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baileytomkinsviscomblog · 6 months

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'Intersections' Influences and Inspiration - Pt 2

Utku Yavasca

Utku Yavasca is a Portuguese comic artist that I found out about through my cousin, who happens to have met and befriended him on a trip to Portugal. The majority of Utku's work is shared through his Instagram page, where he regularly uploads short humorous comics about his life experiences. These comics usually contain 10 images per post, each being a different panel of the story. Utku is a very versatile artist, creating a variety of pieces that range from simplified and cartoony sketches to incredibly detailed pieces with darker, more mature themes, all of which tend to be created in his preferred medium of black ink.

It was very beneficial that I was connected to Utku through my cousin, as this meant I was able to share a dialogue with him about his work and my final piece. Here are some screenshots of the conversation I had with him.

Daniel Padure

Daniel Padure, aka Padure, is another artist who interestingly happens to be from Portugal. He works in the fields of illustration, painting, and street art, primarily sharing his art through Instagram. Padure's work can be recognised by his simplistic, bold illustration style, using minimal details and thick lines, often with his signature ink-dripping effect. What I like about Padure's work is that it's very visually consistent, using symmetry and precise proportions. He often uses the same character design in his pieces, which is very similar to the style of Keith Haring. I have been following Padure's work for a while, but what brought me back to it during my research for this project was his series of mirrored pieces, one of which can be seen below. This links to my idea of adding a flipped aspect to my graphic novel. I also feel that my approach to illustrating characters can often be very similar to Padure's, as I tend to draw with symmetry in mind as well as accurate proportions. I am also a fan of using simplified illustration styles.

Jordan Bolton

Jordan Bolton is a Manchester-based comic artist whom I discovered on the creative blog It's Nice That. Jordan creates beautifully moving short poetic stories that primarily focus on simple everyday experiences such as going to the movie theatre, looking out of the car window, and watching birds sitting in a tree. Jordan's comics, in a visual sense, are deceptively simple; however, they are always accompanied by a meaningful and often philosophical narrative. What I like about Jordan's work is his subtlety as well as the way that it subverts your expectations of a comic that traditionally has panels filled with dramatic and action-packed imagery, instead depicting more real-life settings and scenarios where the focus lies on introspection. In a way, I believe that the imagery Jordan uses is secondary to the underlying narrative, simply being used as a means to express it. Jordan's work links back to my research on Eckhart Tolle and The Slow Movement, as they all share similar themes of living in the moment and enjoying the little things in life.

References

utku.yavaska (2018) trenches [Instagram], 6th September. Available from: www.instagram.com [Accessed 25th Nov 2023].

utku.yavaska (2018) inktober 13 [Instagram], 13th October. Available from: www.instagram.com [Accessed 25th Nov 2023].

utku.yavaska (2022) 🎬 Nostalgia Series #1 Gaming🕹 [Instagram], 24th August. Available from: www.instagram.com [Accessed 25th Nov 2023].

utku.yavaska (2022) ❤️”Love is blind , and deaf-mute too” - A wise person [Instagram], 5th April. Available from: www.instagram.com [Accessed 25th Nov 2023].

utku.yavaska (2023) Reverse Evolution [Instagram], 24th May. Available from: www.instagram.com [Accessed 25th Nov 2023].

(2020) Lockdown [online]. Available at: Lockdown by Daniel Padure - Street Art Cities (Accessed: 26th November 2023).

(2021) Untitled [online]. Available at: Untitled by Padure, Daniel Padure - Street Art Cities (Accessed: 26th November 2023).

padure_ (2023) 🙃🙂[Instagram], 7th November. Available from: www.instagram.com [Accessed 26th Nov 2023].

Hingely, O (2022) 'Jordan Bolton creates deeply moving comics derived from simple language and imagery', It's Nice That, 27th September. Available at: Jordan Bolton creates deeply moving comics derived from simple language and imagery (itsnicethat.com) (Accessed: 26th November 2023).

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ruvigapo · 5 years

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Hi do you have maybe some tips for someone who is learning how to use water colour? What brand of water colors to use etc. ??

Hi! Sure i guess.♡ Keep in mind that while i wouldn't say i'm a beginner i'm definitely still learning too.

