilled. The leader? of our kingdom? wants to work with MEEE?? THAT’LL SHOW THE HATERS.. So, Sol accepts.

Sol is also currently living with her childhood best friend (they are yuri.. but its. Complicated…) Dia. Sol has only ever had Dia to rely on, so the two are very close. Heres an img of her . her relevancy will come later

Anyways. Sol was instructed to keep this project a secret by Velda. She said it was to keep panic off the streets, but it was definitely just to cover up all her lies about magic.

The experiments started relatively tame, trying to convert organic resources into fuel. Nothing was working, none of it was powerful enough to run the entire ship. Unknowingly to Sol, this was because it wasn’t built to run on organic sources, it was built to run on Magic.

After tireless research, Sol exhausted all her resources. Hope was Slim. Or so she thought🤓☝️. One night at a bar, Sol drunkenly gets into a conversation with another scientist. Vaguely mentioning how her project is failing. The scientist brings up the ideas of mixing magic and science offhandedly, but it sticks with Sol. (fun fact, the scientist was illusioned in by Pandemonium (lore here if u haven’t read it https://www.tumblr.com/weedsmokingbfs/732808761161465856/not-my-ass-already-forgetting-important-lore-he its probably best to read this rq if you haven’t already) in order to set up his plan for later)

Reluctantly, Sol brings up the idea to Velda. Velda pretends to be hesitant, but its Relived Sol brought it up First. Velda pulls the “well i wouldn’t usually want to.. But if its the Only Way to Keep Everyone Safe🥺” card. So she gets to work on experimenting with different types of magic.

Originally just with the idea of casting spells on the ship, but she quickly realizes this would require a constantly influx of magic that would just be to draining for someone to do. The ship is also so large it would require Multiple People casting spells all throughout the day, which isn’t feasible. Then she moved onto the idea of harvesting magic from magical plants, or items, but over time the magic would weaken or fade out entirely. She needed an Infinite Magic source.

During all of this, Sol was being horribly overworked. She was growing more irritable, and was being a massive dick to Dia lol. Dia knew she was snapping because of all the work on her, and told her that maybe she should step down from this mystery project. Sol lost it on Dia, saying they were jealous of her. She had worked so hard for respect for so long, and now, she “had” it. Why couldn’t they just be happy for her? The argument got worse, and ended with Dia saying until Sol gets her shit together, shes staying with her mom. Sol was back to being alone.

This is when things erm. start to get a bit dark. Sol has an encounter with an immortal magic user, and realizes hey Wait a Minute. This is an infinite magic source, they cant die because they have magic keeping them alive, so no matter how much magic you harvest from them, the source Renews itself. Sol brings it up to Velda, not fully sure about it, since it requires human experimentation. Sols crazy but maybe not torture an innocent person crazy. Velda who does not give a Fuck immediately pressures Sol into it. Hinting that things may not go very well for her if she Doesn’t Comply. Sol instantly starts to feel some regrets but Whoops we are in it now boys.

She gets to work and kidnaps the immortal, and begins experimentation. Harvesting magic from the immortal, as their body continually regenerated itself. Low and behold it Worked in powering the machine. The problem is One immortals magic is not enough. It could only fuel small parts. She needed multiple. But its not like a handful of immortal magic users are just lying around anywhere.

This is where Pandemonium comes in, striking up a deal with Sol. Promising with Sols help he could possess the bodies of people, making them immortal through his magic. As long as Sol promised not to kick him out of the bodies. He claimed he was trapped inside mirrors, (the surface he can Naturally traverse) so Sol letting him into these bodies would benefit him too. (he’s LYINGG!) She takes the deal, and helps him into the bodies of some innocent people to become apart of the experiment. Yayyyyyyyyyy.

Her mental and physical health massively declined during this time, turns out being around lifeless bodies all day n experimenting on them is Really Draining! But Sol is to deep in it now, and the pressure from Velda only grows. Erm. Things get worse though.

Dia, collecting some of her things from Sols house, stumbles across papers of the work shes been doing. (once again Pandemonium let Dia find these. just the next step in his story) Her curiosity wins and she reads them, they dont reveal the full situation, but raise concerns. Dia investigates further, not fully knowing what shes getting into. It ends with her finding out about the human experimentation, to her disgust. She has bigger problems now though, because she was Also Caught, she manages to escape in time but now Velda knows Dia knows. Velda knows the only way to keep this project safe, is to “dispose” of Dia. Sol, fights aside, doesn’t want Dia to fucking Die. So she tells Velda she will take care of Dia.

