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byneddiedingo · 1 year

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Buster Keaton in The General (Buster Keaton and Clyde Bruckman, 1926)

Cast: Buster Keaton, Marion Mack, Glen Cavender, Jim Farley, Frederick Vroom, Charles Smith, Frank Barnes, Joe Keaton, Mike Donlin, Tom Nawn. Screenplay: Buster Keaton, Clyde Bruckman, Al Boasberg, Charles Henry Smith, based on a book by William Pittenger. Cinematography: Bert Haines, Devereaux Jennings. Art direction: Fred Gabourie. Film editing: Buster Keaton, Sherman Kell.

The Civil War had been over for 60 years when The General was made, and from the tone of it you might think the South had won. That was, however, the prevailing attitude in Hollywood, and would remain so for perhaps another 40 years. The reason usually given for Hollywood's avoidance of treating the Southern states as what they really were -- i.e., racist traitors -- is a fear of losing the considerable market that the former states of the Confederacy constituted. So The General seems biased toward treating the Confederacy as a genteel homeland full of honorable, self-sacrificing heroes. There's no shying away from waving the Confederate battle flag as there would be today, and the strains of "Dixie" are used to stirring effect even in the score composed for the restored version -- as they would have been in any theatrical showing in the year of its release. Sentimentality about the Southern past held on for so long in large part because Hollywood encouraged it, and it still enables politicians to treat unsentimental views of history as needlessly “woke.” But The General is a great film despite its wrongheaded view of history, and Keaton is one of the masters of the medium. Every time I watch it I see something new: This time, for example, I was taken with the sequence near the start of the film when Johnnie Gray (Keaton) arrives home with the first of his two loves (his engine, the General) and goes to see the other love, Annabelle Lee (Marion Mack). He is trailed to her house by two small boys, following in single file, and unknown to them Annabelle joins the little procession. Arriving at her door, he knocks, only to notice with a double-take that she's right behind him. They enter her living room, with the two boys following and seating themselves on the couch to observe. Johnnie sees them, pretends that he's leaving, goes to the door, ushers them out first, and then closes the door behind them. It's a simple gag routine of no importance to the plot (we never see the boys again), but it's executed with such straight-faced precision, as if it were being performed to a metronomic beat, that it becomes a small delight. Henri Bergson's theory of comedy is as unreadable as most theories of comedy are, but he makes a point that some things are funny because they show human beings behaving mechanically. Human beings are elastic and unpredictable, and when they turn inelastic and predictable, they can become funny. Almost everything in The General is done with this straight-faced precision, so that we laugh even when Keaton departs from it. Marion Mack proves herself a game performer here, subjected to all sorts of torments from being caught in a bear trap to being tied in a sack and flung into a boxcar to being drenched with water. Throughout it all she remains a ditz, and we often want to throttle her because of it. So when Keaton gives in to the exasperation we are all feeling with her, he does start to throttle her -- and then, endearingly, changes his mind and kisses her.

#The General #Buster Keaton #Clyde Bruckman

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fibula-rasa · 10 months

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Movieland (1926)

[imdb | letterboxd]

Director: Norman Taurog

Cinematographer: Leonard Smith

Performers: Lupino Lane, Glen Cavender, & Kathryn McGuire

Featured on The Silent Comedy Watch Party ep. 94 from the D&D collection supplied by Dave Glass. (Hence the D&D logo in the corner!)

#1920s #1926 #Lupino Lane #norman taurog #silent era #silent film #silent movies #silent comedy #american film #classic movies #classic film #my edits #my gifs

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mkemals · 1 year

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# cinema #movie

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makeitquietly · 2 years

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#Stan Laurel #Glen Cavender #The Sleuth #1925 #1920s #Stan's solo work #one of my favourites #of Stan's faces #😍😊

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365days365movies · 3 years

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April 2, 2021: The General (1926)

From one legendary early filmmaker onto another!

