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sirenjose · 3 months

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Thoughts on Season 30 Essence 3

The Prologue begins by saying to the audience “Once upon a time … Where did this happen? Outside, or within?” and later on “Where is the stage: outside or within?”. Sangria’s description “The distorted opening hints at the truth—Is this a magnificent stage or an icy cage?” In the original opera, the setting was essentially within Bluebeard’s soul, or “within”. Here, Sangria is implying that “cage” is the correct answer, as we see from the state of the previous leading actresses Judith finds. Sangria’s role seems to represent the original opera’s prologue, as well as the darkness at the start and end of the opera, especially as she is the one we see at the end of the trailer closing the door Bluebeard is in after the actresses escape.

Judith’s description includes “A heroic musketeer was never needed in her script”. This is a reference to the original Bluebeard fairy tale.

In the original, Bluebeard’s newest wife originally repelled by his beard but decides to marry due to his wealth) curiosity leads her to opening the 1 door she was told not to, where she finds the dead bodies of Bluebeard’s previous wives. She’s unable to hide this fact as the key she used was now stained with blood she was unable to clean off, and when Bluebeard finds out, he promises to kill her, but she manages to delay it temporarily. She uses this time to tell her sister (the main character was the younger of the 2) and ask her to look out for their brothers and signal them for help. Before the girl can be killed, her brothers, described as “musketeers” in some versions, arrive and kill Bluebeard, saving her.

Unlike in the original tale, in canon, Perfumer aka Chloe killed her sister, and so she wouldn’t have anyone to come to her aid. More ironic is how her sister, the real Vera, actually had been trying to help Chloe, but Chloe thought she was being betrayed. Chloe pretends to be “Vera” from then on, but later does realize her tragic error, though it’s too late by then. Her life is much better than it was before, and despite her guilt, she is also unwilling to give up being “Vera”. Vera wants to escape her guilt (rather than atone) by making herself forget. As we see in her 1st letter, she is trying to prove that she can be fine on her own, similar to how Judith in this essence states she has no need for anyone to rescue her.

With Duke Bluebeard, it mentions building “thicker walls”. In the opera, Judith is essentially the one breaking down his walls, as the story does take place “within” his soul.

(Murro even mentions only having 1 toy and walls in his 1st deduction.)

Up until at least door 5, Bluebeard is actually encouraging Judith to open the doors. And up until door 5, more and more light enters the castle, as the initial reason Judith says she wants to open the doors is because the castle is dark and she wants to let in some light. Upon opening door 5, that is when the most light appears, with it being almost blinding in intensity. But for door 6 and door 7, Bluebeard tells her not to open it, and when opening door 6, only darkness pours out, though door 7 isn’t as dark, as “pale moonlight” streams out. The contents of doors 1-5 are covered in blood, while the 6th contains a lake of tears and 7 contains Bluebeard’s previous wives.

Bluebeard in the original story killed his previous wives, and in the opera they were a memory/mental image he kept of them, like a trophy, as they still left an influence on him and thus a mark was left in his mind.

This seems to be an accurate interpretation considering in the Season 30 Essence 3 trailer, Bluebeard tells Judith to “become an eternal treasure of mine”.

Speaking of the trailer, this essence seems to be a combination of both the original Bluebeard story and the opera. At the start Bluebeard seems to be about to leave Judith and he tells her specifically not to open the 7th door, which lines up with the original Bluebeard story, as does all the riches and wealth she finds behind doors 1-6 with what we see Judith finding in the trailer. The introduction for the play given by Sangria, as well as the Murro ending in alone in the darkness, the use of the name “Judith”, and in a way the fact she finds the previous leading actresses “alive” lines up with the opera’s story.

Unlike Bluebeard, Murro has done nothing similarly evil, so it is more likely the memories behind each door and the mental image of the previous wives are more of the pain in his past as well as the loss of everyone after the tragedy and after game 8.

At door 5, Bluebeard proudly presents his country, though Judith notices blood colored clouds passing over it. Considering Murro’s backstory, this may parallel Hullabaloo circus itself before the tragedy, with doors 1-4 (which contained a torture chamber, armory, treasury, and a garden) potentially relating to the pain Murro suffered under Bernard.

