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thefanficmonster · 3 years

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My Kind

Corpse Husband x Reader (Female)

Warning: Swearing

Genre: Fluff, RPF (Real Person Fic)

Summary: Having been chosen by the gang to be a guest streamer on today’s stream of Among Us, it’s safe to say Y/N’s super excited but also a bit nervous. The whole of her anxiety gets lifted off her when she meets someone with the exact same vibe as hers - yeah you guessed it.

Requested by @monizzle96 Hi dear! Thank you so much for your wonderful request! I’m so terribly sorry it’s taken me so long to write and post it but here it finally is! I hope you come across it and read it and if so I hope you enjoy it! Love, Vy ❤

This has to be the fiftieth time I’ve checked my setup in the past twenty four hours. But no, I’m definitely not nervous, what are you talking about. Pshhh. Nah, being nervous isn’t in my brand. Plus, what do I have to make me nervous - a group of famous streamers inviting me onto their stream to play Among Us with them because they enjoyed my own streams? Ok yeah, that’s a pretty good reason. Not gonna lie, I almost chucked my phone out of excitement when I received that DM from Toast, telling me they’d picked me to be their guest streamer for today’s date. My stomach was doing somersaults for a good forty-eight hours following that text and then the anxiety slowly started setting in fueled by the expectations they probably have of me.

Don’t get me wrong, I’m not inexperienced in the streaming field, I’ve been a streamer longer than some of the members of Toast’s streamer gang actually. But I never managed to garner that big of a following which I’m honestly quite ok with. I have a modest - ok, maybe larger than modest - following consisting of incredibly loyal fans which I will never stop being grateful for. They are all so respectable of me, my privacy and my boundaries. They know the main rules: no shit-talking in the chat or in any of my comment sections, no bashing other YouTubers in my comments/chat, and most definitely not asking for a face reveal. Fun fact: I didn’t even set up that last rule, they all just collectively know not to ask for it.

I’ve been keeping my brand pretty low-key to avoid garnering some unwanted attention - some of which I’ve already experienced on certain social media platforms following the full body pictures I posted on there - face not visible of course. I tend to also have my webcam on, facing towards my hands working away on the keyboard sometimes when I stream. I don’t know why people obsess over faceless content creators’ hands, but I appreciate the enthusiasm - it also drives me to do a manicure every now and then which ain’t so bad, self-care and all that you know.

Now, back to the subject of my ridiculous nervousness.

You see, it has layers.

I’m nervous of ‘preforming’ underwhelmingly and I’m nervous of what my own fans will think of the person I will become during this stream. They know me as a super chill and laid-back person, which I am by the way, but they might think I’m putting on a show if I exhibit any nervous gestures/vocabulary. I highly doubt they would, but the possibility is not letting my mind rest. And now that it’s about ten minutes till the stream starts, I’m getting doing my best to calm my nerves.

They are all just people. You know they are super chill too. Just be yourself, that’s why they invited you, because you are yourself on all your streams. They liked you for your personality, humor, maybe even your gaming skills. So chill the hell out and be yourself, damn it!

Easier thought than put into action that’s for sure.

I start my stream five minutes early just so I can vibe with my viewers for a little while before I have to meet the gang. My fans always have a way of injecting me with confidence, they remind me of where I was when I started and how far I’ve come. How much I achieved when I thought I’d be nothing and no one, someone the algorithm would simply overlook. But then they entered my life and I entered theirs and it all became much better than I ever thought it would get to be. I rarely tell myself ‘good job’ for the milestones I’ve reached or the hard work I’ve put into my content, but that’s probably cause I orient myself based on that quote from the movie Whiplash: ‘There are no two words in the English language more harmful than good job’ - simply put, I’m never satisfied with what I do and I always strive to do better. My fans, however, make sure I don’t go overboard with it - always serving as a reminder that I’ve done plenty for myself and others. And that’s what makes an amazing fandom, one I consider family.

Whoa, when did those five minutes fly by?!

Ah shit, here we go. Deep breaths, Y/N you got this.

“Hello!“ I say as I enter the Discord call, subconsciously biting my lower lip, grateful the camera isn’t capturing it. However, I make a mental note to keep my hands steady cause that’s the one part of me people can actually see and the last thing I want is for them to see how much my fingers are trembling.

