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#jupiter nakshatras
cutiepieloves131 ยท 21 days
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Indicators of having a hourglass or pear body in Vedic
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๐“†ฉNote๐“†ช: First off let me make this clear obviously genetics have a huge for this, and second I've listed certain indicators in this post is because of what I had found in most celebrity women's charts, also some of the indicators and aspects is applied in tropical too. ๐ŸคŽ
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๐“†ฉ๊จ„๏ธŽ๐“†ช Moon Dominance
๐“†ฉ๊จ„๏ธŽ๐“†ช Jupiter Dominance
๐“†ฉ๊จ„๏ธŽ๐“†ช Venus Dominance
๐“†ฉ๊จ„๏ธŽ๐“†ช Mars Dominance
๐“†ฉ๊จ„๏ธŽ๐“†ช 1st Ruler in 4th house or aspecting 4th house
๐“†ฉ๊จ„๏ธŽ๐“†ช 1st Ruler in 7th house or aspecting 7th house
๐“†ฉ๊จ„๏ธŽ๐“†ช Mrigashira, Chitra, and Dhanishta in Big Three
๐“†ฉ๊จ„๏ธŽ๐“†ช Rohini, Hasta, and Shravana in Big Three
๐“†ฉ๊จ„๏ธŽ๐“†ช Punarvasu, Vishakha, and Purva Bhadrapada in Big Three
๐“†ฉ๊จ„๏ธŽ๐“†ช Bharani, Purva Phalguni, and Purva Ashada in Big Three
๐“†ฉ๊จ„๏ธŽ๐“†ช Venus - Jupiter
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon - Jupiter
๐“†ฉ๊จ„๏ธŽ๐“†ช Venus - Mars
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon - Mars
๐“†ฉ๊จ„๏ธŽ๐“†ช Mars - Jupiter
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon - Venus
๐“†ฉ๊จ„๏ธŽ๐“†ช Pushya in Big Three
๐“†ฉ๊จ„๏ธŽ๐“†ช Jupiter - Ascendant
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon - Ascendant
๐“†ฉ๊จ„๏ธŽ๐“†ช Mars - Ascendant
๐“†ฉ๊จ„๏ธŽ๐“†ช Venus - Ascendant
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon in 4th house or aspecting 4th house Ruler
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon in 7th house or aspecting 7th house Ruler
๐“†ฉ๊จ„๏ธŽ๐“†ช Jupiter in 1st house, 4th house, 7th house, and aspecting 1st house ruler
๐“†ฉ๊จ„๏ธŽ๐“†ช Moon in 1st, 4th house, 7th house, and aspecting 1st house ruler
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seesree ยท 6 months
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Astrology Observation(Vedic Astrology) ๐Ÿ”ž
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1)Venus Girls are one of the biggest bitches ever. They will act nice to your face but have a lot of shit to say behind your back, they are such pussies. I have encountered many Venus girls who hang around their so called โ€œfriendsโ€ and talk a lot of smack about them later. I remembered Claire Nakti said in her Dhanishta Video that Venus girls use men for money and I think that applies to all people.
2)Our Venus nakshatra can tell us what type of planetary dominant men/women we are attracted to like (for example, I have Venus in Ashwini then that means I am drawn to Ketu dominant men )
3)Mars Boys like to play the victim card and have serious mommy issues. Besides that they have serious issues with woman because they have been cheated on by their girlfriend and they carry that pain with them and abuse others
4)Mars Woman are not afraid to offend masculine energies(esp men)
5)Sun Woman have 2 sides either they are introverted, quiet and have a few friends(reminds me of twilight sparkle) or they are completely bonkers, and loud and energetic
6)I have noticed Mercury woman can be quite manipulative and like twisting narratives and creating false narratives. They are very cunning and very intelligent
7)Sun/Saturn Woman are real boss ladies
8)Uttara Asadha natives are non committable and feel uncomfortable with relationships. They also have a sense that there is no one for them in the world so they prefer not wanting to be in a relationship
9)Moon Woman either very conservative or liberal
10)Moon Girls are so annoying and they like to indulge in what other people are doing. They also have serious emotional problems and can suffer from bpd(and etc)
11)Chitra Woman got the vibes of a mean girl but are genuine so nice
12)Rahu Woman are literally the real life manifestation of Ariel From The Little Mermaid. Rahu is linked with obsessive behaviour and these woman have serious obsession when they like someone even if they are technically bad for them, they donโ€™t see them red flags
13)Pushya Woman have such a glow to their faces
14)Jupiter Men are toxic and remind me of those toxic brown boys memes, they are also pretty dumb
15)Sun Men can easily influence other men
16)Out of all the 3 Ketu Ruled Nakshatra, Ashwini is the most angelic and have a very angelic appearance too
17)Jyestha Girls are either very sweet and u feel a need to protect them or they are complete assholes and toxic
18)Most Social Workers are Ketu Natives, I always wonder why Ketu natives are so present in the field of social workers.
19)Mars Men are p*ssies
20)Ketu Men have such big gawk gawk ๐Ÿ†
Note: not everyone is the same so keep in mind other placements in our chart can change us so apply if it matches ur experience
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cowrunnerhighonu ยท 2 months
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Jupiter Woman; Raquel Energy
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I have noticed a pattern in Jupiter woman where they appear aloof and disinterested but very ambitious and determined, disinterested in people pouring energy onto them. I remember Claire Nakti said in her Make Over Video that Jupiter is a masculine planet and they have alot of energy so they become outcaste something like that
Hereโ€™s the video watch it i think it pretty much explains it.
Raquel was voiced twice by Jupiter Woman. In Barbie A Fairy Secret she was voiced by a Visakha Sun Woman and in Barbie Life In A Dream House she was voiced by a Punarvasy Moon native. Raquel seems very quintessentially Jupiter coded. On the other hand Heather From Total Drama was voiced by a Purva Bhadrapada Moon Native and her character is so Jupiter coded donโ€™t even get me started if u have watched Total Drama(Very Ambitious, Determined, Fiery). Heather also reminded me of Karina who is Puanrvasu Moon and Mala Salariya(Punarvasu Moon). Itโ€™s so flattering that characters from animation often look like us when we share a nakshatra with them
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Another Jupiter character is Megara voiced by a Punarvasu Moon Woman and she reminded me of Karina. Idk why i am bringing Karina up so much.
Overall Jupiter woman have such fierce, driven energy and appear aloof and disinterested.
Note: i suck at explaining and can only see patterns so i hope you all see the patterns i see and find a reasoning to that ๐Ÿ’ž
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venussaidso ยท 3 months
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Why is it that Jupiter women, mostly the first two nakshatras (Punarvasu, Vishakha), often have very husky/deep or even smoky voices? It's interesting that the number of female celebrities I can think of with deeper voices have a Jupiter nakshatra on one of their top 3 placements.
Sophia Bush & Natasha Lyonne
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Scarlett Johansson & Priyanka Chopra
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Miley Cyrus & Emma Stone
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Laura Prepon & Whoopi Goldberg
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Demi Moore & Misha Barton
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Not saying all Jupiterian women will have husky/raspy voices, but it makes sense that I'd expect some of them to as Jupiter is a masculine planet and these women usually carry a lot of inner abundance that they tend to break gender boundaries whether consciously or unconsciously -- their voice simply being a connected manifestation of this. Another planetary addition is Mercury nakshatra and Mars nakshatra women. Mercury women can have very unique voices too, pretty obvious with their planetary rulership. And Mars women aren't really surprising as they tend to be the ones to shift conventional beauty standards.
I can quickly think of Jennifer Lawrence who is Mrigashira Moon with Ashlesha Sun and a Jyestha Ascendant. Or Naomi Campbell who is a Jyestha Moon. Also South Korean actress Go Young-Jung who is a possible Mrigashira Moon.
