Why do the Harbingers have 2 different titles?
Ok, so this is based on a conversation I was having in a Discord, but I honestly have thoughts and felt like some people might be interested so fuck it.
So I mentioned offhandedly in my fic that I find the Harbinger canon code names kind of boring, but I didn't really go into why. So here's my rambling, I guess, critique (though don't take this too seriously) of why they are really weird to me and feel kind of pointless.
so there's a joke, that I often take part in, how several characters in genshin have too many names, but in a lot of cases the names serve different functions. For example the archons having 3 names serve a purpose: their demon 'true' name (or possibly the name gifted to them by celestia...), their title that's used as a sign of respect (ex rex lapis by the people of liyue), and their 'human' name. Each one is used in different places and reflects the relationship between the archon and the other character.
For example all the archons call each other by their demon names, while a character like Keqing calls Morax "Rex Lapis" but calls Barbatos a god not her own a distant "anemo archon." On Venti, the fact that Venti lacks a title like the other archons and everyone just calls him Barbatos tells us something about his relationship with his people etc. And even beyond the archons, characters with important last names get highlighted as their relationship with their clan (ex kazuha, a bunch of the inazuma characters tbh, or even Mond's like Jean) are very important to them.
But with the Harbingers' code names versus Commedia names, they don't tell us anything new. In most cases they are just translations of their Commedia ones (the most egregious in english being Capitano the Captain, but also Signora the fair lady etc). Or if they aren't exact translations the code names have something to do with the trope. For example Sandrone the word doesn't translate into Marionette, but the trope is literally a puppet. Similarly Pantalone with Regrater, his name means pants but the trope is a money hungry merchant so that lines up. Basically the code names don't tell us anything that the Commedia titles already don't. Also, the sort of exception to this Childe/young lord versus Tartaglia which means stutterer is just so generic (Columbina also sort of falls into this category, with the even more generic code name in the original chinese of "girl").
However, there are ways to make the code names interesting without their meanings being so. As I mentioned above, the Archons' titles were made interesting not really because of what they meant but their usage. How they tell us about the relationship between the Archon and the one who uses it. Or, as I do in my fic, the one who granted the title. In my fic the commedia names are the titles given to them by the Tsaritsa versus the code names are the names they gave themselves. It gives them distinct different purposes that each tell a story.
So what does canon do to separate the two names? Absolutely nothing. There is no consistency with their usage at all. Like maybe one can argue that one is used by outsiders and the other is used internally. And that would make a degree of sense. All of Childe's Harb voicelines use their code names (in the voiceline title not in the dialogue), Scara calls Pierro the Jester, so does Dottore. But then Scara also calls Dottore well Dottore. And Capitano used Dottore and Scaramouche during the funeral. But Columbina used the Doctor. Then during Zhongli's gnosis hand off Signora calls Childe by his code name but he calls her by her Commedia name in the same scene.
Then lets look at outsiders. Raiden Shogun calls Signora by her Commedia name at the throne room scene, but later in that quest Yae Miko calls Scaramouche only the Balladeer. The Traveler and Paimon seem to flip flop depending on who they are talking about and when. Varka calls Capitano the Captain while singing his praises.
The argument that one name signifies someone is closer to the other falls apart when outsiders also use both names. Unless the voiceline titles are lies, we have Tartaglia calling all the Harbs by their code names, despite the fact that he closer to for example Pulcinella then Signora. And we have Signora using his code name at him to be almost disrespectful while we have Dottore being respectful to Pierro while calling him the Jester... (we also have Scaramouche complaining about Pierro while calling him Jester).
Basically what I'm saying is there isn't remotely any consistency with the name usage of the Harbs names (beyond using their real ones) that tells us anything about them/world building/etc. Or if there is one the game is doing a bad job at clarifying it. And because the code names themselves are pretty generic and don't add anything that isn't already in the Commedia name, why are they even there? I hope one day more information changes my opinion on this, but for the moment they are just unnecessarily confusing.
