In my head the Zosan babies came to be in a very quirky way, mostly because I wanted them to be biological children of Zoro and Sanji and at the same time I couldn't decide who would get the mpreg treatment.
Finally, I decided how it would go with the help of Ivankov, Law and specially Nami.
Ivankov swapped either Sanji or Zoro (that's up to you to decide) and Law came after some time and used his devil fruit to pass the baby (???) to Nami, as she volunteered to be the kinda sorta surrogate mother.
During the first months she powered through the exaggerated over-protection of Zoro and Sanji as well as their insistence to be around her all the time to check on her and "hang out with the kid".
Then OH? Surprise surprise, it wasn't just a kid. They were having triplets.
Nami was shocked, Zoro almost has a heart attack and Sanji had a nervous meltdown. As for Law and Chopper they actually expected it.
Either way, the next months Nami guilt-tripped everyone in the ship into treating her like royalty with the excuse that doing stuff with triplets was hard. When the day came Vivi, Zoro and Sanji where in the room. It went smoothly, well, at least medically.
Zoro and Sanji were very stressed from the start but when the girls came out with green hair and a curly brow Nami had to scold them, so they would stop bickering (Secretly they were smitten by this traits).
Anyways, this is why Nami and Vivi will never have kids.
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Skip has always found a way to work through his problems and turn them around with relative ease, but the sudden death of his wife, Brandi, has brought his mostly carefreeness towards his children to a stand-still. With two freshly traumatized children and a newborn under his belt, can Skip juggle turning his shitty ass life around for his family, or will he crumble under the weight of his past mistakes?
Darleen hasn’t been the same since her husband, Darren, died, though she’d be quick to argue with you if you said anything of the sort. She’s FINE! She misses her husband, undoubtedly, but she’s not going to let that very, very, very tiny thing wreck her whole life, and she’s not going to let people give her grief about ANYTHING. Sure, she got fired from her job a few months back and hasn’t made any strides to find a new one, and she’s losing touch with her son as she goes and squanders all her responsibilities by partying and drinking on par with younger years, aaaaaaaaaaaaand the almost obsessive idealistic crush she’s developed on her neighbor is clouding the second half of her judgment, but she’s bounced back from worse and knows everything’s going to come up Darleen :) …………. hopefully
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Headcanon #500:
Mind is afraid that when he distances himself from or above the others, that he will be too far gone to come back down. That when his paranoia gets the best of him, he'll shut everyone else out and then be completely alone with no way back to where he was before.
Heart is afraid that if Mind is right, with the idea that what he does isn't genuine, that he's being manipulative without realizing it. Then therefore being Whole without himself there is the better option. That he'd be thrown out because his ideas would then be "not worth it" or even "vile"
Soul is afraid that no matter what he does or how good things will be, they'll always eventually split up again or even end up worse. Even then he has no clue what he's supposed to do or be during everything, and so because of that he'll never be whole. Or worse that he'll never really "feel" whole.
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Have I ever posted my Water Narrator thoughts?
For a while, I’ve thought of the use of Water as symbolism for The Narrator, in and out of game context
I think these thoughts are most reasonable when looking at The Skip Button Ending and The Epilogue. In The Skip Button ending when The Narrator first sees a bad review they (Stanley and The Narrator) go outside to see that it’s starting to rain. This continues the duration they spend outside, The Narrator’s stirring mind evident by the distant thunder and as we get closer to the edge of the land we see a large ocean. And what rises out of it? The Narrator’s newest creation, The Skip Button. With this all happening it wouldn’t be outlandish to associate The Narrator and the water outside. Once Stanley’s inside the concrete room we are taken away from the water over time. It dries up along with The Narrator and at the end of those many years we’re left with a tundra; a desert that hasn’t seen water in years. And The Epilogue doesn’t dispute this, the only life we see being Stanley and TK
More into my personal thoughts, The Narrator is vast like the ocean we see. All encompassing; he surrounds his story (a comic I made that slightly echos these ideas).