“Oh hi, Y/N!“ Toast is the first one to greet me, “Welcome to the stream! Thank you so much for accepting our invitation.“

“Thank you for having me and inviting me, Toast. This is a huge deal for me. You guys are basically YouTube legends, this is unreal to me.“ I reply, cringing immediately afterwards because of my fangirl rambling. Great way to make first impressions, Y/N. Bravo.

To be fair, they already have an impression of you. Quit stressing.

Aright, you’ve got a point, me.

“Oh please, we owe all that to our fans. We’re really nothing special. All streamers are almost completely alike, we all owe where we are to the people who helped us make it there - our fans. We’re no legends.“ Toast says, bringing a small smile to my face as well as a light pink blush to my cheeks, “And from what I’ve seen, you yourself have quite the following. And your fans seem to adore you.“

“And I absolutely adore them.“ I chuckle, “They mean the world to me. They are the reason I’m here today.”

“Then we have to give them a special thank you, don’t you think?“ The teasing, familiar giggle, widens my smile - it’s Rae, “Nice to meet you, Y/N! I’m Rae, and, no cap, I’m quite a fan of your content. No joke, I binged your entire series of Resident Evil 7 as soon as I found your channel when Toast said he’d invite you.“

This rattles me a bit. I can hardly believe it - am I really receiving a compliment from an A-list name in the streaming world? My fans must be hella proud of me right now. A quick glance at my chat confirms that they indeed are. That in and of itself fills me with joy and newfound confidence.

“Oh Gosh, thank you so much Rae! That means the world to me. You’re all so sweet.“ I reply, lifting my ice cold hands to cool down my burning cheeks, my lips spread into a grin, my stomach filled with butterflies.

“Oh please, we have some real savages around here.“ A male voice, seemingly Charlie’s scoffs, “Don’t overlook us please.“

“Wait, we do?“ A deep voice, one I immediately know the owner of speaks up, “Who? How come I don’t know about that?“

I can’t help bust snort, “Nice to meet you, Corpse. Sarcasm central, I see.”

He laughs, “Just returning it to where it’s due. Nice to meet you too, Y/N. Sick Outlast series, by the way.“

Ok, wait, I have two A-list streamers complimenting my content. Ok, I’m bound to crack open a few beers to celebrate later cause OH MY GOD.

“Thanks! I’m a horror junkie so I’d be lying if I said I haven’t binge watched all your story-times. Personal favorites are the deep web ones, they fascinate me.“

“Oh, you’re one of my kind even more than I expected, huh?“ He replies, the tone of his voice changing, raising a bit due to what I can only describe as excitement and enthusiasm. “I’ve had people tell me it’s twisted, but I really like seeing the lengths to which the fucked up human mind can go to. Like, the shit I’ve read is insane! Some stories I didn’t narrate cause I would’ve probably had my video taken down, it was that messed up.“

My eyes widen, sharing the same excitement at the thought of digging deeper into this phenomenon, “Careful, Corpse, you’re walking a dangerous line of tempting me to deep-dive on Reddit in search of those exact stories.”

“No need.“ Corpse says, his tone now taking up a bit of a cocky note, “I still got them all saved, I can send them to you no problem.“

“Please do! I seriously gotta read them now. If I can’t sleep afterwards, I’m blaming you, Corpse. Just FYI.“ I say, giggling slightly, finding myself all but completely comfortable now. I wonder where all that anxiety went?

“Blame fully taken. Given that I’m not much of a sleeper, I’ll keep you company whenever you think there’s a killer hiding in your closet or fear a red room pop-up will appear on your computer screen.“ He replies, chuckling.

“Um, that’s oddly specific.“ Charlie comments, “Been there yourself, buddy?”

“Perhaps.“ Corpse wheezes, getting a laugh out of me too, “I will neither confirm nor deny.“

“You know what, I’ll just private message you my number so if you see it call you at some ungodly hour, you don’t freak the fuck out. Sounds good?“ I ask, already prepping to type it out and send it to him.

“Perfect. Wait...“ he pauses for a second, sounding puzzled for a second, “You don’t have mine.“

“Oh, do I not?“ I reply with a sinister tone - thought to answer the question, I of course don’t have his number.