Joseph Frank Keaton was born in Piqua, Kansas, on October 4, 1895. His parents were vaudeville performers, which might be sounding familiar to you, based on Chaplin’s life history. But Keaton’s childhood was VERY different, I promise. When he was an infant, he fell down the stairs in front of a family friend, and stood up afterwards, seemingly fine. The actor said, “He’s a regular buster!” And the name stuck, as did Buster’s tendency to shake off what could be massive injury. And that proved useful, as he would soon lose the tip of his finger, hit his own eye with a rock, and was also SUCKED OUT OF A WINDOW BY A TORNADO AND DROPPED TWO CITY BLOCKS AWAY. FUCKING SERIOUSLY. And according to some accounts, al of that happened in the same fucking day. Allegedly, because that shit would be CRAZY if true.

Regardless, he was brought on to work with his parents on stage when he was three, and they became “The Three Keatons”. During the act, Buster would be thrown against the scenery, into the orchestra pit, or into the audience itself! He earned to take trick falls quickly, and was billed as “the little boy who can’t be damaged”. And kid was INDESTRUCTIBLE. Sure, he never got hurt because of surprisingly well-thought out stage trickery, but he also was VERY good at landing on his feet, describing himself once as “landing like a cat” on regular occasions. But eventually, the law banned child performers in vaudeville, putting an end to the act.

But that wouldn’t stop Buster Keaton, NO SIR. It did stop his father, though, who eventually succumbed to alcoholism and wrecked the family business. But Buster and his mother left for New York City, and Buster moved on to his lifelong passion: acting. While acting on stage, Keaton met a young man named Roscoe “Fatty” Arbuckle, who would become one of the most prominent early film stars. But then, World War I happened, and Buster served in France, where he would become permanently deaf in one ear.

When he came back, he was a writer for Arbuckle’s films before breaking out on his own projects, being able to write, direct, and act in his own films. In the process, he developed his unique style of acting and filmmaking, which was extremely visual and full of slapstick. In acting, he became famous for his emotionless stony face, known as the “deadpan”. He also ALWAYS did his own stunts, which sometimes resulted in some major consequences.

Yeah. YEAH. Dude did a stunt that caused him to BREAK HIS NECK, and he DID NOT REALIZE THIS for YEARS AFTER THE INCIDENT! This man is the GREATEST BADASS THAT FILM HAS EVER KNOWN. That was on Sherlock, Jr. in 1924, and by this point, Keaton was a millionaire, and one of the biggest names in Hollywood, alongside Charlie Chaplin, of course. He was married to actress Natalie Talmadge (who was the SAME AGE as him, go figure), and they had three children together by 1924. And their marriage...also began to suffer. Just like Chaplin, except that Keaton wasn’t abusive to Natalie or the kids, thankfully. It was her spending habits, and the two of them growing apart.

And then, in 1925, inspired by history like Chaplin was with The Gold Rush, Keaton was inspired by a true story from the Civil War, known as the Great Locomotive Chase. See, Buster LOVED trains, and with the money and resources at his disposal, he had the ability to make his magnum opus, his favorite film, and one of the most expensive films ever made. Working with Chaplin’s United Artists, he made today’s film of focus: The General. And, uh...this would have mixed results, I’ll just say that much for now.

I’ll tell you what happens to Buster after this in the review, but for now, let’s jump into the movie! It’s a short one, but that’s OK! SPOILERS AHEAD!!!

Recap

Y’know, I considered saving this one for Historical July or War November, but I think it’s better here for a few reasons. Plus, I’d rather those films not be comedic, if I can help it. Anyway: Marietta, Georgia, 1861!

The Western & Atlantic Railroad train known as The General is bring driven by its chief engineer Johnnie Gray (Buster Keaton). As a title screen tells us, Johnny loves two things: the majestic The General, and his equally majestic fiancée, Annabelle Lee (Marion Mack). Living in the decadent pre-Civil War South, the two are happy with each other, although Johnnie is somewhat awkward in his way. He provides Annabelle with a photo of him and The General.

