Listening to "Bedtime" from the Little Mermaid soundtrack and just,,,, thinking about how Taliesin said Molly was based on mermaids and not having a soul but Ariel gets her happy ending in the disney version and Kingsley gets a happy ending with the Nein and just,,,,
Taliesin Jaffe how dare you do this to me on this, our pride month
AH yes I love that Mollymauk is Taliesin's interpretation of a mermaid so much, it's so fascinating and tragic and bittersweet. Also, I just listened to the song and it's lovely. Makes me very nostalgic.
But yeah, that clip of Taliesin explaining his initial pitch for Molly still just breaks my heart. His acknowledgement that, "Mermaids are fucked," because they supposedly exist without a soul, "Empty" and eternally doomed from the start...it's just so tragic. "I want a body where the soul left, and the body just kept moving. Whatever was in there got pulled out, and went to the Raven Queen. And they just kept walking, like a mermaid--no soul....just someone who was a total blank slate."
And while he does get the fairytale happy end and get to live on with his loved ones, I think Tealeaf's narrative very closely mirrors the darker aspects of Hans Christian Andersen's original version. Especially given the premise of a being without a soul--someone who was supposed to be forever Empty, yet still became whole--
And one of my personal favorite mermaid parallels: A deal made with a witch for an impossible dream. Offering up a vital part of yourself in exchange for a false hope that can never truly be. To me, it echoes both Lucien's own family bargaining away their child to a hag--as well as Lucien later offering himself to the Somnovem. He might not have known Azrahari always planned to keep him as one of her puppets--"My beautiful boy...I had hoped to make you mine one day. What a perfect specimen you would have made. Oh, how you would have been merry with laughter and dance..." But he always lived in fear that it was a possibility.
His parents abused both him and his siblings, were willing to offer up one of their two remaining children to a witch for some fantasy; they passively stood by while they forced Lucien to lure victims to a deadly hag as a mere child--marks who were often bandits, murderers, and monsters as surely as the witch. Abandoning Lucien to them and Azrahari both. Azrahari, who promises she can finally make Lucien happy, return him to those childhood days of song and laughter and dance, if only he would let her carve out his soul--
Again and again, Lucien is promised happiness and safety at the cost of his own freedom and autonomy. The witch can take all his pain away, he just has to surrender all his willpower to her. Exist forever as a hollowed out, Empty shell, her glassy-eyed cadaver of a doll to puppet and put on display.
And the Somovem can make all of his dreams come true, can make his fairytale Once upon a time and happily ever after a reality, he just has to submit to their thrall completely. And, like with the Little Mermaid, it will also come at the cost of unimaginable pain. A girl who can dance beautifully, but every step feels like shards of glass in her feet. The pain of her transformation never leaving her. The Somnovem promising Lucien the whole world, and when he asks what it will cost, they decree, "Pain and pain and pain. A dear price for a man, a pittance for a king, and nothing to a God, cosmically ordained."
And while the Little Mermaid longs to meet her love, she also mourns the fact that, while mermaids live far longer than humans, they have no immortal soul. No eternity or gods or heaven awaits them. They merely fade away, dissolve into seafoam and cease to be. (Just a body without a soul, an abandoned vessel. Hollow. Empty.)
I don't think it's a coincidence that's the fate that awaits all mermaids--and that when Lucien dies, his soul is scattered into dust across the Astral Sea. "It's one thing to be in a different body, it's another to have your very essence scattered. Your very immortal soul divided into pieces, like so much confetti. I believe you seemed to fall for one of those pieces that stuck behind..."
To me though, a parallel that really stands out is the narrative culminating in a decision where you have to either kill someone you love or turn that blade on yourself. Hans Christian Andersen's Little Mermaid is granted a last gift at her darkest hour--a way out where she doesn't have to fade away into nothingness. A chance to live on with her family beneath the sea--a family who loved her enough to barter with the sea witch for one last chance at her freedom. And all it will cost is a dagger through the prince's heart.
But of course she can't bear to go through with it. She tosses the witch's dagger into the sea and falls after it to her death, choosing to sacrifice herself instead of the person she loves. And Mollymauk? When faced with the reality that he could only save the Nein by tearing apart Lucien--and himself along with him--he doesn't even hesitate.
He digs his claws into his own wound and lets himself fall to pieces. He never once thinks of self preservation, tries to barter or plead or find a way to save himself at the last moment. He knows either the Nein will survive or the Nonagon will--and perhaps through him, a part of Molly, even just a piece--but he chooses a painful, agonizing death over Lucien's warped perception of godhood and eternity.
All Mollymauk has ever wanted was to live--in spite of how harsh and cruel the world always was to him. He still wanted nothing more than to walk Exandria and fill that clawing Emptiness with joy and love, have just one more day out of the grave to live and feel and be almost real. And still, he chooses to offer up himself if it means sparing everyone else. When Matt narrates Kingsley's nightmares of Cognouza, he emphasizes that to Tealeaf, "It was worth it. It was worth it." As long as it's to protect the people he loves, letting himself pay the blood price will always be worth it--
"Looking out from within your prison, pushing against your invisible bonds--when your heart found the strength, giving all that you are to help those who gave you purpose in return. It was worth it. It was worth it...The moment you gave yourself and broke your prison. The lights, so many around you free to move on. The warm catharsis of letting go..."
Like the merfolk of the original tale, when Mollymauk sacrifices himself, it's not just death that he faces. It's total oblivion. Offering up all that he is. And he does it gladly.
But when the Little Mermaid sacrifices herself, she is welcomed by warmth, and light. Given a chance to earn an immortal soul through good deeds. And by the same token, when Mollymauk tears apart both the Nonagon and himself, he falls back into the Moonweaver's welcoming embrace. Given another chance by both her and the Wildmother--divine, higher powers that looked at this supposedly "Empty" vessel and saw a warm, bleeding heart. A "forgotten fragment" that was loved so much--and loved so fiercely and selflessly in turn--they became real and whole.
“Light gathers around the body, the magic attempting to reach out into whatever space holds the souls here in the Astral Sea, as so many go scattering outward now to search for one. A fragment of one. Or is it a whole one? If souls can grow from but a piece…”
I think it's both terribly tragic and heartwarmingly bittersweet that Mollymauk's ending echoes the Little Mermaid's own--a gutting sacrifice that leads to hope and a new beginning. A second chance and a soul made whole. Being saved and held together by the very love you sacrificed yourself for. It's also suitably a very romantic end to me, which fits Tealeaf perfectly. And the fact that the character who was inspired by mermaids goes on to become a pirate king...I do wonder if Taliesin did that on purpose, because I think it's adorable--
Anyway, I love Mollymauk, and all the Little Mermaid parallels, and wish we could listen to Taliesin talk about mer inspired Molly more. Also, this bit of character building makes mer widmauk one of my favorite au's--
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