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#he has moral ocd for SURE and idk if the writers realize they made such good ocd rep without it being canon
quinintheclouds · 1 year
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okay don’t get me wrong I love The Good Place and obviously it’s a fantastic piece of media, so this post is lighthearted and in good fun -- but no matter how many times I rewatch I STILL cannot get over how they spent 4 seasons talking about moral philosophy without:
1) So much as mentioning Benjamin Constant?? Despite Chidi’s idol being Immanuel fucking Kant??? I kept WAITING for him to bring it up because Constant was the philosopher who proposed the key counterargument to Kant’s rigid idealism, by posing a scenario in which a known serial killer comes to your door and asks where your friend is hiding so he can kill them. By Kantian ethics, it’d be more moral to tell him the truth, because lying is “always inherently wrong,” and he justified it by arguing you’re not responsible for what the killer does with that information.
This was like. Chidi’s main dilemma for most of the series and the source of most of his pain in life. Not to mention that rigid moral structure made his ethical decisions throughout the show Constant-ly Kantradictory. Someone get me in a room with him, I need to know how he’d respond to that thought experiment, dammit!!!
2) Ever exploring Sartre, when the show itself is CLEARLY based on the premise of Sartre’s play No Exit, in which 3 people are sent to Hell to live in one room together for eternity, selected to torture one another without knowing it, and it is torture because they consist of a lesbian who’s in love with the straight woman in love with the gay man. That play is the origin of the famous philosophical quote “Hell is other people.” There’s even an episode title that makes a pun on that phrase: “Help is Other People”!!! The perspective of the play is that prolonged emotional torture (especially inflicted via others in an exchange of mutual torment) is a worse pain than any physical torture could bring. Sound familiar?
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awkwardplantwrites · 4 years
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I haven’t written yet, but I do have a lot of ideas to go off now. unfortunately, a lot of involves re-writing stuff. on the one hand, I don’t want to be stuck on the same chapters, but on the other hand, I just Won’t be able to continue unless I add it in. I know a lot of people say “just write, don’t edit” but those aren’t the rules bc there is none and I can do what I want. (pls fix? no being stuck!!! only edit!)
here’s a long post about things I’m planning on adding, as well as headcanons about my own damn story because I’m stuck in fanfic mode forever.
lots of spoilers ahead! 
a horse motif for Renato: I remember when namme-e made the posters, one had a horse on it, which I reckon is a common association with knights. so far there have been 2 horses (well, one is a Kelpie, but it’s a water horse shh. I also found out Northumbrian folk/where Llantry is based call them Brags!) and there will be more horses later in the story. they’re recurring anyway, so why not use it. 
and upon looking at it’s symbolism, I realised that horses are very duty bound creatures, like Renato is to the people of Llantry, they symbolise war/battles - which can bring in memories of his dad, and in comparison to the first horse (which dies in chapter 5... some unintentional symbolism there) Isbeil the Kelpie is much more free and independant and they’re at the Fun part of the road trip, and the Nukelavee (even more dangerous than kelpies) later on will be wild/untamed right about when Renato’s emotions will be in turmoil... you see where I’m going with this :D :D other contenders for motifs include: hands, mirrors/reflections, his shield/armour, dragons. swords are more of a precision tool for magic than a weapon in this universe so that wouldn’t work as a motif.
a candy motif for Pepi: you thought I made him a candy merchant intentionally? no. not at all. except now it is. candy represents good memories, childhood, rewards, pleasure, reminds him of his dad’s business, responsibility in maintaining the business, his family, his lack of magic/inability to make candy, having to do Tammy’s chores for her, and just Tammy in general I guess. 
in the beginning I remember him being enthusiastic about it (if he’s not I’ll add it in lol), singing about it and complaining about being “a candy delivery boy turned overworked squire” and even from that you can tell he already has a complicated relationship with candy. he can’t make it but he sells it and hates selling it but when he talks/sings about it it attracts people, especially children.. perhaps engaging his own inner child too... in chapter 3 Pepi mentioned he was down to two bags, which means he held onto them despite selling out the rest... representing that he’s still holding onto his past even though it’s in the past and gone... and one day he’ll run out and it won’t be in his control and he won’t be able to get any more unless he goes home... which means FACING HIS PAST. so I’m thinking, if he becomes more neutral to it that’ll show how he views his past more healthily? then eat fruit instead?? idk.