Just then, though, Annabelle’s brother (Frank Barnes) comes in and tells her and their father (Charles Smith) that Fort Sumter’s been fired on. UH OH. It’s war. As Annabelle’s brother immediately goes to enlist alongside many other men, Johnnie follows suit. However, when he gets to the enlisting station, he’s refused the opportunity, as he will be needed to act as a railroad engineer. Which, to be fair, does make sense. Railroad engineers would be vital for the effort. However, they never tell him why he isn’t fit for the job, so he just goes back and tries to enlist under a false name. They catch him, though, and he’s again refused. Dejected, he goes back to the train.

However, as he leaves, Annabelle’s father and brother see him in line, and try to get him in to join them. He shakes his head, but instead of assuming that he’s been rejected, they assume that he’s too cowardly to join. They relay this message to Annabelle, who goes to him directly He tells him the truth, that he’s been rejected, but she IMMEDIATELY assumes he’s lying, and tells him not to speak to her again unless he’s in uniform. Dammit, Annabelle! And poor Johnnie doesn’t even know how important he is! Geez, guys, get your shit together.

A year passes, and the war continues in earnest. We go to a Union camp, where Captain Anderson (Glen Cavender) plots with General Thatcher (Jim Farley) to ambush a train and steal it, in an effort to debilitate the train and the South’s efforts as a whole. Meanwhile, Annabelle’s father is wounded, causing her to go and see him. This requires a trip on The General, and a brief and awkward reunion with Johnnie.

However, we now have a much bigger problem than lost love. Because the train is stopped for Johnnie and the passengers to get some food at a nearby stop. And this is when Captain Anderson takes the opportunity to steal The General right from under Johnnie’s nose. And Annabelle, who catches them in the act, is kidnapped in order to hide their scheme.

The men take off with The General and Annabelle, and now BOTH of Johnnie’s loves are taken away from him. He chases after the train, first running, then using a handcar, and THEN taking a man’s penny-farthing bicycle. By the way, fun fact about me: it is my life’s goal to be able to afford a penny-farthing bicycle and ride it around town while wearing a top hat and coat, like it’s completely fucking normal. I need this - I FUCKING NEED THIS, UNDERSTAND???

He rides that penny-farthing to another stop, where he encounters Confederate soldiers, who he tries to recruit to aid him in retrieving his train. However, he accidentally leaves them all behind, using a small engine, Texas to chase after his train and the robbers. Johnnie’s soon leading them in a hot pursuit, also managing to procure a cannon on the way.

However, the robbers have taken notice now, and the Captain is under the mistaken impression that the Texas carries reinforcements. Instead, they keep going. Meanwhile, Johnnie’s hooked the cannon up to the back of the Texas, and is trying (and failing) to fire it at the robbers. Instead, he accidentally unhooks it as it’s about to fire, and it’s aimed at the Texas instead. To avoid the shot, Johnnie...Johnnie does THIS.

...Damn, Buster Keaton, that’s awesome. That’s him doing this, FOR REAL, in this film. Holy shit. Tom Cruise, eat your heart out. Anyway, the cannon misses the Texas, but ends up firing pretty close to The General, spooking the men onboard. To stave him off, they first detach their last car, which falls off the tracks when Johnnie’s looking away, confusing him greatly. Then, they through railroad ties on the tracks, which Johnnie has to clear by getting off the train, riding it’s grill (again), and removing by hand! God, I love this dude.

The Union soldiers divert the tracks, driving Johnnie into a dead end, but he manages to reverse the Texas and switch back onto the right track. Meanwhile, the Union men are building fires in The General’s train cars, and leaving those cars on covered bridges in order to burn them down. They do this on one, and the Texas follows, driving into it, and pushing it OUT of the bridge. And goddamn, this movie is cool as shit.

As Johnnie deals with this latest situation, the train drives through Chattanooga, where the Confederate Army is in full retreat, chased away by the Union. And it’s at this point that I should point something out: I really, really should be rooting aginst Johnnie here, for obvious reasons. But, the movie is putting him in position as the protagonist, and it works, because I do like this guy, even if he’s inevitably on the wrong side of history.