Hullabaloo on the outside seemed like a great place, just like Bluebeard’s lands, but also just like the blood red clouds Judith sees, Hullabaloo held a darkness not everyone noticed until too late. Even Mike in his 4th letter states “It took that incident to make me realize that this so-called family of ours is no better than a stinking sewer. Only after tearing apart the veil on it was I able to realize that it was infested with mediocrity, jealousy, and blood”.

That could also be a good connection to the “lake of tears” behind door 6.

Finally with door 7, this could in part tie into Murro’s “loneliness”, which he references in his 4th letter: “Everyone is gone. If I too die here, please bury me with my friends. At least I won't be too lonely then”. Even with how he refers to the 2 previous actresses as “treasures” could reference how even Murro still somewhat cared for his memories with Mike and Joker, as he says in his 4th letter (after game 8 has finished): “Yes, if only it was a nightmare. I would rather be jolted awake by Bernard's whistle while he gazes at me with a boar on a leash, and Mike is busy bickering with Joker while practicing juggling”. But just like Bluebeard being left alone in the darkness when everyone escapes, Murro is left all alone, after both the tragedy and especially after game 8 when everyone dies, to the point Murro begs for death because “everyone is gone”. He just asks that he be “[buried] with my friends”.

I also find it ironic that Murro is the 1 trapped at Hullabaloo by Bernard and the 1 who wanted to escape from the circus and suffered under Bernard yet he is playing the role of Bluebeard, while Perfumer aka Chloe who killed her own sister aka Vera after she suspects Vera betrayed her is playing Judith (similar to Bluebeard in the original story killing the wives when he learns of their essential “betrayal” when they open the door he tells them not to).

Regarding Demi and Fiona as the previous actresses paralleling Bluebeard's previous wives, their descriptions mentioning being in this land "forever" relates to how in the opera Bluebeard says that dawn, night, etc.. are their's forever (he found 1 at daybreak, 1 at noon, 1 at evening, and Judith at night, and each essentially represents those, though in the essence there's only 2 rather than 3 previous women).

Forever is a reference to them being mere memories, as no one can actually live forever, which is another reference to the opera taking place "within" aka the soul, though in the essence they "slumber" eternally.

And just like the descriptions, in the opera Bluebeard describes his previous wives as overwhelmingly beautiful, which again goes back to the idea that he's kept an ideal mental image of each of them at their peak.

As for the others, Servais is a detective brought here by a "ticket" holding "clues", a ticket that likely came from Bonbon considering its description mentions sometimes "secrets slip out". Servais seeking the "truth" reminds me of Judith in the original opera opening all the doors due to her curiosity and the same desire to "inch closer to the truth". Of course, Servais here parallels how he came to the manor after Murro's disappearance, as him being tasked to find Murro is just like his role as detective, except in this essence he is likely here due to the disappearances of the previous actresses (compared to him arriving due to Murro’s disappearance).

Philip as a "Harsh Critic" implies unlike others he is less enthused about the play. His opinion about "beauty" is likely a reference to his belief in physiognomy (he may see them captured women, with how they're described as that beautiful, as being innocent like his sister?)

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cccotard · 3 months

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becoming a lady

#get it #bc shes getting ready #not necessarily as herself but as vera #the lady being vera not her #ok #anyways #idv #identity v #vera idv fanart #idv fanart #identity v fanart #vera nair #chloe nair #perfumer idv

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skvet17 · 10 months

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🦋𝔸𝕣𝕖 𝕪𝕠𝕦 𝕝𝕖𝕒𝕧𝕚𝕟𝕘 𝕞𝕖 𝕒𝕘𝕒𝕚𝕟?🦋

#identity v #idv #idv perfumer #vera nair #chloe nair #idv geisha #idv michiko #fatal frame #project zero #mio amakura #sae kurosawa

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wake-up-and-face-the-sun · 1 year

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The reflection in the mirror mocks you.

#oh no I’m touching idv again #only realizing now that I forgot to put my watermark #anyway #identity v #perfumer #Vera Nair #Chloe Nair #idv #identity 5 #the first time I rendered something in ages #maybe I should make a multifandom art blog

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amerudess · 6 days

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#identity v #idv #idv fanart #identity v fanart #art #identity v art #artwork #my art #my artwork #idv naib #identity v naib #naib subedar #vera nair #chloe nair #idv perfumer #idv vera

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psychopompoi · 1 month

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Odors have a power of persuasion stronger than that of words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it.

