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badbatchposts · 22 hours
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Quiet Corners of the Galaxy, Ch. 14
Fic Teaser: While on a routine mission for Cid, the Bad Batch encounter a woman fleeing from the Empire. Crosshair suspects her seemingly free-spirited, nomadic existence is actually a cover for something else, but struggles to keep his attraction toward her in check as their personalities and ideals clash.
Relevant tags/content warnings: Crosshair/Original Female Character, Slow Burn, Enemies to Lovers, Periodic Smut, Canon-Typical Violence, Alcohol Use
Chapters posted 1-2x weekly!
Read the full fic so far on AO3
Read previous chapters on Tumblr: Ch. 1 l Ch. 2 l Ch. 3 l Ch. 4 l Ch. 5 l Ch. 6 l Ch. 7 l Ch. 8 l Ch. 9 l Ch. 10 l Ch. 11 l Ch. 12 l Ch. 13
Chapter 14 summary: The squad makes their way through the villa. Everything goes according to plan, until it doesn't.
Tech was pleased with how things were going. Inside the villa, all was quiet: their surveillance had revealed that security was posted exclusively at the mansion’s entryways, in addition to one patrol circulating the perimeter at regular intervals, and the interior was monitored only by cameras and automated systems. With those disabled, they were able to enter easily through a darkened window and proceed entirely unmolested through the shadowy hallways, footfalls sinking quietly into the plush carpets. By the time the Batch had rendezvoused with Dara in the villa’s control room, the stunned workers were already expertly bound and propped securely in an out-of-the-way corner.
In fact, Tech allowed himself the brief luxury of privately celebrating how well this first phase of the plan had gone, even as he mentally catalogued the skill with which Dara had fulfilled her role, adding it to his mounting list of clues that, he believed, would ultimately aid him in deciphering the mystery behind the woman’s origins.
He was well-aware that, despite his expertise in many areas, others often believed him to be unable to read social cues, always distracted by his datapad and perhaps even ignorant of his surroundings. However, because these skills had so frequently been a challenge for him growing up, he had actually dedicated an extraordinary amount of effort to improving them. Crosshair and Hunter were both especially observant in their own ways, aided by their enhanced senses, but Tech, for all he might lack, equaled them by being attentive, thorough, and analytical. Even when others thought he wasn’t altogether present, he paid attention. He collected evidence. He formed hypotheses. He tried to understand.
At present, Dara remained largely beyond his understanding. He was not bothered by this. She had been an asset to the team thus far. He would continue to collect evidence.
Of course, he had one hypothesis that, by this point, he considered more or less proven: Crosshair was entirely taken with her.
If Crosshair’s reaction to their teasing, his obvious jealousy towards Hunter, and the bruise he had left on Dara’s neck had not been enough evidence for Tech, he would have been convinced entirely by the way Crosshair looked at her when he didn’t realize anyone was paying attention. Similar to most soldiers, none of the Batch were strangers to desire, and Crosshair, like all of them, had taken plenty of advantage of rest days between missions and their infrequent bouts of shore leave to find a happily willing partner for the night. Tech had therefore seen Crosshair look at pretty individuals of innumerable genders and species with lust, hunger, even charm—and sure, he had directed at least the former two toward Dara often enough. But more than that, Tech had noticed that, when watching their new traveling companion, his brother’s gaze frequently held a rapt fascination. So often solitary, Crosshair had even taken to hovering in their common areas more, keeping to the edges of conversation and pretending to focus on some task or other, but—especially when Dara appeared to be ignoring him—often eyeing her, as though he could find her secrets written somewhere on her face.
Tech knew that his brother was a difficult man. Whatever was brewing between Crosshair and Dara, Tech was certain that the sniper would be the last to acknowledge it.
In any event, Tech mused, perhaps he should speak with Hunter and suggest that he back off on the flirting, for the sake of Crosshair’s inevitably repressed feelings, and preventing a fistfight. Even now, as Tech was tapping away at the control room’s array to better evaluate the security measures protecting Prium’s private laboratory, Hunter and Dara were engaging in a playful banter that Crosshair was certainly listening to over the open comm channel and, Tech imagined, likely seething over.
“Ah,” Tech interrupted them. “It appears that security for the laboratory—and, we may presume, the archive vault—is maintained via a separate network than this control room.”
Echo sighed. “Are you saying that there’s another control room—somewhere not on the floorplan—that we need to find?”
Tech tapped his finger thoughtfully against the edge of his datapad. “Yes, I do believe that would be the wisest course of action. There may be more workers monitoring the laboratory from there. Additionally, in the event that a security measure is triggered, I would need access to the network to shut it down.”
“Make it quick,” Crosshair urged over comms. “Before the other guard comes looking for Dara.”
Hunter glanced around the room, assessing their options. “Tech, stay here. Look through the camera feeds and floor plans to see if you can identify where the secondary control room might be. In the meantime, the rest of us will conduct a physical search. I’ll take top floor, Wrecker, take this floor, Dara and Echo, check the basement,” he ordered.
The team set off to their tasks, leaving Tech alone. As he looked closely through the building schematics, trying to identify any areas that seemed architecturally inconsistent, where a space large enough for a concealed room might be located, he wondered exactly why Prium had such a deep distrust of droids. Echo would have been able to make much shorter work than himself of scanning through the camera feeds for clues, but the array here didn’t even have a scomp port. As such, he doubted that Echo would be able to help them access the lab or counter any further security measures. Hopefully the keycard that Dara had stolen would be enough to gain them access.
Fully capable of multitasking, Tech switched to a private comm channel with Crosshair to check in while he continued his work.
“What?” his brother drawled in answer.
Like usual, Tech chose to ignore Crosshair’s rudeness. “How are things outside?”
“Boring.”
“I am serious,” Tech chastised. “I am beginning to think that this may require more time than we have allotted ourselves.”
Crosshair sighed over the line. Tech could imagine him rolling his eyes.
“Guard is a bit antsy. He keeps testing to see if comms are operational again. Perimeter patrol just checked in with him. They seem relaxed.”
“And you?” Tech pressed.
“Just peachy.”
It was no surprise that Crosshair was being as taciturn as always. No matter—Tech had no trouble getting to the point.
“Are you concerned about Dara?” he asked.
Silence on the line. Then, “I don’t see how she could get away with betraying us here. Or what the point would be.”
“Ah,” Tech replied. “That is not what I meant. Are you concerned for her safety on this mission?”
More silence, silence that went on so long that Tech briefly thought that Crosshair may have gotten annoyed and disconnected. Finally, Crosshair asked, every word dripping with disdain, “Why would I care about that?”
The corners of Tech’s mouth twitched. “Well, I had presumed that perhaps your opinion of her had changed as a result of whatever events led to your giving her that hickey.”
Another pause. “That didn’t mean anything. Besides, she’s with Echo—there’s nothing to be concerned about.”
“Mmm,” Tech mused. “Yes, Echo will ensure that nothing happens to her. And I presume that you are tracking their progress through your infrared scope.”