It’s also at this point where Johnnie COMPLETELY loses any advantage, as the men on The General have now realized that he’s the only one on the train, and start fighting back, throwing things at him and the Texas from above. Now in danger, Johnnie takes off and runs into the forest, where he hides. This, mind you, is also as Annabelle is watching from The General.

That night, he happens upon a house in enemy territory, and goes there to hide. As he does, however, a group of officers come in, and discuss their plans to ambush the Confederate soldiers, and to secure one of their bridges for their own trains. Johnnie, all the while, is hidden under a table.

Annabelle is brought in, and the men decide to hold her for now, until the deed is done and they can make other plans. However, Johnnie also hears this, and waits until the officers clear out of the house, leaving him, Annabelle, and a couple of guards. Johnnie, being a badass, knocks out the guards, put on one of their uniforms, and rescues Annabelle. The pair of them escape back into the forest, as a thunderstorm rages. They also encounter a bear in the woods, because that’s basically par for the course with these movies, it would seem.

So is a beartrap, which Annabelle briefly gets caught in (yikes), until she’s freed by Johnnie...who also gets caught in it right afterwards. Nice. With all this trouble in the dark, the two decide to hunker down in the woods. Annabelle thanks Johnnie for coming after her, even in the country of their enemy. And they reconcile as they sleep for the night. Thatnext morning, Johnnie gets his bearings, and sees The General at an encampment down below. Wearing a Union uniform, he devises a plan to get to the train, and warn the South of the Union’s plan.

He convinces Annabelle to hide in a burlap sac, which he carries with him into the encampment. Dude’s a strong guy for being as scrawny as he appears to be. He carries her over his shoulder to the train, then puts her on one of the cabins. The makes his way to the front, and surprises the few men there, pushing them off of it, and stealing back The General! Badass!!!

He gets Annabelle out of the bag and the two attempt to outrun the Union together. They block the way with telephone poles, then grab some wood from recently constructed fences in order to fuel the engine (with some humorous difficulty). The Union catches up quickly, however, and the two are forced to flee again. They dump barrels and other items on board the train onto the tracks, then attempt to replenish the water reserves for the steam locomotive (again with some humorous difficulty) before moving on.

But precious little seems to impede the train’s pursuers. Meanwhile, Annabelle makes herself busy by sweeping the train? Oh ho ho, silly women, with their cleaning and uselessness in vital combat situations! Tee hee hee, why isn’t she pregnant in the kitchen right now? Silly baby receptacles, I mean, women!

OK, that mildly chauvinistic moment aside, the two continue speeding ahead, but then, at a moment when Johnnie gets off the train for manipulate the tracks, Annabelle winds up on The General by herself!. She reverses the train at almost EXACTLY the wrong moment, nearly causing an accident, but Johnnie’s trick with the track works, diverting the Union trains to another unfinished track. And the two gain a wider lead once again. And then...we reach the Rock River Bridge.

This is where the Union troops are meant to be meeting the trains for supplies, and a vital part of the Union’s plans in the area. Turning the tables on the Union, Johnnie sets a massive fire on the bridge, but gets trapped behind it, and is forced to jump into the river as The General moves off of it. However, he gets back up just in time, and they head out to the southern territories.

As they do, Johnnie changes uniform to a Confederate Grey, so as not to get shot at once they arrive. He warns the Confederate troops or the coming Northern invasion, and they quickly mobilize. He and Annabelle figuratively and literally dress down the commanding officer (nice), and they head out to engage the Northern Invaders! I’m sure it’ll go well for everybody involved. It’s also here that Annabelle reunites with her father, alive and healing. Johnnie, meanwhile, tries to go and help the army face the North.

Speaking of the Union, they’re STILL trying to repair the train track that Johnnie messed up. They finally succeed, and head off to the Rock River Bridge, with the Texas ahead of them. The other troops meet with them after all, and the commander insists that the bridge is in tact enough to cross the bridge. And that leads to...the most expensive scene ever shot, at least at the time.

