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chaos0pikachu · 4 months

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Is BL Being Overly Influenced by Modern Western Romance Tropes?

Short answer: No. anyways, in the following essay I will explain that James Cameron is a weeb...

(okay fine~~ lets actually do this)

TLDR: discussing what media globalization is, how fandom can distill it down to only American/European cinema, showcasing how a lot of current BL is influenced by countries within it's own proximity and NOT "the west" but each other, also James Cameron is still a weeb

I had seen a post that basically proposited that BL was being influenced by modern western romance tropes and had used things like omegaverse and mafia settings as an example. I found this, in a word, fucking annoying (oh, two words I guess) because it's micro-xenophobic to me.

It positions western - and really what we mean by this is American/European countries, we're not talking about South American countries are we? - cinema as the central breadbasket of all cinema in and of itself. Inherently, all following cinema must be in some way, shape, or form, influenced by American/European standards, and as such America/European countries are directly responsible for cinema everywhere else, and these places - namely non-white countries - do not influence each other, nor have their own histories in regards to storytelling or cinema and do not, in turn, also influence American/European film making either.

Now like, do I think all of that~~ is intentionally malicious thinking on behalf of folks in fandom? No, so chill out.

I do, however, think a lot of it is birthed from simple ignorance and growing up in an environment where ~The West~ is propagated to be central, individual, and exceptional as opposed to the monolith of "Asia" - by which we mean China, Korea, Japan don't we? How often in discussions of Asian countries is Iran, India, or Saudi Arabia brought up even tho they are all Asian countries? - or the monolith that is South America - in which some folks might believe regions like the Caribbean and/or Central America belong to, but nope there both North America.

Anyway, what we're talking about here is the concept of "media globalization":

"The production, distribution, and consumption of media products on a global scale, facilitating the exchange and diffusion of ideas cross-culturally." (source)

"The media industry is, in many ways, perfect for globalization, or the spread of global trade without regard for traditional political borders. [...] the low marginal costs of media mean that reaching a wider market creates much larger profit margins for media companies. [...] Media is largely a cultural product, and the transfer of such a product is likely to have an influence on the recipient’s culture." (source)

Typically when I see fandom discussing what falls under MG the topic is usually focused on how "the west" is influencing Thai/Korean/Chinese/Japanese media.

Enter, Pit Babe.

Surely Pit Babe was influenced by Supernatural right? Omegaverse is huge in the west - love it, hate it, meh it - it originated in the west - specifically via Supernatural after all.

Nah.

Omegaverse has been popular in Japan and China for almost a decade, if not longer. The earliest omegaverse manga I can think of is Pendulum: Juujin Omegaverse by Hana Hasumi which was released in 2015, almost a decade ago.

(what if you added furries into omegaverse? WHAT IF?? - Japan)

There's countless popular omegaverse manga too, and the dynamics only moderately resemble the ones we're familiar with in the west. Juujin is part omegaverse and part furry/beastmen - the alphas are all beastmen the omegas are humans - while something like Ookami-kun Is Not Scary only slightly resembles omegaverse dynamics as a hybrid series - beastmen are really popular in Japan in part b/c of historical mythology (you see the combination of romantic Beastmen and Japanese culture & folklore in Mamoru Hosoda's work The Boy and the Beast and Wolf Children).

Megumi & Tsugumi (2018) is so popular they're an official English edition published by VIZ's imprint SuBlime and that's a straight up omegaverse story.

(look at the omega symbol on the cover loud and proud baby)

So if Pit Babe was influenced by anything, it certainly wasn't "the west" it was Japan, Korea and China. Because those countries have a thriving omegaverse sub-genre going and have had such for 10 plus years now. Supernatural is popular in Japan, yes, and that may be where Japan and Japanese fans originally found omegaverse as a fictional sub-genre.

HOWEVER

Japanese fans took the sub-genre, bent it, played with it, and evolved it into their own thing. As such, other countries in their proximity, like Thailand, China, and Korea who read BL and GL manga, found it and were like "hey, we wanna play too!"

(is that an omegaverse yuri novel I spy?? yes, yes it is)

When I watched the Red Peafowl trailer, it had more in common with Kinnporsche, History: Trapped, along with films and shows like: Jet Li's The Enforcer, and Fist of Legend, Donnie Yen's Flash Point, Raging Fire, and Kung Fu Jungle, Han Dong-wook's The Worst of Evil, Kim Jin-Min's My Name, Lee Chung-hyeon's The Ballerina, Baik's Believer & Believer 2, Yoshie Kaoruhara's KeixYaku, popular Don Lee films The Gangster, the Cop and the Devil and Unstoppable alongside BL manga like Honto Yajuu and Bi No Isu (probably one of the most well known yazuka manga to date).

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Like, we're seeing a rise in mafia based BLs and people think that's because of "western influence" and not the absolute insane success of kinnporsche??? Especially in countries like China, Korea, Taiwan, Philippines and other Asian countries???

Mafia films and gang shows aren't even that popular here in America/Europe; don't get me wrong, they still get made and exist, but the last full length film was The Irishman which did not make it's budget back, and while Power is still on-going it's not a smash hit either. The heyday of Breaking Bad, The Sopranos, The Wire, Goodfellas, and Scarface are long gone. And if you've watched any those shows or films they have very little in common with Kei x Yaku, Kinnporsche, or Red Peafowl in tone, or style.

(who knew martin just wanted to make his al pacino/robert de niro fanfic come to life all these years?)

Another example, The Sign, which is clearly taking inspiration from Chinese costume dramas: Ashes of Love, Fairy and Devil, White Snake (and it's many adaptions), Guardian, & Ying Yang Master Dream of Eternity. Alongside Hong Kong and Korean cop and romance shows like Tale of the Nine-Tailed, Hotel Del Luna, Director Who Buys Me Dinner, First Love, Again, and previously mentioned cop dramas.

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Like, I know y'all don't think Twins is influenced by, what, American sports classic Angels in the Outfield?? Gridiron Gang?? Rocky?? Nah that shit is inspired by the popularity of sports manga like Haikyuu!!, Slam Dunk, Prince of Tennis (which even has a Chinese drama adaption), and the like. And also probably History 2, & Not Me but I'm like 87% sure Twins is just Haikyuu fanfic.