It rains when he cries, it boils when he’s angry, the clouds fly as he breathes
I talk ab this a tiny bit more in the tags of this post (warning: he’s a bit naked) (ignore the last tag um)
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Forgive me if I'm a bit nervous about Gorgug this season. It's just that the last Zac Oyama pc was Colin Provolone, who was arguably one of his greatest D20 performances, if not the greatest.
Zac always does great with every pc he plays, but Colin was something else. He came out swinging with actions and words that were teeming with unspoken emotional baggage. The way Colin's presence affected the other pcs; there was this level of depth that I don't think I've seen in any of his other characters. It was understated and quiet in that signature "just a guy" way that he tends to be, while still captivating everyone instantly with just how raw it was.
Not to say we haven't seen emotional depth in Gorgug. It's just that, compared to the other Bad Kids, Gorgug's journey and progression as a character has been very... impersonal? Like, yes, he found his birth parents, and he found friends who appreciate him, and he faced his insecurities about his intelligence, and he navigated relationship troubles, and his trial through the claustrophobic bug-tunnels was a horrifically-uncanny parallel to how he's spent his entire life trying to make himself as small as possible.
But how much of that has actually changed him from the Gorgug we started with? I would agree that he's definitely happier with his life, given all the loving and supportive people that have been added to it when it used to be just him and his parents. And he's certainly grown into himself and become more self-assured in his abilities, even if he's still, and always will be, our anxious little guy. And there's nothing wrong with that. I've always liked how Gorgug was a representation of all the little things. The subtle acts and kindnesses that don't seem like much to most, but to some are everything.
We don't need another Bad Kid living in fear that their mouth could be shit-in at any moment. We've already got one-too-many.
All that being said, I just feel like Gorgug's personal story beats are much easier to sweep under the rug than everyone else's. He has the same soft and understated quality that Colin held, but they lack that extra oomph that pushed Colin over the edge from being just another guy in a series of dudes, to a character that the vast majority of us could not get out of our heads. He took someone who was anxious and softspoken, who ultimately never wanted to be violent— someone who is remarkably similar to Gorgug in many ways— and maintained that demeanor and core in Colin's character while still hitting us in the feels with character development at max velocity at every turn.
I think Zac gets better and better at this with every season that goes by. With each new character, there is always something that leaves me stunned in awe. And it's been, what, three? Four years since we last saw Gorgug?
I'm just,,, I'm cautiously optimistic but also going into a bit of a worry about what violence this man may inflict upon us
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looks at the fandom.
looks at gale/astarion.
looks at this video by sideways about the musical identity of avatar the last airbender and how that related to zuko and aang's dichotomy of their internal/external wants/needs.
puts on my writing hat.
you guys it's the same exact principle just expanded upon in when you play either as origin. gale has an external want of being validated but an internal need to validate himself and his skill outside of mystra, and astarion has an internal want of revenge go prove himself but an external need for others to see him for himself.
zuko and aang do literally the same thing. zuko and aang are literally made for each other in a meta/technical writing sense. same with gale and astarion.
lae'zel and shadowheart are foils made for each other. karlach and wyll are foils made for each other. astarion and gale are foils made for each other. all of this is in a technical writing sense. good writing makes effective use of foils and mirrors to explore characters. it's simply Good Writing TM.
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You know one of the weirdest things about the Toxic side of fandoms I've seen? It's the way they try to treat all shows like they're supposed to be setting examples for the audience.
Take Hazbin Hotel for example. I have seen so many people pulling up a single bad trait that Chaggie or Huskerdust may or may not have and use that as the sole reason why they shouldn't be together at all. Which is so dumb but also bizarre because real life couples have their own good and bad qualities and having one possibly negative aspect about your relationship is more often not a reason you should immediately break up.
But sometimes fans and trolls act like these characters need to be in Disney-style-picture-perfect romance otherwise they're unhealthy and shouldn't be together. Like they seem to be under this really strange idea that all entertainment should be educational for the audience and if they're not setting a good example then it's bad TV.
It's so weird.
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