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#i do not want to charge people to see my art
the-woman-upstairs · 19 hours
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Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoying it.
Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!
AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).
Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.
All of this, of course, is why the ending hits so damn hard.
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lordelmelloi2 · 1 day
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we need help again...
I hate hate hate hate to make this post but we could really use some help. Mostly because I am uninsured until my job opens enrollment for its health insurance in June and on the eve of us signing the apartment lease tomorrow, I have contracted strep throat from my coworkers. Hooray!
I'm gonna try and get an appointment at the community health center doctor's tomorrow because I straight up don't have the money or time to go to the CVS minuteclinic across the street. They said it was $139 for a strep appointment without insurance, I said hell no... If I wait another day I can try and get a sliding scale $40 appt at the doctors. Right now is just stressful because we need money and because they didn't give us our security deposit back I'm not going to have enough money for my bills the beginning of the month. Plus there are literally THREE prescriptions I have asides from however much a Z pack will likely cost and one of them is an ointment from a compound pharmacy that I don't have money to pay for~!!!! 😭😭😭
Asides from that I am afraid that we miscalculated how much we have for rent for May so I'm trying to see about covering those costs so we aren't paying 3 days late into the month of May for our May rent first month. I really don't want to have a bad first impression with these people. They've been very kind to us so far with renting this new place but I don't want to push the limits.
I've already asked my dad for help but he wasn't able to spare enough for us to be totally covered + he needs me to pay him back by August. During the month of April I also applied to multiple credit unions for personal loans and got rejected...
So my total expenses are:
- Medication/Doctor's visit (including pre-existing prescriptions that I haven't had the money to pick up) ($160)
- Phone bill ($75 for this first month, should be going down next month as verizon charges my account with different coding)
- costs for rent/move (like hopefully $200 idk. I think we can swing the last hundred)
In addition: Because of my history of struggling with commissions due to my psychiatric disability, I don't really want to do this but if you donate a sum above $100 you can ask me to digitally paint something for you. Please no complicated requests or anything since I've been struggling with art for years now from depression/anxiety etc. but I would feel indebted to you if I didn't do anything. If this is something you'd like please DM me/send me an ask off anon.
* As for why we have been so financially fucked this month. Our current apartment complex (yes the one with the leaks, roaches, harmful construction noises etc.) has kept our security deposit which has us out $300 that we could've used towards the new place. They have fucked us over one last time.
My paypal as always is at: paypal.me/roseod
And please share if you can. Every reblog/donation of even a small amount is appreciated. Thank you all so much for supporting me.
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wis-art · 7 months
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Not a big fan of capitalism
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starflungwaddledee · 2 months
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Do you take commissions? If so, do you have a commission sheet? I’m sorry if this is an annoying ask I just really love your work lol
not annoying at all! i really really appreciate this a lot, thank you!
i have done commissions in the past on other platforms, but for now i am not taking them here. i'm not saying that i never will, because sometimes life is.. you know. Like That™️. but for now i'm steering clear of it to try and keep my passion up! 👍
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rawliverandgoronspice · 6 months
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officially getting lost in the animatic sauce u_u
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Love, understanding, and tenderness
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Roier wasn't sure how long he'd been sitting in the pool, letting water wash over him until his limbs were numb from the cold. There were a lot of things Roier wasn't sure about lately. The only certainty was the fact that Bobby was dead, and there was no way to bring him back. — Already struggling in the wake of Bobby's death, Roier suffers the consequences of not taking proper care of himself. Help comes from an unexpected source.
At long last, here's the Cucurucho & Roier fic I promised! If you've enjoyed my past posts talking about Cucurucho and Roier's relationships, you'll enjoy this story. In this fic, I delve into Roier's grieving process after Bobby's death, and how that experience influenced his interactions / perspective of Cucurucho. (I also touch upon his relationship with Cellbit and his partnership with Jaiden).
[ Read it here on Ao3 ]
A special thank you to n_ideah_flan, who was my illustrator for this story! (Full illustration is in the story). They're a lovely person to work with, and they do great art. Go show them some love!