That’s real. Are you listening to me, THAT IS 100% FUCKING REAL! BUSTER KEATON COLLAPSED A BRIDGE WITH A TRAIN ON IT FOR THIS MOVIE!!! That shit? That’s some next level shit. The Union forces, now basically fucked, try to ford the river, only for the Confederate forces to fend them off, with Johnnie’s help. The Captain, hidden on the bank, starts to pick off soldiers that Johnny’s talking to, only for Johnnie to accidentally kill him with a sword, which flies through the air to get him. Which, yeah, is funny in a macabre way. He also accidentally takes out a dam, flooding the river and fishing the Union soldiers out, forcing them into retreat! Their other supply train is disabled, and the South has won this battle! I mean, booo, but I’m happy for Johnnie, at least.

Hailed as a hero with the rest, they all return to the town, where Johnnie reunites with The General in peace. However, he’s nearly done for, as one of the soldiers, an officer that he knocked out a WHILE ago, has actually been on the train the entire time, and has only now regained consciousness. Johnnie takes him prisoner, and the general in charge of this unit is so impressed by his actions that he brings Johnnie into the army, and promotes him to lieutenant, giving him the Union officer’s sword in the process! Good for you, Johnnie! Proud of you, bud.

Now officially enlisted at last, he and Annabelle happily reunite in love, and makeout right next to The General. And then, Johnnie marches off to war for an army on the losing side of history that’s defending slavery, and in all likelihood dies in the deadliest war in American history. Probably. The movie actually ends on the kiss, but it’s the Civil War, we all know what the fuck went down.

And that’s The General! Wow. I get why Keaton was so excited about this movie; it’s a massive accomplishment in film history, and engaging and entertaining movie, and a cinematic masterpiece...that was directly responsible for eventually ending Keaton’s career.

...See you in the Review! I’ll explain the last part, I promise.

#the general #the general 1926 #clyde bruckman #buster keaton #marion mack #glen cavender #jim farley #comedy april #user365 #365 movie challenge #365 movies 365 days #365 Days 365 Movies #365 movies a year #365days365movies

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facesofcinema · 3 years

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The General (1926)

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grantmkemp · 4 years

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In just four years Glenn Miller scored 16 number-one records and 69 top ten hits, more than Elvis Presley (38 top 10s) and the Beatles (33 top 10s) did in their careers.

"The King of Swing", born 116 years ago today, 1st March 1904 ... Read more below

Alton Glenn Miller was an American big-band trombonist, arranger, composer, and bandleader in the swing era. He was the best-selling recording artist from 1939 to 1942, leading one of the best-known big bands. Miller's recordings include "In the Mood", "Moonlight Serenade", "Pennsylvania 6-5000", "Chattanooga Choo Choo", "A String of Pearls", "At Last", "(I've Got a Gal In) Kalamazoo", "American Patrol", "Tuxedo Junction", "Elmer's Tune", and "Little Brown Jug". In just four years Glenn Miller scored 16 number-one records and 69 top ten hits, more than Elvis Presley (38 top 10s) and the Beatles (33 top 10s) did in their careers

The son of Mattie Lou (née Cavender) and Lewis Elmer Miller, Glenn Miller was born in Clarinda, Iowa. He attended grade school in North Platte in western Nebraska. In 1915, his family moved to Grant City, Missouri. Around this time, he had made enough money from milking cows to buy his first trombone and played in the town orchestra. During his senior year he became interested in "dance band music". He was so taken that he formed a band with some classmates. By the time he graduated from high school in 1921 he had decided to become a professional musician.

In 1923 Miller entered the University of Colorado, he spent most of his time away from school, attending auditions and playing any gigs he could get, including with Boyd Senter's band in Denver. After failing three out of five classes, he dropped out of school to pursue a career in music

In 1926 Miller toured with several groups, landing a good spot in Ben Pollack's group in Los Angeles. He also played for Victor Young, which allowed him to be mentored by other professional musicians. In the beginning he was the main trombone soloist of the band. But when Jack Teagarden joined Pollack's band in 1928, Miller found that his solos were cut drastically. He realized that his future was in arranging and composing.