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shmi skywalker adhered to the jedi code more than anakin ever did
okay that's a very clickbaity title but i was rewatching the phantom menace and i found it so interesting that shmi actually demonstrated non-attachment and adhered to the jedi code with regards to anakin two different times during her brief screentime! i think it's important to emphasize this because shmi was anakin's only parent and primary influence during the early stages of his life. anakin's tendency towards attachment is not a result of shmi's parenting- it's despite it. so let's go through it!
the first instance of shmi's non-attachment occurs when she is presented with the notion of anakin racing on boonta eve in order to help qui-gon and padme. she explicitly says she thinks the racing is "awful" and tells anakin, "i don't want you to race." but she sets her own feelings aside- she lets go of her fear about anakin and prioritizes the greater good. the greater good, in this case, is padme and qui-gon's mission, and its implications for naboo.
shmi recognizes that her fear is not more important than an entire planet: "i may not like it, but he can help you... he was meant to help you," she says. there are also implications that she is listening to the will of the force here, and that she understands this is what anakin was meant to do.
the second instance of her non-attachment occurs when anakin is freed and she is not. she is the one who requests that qui-gon take anakin with him to coruscant to become a jedi. though she is clearly sad to part ways with him, lamenting to qui-gon that "he was in my life for such a short time," she still encourages anakin to go.
here, shmi recognizes that her desire to keep anakin near her is not more important than what is best for anakin. i've written a post here about the fact that shmi struggles to understand anakin's unique status with regards to the force, and that she turns to qui-gon and the jedi for help. shmi knows the jedi can help anakin grow this special part of him that she "can't explain" herself. she also knows that doing this will make anakin happy: she tells anakin that going with qui-gon is a chance to "make your dreams come true."
and she even drops a little nugget of wisdom, straight out of the jedi code, onto anakin. wisdom that anakin will later reject from the mouths of people like obi-wan and yoda, even though it is the exact same thing shmi believes, the exact same thing shmi is shown to have taught him. "you can't stop change, any more than you can stop the suns from setting," she tells anakin. "it is time for you to let go... to let go of me."
it's not a coincidence that shmi's screen time in the phantom menace is exclusively spent adhering to the jedi tenets of love without attachment. shmi is human, and she feels love just as anyone else. she feels scared when anakin is in danger, and she feels sad at the idea of not having him near. but she does not allow this to take precedent over the greater good, whether that is for the planet of naboo or for anakin himself.
that is non-attachment. it is letting go of someone- not because you don't love them, but because you do. and shmi skywalker is the very embodiment of it. when anakin rejects obi-wan's advice about letting go, when he refuses yoda's advice that death is inevitable, he is not just rejecting the jedi's philosophies. he is rejecting shmi's values as well. the further he sinks into attachment, the further he is forsaking his own mother's memory. that's the tragedy.
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i've seen model steve harrington aus. i've seen child steve harrington aus. i present: child model steve harrington
note: this came from my own desperate need to see this conceptualized and i SWEAR i've searched, i just can't find any content with child model steve so. :(
bc little steve harrington was remarkably cherub-like. his large brown eyes and soft pout ensured endless cooing and fussing from his mom's friends. and when he blushed and ducked his head in shyness, they only complimented him more. when he got home that day, his mom smiled at him.
so steve decided that he would put up with the cheek pinching and the squealing. he sat upright in his chair, sitting on his hands so he wouldn't fidget and ruin the image. because he'd do anything to keep his mom smiling at him. if he was being particularly good that day, she'd let him lay his head on her lap on the drive back home.
but everything changed at his father's birthday gala. a nearly eight year old steve harrington sat prim and proper in his seat, but a smile lit up his face--his cheeks round and his dimples showing up. he raised his hand up to cover his giggle, but he couldn't help but laugh at some silly old man with a loose toupee. then he sees his mom approaching, and his face quickly smooths over, going back to the more polite smile he usually adopted when it came to these events.
he'd ruined it. he hadn't continued being the sweet boy his mom wanted. but then, she smiles at him. and introduces him to the man behind her, who says he's a designer. the man holds out his hand, but when steve puts his hand into his palm, he doesn't shake it. the man simply holds his hand, his eyes scanning steve's face. steve tries not to squirm under the attention. but the man nods and smiles at his mom, and he gives two brief cheek kisses to steve, whispering in his ear "you're going to be a star, darling." steve looks at his mom, confused, but she waves him off to continue talking to the man.
a few months later, steve's mom whisks him off on a trip to france. and steve is so excited to go, nearly vibrating in his seat as the airplane prepares to take off. but instead of the eiffel tower and the seine, steve is taken to a studio. he's posed and changed. once again, he's being fussed over, but instead of wealthy socialites, gossiping make-up artists squeal over him. he's "perfect for the shoot" and "the most darling little boy." steve doesn't understand, but his mom is still smiling, so he lets the nice ladies brush powder over his face.