Crosshair muttered something unintelligible that Tech, with a sense of smug satisfaction, could rightfully assume was a rude comment about him, before raising his voice again. “Aren’t you supposed to be doing something important right now?”
“I am, and I have successfully achieved it while simultaneously carrying on this conversation.” Tech switched to the open comm channel to inform the rest of the team. “I have pinpointed the location of the secondary control room. It is in the basement, two corridors away from the entrance to the laboratory.”
“Great work, Tech,” Hunter acknowledged. “We’ll meet up there.”
***
Echo and Dara’s search had begun at the lab, where they were able to confirm their assumption that the absence of a scomp port meant the cyborg would be unable to unlock the door himself. The basement was significantly more utilitarian than the rest of the villa. Gone were the lavish trappings of wealth; white tiles and gray durasteel replaced velvety red carpets and elaborate wall hangings, while functional, stark lighting panels stood in for warm wall sconces and crystal chandeliers.
As they combed the rooms and corridors, Echo examined Dara closely. It was the first time he’d seen her with her weapon drawn. She had a DH-16 blaster pistol—her small hold-out blaster, a CS14, remained safely hidden under her poncho—and was holding it correctly, with a secure, two-handed grip and good trigger discipline. That was a good sign that her skill in taking down the troopers the first day she had encountered the Batch was more than a fluke, which was something of a relief for Echo. While they rarely planned on getting caught in a shoot-out, every job the Batch took on for Cid did seem to have odds that leaned that way. He knew he’d be able to protect Dara if it came down to it, but he preferred her being able to defend herself.
Dara opened a door, letting Echo take point to clear the room. It was an industrial kitchen with gleaming appliances, completely empty. He motioned to her to enter so that they could check out another door leading off of the main area—likely a pantry and not the control room they were looking for, but Echo was always thorough.
“So,” he began, nodding toward Dara’s outstretched weapon as they carried on with their task. “You have some training on how to use that?”
The woman was aghast. “Of course. How irresponsible would it be to carry a blaster and not know anything about it?”
The cyborg chuckled. “You’d be surprised what you see with civilians. Where’d you learn?”
Dara relaxed, giving him a wry smile. “My fieldwork took me to some pretty hostile planets. The people I worked with were always agreeable. The fauna, less so. I took a training course.”
Echo nodded, satisfied with the explanation. He didn’t have Hunter’s ability to hear someone’s pulse jump when they were lying, but her story had a ring of truth to it. He was relieved; he had put himself on the line advocating for Dara to stick around, and so far it was paying off. Once they’d gained her trust enough, he was sure that she would come clean about the parts of her backstory that she was keeping quiet. And maybe then she would even be willing to help out with a few missions for Rex’s clone network. The clones couldn’t help having the most recognizable face in the galaxy, and they were all terrible liars as a general rule. They could use someone who could go where they couldn’t, blend in where they stuck out.
“Glad to hear it,” he replied. “Makes me feel better to know you won’t accidentally blast me.”
She laughed. “No. If I shoot you, it’ll be on purpose.”
“Well, that’s a comfort.” They exchanged grins as they exited the kitchen and moved on to the corridor. Echo decided to test out a more difficult subject. “Luckily for me, I don’t think I’m at the top of your list of people to shoot right now,” he continued.
Dara rolled her eyes. “Yeah. I don’t know if you’ve realized this, but your brother’s a bit of an asshole.”
The cyborg raised an eyebrow. “Which one of those assholes do you mean?” When Dara smirked at the joke, he gave a knowing shrug. “Listen, I can’t exactly say Crosshair means well. He can be pretty harsh, and he doesn’t let many people in. But for those he does, you won’t find a more protective or loyal clone anywhere. And that’s saying a lot—loyalty is what clones are all about.”
The woman looked like she was considering his words. She sighed and opened her mouth to speak, but was interrupted by the comm from Tech, announcing that he’d found what they were looking for. They were only a corridor away, and so Echo led them down the hall to wait silently for the others outside the secondary control room.
Only minutes later, they were joined by Hunter, Wrecker, and Tech. Hunter signaled to the squad, who lined up on either side of the door as he took point. When it opened, a solitary, bored-looking worker with his back to them was staring, chin in his hand, at a datapad, ignoring the camera monitors on the wall in front of him completely. The Sergeant stunned him.
“Come on. That was too easy,” Wrecker lamented as he gently lifted the worker from his chair and tied him up in a corner.
“You just had to say that, didn’t you, Wrecker,” Hunter complained while Tech took the man’s place at the controls and set to work.
“This will take a few moments,” Tech informed them. “The rest of you should go and prepare to enter the laboratory. I will join you shortly.”
While Echo remained in the control room to watch Tech’s back, the others approached the door to the lab in the next corridor. Dara fished Raab’s keycard out of her pocket and waited. A few minutes later, the comm crackled to life with Tech’s voice.
“Security for the laboratory has been disabled. You may proceed.”
Dara swiped the card. The sensor blinked once, twice. For a long, tense moment, nothing happened. Then, suddenly, a blast door closed, hiding the entrance to the laboratory behind a thick wall of durasteel.
“Tech, what is happening,” Hunter growled over the comms.
The genius’s voice wasn’t exactly panicked, but it had lost its calm assuredness. “It appears that Raab does not have the type of access that he led Dara to believe. An alert has been triggered.”
Tech was no longer pleased with how things were going.
Tag List: @stardusthuntress @skellymom @megmegalodondon
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kenobihater · 3 months
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of all the star wars movies, which of them do y'all 1) enjoy the most 2) consider the best quality and 3) think you've rewatched the most. add your answers in the reblogs or replies, i'm genuinely curious how much of an overlap there is within everyone's three answers. mine don't overlap at all! they're revenge of the sith, empire strikes back, and the force awakens :^)
#len speaks#star wars#revenge of the sith#empire strikes back#the force awakens#not tagging more films than that bc i cant b bothered. incoming tag ramble ahead bc i have sw brainrot rn and im making it everyones prob❤️#i rlly struggled 2 remember if id watched tfa or aotc more. i went w/ tfa bc it was formative to me as a teen and ive seen it probably 6ish#times? whereas aotc was the first sw movie i remember (specifically the scene of obiwan serving c*nt in the bar lmao) but i've only seen it#for sure 4.5 and maybe 5.5 times. the .5 is from when i got bored after obi-wan's scene ended and ran off to go play in the mud or smthn 😭#i'm sure tfa will eventually get surpassed in number of rewatches by aotc and rots bc i don't fw the direction of the ST but that's my#current ballpark estimate of my total number of rewatches#as an adult tho if i just wanna watch a star war i'll go with aotc bc it's fun and ends semihappily and i can turn my brain off for the#spinny lightsabers. it's great background noise or for if you're sick or whatever. rots on the other hand? i won't talk through that unless#i'm quoting it with my brother and i am LOCKED IN 100% entirely entranced by it all#i almost picked rogue one for the best quality answer but i think the character writing is weaker and the facial cgi is creepy. esb beats#it by a hair imho bc of that. the vader hallway scene goes hard tho!!!#also i'm not covering shows or games or books or anything else in this post - simply the films. might ask abt shows later but that might#also give me hives bc so many of the shows suck ass and i don't rlly want ppl extolling the virtues of t.bb in my notes 💀#and yes i do think one's enjoyment and one's opinion of quality are two things that often overlap. but sometimes you just like something#bad and that's awesome. like rots is the best of the prequels by a large margin and i adore the opening and characters and many of the#scenes but that doesn't mean it's the best star wars has to offer ykwim? it's my specialest most favoritest sw movie but that doesn't blind#me to the dialogue lmfaooo
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thecryptidbard · 2 months
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ALSO can we talk about Hetty’s reaction after Flower tells her “You’re a good friend”???