So like, does this mean that there's NO history in which American and European cinema influenced these countries? What, no, obviously that's not true, American/European totally have had media influence on countries like Korea, Japan, etc.

Astro Boy by Osamu Tezuka considered "the father of manga" was inspired by Walt Disney's work on Bambi. Another more recent and prominent example is director Yeon Sang-ho and his film Train to Busan.

"And it was Snyder’s movie [Dawn of the Dead, 2004], not the 1978 original, that filmmaker Yeon Sang-ho recalled as his first encounter with the undead. “That was when I started my interest in zombies,” Yeon said, in an email interview through a translator from South Korea. Even today, he added, “it’s the most memorable and intense zombie movie I’ve ever seen.”" (source)

HOWEVER, the global influence doesn't stop there. It's not a one-way street. Yeon Sang-Ho was inspired by Zack Synder's Dawn of the Dead, a remake of George Romero's own work, but Yeon Sang-Ho's work has inspired countless Korean film makers to make their own zombie media; following Train to Busan there's been: Kingdom (2019 - current), All of Us Are Dead (2022), Zombie Detective (2020), Zombieverse (2023), Alive (2020), Rampant (2018).

And hey, wouldn't you know it now we're starting to see more zombie media coming out of places like Japan (Zom 100 the manga, movie, and anime) and High School of the Dead.

Do you know what Domundi's series Zombivor (2023, pilot trailer only) reminds me of? It's NOT The Walking Dead (which is the only relevant zombie media America has created in the last decade) it's Korea's All of Us Are Dead (2022). Comparing the trailers, the settings, the tone, it's clear where Zombivor is pulling inspiration from: Korean zombie cinema. NOT American zombie cinema.

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In fact a lot of Domundi's shows - Cutie Pie, Middleman's Love, Naughty Babe, Bed Friend - are all very clearly inspired by Korean filmmaking, specifically that of romantic kdramas from the 2016 - 2020 era. Not always in story, but rather in technique.

This is media globalization. It's not simply ~The West~ influencing non-American/European countries but countries who are often more close in terms of: proximity, culture, and trade are going to have more influence on each other.

It is far more likely that Aoftion (Naughty Babe, Cutie Pie, Zombivor) was influenced by watching Train to Busan, All of Us Are Dead, and other Korean zombie shows and films than a single episode of Walking Dead.

My point isn't that this goes one way only, but rather it is very literally a global thing. This includes American and European film makers being influenced by non-American and European cinema.

Martin Scorsese, Steven Spielberg, Darren Aronofsky, Christopher Nolan, the Wachowski sisters, George Lucas and James Cameron have all been influenced by Japanese film making, especially the works of Akira Kurosawa, Satoshi Kon, and Mamoru Oshii.

John Wick's entire gun-fu sub-genre is heavily influenced by classic Hong Kong action films, specifically John Woo films. Legend of Korra, The Boondocks, Voltron, Young Justice, My Adventures with Superman are all obviously inspired by Japanese anime but animated by a Korean animation studio (Studio Mir). Beyond that, the rise in adult animated dramas like Castlevania, Critical Role Vox Machina, and Invincible to name a few are very clearly taking inspiration from anime in terms of style. The weebs that were watching Adult Swim's Inuyasha, Bleach, and Dragon Ball Z have grown up and are now working in Hollywood.

Okay so like, what's the point of all this? What's the issue? Since American/European cinema does influence et all cinema does any of this really matter?

YES.

I take contention with this line of thinking because it centers "the west" and our supposed individual importance way to much. Declaring definitively that "BL is being influenced by western tropes" and then including tropes, narratives, and film making styles that aren't inherently western and actually have major roots in the cinema of various Asian countries, removes the existence of individual history these countries have which are rich, varied, and nuanced. It removes the "global" part of globalization by declaring "the globe" is really just America and Europe.

It distills these countries down to static places that only exist when American/European audiences discover them.

BL doesn't exist in a vacuum you can trace the development of Korean BL to the development of Korean het dramas almost to a T. You can also trace their development to the queer history of each country and how Thailand interacts culturally with China, Japan, Korea, etc and vice versa. It also ignores the history of these countries influencing American cinema as well. Don't mistake "the globe" for only your sphere of experience.

Anyway James Cameron is a damn weeb y'all have a good night.

Check out other posts in the series:

Film Making? In My BL? - The Sign ep01 Edition | Aspect Ratio in Love for Love's Sake | Cinematography in My BL - Our Skyy2 vs kinnporsche, 2gether vs semantic error, 1000 Stars vs The Sign | How The Sign Uses CGI | Is BL Being Overly Influenced by Modern Western Romance Tropes?

[like these posts? drop me a couple pennies on ko-fi]

#kinnporsche #pit babe the series #the sign the series #twins the series #red peafowl the series #domundi #gmmtv #chaos pikachu speaks #fucking a this was an entire essay #i should drop a ko-fi link cause good god damn #chaos pikachu metas #Youtube #pikachu's bl film series

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posallys · 4 months

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It's the way that, even with age appropriate casts, writers and directors continue to make characters more mature/strip them of whatever child-like personality traits they truly possess in favor of turning children into what is a caricature of an adult...they're meant to be 12. They were cast as a 12 year old. Let them be 12, let them be silly, let them make mistakes because they're not adults--that's the point. They're supposed to feel enormous pressure and loss and it's supposed to be uncomfortable to watch because it IS a completely vile situation. 12 year olds shouldn't constantly be in life and death situations, they shouldn't be ventuing across the country on their own, they shouldn't have adult-like pressure on them, but they DO, and the fact that they're 12 and ACT like they're 12 is important because it emphasize how wrong the situation is, it emphasize how gross the gods' ways are, it emphasize how right luke is in his line of thought even if he may have gone about it wrong.