“Oh, do you?“ He sasses me right back. “If so then you don’t need me to send it to you. Cool.“

Ah, shit

“Wait, no! I-I need to confirm it’s the correct one!“

Damn, never did I think I’d be complimented by some of the most important streamers on this platform, but to get a number of theirs too? That’s a whole another level that will take me time to process. But I’ll do that another time, right now, I have to kick these people’s butts in Among Us and later I have some deep web stories to read.

Turns out, all it takes to get comfortable in a new surrounding is someone of your kind. And Corpse is definitely one of my kind.

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asifindmypath · 5 years

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Pop Culture Paganism: A Mental Exploration

My own personal thought experiment regarding a mental exploration of Pop Culture Paganism and Witchcraft. Don’t like it, you don’t need to read it. Flamers will be ignored. Constructive discussion and rebuttal is encouraged.

It’s worth noting that I’m a fairly recent “convert” to a pagan setting. I consider myself an eclectic polytheistic pagan witch. I worship a number of gods from different pantheons, and have a generally mixed Eclectic spirituality. I’m still learning and experimenting and discovering my craft and my path. I am not an expert by any means, and the following are my personal opinions. The only reason this post is not Private like most of my entries on this blog is because I feel this discussion may be validating for some who are put down for their faith.

Now without further ado, if you’re interested, check under the Cut. ;)

I’ve been doing a lot of research recently. It started by my looking up if it’s offensive to the gods to watch/enjoy/associate them with pop culture. Is Hades offended by my love of the Disney version of him? Would Bast or Serket be offended by my using images of them as they appear in video games like Smite?

I’ve come to answer myself with; it depends. It’s going to require experimentation, meditation and asking each specific god their preference, but in general, I think the answer is mostly no. If you have the proper intent, I think the gods appreciate it all the same.

I found an interesting Reddit Thread in which their was a discussion about Pop Culture Paganism. I didn’t realize that was even a thing, but reading the discussion was fascinating, and validating. While some are offended by the mere thought of not strictly following the old ways as closely as we can, others argue that myths of the old gods began as stories.

It’s doubtful that if these gods existed as real people or divine beings before humans, that these stories we know of them are one hundred percent accurate. Humans are fallible, we embellish, we exaggerate, and even when trying to be as accurate as possible, we still insert personal bias into everything. We can’t help it, it’s in our nature. So any story, true or not, is going to, at it’s core, be subject to the bias both of the original first-hand account, by every subsequent retelling, and by the person hearing it.

Therefore, why is it offensive to the gods to follow a new retelling of them? a modern version of a god, like, Loki and Thor, for instance, should be just as valid. It’s doubtful that the comic writers and film producers over at Marvel have consciously been contacted by Loki and Thor to tell them how to depict them, but does that mean that the gods weren’t influencing their own stories? Could Loki not have inserted the ideas, placed sources of inspiration into the lives of the writers? Of course he could have.

Another point that was brought up was that new gods spring up all the time. There is a new goddess being worshiped in India by the Dalit community. There are authors who have unwittingly created new gods or religions with their writings. There are sects of people who worship the Valar from Tolkien’s universe, the Jedi Way is a recognized religion now, Lovecraftian monsters are widely accepted as actual ancient beings and have permeated so many areas of culture. Some Celtic deities are traced back to seeming works of fiction.

Some people use pop culture figures as associations for their gods; more tangible, relate-able and realistic than their ancient stories. I recently made a strong association between Benedict Cumberbatch’s Sherlock and Thoth. I’ve also used a Tolkien Mantra of sorts to honor Anubis; Patience being a struggle for me, and one of His attributes, I will occasionally find myself thinking of Treebeard’s signature philosophy, “do not be hasty.”

Some do actually worship fictional characters, even those not intended to be deified. Some use archetypal characters for worship and find pop culture associations for them, but some literally worship Batman or Sailor Moon. Some use fictional characters in spirit work, or create spells around them. The concept of the energy, the love and adoration, the living and breathing history and collective thought poured into and about these characters, this whole process makes absolute sense to me. I’m not sure if I’ll go quite so deep into it, though perhaps. Vi has already mentioned potentially worshiping Clavicus Vile. I’d be okay with that.