Think about where she was at this point last year—having also just revealed a massive secret, one that almost irrevocably ruined one of her oldest friendships. She’d admitted in Ghost Court that friends were not something she’d ever had in life—something she hasalso just reiterated moments ago to Sam and Isaac, that one of the reasons she felt so trapped and alone and without options at the end of her life was because she had no friends.
Think about how far we’ve seen her come; in season one, it’s huge growth for her that after Jay’s possession, she admits to the other ghosts that she missed them. Or season two, how in a very un-Hetty move she’s willing to swallow her pride and apologize to Nigel (even though she’s sure she isn’t in the wrong!) for the sake of saving her friendship with Isaac. Or even earlier this season, how closely she’s clinging to Alberta in so many of the episodes, because she’s so grateful she got her friend back after being so close to losing her that she doesn’t even want to be physically separated from her.
And then now, she’s just once again revealed a secret she’s kept for well over a hundred years, in order to save Flower. She’s kept this part of herself from everyone for so long, and the very second she sees that Flower is securely out of the hole, she turns her back to everyone to gather herself and then bolts.
Isaac and Sam make her see that, yes objectively she has people here for her now like she never had in life, but Flower coming in and thanking her is when she actually gets to see and experience the reality of how different her existence is now. “You’re a good friend,” she says, and it might be the first time someone has ever said that to her. And Hetty just looks up at Flower so surprised in that moment, and so heartbreakingly hopeful, because I genuinely think that until right then, she really hadn’t considered it like that before; she just knew that Flower was in trouble and that she had to help her whatever the personal cost, because not saving her wasn’t even an option.
So much of the ghosts’ relationships, especially early on, were transactional, and, especially in Hetty’s case, built around enforcing particular power dynamics: accruing a wealth of back rubs, extorting Pete’s TV time before signing Elias’s contract, or any of the countless occasions she brought up her status as ‘lady of the house’. So the fact that she makes this sacrifice that feels like a loss of power to her is in and of itself big; but Flower acknowledging that, and making sure Hetty herself sees it too, by calling her a good friend—it’s a whole different level of meaningful.
She doesn’t just thank Hetty. She makes sure that she sees what her actions mean to her. And Hetty is so taken aback by it, because Flower saying this to her and meaning it is a gift she was absolutely unprepared for; a “good friend” is not something Hetty has ever known herself to be, up until now. But she very badly wants for it to be true.
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poniesart · 2 years
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just watched Make Your Mark and uhhhhh, the serotonin I got from when Zipp told Queen Haven to stop saying Zephyrina was unmatched
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taz-writes · 11 months
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here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
#taz talks#writing#actually i WILL explain but i'll do it in the tags#these each serve the same function within their respective appropriate genres#each one is a kind of revelation#they heighten the connection between 2+ characters and highlight relationships and feelings and needs#they are out of place in genres where they do not belong and/or as curveballs when the narrative did not provoke them from the start#but they have the same sort of emotional/dramatic build-up#talk -> sing -> dance (talk -> yell -> stab) ((talk -> flirt -> You Know))#and they are all expressions of intense physicality and intimacy through physical gesture and interaction#they are fundamentally empty and boring if there is not a deeper purpose or drive behind them#although they can still occasionally be entertaining on their own if your audience is specifically seeking that experience out#people who do not like them will be very unhappy to encounter one where it isn't supposed to be#it is very easy to ruin the mood with poor word choice#many people have an inherent sense for terrible ones but it's often difficult or complicated to explain precisely why a bad one fails#when executed properly they are a very raw and intimate expression of a character's most fundamental needs and desires#the fluff is stripped away and there is nothing left but a series of needs. conflicting or cooperating.#and even when you're lying during one it's still a form of truth#none of these things are remotely necessary to tell a powerful or compelling story but if you're going to use them you need to do it right#also all 3 of these things are difficult if not impossible to write if you are not both interested in them and personally invested#this post brought to you by me trying to write smut about my dnd characters and failing because i generally hate /reading/ smut#so i have none of the vocabulary or instinct for it that i do for. say. graphic violence (or lyrical poetry)
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puppyeared · 4 months
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i wanna post my skip to loafer art but i cant do it knowing ppl are gonna put it on tiktok and pinterest bc itd be like. bringing an invasive species ykwim
#my meds just kicked in so im feeling talkative but truly idk how to explain it#its like. with anything else id be more than happy to introduce it to ppl like monkie kid and mp100. witch hat maybe but its personal to me#but skip to loafer is special to me. and i feel bad for saying this bc other ppl do deserve to watch smth they will enjoy#hell the reason i got into it was bc my friend was kind enough to lend me her copy and i got hooked#its so ironic im saying this esp given how insecure i am abt depicting characters wrong. but i really dont want to look thru the tags#and see them on a 'can i copy your homework' tier list. or ppl getting mad abt why egashira mitsumi and shima cant just be a throuple#its just!! i wont stop you if thats how you like to engage with the show or how you interpret it bc ill just ignore it and leave u alone!!#and theres no objective wrong way of doing it!! and i know that interacting with the work is what forms a community after all!!#but keeping it tight knit is just easier for me bc nobody has to worry abt making each other laugh and we can enjoy it for what it is#fully aware im saying this as someone whos drawn monkie kid art with text post memes and owl house draw the squad templates#but at the same time i just. dont want to explain myself or give ppl reasons why shima and mitsumi are ace coded just bc it 'feels right'#fandom is a communal thing and it feels so hypocritical thinking this. too many conflictng thoughts that idk what to act on#yapping
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saayatsumu · 2 years
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not sure how most of these ended up being octavinelle but. oh well
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thedragonsfate · 2 months
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FHJY thoughts under the cut bc I gotta sort my brain and can't be succinct to save my life
I think there's something interesting in acknowledge like
of COURSE Kipperlily underestimated the bad kids.
She's hated these kids from day 1. I know a lot of people want to acknowledge that it's not unreasonable for Kipperlily and the rat grinders to think the school is run unfairly (and you're right! it's a fair conclusion)
-- but we also gotta consider that this is something that took root in her VERY EARLY. Before the bad kids got really very good. Two bad kids die on the first day of school, they spend a significant amount of their second semester freshman year just. In Prison.