#identity v #idv #vera nair #chloe nair #my art #artists on tumblr #illustration #fanart #rare fanart from me... of a fem woman too!!!#i like her theres something wrong with her #the quote is from patrick süskinds the perfume: story of a murderer #i personally believe she might be inspired by that book....

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foxieskull · 1 year

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in my defense, i love women

#identity v #idv #identity v perfumer #idv perfumer #vera nair #chloe nair #identity v fanart #idv fanart #my art #i’m such a lesbian #art #artists on tumblr

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naiadere · 1 year

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euphoria

yandere! mnemosyne’s dream perfumer headcanons

content warnings: follows perfumer wearing the ss skin, not mnemosyne's dream perf; implied forced relationship, implied past non-con touching

perfumer has me giggling and kicking my feet in the air ngl 😭😭 next post will be about miss keigan <3

— yan! mnemosyne’s dream perfumer who gets all dressed up in her most lavish and luxurious skin. sitting at her grand vanity with one of her legs crossed over the other, staring into the mirror as she fixes her makeup. she expects that you're already sitting besides her, on the rectangular cushion-seat, and when she sees you're not, she waves you over and pats the empty space to her right. if you were anyone else, she'd snap her fingers and not even spare you a glance as she curls her lashes, but you're her darling -dove and although her face reads faux annoyance, simply looking at you does wonders in lifting her mood (and fastening her heartbeat).

— yan! mnemosyne’s dream perfumer who continues to stare into the reflective glass, lips curling into a smug smile when she hears you approach, feels your presence so very close to her, knowing that you've returned right back to her-- exactly how it should be. you may be under the impression that she's paying you no mind whatsoever, that her attention is focused on beautifying her already lovely face. but if you continue to look at the mirror that stands before the two of you, you'll see her eyes trail over your figure through the corner of her thickly-lashed eyes.

— yan! mnemosyne’s dream perfumer who lets out an long, exasperated sigh. setting down the makeup utensils and extending her arm around your shoulder. she's meticulous with her hand placements, her arm once resting on your shoulder now sliding dangerously close to the side of your neck as she reels her forearm in, locking the open space right in front of your neck and pressing into your throat. her left arm finds its way to your torso, slowly working its way up to your chest, and she's finally satisfied when the palm of her hand is placed flat over your heart. your breath hitches, feeling the constriction in her movements, and she's pleased to know your heart is beating just as fast as hers is.

— yan! mnemosyne’s dream perfumer who leans her head onto your shoulder, the rest of her body subconsciously doing the same. your eyes are trained to the mirror, and although this is most certainly not the first time you've found yourself on the receiving end of her suffocating affections, the intimate and fleeting touches still make you nervous. she purses her lips, and the hand once placed over your chest finds it's way to your chin, cupping the sides of your face, "perhaps you want some attention as well, hm?"

— yan! mnemosyne’s dream perfumer who planned on dolling you up regardless of if you stubbornly protested or willingly submitted. what kind of lover would she be if she didn't dress you up to show you off? she's gentle when applying any cosmetics on you, which contrast her often bitter and harsh words that she hides her warmer feelings behind. she knows what products are compatible with your skin type, and what styles compliment your features, she knows which designer clothes fit just right against your body, and what matching jewelry is flashy enough to let everyone else know that you're hers. but of course, nothing wards off unwanted pursuers like her signature perfume that she practically douses you in.

you don't often find yourself partaking in any of the violent struggle games, even less-so nowadays with the perfumer insisting you stay away from any of those barbaric matches. she'd scoff, telling you it was child's play, and rather unnecessary. why play in a game with all those other survivors and two hunters when you could sit pretty in her care? but perhaps she was feeling nice, or your continuous obedience has finally satiated her raging nerves, because she allows you to play in a duo hunter's match, with her of course.

the lakeside village doesn't have the most romantic scenery, of the few maps available for the violent struggle game-mode, it'd likely be considered the least romantic of the three. but the perfumer is nothing if not improvisational, leading you by hand to the far side of the lakeside village, to the shore that overlooked the gloomy ocean besides the old wooden boat. she lightly brings your hand to her lips, kissing it gently before spinning her heel, and you watch as an opulent chair manifests behind her.