Given that many works of fiction draw from real life mythology, legends or properties, a lot of fictional deities and characters have some real-life counterpart. One can find strong correlations to the Gems in Stephen Universe having similar properties to their real-life crystal and stone counterparts. Many fictional deities are amalgamations of real gods. Hell, many “primary” sources of old gods are works of fiction in and of themselves, such as the works of Homer. While there may be truth the stories, they are embellished and theatrical to make it interesting to read, and are at best an artist’s interpretation of events.

I saw another post today that was so validating. Can’t find it right now, or I would link it. Basically it said that a god becomes a god when someone believes they are one. It could be a single person. They are a god. The older the god, the more energy put towards it, the more followers they have, the stronger they become. So in my mind, old gods like the Egyptian, Roman, Norse, Celtic, ect. gods, those of ancient civilizations, most of these will be far more powerful than a new god with a small following. Millions of people did and still do worship Anubis. There are probably only a select few who worship Dipper Pines (though given GF’s cult following, I’m sure I’d be surprised at that number-). Therefore Anubis has more influence and power as an established god, able to reach out even to those unaware of him at the time, and sometimes bring people to the fold this way. Versus Dipper, if deified, would have a harder time calling to a random new child to join the cult of the Mystery Twins.

My concept, which I originally considered a sort of excuse or explanation of my odd and unusual spiritual beliefs, is that energy is a force, it’s neither created, nor is it destroyed. If magic is just channeling one’s will into existence, expending your energy and maybe using other energy aids (a burning candle, a charged crystal, stored energy in plant matter, ect) to yield a desired effect, then why can’t the same concept be put towards anything? If we can will the spirits to read our futures, if we can will two people to fall in love, or will the universe to cause someone bad luck or harm, why can we not will a new being into existence?

In the same way that offerings, prayers and even uttering the name can strengthen older, established gods; in the same way, why can I not make offerings, prayers and epitaphs to Smaug, or Winnie the Pooh, or any fictional character?

Personally, the concept of pop culture magic is also fascinating to me, and that makes even more logical sense to me. If we take a character like Ash Ketchum. A character of indomitable spirit, fierce determination, immortality, and innocence; a character beloved by millions, who’s journeys have inspired generations of children, even shaped the lives of some - there is magic there. There is so much collective thought, energy, love, adoration there. So many know his name, his image, his stories. There are myths and legends about him, theories about other adventures, other possibilities. Artwork is made, statues created, there are buildings dedicated to his world, his friends and family, the animals and creatures of his world.

Even if you don’t see the correlations to a god from an outside perspective, that amount of power centered around some pixels on a television screen is real. It’s there, it exists. No witch or magic user should be able to deny that. Using that stored energy in a spell would be simple when looking at it from this perspective. In the way we can take an animal, look over all its aspects, and channel it into our spells. In the same way we can invoke Mother Bear for strength, maternal protection and love, we could invoke a character like The Doctor for wisdom, compassion and a drive to do what’s right.

The other angle here, is that anyone who subscribes to the Many Worlds Theory can’t really deny the possibility of most of this. This theory proposes there are an infinite number of universes full of infinite possibilities. There is a world where the Roman Empire never collapsed and we’re all living under the new Caesar. There is a world where modern day man is still living alongside dinosaurs. There is a world where ours does not exist. There is a world exactly the same as this one, except that you ate cereal for breakfast today instead of scrambled eggs. There’s a world where dogs are the dominant species and keep humans as pets. There is a world where the Avengers are fighting against Thanos. One where Luke Skywalker is teaching younglings in the Jedi Temple. One where Ash and Pikachu are traveling to another new region in the Pokemon world. One where we live in a giant computer simulation. Infinite. Possibilities.

I’m not here to convince anyone, I may or may not even practice any of this, it’s just some interesting thought exercise. I like thinking about things like this sometimes. I also think that in a world where we are beginning to pave our own Paths; we’re inventing identities for ourselves, discovering new genders, sexualities, magics, gods, everything; that we should be kind to each other as we discover these new avenues. To each their own, and live and let live <3

Blessed be, everyone, and may you all find whatever Path you wind up on fulfilling and full of joy.