Sol isn’t sure what to do, or how to protect Dia, until Pandemonium comes to her with an idea! Oh boy. Pandemonium tells Sol to let him possess Dia as well, and add her to the experiment. She wont have to kill her, and Dia will totally be unconscious and not in pain!!! 😁 And once everything with Velda calms down, Pandemonium will let Dia go :3. Sol is hesitant, but sees this as the better option to her dying. She accepts, and Dia becomes another body in the experiment.

Time goes on, Sols practically at her limit. Overworked and guilt ridden. Anything would push her over the edge. This anything, happens to be one of the people waking up during the experiment, crying and sobbing about how much pain they are in. (lowkey… i think its Dia. because im Evil.) Turns out, everyone could feel Everything Sol was doing. She was unknowingly Torturing them. She fucking snaps, and decides shes Done. She doesn’t care what happens anymore she cant go on like this.

Erm. If you remember, the premise of the deal was that Sol wasn’t allowed to force Pandemonium out of the bodies, or else the deal would be broken. And thats exactly what she does. She frees the possessed people, and the deal is broke. Pandemonium now owns Sols soul and drags her off to puppet hell.

Erm. This feels like a depressing ending but um. her story is not over… its just not finished yet because she exsists in a dnd campaign 😅 so i have to. Wait. LMFAO. I have more lore for her puppet days, but ill wait to explain it till i get to chesils lore. THIS IS ALR SO LONG

#next… dias lore #she also got left on a cliffhanger here but she has lore after the experiments!! #sol and dia make me crazy. they didnt even have time to talk to eachother about everything b4 pandemonium ripped sol away #IM CRAZY JM CRAZY #i feel cringe posting these i hope ysll actusally like them lmfao #furry #furry oc #furry art #cyborg #industrial #concept art #character design #muppysocs #oc:dia #oc:sol #oc:pandemonium

[daresplaining]

I was wondering if you could give me a recommended reading order for Daredevil stories with Karen specifically. The more important the role (not being dead please) the better! Yellow has been great and when I read born Again I'm sure I'll be asking for more! anything throughout all of daredevil's history is welcome, before miller, after, i'll be happy with anything. And for specifically karen's and matt's relationship history, knowing the starts, stops, restarts, and restops, etc would be great!

Absolutely! Karen is a neat character to me not just for who she is as a person, but also because she was around long enough to be present for many of the comic's stylistic and tonal shifts over the decades. Her character arc is also really compelling, even if it requires some digging. I was going to recommend Daredevil: Yellow, but since you've already read it, I'll just mention it anyway for anyone who might not have checked it out yet. Great comic, delightful depiction of Karen.

Now, let's get into it!

The first 70-or-so issues of Daredevil are a full-on soap opera, with Matt and Karen dancing around the prospect of a relationship, going through drama, dealing with fake twin brothers and secret identity shenanigans...to the degree that I'm tempted to just recommend that you check out that whole block of issues (as always, I'm obligated to recommend the Mike Murdock Saga). However, for the sake of brevity, I'll pull out some of the most significant Karen moments.

Daredevil vol. 1 #41: Karen has spent the past fifteen issues torn between Matt-- her true love, who doesn't seem to love her back-- and his "twin brother" Mike, who is equally attractive and actually seems to be into her. In this issue, Karen finally comes to grips with the fact that she likes Matt best.

Daredevil vol. 1 #48: Matt and Karen's first kiss! Karen had quit her job at the law office because the romantic tension was stressing her out, sending Matt into a depressive spiral. In this issue she returns, and they finally make their feelings fully known to each other.

Daredevil vol. 1 #56-58: The "Death's Head" arc! This is a great, creepy story that is also the first DD story to really center Karen. We learn more about her family, her backstory, she gets some nice heroic moments, and it is very, very significant for her relationship with Matt. It then leads directly into #58, in which things immediately begin to fall apart.

Daredevil vol. 1 #63-67: Karen, fed up with Matt's inability to keep his promises, breaks off their engagement and runs away to Hollywood to pursue her acting career. Matt runs after her. These issues cover their adventures together in California and Matt's inability to let go.

Daredevil vol. 1 #86: Karen and Matt give the engagement thing one more try (for now).