#IN THIS ESSAY I WILL YELL ABOUT THE TRIO BEING STRIPED OF MUCH OF THEIR SILLINESS #like YEAH some of it is there. but most of it isn't #why is annabeth just an adult.#let her be twelve god fucking damn it #pjo tv #pjo series #percy jackson #percy jackson and the olympians #pjo #pjo tv show #I HATE IT HERE

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stylographic-blue-rhapsody · 5 months

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I was deep in my drunk feelings when I made a joke post threatening to write about episode 5 symbolism and mizu, but then enough people said "where is the essay" so I am here to ramble as requested

in ep 5, the tale told in the puppet show spliced with the flashback sequence of mizu’s marriage identifies mizu as not only the ronin, but also the bride and, with tragedy, the onryō. I would argue that mizu is also depicted (in a less linear fashion) as the phoenix itself, and will circle back to this thought later

mizu is first presented as the ronin, the warrior with a singular purpose. as the ronin’s lord is assassinated by the rival clan, mizu’s mother is killed in the house fire. the ronin swears his revenge, and dedicates his life to this cause. through his childhood and into his young adult life when he departs from swordfather, mizu is exclusively the ronin. he is not the onryō yet, demonstrated in his honorable unwillingness to harm the men who stab him and throw him out of the shop even after he insists that he wasn't looking for a fight in the first place

the ronin is only able to rest and put away his mission when he meets the bride, the lover. however, mizu’s bride is not literally another person she meets. the bride is not mama, or mikio, but the lover mizu discovers in herself, the one allowed to bloom in place of mizu-as-ronin. mizu’s growth into the bride from the ronin occurs over time, but solidifies in the moment when kai is gifted to her by mikio, paralleling the taming of her own distrust and expectations of being hurt. (side note, giving a nod to effective use of color: the bride puppet, dressed in reds and oranges, has matching coloring to the gifting scene, as it takes place in autumn)

mizu’s transformation into the onryō happens in two parts, beginning with the slaying of the bride and completing with the slaying of the ronin. the betrayal by mikio and mama kills the softness in mizu, kills the lover she has allowed herself to become. mizu-as-onryō retaliates by killing the ronin: the part of himself that hesitates before striking, that part that cares for honor. in not intervening in mama’s death and then murdering mikio in turn, mizu kills the ronin in himself, slaughtering it in retribution for the dead bride

mizu is both the bride and the ronin, peaceful lover and noble warrior, until he is not—he is the onryō, only the onryō. episode 5 opens with the narrator saying, “no one man can defeat an army, but one creature can.” only as the onryō, and not as the ronin or the bride, does mizu have the force of will and capacity for violence it takes to singlehandedly overcome boss hamata’s thousand claw army and protect the brothel

mizu’s identity and place in the world is a constant dialogue. he is too white to have a respectable place in japanese society, but is also seen by abijah (our stand-in for white british society) as filthy and corrupted. he is not perceived as enough of a man to walk through life wholly as one (madame kaji’s comments about his apparent lack of sexual desires, his bones breaking “like a woman’s” under fowler’s hands, his disregard for honor and recognition as a samurai). she is also not enough of a woman to exist peacefully as one with mikio (she is a swordsman, an accomplished rider, bad at domesticity; “what woman doesn’t want a husband?” mama chastises)

the moment when mikio rejects her completely following their spar is a particularly poignant narrative beat about tolerance of “the other” in gender presentation: mikio can accept her as a woman only until she bests him at manhood, at the sword, at violence. she is Other in that she is physically strong, a poor cook, able to wield a sword. these traits are all tolerable to mikio, also an outcast, so long as she is not so Other as to be a man. but her swordsmanship bests his, and bests his in the way the sun outshines a candle. it is too Other, and therefore she is not a woman. she is a monster to him, the onryō, even before she kills the bride and the ronin in herself

(( as an aside, this series does a very good job at discussing the oft-challenging relationship between race and gender (e.g. that it is difficult for mizu to live as a biracial man, but would be deadly for her to live as a biracial woman), and demonstrating how queerness of identity complicates that relationship even further—but that’s a topic for a different post ))

as the narrative has been building on this idea that mizu is both the ronin and the bride, the man and the woman, japanese and white, episode 5 concludes with the heartbreaking reveal that, although mizu is all of these things simultaneously, he has had these identities beaten out of him by tragedy and cruelty and his own self-loathing hand

but mizu does not stagnate as the monster. we return to the metaphor of steel: too pure and it becomes brittle, breaking under pressure. mizu is a sword, a weapon that he has forged for the sole purpose of revenge and blood, but he has excised too much of himself to successfully deliver on his goals—he is not the ronin or the bride, he is the onryō; she is not a woman or a man, she is the onryō; the onryō is nothing but pain and vengeance—and so it breaks

“perhaps a demon cannot make steel,” mizu says. “I am a bad artist”

swordfather replies, “an artist gives all they have to the art, the whole. your strengths and deficiencies, your loves and shames. perhaps the people you collected… if you do not invite the whole, the demon takes two chairs, and your art will suffer”

to be reforged, mizu must not only acknowledge the impurities she has beaten out of her blade, out of herself, but lovingly, radically accept them and reincorporate them into the blade, into herself. he adds impure steel—the people he has collected, with their own dualities—to the sheared meteorite sword: the broken blade that fit so perfectly in taigen’s hand (the archetypal ronin, but a man seeking happiness over glory), the knife akemi tried to murder mizu with (the archetypal bride, but with ambition for greatness), the bell given to ringo and returned to mizu in broken trust (the man unable to hold a sword, but upholding samurai principles of honor and wisdom), the tongs that honed mizu’s smithcraft under swordfather’s guidance (the artisan, a blind man who sees more than most). to make of herself a blade strong enough to see her promises through, she must hold her monstrosity and honor and compassion and artistry in equal import

she is the onryō, and the ronin, and the bride, and all the people she has collected.