#pop culture paganism #pop culture pagan #pop culture magic #pop culture witch #theology #pc paganism #thought exercise #an exploration #my journey #beliefs #spirituality #pop culture witchcraft #pc witch #pc witchcraft #pc pagan

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joannalannister · 6 years

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hi! i know u dont like the tyrion targaryen theory (understandably so), but how do you feel about tyrion having chimerism? (if u dont know what that is, it's when a person biologically has 2 fathers bc a woman had intercourse with 2 men within a short period of time, so the kid would have one mother and two fathers)

Hi! Thanks for asking me! This is a great question, and there are several things to unpack here:

the definition of chimerism and what you’re describing

the claim that Tyrion is a chimera

how this all relates to the Tyrion Targaryen theory

what this all means for Tyrion’s story as a whole

First, let’s define some terms, because what you have described is not my understanding of chimerism. I don’t claim to have extensive knowledge of biology – I’m basing my understanding on things I read in Scientific American, Time magazine, Wikipedia, etc – so if someone more knowledgable wants to correct me where I err or link me to some published scientific articles to help me learn more, it would be most appreciated.

You seem to be describing superfecundation, not chimerism. Superfecundation results in two (or more) babies, not one.

Superfecundation is the fertilization of two or more ova from the same cycle by sperm from separate acts of sexual intercourse, which can lead to two babies born at the same time from two separate biological fathers. While possible in humans, it is extremely rare, and most instances in humans occur from artificial insemination. (A technology which Westeros obviously does not have.) Superfecundation results in two babies born together who are half-siblings, meaning the two children have the same mother but two different fathers. I would like to stress that, while technically possible, superfecundity is rare in human reproduction outside of a laboratory.

Superfecundation is more common in mammals with an estrus cycle (which humans do not experience). Superfecundity is often found in cats. “Superfecundation occurs when a female mates with two or more males. One litter can potentially have multiple fathers as long as they all mate with the female in the optimum time of conception. A single kitten cannot have multiple fathers; each individual kitten in a litter has only one father.”

In cases of superfecundation, each individual has only one set of DNA.

A chimera is a person who has more than one set of DNA. The term comes from the mythical Chimera, a mythological creature that is part lioness, part goat, and part snake. Chimerism occurs in humans when:

a twin dies in utero and the surviving twin “eats” / absorbs the other’s DNA. “Most human chimeras were, at one time, twins. Current theories posit that genetic chimeras develop spontaneously when fraternal twin embryos fuse or when one twin absorbs the other. The absorption process is called Vanishing Twin Syndrome, a haunting phrase to describe the ingestion process.“ [x] In natural pregnancies (achieved without the use of IVF), Vanishing Twin Syndrome is estimated to occur in less than 0.5% of pregnancies; it is rare.

blood is exchanged by twins in utero

a person undergoes an organ transplant, such as a bone marrow transplant [x]

a woman becomes pregnant, and a small number of cells from the fetus migrate into her blood and travel to different organs [x]

the DNA of a child lost in utero is absorbed by the mother, turning her into a chimera “and invisibly altering her body into a kind of living memorial” [x]

From what I understand, you would have to combine superfecundation with Vanishing Twin syndrome to achieve the chimera situation you’re describing.

Additional articles I found interesting:

“No, women do not absorb and retain DNA from every man they have sex with“

“Here’s why ‘two-dad’ babies aren’t yet a biological reality”

Perhaps I am not looking in the right place, but the only thing I was able to find (outside of reddit) about a woman having multiple partners resulting in a chimeric pregnancy, was a theoretical discussion on a Quora forum, in which it was hypothesized that a superfecund woman had sex with two men in a very short period of time, resulting in two fertilizations (very rare), and during the pregnancy one of the twins was absorbed by the other twin (also very rare), so that the resulting baby was a chimera with two fathers.

No statistical probabilities were given, but this seems almost statistically impossible to me, even before considering this situation in a world without modern medical technology.

In Tyrion’s case … If we were to assume both (1) superfecundity and (2) Vanishing Twin Syndrome to create a very, very rare two-father chimera … shouldn’t we see some evidence of Aerys’s DNA, as well as Tywin’s?

