Omori was created for the sole purpose of protecting the dreamer, Sunny. Keep him from anything harmful, keep him from discovering the Truth, anything that can possibly hurt him. And Omori resolved to do so from start to finish, a mechanical clockwork of duty he had been enacting for 4 years. It’s so simple, and oh so easy for him.
Except, it wasn’t.
Not when he started gaining his own sentience, not when he started thinking for himself. Not when everything started to fall apart as he recalled all the past resets.
Arriving in Blackspace always mean one thing. The dreamer is close to discovering the Truth again. An area that is ever changing and never constant, with pitch black doors leading to cursed sights that Sunny buries deep in his mind, it’s something that Omori had gotten used to.
“Omori... You came back for me!”
It seems he had chosen a door leading to Basil’s one of many deaths. He’s used to it.
“Watermelons sure are delicious!“
He’s used to it.
“Summer vacation with friends was the best, wasn’t it?“
He’s used to it.
Walking to the far right, finding themselves in a room full of watermelons scattered about with Basil closely following behind in silence. He’d cut open every watermelon he sees for the key, the way out of the place. Until his cut was directed to Basil instead, turning it bits and pieces of a bloody watermelon staining the floor behind him. He didn’t look, and instead continued to cut the one in front of him, grabbing the key to hurriedly leave the place with pursed lips. Unbeknownst to him that he subconsciously bit his inner cheek, not too much so as to draw blood, but it is an action foreign to a boy with neither a will and emotion of his own. Supposedly.
Omori continued opening the other doors.
. . .
“Oh, thank goodness you’re here, Omori. I thought I was gonna be stuck here forever.“
Another impending death. Omori stared at Basil for a moment, trapped within a large cobweb. He easily gets him free with one slash.
“Phew... That feels so much better.“
He led the way just the same as he once did with the other one.
“You know... I think spiders are really misunderstood...” Basil started to talk again.
Omori merely listened in silence.
“There’s so many spiders here all of a sudden...“
They continued to walk again. Omori tightly clutched his knife. He’s feeling a certain emotion he has yet felt at all, he doesn’t know what to describe it as.
“Ack! They’re biting me!”
The feeling grew. What is it, what would the others describe it as. Omori glanced at Basil. There were too many spiders on him, it made Omori feel uneasy. Was it uneasiness? No, it couldn’t be. Basil was comforting the spiders, awaiting Omori to move again.
They’ll hurt him. They’ll kill him.
Another impending death...
Could I... prevent that?
Omori took a deep breath as he turned around.
“Wh-what is it, Omori? Why are you holding your knife like that?“
“Stay still...“
Omori carefully swatted the spiders away with the blunt side of the knife before slashing them with its blade.
“Oh! Th-thanks! But.. ack!“
He kept at it. Yet no matter how much he swat away and kill, more emerges from seemingly nowhere. And soon, there was far too many of them.
“There’s so many of them... I can’t get them off!“
Omori can only watch in horror as Basil was engulfed by them.
I couldn’t prevent it...
Perhaps, he never could. Omori continued on to find the key and open another door.
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hello please do you have any footage of David Tennant’s Romeo And Juliet RSC 2000 Production
Hello, kind Anon!
I’m afraid I don’t. There’s a super-short clip here with no sound/replaced sound - I believe it was used on a couple of news programs as DT was being discussed:
https://www.youtube.com/watch?v=MW4Q565O8gY
...and apparently I gif’ed it in the past:
I was lucky enough to see the archive recording of the play at Shakespeare Birthplace Trust in Stratford-Upon-Avon many years ago. The recording isn’t the best - the entire play was filmed from a stationary camera positioned quite high above the stage. There are no close ups or shots from different angles (it's essentially like sitting in the balcony). Still, I’m glad I got to see it, because DT was wonderful as usual.
Here’s an example screen grab from the RSC recording (not my grab or recording), to give you an idea of the single camera view that the whole play was filmed in:
I’m sorry I don’t have better news about available footage. I doubt the RSC would release it commercially, since the archive footage wasn’t recorded in a way we normally associate with commercial quality, but I can keep hoping/dreaming.
Here are a few more photos from the play to help make it up to you though
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