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sanstropfremir · 2 years
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The Hongjoong exhibition video thing along with the bgm he made for fans to use freely reminded me of how I admire how open he is about how he's privileged to be able to make a career out of an art that he loves and he's aware that not everyone has the support he has. And for the exhibition he's apparently making it free and will be donating his own money to charity bc he was inspired by how fans donate in his name. Not to gush in your asks but he's so young to have the level of awareness he has
he's really doing a lot to show that he very deeply cares about the integrity of his art and art as a whole, which i think is very admirable and IS a trait that i would like to see more idols represent, bc we're currently in an era where we need more people to care about art. and idols are a unique type of public figure that has a lot of interactions with their fans, and art appreciation is something that i want everyday people to realize that they can do. it's a really bold choice of him to do a photography exhibition of relatively mundane subject material, bc it has the potential to act as an entryway into appreciating art for people that otherwise wouldn't have given as second thought to it before.
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yukipri · 2 years
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Hey yukipri, I love your drawing. Don't know if it's monetized? If not, I guess you can make money with your skills.
Hey there! Thank you so much for liking my work <3
I don't monetize my work on Tumblr, because I dunno about the rest of you, but I get tired of everything everywhere always wanting my money ^ ^; I don't at all think badly of people using that Tumblr function, 'cause we all gotta eat and content takes so much time/skill/energy! But I also just don't want to add to that, y'know?
That being said, being able to make some money off of my content allows me to justify spending so much time on it. I have a Patreon which is pay-what-you-want, meaning that for literally as low as $1, you can access a ton of exclusive and early content, like WIPs, better resolution/less watermarked art, creator commentary, and early access to all of my fics and other content sometimes weeks~months in advance.
I try not to advertise it often because I don't want to bug people, but it's there for people who want to support me and get a little something back as thanks!
So yup, that's my "monetization"! Thanks so much for your interest in it, and possibly in supporting my work ^ ^
❀ ❀ Send YukiPri an Ask! ❀ ❀
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maikaartwork · 9 months
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Artists, let’s talk about Instagram commission scammers
There’s been a huge rise in commission scammers recently, mostly on Instagram. A lot of new artists don’t know what to look out for, so I figured this might help people.
How they begin
Usually the scammer will write to you asking about a commission. Something deceptively cute - mostly I encounter asks about pet portraits, with one or two photos sent. They’ll probably try to sell you a sweet little story, like “It’s for my son’s birthday”. They will insist that they love your artwork and style, even though they don’t follow you or never liked a single piece of your art.
What to look out for:
Their profiles will either be private, empty, or filled with very generic stuff, dating at most a few years back.
Their language will be very simple, rushed or downright bad. They might use weird emojis that nobody ever uses. They will probably send impatient “??” when you don’t answer immediately. They’re in a crunch - lots of people to scam, you know. 
They’ll give you absolutely no guidelines. No hints on style, contents aside from (usually) the pet and often a name written on the artwork, no theme. Anything you draw will be perfect. Full artistic freedom. In reality they don’t really care for this part.
They’ll offer you a ridiculous amount of money. Usually 100 or 300 USD (EDIT: I know it might not be a lot for some work. What I mean here - way higher than your asking price, 100 and 300 are standard rates they give). They’ll often put in a phrase like “I am willing to compensate you financially” and “I want the best you can draw”, peppered with vague praise. It will most likely sound way too good to be true. That’s because it is.
Where the scam actually happens
If you agree, they will ask you for a payment method. They’ll try to get to this part as soon as possible. 
Usually, they’ll insist on PayPal. And not just any PayPal. They’ll always insist on sending you a transfer immediately. None of that PayPal Invoice stuff (although some do have methods for that, too). They’ll really, REALLY want to get your PayPal email address and name for the transfer - that’s what they’re after. If you insist on any other method, they’ll just circle back to the transfer “for easiest method”. If you do provide them with the info, most likely you’ll soon get a scam email. It most likely be a message with a link that will ultimately lead to bleeding you dry. Never, and I mean NEVER click on any emails or links you get from them. It’s like with any other scam emails you can ever get.
A few things can happen here:
They overpay you and ask for the difference to be wired back. Usually it will go to a different account and you’ll never see that money again. 
They’ll overpay you “for shipping costs” and ask you to forward the difference to their shipping company. Just like before, you’ll never see that money again.
The actual owner of the account (yes, they most likely use stolen accounts to wire from) will realize there’s been something sketchy going on and request a refund via official channels. Your account will be charged with fees and/or you get in trouble for fraudulent transactions. 
You will transfer the money from your PayPal credit to your bank account and they will make a shitstorm when they want their money back, making your life a living hell. They will call you a scammer, a thief, make wild claims, wearing you down and forcing you into wiring money “back” - aka to their final destination account. 