Of course what follows I'm sure spurs that hatred, but she all but declared Riz to be her nemesis with Jawbone freshman year.
She's probably got some good ideas of how stuff should change, but also she saw this random Goblin boy with a briefcase in rogue class and decided she Hates Him, for a reason none of us can fathom when several of the other bad kids give off worst first impressiona
She's a teenager, a kid, with anger issues. As much as their can be important nuggets at the core of her motives, she's a teenager without emotional regulation skills. That combination is BUILT to breed resentment and feelings of entitlement. and it's built to actively ignore any evidence of a different perspective.
We talk about how she doesn't understand them, takes Kristen as entirely uncaring, doesn't expect the bad kids to do so well in the Last Stand
and OF COURSE she doesn't. some of this because she of course is not privy to all of the bad kids interactions that we are as an audience. but a lot of it is probably because she's a teenager who's decided she's being slighted and as a result is never going to take the bad kids actions on good faith. she's doubled down and while I have a feeling she's extremely perceptive, she's also in an emotional place that means she probably is ACTIVELY ignoring any evidence to the fact that maybe the bad kids are just ALSO working very hard, and that the school itself may also work against them sometimes.
Add to that a god corrupted into rage (negative in this case) and conquest, and a nefarious faculty member as a potentially directly manipulative adult in her life trying to make something big and destructive happen. Kipperlily strikes me as the kind of person who knows she's smart, and knows she's clever, but is so blinded by her emotion that she is probably missing some of whats clearly in front of her as far as all the Jace business goes. She certainly is about the bad kids.
Jawbone can only do so much to help her in her sessions if he's being actively worked against. Emotional regulation is hard to learn from zero AS AN ADULT and she's probably coming from the negatives if my impression is correct, and is doing so as a teenager.
I guess what I'm trying to say is like
In a vacuum? Sure augeforts comment about trying being stupid or whatever does seem like another slap in the face for Kipperlily, one that justifies some of her feelings.
But not about the bad kids. and not to the extent she has taken them.
And to take that at its word feels weird to me because. To anybody paying attention? The bad kids are and have been trying SO SO hard in class. Them having to take the last stand in the FIRST place is specifically because the school system is treating Kristen unfairly DESPITE her best, GOOD efforts. I'm certain the rat grinders are on some level aware of Gorgugs EXTREMELY uphill battle with schoolwork this season, even if it's just Maryann catching part of a convo with Porter or Ruben hearing about it from his uncle. I HIGHLY doubt that Oisin was oblivious to the way that Adaines academics were affected by her not having the money for the correct materials - she still was able to excel mostly but the effects of that roll being at disadvantage for so long are still THERE. Jawbone pinned down and mentioned to Riz his similarities to Kipperlily within maybe 2 seconds - there is 0% chance he hasn't brought something similar up in Kipperlilys sessions. She may not like it, she may not have the emotional intelligence to see it this way, but his efforts almost certainly mirror hers in a way that makes them equally hard workers, absolutely determined to keep themselves afloat despite it being an uphill battle. Something that she feels she deserves to be rewarded for, and to an extent implies that if just a few circumstances were different she would be able to see equal value in his work.
And sure you can say she may be able to see that and be angry that their work is rewarded and hers isn't, but we see time and time again that she and her party don't always put that same level of work in? Mary Ann at blood rush, absolutely uncaring but doing well specifically because she's got some magical enhancements. The suspicious circumstances of Kipperlily finding the Rogue teacher. Even just the natural advantage of Oisin having more than the funds he needs to excel in wizard class.
But even regardless of that, she seems to refuse to see that any scenario in which others are praised for the same thing she's done, while she is ignored etc, is the sole responsibility of the school here. the bad kids are not her enemies in that fight - augefort is. The bad kids are not going around being consistently given advantages from the school, they're earning the things they get and hitting their own academic road blocks, and they aren't acting better than other people in a way that goes beyond like. Teen stuff. And yet her sights are trained so unblinking on them.
I can see Fabian and Kristen's popularity and personalities coming off like it supports that they're being treated better or feel some superiority. And it's teen stuff to quietly hate those ppl at your school! it's p normal!
But it always brings me back to her SPECIFICALLY hating Riz. Bc Riz isn't a rich kid throwing parties that everyone loves. Hes not sniping out comebacks the way Kristen does, sometimes without even thinking. In a lot of ways he's the/one of the least abrasive of the group to an outsider. Which makes me SO much more inclined to call bullshit that this is truly, honestly rooted in an acknowledgement of any of the REAL problems that come up with their school system.
It's complex, but I feel like we can't exalt their perspective as a Truth of the world like it seems some folks do when these characters themselves do not play fairly. What is fair about the way they interfered with the exam. What is fair about what she did so easily to Buddy Dawn. What is fair about the murder of the couple that owned that farm. Depending on what happened - what is fair from them about Lucy's murder. Certainly what is fair about their hand in Yolandas.
This idea that things are unfair isn't untrue. But not in the ways she thinks, and shes moved so far beyond that notion at this point. Kipperlily probably DOES believe that she's uniquely a victim of this system, or at least that everyone but the bad kids is. But she's moved so far beyond that. Whatever divine rage magic is involved has ensured that, as well as probably some Adult manipulation, and severely underdeveloped emotional regulation skills. and for me that means like. obviously she is unjustified in her actions.
Augefort is absolutely unhinged. his school has never been run in a manner that rewards buckling down in the classroom and the classroom only. It's an adventuring school in truly the most chaotic and violence rewarding sense, and that information is given freely by Arthur augefort at maybe any turn
Saw something about the theoretical being just as important as the practical. and yes! absolutely! a very good point that I'm glad was brought up - going to the classes is important and I think this season has really emphasized the ways in which that's true at least in terms of Staying in School and Honing your Skills
I do think, in the same breath, that that STILL means that the practical is ALSO just as important as the theoretical. It CAN'T be one or the other, it HAS to be both.
and the bad kids are DOING both. regardless of what it may count for, the rat grinders xp leveling by continuing to do freshman level combat in order to excel more on paper ISN'T them really doing the practical part of what theyre learning in their higher level classes. And the bad kids do not get credit for their saving of the world REGARDLESS. Not on its own merit, and to get the credit they'd have to jump a hefty academic bar that sort of invalidates the point of practical efforts in the first place, not to mention works against students like Fig and Kristen.
The school is actively rewarding Kipperlily and her party's cheat code practical use of their skills, over the bad kids putting just as much if not more effort into their LITERALLY WORLD SAVING missions. whatever favoritism shes seeing, or that there may be occasionally, Kipperlily fundamentally takes the bad kids in bad faith. It's not ABOUT what is ACTUALLY unfair to her at this point.
from her perspective every accolade or accomplishment from them HAS to come from favoritism in order to fit how her view of whats actually unfair has been warped. for her it doesn't MATTER that they've been trying because they MUST not be trying as hard as she is. it doesn't matter that they visibly saved the world three times, one of which was livestreamed and included several party members dropping, successfully because surely it's a fluke, or they were given better opportunities than others for no reason, or they're being falsely worshipped for what MUST be a less dangerous quest than it seems (despite us seeing clearly on the first day of school that nobody is putting a pedestal up for their night yorb win)
What could have been a justified spark of frustration with a system has shifted into a vengeful sense of entitlement that to me? fully abandons the good of wanting to change a school system actively working against some (/all?) students.
idk maybe this all sounds like jibberish I just
Kipperlily in her current state is INCAPABLE of not underestimating the bad kids bc that would require some acknowledgement that they have worked and bled and died to reach the level they're at.