she lightly pinches the sides of her dress by her hips, gathering her dress as she takes a seat. her hands brush over thighs, dusting off the non-existent grime, and she looks up at you with expectant eyes and a knowing grin. your frown doesn't deter her, and she innocently tilts her head, patting her lap as you continue to stand still. you can't help your eyes that instinctively the area — as if your companionship with the perfumer was exactly secret anyway — and you hang your head shamefully, as you walk towards her.

just as you're barely within her arms reach, she stretches a hand out, arm snaking around your waist as she guides your leg to rest against her sides. you're hesitant to fully sit down, but she's persistent, and your body is putty in her hands as she simply does the rest for you, only stopping until you're comfortably straddling her lap. she has a cheeky expression on her face, sighing sweetly as her arms find their way around your waist once more. the perfumer pulls you closer, her hands now intertwined on either side of your caged body, and although you express your concerns for your teammates that have been shouting for help (now dwindling in numbers), she simply brings her index finger to her lips with a careless smile.

#idv x reader #identity v x reader #yandere identity v #yandere idv #idv perfumer x reader #perfumer x reader #vera nair x reader #chloe nair x reader #lord the things this woman does to me

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janitorbot · 2 years

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Pop quiz.

#idv #identity v #identityv #idv perfumer #idv entomologist #melly plinius #vera nair #chloe nair #fancomic

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deadhearts02 · 1 year

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based on true events. dramatized slightly

#idv #identity v #game 5 #edgar valden #vera nair #kevin ayuso #kevin alonso #chloe nair #painter #perfumer #cowboy #idk if perf should be tagged as vera or chloe tbh #my art

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kekeiraa · 3 months

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group 5 ships

live laugh love group 5

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sirenjose · 6 months

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Vera Analysis

Vera was born in Grasse, France. This was a town where originally tanning flourished in the 16th century, but it dies out eventually. This was in part due to competition with Nice, France, but also because they switched to focusing on perfume later.

Perfume or “perfumus” in Latin means “through smoke”.

Tanning left a strong stench, and due to complaints, it became fashionable to have scented gloves. Grasse produced the aroma oils that were put into the leather gloves, and slowly their reputation as a perfume hub increased.

Eventually there was a surge in demand for high quality fragrances, leading to perfume workshops being built and artisans known as “noses” or perfumers being employed who could blend and refine scents. These were people with a natural aptitude for scent, highly trained, finely tuned olfactory abilities as well knowledge of fragrance materials.

It took time for the perfume industry to rebound after the French Reign of Terror, which an emphasis on personal cleanliness around that time helped with. Napolean himself actually encouraged the cultivation of flowers for fragrances, leading to creation of flower fields around Grasse. Flowers sent to Paris were used to create luxury perfumes for the French elite.

The 1st of 3 large perfumeries in Grasse was Galimard in 1747, with Molinard, the 2nd, founded in 1849 (the 3rd was Fragonard, built in 1926). More factories appeared with time, especially with new processes found to absorb scent molecules. In 1850, there were about 45, but by 1875 there were 65. There were also 3 types of factories: plant growers, flower brokers, and manufacturers.

Victorian ladies weren’t known for wearing excessive fragrances. At least initially, the belief was that perfumes should be so “delicate” and so “lingeringly fragrant” that no one could define it as more than the “ghost of a sweet scent”. Anything too strong or overly-lavish was associated with people like prostitutes. Back then, perfumes were generally simpler, consisting mostly of florals and botanicals. They also didn’t apply perfume to the skin, instead using it on gloves, handkerchiefs, clothing, and cosmetics. A predominant scent back then was Eau de Cologne, which was a sharp clean scent that cut through other smells, though it was later surpassed by Bergamont and lemon oil.

Queen Victoria’s scent was the orange blossom. She also loved violets, which were popular in Victorian toiletries.

The focus on singular scent fragrances (smell of a single flower) changed by the end of the 19th century. There were several reasons for this. Raw materials started to be imported from abroad, helping reduce prices, as well as caused Grasse to focus on perfume production rather than flower fields and growing. Another reason was the improvement to the techniques they used. The discovery of solvent extraction techniques allowed for the extraction of fragrant oils without damaging the essence of delicate flowers and enabled the creation of more intricate and nuanced fragrances. The 19th century was when synthetics were 1st made and used. Houbigant and Guerlain were the first to use synthetic products: Fougère royale in 1884, Jicky in 1889, which are considered the 1st modern perfume. Finally, due to synthetic perfumes becoming cheaper to make, wealthy ladies wanted more complex, unique, and as yet unsynthesized perfumes to distance themselves from the lower class.