Never, EVER wire money to anyone. This is not how it’s supposed to go. Use PayPal Invoice for secure exchanges where the client needs to provide you with their email, not the other way around.
You can find more info on that method HERE.
What to do when you encounter a scammer:
Ask the right questions: inquire about the style, which artwork of yours they like, as much details as you can. They won’t supply you with any good answers.
Don’t let the rush of the exchange, their praise and the promise of insanely good money to get to you. That’s how they operate, that’s how they make you lose vigilance. 
Don’t engage them. As soon as you realize it might be a scam, block them. The sense of urgency they create with their rushed exchange, and pressure they put on you will sooner or later get to you and you might do something that you’ll regret later.
Never wire money to anyone. Never give out your personal data. Never provide your email, name, address or credit card info. 
Don’t be deceived by receiving a payment, if you somehow agree to go along with it. Just because it’s there now doesn’t mean it can’t be withdrawn. 
Here is a very standard example of such an exchange. I realized it’s a scam pretty fast and went along with it, because I wanted good screenshots for you guys, so I tried going very “by the book” with it. 
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Please share this post, make it reach as many artists as possible. Let young or inexperienced artists know that this is going on. So many people have no idea that this is a thing. Let’s help each other out. If you think I missed any relevant info, do add it as an rb!
Also, if you know other scam methods that you think should be shared, consider rb-ing this post with them below. Having a master post of scam protection would AWESOME to have in the art community.
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the-kipsabian · 9 months
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very tired of pushing the ko-fi post constantly but idk what else to do :)
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wasabikitcat · 10 months
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I keep having dreams about an Earthbound 64 prototype getting leaked. Shit lives in my mind rent free.
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aftermathing · 1 year
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Literally how is it possible for all my art to get 6 notes each (4 of them being myself). I am constantly improving and experimenting and drawing fandom and oc alike, and I still have only 50 followers. What could I possibly do differently.
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certified-bi · 10 days
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Okay all my thoughts because some people have been saying that not supporting this change is not supporting artist and creators and as an artist fuck that.
1. Audiences owe you nothing. You have to convince them to engage with your creation not the other way around. This is something both the nonprofit theatre I work with recognizes and huge companies realize. It's just part of life. There are so many talented people in the world making amazing art, videos, music, writings, and on and on, and there's only so much time in the day. I'm not saying you shouldn't know your worth, just that being flippant about how little you care about those who can't pay isn't a good move. On that note...
2. PR is everything. If you haven't made a visible effort to push patreon, channel memberships or other avenues of making money, don't be suprised that your creation that was previously accessible to those without extra cash and to those who can't support foreign subscriptions due either to conversions or because it simply doesn't work, being made private isn't popular. There's a big leap from "We want to have more artistic control" to "We can't afford to make our content accessible to most of our audience," and people are smart enough to see this. You either have to make budget cuts or give into sponsors. This isn't unique to Watcher, it's part of literally every production from broadway, to Hollywood, to YouTube. Unless you can fund it yourself or get viewers to pay(which given how many are already strapped for cash...) that's life.
Not to mention they simply do not have enough followers to make the switch to a paid only site(dropping the first epsiode only on YouTube isn't going to draw people in, they're just going to say "oh why start if I'm not going to see the rest" and not watch) especially not one that is buggy and a security risk. Even if the switch had been supported its not going to end well. The only reason services like nebula and dropout work is because of the large amount of series and creators and the fact those creators still are partly on YouTube so new people are drawn in.
3. As for the price, 6 dollars a month is a not a good starting price for only their content and that's as someone who pays for nebula. I'd be paying the same amount for a fraction of the access to others work. Actually it'd be twice as much. And before someone says "it's only a coffee-" that's for you. Not everyone has your lifestyle. And with every other patreon and subscription service that says the same thing, it all adds up and I simply don't think 60 dollars for 48 videos a year on a subscription basis where you don't get to keep the videos if your situation changes, some of which don't appeal to every viewer is a good move. If you were able to buy physical copies of your favorite series they've made that'd be different, but that's not what this is.
4. I do believe that the employees deserve a livable wage. I also did not hire them. It is not on the viewers that they hired more people than they could afford to. They can charge that much if they want to to try and balance this out. They also shouldn't be suprised if not many can or will sign up. They also don't have to be based in L.A. L.A has ridiculous costs associated with it, and quite honestly it doesn't really add much to the content. I'm not saying they need to move to the middle of nowhere Kansas. Simply that living and basing your studio in a super expensive city and then being suprised money is tight is just weird.