Ghost Rider vol. 1 #13-26: These issues cover Karen's Hollywood adventures alongside Johnny Blaze (Ghost Rider) and Stunt-Master! While she isn't a major presence and isn't in every issue, it is fun to see her in such a different context, in the hands of a different creative team, living her movie star dreams.

Daredevil vol. 1 #138 and Ghost Rider vol. 1 #20: In the midst of the above chunk of issues, Matt learns that Karen has gone missing and runs off to California to rescue her, giving us a fun little crossover with Ghost Rider.

Marvel Two-In-One vol. 1 #46: Karen isn't in this issue that much, but it's a really fun one. The Hulk gets angry about the new Hulk TV show, in which Karen is about to be cast. Also, Ben Grimm is there.

Daredevil vol. 1 #227-233: It sounds like "Born Again" is already on your radar but I'm including it here for completeness. Karen hits her lowest point, and reunites with Matt after more than a hundred issues of separation.

Daredevil vol. 1 #237: This is a really nice issue. Karen and Matt start a new life together in Hell's Kitchen.

Daredevil vol. 1 #242-244: Karen struggles to come to terms with Daredevil's violence in the context of her own abuse-related trauma.

Daredevil vol. 1 #248: Karen starts up her free clinic and drug hotline, offering support (and under-the-table legal services, via Matt) to those in the community suffering through the same things she went through. Karen's clinic is a key setting throughout this run and a key element of her character development during this period.

Daredevil vol. 1 #259: Partway through the Nocenti/JRJr run, Matt starts cheating on Karen with Mary Walker, Typhoid Mary's mild-mannered alter. As his affections waver between the two women, Matt teams up with Karen to take down a child trafficking operation.

Daredevil vol. 1 #261: Daredevil has gone missing. Karen teams up with Johnny Storm to look for him.

Daredevil vol. 1 #294: Karen and Matt reunite after a long absence (read: one of Matt's faked deaths, following the previously mentioned infidelity). Includes one of my all-time favorite Karen scenes.

Daredevil vol. 1 #297, 299, 302, 305, 312, 320, 325: Phew, that's a list. Each of these issues contains precisely one (1) lovely Karen scene as she and Matt work toward rebuilding the trust and love that they lost.

Daredevil vol. 1 327, 329-331, 338-342: While grieving Matt's latest faked death, Karen confronts ghosts from her past as she works to take down a child pornography operation. (Tragically, unless I'm missing a tie-in somewhere, this plotline just kind of abruptly ends, possibly due to the writer shuffling that was going on at the time. But it's a neat Karen solo adventure while it lasts.)

Daredevil vol. 1 #345-347: Someone who seems to be Matt is running around in the yellow Daredevil costume. Karen and Foggy try to get to the bottom of it.

Daredevil vol. 1 348-350: Matt has a mental breakdown. Foggy finds out that Matt is 1. alive and 2. Daredevil. Karen has to deal with all of it.

I humbly beseech you to read all of Daredevil vol. 1 #353-375. It's one of my favorite periods of Daredevil and is full of Karen goodness, since by this point she and Matt are living together again. However, here are a few particularly significant issues:

Daredevil vol. 1 #359: One of my all-time favorite issues, featuring a Daredevil-themed episode of the enigmatic Paige Angel's radio show...

Daredevil vol. 1 #371: Karen and Matt have had a major fight. Karen seeks emotional support from a questionable source. Matt clumsily tries to make amends.

Daredevil vol. 1 #375: Another one of my absolute favorite issues of Daredevil. Karen gets framed for murder, and this extra-long issue covers her trial.

Extras:

Daredevil: Predator's Smile and Daredevil: The Cutting Edge: These two prose novels are a little difficult to find these days, but they're very fun and heavily feature Karen. In fact, some of my favorite Karen scenes are from these books. Predator's Smile takes place between issues #233 and 234 (right after "Born Again"), and Cutting Edge takes place during Joe Kelly's run (#365-375).

Marvel Valentine Special, "Love Hurts": This short story takes place during the Kesel/Kelly era. Karen uses her radio show to help a woman get out of an abusive relationship.

Secret Wars: Secret Love, "Guilty Pleasure": Is this part of my stealth mission to get everyone on the planet to read "Misty and Danny Forever"? Maybe. But this anthology issue's Karen-focused story is very neat too.

Daredevil vol. 4 #15.1, "Chasing the Devil": Karen only appears briefly in this little Silver Age retrospective story, but even just this small glimpse of her as written and drawn by the great Chris Samnee and Matthew Wilson is a treat.