I will uh.. i'll edit this post this afternoon with some tips lol (note to self to not use the tumblr app in the morning lest your thumb slip and post an unfinished post XD)

((Or maybe i am still a beginner, idk. Okay yeah i'm a beginner but i can give some tips.))

Okay so, i'm home. Been a long day. Here are some tips.

Honestly though, i'm Definitely not an expert when it comes to watercolour specifically. I've used it since i was a kid but i only really got the hang of it resently and i'm definitely still learning.

1. So honestly my first advise is to just look at a lot of different tutorials and ask a lot of different people. This goes for most mediums, but there are a lot of different ways to use water colour to achieve the look that you want and a lot of people do it differently bc it's so versitile.

2. This is a given, but honestly, there's no better teacher than experience. The more you try something out and try doing it in different ways, the more you'll be able to find what works for you. That's really important i think.

This is a tangent, but I took a water colour summer course once and i learn a lot of cool stuff, but i also learnt through a lot of trial and error that my style of water colour was very different from how it's traditionally taught here. Partially because i'm impatient and can barely wait for the layers to dry (this, btw, is honestly a must in water colour tho so that's really gotten better on my end with practice) and partially because a lot of the techniques i learnt were good for landscape painting but dificult when drawing more complicated pieces in my opinion. They're still great techniques but i also learnt to take inspiration from other sources that more closely match what i like to paint.

And the more i learn the more i find that i am also able to incorporate traditional techniques that before seemed very dificult for me.

3. As for art supplies, i honestly wouldn't worry too much about it. Especially as a beginner. I always say that the tool doesn't make the artist, the artist makes the artist. In the end, the most important tool you will ever need is your mind.

I'm also not very good with what brands are high quality and which aren't so there's that frankly.

I'd say ask around and look into what brands are available to you. Most standard water colour sets are good and last a long time. Then you can of course expand your tool arsenal. I'd recomend a bigger pallet just because i'm the kinda person who really enjoys mixing and trying out a lot of different colours and therefore need a lot of space to mix colours.

Also i'd say look into what type of brushes you prefer, and pay attention which brushes are water colour brushes and which are acrylic brushes bc they're pretty different.

Really high quality brushes are usually made with animal hair, which makes it able to hold a lot of water and pigment. I don't like them much personally bc i don't use a lot of water for my drawings as a general rule (mostly because they're doodles and the paper in my sketch book doesn't hold water all that well). (And also sometimes the hairs fall off from the brush and get stuck in my drawing 😬... they're worth checking out though.)

But try out different types of brushes and see what you like. It might be tempting to get a very tiny brush for tiny details but honestly, a medium size does the same work just fine with a light hand in my opinion. And depending on wether you want to paint big or small, what size brush you need will vary. I know that art supplies can be expensive though, so don't feel like you Have to get the most expensive thing when you're just starting out.

4. Speaking of just staring out... honestly, don't even worry about using up your supplies and feeling like every single thing you make has to be perfect. It's not going to be perfect. And not only is that okay but it's nessesary. Not to mention that perfection is wholy a myth and can't be achieved so don't even worry. Quantity over quality i always say. The quality will come with time and work. Which is why i always recomend cheaper brands anyway because you will be painting A Lot to git gud, as they say, but that might just be me.

5. Back to brands

Honestly Please invest in a good paper at least once. It doesn't have to be Fantastic, it just needs to hold water. I'm not even joking, the quality of your paper does wonders for the quality of your drawing. Can you make water colour look good on normal paper? Sure. Case in point, all of the things i paint. But honestly, if not for the sake of a result, then try it out for the sake of experience. Try different things. See what works for you. I honestly do recomend starting out with a good water colour paper since the result will be miles better and you'll feel way more encurraged to continue. That's the one supply i'm adamant about trying honestly. But again, budget wisely young padawan. And if you ever feel scared to use your supplies bc they were expensive and you don't want to waste it.. again nothing is a waste, everything you draw is stored as knowlege in your brain that you'll use to make better art in the future. Nothing is a waste. But if you're like me and the anxiety really hinders you, just get a cheaper paper. I like to paint in my sketch book bc it feels like a diary to me and it doesn't have to be perfect and if i screw up it's still fine. I'll tape it over and start again.