5. Something that occurs to me is that they might get more views if their playlists were better set up. Only some series are given playlists. It'd be easier to find all of the series and binge them if they didn't just show off their more popular shows. Honestly the only draw the streaming site has to me is that the series are actually labeled well.
Do I think the weird ass energy towards Steven is necessary? No. He's not the only one at the company and they're all adults. I actually liked grocery run and homemade, and like to see them back. The parascoial attachment to Ryan and Shane is annoying in people's criticisms, but that doesn't make them completely wrong. If you're going to brand yourself as the anti capalist underdogs you can't get away with being dismissive of your poorer fans. The dissonance is what is causing this backlash and makes you look like hypocrites. I definitely think Steven is turning into the fall guy which is fucked up, his statement and the fact dish granted is one of those shows that make people uncomfortable about wealth flexs doesn't help matters.
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fairuzfan · 3 months
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Hello. I just got in contact with a group in Seattle making "solidarity" art and I wanted to know what that means to you. Is acknowledging the horrors in Gaza the most effective way to make Palestinians feel seen? Or is there more value in incorporating symbols of resilience, like olive trees, watermelons, and spoons?
By acknowledging, I mean create something enraging, like depicting the drastically different living conditions on the Palestinian and Israeli sides of the border wall. Healthy people in open farmland on one side and a warzone on the other. Or is it better to include a little hope? One idea I've been mulling over is painting a Palestinian child and IDF solider in a way that suggests David and Goliath (I found out the most common charge against Palestinian youths is throwing rocks). Another is Gaza as a torn tapestry with Mother Palestine sewing over and repairing the rips with tatreez.
I guess the real question is: Do you think most Palestinians would appreciate an attempt at comfort, or is it better to simply grieve with them?
Thank you so much for sending this in. My personal take is the most inspiring imagery are symbols of resistance. For example, this poster is embedded in many Palestinians' minds (click) as a prime example of resistance. I love images of olives and flowers not because they're soft, but because they represent life to me. Something I also adore is Rafeef Ziadah's poem "We Teach Life, Sir" and Samah Fadil's "Then, A Palestinian was Born," as words that speak to me as core parts of Palestinian resistance.
I think you can definitely mix strength and grief, or comfort and grief together when talking about Palestine. Refaat said it best: "the most dangerous thing I have is an expo marker but if an Israeli soldier were to come to my house I would use that expo marker and throw it at them." To us, the idea that we have to resist is grief and the grief moves us to resist. I personally really love the david and golaith imagery because it reminds me of the poster below.
I guess this is all to say that you can mix them together, the grief of seeing people dying and the strength of resistance against the oppression. What's the most effective thing is portraying the truth: Israel kills and Palestine resists.
Here is the image. I highly encourage everyone to print out this poster and post it around town if you're able. Or even post it around social media if you can, and link back to palarchive so that people can see there's so much palestinian art and history that they can explore.
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surielstea · 14 days
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Schools Out!
Based on this request.
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Pairing: Azriel x Fem!Reader
Summary: Azriel and reader are in charge of picking Nyx up from school, but Az doesn’t like the way the teacher looks at his mate.
Warnings: innuendo of having kids
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The final bell rang and children flooded from the brightly painted doors with wide grins on their faces as they lugged on their backpacks.
I stood beside a looming Azriel with a bright smile on my face as I waited for Nyx to exit the classroom. Feyre and Rhys had an emergency shipment at the art studio they needed to tend to and I was quick to jump at the opportunity to pick the young boy up from class.
Azriel— who has slowly become my personal shadow, goes wherever I go, so I wasn't surprised when he grabbed my wrist and led me to the front door without so much as a word.
A head of blue-black hair comes bounding out of the classroom. His sky-blue backpack hangs halfway off his shoulders as he talks to his teacher, looking up at the male as he clung to his hand.
Kids quickly found their parents but Nyx seemed too intrigued with his teacher to notice Azriel or I waiting.
People stared, perhaps it was Azriel's shadows swishing around us protectively or his large black wings, not many knew of the Illyrians and only about their reputations, I didn't blame them for staring, I wouldn't want the Illyrians near my kid's school either— but none of their eyes were on him, but rather on me.