You cannot separate the girl who sneaks in to the Last Stand to sabotage another party's chances of passing, of staying at school, of continuing school, of one of them from potentially keeping their god alive, and of being brought back from what she assumes is certain death - from the slighted teenager running for class president to make things "more fair"
you cannot separate the girl who easily slits her own party clerics throat without second thought from the girl who thinks she's been slighted by an unjust system
What she means by unfair is inherently colored by her being that same person
Augefort can say whatever nonsense he wants, and it doesn't really justify her current frustrations at this point because her version of fair is fundamentally unfair now.
Shes a child who's become corrupted, just like Buddy. but unlike him - she's become genuinely nefarious and vengeful. Unlike buddy she is actively plotting. Harming others with full knowledge of it. We don't know how much of it comes from her on her own, or the rage baking underground, or Stardiamonds direct involvement - but I think this most recent episode should make it clear that like
Whatever truth there is to the school being run in a way that is unfair to its students, and regardless of what she says or thinks
Kipperlily Copperkettle is not operating from that grounded perspective. and I don't think she has been for a long time
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helixcraft · 9 months
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Awhile ago @vanillaverses asked for some summer themed Pure Vanilla costume so... I tried to make a more beach themed one!
Sprite doodle + og humanized concepts under cut!
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i started with the humanized doodles as I had a general idea before settling on an idea! Also his staff's base back is a sea shell! I really tried to concept a kinda beach vibe so!!
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u5an5 · 7 months
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Am I the only one that every time I get myself into new fandom I just sigh, knowing fully well that I just got next 20+ x reader, y/n, x Oc!whateverthefuck or just any form of self insert tags to blacklist?
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crimeronan · 5 months
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self-indulgent because i'm having a Riotously terrible evening pain-wise but i'm very fond of hunter being a waify little chronic illness/pain boy post-canon and like. for a while, just. no one.... notices.....?
not even because he's actively Hiding it, like. he would 100% tell people he's in pain if they asked. it just. doesn't occur to him to share. he'll sometimes quietly withdraw and lay down in the dark to conserve his energy and the others very reasonably assume it's a grief thing.
so they'll sometimes like. knock gently on the door and ask if he wants company, to which sometimes the answer is yes and sometimes it's no. "no" when hunter is in a significant enough amount of pain that he really can't move much & "yes" when he wants to curl up with bad TV shows as a distraction
it could be anyone in the squad who figures out what's going on but i'm gonna go with my bias and say it's luz, on a day when she's having some bad depression/grief/survivor's guilt feelings herself. bc she's still coming to terms with her own death and the loss of her glyph magic and sometimes she is. Sad
hunter having one of those Catastrophic pain days where he's planning to be an unmoving lump under 7 blankets for the entire day. n luz coming in and softly asking if she can lay down with him. which is different from asking if he wants company. hunter would say no to company bc he can't really Perform Friendship right now but he doesn't mind luz being here.
luz climbing under the 7 blankets too. n snuggling up to hunter and wrapping an arm around him. and hunter just like. goes Stiff. like beyond "hm this is mild discomfort" stiffness, his muscles completely lock up and go rigid like he's just been Shot. he doesn't make any sound or protest or flinch away or anything, he just kind of. stops breathing
luz pulls away immediately bc she recognizes that Something Is Very Wrong, i'm guessing she assumes it's a panic response bc hunter has plenty of reason to have issues with physical touch. but then she sees the expression on his face and it clicks and she's like.
hunter. dude. hey. hey. hunter.
do your scars HURT??????
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olisephart · 2 years
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I’m rewatching @jelloapocalypse ‘s Tellius playthroughs once more and man. I simply adore the character quirks Yam gives Soren. Gay little mage boy my beloved
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herrmit · 2 months
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not to start shit but. tell me you didn't understand princess jellyfish without telling me you didn't understand princess jellyfish
#idk idk something about the lines we draw to divide women being ultimately useless as they degrade both sides#something something bridging gaps between people with different interests#something something literal actual sisterhood and solidarity between women#i'm never one to defend tiktok i'm not even on there and it surprises me that princess jellyfish is being brought up#but like. what is this supposed to mean. to 'tiktokify' something#girlboss narrative what hello? what? you're throwing words at me and i don't know what they mean#but it's hilarious that this post comes off as something the sisterhood would have posted before all their character development#because this is a story about empowerment not through appearance- but that inner change is what beauty is made of#the development tsumiki and the other members of the sisterhood get is not that now they dress well#but that their often self-imposed isolation is not an antidote to os being ostracized in high school and having social anxiety#and that they've dehumanized other women in the process of defending themselves#and it's not that they have to change who they are of their interests but that they full accept themselves and can therefore#be comfort with who they are#and better navigate the world. and form friendships . and human connection and FUCK#like what are you talking about#sorry i know no one here follows me for princess jellyfish takes but that's what we're gonna get today#i think when you have a fandom / readership as small as pj (in the west at least) every bad take hits that much harder lmao#anyway. kuranosuke princess rights. we are all princesses. etc etc#princess jellyfish#kuragehime#screeds#screeds fR FR#txt#i didn't want to tag this person or show their name bc it ain't personal i just want to address takes like these .#“girl's girls are toxic” “not like other girls are toxic” what if we were all princesses idk. what if we loved each other
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peppermintpegis · 7 months
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netflix one piece live action feels a little like fanfic in that it makes sure it hits all the important notes but doesnt do all the work to make them hit which works in fic where the reader is supposed to bring all the emotional story investment from the original but doesnt work in a multi million adaptation that is supposed to be able to stand on its own or even serve as an intro to the series. it even does this in service to have more koby and helmeppo gay moments in this essay i w
#one piece#opla#the fleshing out of koby and helmeppo is like honestly good its a beacon of light its truly really fun#and all the actors are great it is just what they are given .#they didnt let nami do any real betraying. they didnt even have her steal the merry!! she just stole the map that they added in!!!!#ddont get me started on the gutting of sanjis intro. i dont give a shit about if don krieg appears or not i need to see this guy fuckin#feed the hand thats about to kill him im going to start shaking like a dog.#im almost madder krieg appeared for just a little id rather have that time be used for. anything else really.#like have one of arlongs guys starved half to death when they get to arlong park!or idk anything! no gin appears look its gin! you know him#sanji doesnt even get to beat the shit out of a shitty guest. like i guess he does a little but it feels so blink and you miss it#+the first like two eps were good!! buggys great hes scary and weird and fun. i dont mind that he sticks around longer in theory#but the way he is comedic relief instead of basically every character having funny bits is like. ahghhhgggg. its a symptom of this really#mean and edgy feeling the whole thing has. like the removal of people missing usopps pirate calling :( and how cocoyashi didnt know#nami was working to help them. like p. please. can we have caring and bonds in this world?? trust and love???#anyway. sorry for having expectations of a netflix show im so close to putting this into a more proper form rather than tags. just to get i#all out of my system cause fuck man.#anyway solid 7/10 not as bad as it couldve been
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bluffmotel · 4 days
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I always LOVE your character analysis', so random question!!! Would you indulge me about your thoughts on the Romeros (both paul and dante)? You can be as vague or as detailed as you want!