In 1928, when the band arrived in New York City, he sent for and married his college sweetheart, Helen Burger. He was a member of Red Nichols's orchestra in 1930, and because of Nichols, he played in the pit bands of two Broadway shows, Strike Up the Band and Girl Crazy. The band included Benny Goodman and Gene Krupa.

During the late 1920s and early 1930s Miller worked as a freelance trombonist in several bands. On a March 21, 1928 Victor Records session he played alongside Tommy Dorsey, Benny Goodman, and Joe Venuti in the All-Star Orchestra directed by Nat Shilkret.

In the early-to-mid-1930s, Miller worked as a trombonist, arranger, and composer for The Dorsey Brothers, first when they were a Brunswick studio group and when they formed an ill-fated orchestra. In 1935, he assembled an American orchestra for British bandleader Ray Noble, developing the arrangement of lead clarinet over four saxophones that became a characteristic of his big band.

Miller made his first movie appearance in The Big Broadcast of 1936 as a member of the Ray Noble Orchestra performing "Why Stars Come Out at Night". The film included performances by Dorothy Dandridge and the Nicholas Brothers, who would appear with Miller again in two movies for Twentieth Century Fox in 1941 and 1942.

In 1937, Miller compiled several arrangements and formed his first band. After failing to distinguish itself from the many bands of the time, it broke up after its last show at the Ritz Ballroom in Bridgeport, Connecticut on January 2, 1938

Benny Goodman said in 1976

In late 1937, before his band became popular, we were both playing in Dallas. Glenn was pretty dejected and came to see me. He asked, "What do you do? How do you make it?" I said, "I don't know, Glenn. You just stay with it."

Discouraged, Miller returned to New York. He realized that he needed to develop a unique sound, and decided to make the clarinet play a melodic line with a tenor saxophone holding the same note, while three other saxophones harmonized within a single octave. With this new sound combination, Glenn Miller found a way to differentiate his band's style from the many bands that existed in the late thirties

In September 1938, the Miller band began recording for Bluebird, a subsidiary of RCA. In the spring of 1939, the band's fortunes improved with a date at the Meadowbrook Ballroom in Cedar Grove, New Jersey and more dramatically at the Glen Island Casino in New Rochelle, New York. According to author Gunther Schuller, the Glen Island performance attracted "a record breaking opening night crowd of 1800..." The band's popularity grew. In 1939, Time magazine noted, "Of the twelve to 24 discs in each of today's 300,000 U.S. jukeboxes, from two to six are usually Glenn Miller's." "Tuxedo Junction" sold 115,000 copies in the first week. Miller's success in 1939 culminated with an appearance at Carnegie Hall on October 6 with Paul Whiteman, Benny Goodman, and Fred Waring also on the schedule.

In 1942, at the peak of his civilian career, Miller decided to join the war effort, forsaking an income of $15,000 to $20,000 per week in civilian life, including a home in Tenafly, New Jersey. At 38, Miller was too old to be drafted and first volunteered for the Navy but was told that they did not need his services. Miller then wrote to Army Brigadier General Charles Young. He persuaded the United States Army to accept him so he could, in his own words, "be placed in charge of a modernized Army band". His patriotic intention of entertaining the Allied Forces with the fusion of virtuosity and dance rhythms in his music earned him the rank of captain and he was soon promoted to major by August 1944

Miller was due to fly from the United Kingdom to Paris on December 15, 1944, to make arrangements to move his entire band there in the near future. His plane, a single-engine UC-64 Norseman, departed from RAF Twinwood Farm in Clapham, on the outskirts of Bedford, and disappeared while flying over the English Channel.

Miller left behind his wife and two adopted children. He was posthumously awarded the Bronze Star, presented to his wife Helen in a ceremony held on March 24, 1945

These are my colourised versions of two black, and white pictures taken in 1942, and 1944.

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