“Mike Flanagan focuses too much on characters monologuing”
Well I for one eat it up every time like it’s a five course meal of fiction handed to me on a silver platter. More delicious depictions of death, family, and what it means to be alive for me.
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Dan threatening the hiatus over Phil gifting him the dune bucket like we're innocent children caught in the crossfires of phivorce
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Welcome to a series I'm calling:
Yes, that scene did foreshadow Mike's monologue was disingenuous
Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.
The Bingham's Beautiful Performance
First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.
Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.
Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.
This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.
The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).
A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.
Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...
Will. Will is the director
Director Will: GET THAT RADIO OUT OF MY SHOT!
Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...
genuine...
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i feel like maul would get into tea because the perfectionism and theatre of good tea making would appeal to his inner neurotic thespian. he would also just enjoy flavors, after knowing food scarcity. a small 6oz cup is probably the right rate of hydration for him post lotho minor, on fuckin repeat all day of course, so i imagine he picked the habit up naturally.
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rereading pandora hearts
music inspo
[ID: Vincent gently hugs Gilbert, one hand on his back and the other on Gil's head. Gil is embarrassed and a bit sad, Vincent has a warm smile. Everything is in warm yellow and dark blue tones, there are few warm yellow stars. End ID]
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the doctor's dynamic with his companions is like the beating hearts of the show, yet for some reason the doctor is so tightlipped about his feelings for martha in particular. it's maddening. sure, the narrative will give us tiny moments of the doctor showing his appreciation of her and acknowledging her presence. martha jones i like you. martha jones you're a star. but what does he think about her? how does he view her? what is her significance to him?
we learn a lot about what martha thinks the doctor thinks about her. he's not seeing me he's just remembering. sometimes i think he likes me but sometimes i just think he needs someone. he doesn't even look at me but i don't care. it's never outright confirmed, but so many signs point to this being the case. the doctor is constantly putting up walls between the two of them, which martha tries so hard to break through. and there are times where it seems like she manages to, where the two of them have genuine moments of connection! only for the next episode to come along and destroy that progress, as if it never happened, and the doctor goes back to being distant and overlooking her.
this wouldn't be as big a deal as it is if there was some sort of comeuppance or catharsis at the end of s3. but in the final speech martha gives to the doctor before she goes, the focus is put on her unrequited love. again. the issue, rtd wants us to believe, is that the doctor doesn't reciprocate martha's romantic feelings for him. but that's not it. the real issue is that the doctor doesn't even treat martha as a proper person, a companion in her own right, a friend who he cherishes and wants to travel with because she's martha jones. instead, he acts as if she's just someone to keep around because he gets lonely on his own.
and so instead of the doctor rightly being called out for his callous treatment of martha, we just have the show brush this under the rug and act like the matter is resolved come s4. because at the end of the day, neither martha nor her relationship to the doctor matter. they never did to the show or its writers. they were just a vehicle to tell the true story, which has nothing to do with martha at all. (this is absolutely rooted in misogynoir btw.)
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