Okay so.. i realise that this is rambly and maybe a bit preachy and not very specific. Starting out can be scary and you want all the things in the right place and you want things to go well every time you paint even though you know it's not going to at first. But you just have to start somewhere and keep going from there. Bc if you never start, where will you be?

So honestly, if you don't have any supplies on hand, just go to the nearest place that sells art supplies and get yourself some good paper and a water colour set and just go ham trying out the colours.

Here are some of the water colour things i've watched over the years to help me in geting started.

youtube

This last guy i only found the other week. He does a more trafitional style, more in line with how i was taught at that one summer class thing. So it's always nice to look at different ways to do the thing you want to do.

6. Water colour to me has always been tricky. It's water so it flows, and for a while, that was frustrating because i wasn't able to control it i thought. I prefered using markers but honestly, markers are way more expencive than water colours and you can't mix them and get as much if a clean finish, so now i only use water colour to colour my drawings.

But for a while i avoided water colour and instead opted to use guache. Guache is mostly used in illustrations bc they're easy to layer since the paint is opaque. It's much more forgiving than water colours, so if you want, buy a couple tubes of guache and try that. You don t need that many. I use cyan magenta and two types of yellow as well as white. Any art teacher will tell you that with practice you can mix almost every colour from those colours. I almost never use blacj anymore. Unless i'm lazy, in which case i'll jusr add a layer of black water colour on top of the guache. (GUACHE CAN BE EXPENSIVE THOUGH, DON'T FORGET TO BUDGET)

There are opaque water colours but most aren't i believe. That's where the main difference between guache and water colour comes in. See, in water colour, traditionally, you aren't supposed to use white to lighten a colour. Instead you use water to dilude the pigment. This gives a much more clean and crisp finish. You can do this with guache also, but since quache is already opaque it will still have that same grainy look wether you dilude it with water or mix it with white or both. I mean... i personally love the grainy look so... it's very story book-ish.

With guache bring opaque that also means you can paint over mistakes and start over pretty much, so again, guache is much more forgiving. Once the white of the page is gone when you use water colour, you can't get that back without adding white guache on top, which honwstly just looks messy imo. So be aware of that.

7. Let layers dry before adding another one or the colours will bleed together. Learning to be patient is key. But if you're like me you can just use a hair dryer tbh.

8. If you're using a good paper, you can experiment with a lot more water. Taping down the paper helps bc the paper will swell a lot and buckle when you add a lot of water. (Press it between a butt load of books to get it somewhat flat again).

You can try taking a spunge or a wide brush and add a layer of water before adding the pigment. It can have some interesting results.

You can also leave the paper dry and just paint layers like you would with markers. Both work. Water bleeds more but that's really cool in landscape painting so if that's something you want to try, def experiment with letting the colours bleed together.

9. Oh and don't forget to swatch out your colours when you get them. Water colour dry lighter than it looks when you put down the colour, so swatching helps with determining what colours you want where.

There are So Many videos on the subject honestly. I like to watch videos while i paint. It's fun.

Okay so this is long enough i think. I barely grazed the tip of the proverbial iceberg but i hope it helped.

I really encurrage anyone who knows their stuff abt water colour to add on to this. I really don't want to spread false info. These are just my two cents on the top of my head.

Which basically just boils down to

JUST DO IT

I honestly tell myself this every day. And if i can do parkour then you can paint.

Good luck and have fun! 👍👍👍

#water colour #watercolor #guache #tips #muffin rambles #ask a muffin #sorry this took so long #i'm never on here lmao #check out my instagram lol #i post every month there #..... it has new kl art lmao #shameless promo #but seriously #live your dream #water colour away

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krsextonart · 7 years

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Hey all! I wanted to make a quick blog post about a question I receive A LOT.

Do you need a following before opening an Etsy shop?

The answer: Technically, no. I didn’t really start with one.

Keep in mind I cannot speak for other shops, everyone’s journey is different but I can tell you a little about how I’ve gained my “following”, honestly I don’t even consider myself having much of a following…but yenno, whatever.

I started posting my art on Facebook and Instagram in 2012 (or maybe sooner) when I started studying Art at Cal State Fullerton. I was an Animation major taking beginning drawing courses and beginning animation courses. As a complete beginner, my art wasn’t good, but I still posted anyway and received minimal response (lol). I switched over to illustration in 2013 and continued posting artwork I made for my classes. The only people seeing this artwork were my family, friends, and classmates. I didn’t have a large following, maybe 500 followers or less on Instagram and I’d say 90% of the people following me were friends or acquaintances who didn’t really care about my art, they just wanted to see what I was up to.