with this we finally come to mizu as the phoenix. mizu undergoes many cycles of death and rebirth, both in the main storyline and the flashbacks into her life leading up to the present. often, mizu is juxtaposed against literal flames—the burning of his childhood home, swordfather’s forge, the fire as he battles the giant in the infiltrated castle, the heart sutra forge of her own making, the climactic second confrontation with fowler. not every death/rebirth mizu undergoes is thematic to flame, of course. the fight with the four fangs, spliced with the rebirth ceremony of the town, for example, or the deaths of her ronin-self and bride-self, giving rise to the onryō

he is the phoenix, unable to truly die: every fatal combat he pulls back from the brink, reborn over and over in the wake of failure and setback. in episode 1, mizu prays for the gods to “let [him] die.” not to help him to face death unafraid, not to die with honor or victory, but to die at all. mizu has experienced death a thousand times over, but not once has it stuck

(( as a parting aside: the ronin’s rage at the phoenix clan for killing his lord parallels mizu’s self hatred of his mixed heritage (which he believes to be the thing that killed his mother), and so the ronin’s quest for revenge against the phoenix clan is mirrored in mizu’s quest to kill the white part of himself as best he can, by killing the white men who could be his father ))

mizu, the ronin. mizu, the bride. mizu, the onryō. mizu, the phoenix.

#blue eye samurai #mizu blue eye samurai #hopefully this is mostly coherent #I have more things to say but this was getting lengthy #there's also a lot of gender and racial nuance I've glossed over here for an attempt at brevity and structure #god also the COLOR. do you know how much I have to say about the use of color and shadow as a reflection of the narrative #maybe I'll write another damn essay who knows #this show really scratches the part of my brain that was academically trained in film analysis #blue speaks

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cozylittleartblog · 5 months

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being depressed sucks, but at the same time it did stop me from drawing illuminaughti fanart like four days before the shit(tm) popped off with her back in may

silver linings i guess

#not art #i like listening to video essays and shit while i draw and work and i ended up listening to a lot of her videos back then #extremely funny to get into a youtuber and then not two weeks later they are the worst person of 2023 #cool sona design! shame it belongs to Her #yeah i think about this every time i see a new drama video abt her in my youtube recommended feed #i would be so mad if i drew her and then had to delete it wbhsdjhbdsfg saved me the energy #also the plagarism stuff from hbomb was THE icing on the cake. oh my god. she blew herself up being upset that someone else #was copying her when she literally copies other people all the damn time #flaming mess of a youtube channel my god

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ya-boi-haru · 14 days

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OMG WAIT, we're shipping non cannon ships now- wait- let me-

*pulls out an old essay*

*blows the dust off of it*

*slams it on the table*

So Will and Caspian right-

#i was lowkey shipping them season 1 #tell me they wouldnt be a great qpr couple #and yes it works woth the will. seven. gallad poly qpr too #in this god damn essay chat-#fable smp #fablesmpblr #fable smp headcanon #fable smp will #will fable smp #caspian fable smp #fable smp caspian #fable smp qpr ships

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puppydoggraham · 5 months

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No frame will haunt me more than this.

Seeing Hannibal this fucking broken... Will Graham you’re a sick bastard.

#I’m going insane over mizumono again #fucking fuck fuck #FUCK!!!!!!!!!#listen I understand he couldn’t run away for yk reasons (THOUGH HE SHOULDVE) but fuck dude I wish he did god damn it will #incoming post about mizumono coming up I’m going insane #no but can I also say that I have never seen an actor…portray emotion THIS fucking good #Mads is literally the actor of all time #did he win anything for this scene specifically bc if fucking not that’s a goddamn crime #do you know how hard it is to make this expression like fuck this is insane it’s fucking insane #bro wasn’t even acting at that point he just became Hannibal dude #UGHHWJSKDJ I can hardly even look at the screenshot that’s how ill it makes me #ngl I will always have some beef towards will for not running away with Hannibal #this frame genuinely haunts me btw I’m so serious like #seeing Hannibal this fucked up…yeah #fuck #I. could write an essay on this frame and this frame alone #I think I will #maybe #mizumono posting

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cowardlybean · 6 months

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Hey. The Times They Are A Changin’ by @bandtrees and @tigsbitties amiright (muffled face down on the floor)

more (some unsettling things) beneath the cut :3

(Image 3 is my favorite sequence from an animation for TTTAAAC I’ve been working on, so here it is just in case I never finish </3, image 4 is me thinking about Mob’s house. If. That makes sense.)

OH MAN. OH MAN OH MAN. this fic has altered my brain chemistry in a way that has doctors baffled and leaves tragedy in its wake!!!!!!!!! Absolutely a masterpiece I’ve reread it 3 times now and every time I notice a new detail, there’s just SO MUCH CARE put into it. I think I could write an essay about every page of this fic LMAO it honestly blows me away, huge kudos to everyone who was a part of the project!!!!

Especially the multimedia aspects, they were so much fun to find and in some cases decode (Scared the SHIT outta myself with Breathe I think it’s one of my favorites). the youtube videos were so cool as well

Realizing a third of the way in that things will never get better was such a gut wrenching experience, and by the time I realized just how deep the hole Mob dug himself into was it was absolutely too late for anything to happen (the end of act 1 was horrific in the most amazing way. So many things stuck with me: the state Reigen was left in compared to how he was, Ritsu’s “surgery”, Dimple losing his best friend, Shou’s report to the police, Minori’s conversation (if you can call it that) with Mob?? Bone. Chilling.

One of the parts that has been sitting in my gut is Reigen’s fall, where he starts to ramble through fragments of old times. I genuinely thought he was calling out to Mob until just as the same time Mob did I recognized the words and it hit me like a HAMMER. I don’t know how to put it into words but Reigen rambling on like a broken record tore me apart, and then it gets WORSE. I only realized on my second read that the intro of the fic. (Correct me if I’m wrong) IS REIGENS PERSPECTIVE OF MOB SEVERING HIS TENDONS???? Holy fuck. Holy FUCK. The vague semblance of consciousness written there is so deeply unsettling I’m absolutely OBSESSED with it. ESPECIALLY THE FACT THAT EVEN IN THAT STATE HE STILL WANTS MOB TO BE HAPPY (the cheer ^^ mob bit) and idk if I’m interpreting right (this is gonna be so embarrassing if I’m not) but him recognizing the filthy jacket as well. Taking me OUT. AND. AND THE FACT REIGEN NEVER SPEAKS AGAIN AFTER THAT?????? (I could be wrong oops)

The mental states of every character in the fic are written so chillingly well. I can understand how Mob spirals, the anger and grief Tome feels, Shou's spite and anger, Teruki's conflict, Dimple's loss of his best friend, Serizawa's waning optimism, I can't name every character in this fic but they are ALL characterized so well. There's no needless conflict that make them OOC, there's a reason behind every little tragedy building upon themselves and creating a giant disaster that deeply affects the entire cast. Not to mention how its not just the loss of Reigen and Ritsu, but the loss of Mob too. If they were to have died on impact, its unsettling to think that things may have turned out better than this.