I hope this helps!

#Long post #batvaccum #Daredevil #Karen Page #Asks #Recommendations List

[demigodofhoolemere]

Things I can't stop thinking about from Steven and Vicki's Tales of the TARDIS episode

- This reunion. Seeing them together again kills me anyway, but when you look at the context of the last time they saw each other, both of them could have easily thought the other might be dead. The last Vicki saw of Steven he was bleeding out and slipping away from consciousness, and to Steven he woke up to learn that they'd left Vicki in a city that was being razed to the ground and its inhabitants slaughtered. There wasn’t a proper goodbye and neither could have known for sure whether the other had survived. These are two people who must have spent decades of their lives just hoping and praying that the other was okay.

They take each other's presence in like it’s a miracle. I don’t know if they intentionally wrote/acted this with that particular context of their last time together in mind, but nevertheless it can very easily be read that way since their reactions lend themselves to it so well.

- ^ In particular, Steven’s voice breaks in a way that absolutely destroys me.

- Is this girlish giggling not the most Vicki thing you’ve ever seen?

- There are certain moments that just really hit as, ‘This is them.’ I mean, look at her. That’s Vicki. It keeps blowing my mind.

- Steven is SO happy to see her again, oh my word. “I’ve got my little sister back!” is gonna live in my mind for the rest of my life. To have that dynamic acknowledged in those words and to see how much they love each other kills me. Look at this unreserved fluff. This means the world to me.

- Hearing that they’ve had wonderfully happy lives is so nice. Vicki could have been dealing with all kinds of turmoil given the time she chose to stay in, and with Steven’s luck he could have had literally anything happen to him, like Big Finish decided to do. I’m so glad they’ve been given full and happy lives onscreen, that Vicki has done so well in such a wildly different time and that Steven’s bad luck curse is finally broken. (The trauma curse is broken at least — it’s too much of a stretch for me to believe that he wouldn’t still have mundane bad luck lol.)

- Someone needs to either sue Peter for these faces or give him an award. There is so much emotion going on here and I can barely handle it. And knowing how much Peter truly loved this show and his time on it, I get the feeling some of this is real for him.

- “Vicki, this might not be his TARDIS. I mean, can you imagine the Doctor wearing something like this?” Well I’m sure as heck imagining it now! Someone PLEASE make fan art of One in Six’s coat.

- Their reverence for the Doctor’s pocket watch. Vicki is so happy and clutches it with joy and Steven stares at it and strokes it for a good minute. 💗

- Love having some skeptical Steven wondering if it could be a trap and warning Vicki to be careful. His older brother mode got reactivated so fast. And, “Don’t be such a spoilsport!” is so delightfully Vicki.

- Space helmet for a cow!!!

- “Well, it had been a busy week.” Lol, more like a busy (or not so busy) 2 years on Mechanus! You’re more than excused!

- I know it was naturally gonna happen because they’re going over The Time Meddler but I love the references to the Monk, and I love that we also get a subtle reference to The Daleks’ Master Plan out of it.

- Another one of those moments that just strikes you. Look at him.

- “He rescued me. I was an orphan and he became my family. I became the granddaughter he’d lost.” 😭

- Vicki’s little, “Come out, come out, wherever you are!” dance is so perfectly Vicki. It warms my heart how well-characterized they both are here.

- Anyone else see this and immediately start crying thinking about her putting her hands over her eyes in The Chase? Just me?

- Steven’s face when he agrees with her about wishing more than anything to see the Doctor again. I love his relationship with the Doctor so much, it kills me to see him emotional about it, to see how much he still loves him after all this time. But on top of it, once again I feel like there’s some genuine Peter in here who misses Bill. You can see in a lot of interviews, panels, commentaries and so on that Peter really truly cared about Bill as his friend and is still protective over him as a person and his character. When Steven makes this face in agreement about wishing he could just see the Doctor again, I feel something else very real in it.

- Look at them. Just look at them. No further comment.

- Vicki’s face hearing the Doctor’s laugh is my face.

I still haven’t been able to get through this without crying at his laugh. I don’t really have the words for how magical and touching it is that they included him in that way. It tugs on my heartstrings so hard.

#classic who #tales of the tardis #vicki pallister #steven taylor #spoilers #cannot stop thinking about them #this was such a love letter to the era and these characters #and to me who keeps crying #these two are so important to me