Azriel's scarred hand snaked around my waist protectively and I smiled at the sentiment, my hand coming to his in an act to soothe him.
Nyx's eyes snag on us and his expression brightens. "Auntie! Uncle Az!" He rushes towards us, practically flying into my arms with a flap of his growing wings. "What are you doing here?" The boy asks excitedly. "Your parents are busy so we're here to pick you up," Azriel says, while I adjust him in my arms. "And, we might stop at the ice cream shop on our way home," I add, eyes flicking to Azriel with a mischievous grin, pinching my bottom lip between my teeth as Nyx's pupils practically morph into hearts.
"I'm sorry to interrupt," An unfamiliar voice sounds and my head whips up to see a tall male with a polite smile and finger-paint stains on his grey button-up. "Mr. Lockwood!" Nyx exclaims as if he hadn't just been with the teacher. "Hi Nyx," The male smiles at the boy, then looks back to me. "Nyx talks highly of you," A smirk curves his lips as his eyes linger all over me. Azriel's arm tightens protectively around me. "The both of you." The blonde corrects and I scoff a laugh, waving him off. "He does the same for you." I smile at him, setting Nyx down on his feet, his hand going into mine. "Always going on about Mr. Lockwood, you seem to make his day." I muse and Azriel's hand leaves my waist in order to pick a wanting Nyx up. "Please, call me Ezra." He presses a hand to his chest humbly and my brows raise a fraction.
I can practically feel Azriel tense beside me at the rushed familiarity. I bring my hand up to his bicep reassuringly as I continue my conversation with Nyx's favorite teacher.
"Right, Ezra," I smile politely at him, dragging my hand down Azriel's arm until reaching his hand where I intertwine our fingers. The teacher looks at our hands, at Azriel's scars I realize, watching as he swallows a lump in his throat. I bristle at the act, wondering what's so wrong with my mate's hands.
"Oh—" He catches the glare I'm subconsciously giving him and pulls a clipboard that was tucked beneath his arm.
"I just need you to sign here before you leave since you're not one of Nyx's biological parents." He holds the paper towards me. I skim through the fine details, the form essentially saying that Nyx's parents had consented to Az and me taking their child home.
I spotted the blank section at the bottom that I had to sign. "I'm sorry, I don't have a pen." I pad my pockets but find them empty.
Mr. Lockwood reaches into his breast pocket and pulls out a red pen, but before I can take it, shadows appear before me, holding a blue pen. I looked to Mr. Lockwood who was staring down at the shadows anxiously, like the dark tendrils might eat him alive— and if my hand wasn't in Azriel's the spymaster might've let them.
I choose to take the blue pen, pulling it from the dark tendrils with a grateful smile and they happily whisk away, down towards the ground where they pooled at my heels. Mr. Lockwood puts his pen back in his breast pocket with a slight drag in his movements, as if in defeat. I sign the space with a big looping signature then hand the pen back to my mate. "Thanks, Az," I hum, he simply nods and takes it from my hold. I turned back to the teacher who was staring at the both of us like he was beyond confused as to why we were together.
It was no secret Azriel and I were pure opposites. One could tell just by looking at my pink gowns and white skirts compared to his black leathers— but it went deeper than just our clothes. I was typically the center of attention when it came to social events while Azriel preferred to observe me. I was always talking his ear off while he just nodded and chimed in every now and again. So when we met strangers it was always a shock to them when they found out we were mates.
"All done here?" I tilt my head, knocking the blonde from his stupor. "Uh— yes." He tucks the clipboard back under his arm. "Perfect," I take Nyx's backpack and sling it over my shoulder. "We'll be seeing you." I smile while Azriel pulls me away. "Bye, Mr. Lockwood!" Nyx waves with a bright smile from over Azriel's shoulder.
——
The walk to the Ice Cream parlor was brief, since Nyx's school was located in the Rainbow everything was only a short distance away, still, the entire way there Nyx raved on about his teacher. Much to Azriel's dismay.
"—And Mr. Lockwood gives us a cool sticker every time we get something right!" Nyx exclaims, skipping slightly as he tugs on my hand. "Would you rather have a sticker or ice cream?" Azriel says and I toss the jealous male a knowing glare. "Oh ice cream for sure," Nyx licks his lips excitedly. "That's what I thought." Azriel mumbles and I playfully smack his shoulder with my freehand.