There’s a lot of things I wanna say that would basically be restating the fic (dimple losing his best friend, teru shaving, and the irony of ritsu’s powers being taken away by mob) so instead of writing 20 more paragraphs I’ll ask some questions I’ve been mulling over (ofc yall don’t have to answer if it’s revealing too much or smth)

Does Mob actually end up getting investigated or arrested? The formatting of the social media posts and texts makes them seem as if they're evidence and so does the ongoing "interview?" with Shou throughout the fic

In the party, is Reigen saying he doesn't like citrus a reference to the lemon sour :eyes:

I'm probably missing something but im curious about the metaphor around Reigen and a stray cat (hair clinging to Mob's clothes, comparing him to a stray cat finding a place to die, comparing him to a cat outside Serizawa's door)

If I'm not wrong and the "glitchy" sections at the beginning and end of the fic are Reigen and Ritsu's povs respectively, is their mind constantly like that or is it just in the specific circumstances where they have a small burst of consciousness?

last (thats a lie im definitely drawing more fanart in the future) but not least, some notes from when I was re-reading

#sorry for hiding literally everything below the cut i dont wanna jumpscare people #BUT ANWAY.#holy fuck. a masterpiece.#literally tried drawing vase scene (as ive dubbed it for convenience lmao) 3 times its SO HARD to get right #i doubt i was able to truly do this fic justice its so amazing #mp100 #tw blood #tw body horror #(not really but the animation is close enough)#TTTAAAC #mob psycho 100 #shigeo kageyama #ritsu kageyama #reigen arataka #teruki hanazawa #dimple mp100 #so many thoughts about this fic #sorry for my damn essay oh my god #< biggest TTTAAAC fan

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glitterandgold-cos · 3 months

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UNCHAINED: A GABRIEL MAY INSPIRED PLAYLIST

"I wanted you to see what you made me. A monster."

- The Devil Within (Digital Daggers) ("I'm underneath your skin, the devil within") - Unstoppable (Disturbed) ("Vengeance is coming, believe it now, you won't survive") - Choke (I DON'T KNOW HOW BUT THEY FOUND ME) ("If I could burn this town, I wouldn't hesitate to smile while you suffocate and die.") - Haunted (Diamante) ("I've got a hold, you think by now you'd know that you'll never be alone") - I'm Your Nightmare (The Brains) ("I'm the creature that hides inside your brain, and I will always haunt you, you'll never sleep again") & more! Image Sources: x/x/x/screenshots from the film -------------- One of the big cosplay projects I'll be working on in 2024 is Gabriel May from Malignant so here's the (still growing) playlist I made to listen to while I work on it! I don't know if anyone still talks about this film but it's one of my all time favourites (I could talk about it for hours, I even have a tattoo of Gabriel's trophy knife). Needless to say I'm super keen to get started on this project!

#malignant #gabriel may #horror #horror movie #malignant 2021 #2024 cosplan #playlist #character playlist #I understand this film isn't for everyone but god damn I love it SO much I could probably write essays on it #And Gabriel's one of my favourite horror antagonists I just thing he's neat #Also yes this is how I'm announcing what cosplay projects I'm working on character playlists and vibes lmao

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lambfromfield · 22 hours

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who else up losing it in their dorm room

#i need to write my essays. my three god damn essays. i need to eat dinner (i slept through it). i need to [REDACTED]. i need to bite #am i supposed to walk to [REDACTED STORE]?????#am i supposed to eat three more fruit leathers??????#i need to shower. i need to wash my clothes. i need to . i need…#[gripping sink] hey brian if you still believe in the lord above /lyr #personal

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carnivalcarriondiscarded · 6 months

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not to out myself on main but Katsuki Bakugo continues to make me fucking insane

#there is a REASON he's in my list of top five fav characters #that boy makes me RABID-#literally hes the only reason ive kept up with the manga. that and ive stuck with it for so long i wanna see how it ends #anyway just finished pacing and ranting and Decimating an apple bc. be cause.#i saw someone go 'wait bakugo is save to win?'#YES! YES! HE HAS ALWAYS BEEN SAVE TO WIN HIS ENTIRE CHARACTER IS SAVE TO WIN #HIS ACTUAL BATTLES HAVE ALWAYS BEEN FOCUSED ON SAVING #I HAVE BEEN SCREECHING THIS AT MY CEILING FOR YEARS HE HAS ALWAYS BEEN SAVE TO WIN!!!!#marking him as Win To Save is a fundamental misunderstanding of his character IM SORRY IT IS. IT IS #he has ALWAYS focused more on saving while izuku goes straight for the enemies' jugular #god. hes just. FINALLY BAKUGO GETS TO SHINE and Everyone gets to see who he really is im feral #the moment i saw him i was fascinated and over the years his character has aged like a FINE fuckin wine #its so rare to find a character with such stellar development. like damn. fuck. hes catnip to me #he started my love of analyzing the fuck out of characters and striving to understand them the best i can #punching a wall and wailing YOU DONT KNOW HIM LIKE I DO #honestly if i ever did a video essay it would be on him. and why he's such a good fucking character #say what you will about bnha but god damn he's phenomenal. horikoshi really went tf off with him #BAKUGO BBY IM SO GLAD YOU'RE BACK ITS BEEN SO LONG <3 #absolutely unprompted #i literally. i literally got a bkdk charm keychain #both bc yeah theyre iconic but also i could not resist the bakugo on it. hes too cute #i finally feel excited for the manga and the story again bc MY BOY IS BACK IN THE GAME LETS GOOOOOO #cant wait to see him absolutely slay serve Steal The Spotlight #stg hes gonna save all might AND take down afo while broccoli boy handles McCrusty #lets go bakugoooo LETS FUCKING GOOOOO #WE ARE SO FUCKIGN BACK BABEYYYYYYY #bakugo? no. bakuback!!!#BC HES NO LONGER DEAD ON THE GROUND YEEHAW HAWYEE

