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#im watching queer movies
variousqueerthings · 1 year
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something that strikes me about joyland vs many other films centering trans women, is that biba’s story is one that interweaves with various cisgender women -- while it does have scenes showing her community, which is notably a place she is happy and safe and able to let her guard down, her actual story stands in comparison to other cis women, who likewise are comparable to each other. she’s not the “othered” woman to their “normative” woman, she’s a woman, whose perspective is relevant to a story largely about women
the part where her being transgender is important (and it is important!), is that she has taken the necessary steps in life to be freely herself, and this has come at great cost, but it’s also working. she knows the pain that comes with that and we see a lot of it in the movie itself, but she’s definitely also got the joy that comes from a certain kind of freedom (the freedom of creating a new reality after everything is gone)
so in that sense, the main contrast of her as “trans woman” to their “non-trans woman,” is that it’s given her the opportunity for joy precisely because the margins -- once everything has perceivably been lost -- is where that joy is to be created, whereas the other women whose stories we see are clinging to what scraps they have. they aren’t happy, not because they’re women, but because the little bits that they do have in the society in which they function, are things they’re too afraid to lose to stand up for what they want 
nucchi at first appears to be happy as a housewife, desperate to produce a son, but she gets stripped away, bit by bit, merely as someone who can tolerate the role she has. she studied to be an interior designer, I believe it was, and it makes perfect sense, once she shares that piece of information with mumtaz. she comes into focus -- and then she’s the one who suggests that she and mumtaz leave the house together (gasp) to go to the amusement park, for their One Good Day
and mumtaz you simply see deteriorate, until she’s on the verge of doing the one thing that might help -- running away -- and then cannot go through with it. I think at least one of the reasons is that she’s wondering if maybe she can do this after all, if maybe once she tells haider that she’s pregnant something will open up, but instead the future closes in and in and in. she doesn’t manage to grab that one sliver of freedom she had (and it would have come with so much pain), and the ending starts careening at the viewer from that point onwards
the second-to-last scene, where you see haider and mumtaz talk prior to their wedding is just... oof. ouch. mumtaz :( me, sitting in this movie screaming at the screen to just get her the damned air-conditioners she wanted, at least! one thing!
and then lastly the neighbouring woman, who at first presents herself as all about that propriety, and who you then realise is at the end of what this journey is going to be. no longer useful, only a ghost, not even allowed to leave the house, and there’s no way she’ll do anything but accept this, even as she feels, deep down, there’s some way to have joy, and she even briefly offers a small fight for it, before she accepts her fate anew
in the face of all of this, biba’s is the story with the most hope, presenting out and proud transness as a gift rather than a burden that must be borne because nothing else is possible, as it often is. biba is not in a society where she’s safe, or accepted, or respected -- hell, she’s clearly the least privileged person we follow in this film -- but she is free
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moog-enthusiast · 7 months
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not quite kissing
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cowboy-robooty · 2 months
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watched brokeback mountain yesterday.... mid as fuck. i think it wouldve played out a lot better if the main characters were yuri and jimmy from yarichin bitch club. do u see my vision?
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cowboycannibalism · 5 months
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do you think that Lawrence begged to get Adam out of the bathroom? do you think it was too late? did John consider it, letting Lawrence have Adam? Did he think it would keep the doctor from leaving the apprentices? Did Amanda ever tell Lawrence that she couldn't let him starve and suffer? That she was the last person to see Adam alive? That she saw the spark of hope flare and vanish when he realized it wasn't Larry coming for him?
do you think Adam died thinking Lawrence lied to him?
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hellishgayliath · 1 year
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How perfect timing is it for spiderverse to happen during pride
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gingerjolover · 6 months
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have i ever seen bottoms? no.
am i religiously stalking the hazel callahan x reader tag? absolutely.