If GRRM wanted us to figure this out, wouldn’t he make it more obvious for us? Aerys had purple eyes, while Tyrion has a black eye and a green eye. Tywin has green eyes. Aerys had silver/silver-gold hair, while Tyrion has white and black hair. Tywin doesn’t have white hair, but Tommen does. Aerys didn’t have dwarfism. Tyrion has dwarfism. Tywin has metaphorical dwarfism. To me, all this simply points to Tyrion having Tywin’s (”real” and literary) DNA.

(I mean, we’re talking about the author who referenced Olenna’s broken betrothal and “queer” right on the page in ASOS, and we were all trying to figure out for years about Olenna, and it was right there in front of us. GRRM ain’t subtle.)

So I don’t think that Tyrion is the product of superfecundity and Vanishing Twin Syndrome, both of with would need to occur in order for Tyrion to be a chimera with Aerys as one of his two fathers. Which is very unlikely.

(More on why Tyrion is not a secret Targaryen and #A plus J does not equal T)

I am not even 100% certain that Tyrion is a chimera (at least not the medical definition of a chimera). Don’t get me wrong, it’s an interesting theory: Tywin and Joanna conceive a second set of twins (and twins are common among House Lannister!), and one of those twins dies in the womb and Tyrion “eats” it (more cannibalism!) and absorbs his twin’s DNA. It puts an interesting spin on this quote:

Tyrion wondered what it would be like to have a twin, and decided that he would rather not know. Bad enough to face himself in a looking glass every day. Another him was a thought too dreadful to contemplate.

If this Vanishing Twin theory were true, it’s suggestive to me of Cain and Able, a good son and a bad one, and Tyrion has both of them inside him. But as far as ASOIAF theories go, I don’t think this is one that could ever be confirmed, save by word of God, and I’m not sure that GRRM would play into such a strict dichotomy. ASOIAF themes don’t support the idea that evil could be something (or someone) separate from oneself, something Tyrion needed to “absorb”. I think GRRM would be much more likely to say that the potential for evil is inside all of us (without the need of an evil twin) and it’s something we need to fight, constantly.

So, I mean, it’s interesting to wonder if Tyrion is a chimera!

But I don’t think he is.

The only observable characteristic I see that could possibly point to chimerism in Tyrion is his heterochromia (the difference in coloration of the irises, hair, and/or skin). And heterochromia can be caused by many things other than chimerism.

Heterochromia in infants may be caused by:

Horner’s syndrome

Sturge-Weber syndrome

Waardenburg syndrome

Hirschsprung disease

Bloch-Sulzberger syndrome

von Recklinghausen disease

Bourneville disease

Parry-Romberg syndrome

“Though multiple causes have been posited, the scientific consensus is that a lack of genetic diversity is the primary reason behind heterochromia. This is due to a mutation of the genes that determine melanin distribution at the 8-HTP pathway, which usually only become corrupted due to chromosomal homogeneity.“

Tyrion’s parents were first cousins. I mean,

Fandom: Incest causes genetic mutations! It’s bad! Won’t someone please think of the children!GRRM: Here is my favorite character, Tyrion, son of Tywin the Incestuous Blood Purity Bigot. I gave Tyrion heterochromia. Fandom: That can’t possibly be due to incest. GRRM: Maybe – just maybe – Tywin’s obsession with blood purity has really fucked his children over in more ways than one. Fandom: …nah. Tyrion is a chimera. GRRM: …is this what you all do in the years between my books?

When there are both genetic and thematic reasons to explain Tyrion’s heterochromia in the story … well, the idea that Tyrion is a chimera seems a bit overkill. It’s really not necessary to, well, other Tyrion any more than he already is. He doesn’t need all these weird and highly improbable explanations for why he is the way he is.

(I mean, Euron has heterochromia, and no one is suggesting he is a chimera or a secret targ.) (And I don’t want to know if anyone is; leave me in my ignorance please.)

In terms of how I feel about Tyrion have differently colored eyes and differently colored hair, I think it is thematic. Like his brother Jaime, caught in an identity crisis halfway down the page of the White Book, halfway between the Lannister shield and the white one … I think Tyrion is caught between the Lannister ideology of dehumanization, greed, lust etc (represented by the green eye, the white blonde hair) and his own humanity (shown to us in those moments when he designs a saddle for Bran, when he speaks up for Sansa, etc, represented by the black eye, the black hair).