Going back to Vera, the “Vera” we know in game, the perfumer, is actually Chloe Nair. The real Vera Nair was Chloe’s twin sister.

Chloe herself was initially a timid girl, the type who was easily frightened and lacking in self-confidence, but the 1 person she felt happy with was her twin, Vera, the only person who truly understood Chloe. Unlike Chloe, Vera was cheerful and confident. Despite their differences, they were extremely close and did almost everything together.

But she was the only one.

Adults in their hometown of Grasse, France unfortunately often compared the 2, in a judgmental, self-righteous way. So, it was no surprised they essentially labeled Chloe, who started working and experimenting with perfumes from a young age, as the negative, weird one who “only seemed to know fragrance” and how to make perfumes, while Vera was the “elegant and flattering beauty” popular with the townspeople. As a result of Chloe’s nervous and unlikeable character, they alienated the more fragile of the 2 sisters, which led Chloe to becoming increasingly negative, sensitive, and suspicious. Seeing just how popular her twin was in comparison probably reduced her own self-confidence further.

Despite how much this hurt Chloe and worsened the outlook she had on herself and others, and despite how much the residents loved Vera, Vera’s opinion of Chloe differed from everyone else. She knew the truth of just how skilled Chloe was with perfumes, and just how deep her knowledge was of them. Chloe’s skills were supported by her superior sense of smell and sensitivity to scents, which she saw as each “[telling] a story of nature”.

Not even the rest of Chloe’s family supported her though, as Craig Nair, the “Family Store Manager” (potentially her father, but we can’t be completely sure) told her “If you want your work to have a chance to appear in front of others, you need to cease your weird and comical endeavors”.

The title of this deduction is “Attempt”, followed by the line “Creativity is never liked before it has been proven successful”. This is a bit confusing as Grasse then was still a perfumery hub back then, so Vera being involved with perfumes at all shouldn’t be a problem.

Based on what we’ve heard about Grasse’s history and the development of perfumery, my best guess to explain Craig’s words is this was when simple scents, for that emphasis on personal cleanliness, were still the most popular, before the desire for more complex fragrances. As I said, there were negative connotations of any scent that was considered too lavish. If Vera was one of those beginning to experiment with something besides single scent fragrances, that could explain why he’d talk about her weird “endeavors”, as well as explain the title being “attempt” and the line about “creativity”.

Complex fragrances, like the deduction say, weren’t “liked” before they were “proven successful”. Craig doesn’t seem the type to want to take risks. He wants to stick with what has always worked. The townspeople are similar, though they also don’t understand how interested Vera is in perfume, or the “stories” tell from each scent. But it’s also possible Vera, least to the townspeople “only seems to know fragrance”, aka she pretty much focused all her time on perfumes, could’ve been more than just because she was interested in it. It’s also possible she leaned into it because it was the 1 thing she was good at, while everyone (likely including Craig) saw her sister as the better one. That or because everyone, especially Craig, never saw her as good enough, so she tried to stand out in the 1 way she knew how.

I think the idea Vera was experimenting with complex fragrances while most others, like Craig, were still focused on single scents could be backed up by deduction 5, which includes the line “Two roses, five parts sandalwood, one part geranium, one part rosewood”. Similarly, Vera had another quote in 2018 that involved multiple ingredients: “The secret formula of love: three sprigs of tuberose, one sprig of jasmine, one sprig of clove, half a sprig of chrysanthemum and hyacinth”.

Going back to deduction 5, we see that the fragrance she was developing there was for her sister. This helps show how close the 2 were, as well as likely how grateful Chloe was for Vera’s support. Vera was Chloe’s lifeline. The 1 person who was “willing to listen, take her seriously, and support her in endeavors that seem strange to others”. Vera was Chloe’s outlet, a way to help keep her sane despite how bad everything else around her was.