and he looks in the mirror. his hair is a little more tousled and his lips have a slight tint to them and his eyes seem to take up much of his face. he's put into new clothes, and he feels like a doll in their hands. and when he's put in front of the camera, he simply follows the photographer's directions. afterwards, he's bundled into the car and his mom can't stop gushing about how good he was.
apparently, he's a natural. and then she goes back to fussing over him, focusing more on appearance than his behavior now. but she takes him out shopping and they eat at an upscale restaurant along the champs-elysses. and steve is happy.
and then they go back home, and his mom is so much stricter than before. she has him try out all kinds of different hair products, determined to find the best combination to keep it looking shiny and soft. she controls his food intake and what he wears and makes him use weird creams and serums on his face. but this is what makes his mom happy, so he's happy to let her.
his mom is also on the phone a lot more lately, whispering harshly about the quality of brands and steve just assumes she's being picky about the clothes she buys. later, his mom picks him up and holds him, and asks if he'd like to move to italy. she looks at him intently and it's obvious what answer she wants, so steve nods. she smiles and holds him close, and it's the most loved steve has felt in a while.
so they move to italy, and suddenly steve is a lot more busy. he's put in front of more cameras for more people he doesn't know. but he's smiling and pouting and doing whatever they want him to do. his compliant attitude and polite nature have photographers and designers alike singing his praises, and steve always looks to his mom for approval. but she's been arguing with his dad a lot lately, so she's upset more often than not. but that's okay, the make-up artists are always kind to him.
but then one day, his mom takes a phone call in the middle of the shoot. and when it finishes, she's gone. steve goes back in, close to tears, but the make-up artists still hanging around look after him until a car is sent to pick him up. this becomes a trend. and eventually, steve goes alone to his shoots. he's always taken care of by the crew and someone is always there to pick him up, but it's not fun without his mom there.
but he knows that she's always enjoyed him taking pictures, so he continues to do so, hoping that she'll come watch him again sometime soon. and he busies himself with befriending the chatty make-up artists and the bossy photographers and the eccentric designers. and he's such a cute little thing that they can't help but dote on him.
steve is never catapulted into child stardom, as his mom is picky with his jobs, only choosing luxury brands and well known designers for him. but within the industry, they call him the "little prince."
and then steve is catapulted into puberty, but his intense skin regimen prevents him from getting acne, save for the occasional zit. and his diet and religious exercise schedule help maintain his look. and he's still doing remarkably well, especially now that he's fully aware that he is a Model.
and steve has truly grown into his looks. with time, he's grown more comfortable in front of the camera and made numerous friends. nearly all of them are older than him, but they're fun and loud and it fills up the space that normally surrounds him. and they're the ones who get him hooked on american movies. steve remembers living in america, but he's been in milan so long that everything he recalls is vague.
but he watches them and falls in love with the american high school experience. so when he finally catches his mom off the phone and actually in the house, steve asks if he can go to school in america. and his mom laughs. but steve keeps asking, which devolves into begging. and his mother snaps, slapping him across the face and calling him ungrateful. she cries and begs for forgiveness, cowed into shame by steve's desperate attempt to hold back tears.
and so she lets him go to school in hawkins, indiana. an odd choice, but his parents just so happened to own a property there. (in truth, both of his parents expected him to change his mind within the year). but steve finds his place at hawkins high, because even though nobody in hawkins has ever heard of versace, steve is pretty. he's pretty and charming and he knows the right thing to say. after all, he's spent his whole life perfecting his mask.
and even if his mom ended up moving back home with his dad, leaving steve all alone in that big empty house, steve is happy. he's finally hanging out with people his age and high school is so far removed from the glitz and glam of the fashion industry. and he's settled and content with tommy and carol by his side. while he misses his friends back in milan, steve finds himself longing for the clothes more often. hawkins was certainly the opposite of milan, what with the nearest mall being two hours away and only equipped with a macy's and jcpenny.
through it all, steve is determined to be normal. he laughs along with jokes he doesn't quite get and rolls his eyes at carol's cue, and he joins the swim team. and he joins the basketball team. and he goes to parties and kisses girls and wears dumb little polos with his letterman jacket and does everything that he saw in the movies.
but nancy wheeler is different. steve can't forget his time in italy and who he is and was, and he's reminded of his old life in everyone and everything in hawkins. but not nancy wheeler. she's all hawkins and all his. and then the upside down happens.
and then nancy wheeler breaks his heart.