oh i absolutely love this question, thank you! and the timing was rather perfect, given the release of the black book, so it’s safe to say these two ( and more specifically dante ) have been haunting around the depths of my mind … and while i’m a vince & tyler fan first and foremost, i do have thoughts on everyone else and the general story! so without further ado, let’s talk about the romeros :
while as dusk falls is about two respective families ( the holts & the walkers, as we come to find out pretty quick ) i think it’s irrefutable to deny that paul and dante are tangled inside this little web themselves! they’re two figures that help bring the past and present together : paul recognizes jim, although not well, but more importantly if vince allows his father to leave for the hospital, he makes a rather pointed comment about not letting dante see or recognize him. jim also seems rather interested when asking our protagonist, “so you met the sheriff? what’s he like?” before doubling down rather hard on not trusting the law, and this opinion of dante is so intense that ( depending on dialogue choices ) if vince sides with the holts over dante, jim can potentially agree with his choice, in a way he won’t with dante. and given paul’s entanglement with sharon for decades and his bond with bear? these two are in the frying pan right there alongside our leading families! it’s rather easy to dismiss their importance, i think, but give the two enough thought and them being there while the desert dream goes down, as passive and aggressive forces respectively, really feels fated. of course it’s dante the holt boys stole from, and of course it’s paul’s place of work the walkers stumble upon, and of course it all comes to a head and leaves us with one of our final choices in book one : which of these devils are you trusting? dante or the holts? i like to imagine this echoes whatever went down all those years ago with jim, or at least serves as a continuation of whatever he refused to finish.
but that’s getting a little more into general game territory & it’s themes, so back to my thoughts on the romeros specifically, which can be summed up as … i love them! dante in particular grew on me a lot throughout the constant replays, even though i always adored his character! and paul was fantastic in his background role, casually revealing the more heavy hand he had in things ( which you don’t expect! ) with throwaway lines and oddly loaded advice. paul’s a good man, and if it’s not obvious by how protective joyce is of him, then it’s proven tenfold when he either tends to an injured vince at the very end of book one, or tries giving cpr to his dead body if tyler drowns him. like?? what a sweetheart! there’s nothing to hate about paul, but he’s a great example of a character who’s more than what he seems without taking away from the main narrative, another role joyce serves right along with him. these two did their thing as ‘random’ people in the desert dream and the devs took great care to lay out some good groundwork for them in spite of their non importance. and, in general, they act as good voices for vince to consider when it comes to the final choice! joyce trusts dante, talks about him with respect and all of her slightly biting remarks are full of affection ( sentiments that mean a lot coming from her, someone who’s shown herself to be stubborn and no nonsense ), but on the other side, paul warns vince against dante, lamenting on their family’s low opinions of him and his position as sheriff ( an important opinion because paul is dante’s family ), and so on so forth. paul and joyce balance each other well, and i always make sure paul gets his pizza. he has low blood sugar, dale! give him some food, god damn it!
and to talk more about dante, he’s an excellent character in a gaming world full of pathetic villains or straight up irredeemable monsters. the ceo of interior night has been very vocal about making sure nobody in as dusk falls felt like anything less than a human being, and dante ( as well as bear, i’d say ) proves she mostly succeeded … in the case of book one, anyway. it’s very easy to villainze him in the moment and even away from the game if you only give him a passing glance : he’s ruthless, he threatens vince, someone who could’ve been nothing but obedient this whole time, and his abuse of his badge is supposed to be as revolting as it feels. but! he perfectly encapsulates one of the main themes in this game, which is that he doesn’t want to do this, but he feels like he has to. dante is looking at what is clearly multiple crossroads and just like the holts he only sees one path forward, which just happens to be the most violent one. it’s the path where he survives and he is safe, unscathed, and he can return to what his normal is. i’ve been meaning to make a big web weave about adf and this theme in particular but to perfectly sum it up, here’s a quote that feels like it was almost made for this game :
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hansel, by richard siken.
like! this is what adf is about! dante may be one of the more awful parties, yes, but he is still just a man who truly believes in his little black heart that this route is what’s best for him -- and so he’s gotta take it. it’s rather easy to not notice his humanity in the midst of this high stakes situation ( and because his counterpart is paul, of all people ), but it is there, and this is exactly why i enjoy seeing him on my screen and would love to do more with him himself someday! dante, in particular, cares about the holts … and i mean the holt boys, not just sharon. despite his spiraling mental state and the time limit he’s under, the sheriff exercises a rather immense amount of patience when it comes to the holts, like, it’s rather obvious he didn’t want them coming to harm in the way that they did. when dale comes out for the iconic sniper scene, dante attempts bargaining with him after his initial instinct to annoy and pry -- and it’s clear that he wants dale to just hand him the book, and he wants dale to surrender and give dante what he needs so everyone can make it out alive, at least. in his moment of blind need, he fails to actually notice that dale’s confusion and fear is genuine, mistakes it as dale’s usual playing around, and goes “have it your way,” before signaling his sniper. he could’ve just shot dale the second he stepped out of the door, and then looted his corpse for the book, or whatever else. but no. he takes the slightly longer way, for as long as he can, and since dante believes himself to be above the law, who is he holding back for? it’s for the holt boys, kids he probably saw grow up! and it’s for sharon. and it’s for joyce, and paul, and maybe even vince and his family, at first. dante becomes colder as the night drones on but given his immense power trip, it’s clear he had no real qualms ending things with police brutality, even at the beginning. makes his attempts at trying to end things peacefully at the start of book one a lot more interesting, in my opinion, because we quickly find out this was dante’s way of showing everyone mercy. which is scary! but again, showcases he’s more than some villain.
and his face after killing dale, if you choose not to save him, also doesn’t scream that this is someone who’s particularly enjoying this. the expressions made between the shot firing and dante looking at the kid’s body bag corpse is … grim.