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the-moon-devi ยท 7 months
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๐ŸŽ€๐“•๐“พ๐“ป๐“ฝ๐“ฑ๐“ฎ๐“ป ๐“”๐“ต๐“ช๐“ซ๐“ธ๐“ป๐“ช๐“ฝ๐“ฒ๐“ธ๐“ท ๐“ธ๐“ท ๐“ฃ๐“ฑ๐“ฎ ๐“ข๐”€๐“ฎ๐“ฎ๐“ฝ ๐“ฃ๐“ธ๐“ธ๐“ฝ๐“ฑ ๐ŸŽ€
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๐‘จ๐’” ๐’˜๐’† ๐’Œ๐’๐’๐’˜, ๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’Š๐’•๐’† ๐’Š๐’” ๐’•๐’‰๐’† ๐’†๐’’๐’–๐’Š๐’—๐’‚๐’๐’†๐’๐’• ๐’•๐’ ๐’•๐’‰๐’† ๐’‘๐’๐’‚๐’๐’†๐’• ๐‘ฝ๐’†๐’๐’–๐’”. ๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’Š๐’•๐’† & ๐‘ฝ๐’†๐’๐’–๐’” ๐’ƒ๐’๐’•๐’‰ ๐’“๐’–๐’๐’† ๐’๐’—๐’†๐’“ ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’†๐’๐’„๐’†, ๐’•๐’‚๐’”๐’•๐’†, ๐’”๐’†๐’๐’”๐’–๐’‚๐’๐’Š๐’•๐’š, ๐’‚๐’๐’… ๐’‰๐’†๐’…๐’๐’๐’Š๐’”๐’Ž. ๐‘ญ๐’–๐’“๐’•๐’‰๐’†๐’“ ๐‘ฐ ๐’˜๐’‚๐’๐’• ๐’•๐’ ๐’†๐’๐’‚๐’ƒ๐’๐’“๐’‚๐’•๐’† ๐’๐’ ๐’˜๐’‰๐’š ๐’•๐’‰๐’†๐’”๐’† ๐’†๐’๐’†๐’“๐’ˆ๐’Š๐’†๐’” ๐’”๐’‰๐’๐’˜ ๐’•๐’‰๐’† ๐’๐’๐’—๐’† ๐’๐’‡ ๐’”๐’˜๐’†๐’†๐’•๐’”, ๐’‚๐’๐’… ๐’‰๐’๐’๐’†๐’”๐’•๐’๐’š ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š ๐’Š๐’ ๐’ˆ๐’†๐’๐’†๐’“๐’‚๐’.
๐’˜๐’†'๐’“๐’† ๐’‚๐’๐’”๐’ ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’•๐’ ๐’†๐’๐’‚๐’ƒ๐’๐’“๐’‚๐’•๐’† ๐’‚ ๐’๐’Š๐’•๐’•๐’๐’† ๐’Ž๐’๐’“๐’† ๐’๐’ ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’๐’”. ๐‘ฐ ๐’‡๐’†๐’†๐’ ๐’๐’Š๐’Œ๐’† ๐’‘๐’†๐’๐’‘๐’๐’† ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’”๐’‚๐’š ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’๐’” ๐’˜๐’Š๐’•๐’‰ ๐’‚ ๐’”๐’˜๐’†๐’†๐’• ๐’•๐’๐’๐’•๐’‰ ๐’‚๐’“๐’† ๐‘ช๐’‚๐’๐’„๐’†๐’“, ๐‘ป๐’‚๐’–๐’“๐’–๐’”, ๐‘ท๐’Š๐’”๐’„๐’†๐’”, ๐‘บ๐’‚๐’ˆ๐’Š๐’•๐’•๐’‚๐’“๐’Š๐’–๐’”, ๐’‚๐’๐’… ๐’”๐’๐’Ž๐’†๐’•๐’Š๐’Ž๐’†๐’” ๐‘ฐ ๐’˜๐’๐’–๐’๐’… ๐’†๐’—๐’†๐’ ๐’‚๐’…๐’… ๐‘ณ๐’Š๐’ƒ๐’“๐’‚. ๐‘ฉ๐’–๐’• ๐’•๐’‰๐’†๐’“๐’†'๐’” ๐’๐’†๐’—๐’†๐’“ ๐’…๐’†๐’‘๐’•๐’‰ ๐’Š๐’๐’•๐’ ๐’˜๐’‰๐’š.
๐‘ด๐’๐’๐’ ๐’Š๐’” ๐’•๐’‰๐’† ๐’๐’–๐’Ž๐’Š๐’๐’‚๐’“๐’š, ๐’•๐’‰๐’† ๐’Ž๐’๐’”๐’• ๐’‡๐’†๐’Ž๐’Š๐’๐’Š๐’๐’† ๐’Š๐’ ๐’Ž๐’š ๐’๐’‘๐’Š๐’๐’Š๐’๐’ ๐’…๐’–๐’† ๐’•๐’ ๐’Š๐’• ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’Ž๐’๐’•๐’‰๐’†๐’“, ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’˜๐’๐’Ž๐’ƒ. ๐‘ป๐’‰๐’† ๐‘ด๐’๐’๐’ ๐’Š๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’ ๐‘ป๐’‚๐’–๐’“๐’–๐’”. ๐‘ป๐’‚๐’–๐’“๐’–๐’” ๐’Š๐’” ๐’‚ ๐’”๐’Š๐’ˆ๐’ ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’†๐’™๐’•๐’“๐’†๐’Ž๐’†๐’๐’š ๐’”๐’†๐’๐’”๐’–๐’‚๐’, ๐’‚๐’๐’… ๐’๐’๐’—๐’†๐’” ๐’†๐’Ž๐’ƒ๐’“๐’‚๐’„๐’Š๐’๐’ˆ ๐’•๐’‰๐’†๐’Š๐’“ ๐’”๐’†๐’๐’”๐’†๐’”. ๐‘ฉ๐’๐’•๐’‰ ๐’๐’‡ ๐’•๐’‰๐’†๐’”๐’† ๐’†๐’๐’†๐’“๐’ˆ๐’Š๐’†๐’” ๐’‚๐’“๐’† ๐’†๐’™๐’•๐’“๐’†๐’Ž๐’†๐’๐’š ๐’‡๐’†๐’Ž๐’Š๐’๐’Š๐’๐’†, ๐’‚๐’๐’… ๐’‚๐’•๐’•๐’†๐’”๐’• ๐’•๐’ ๐’˜๐’‰๐’š ๐’Š๐’•'๐’” ๐’„๐’๐’Ž๐’Ž๐’๐’ ๐’•๐’ ๐’‡๐’Š๐’๐’… ๐’‘๐’†๐’๐’‘๐’๐’† ๐’˜๐’Š๐’•๐’‰ ๐’‰๐’†๐’‚๐’—๐’š ๐’๐’–๐’๐’‚๐’“ ๐’๐’“ ๐’•๐’‚๐’–๐’“๐’Š๐’‚๐’ ๐’†๐’๐’†๐’“๐’ˆ๐’š ๐’˜๐’Š๐’•๐’‰๐’Š๐’ ๐’•๐’‰๐’†๐’Š๐’“ ๐’„๐’‰๐’‚๐’“๐’•๐’” ๐’•๐’ ๐’ƒ๐’† ๐’’๐’–๐’Š๐’•๐’† ๐’๐’Š๐’•๐’†๐’“๐’‚๐’๐’๐’š ๐’‚๐’‘๐’‰๐’“๐’๐’…๐’Š๐’”๐’Š๐’‚๐’„๐’”. ๐‘ฐ ๐’˜๐’๐’–๐’๐’… ๐’”๐’‚๐’š ๐’•๐’‰๐’Š๐’” ๐’Š๐’” ๐’‰๐’†๐’‚๐’—๐’Š๐’๐’š ๐’„๐’๐’๐’๐’†๐’„๐’•๐’†๐’… ๐’•๐’ ๐’•๐’‰๐’† ๐’”๐’‚๐’„๐’“๐’‚๐’ ๐’„๐’‰๐’‚๐’Œ๐’“๐’‚ ๐’ƒ๐’†๐’„๐’‚๐’–๐’”๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’† ๐’†๐’๐’†๐’“๐’ˆ๐’Š๐’†๐’”, ๐’‚๐’๐’… ๐’•๐’‰๐’† ๐’˜๐’‚๐’๐’•๐’Š๐’๐’ˆ ๐’•๐’ ๐’˜๐’‚๐’๐’๐’๐’˜ ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’˜๐’†๐’†๐’•๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’‘๐’‚๐’“๐’‚๐’…๐’† ๐’Š๐’ ๐’‡๐’Š๐’๐’†๐’“๐’š. ๐‘ฐ ๐’‚๐’๐’”๐’ ๐’˜๐’‚๐’๐’• ๐’•๐’ ๐’‚๐’…๐’… ๐’Š๐’ ๐’•๐’‰๐’† ๐’๐’‚๐’Œ "๐‘น๐’๐’‰๐’Š๐’๐’Š" ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’Ž๐’๐’๐’! ๐‘ป๐’‰๐’Š๐’” ๐’๐’‚๐’Œ ๐’๐’Š๐’†๐’” ๐’†๐’๐’•๐’Š๐’“๐’†๐’๐’š ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’ ๐’๐’‡ ๐‘ป๐’‚๐’–๐’“๐’–๐’”! ๐‘จ๐’“๐’† ๐’˜๐’† ๐’”๐’†๐’†๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’‘๐’‚๐’•๐’•๐’†๐’“๐’๐’”? ๐‘ป๐’‰๐’Š๐’” ๐’๐’‚๐’Œ๐’‚๐’”๐’‰๐’‚๐’•๐’“๐’‚ ๐’Š๐’” ๐’Œ๐’๐’๐’˜๐’ ๐’‡๐’๐’“ ๐’Š๐’•๐’” ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’†๐’๐’• ๐’๐’‚๐’•๐’–๐’“๐’† ๐’‚๐’๐’… ๐’๐’๐’—๐’† ๐’‡๐’๐’“ ๐’๐’–๐’™๐’–๐’“๐’š!