Unfortunately, this didn’t last. When Chloe sees the news about Vera opening a new perfume shop, and the admiration and fame she gets from it, Chloe feels betrayed. We can see her anger and her losing control of her emotions by the way the newspaper is described to have been “shredded and pasted together”, as well as how deduction 6 includes the line “Incredible: These should have belonged to me!”.

Then there’s deduction 7, titled “vengeance”, which also includes the word “resentful”.

In this same deduction, as well as the next, we essentially learn that Chloe killed her sister (with a dagger) then took her identity. By becoming “Vera”, and taking ownership of the perfume shop the real Vera started, Chloe finally gets the attention and admiration she’s wanted for so long, as we see from deduction 8’s line “So that is what it is like to become the focus of the masses”. Her life now feels like it is finally “on track”.

To everyone else, Chloe seems to have just “disappeared”, though Chloe doesn’t think anyone cares. It doesn’t matter. “Vera” is enjoying the fame and status brought by stealing her sister’s identity, as we see from the line “there seems to be a disparaging look in her eyes and she is enjoying it”. Chloe is now “Vera”, and her personality changes to fit her new identity, as well as a result of the reputation and admiration she is now getting, as she is now described in the early version of the artbook as “arrogant, hypercritical, and graceful”.

We don’t see any immediate thoughts or feelings from “Vera” regarding her killing her sister, but we do see her guilt and regret when she learns the truth upon reading the real Vera’s diary. How Vera had started the perfume shop and everything that went along with it to ensure Chloe’s talents wouldn’t be “buried” to “prove to those biased people”. We also learn as part of this diary entry that the reason Vera didn’t tell Chloe in advance or why she was doing this because Chloe was “proud” and “wouldn’t want me helping her this way”.

Which implies, if not for Chloe’s pride, Vera may have warned Chloe in advance. Or she could’ve just out right asked Chloe more directly if she (Vera) could help.

I at least partially think Chloe’s pride developed similarly to Edgar’s about painting, which was a combination of self-confidence in their skills as well as I think a semi defensive mechanism to help deal with the unhappiness around them (for Chloe this being the way she was looked down on by everyone in town and by her own family besides Vera) as well as try to prevent themselves from being hurt. Unfortunately, by closing yourself off, it also means distancing yourself from those who genuinely care about you, and for Chloe that was Vera. Maybe Chloe and Vera were a bit more distant when they’d grown up, compared to when they were younger. This potentially could’ve contributed to the build up of emotions in Chloe, with the day she made the assumption that her own sister, her last lifeline, had betrayed her, being the metaphorical straw that broke the camels back.

But as deduction 9 says “Not all mistakes can be corrected”. Chloe had made her “choice” by killing “the only person in the world who truly loved her”. Even worse for Chloe is the fact she had gotten used to living as “Vera”, which had given her the chance to finally achieve her desires and receive the compliments and praise from others she had felt she deserved for so long.

As we see in her 3rd letter, she is described as trying to “escape reality”. This same letter seems to confirm what was likely parts of Chloe’s real personality, as it describes her as “alert and oversensitive” and “mentally fragile”, with the 3rd note, being she “has a conscience” fitting with Chloe’s feelings over killing her sister after she learned the truth. The manor owner states Chloe suffers “something close to a mental breakdown”, which is likely why she wants to forget, but also I think is a term that would fit with how I think Chloe was before. I think Chloe was already close to snapping before she saw her sister start the new perfumery, while her sister’s actions were just the thing to tip her over the edge.

Vera knows she can’t bring her sister back to life, but she also is unable to deal with the complicated tangle of feelings she now has, which are a mixture of sheer guilt, pain, regret, sadness, and devastation. This all combined with Vera’s happiness at living as “Vera” complicating this mess further. As a result, she seeks to forget what happened. Specifically, she wants to forget that she killed her twin, the real Vera. She gets her chance when she receives a “mysterious perfume recipe from an eccentric black marketer”. Using this recipe, she is able to create “Euphoria”, which is described as “anyone who smells this kind of fragrance will be immersed in it and forget everything. But the second note of the perfume is so short-lived that no matter how much she improves it, it cannot be retained”. So, in her desire to perfect the recipe and make it longer lasting, she heads to the manor, which was wear the recipe had come from.

#idv #identity v #vera nair #chloe nair #perfumer #idv vera #identity v vera #idv perfumer #identity v perfumer #sirenjose analyses and theories

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