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like, this is not a victorious look at all! the way he just watches as dale’s body is picked up and taken away, expression never changing … he probably feels numb, this sense of : i did what i had to. but he doesn’t like it, and maybe it’d be easier if he did, and maybe he wants it that way too, you know?
i also find this scenario particularly tragic because i believe dale was probably dante’s token favorite out of the holt boys, at least before their falling out. it’s just bizarre to me the amount of hatred dale holds for him in a rather pointed manner -- it just feels personal, and it wouldn’t be personal if dale never cared for two rock’s biggest pig to begin with. how i think the juvie thing went down, in simple terms, is this : dante, who was still a close friend of sharon’s at the time and enjoyed visiting & hanging around the house here and there, someone who saw the first two holt boys through their infancy with paul, got a call about dale ( who had pushed past his usual amateur crimes to commit literal assault ), and had no choice but to actually act this time. he had probably let dale off the hook beforehand, covered up his petty theft and underage drinking and what have you, and this fostered some unhealthy opinions about dante and his generosity, so when dale landed himself in genuine hot water, hot water that even the sheriff himself couldn’t cool down, he couldn’t do anything except give him juvie. WHICH! i like to believe dale committed this crime as an eighteen year old, which could’ve landed him in jail i’m sure since his actions were so severe. so dante didn’t leave dale hanging, technically, but him not letting him off with a slap on the wrist like the holts expected ( like dale thought he would ) fostered a hatred and finally cut dante & sharon apart for good. dale’s loathed dante ever since for his betrayal and dante responds with equal amounts of vitriol back. but his fondness and favoritism remains and shows itself in tiny ways even still, like his almost palpable disappointment that dale came out of that motel instead of tyler, for example. he was like damn, i was prepared to shoot tyler, not dale … :( and i think this is so fucking funny!
( i will say that after reading the black book, none of the above paragraph is canon anymore technically. but i don’t really care at this point because what they did do with dante and dale’s assault was so baffling and borderline stupid! so, like i said when i first got it, i’m viewing the book with the same mindset one would consider a writer’s tweets of ‘canon’ facts about their favorite book on twitter … meaning i can just pick and choose what i like and dislike. there is nothing in game that contradicts the above headcanon, so it’s still canon compliant to me -- anyway! just had to add that little note, just in case )
and this goes straight into headcanon territory, but personally? dante’s the one who got dale a tombstone made, the one we see at the very end of book two. it’s certainly not bear who got it made, someone thousands of dollars in debt and someone who could also be dead at this point … and everyone else either straight up wouldn’t waste their money on such a thing ( like joyce ), or just wasn’t there long enough to make such a memorial. it’s small and it’s ballsy given the holts and their awful reputation, but it’s still something. i’ve always wanted to write a fic about this -- dante going through the process of burying dale and getting him a nice plot of land as well as an actual tombstone … i wouldn’t be shocked if he thought of it as an apology for how things went, in the end. i cannot for the life of me think of anyone else who’d have the money and the desire to give dale, and potentially bear and tyler, a tombstone in their memory. maybe he thought it’d absolve him of any wrongdoing or lingering guilt he felt? maybe he thought it was enough, when in fact giving these people a proper burial was the least he could do. it’s a fun thought of mine that makes me quite sad regardless!
okay buckle up because we’re still talking about dante and the holts kinda, however! dante strikes me as someone who really, really wanted kids, but becky was probably unable to have them for some reason ; be it because of her accident, her being infertile, or what have you. i think he always dreamed of being a father and never fully was allowed that experience! which shows in how he interacts with zoe and ash, where there’s an overt awkwardness but also this sense of eagerness, a little display of tender heart and real worry. for example, he never once threatens zoe’s life! he may endanger her if she stays in the motel, and he has no qualms trying to kill her dad, yes, but not once does he use her as leverage against vince -- despite the fact that said kid could be firmly in his grasp, if she’s the one released! and i’ll have to post the scene when i replay, but if vince tells dante about zoe while in the back office and then takes her out as the hostage, dante bends down and talks to her and is stupidly sweet about the whole thing! so it might seem ironic for him to have a line, but he does, and it’s kids … another example is that when joyce calls him about ash being missing, he sends every available officer out there to search for ash, and when he finds him, he’s nothing but cautious and gentle and worried. it’s almost odd to see from him! when he quickly sheds his cool composer to show the intense rage underneath in most situations we see him in! but he does care deeply for kids and i like that his life’s punishment is him not being able to have them, be it because of them not actually being his own or circumstances making him not being able to raise any he might have. for someone as ambitious as dante i find it sooo endearing that he just, kinda wants children the most? adds to him i think, and it’s something that somberly reminds you that even the most evil seeming people could have the most mundane desires. seriously, there’s such an empty vibe to the big romero house with a wife who hardly leaves her room and some dog in the spacious backyard … ( and spoilers for the black book : but seeing how much dante wanted a dog and a big house really gives you ‘white picket fence’ american dream! with the missing component being the, y’know, kids, and said missing componet carves out this hollow feeling the entire time you dwell on it )
and this want makes me think he was probably around for the holt boys’ upbringings! i mean, not to be crude, but he was banging their mom and seemed to genuinely have loved her at one point in time, so i can only imagine he’d hang around the house here and there. same as paul, i’m sure! and maybe some part of him enjoyed doting on the boys without actively having to be their pa, allowed to just do the fun things most wannabe parents dream of doing rather than the actual hard work and responsibility, and maybe this once there bond contributes to his reluctance to kill the holts immediately. idk! i could see him being around for tyler and dale’s childhood, only to slwply begin fading when jay was brought into the picture -- and then he didn’t help dale out when it counted, and all the bridges between him and the holts were swiftly burned with that. he definitely talks about tyler and dale like he knows them well, which isn’t as weird for dale ( who has a reputation ) but for tyler? someone who notoriously fades into the background and keeps his head down? it implies a bond, i think, where he knew them young and even after him and sharon fell through he decided to keep tabs on them. would scope out where tyler was doing his odd jobs and had officers keep an eye on dale, etc. he’d keep trying to wash his hands of the holts but he never truly puts them behind him, which can be said for everyone else in the game, honestly! they’re like an infection ( something jay even describes them as! ) to where even if you think you’ve cleaned everything off, there’s always one spot you miss, and then the growth process begins again. anyway! he is unhinged for this by the way. man said : two kids without a stable pa figure? sign me up! and then he’d go on to potentially kill one of them on purpose after antagonizing them like he’s a teenager, which he has the nerve to act sad about in the aftermath. insane!!