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๐‘ต๐’†๐’™๐’• ๐’˜๐’† ๐’‚๐’“๐’† ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’•๐’ ๐’•๐’๐’–๐’„๐’‰ ๐’๐’ ๐‘ณ๐’Š๐’ƒ๐’“๐’‚. ๐‘ป๐’‰๐’Š๐’” ๐’‚๐’Š๐’“ ๐’”๐’Š๐’ˆ๐’ ๐’Š๐’” ๐’”๐’•๐’“๐’‚๐’Š๐’ˆ๐’‰๐’• ๐’๐’–๐’• ๐’๐’–๐’™๐’–๐’“๐’š. ๐‘ป๐’‰๐’†๐’š ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’• ๐’Ž๐’†๐’“๐’„๐’‰๐’‚๐’๐’…๐’Š๐’”๐’Š๐’๐’ˆ, ๐’Ž๐’‚๐’๐’๐’” , ๐’‚๐’๐’… ๐’‚๐’๐’ ๐’•๐’‰๐’† ๐’‡๐’Š๐’๐’† ๐’‚๐’๐’•๐’Š๐’’๐’–๐’†๐’” ๐’š๐’๐’– ๐’”๐’†๐’† ๐’˜๐’‰๐’†๐’ ๐’š๐’๐’– ๐’๐’๐’๐’Œ ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰ ๐’•๐’‰๐’† ๐’˜๐’Š๐’๐’…๐’๐’˜ ๐’‚๐’• ๐’‚๐’ ๐’†๐’™๐’‘๐’†๐’๐’”๐’Š๐’—๐’† ๐’”๐’•๐’๐’“๐’†. ๐‘ฏ๐’๐’˜๐’†๐’—๐’†๐’“ ๐’•๐’‰๐’†๐’”๐’† ๐’‘๐’†๐’†๐’‘๐’” ๐’‚๐’“๐’† ๐’‚๐’๐’”๐’ ๐’‚ ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’ƒ๐’‚๐’๐’‚๐’๐’„๐’†, ๐’‚๐’๐’… ๐’†๐’๐’๐’’๐’–๐’†๐’๐’„๐’†. ๐‘ป๐’‰๐’‚๐’•'๐’” ๐’˜๐’‰๐’š ๐’Š๐’•'๐’” ๐’‰๐’‚๐’“๐’… ๐’‡๐’๐’“ ๐’Ž๐’† ๐’•๐’ ๐’‡๐’–๐’๐’๐’š ๐’‘๐’–๐’• ๐’๐’Š๐’ƒ๐’“๐’‚ ๐’Š๐’๐’•๐’ ๐’•๐’‰๐’† ๐’„๐’‚๐’•๐’†๐’ˆ๐’๐’“๐’š ๐’๐’‡ ๐’‰๐’‚๐’—๐’Š๐’๐’ˆ ๐’‚ ๐’”๐’˜๐’†๐’†๐’• ๐’•๐’๐’๐’•๐’‰ ๐’‹๐’–๐’”๐’• ๐’…๐’–๐’† ๐’•๐’ ๐’•๐’‰๐’†๐’Ž ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’”๐’ ๐’†๐’๐’•๐’‰๐’“๐’‚๐’๐’๐’†๐’… ๐’˜๐’Š๐’•๐’‰ ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’‘๐’†๐’“๐’‡๐’†๐’„๐’• ๐’Š๐’ ๐’•๐’‰๐’† ๐’†๐’š๐’†๐’” ๐’๐’‡ ๐’๐’•๐’‰๐’†๐’“๐’”. ๐‘ต๐’๐’˜ ๐’…๐’๐’'๐’• ๐’ˆ๐’†๐’• ๐’Ž๐’† ๐’˜๐’“๐’๐’๐’ˆ ๐’๐’Š๐’ƒ๐’“๐’‚๐’” ๐’”๐’–๐’“๐’† ๐’…๐’๐’'๐’• ๐’Ž๐’Š๐’๐’… ๐’•๐’“๐’†๐’‚๐’•๐’Š๐’๐’ˆ ๐’•๐’‰๐’†๐’Ž๐’”๐’†๐’๐’—๐’†๐’” ๐’ƒ๐’–๐’•, ๐’–๐’๐’๐’†๐’”๐’” ๐’•๐’‰๐’† ๐’Ž๐’๐’๐’ ๐’Š๐’” ๐’Š๐’ ๐’๐’Š๐’ƒ๐’“๐’‚ ๐’๐’“ ๐’”๐’๐’Ž๐’†๐’•๐’Š๐’Ž๐’†๐’” ๐’—๐’†๐’๐’–๐’” ๐‘ฐ ๐’…๐’๐’'๐’• ๐’”๐’†๐’† ๐’•๐’‰๐’†๐’Ž ๐’ˆ๐’๐’Š๐’๐’ˆ ๐’๐’—๐’†๐’“๐’ƒ๐’๐’‚๐’“๐’… ๐’๐’Š๐’Œ๐’† ๐’‚ ๐’•๐’‚๐’–๐’“๐’–๐’” ๐’๐’“ ๐’„๐’‚๐’๐’„๐’†๐’“.
๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’Š๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’ ๐’๐’‡ ๐’„๐’‚๐’๐’„๐’†๐’“. ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’‰๐’‚๐’” ๐’‚ ๐’๐’†๐’†๐’… ๐’•๐’ ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’ƒ๐’† ๐’๐’ ๐’•๐’‰๐’† ๐’๐’๐’๐’Œ ๐’‡๐’๐’“ ๐’”๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ, ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’๐’๐’๐’Œ๐’Š๐’๐’ˆ ๐’•๐’ ๐’†๐’™๐’‘๐’‚๐’๐’…. ๐‘ช๐’‚๐’๐’„๐’†๐’“ ๐’Š๐’” ๐’‚๐’๐’˜๐’‚๐’š๐’” ๐’๐’๐’๐’Œ ๐’‡๐’๐’“ ๐’„๐’๐’Ž๐’‡๐’๐’“๐’•, ๐’‚๐’๐’… ๐’Ž๐’๐’“๐’† ๐’”๐’†๐’„๐’–๐’“๐’Š๐’•๐’š. ๐‘ฐ ๐’˜๐’‚๐’๐’• ๐’•๐’ ๐’•๐’๐’–๐’„๐’‰ ๐’๐’ ๐’•๐’‰๐’† ๐’๐’‚๐’Œ๐’”๐’‰๐’‚๐’•๐’“๐’‚ "๐‘ท๐’–๐’๐’‚๐’“๐’—๐’‚๐’”๐’–" ๐’‡๐’๐’“ ๐’‚ ๐’Ž๐’Š๐’๐’–๐’•๐’†. ๐‘ป๐’‰๐’Š๐’” ๐’๐’‚๐’Œ ๐’Š๐’” ๐’Ž๐’๐’”๐’•๐’๐’š ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’ ๐’๐’‡ ๐’„๐’‚๐’๐’„๐’†๐’“, ๐’‚๐’๐’… ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“. ๐‘ฐ ๐’•๐’‰๐’Š๐’๐’Œ ๐’•๐’‰๐’Š๐’” ๐’๐’‚๐’Œ ๐’Š๐’” ๐’๐’๐’† ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’๐’”๐’• ๐’‚๐’–๐’”๐’‘๐’Š๐’„๐’Š๐’๐’–๐’” ๐’‹๐’–๐’”๐’• ๐’‡๐’“๐’๐’Ž ๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’‚ ๐’๐’–๐’„๐’Œ ๐’‡๐’Š๐’๐’๐’†๐’…, ๐’‚๐’๐’… ๐’‚๐’ƒ๐’–๐’๐’…๐’‚๐’๐’• ๐’‘๐’๐’‚๐’๐’†๐’•. ๐‘จ๐’๐’š๐’˜๐’‚๐’š๐’” ๐’๐’–๐’“ ๐’„๐’‚๐’๐’„๐’†๐’“๐’” ๐’๐’๐’—๐’† ๐’„๐’๐’›๐’Š๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’˜๐’‚๐’“๐’Ž๐’๐’†๐’”๐’”. ๐‘ฐ๐’ ๐’‚ ๐’˜๐’‚๐’š, ๐‘ฐ ๐’•๐’‰๐’Š๐’๐’Œ ๐’๐’‡ ๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’‚๐’” ๐’•๐’‰๐’† ๐’‘๐’“๐’๐’•๐’†๐’„๐’•๐’๐’“ ๐’๐’‡ ๐’„๐’‚๐’๐’„๐’†๐’“ ๐’…๐’–๐’† ๐’•๐’ ๐’„๐’‚๐’๐’„๐’†๐’“ ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’”๐’ ๐’”๐’๐’‡๐’•. ๐‘ฉ๐’–๐’• ๐’๐’‡ ๐’„๐’๐’–๐’“๐’”๐’†, ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’†๐’™๐’‘๐’‚๐’๐’…๐’” ๐’•๐’‰๐’Š๐’” ๐’”๐’๐’‡๐’•๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’๐’†๐’†๐’…๐’” ๐’‚๐’๐’… ๐’˜๐’‚๐’๐’•๐’” ๐’•๐’ ๐’ƒ๐’† ๐’„๐’๐’Ž๐’‡๐’๐’“๐’•๐’†๐’… ๐’‚๐’๐’… ๐’„๐’๐’Ž๐’‡๐’๐’“๐’• ๐’๐’•๐’‰๐’†๐’“๐’”. ๐‘ป๐’‰๐’Š๐’” ๐’„๐’‚๐’ ๐’„๐’๐’Ž๐’†๐’” ๐’Š๐’ ๐’‡๐’๐’“๐’Ž๐’” ๐’๐’‡ ๐’ƒ๐’‚๐’Œ๐’Š๐’๐’ˆ, ๐’‚๐’๐’… ๐’๐’“ ๐’†๐’‚๐’•๐’Š๐’๐’ˆ. ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’š๐’†๐’‚๐’“๐’๐’” ๐’•๐’ ๐’‡๐’Š๐’๐’… ๐’‰๐’‚๐’‘๐’‘๐’Š๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’˜๐’†๐’‚๐’๐’•๐’‰. ๐‘ช๐’‚๐’๐’„๐’†๐’“ ๐’–๐’“๐’ˆ๐’†๐’” ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’•๐’ ๐’˜๐’‚๐’๐’• ๐’•๐’, ๐’‚๐’๐’… ๐’Š๐’• ๐’‡๐’†๐’†๐’๐’” ๐’๐’‚๐’•๐’–๐’“๐’‚๐’๐’๐’š ๐’„๐’๐’Ž๐’‡๐’๐’“๐’•๐’‚๐’ƒ๐’๐’† ๐’•๐’ ๐’…๐’ ๐’”๐’.
๐‘ฝ๐’†๐’๐’–๐’” ๐’Š๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’ ๐’๐’‡ ๐’‘๐’Š๐’”๐’„๐’†๐’”. ๐‘ท๐’Š๐’”๐’„๐’†๐’” ๐’Š๐’” ๐’•๐’‰๐’† ๐’”๐’Š๐’ˆ๐’ ๐’๐’‡ ๐’Š๐’Ž๐’‚๐’ˆ๐’Š๐’๐’‚๐’•๐’Š๐’๐’, ๐’‚๐’๐’… ๐’‰๐’‚๐’—๐’Š๐’๐’ˆ ๐’‚ ๐’˜๐’‚๐’๐’…๐’†๐’“ ๐’‡๐’๐’“ ๐’˜๐’‰๐’‚๐’•'๐’” ๐’…๐’†๐’†๐’Ž๐’†๐’… ๐’•๐’ ๐’ƒ๐’† ๐’Š๐’Ž๐’‘๐’๐’”๐’”๐’Š๐’ƒ๐’๐’† ๐’๐’“ ๐’–๐’๐’“๐’†๐’‚๐’. ๐‘จ๐’” ๐‘ฐ'๐’—๐’† ๐’”๐’‚๐’Š๐’… ๐’†๐’‚๐’“๐’๐’Š๐’†๐’“, ๐’—๐’†๐’๐’–๐’” ๐’Š๐’” ๐’‚๐’”๐’”๐’๐’„๐’Š๐’‚๐’•๐’†๐’… ๐’˜๐’Š๐’•๐’‰ ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’†๐’๐’„๐’†. ๐‘ท๐’Š๐’”๐’„๐’†๐’” ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’๐’†๐’‘๐’•๐’–๐’๐’† ๐’Š๐’” ๐’†๐’”๐’”๐’†๐’๐’•๐’Š๐’‚๐’๐’๐’š ๐’•๐’‰๐’† ๐’‰๐’Š๐’ˆ๐’‰๐’†๐’“ ๐’๐’„๐’•๐’‚๐’—๐’† ๐’๐’‡ ๐’—๐’†๐’๐’–๐’”. ๐‘ฌ๐’™๐’‘๐’๐’‚๐’Š๐’๏ฟฝ๏ฟฝ ๐’˜๐’‰๐’š ๐’๐’–๐’“ ๐’‘๐’Š๐’”๐’„๐’†๐’” ๐’„๐’‚๐’ ๐’ƒ๐’† ๐’‡๐’๐’๐’…๐’Š๏ฟฝ๏ฟฝ๐’”, ๐’‚๐’๐’… ๐’‰๐’‚๐’—๐’† ๐’‰๐’–๐’ˆ๐’† ๐’”๐’˜๐’†๐’†๐’• ๐’•๐’๐’๐’•๐’‰๐’†๐’” ๐’‚๐’” ๐’˜๐’†๐’๐’ (๐’”๐’๐’Ž๐’† ๐’๐’‡ ๐’•๐’‰๐’‚๐’• ๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’Š๐’๐’‡๐’๐’–๐’†๐’๐’„๐’† ๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’•๐’‰๐’“๐’๐’–๐’ˆ๐’‰)
๐“๐ก๐ž๐ฌ๐ž ๐ฌ๐ข๐ ๐ง๐ฌ ๐š๐ฅ๐ฅ ๐ก๐š๐ฏ๐ž ๐š ๐ฌ๐ฉ๐ž๐œ๐ข๐š๐ฅ ๐œ๐จ๐ง๐ง๐ž๐œ๐ญ๐ข๐จ๐ง ๐ฐ๐ก๐ž๐ง ๐ข๐ญ ๐œ๐จ๐ฆ๐ž๐ฌ ๐ญ๐จ ๐š๐ซ๐ญ, ๐›๐ž๐š๐ฎ๐ญ๐ฒ, ๐ ๐ฅ๐š๐ฆ๐จ๐ฎ๐ซ, ๐ฌ๐ž๐ง๐ฌ๐ฎ๐š๐ฅ๐ข๐ญ๐ฒ, ๐š๐ง๐ ๐ข๐ง๐๐ฎ๐ฅ๐ ๐ž๐ง๐œ๐ž.