During my time at CSUF, I was heavily involved in the Animation/Illustration club called the Pencil Mileage Club (PMC). I started out as a member one year, then became the photographer for the club, the event coordinator specialist for the club, then vice president, then president. I met a ton of people through this club and the PMC became my family. A lot of people go back and forth with whether art school is worth it, for me, it was. I built friendships with some of the most talented, hardworking, passionate people I’ve ever known. Getting a little sidetracked here, but these are the kinds of people you want beside you. They will support you, be your shoulder to cry on when things get tough, you’ll be their shoulder, they’ll help you with Photoshop problems, they’re your rocks. These are the people you want following your work. These are the people who will lend you a hand when you need it and you’ll return the favor because there’s a mutual respect. These are the “fans” you want. I definitely, no questions asked, did not see them as numbers on Instagram if they followed me.

Me with reddish/brown hair at a PMC art show.

Leading a meeting with Kevin Lam, the President of the PMC at the time.

Cafe Sketching event at Downtown Disney.

Myself, making a stop motion animation for the first time.

Helping lead another PMC meeting.

So in college, I made the best of my time. I spent countless hours sketching, exploring what I wanted to do after college with art, I had an internship with Billabong one semester, I helped lead events with PMC, and I did my best with my classes all while posting on Instagram and Facebook. Those were really the only 2 social media platforms that I posted art on. A month before I graduated college in May 2015, I had my own solo exhibition show on campus which displayed 26 original pieces, my CSUF friends were there on opening night to cheer me on. I love them for that. I gained a few more followers from having that art show for a week, not a ton, but a bit. When graduating college, I had maybe 600 followers on Instagram and like I said, they were mostly non-art friends or acquaintances who didn’t care for my art.

* You didn’t go to college for your artwork? That’s okay too! There are loads of online art communities that will connect you with other artists with interests like yours! Figure out what you like to do, then do some google searching to try and find the right online communities for you. Having a great support system will help you with the tough times (we’ll all have them).

When graduating college, I needed time off from school and work. I overworked myself in college trying to absorb everything I could while throwing myself at every opportunity I could with the PMC and other art events. I didn’t know what I wanted to do, all I knew was that I needed a break. So my boyfriend, cat, and I packed up our 1 bedroom apartment and moved back to my hometown in the San Francisco bay area to live with my Mom, the plan was to stay for the summer.

Over the summer, we attended some art fairs and I fantasized about selling my artwork at them (I always have). Then I decided it was time to open my own shop, something I’d been dreaming about since I started drawing in 2012. I did a ton of research, blah blah blah then opened my shop in September 2015. I announced it via Instagram and Facebook. My first sale was from my Mom and I panicked. Had NO idea what I was doing. Experimented with packaging. I had a few sales follow, mostly from friends I think. In October I discovered Twitch Creative, a live streaming service for artists. I had streamed video games a bit in college through Twitch but didn’t know they had a section for art. I immediately started streaming. I did some figure drawing on stream, pen and ink illustrations, traditionally sculpting, stamp carving and more while also watching other streamers. I slowly, sloooooowly gained a “following” on there. Some of them followed me to Twitter and Instagram, and some made purchases. I streamed 3 days a week for 2 months then started streaming less and less when my anxiety disorder took hold. Chris and I moved back down to So Cal in Feb. 2016 and I continued selling my work on Etsy while advertising on Instagram, Twitter, Facebook, and having occasional streams on Twitch. I decided shortly after to make a new Instagram dedicated to only artwork. So I went from 600 followers on Instagram to 0, and from there slowly climbed. Not too many people followed this new account from my old account so I really started from the bottom.

I gained more followers using hashtags on Instagram. They look sooooo dumb, but guys, that’s how people will find you. Having followers on Instagram really doesn’t do TOO much for your shop, yes it’ll help advertise new listings and whatnot but some people can have thousands of followers but barely any sales in their shop. Some people want to buy an item from you, but they don’t really care to see your art Instagram everyday, and that’s totally fine. So your numbers on Instagram/Twitter/Facebook/Whatever kindaaaaa don’t matter? Ever hear that saying that goes something like “Its better to have a few real friends than a thousand fake ones.” I think that’s kinda true when it comes to having a “following”. The people who follow when you don’t look that cool and you don’t have many followers, those are the sort of people who will support you because they love your work. Those are some badass fans. Those are the fans that will tell other people about your work. Those are the good ones. I love those ones.