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sapphicdib · 5 months

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hey random thought but I was looking at the overseer description on the rain world wiki and it said that the green overseers only spawn in outer expanse and subterranean and that got me thinking

unlike spearmaster who had srs watching over them through the red overseer (until pebbles zap it outta existence) Hunter didn’t have any overseer watching over them

That means that Nsh wouldn’t know for sure if Hunter succeed in the mission because Hunter never made it back home, either succumbing to the rot or passing on through the void sea and Siggy wasn’t watching his cat unlike Suns

Nsh probably thought that once Moon wakes up, she could message the entire local group again however, Moon’s collapse left her in a state where she couldn’t communicate with the other iterators even after her revival

I mean, to cut slack for Nsh. Pebbles did put the entire region into lockdown (see five pebbles dialogue for when gourmand first enters the cann) so he probably couldn’t get in with Hunter but still

from Nsh’s perspective moon’s fate is uncertain. His hunter’s fate is uncertain.

Maybe he saw the little messenger going through subterranean which meant that Hunter probably succeeded. Maybe the last he has seen if his slugcat was before the Hunter entered the region and Hunter hasn’t returned home yet nor did Moon showed any signs of activity.

Maybe his plan worked and the keys were delivered. He wouldn’t know for sure…

basically all I’m saying is that Nsh feels like the person who would had definitely thrown more (hopefully non-cancerous) slugcats towards Moon instead of tossing Hunter and the angstiest option for why he didn’t was because he thought his plan fail as Hunter will never go home in the base game and Moon couldn’t communicate her revive

UGH YES!!! i hc that you can still see sig’s overseers sometimes in subterranean/outer expanse is because she’s still…well, desperately searching. at first for a sign of hunter, and then for a sign of moon when he realizes hunter’s probably not returning, or perhaps a way to get into the facility to see if his plan even worked.

part of the reason i think hunter was so sick is just because by the time sig made her, his facility wasn’t in the best shape, and he was rushing, desperate to save moon. in the note she sends her it literally says “excuse the unorthodox delivery method, equipment eroding etc etc”. i truly do not believe sig is “bad at making slugcats” or “didn’t follow suns’ instructions” because his dialogue PROVES THAT HE CAME UP WITH THE CONCEPT FIRST. (sorry that shit grinds my gears when ppl brush sig off as either stupid or malicious when it comes to hunter) because like…this mission is SO important to her. why the hell would he make hunter sick, therefore limiting her time to get to moon and possibly causing her death before she could reach her goal?

hunter’s last wish in the void sea is to be back in sig’s arms. if he were truly malicious/didn’t show respect for her messengers, why would hunter want to return? so yeah, seeing his overseer out in the outer expanse, searching for hunter or a sign of moon being alive just ;-;

i don’t rlly think she sent more messengers after that, mainly bc he knows any slugcats he makes after hunter will likely meet the same fate due to the erosion of her equipment/the fact he thinks “there will be nothing left of moon by the time one is ready”. sig just breaks my heart because she tried and tried and tried, reaching out as far as he could, and still never knew if his plan even worked. i’m gonna stop here bc if i keep talking i am going to be writing a goddamn essay that would be better than anything i ever turned in in university LMFAO i have so many goddamn Feelings about no significant harassment rain world.

also me n ghost are actually doing an rp that’s kind of like this lmfao, and in it the reason hunter gets sick is because sig basically works herself so hard she ends up damaging his structure and the sudden power failure/shutdown affects his experiments. (obviously that has no basis in canon and is more just us writing fanfiction about what could have possibly happened)

anyways after all that angst, here is a screenshot from my game where sig’s overseer showed up and sees moon bringing sluppy hunter home :’) in my dreams i can pretend she made it back LMFAO

#THIS GAME HURTS ME SO MUUUUCH #GOD I LOVE IT #GOD I LOVE SIG #i could literally write essays about sig’s personality and motives and stuff like #do not get me wrong. i love the silly memey jokester personality the fandom gives her…but that is covering up so much grief and anger that #it’s clearly just a mask he’s using to seem okay…as much as i hate the whole ‘happy character is actually sad’ trope #i absolutely adore sig. i love making him goofy and sweet but god is he carrying so much angst on his shoulders #tbh he really gets the short end of the damn stick in game…at least suns gets their messenger back lol #anyways yeah. i love my goofy bioengineer who loves his friends and tries to keep the mood light but in the end just gets crushed w grief #HOUGH. HUNTERS CAMPAIGN IS MY FAV FOR A REASON.#rw #letters #sorry this took so long to respond to i wanted to make my thoughts at least semi organized

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mochiwrites · 1 year

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(tma) From a fanon standpoint, I completely understand why people ship jonmartin, but from a canon standpoint they don't really have many moments together? I'll admit I'm not completely through season 5, but the ship wiki didn't even mention season 5, so I'm just curious how the ship got so much hype?

anon in the nicest way possible... did we listen to the same podcast?

because holy FUCK there's a ton of important moments that they have together?? excluding s5. I won't touch on that season all that much since a) you're still in the middle of it and b) we're talking early game jmart.

we're gonna start with the Q&A bits. also I feel like I should preface. I'm still relatively new to the fandom (have only been here since end of september) and I may not know as much as someone who's been here longer. but with that out of the way, let's discuss jmart! putting this under a read more because this is gonna be an essay! (spoilers ahead for seasons 1-4)

the first thing we need to make explicitly clear is that the magnus archives is not a romance. it is a horror first and foremost.

but also in the same breath, we need to talk about how jmart even came to be. martin's crush on jon was planned from the very start, and through the series we start to see jon reciprocate martin's feelings. this was specifically addressed for the first time in the season 4 Q&A. to quote jonny exactly, "yes he reciprocates it -- it's a romance -- at least I have written it as a romance."

the incredibly important thing to note with tma is that the romance (with the exception of s5) is going to take a back seat in the story, because as said before, fundamentally tma is a horror podcast.