๐๐ž๐ฉ๐ญ๐ฎ๐ง๐ž ๐›๐ž๐ข๐ง๐  ๐ž๐ฑ๐š๐ฅ๐ญ๐ž๐ ๐ข๐ง ๐ฅ๐ž๐จ โ†ช ๐’๐ฎ๐ง
๐•๐ž๐ง๐ฎ๐ฌ ๐Ÿ๐ข๐ง๐๐ข๐ง๐  ๐ฃ๐จ๐ฒ ๐ข๐ง ๐ฅ๐ž๐จ
๐•๐ž๐ง๐ฎ๐ฌ ๐›๐ž๐ข๐ง๐  ๐ž๐ฑ๐š๐ฅ๐ญ๐ž๐ ๐ข๐ง ๐๐ข๐ฌ๐œ๐ž๐ฌ โ†ช ๐๐ž๐ฉ๐ญ๐ฎ๐ง๐ž
๐๐ž๐ฉ๐ญ๐ฎ๐ง๐ž ๐š๐ฉ๐ฌ๐ž๐œ๐ญ๐ข๐ง๐  ๐ฏ๐ž๐ง๐ฎ๐ฌ ๐ ๐ข๐ฏ๐ž๐ฌ ๐›๐ž๐š๐ฎ๐ญ๐ฒ, ๐œ๐ซ๐ž๐š๐ญ๐ข๐ฏ๐ข๐ญ๐ฒ, ๐ ๐ซ๐ž๐š๐ญ ๐ญ๐š๐ฌ๐ญ๐ž ๐ข๐ง ๐ ๐ž๐ง๐ž๐ซ๐š๐ฅ
๐‹๐ข๐›๐ซ๐š ๐š๐ง๐ ๐“๐š๐ฎ๐ซ๐ฎ๐ฌ ๐ซ๐ฎ๐ฅ๐ž๐ ๐›๐ฒ ๐•๐ž๐ง๐ฎ๐ฌ
๐“๐š๐ฎ๐ซ๐ฎ๐ฌ ๐›๐ž๐ข๐ง๐  ๐ž๐ฑ๐š๐ฅ๐ญ๐ž๐ ๐ข๐ง ๐Œ๐จ๐จ๐ง โ†ช ๐‚๐š๐ง๐œ๐ž๐ซ
๐‚๐š๐ง๐œ๐ž๐ซ ๐›๐ž๐ข๐ง๐  ๐ž๐ฑ๐š๐ฅ๐ญ๐ž๐ ๐ข๐ง ๐‰๐ฎ๐ฉ๐ข๐ญ๐ž๐ซ โ†ช ๐’๐š๐ ๐ ๐ข๐ญ๐š๐ซ๐ข๐ฎ๐ฌ
๐’๐š๐ ๐ ๐ข๐ญ๐ญ๐š๐ซ๐ข๐ฎ๐ฌ ๐ซ๐ž๐ฉ๐ซ๐ž๐ฌ๐ž๐ง๐ญ๐ข๐ง๐  ๐ž๐ฑ๐ฉ๐š๐ง๐ฌ๐ข๐จ๐ง ๐š๐ง๐ ๐ญ๐ก๐ž ๐ฅ๐จ๐ฏ๐ž ๐Ÿ๐จ๐ซ ๐ž๐ฑ๐ฉ๐ฅ๐จ๐ซ๐ข๐ง๐  ๐๐ข๐Ÿ๐Ÿ๐ž๐ซ๐ž๐ง๐ญ ๐ญ๐ฒ๐ฉ๐ž๐ฌ ๐จ๐Ÿ ๐Ÿ๐จ๐จ๐๐ฌ.
๐‘ฐ ๐’Ž๐’‚๐’…๐’† ๐’•๐’‰๐’Š๐’” ๐’‘๐’๐’”๐’• ๐’•๐’ ๐’”๐’‰๐’๐’˜ ๐’•๐’‰๐’† ๐’๐’Š๐’๐’Œ ๐’ƒ๐’†๐’•๐’˜๐’†๐’†๐’ ๐’‚๐’๐’ ๐’•๐’‰๐’†๐’”๐’† ๐’”๐’Š๐’ˆ๐’๐’”/๐’‘๐’๐’‚๐’๐’†๐’•๐’” ๐’‚๐’๐’… ๐’๐’‚๐’Œ๐’”๐’‰๐’‚๐’•๐’“๐’‚๐’”. ๐‘ต๐’๐’•๐’Š๐’„๐’† ๐’‰๐’๐’˜ ๐’•๐’‰๐’†๐’š ๐’‚๐’๐’ ๐’‰๐’‚๐’—๐’† ๐’‚ ๐’‘๐’‚๐’•๐’•๐’†๐’“๐’ ๐’๐’‡ ๐’„๐’๐’Ž๐’Š๐’๐’ˆ ๐’ƒ๐’‚๐’„๐’Œ ๐’•๐’ ๐’๐’๐’† ๐’‚๐’๐’๐’•๐’‰๐’†๐’“! ๐‘ด๐’๐’๐’๐’” ๐’†๐’™๐’‚๐’๐’•๐’Š๐’๐’ ๐’‘๐’๐’Š๐’๐’• ๐’Š๐’” ๐’Š๐’ ๐’•๐’‚๐’–๐’“๐’–๐’”, ๐‘ฝ๐’†๐’๐’–๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’ ๐’‘๐’Š๐’”๐’„๐’†๐’”, ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’ ๐‘ช๐’‚๐’๐’„๐’†๐’“. ๐‘น๐’๐’‰๐’Š๐’๐’Š (๐‘ป๐’‚๐’–๐’“๐’–๐’”) ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’Ž๐’๐’๐’, ๐’•๐’‰๐’† ๐’๐’–๐’Ž๐’Š๐’๐’‚๐’“๐’š ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’•'๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’. ๐‘ป๐’‰๐’† ๐’๐’‚๐’Œ๐’”๐’‰๐’‚๐’•๐’“๐’‚ ๐‘น๐’๐’‰๐’Š๐’๐’Š ๐’Š๐’” ๐’”๐’š๐’Ž๐’ƒ๐’๐’๐’Š๐’›๐’†๐’… ๐’ƒ๐’š ๐’‚๐’ƒ๐’–๐’๐’…๐’‚๐’๐’„๐’†, ๐’˜๐’†๐’‚๐’๐’•๐’‰, ๐’‚๐’๐’… ๐’‹๐’–๐’Š๐’„๐’†๐’”. ๐‘ท๐’–๐’๐’‚๐’“๐’—๐’‚๐’”๐’– (๐‘พ๐’†'๐’“๐’† ๐’”๐’‘๐’†๐’‚๐’Œ๐’Š๐’๐’ˆ ๐’๐’๐’๐’š ๐’๐’‡ ๐‘ช๐’‚๐’๐’„๐’†๐’“ ๐‘น๐’‚๐’”๐’‰๐’Š) ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“, ๐’•๐’‰๐’† ๐’‘๐’๐’‚๐’๐’†๐’• ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’•'๐’” ๐’†๐’™๐’‚๐’๐’•๐’†๐’… ๐’Š๐’. ๐‘ป๐’‰๐’Š๐’” ๐’๐’‚๐’Œ๐’”๐’‰๐’‚๐’•๐’“๐’‚ ๐’Š๐’” ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’†๐’… ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’„๐’†๐’๐’†๐’”๐’•๐’Š๐’‚๐’ ๐’Ž๐’๐’•๐’‰๐’†๐’“ "๐‘จ๐’…๐’Š๐’•๐’Š". ๐‘ท๐’–๐’๐’‚๐’“๐’—๐’‚๐’”๐’– ๐’๐’Š๐’•๐’†๐’“๐’‚๐’๐’๐’š ๐’Ž๐’†๐’‚๐’๐’” ๐’•๐’‰๐’† ๐’“๐’†๐’”๐’•๐’๐’“๐’†๐’“ ๐’๐’‡ ๐’ˆ๐’๐’๐’…๐’”, ๐’‚๐’” ๐’˜๐’† ๐’”๐’†๐’† ๐’•๐’‰๐’† ๐’‘๐’‚๐’•๐’•๐’†๐’“๐’ ๐’๐’‡ ๐’‡๐’†๐’Ž๐’Š๐’๐’Š๐’๐’† ๐’†๐’๐’†๐’“๐’ˆ๐’š, ๐’‚๐’๐’… ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’๐’ ๐’˜๐’Š๐’•๐’‰๐’Š๐’ ๐’•๐’‰๐’†๐’”๐’† ๐’”๐’Š๐’ˆ๐’๐’”. ๐‘ท๐’–๐’๐’‚๐’“๐’—๐’‚๐’”๐’– ๐’Š๐’” ๐’•๐’‰๐’† ๐’Ž๐’๐’•๐’‰๐’†๐’“ ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’‡๐’†๐’†๐’…๐’” ๐’•๐’‰๐’† ๐’…๐’“๐’Š๐’†๐’… ๐’‚๐’๐’… ๐’”๐’Š๐’„๐’Œ ๐’๐’‚๐’๐’… ๐’‚๐’๐’… ๐’‘๐’๐’–๐’“๐’” ๐’๐’๐’–๐’“๐’Š๐’”๐’‰๐’Ž๐’†๐’๐’• ๐’ƒ๐’‚๐’„๐’Œ ๐’Š๐’๐’•๐’ ๐’•๐’‰๐’†๐’Ž (๐’…๐’ ๐’˜๐’†๐’”๐’†๐’† ๐’•๐’‰๐’† ๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“ ๐’‚๐’๐’… ๐’„๐’‚๐’๐’„๐’†๐’“ ๐’†๐’๐’†๐’“๐’ˆ๐’š?) ๐‘น๐’๐’‰๐’Š๐’๐’Š ๐’Š๐’” ๐’๐’Š๐’•๐’†๐’“๐’‚๐’๐’๐’š ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’†๐’… ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’„๐’๐’˜, ๐’‚๐’๐’… ๐’Ž๐’†๐’‚๐’๐’” ๐’ˆ๐’“๐’๐’˜๐’•๐’‰. ๐‘พ๐’† ๐’”๐’†๐’† ๐’•๐’‰๐’†๐’”๐’† ๐’†๐’๐’“๐’ˆ๐’Š๐’†๐’” ๐’„๐’“๐’†๐’‚๐’•๐’† ๐’‚๐’๐’… ๐’Ž๐’๐’•๐’‰๐’†๐’“ ๐’Š๐’ ๐’‚ ๐’”๐’†๐’๐’”๐’† ๐’•๐’‰๐’‚๐’•๐’” ๐’”๐’Š๐’Ž๐’Š๐’๐’‚๐’“ ๐’•๐’ ๐’˜๐’‚๐’๐’•๐’Š๐’๐’ˆ ๐’•๐’ ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’† ๐’Š๐’ ๐’”๐’˜๐’†๐’†๐’•๐’๐’†๐’”๐’” ๐’…๐’–๐’† ๐’•๐’ ๐’•๐’‰๐’†๐’Š๐’“ ๐’‚๐’ƒ๐’–๐’๐’…๐’‚๐’๐’„๐’† ๐’๐’‡ ๐’‡๐’†๐’Ž๐’Š๐’๐’Š๐’๐’Š๐’•๐’š. ๐‘จ๐’๐’๐’•๐’‰๐’†๐’“ ๐’๐’๐’† ๐’•๐’‰๐’‚๐’• ๐‘ฐ ๐’”๐’†๐’† ๐’„๐’๐’“๐’“๐’†๐’๐’‚๐’•๐’Š๐’๐’ ๐’˜๐’Š๐’•๐’‰ ๐’Š๐’” ๐‘ท๐’–๐’“๐’—๐’‚๐’‘๐’‰๐’‚๐’๐’ˆ๐’–๐’๐’Š (๐‘ณ๐’†๐’) ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’—๐’†๐’๐’–๐’”, ๐’๐’†๐’ ๐’Š๐’” ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’•๐’‰๐’† ๐’”๐’–๐’. ๐‘ป๐’‰๐’†๐’”๐’† ๐’•๐’˜๐’ ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’• ๐’‰๐’‚๐’‘๐’‘๐’Š๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’„๐’†๐’๐’†๐’ƒ๐’“๐’‚๐’•๐’Š๐’๐’. ๐‘บ๐’๐’Ž๐’†๐’•๐’‰๐’Š๐’๐’ˆ ๐’—๐’†๐’๐’–๐’” ๐’๐’‚๐’•๐’–๐’“๐’‚๐’๐’๐’š ๐’†๐’๐’‹๐’๐’š๐’”. ๐‘ป๐’‰๐’Š๐’” ๐’Š๐’” ๐’˜๐’‰๐’š ๐’•๐’‰๐’Š๐’” ๐’๐’‚๐’Œ ๐’Ž๐’‚๐’Œ๐’†๐’” ๐’—๐’†๐’“๐’š ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’† ๐’‚๐’๐’… ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’†๐’๐’• ๐’‘๐’†๐’๐’‘๐’๐’†. ๐‘บ๐’–๐’ˆ๐’‚๐’“ ๐’ƒ๐’๐’๐’”๐’•๐’” ๐’•๐’‰๐’† ๐’”๐’†๐’“๐’๐’•๐’๐’๐’Š๐’ ๐’๐’†๐’—๐’†๐’๐’” ๐’˜๐’Š๐’•๐’‰๐’Š๐’ ๐’–๐’”. ๐‘บ๐’†๐’“๐’๐’•๐’๐’๐’Š๐’ ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’” ๐’‰๐’‚๐’‘๐’‘๐’Š๐’๐’†๐’”๐’”. ๐‘ฐ๐’• ๐’ˆ๐’Š๐’—๐’†๐’” ๐’„๐’‚๐’๐’Ž๐’๐’†๐’”๐’” ๐’‚๐’๐’… ๐’“๐’†๐’๐’‚๐’™๐’‚๐’•๐’Š๐’๐’,๐’˜๐’‰๐’Š๐’„๐’‰ ๐’˜๐’† ๐’”๐’†๐’† ๐’‚๐’๐’ ๐’•๐’‰๐’†๐’”๐’† ๐’”๐’Š๐’ˆ๐’๐’” ๐’†๐’๐’‹๐’๐’š. ๐‘ณ๐’‚๐’”๐’•๐’๐’š ๐’•๐’ ๐’•๐’‚๐’๐’Œ ๐’Ž๐’๐’“๐’† ๐’‚๐’ƒ๐’๐’–๐’• ๐’‚๐’‘๐’‰๐’“๐’๐’…๐’Š๐’•๐’† ๐’“๐’†๐’๐’‚๐’•๐’Š๐’๐’ˆ ๐’•๐’ ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’…, "๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’Š๐’”๐’Š๐’‚๐’„". ๐‘ป๐’‰๐’Š๐’” ๐’˜๐’๐’“๐’… ๐’Ž๐’†๐’‚๐’๐’” ๐’‘๐’๐’†๐’‚๐’”๐’–๐’“๐’† ๐’‡๐’“๐’๐’Ž ๐’Š๐’๐’…๐’–๐’๐’ˆ๐’†๐’๐’„๐’†, ๐’‚๐’๐’… ๐’‡๐’“๐’๐’Ž ๐’‡๐’๐’๐’…๐’”, ๐’…๐’“๐’Š๐’๐’Œ๐’”, ๐’‚๐’๐’… ๐’”๐’๐’Ž๐’†๐’•๐’Š๐’Ž๐’†๐’” ๐’†๐’—๐’†๐’ ๐’…๐’“๐’–๐’ˆ๐’”. ๐‘ฐ ๐’Ž๐’†๐’๐’•๐’Š๐’๐’๐’†๐’… ๐’•๐’‰๐’Š๐’” ๐’˜๐’๐’“๐’… ๐’‘๐’–๐’“๐’‘๐’๐’”๐’†๐’๐’š ๐’‚๐’ƒ๐’๐’—๐’† โคด, ๐’•๐’“๐’š๐’Š๐’๐’ˆ ๐’•๐’ ๐’†๐’™๐’‘๐’๐’‚๐’Š๐’ ๐’‰๐’๐’˜ ๐’”๐’†๐’๐’”๐’–๐’‚๐’, ๐’‚๐’๐’… ๐’”๐’†๐’™๐’–๐’‚๐’ ๐’“๐’†๐’‚๐’๐’๐’š ๐’†๐’—๐’†๐’“๐’š๐’•๐’‰๐’Š๐’๐’ˆ ๐’Š๐’”. ๐‘พ๐’‰๐’†๐’ ๐’˜๐’† ๐’”๐’‘๐’†๐’‚๐’Œ ๐’๐’‡ ๐’•๐’‚๐’”๐’•๐’†, ๐’”๐’Ž๐’†๐’๐’, ๐’•๐’๐’–๐’„๐’‰, ๐’”๐’Š๐’ˆ๐’‰๐’•, ๐’‚๐’๐’… ๐’‰๐’†๐’‚๐’“๐’Š๐’๐’ˆ ๐’•๐’‰๐’Š๐’” ๐’‚๐’๐’ ๐’“๐’†๐’๐’‚๐’•๐’†๐’” ๐’ƒ๐’‚๐’„๐’Œ ๐’•๐’ ๐’•๐’‰๐’† ๐’‚๐’„๐’• ๐’๐’‡ ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š. ๐‘บ๐’‰๐’๐’˜๐’Š๐’๐’ˆ ๐’‰๐’๐’˜ ๐’•๐’‰๐’Š๐’” ๐’“๐’†๐’๐’‚๐’•๐’†๐’” ๐’•๐’ ๐’•๐’‰๐’† ๐’”๐’‚๐’„๐’“๐’‚๐’ ๐’„๐’‰๐’‚๐’Œ๐’“๐’‚ ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Š๐’” ๐’‚๐’๐’ ๐’‚๐’ƒ๐’๐’–๐’• ๐’”๐’†๐’™๐’–๐’‚๐’ ๐’†๐’๐’†๐’“๐’ˆ๐’š ๐’‚๐’๐’… ๐’„๐’“๐’†๐’‚๐’•๐’Š๐’—๐’Š๐’•๐’š. ๐‘ต๐’๐’˜ ๐’•๐’š๐’Š๐’๐’ˆ ๐’•๐’‰๐’Š๐’” ๐’Š๐’๐’•๐’ ๐’•๐’‰๐’† ๐’†๐’™๐’‘๐’‚๐’๐’”๐’Š๐’—๐’† ๐’†๐’๐’†๐’“๐’ˆ๐’š ๐’๐’‡ ๐’”๐’‚๐’ˆ๐’ˆ๐’Š๐’•๐’‚๐’“๐’Š๐’–๐’” ๐’‚๐’๐’… ๐’‘๐’Š๐’”๐’„๐’†๐’”. ๐‘ท๐’–๐’“๐’—๐’‚ ๐‘จ๐’”๐’‰๐’‚๐’…๐’‚ (๐‘บ๐’‚๐’ˆ๐’ˆ๐’Š๐’•๐’•๐’‚๐’“๐’Š๐’–๐’”) ๐’‚๐’” ๐‘ฐ ๐’”๐’•๐’‚๐’•๐’†๐’… ๐’†๐’‚๐’“๐’๐’Š๐’†๐’“ ๐’˜๐’Š๐’•๐’‰ ๐’•๐’‰๐’† ๐’˜๐’๐’“๐’… ๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’Š๐’”๐’Š๐’‚๐’„๐’”. ๐‘ฐ ๐’‡๐’†๐’†๐’ ๐’•๐’‰๐’Š๐’” ๐’Š๐’” ๐’„๐’๐’๐’”๐’†๐’๐’š ๐’•๐’Š๐’†๐’… ๐’•๐’ ๐’•๐’‰๐’Š๐’” ๐’†๐’๐’†๐’“๐’ˆ๐’š ๐’…๐’–๐’† ๐’•๐’ ๐’‘๐’–๐’“๐’—๐’‚ ๐’‚๐’”๐’‰๐’‚๐’…๐’‚ ๐’‚๐’๐’”๐’ ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’•๐’Š๐’†๐’… ๐’•๐’ ๐‘จ๐’‘๐’‰๐’“๐’๐’…๐’Š๐’•๐’†. ๐‘ป๐’‰๐’† ๐’—๐’†๐’…๐’Š๐’„ ๐’…๐’Š๐’†๐’•๐’š ๐’Š๐’” ๐’„๐’‚๐’๐’๐’†๐’… "๐‘จ๐’‘๐’‚" ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’Ž๐’†๐’‚๐’๐’” ๐’˜๐’‚๐’•๐’†๐’“, ๐’“๐’†๐’‹๐’–๐’—๐’†๐’๐’‚๐’•๐’Š๐’๐’, ๐’‘๐’–๐’“๐’Š๐’‡๐’Š๐’„๐’‚๐’•๐’Š๐’๐’, ๐’‚๐’๐’… ๐’‚๐’๐’ ๐’ƒ๐’๐’…๐’Š๐’†๐’” ๐’๐’‡ ๐’˜๐’‚๐’•๐’†๐’“. ๐‘บ๐’Š๐’Ž๐’Š๐’๐’‚๐’“ ๐’•๐’ ๐’•๐’‰๐’† ๐’”๐’•๐’๐’“๐’š ๐’๐’‡ ๐’ˆ๐’๐’…๐’…๐’†๐’”๐’” ๐‘จ๐’‘๐’‰๐’“๐’‘๐’…๐’Š๐’•๐’† ๐’˜๐’‰๐’๐’Ž ๐’˜๐’‚๐’” ๐’ƒ๐’๐’“๐’ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’† ๐’˜๐’‚๐’•๐’†๐’“. ๐‘บ๐’‚๐’ˆ๐’ˆ๐’Š๐’•๐’•๐’‚๐’“๐’Š๐’–๐’” ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’“๐’–๐’๐’†๐’… ๐’ƒ๐’š ๐’—๐’†๐’๐’–๐’” ๐’Š๐’ ๐’•๐’‰๐’Š๐’” ๐’๐’‚๐’Œ, ๐’”๐’‰๐’๐’˜๐’” ๐’‚ ๐’†๐’™๐’‘๐’‚๐’๐’”๐’Š๐’๐’๐’” ๐’‡๐’๐’“ ๐’Š๐’๐’…๐’–๐’๐’†๐’ˆ๐’๐’„๐’†, ๐’”๐’˜๐’†๐’†๐’•๐’๐’†๐’”๐’”. ๐‘พ๐’† ๐’”๐’†๐’† ๐’•๐’‰๐’† ๐’†๐’™๐’‘๐’‚๐’๐’”๐’Š๐’๐’๐’” ๐’๐’‡ ๐’‡๐’†๐’Ž๐’Š๐’๐’Š๐’๐’Š๐’•๐’š. ๐‘ป๐’ ๐’Ž๐’† ๐’˜๐’† ๐’”๐’†๐’† ๐’•๐’‰๐’† ๐’„๐’๐’๐’๐’†๐’„๐’•๐’Š๐’๐’ ๐’ƒ๐’†๐’•๐’˜๐’†๐’†๐’ ๐’‘๐’–๐’๐’‚๐’“๐’—๐’‚๐’”๐’– (๐’„๐’‚๐’๐’„๐’†๐’“/๐’ˆ๐’†๐’Ž๐’Š๐’๐’Š/๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“) & ๐‘ท๐’–๐’“๐’—๐’‚ ๐’‚๐’”๐’‰๐’‚๐’…๐’‚ (๐‘บ๐’‚๐’ˆ๐’ˆ๐’Š๐’•๐’•๐’‚๐’“๐’Š๐’–๐’”/๐‘ฝ๐’†๐’๐’–๐’” ๐’˜๐’‰๐’Š๐’„๐’‰ ๐’๐’†๐’‚๐’… ๐’ƒ๐’‚๐’„๐’Œ ๐’•๐’ ๐’๐’๐’† ๐’‚๐’๐’๐’•๐’‰๐’†๐’“. ๐‘ฉ๐’๐’•๐’‰ ๐’•๐’‰๐’†๐’”๐’† ๐’๐’‚๐’Œ๐’” ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’• ๐’“๐’†๐’”๐’•๐’๐’“๐’Š๐’๐’ˆ ๐’•๐’‰๐’† ๐’ˆ๐’๐’๐’…๐’๐’†๐’”๐’”, ๐’‚๐’๐’… ๐’‰๐’š๐’…๐’“๐’‚๐’•๐’Š๐’๐’ ๐’ƒ๐’‚๐’„๐’Œ ๐’Š๐’๐’•๐’ ๐’˜๐’‰๐’‚๐’• ๐’Š๐’” ๐’”๐’Š๐’„๐’Œ ๐’๐’“ ๐’Š๐’Ž๐’‘๐’–๐’“๐’†. ๐‘ป๐’‰๐’†๐’š ๐’‚๐’“๐’† ๐’๐’‚๐’•๐’–๐’“๐’‚๐’๐’๐’š ๐’”๐’†๐’๐’”๐’–๐’‚๐’ (๐’—๐’†๐’๐’–๐’”), ๐’๐’–๐’“๐’–๐’•๐’–๐’“๐’Š๐’๐’ˆ(๐’๐’–๐’๐’‚๐’“), ๐’‚๐’๐’… ๐’†๐’™๐’‘๐’‚๐’๐’”๐’Š๐’—๐’† (๐’‹๐’–๐’‘๐’Š๐’•๐’†๐’“) ๐’Š๐’ ๐’•๐’‰๐’Š๐’” ๐’”๐’†๐’๐’”๐’†. ๐‘พ๐’‚๐’๐’•๐’Š๐’๐’ˆ ๐’•๐’ ๐’Ž๐’‚๐’Œ๐’† ๐’†๐’—๐’†๐’“๐’•๐’‰๐’Š๐’๐’ˆ ๐’„๐’๐’Ž๐’‡๐’๐’“๐’•๐’Š๐’๐’ˆ. ๐‘จ๐’๐’… ๐’‘๐’๐’†๐’‚๐’”๐’Š๐’๐’ˆ ๐’•๐’ ๐’•๐’‰๐’† ๐’†๐’š๐’†. ๐‘ป๐’‰๐’Š๐’” ๐’‚ ๐’“๐’†๐’‘๐’“๐’†๐’”๐’†๐’๐’•๐’‚๐’•๐’Š๐’๐’ ๐’๐’‡ ๐’•๐’‰๐’† ๐’Ž๐’Š๐’๐’Œ ๐’‡๐’“๐’๐’Ž ๐’•๐’‰๐’† ๐’Ž๐’๐’•๐’‰๐’†๐’“. ๐‘ป๐’‰๐’†๐’š ๐’‚๐’“๐’† ๐’„๐’๐’๐’•๐’‚๐’๐’•๐’š ๐’‘๐’“๐’๐’…๐’–๐’„๐’Š๐’๐’ˆ, ๐’”๐’‰๐’๐’˜๐’Š๐’๐’ˆ ๐’•๐’‰๐’†๐’Š๐’“ ๐’๐’†๐’†๐’… ๐’‡๐’๐’“ ๐’„๐’‚๐’“๐’† ๐’‚๐’๐’… ๐’”๐’˜๐’†๐’†๐’•๐’๐’†๐’”๐’”. ๐‘ฝ๐’†๐’๐’–๐’” ๐’‚๐’‘๐’†๐’„๐’•๐’” ๐‘ฑ๐’–๐’‘๐’Š๐’•๐’†๐’“/๐‘ด๐’๐’๐’, (& ๐’—๐’Š๐’„๐’† ๐’—๐’†๐’“๐’”๐’‚) ๐’š๐’๐’–'๐’๐’ ๐’”๐’†๐’† ๐’•๐’‰๐’†๐’”๐’† ๐’‘๐’†๐’๐’‘๐’๐’† ๐’“๐’†๐’Š๐’ ๐’Š๐’ ๐’•๐’‰๐’† ๐’”๐’˜๐’†๐’†๐’•๐’†๐’“ ๐’•๐’‰๐’Š๐’๐’ˆ๐’”.