Summer of 2016 I was inspired by Frannerd to start making YouTube videos again (I had made them in the past) and that connected me with a whole new audience. I’m slowly gaining a following there as well, but honestly has it brought in a ton of new sales? Not really. Doesn’t seem that way. But I’m meeting more people and spreading the word about my artwork.

So what has worked for me? – Facebook (friends, family, people who know you) – Instagram (visual based platform, good for artwork to be seen quickly) – Twitch (very supportive community, lots of amazing people) – Twitter (I think it goes hand in hand with my Twitch community) – YouTube (getting my name out there) – Etsy SEO (Etsy keywords help get my listings found, trial and error)

ALSO! SUPPORT OTHER ARTISTS. Artists help other artists. Don’t be a greedy butthole. If you can’t support financially, support them in other ways. If you like an artist, let them know, connect with them. Help them if they need help. Be a good friend. This road isn’t an easy one, you’re going to need help at some point or another. Don’t just pop in when you need something. Devote time into giving back to the art community. Don’t force it, just be interested in other things besides yourself and your art business. Stay inspired.

I have a ton of room to grow, guys. Just doing my best. I’m not an expert. Take everything I say with a grain of salt. I just like to be open with you all and tell you what has and hasn’t worked for me. I hope this clears up some of your questions.

If you’d like to share, what has worked for you with advertising your shop? Thanks for reading!

K.R.

Shop Instagram YouTube Twitter Twitch Channel

How I gained my “following” Hey all! I wanted to make a quick blog post about a question I receive A LOT.

#cal state fullerton animation #csuf PMC #digital art #gaining etsy following #gaining following art #Illustrator #increasing etsy sales art #pen and ink illustration #Pen and Ink Illustrator #pencil mileage club #twitch creative art

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faunafocus · 6 years

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Stay Cool

Mr. GoldFish

Siamese

Forest Guardian

Peeking Through the Leaves

Favorite Animal All cats, big and small.

Constantly on the move, young Dorelys Smits, also known as Adoris, finds herself going through Flemish, Belgium, the Netherlands, and all about the European continent. Multi-faceted, Dorelys considers herself a graphic, brand, and user-interface designer; web designer; illustrator; and photographer. Born in Brussels, the capital of Belgium, known as the melting pot of Europe, Dorelys currently resides in Dilsen, Belgium. As a self-taught, front-end web-developer, Dorelys enjoys working in multiple creative fields including illustration, drawing, digital art, design, web development, and even photography.

Dorelys has been creating ever since she was able to hold a pencil. Starting with creative squiggles and later developing into drawings of equines, her childhood obsession, Dorelys would draw continuously. “It had to be on paper; on walls was not permitted, bummer,” she jokes. “I literally drew for days without taking a break and now to think of it, I’ve never stopped drawing since.” After having her creative talents recognized, Dorelys was enrolled on scholarship in an academic creative study that ultimately influenced her to pursue an artistic course in her secondary education. “Thanks to the many drawings I made, I developed a great interest and passion in the world of arts.”

Upon graduating in 2012, Dorelys had experienced knowledge in branding, graphic design, and illustration work and began working as a freelancer. Taking commissions from copious companies, she found herself busy with various artistic projects creating websites, corporate identities, logos, and posters for events. Always yearning to discover more, however, Dorelys learned to successfully program in HTML and CSS and enrolled in a web-development class in 2016 to further her experimentation with web design and coding. “This class showed me all aspects of web-developing and was a real eye-opener to what could be done with websites,” she remembers. Now, Dorelys works in front-end development while furthering her career in digital arts. “My interest heavily shifted towards making illustrations and planning about making my own children’s book in the future,” she reflects.