(The interesting thing to me is that unlike most authors, GRRM is using black here to represent heroism and humanity, when that is traditionally represented by the color white. But black is soft, black is enveloping, like a blanket to wrap around you to save you from the icy searing white cold. "By night all banners look black")

The heterochromia is a signpost representing Tyrion’s duality, his potential to go both ways, which I talk about in detail here.

I hope that helps explain my views, and thank you again for asking!

#tyrion lannister #tyrion meta #septalemores #asoiaf meta #replies #chimera #chimerism #superfecundation #lannister thoughts #a plus j does not equal t

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preserving-ferretbrain · 5 years

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When Harry Met Buffy

by Dan H

Thursday, 14 June 2007

Dan compares portrayals of childhood in the popular media. Or something.~

(This article contains spoilers for a TV series which everybody has seen, and a set of books which everybody has read. Just so you know.)

At some point during my university career, I had to make a choice between actually getting a decent degree and watching Buffy the Vampire Slayer. Needless to say there was no competition, and I am now the proud owner of a 2.2 in Physics and a lot of information about Sunnydale.

Buffy the Vampire Slayer went off the rails a bit in the later seasons. It went off the rails for a number of reasons - tensions among the cast and crew, Joss Whedon being distracted by other projects, Marti Noxon - but its biggest problem, in my opinion, was that it lost sight of its core metaphor.

The strength of Buffy seasons 1-3 was that it stuck to a very clear, very simple formula. You take a stock Teen Issue (I'm going out with a guy who isn't suitable, my mother is putting me under a lot of pressure, I'm trying to live up to my elder brother) and then give it a supernatural slant (I'm going out with a vampire, my mother is literally possessing my body, I've animated the dead body of my elder brother and am trying to build him a girlfriend out of corpse parts). That was the way it worked. It kept this formula more or less throughout series four and five, but it mixed up the formula a bit: Joyce's illness in series five is wholly mundane, and it's college life that causes Buffy's biggest problems in series four, not the cybernetic killing machine. Series six and seven went even further, making "Buffy never learned to live in the real world because she spent all of her time fighting monsters" a central theme, despite the fact that the "monsters" had always been placeholders for real-world issues.

To put it another way, the great strength of Buffy is that it tackles teenage concerns from a resolutely teenage perspective. When you're sixteen, after all, everything is the end of the world. Buffy's distorted, teenaged view of reality, where a bad breakup is an unimaginable horror and high school is doing its damnedest to kill you becomes literal reality. This works brilliantly for three series, and then they start to run into problems.

The thing is, Buffy grows up. The show covers seven years, and Joss felt that it was very important that she not stay sixteen forever.

The problem is that a big part of growing up is the development of your worldview. Learning that things don't really work the way you thought they did. Or, to put it another way, a big part of being twenty-two is realising what a pillock you were when you were sixteen.

But Buffy can't really do that, because she's a fictional character, and her sixteen-year-old worldview is the literal truth of the earlier series. Angel, her high-school boyfriend, really was the love of her life, and when things went wrong he actually lost his soul and started killing people. You can't get a sense of perspective on something like that. You can't look back on your youth and say "gosh, it seems so silly now to have worried about the Master rising and plunging the world into hell." Its early-season strengths become its late-season flaws. Buffy can never truly grow up, because she is trapped, forever, in a world where her teenage angst is physical reality.

Which brings me to Harry Potter.

Like Buffy, Harry Potter has a seven-year arc, over which his creator takes great pride in telling us that He Will Grow Up. And, like the nutrimatic machine, Harry's problems are Almost But Not Quite Totally Unlike Buffy's.

The Potter books are told exclusively from Harry's point of view: so much so that Harry has to spend half of each book skulking around under his invisibility cloak so he can hear all the plot-dumps Rowling needs to pass on to the reader. However, unlike Buffy, we don't follow Harry from a world inside his own head. We follow him around looking over his shoulder, but we are only observers. Buffy/Angel is convincing because, on some level, we feel what Buffy is feeling, and we are swept away in an overwhelming rush of teenage emotion. Harry/Ginny, on the other hand, feels lacklustre, because we see it from the outside, as two awkward teens fumbling through a parody of romance.