magic based on senses: kind of ATLA inspired, but with the 5 physical senses (and a spooky 6th). as I started writing this I realised I probably based their powers depending on which god chose them, for example Lidion is the god of protection, so Renato gets protection based powers. but y’know, I had another idea as I wrote this lmao, what if the regular civillians/people born with magic have sense based magic? not sure if it’s a little ambitious to have 2 entirely different sets of magic. maybe the god powers can be based on senses too. initially the magic was based entirely off of DND classes (Renato’s a paladin and Pepi’s a wild magic sorcerer) but I think I’ve found something more original haha. or perhaps I accidentally moved onto Greek god/Percy Jackson-esque powers. crap. research says scottish mythology is kinda like Greek myths anyway: that’s a win in my book. 
changing Finlay from a floating crystal ball to a bird: introduced in chapter 2, and EVERYTIME I WRITE I FORGET ABOUT FINLAY. it’s like a personal meme at this point. so anyway I took a “what core type are you quiz” a while back and Pepi got adventurecore after I chose bird as his inner animal. making this change will make sense because a) Pepi can talk to animals and this will foreshadow it, b) he likes music and this might be his magic type..? c) Disney needs a mascot character if they’re going to make FM a movie
I just read some bird symbolism and GOD I want to make Finlay a chicken, since it symbolises finding inner power, getting over fear and also it’s very funny to me. or a duck since that symbolises decisiveness and leaving the past in the past. see there’s a lot of things I can do here. but is there such a thing as having too many motifs? I just read that you CAN have more than one, so yes, Finlay will now become a duck. 15 year old/duck obsessed me would be very happy.
empahsizing the illness: plural illnesses actually. Llantry’s illness is actually depression - which they didn’t know bc this is set around the 15th century and the gods forgot to tell them about it or something - caused by overusing their magic, the death of Renato’s dad (public morale figure), poverty, and y’know the middle ages in general. I feel like Renato’s way too upbeat, especially in chapter 4 when they’re running away from the Wakefield Knights. before now I was trying to weave in mood swings which would affect his behaviour and therefore the story. admittedly it’s very difficult, as what they’re doing generally requires a lot of energy and the tone is usually light. someone suggested having his depression be worse when the situation is worse, which I probably will do, but I still feel he could be more low-key. I really, really didn’t want to use the “happy and sad duo” trope, I wanted them to be more or less equal in demeanour. though if I want to portray his depression and distinguish them both it’ll have to be exaggerated I suppose. 
the second illness, Pepi’s anxiety. or well, it was initially anxiety but it’s starting to look more like OCD (that’s self projection for ya). some of my readers already figured out he can do magic, however it’s not that he doesn’t realise it. he casts spells in his sleep and thinks it’s his “evil self” (that idea is still TBC), and he sneaks off in the morning because he remembers sleepwalking and cleans up his mess. and to avoid making it look like schizophrenia, I’m planning to write it so it’s obvious he’s just very in denial about being able to do magic, because later it’s revealed he’s scared to use magic, because he doesn’t want to end up like his sister who became possessed by an evil being and abused magic, which for him is both a rational and irrational fear. avoiding magic could be considered a compulsion since he has intrusive thoughts about becoming evil. 
so I did already plan for him to gradually get more restless and uneasy, he’s supposed to be seem energetic bc he runs solely on anxiety. in my head I was thinking of quirks, and realized him hoarding stuff in his pockets “in case he needs it later” and his insane amount of GUILT, and all that felt pretty OCD. so why not: he’s got OCD. possibly PTSD too.
the idea for Finding Magic began as “magic takes part of your soul, 2 wizards search for help as their magic stops working”. I still have the exact post it note I wrote the first idea on. for this story I have 2 countries, 13 semi-developed towns, over 30 characters. (yes, not Tolkien numbers, but I’m not Writers George) and the reason I wasn’t able to write about ANY of them for the past 2 months is because my brain spirals and ruminates over miniscule details that readers will never know. also because I lost passion, was too tired to develop characters I needed to develop the story to finish the first draft... but now that the passion is back: I’m writing this at 5am, which is reminiscent of the first day I came up with FM, back then called Journey to Magic, where I couldn’t sleep since I was bursting with ideas. 
I guess this is what I find fun, analysing and improving and brainstorming. so while I might not have chapters written down, they’re pretty damn clear in my head and as you can see, I can talk up a storm about my story despite it not existing :D
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