Dorelys has found many successes in her current career. In 2015, she was the user interface and game designer for the mobile game, “One Way Up,” a game that featured a toony balloon avoiding the obstacles within a city. Dorelys created the fun, colorful game assets while designing a clean and functional interface, all within a charming, primary-colored aesthetic. Later, in 2017, Dorelys developed a UI design for the desktop application, “FTS Tracker,” an entertainment-based library application made for “movie freaks”. Dorelys was tasked with creating an easy-to-use and simple user interface. Most recently, Dorelys developed a new desktop application, “On Track,” a school synchronization tool. Designed for students, On Track kept school files updated and sent notifications to keep users organized. As the UI, graphic, and web designer, Dorelys created a user-friendly and modern interface, all with simplicity in mind. “Sleek, simple, and elegant designs are always of paramount importance to me,” she declares. Dorelys has also utilized her drawing skills, recently, and created illustrations for a children’s book titled, “The Good Witch.”

One Way Up

On Track

When illustrating, Dorelys works both traditionally and digitally and utilizes several different media. “I do not really have a favorite medium or techniques,” she explains. “I try to specialize a little bit in everything, exploring all sort of mediums and materials/techniques.” When working digitally, she favors Photoshop, Illustrator, and InDesign from the Adobe Creative Cloud Suite. Traditionally, Dorelys paints with watercolors and sketches with pencils and inks. Her works tend to radiate with vibrant colors within a stylized, simplistic style. “I tend to make my illustrations in a cartoonish or tattoo style but I always like to experiment with other styles when I feel like it,” she states.

In order to create her illustrations, Dorelys spends as much time as possible studying her subject matters, usually sketching and drawing cartoons and animals. Wildlife has always played a part in her life, beginning with her love of horses as a child and fostering as a general appreciation for nature. “When I was young, I used to watch National Geographic or other animal documentaries on television,” she recollects. Amazed by the curious lives animals lead, Dorelys enjoyed learning more about where animals lived and how they behaved. Fueled with inspiration, these glimpses of nature would lead to more sketching and drawing. “That ultimately really boosted my creativity,” she realizes. “Still, to this day, I love to watch or listen to animal documentaries when I feel uninspired or have a lack of focus on a project.”

Nature also influences another of Dorelys’ passions, photography. She enjoys venturing outdoors to take photographs with her Nikon D5500, usually focusing on macro shots that highlight the beauty of the Earth. Her portfolio is unified with soft, pastel colors and shallow depths of field. Backgrounds blur out of focus allowing the foreground to remain the sole focus of the photograph. Dorelys captures all of nature’s essence within her photographs, from animals and insects to trees and flowers.

Keep Smiling

Boat on the Waters 2

Springbees

Dorelys has been an active member of FaunaFocus since its launch in May 2017. Participating in several Free-For-All competitions, Adoris often shares her colorful digital work with the rest of the FaunaFocus community. In September 2017, she joined the group and offered her creative and streaming abilities to partake in the FaunaFocus Charity Host Train. This 24-hour event hosted 11 different artists and broadcasters in order to raise funds for the World Wildlife Fund’s endeavor to help the endangered tiger species by doubling the diminishing population by the year 2020. During this event, Dorelys illustrated a tiger portrait with complimentary shades of blues and oranges and filled with life with various leaves scattered within the background. At the end of 2017, Doreyls participated in the Holiday Art Trade and submitted a vibrant crystal owl, also depicted in hues of blue and orange.

Dorelys Smits

Owl

Overall, Dorelys lives to create. With such a diverse range of creative talents, she allows herself to find the perfect medium or technique to express herself. “The most favorite thing about my line of work is creating whatever I want, being myself, and time to relax!” she exclaims. “Every time when I make a new artwork or creation, it becomes my favorite until I make the next one.”

When offering advice for those looking to pursue their own creative endeavors, Dorelys is optimistic. “Always follow your dreams, even when people say that you’re not good enough.” She encourages anyone interested in a job in the creative field to join an artist community and connect with other artists. Ask for constructive criticism and learn from the advice of others. Don’t compare yourself to others, though, as that will impede your personal growth. Use your own progress as inspiration to fuel improvement. Together, we can help each other along this artistic journey.

Featured Artist: Dorelys Smits (Adoris) Favorite Animal All cats, big and small. Constantly on the move, young Dorelys Smits, also known as Adoris, finds herself going through Flemish, Belgium, the Netherlands, and all about the European continent.

#Art #Artist #Design

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