The Potter approach is not without its advantages. It makes the seven-year arc somewhat more consistent: we know from the start that it's Voldemort and the Death Eaters and the War in The Wizarding World which is important, and Harry's journey from two-dimensional eleven-year-old to two-dimensional-eighteen-year-old is essentially one of learning facts about his world. (On a tangent, it's interesting to note that Potter has a detailed, prewritten world with a large mythology, and Buffy doesn't).

an earlier article

, I compared the Potter books to the works of Enid Blyton and like Blyton, Rowling writes about children from the outside. She writes about childhood in hindsight, and seems to view it with a mixture of sentimentality and contempt. Your school days, she seems to say, were the most wonderful days of your life, because you were too dumb to realise how crappy the world really was.

All of this would be fair enough, a lot of Children's books do basically work like that: the hero starts out as a picture of youth and innocence, only to have it stripped away by exposure to Real World Issues. It's the To Kill a Mockingbird school of children's fiction: the child gradually learns about the complexities of the real world, progressing from a nave worldview to a sophisticated one over the course of the story. His Dark Materials follows a similar formula. The problem with Potter is that the "real world" of the Potterverse is so utterly childish. Harry is growing up into a world where everybody is still obsessed with school, where the only person that He Who Must Not Be Named is afraid of is his old teacher, where three fifteen year old kids competing in a school sporting event is international news.

So Harry's journey is that of a child growing up and learning about the world, but what he learns is that there is no world outside of Hogwarts. Unlike Buffy, whose later-season problems are the result of legitimate creative decisions, Harry's late-series implausibility is a result of his inhabiting a world which is poorly conceived and badly realised.

Harry Potter is often praised for dealing with difficult real-world themes, like death and racism. It doesn't. It's true that people die in the books, but they do so as a result of magical, fantasy violence, which simply doesn't capture the experience of bereavement in a meaningful way. Quite a lot of children, reading Harry Potter, might well have lost a friend or family member due to illness, old age, or accident. I'm going to go out on a limb and suggest that none of them have had anybody they care about killed by evil wizards. The deaths in Harry Potter are part of the fantasy, they're no more real than chocolate frogs and Quiddich.

Then there's the "racism". Wizardry apparently runs in families, and those who don't come from a wizarding line get called "mudbloods". There's some half-baked talk of killing the mudbloods, but nobody ever does anything about it, and it's only ever evil people that even think like that. That isn't confronting the issue of racism, that's using a cheap metaphor for racism as another way to demonstrate how evil your villains are. It is a metaphor, furthermore, which only has any impact if your audience already recognises it - we know that it's wrong for Draco to call Hermione a mudblood, because it's "like racism". It's not using a fantasy world to explore a real world issue, it's using a real world issue to explore a fantasy world.

And this, I think, is why I think Buffy succeeds and Potter - despite sales figures - ultimately fails. Buffy has its metaphors screwed on right. Well, apart from that bit with the crackhouse in series six. Buffy takes issues that its audience will be highly familiar with (academic pressure, romantic disaster, teenage insecurity) and uses the language of the supernatural to explore them in an emotionally believable way. Harry Potter, on the other hand uses real-world issues (racism, slavery, death) as a cheap way to add colour to an otherwise unconvincing fantasy world.

In Sunnydale, Joss Whedon created a world which reflects the mind of a young girl growing up in America, and he succeeded admirably. In Hogwarts, Joanne Rowling attempted to create a dark, believable world for a young boy to grow up in, and she failed dismally.Themes:

J.K. Rowling

Books

TV & Movies

Young Adult / Children

Whedonverse

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Rami

at 09:00 on 2007-06-15Hmmm... that's interesting. I'm one of the few people who's neither read Harry (though I've seen one of the films) nor watched Buffy (not consistently, at least), but I'm inclined to agree that Whedon's way of presenting his world is deeper and more meaningful though perhaps less immediately obvious. Heck, I didn't appreciate Whedon at all until I saw Firefly...

#Ferretbrain #Harry Potter #Buffy the Vampire Slayer #Dan H #J.K. Rowling

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mochistims-blog · 6 years

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