( also quick timeline here, that i keep in mind whenever i talk or think about the romeros : so sharon and paul definitely knew each other first, but given paul’s energy towards sharon in the desert dream and obliviousness to her and dante’s affair, i don’t think they stayed close -- not after paul married, anyway. paul probably still came around, given his bond with both sharon & bear, but while dante was probably there a lot for the them as kids, i could see paul becoming a more strong figure when they were teenagers and young adults. their behavior towards paul in the desert dream is … strange! though if i had to guess, i’d say they just didn’t want to act like they knew him as well as they did, in order to protect him from any potential danger as well as themselves. wouldn’t want the other hostages to realize they wouldn’t kill paul, you know? it’d be a weakness, which is something the holt boys try very hard to hide in the desert dream situation )
though to focus back on paul a tad, i’m always obligated to talk about him and bear! like, i love paul and bear, so so much, and they’ve grown on me tremendously once i realized they went into vietnam together as soldiers. there’s something delicious about their predicament, where paul is forced into navigating a war with someone he’s jealous of, and someone who he believes to be a pretty shitty guy. and not only did they go in together, they came out together too … went through the flames and trauma and horror as one of those rare duos that actually got to go back home, with all their limbs attached and all! it’d certainly change paul’s views on bear i think, to have seen him in action like that, and to foster what would’ve been a profound understanding, what with their bond being forged in intense warfare and all. his bond with bear is something i wish the game commented on more ( besides an offhand remark ) but oh, it’s quickly become one of my favorite things. bear is so incapable of making friends, and here’s the only one he probably has, someone so unlike him in personality and also someone who wants his wife carnally! like, jesus, the holts can never catch a break, they’re always involved in the most complicated relationships known to man as the town’s locally cursed family and as the town’s most wanted, i guess! but yeah, paul and bear <3 i view paul actually being closer with bear when they come back, electing to spend more time with him over sharon, since it’s easier and safer for him and his marriage … until that crashes anyway. and then paul decided to go sober, which is probably what destroyed their hangouts, leading to paul’s odd holtless time! would probably see the boys around town, as well as sharon and bear, but might just greet them and ask how things are ( typical small town stuff ) rather than actively making an effort to hang. that kinda thing. like he’s still present in their lives, and i think all the holts respect paul a lot more than words can say, and in their own warped ways, but he was. distant. before things went awry.
also totally unrelated to the romeros, but it’s crazy that tyler is born during the last round of american drafts for vietnam, aka 1973. just find it fascinating that bear would’ve either a.) had to have already served his time, b.) hasn’t been drafted just yet, or c.) came back after one term only to leave again for a second one. i can’t remember which one i personally went with, but it’s fun to think about regardless! that, and the fact there’s no mention of dante serving in the war … which i don’t think he did, personally, and given his extreme macho energy, that’s an absolutely fascinating aspect of his character. but i digress!
hm, some other quick thoughts on the romeros include smaller scale things! like how i usually view the rest of the romero family to be more like paul, more meek and silent, almost an entire herd of pushovers. we know the family shares paul’s point of view where it concerns dante’s title as sheriff -- and while this does paint an unsavory image of dante, i can see another picture that implies dante as the romero family’s black sheep. someone always looked at oddly and gossiped about, disapproval aimed at everything dante does because he’s dante, someone unlike the others. the rest of their blood probably doesn’t bother with him at all outside of paul, a family member dante orbits despite his jabs and vocal distaste towards paul’s peaceful nature. i mean, they share friends, a friend list which is only comprised of the holts and joyce, dante’s officers notwithstanding. two rock is a rather small world ( or, at least, it was supposed to seem that way ) but i still find it telling how tangled up in each other’s lives they are! they even liked the same girl, how crazy is that? and dante also makes a passing comment about how paul shouldn’t lock himself away ‘like grandma did’, and he says this remark with disdain … again! i can’t quite back this up with hard canon evidence, but the other romeros ( & hayes’, paul’s actual last name ) have that sort of meek vibe. this black sheep position dante fills also serves to give him and dale more ground as a narrative pair! which, if it wasn’t obvious from the tyler/vince and jay/zoe pairings in the story, this game loves it’s foils and parallels! another minor thought is that paul gives massive queer energy in ways indescribable but i’ll never forget how he can be like ‘maybe it’s mine and i wear it!’ about sharon’s bra if dante finds it in his trailer, and then can hold it up to his chest if i remember correctly?? the fact his extemely masculine cousin doesn’t even bat an eye at this only makes it more queer! he was like yes that tracks, you would wear a bra /derogatory ,,, i just rotate that scene in my mind a little bit, i will not lie.
my very quick final thought is that jim totally helped dante kill sheriff clayson, an action that would then finally put dante in power. which the black book confirms, because dante did in fact kill that guy! just not with jim, but oh well. jim was there and he helped and he hates dante for it now, trust. what they actually did with jim & dante was boring so this is still canon in my head!
ahh, i think this about sums my thoughts on them up? i probably have more lurking around in my mind and, like always, a lot of these points could suffice as posts on their own with more detail, but! it was fun to pour my general thoughts out there, so thanks so much for that opportunity! hopefully this was coherent and made sense lmfao <3 i’m tickled you love my character analysis for this niche ass game!!
#as dusk falls#answered asks.#THANK YOU FOR THIS … have a wordy ass ramble in response lmfao#i try to be cohesive with these but i wanted to lay down all i could so it’s a bit jumbled and incoherent#but … yeah … i love them … i think they are so fascinating#tbh there is not a single mf that i hate in book one i love ALL these people. this cast of characters is PERFECT#which is rare in games i think. i usually have to make myself like everybody but with book one’s main cast it comes naturally#even the more hateable characters like bear and michelle are SO stupidly well written#and you can’t remove one of the book one characters without changing literally every thing. which i also like!!!#like you can tell the devs REALLY cared about this specific group and formed the story around them and i loooove it#( this is energy they lacked in book two which is why it’s so weird tbh! but i digress let me not be a hater#and yes i hated on the black book in this my bad <3 i just didnt Like It Much even if it was a fun read#anyway anyway! ahem! )#i am shaking dante and paul around like items in a tin can tbh#also dante being like AND YOU CHOSE THEM? OVER ME??? to vince if you don’t side with him is HILARIOUS BTWW#everyone wants vince carnally in adf and dante is not exempt from this. he’s just less insane about it than tyler <3#dante & vince are pure comedic potential all of their scenes make me laugh. i couldn’t put this in the post so surprise! find it in the tag#i didn’t talk about paul NEARLY as much as i wanted to or should’ve here but i love all his scenes!!!#and despite how jarring it is i don’t mind his moment in book two! i actually quite enjoy it. easily one of my fave moments#y’know. because we focused on someone other than jay for three seconds ADJAKDKAKSA sorry. let me reign in the hater#paul is my king he is my everything he has done nothing wrong in his life#and his friendship with joyce is EVERYTHING TO ME i love how they’re written so fucking bad#it says a lot that when my niece played adf she thought they were married. like they’re THAT close fr fr and it’s refreshing to see#they just mesh perfectly and i love their bonds with vince and michelle and jim!!’#i also ADORE him using his medical knowledge from the war to help vince if michelle is shot … such good defining character traits#as well as his compassion!!! compassion is a big theme in adf too in the sense that it doesn’t make someone weak and paul shows this well#anyway i almost don’t wanna shut up because i love them so bad but. i think i’ll hush for now#tldr : the romeros are well written characters ( even BECKY! ) and they’re a big part of the walkers & holts bullshit#like in a romero and juliet story they are both as important as friar lawrence yknow. that’s the vibe.#thanks sm again and random questions are always welcomed here!! so have an amazing day <3
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subarashiihibi · 1 year
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logging onto tumblr and seeing blatant ableism was not something i was expecting but Alright
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