"Can I please get a chocolate cone, Auntie?" Nyx asks, ignoring his snarky uncle. A smile pulls at my lips. "I don't see why not?" I hum and a grin showing all his teeth blessed his expression. "Maybe I'll get one too." I wink at the boy as we reach the shop, Azriel opening the door for the both of us. The worker behind the counter smiles at us in a greeting and I return it.
"What flavor are you gonna get?" I ask the kindergartner. "I can't see," He says, standing on his tiptoes and attempting to peer over the edge of the glass. Without a word, Azriel swoops him up and props the boy on his hip.
"Ooh, that one," Nyx exclaims, pointing to a brightly colored tub. "I remember I had that kind with Uncle Cass before and it was so good," Nyx licked his lips as if he could still taste it. I shake my head with a growing grin and approach the counter, the silver-haired fae smiling softly at the three of us.
I order for all of us, making sure to get a chocolate cone for Nyx, per his request. The woman repeats my order back and I nod. "Your total is nine gold marks," She hums, but before I can shuffle through my coin purse Azriel puts down the money due and I look up at him. I slip my hand into his in gratitude as the cashier scoops the ice cream into the cones.
When she hands Nyx the chocolate cone he nearly runs laps around the shop, but in fear of his cold treat melting he instead licks up the side, the scoop seeming as big as his head. "You three are such a lovely family," The female smiles as she hands me my cone. "Oh, he's not—" I begin. "Thank you." Azriel interrupts before tugging my hand towards the door. "Have a nice day!" I wave to the worker. "You too!" She mirrors my expression. "Bye!" Nyx waves carefully, cautious of his ice cream toppling over. She waves back before the door to the parlor opens and we exit, the bell chiming behind us as Azriel guides me down the sidewalk, Nyx still in his arms.
I wrapped my arms around his free one, suddenly overwhelmed by some type of baby-fever. Watching the feared shadow singer be so innocent with Nyx made me want a child of our own. How I'd kill for a kid that looks just like him, hoping our child has his eyes— or better yet, his smile. I push the thoughts away as a pink tinge comes to my cheeks, I lean against his bicep as we walk side by side, enjoying our ice cream on the hot day.
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General Taglist: @fxckmiup @olive-main @iluvyewman-blog @gaymistakeboi @glitterypirateduck @amara-moonlight @impossibelle @fauxdette @going-through-shit @glam-targaryen @cauldronboilme27 @sarawritestories @tele86 @rogerbarnesxx @azriels-shadowsinger @stinkinstuffie @sandramalikstyles-blog @sassyangel16 @lilah-asteria @starsinyourseyes @inloveallthetime @melsunshine @nighttimemoonlover @ireallywannasleep127 @ilovewarner45
Azriel Taglist: @coolepowersthings @lovely-giggles @quiettuba @ilovewarner45 @judig92 @tothestarsandwhateverend @je-suis-prest-rachel @call-me-a-fool @brieflyclassymortal @cherryjain17 @stqrgirlies-blog @chelsiemp @nyxbranwenn @dnfhascorruptedme
Comment a “💙” to be added to the general taglist!
Comment a “🖤” to be added to the Azriel taglist!
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rathayibacter · 30 days
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just ran into a post trying to argue for people to play more indie ttrpgs, but also spending a whole paragraph disparaging people who make weird projects and put them up on itch for $10, going so far as to call them "designers" in scare quotes and say they can't add two numbers together.
this isnt meant to be an attack on that poster or anything, just seeing that made me real fucking sad and i wanted to get my thoughts out. ttrpgs are an art form, and the fact that folks feel liberated to slap together something weird in a few hours and put it up for sale is awesome. in fact, id say it's necessary for the growth of the scene. you might not like every single one of them (lord knows i dont) but every single one of those projects has someone for whom itll resonate with, someone for whom that art might be life-changing. and hey, maybe that person goes on to make something you do like, or maybe they use it to introduce someone else to the hobby, or maybe they just have a good time and the world gets a tiny bit brighter. just because it's not what you want out of a game doesn't mean it's without artistic value.
also, yeah, you should charge for your weird shit! even if it only took an hour to write up and format and publish, you deserve to get paid! if you're worried about accessibility, use community copies, but still let people with the means support your work! artists making weird, low budget, experimental work deserve to eat too.
ghh. i dunno. shit like that really gets me riled up, and i hope this helps someone change the way they think about small stuff in the scene. you dont have to like all of it, but the scene would be a fucking lifeless wasteland without it.
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