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horror-aesthete · 4 months
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Suitable Flesh, 2023 , dir. Joe Lynch
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mechanicalsquid · 11 months
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just watched Nimona and can I just say it's *chef's kiss*. the clear queerness of Ballister and Ambrosious from the very beginning, no hiding it or hinting that it exists, and how they navigate their relationship throughout the course of the narrative. struggling to trust one another and questioning what they mean to each other while being pitted against each other by the system. the trans/nonbinary interpretation of Nimona (whether intentional or not) and how (like trans/nonbinary/queer people) she just wants to live her life but everyone else can only see her as a monster, society twisting and shaping history to benefit everyone else and convincing everyone that She is the one to fear. and also the way that her rage is shown! her rage and anger are real and justified, and it almost becomes a vicious cycle where people are scared of her because of her destruction, but she causes havoc because she's angry that people are afraid of her no matter how hard she tries to be good, so then she plays into that role and decides that if people view her as a monster and that's all they see her as, she might as well be the scariest monster out there and give them a reason to be scared. and breaking that cycle is sooo hard but sometimes all you need is one other person to look at you and believe that you're a good person. and the art and animation are phenomenal! so many little details, like the way her eyes catch the light and you can see fire reflected in them. the whole thing is just so good
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mbat · 8 days
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wait tell me why im only just realizing the line 'if you shoot the cannon in the city, innocent people will die' 'but so will the monster' is like transvestigating and generally when queerphobes are so paranoid theyll point fingers at nonqueer people just the same as queer people, harming everyone in the process
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rpglesbian · 8 months
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I can't believe I haven't seen a single post about the homages to But I'm a Cheerleader in Bottoms. Besides the camp, phallic imagery, and pink/blue color coding the diner Josie and Isabel meet at is literally called But I'm a Diner
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variousqueerthings · 1 year
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still thinking about great freedom (große freiheit) and its way of looking at intimacy and domesticity and violence and surveillance and voyeurism and crime and madness and masculinity and agency and freedom -- the way it does the looking itself is so !!!!! camera!!!!!!!! light and dark!!!!!!!!!!! faces!!!!!!! 
 it’s still quite rare to see a film these days that is so conscious of its references to queer cinema, rather than trying to build too much on heteronormative film-making structures, it feels like a love-letter to people who created queer films, as much as a story about queer history 
the way it defines freedom through the story and characters and through the camera -- the film-reel that was filmed by the lead that is possibly lost forever, but we see it, we know it was real, even if in the world itself it may no longer exist (or was possibly never even developed), versus the voyeuristic watching of men cottaging so they can be arrested, the way the men watch each other, versus the way guards watch them
the different ways people make choices in extremely limiting, violent places (prison, anti-queer society), never leave your apartment for fear of getting arrested, go on dates in prison by way of punishment from the guards, protect each other and end up in solitary, falsely admit to rape so that another man can be released, go back to prison to help your friend with his addiction, etc.
violence and kindness going hand in hand (punished for covering the concentration camp tattoo with “stolen” homemade tattoo gear, punished for holding a crying, grieving man, punished for protecting another gay man from violence, not being allowed to hear the goodbye letter from the man you love +  not developing the film reel of the two of you (but the film allowing us to see and hear both), allowing yourself to be judged a rapist to protect another man, committing a “crime” so that you can go back in and help your friend, etcetc)
the times the lead gets pushed into the complete silent blackness of solitary, versus his voluntarily being led into the underground cruising area beneath a gay bar and then the way he leaves that place, literally leaves “great freedom” in order to consciously get arrested again, because of the life he built and the person to whom he has responsibilities
and, yes, to be so simplistic, but “be gay do crimes,” that ending was gorgeous
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beware my wine rants
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lesbianwithchainsaws · 8 months
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Headcanoning random horror movie characters that are basically nothing characters only there to die as queer is something that can be so important actually
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walrus150915 · 8 months
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The only reason I prefer the movie just a tad over the graphic novel is bc both gay leads are Asian if I'm being honest... As an Asian mlm I'm just biased😭
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lalaloobzy · 3 months
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I will never stop being fascinated by movies and plays that came out pre- Hays code
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vanilla-voyeur · 10 months
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I'm absolutely obsessed with all the one star Nimona reviews that say it was a great movie except for one single scene that ruined it by shoving their politics down our throats
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