HOWEVER -- this doesn't mean that jon and martin don't have important scenes together. because they do. it isn't so much about the number of scenes they have together but more so the quality and importance of moments they have.

SEASON ONE

take for example the first real interaction we see between jon and martin. martin has just experienced a traumatic event and brought the physical evidence of said event right to his boss' face (the same boss that ridicules him and bashes his work). he fully expects jon to disregard everything that martin has just told him. but then. but then! jon is surprisingly understanding and almost soft with him. it's a reaction martin certainly wasn't expecting and you can hear it in his voice.

and then we get to the prentiss attack and we see jon and martin on the same level. we see them having this heart to heart discussion about why they're at the institute etc etc.

it's the first time we see them actually understanding one another, the first time we see jon and martin as themselves and not just the archivist and his assistant. we see them as human beings rather than their professions. they're put on the same level and I think that's incredibly important to high light here.

to finally top it all of with season one, we have the interview between jon and martin. jon is trying to slip back into his role, back into the position of the archivist, but martin isn't letting him. not entirely. one of the first few things out of his mouth are the words "are you okay?" and he's the ONLY one to ask jon about this. I checked. and then you see martin apologizing to jon for leaving him, and you can hear the struggle in jon's voice as he tries for something soft before attempting to slip into something more professional.

but the biggest piece to take away from these interactions is how martin cares. it's how he views jon right from the start and deems him someone to worry about. and when we end season one we find that there is no longer a a hierarchy between the two of them (besides occupational titles ofc), they are on the same level.

SEASON TWO

so we end season with jon and martin landing on the same level of respect for one another. they're fresh out of a traumatizing situation and back to work! aaaaand jon falls into a very deep pit of paranoia.

we have martin attempting to steer jon toward taking care of himself, inviting him to lunch, making him tea, etc etc. we see jon questioning if it's just a ploy for martin to get jon to lower his guard so he can kill him. but we see jon start to look at martin in a new light, which is important to note. we know that they begin to spend more time together as other characters comment on it.

this is most likely the point where jon started to develop a bit of his own crush really. because a) he's seeing martin in a completely different way than he did previously and b) martin is something consistent in how he never stops caring about jon, pushing him to take care of himself. it's kind of the point in the story where martin begins to take his place as jon's anchor.

and then jon finds martin's lovely little note. and he freaks out. he reads this note from martin that says "they can't find out I'm lying" and it's not. something jon wants to believe. he doesn't want to think that martin has been lying to him.

and when it comes time for him to confront martin about his lying, he doesn't handle it well. he finds out that trevor herbert is alive and oh would you look at that! martin was the one who told him that trevor was dead! and oh. martin lied to him.

and jon takes it personally! he finds out from martin that it was misunderstanding, and when martin calls him out, he snaps, "because you keep lying to me, martin!" it rings almost like jon is telling martin that he trusted him.

he forces the truth about martin's CV from him, and when he finds out that that's what martin was talking about in his note, he's relieved. he's so relieved that he smiles. martin is trustworthy. martin is safe. martin secures his position as jon's anchor.

SEASON THREE & FOUR

season 3 is the season that I like to call the pining season. it's pretty much the middle of the story, where both jon and martin are fully aware of their feelings. sure they may not have many scenes together, it's the fact that the scenes they do have together are important. and you can feel jmart's presence through both s3 & s4 whether they're in the same scene together or not. they're always thinking about one another.

martin's biggest thing throughout both seasons is a plea for jon to be safe.

jon's in need of an anchor to keep him connected to humanity in s3. and he is encouraged to seek out martin. in s4, jon echoes martin in his pleas for martin to be alright.

and of course you have a big moment in s3 where jon first returns to the archives after being kidnapped by the circus and martin is the one he runs into. and they have this conversation, one that is almost shy but still very much genuine. jon expresses concern for martin after hearing he's been reading statements, and martin worries over jon after his kidnapping.

then we get to season 4!!!!! and GOD WHAT A SEASON FOR JMART. obviously I don't have to touch on the whole scene with the two of them in the lonely. I don't have to touch on jon running to martin right after he finds a way to escape the institute so he could suggest that they run away together.

what I AM going to touch on is their presence in the season. season 4 is probably the season we see the least of jon and martin interacting with one another. HOWEVER, their presence is very strongly felt. martin is basically always on jon's mind in one way or another, and the same with martin. we may not see much of martin but his presence is absolutely there through jon. it feels like he's there because jon is always reaching for him in some way.

season 4 is where we see jon at his most vulnerable with martin. and we know for a fact that jon is martin's main motivator to accept peter's deal.

and then we have the coffin scene. jon thinks "ah yes my rib is a good anchor for finding my way out of the buried. this cannot go wrong in any way whatsoever." but the only reason daisy and jon even get out of the coffin is because of martin. he piles those tapes on top to pull jon out and it works. it was never the rib. it was the tapes. it was martin.

so admittedly, no jmart may not have as many moments as a canon couple would in say a tv show. but the magnus archives is a podcast. and it is a horror podcast. the romance between jon and martin has always taken a back seat for the main storyline. think of it as an A plot and B plot. the A plot is the main story, the B plot is jmart's relationship.

it's the fact that the scenes they have together are impactful on their characters and the trajectory of their character arcs. we as the listeners don't get the privilege to see every moment of their day to day life. so we need to make inferences, we need to fill in the gaps. it's on us to read between the lines and find the answer based on what's given to us in canon. canon does give us quite a bit to latch onto with jmart, we just have to pick it apart to find it.

and it’s not about the number of moments. it’s the quality of them.

but to answer your question in a simple matter, I think jmart gets so much hype because well... not to sound like a broken record, but tma is a horror story. it is a tragedy. yet despite that, there is love. there is love within a story of death and loss and the worst of "humanity". jon and martin's relationship is such a fundamental part of the story (even if it isn't the main focus). it's the fact that their love transcends the horrors and despite what jon and martin go through, they find some kind of comfort within one another.