even after three years, his parents continue to ask when he'll go back to modeling, but he's different now. the upside down and billy hargrove beat that starry eyed little kid who thrived in the spotlight. and nancy wheeler proved that adoration and love is fleeting, so what would even be the point of trying anymore? his dad was a little more approving of steve's retirement/hiatus, saying that steve must want to go to college so he can take over the family business.
but when steve doesn't get into college, he's once again badgered by his mom to go back. but he's grown and changed and he's not sure that he can pretend anymore, so he says no. and they cut him off. enter: scoops era.
the measly scoops salary is not nearly enough to cover all of the new bills and expenses steve has, but he's not willing to leave hawkins. so he reaches out to his friends back in italy, and they refer him to their american connections. steve doesn't model at the same level as before, but he poses for a couple of zines and one artist who got a little too handsy at his exhibition. but he's able to make it through until the mall blows up.
this routine continues and he starts working at family video with robin at his side, but he keeps his side job a secret from the kids, using the excuse of visiting his parents to leave town for his shoots. he's not ashamed, but he knows he wouldn't "be normal" anymore if they found out.
but how does he explain his near mental breakdown at the sight of his healing demobat scars. they're raised and ugly, ruining what should have been a perfect body. and even though he uses scar cream everyday, they refuse to fade away completely. and how could anyone stand to be near such an ugly thing when all his life, steve was meant to be pretty? after all, love and adoration is fleeting.
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Fuck whatever DC is doing with the al Ghul's characterizations and story lines, I've decided that from now on the al Ghul's are gonna be DC's version of the Addams Family instead.
Now I don't mean just give the various al Ghul's the exact personalities of the various Addams and call it a day. That's boring, that erases all the interesting parts of the al Ghuls, that's just using "find & replace" and not actually adding anything. I mean give them the vibes of the Addams Family.
Keep the al Ghul's as the al Ghul's with all their scheming and machinations and world domination attempts but give them all the unhinged energy, the casually insane view of the world, the deranged levels of love and devotion for family. Make them that group where objectively they are batshit insane but also you cannot argue with the fact that they are indisputably the most stable and functional family in the entire universe.
They're creepy, they're kooky, they're mysterious and spooky. Ra's many opulent homes and impenetrable fortresses are a museum and the al Ghul's really are a screa-um whenever people come to see-um (or when they lay waste upon their enemies in a surprise attack that has been planned for months and is just the first domino in a series that will ultimately lead to achieving a far greater goal).
They all love each other and want each other to be happy, they express this primarily with stabbing and murder attempts (its fine, death is a thing that happens to other people).
And forget the League of Assassins being a cult. Just make the whole vast globe spanning organization a collection of cousins/aunts/uncles/dear old friends ect. No one (not even the al Ghuls, if they cared to keep track of such things) is sure who is actually related to them and who just got absorbed into the ever expanding family tree based on their vibes being right.
(Is Sensei Ra's father you ask? Well he's certainly someone's father - probably.
Anyway have you heard about Cousin Cheshire? Despicable poisoner of a young woman, capable of the most horrific things imaginable - yes she is the sweetest dear. Like I was saying though, she just had a baby!
Everyone in the family is just so excited to throw a baby shower to celebrate! Ubu has really gone all out with the spike traps, he does so love getting to welcome a new addition to the family.
Talia of course has cultivated a brand new strain of the most toxic plants imaginable to make a brand new kind of necrotizing poison. You know, as a nice little romantic gift for Cousin Cheshire and that young man of hers. It really is so important to make sure you take time for you and your partner to go on dates and have a few pitched battles to the death on dark rooftops in the pounding rain when you have children.
Now there is some to-do about it all of course, you know how family get together can be. Everyone is arguing over who should get to give little Lian her first weapon and what it should be. Nyssa is pushing for grenades but Ra's is insisting on a sword - he's traditional like that you know - but Dusan has the vote so far on throwing knives. You know the kind that have the little divots along the edges of the blades them to make it easier to get the poison you dip them in to stick.)
I'm just saying that the al Ghuls should be a delightful cross between the Bond Villains they were originally conceived as and the lovingly unhinged Addams Family. It just feels correct in my heart.
(Again keep the interesting aspects of the characters and the nuances of who each of them are like their drive to save the world through destroying humanity and their strong environmentalist leanings and their constantly playing 5D chess and everything, but like, take away the racism and the cartoonishly evil for no reason bullshit and give them some fun feral energy to go along with it).
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