I think they get a lot of hype because in the face of death and grief humans reach for love. for hope. and that is what jmart is in the story. they are each other's anchors, they are each other's reasons. and while it may not be at the forefront of the story line, we as the listeners know that their love for each other is the driving force behind their actions.

they get a lot of hype because they are human. and they love. sure they started off in a rocky way, but they grew close -- they learned about each other, began to care about each other. and through all of the horror they became each other's reasons for carrying on.

in a story full of despair and death, why wouldn't you latch on to that little spark of hope? of love?

#mochi speaks #tma #jmart #jonmartin #the magnus archives #jonathan sims #martin blackwood #SORRY I DIDNT MEAN TO WRITE A WHOLE ESSAY #no I kinda did actually #you claimed they didn't have a lot of moments together #and I had to prove that it's more about the quality #because god damn were the jmart moments impactful as fuck #ANYWAYS HOPE THAT ANSWERED YOUR QUESTION LOL #I want to again preface I've only been in the fandom since the end of september

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satansleftnutcheek · 7 months

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Just had like the biggest brain realization about Astarion bear with me I think I'm onto something here. Spoilers ahead for those who don't know about his "condition" or haven't heard about his tragic backstory™

I think people generally overlook the bite scene in favor of focusing on how it reveals Astarion being a vampire, how it can benefit the player if you're trying to romance him, or find an easy way to get him out of your party. I would like to note that there’s nothing wrong with this response! I did the same in my play through because I already knew he was a vampire due to spoilers. I just saw the scene as Astarion looking for his equivalent of a sandwich when it happened.

But why does Astarion bite Tav of all people?

The obvious answer is because Tav's the protagonist. Any important character scenes will happen to or involve them because they're the player character. It's the nature of how RPG stories are told. However, Larian Studios has put a lot of thought into this game, so why not dig a bit deeper?

Assuming Tav has everyone in their camp when this scene is triggered, Lae'zel and Shadowheart are off the menu purely because if things go wrong they'd immediately kill Astarion. Not good! If things go wrong with Karlach he could possibly smooth talk his way out of it. After all, she's a very kind person who goes out of her way to help people. But she's also twice his size and could snap him like a twig, which is not a risk worth taking.

Wyll isn't nearly as much of a threat as the other three, if it came down to it, Astarion could probably take him in a fight. The main problem here is that Wyll happens to have a habit of killing monsters, which would make talking things out really difficult. Astarion's relied on skills like persuasion for the past 2 centuries so he'd probably want to have his best skills be viable options if things go awry. Halsin, much like Karlach, is twice his size and could kill him with ease. Hard pass on that! This leaves Gale as the last, and really only, viable option. I mean look at him, he's frail as hell, always having the lowest HP in the party, and his weapon is a stick. Worst thing that could happen to Astarion is a bonk on the head.

So then why Tav? Why are they the one Astarion bites?

Now Tavs come in a lot of varieties. The player could be doing a Dark Urge run, they could be playing as the embodiment of pure evil, the kindest soul that is second only to Jesus, or somewhere in between. However, the one thing that unites them all is their power. They're the leader of the party and the others (to varying degrees) respect them. Tav is the one that chooses where the party goes, who they help, who they kill, and even how they'll have the tadpoles removed. In a way, Tav controls the party.

Remind you of something that Astarion openly talks about wanting?

For two centuries Astarion hasn't had autonomy, respect, freedom, resources, or control. What he's learned from those centuries is that power always gets you what you want. If you want freedom you need the power to control others. So while biting Gale would be the easy answer, it doesn't have the perk that biting Tav does.

If Tav wakes up during his biting attempt, Astarion could smooth talk his way out of it. If things go okay and Astarion gets to keep his head, he'll have gained more of Tav's trust. This in turn would give Astarion greater power over them as they'd be easier to manipulate, which in turn gives him more control over the others. If he ends up killing Tav then that technically would open up a power vacuum in the party. Whoever fills it would have all the power and control that Tav has. I don't think any of the other characters would let that happen though. Astarion's the person who you don't want to be the leader because he's clearly performing this role for his own self-centered reasons. Also seeing as this scene generally happens early in the game, nobody likes him enough to just let him become the leader.

Now if Tav lets Astarion bite them things get more interesting. It's a possibility that never occurred to him, but he isn't going to turn it down. First of all, it establishes Tav as an easy food source. Astarion has a consenting snack that in the future, might let him bite again. If that happens then Astarion's food source becomes far more reliable and surviving becomes significantly easier. Tav's consent also reveals how much they trust Astarion. From his perspective Tav's shown too much of their hand. Astarion's simple plan to manipulate Tav for the sake of his security has become child's play at this point.

All this being said having Astarion choose to bite Tav over Gale reveals so much about his character. While Gale is the safest choice to make, Tav's position of leadership is what entices Astarion to bite them over Gale. After experiencing two hundred years of mental and physical abuse, Astarion values power so much he'd be willing to risk his ability to not become a mind flare, and his life, in order to gain it. All because this is what he learned from being Cazador's slave for 200 years.

#slaps astarions head #THATS A LOTTA DAMAGE #you think you understand the story and know know how deep his trauma runs but then you write an essay and suddenly youre crying AGAIN #astarion please god get some help #somebody give this boy a hug #larian studios if you thought of this then i hate you for being so good at what you do how DARE #i havent even finished act 2 yet and astarions story is only getting sadder and richer and damn its written so well but OW #fuckin OW #astarion bg3 #astarion baldurs gate #baldurs gate 3 #baldurs gate iii #baldurs gate three #baldurs gate astarion #astarion #im officially gone there is no me only bg3 #is now when i admit that ive never written an essay analyzing something i love unless it was for class #the brainrot has never been so real

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