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๐‘ป๐’‰๐’†๐’”๐’† ๐’‚๐’“๐’† ๐’‚ ๐’‡๐’†๐’˜ ๐‘ฐ ๐’˜๐’‚๐’๐’•๐’†๐’… ๐’•๐’ ๐’“๐’†๐’‚๐’๐’๐’š ๐’ƒ๐’“๐’†๐’‚๐’Œ ๐’…๐’๐’˜๐’. ๐‘ฉ๐’–๐’• ๐’”๐’Š๐’ˆ๐’๐’” ๐’๐’Š๐’Œ๐’† ๐’”๐’‚๐’ˆ๐’Š๐’•๐’•๐’‚๐’“๐’Š๐’–๐’”, ๐’‚๐’๐’… ๐’๐’†๐’ ๐’”๐’•๐’Š๐’๐’ ๐’„๐’‚๐’ ๐’ƒ๐’† ๐’”๐’†๐’†๐’ ๐’‚๐’” ๐’ƒ๐’†๐’Š๐’๐’ˆ ๐’‰๐’†๐’‚๐’—๐’Š๐’๐’š ๐’Š๐’ ๐’๐’๐’—๐’† ๐’˜๐’Š๐’•๐’‰ ๐’‡๐’๐’๐’…. ๐‘ฉ๐’–๐’• ๐’๐’๐’• ๐’…๐’Š๐’“๐’†๐’„๐’•๐’๐’š ๐’”๐’˜๐’†๐’†๐’•๐’” ๐’–๐’๐’๐’†๐’”๐’” ๐’Š๐’• ๐’Š๐’” ๐’๐’ ๐’•๐’‰๐’† ๐’‘๐’๐’‚๐’๐’†๐’• ๐’—๐’†๐’๐’–๐’” ๐’‚๐’๐’… ๐’”๐’๐’Ž๐’†๐’•๐’Š๐’Ž๐’†๐’” ๐’•๐’‰๐’† ๐’Ž๐’๐’๐’!
(This is a view into my brain, when I feel the need to go in-depth about things!)
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๐“ข๐”€๐“ฎ๐“ฎ๐“ฝ ๐“ฃ๐“ธ๐“ธ๐“ฝ๐“ฑ?
๐““๐“ฒ๐“ฟ๐“ฒ๐“ท๐“ฎ ๐““๐“ฎ'๐“›๐“พ๐”๐”๐“ฎ
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ยฉ๐“Ÿ๐“ป๐“ฎ๐“ฝ๐“ฝ๐”‚ ๐“’๐“ช๐“ป๐“ช๐“ถ๐“ฎ๐“ต
218 notes ยท View notes
lychee-angelica ยท 2 years
Text
beauty of the planets เจเจ“ ๏ฝก ๏พŸ vedic astrology
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เญง โ€งโ‚Šหš ๐Ÿพ โ‹…๐–ฆน the following is based off vedic astrology, so please refer to your vedic birth chart เญง โ€งโ‚Šหš ๐Ÿพ โ‹…๐–ฆน
the moon in vedic astrology is the most personal placement in the chart. the moonโ€™s nakshatra lord will be the primary indicator of physical appearance in this case. when determining which planets influence the native, refer to the following in order:
consider the moonโ€™s nakshatra planetary lord (in most cases i have seen this planet/ node is the most telling)
any planets conjunct moon will either heavily influence or dominate over oneโ€™s beauty
if the above does not resonate feel free to consider planets placed in the 1st & 2nd house and nakshatra lords of the ascendant and sun เผบโ‹†๏ฝก
โ™ก sun beauty influence (krittika, uttaraphalguni, uttaraashadha)
blesses the native with healthy and glowing skin, their beauty radiates, brightens the eyes and smile, strengthens and widens facial shape, gives a sculpted face, narrows the eyes, fit physique, healthy and strong body
โ™ก moon beauty influence (rohini, hasta, shravana)ย 
blesses the native with a feminine and cute appearance, rounding and softening effect on features, moon often shortens/ moderates stature, thickens the lips, jaw, and nose, narrows the eyes, pronounces breasts, thickens/ adds fleshiness to the body, shortens facial features
โ™ก mercury beauty influence (ashlesha, jyeshta, revati)
blesses the native with fairy-like beauty, sleek features and petite physique, youthful and cute appearance, hooded or elongated eyes, upturned and shortened facial features, small features, fleshy cheeks, dainty looking no matter stature
โ™ก venus beauty influence (bharani, purvaphalguni, purvaashadha)
blesses the native with evenly proportionate and symmetrical faces, usually upturned and almond shaped eyes, the facial features are lifted, thick lips, strong but not masculine jawline, soft and gentle appearance, feminine bodies, widening of the hipsย 
โ™ก mars beauty influence (mrigashirsha, chitra, dhanistha)
blesses the native with great and curvaceous physiques, reddish complexion, thick, short, fleshy and symmetrical facial features, strong and wide face shape, full lips, mars makes the body readily able to gain muscle, creates a seductive and fit appearance
โ™ก jupiter beauty influence (punarvasu, vishakha, purvabhadrapada)
blesses the native with youthful and friendly appearance, the facial features tend to be enlarged especially the lips, oval or squared face shape, these people tend to appear sweet and inviting, rounded eyes and cheeks, the physique usually is broadened and bodily features can be accentuated
โ™ก saturn beauty influence (pushya, anuradha, uttarabhadrapada)
blesses the native with long and thin bodies, usually small breasts, symmetrical faces, heavier foreheads giving a unique and ethereal kind of beauty, the face is uniform and graceful, thin looking no matter statureย  ย 
โ™ก rahu beauty influence (ardra, swati, shatabhisha)
blesses the native with very feminine and magnetic features, their beauty is seen as eccentric, they have bright and electric eyes, their eyes are also usually enlarged and wider set, the features are rounded, feminine body types, rahu draws out lighter hair and features, the beauty of these people tend to pull in others
โ™ก ketu beauty influence (ashwini, magha, mula)
blesses the native with a clique gothic-like beauty, these people possess a mysterious and intimidating appearance, the eyes are usually large and sleepy looking, ketu draws out darker hair and features, the cheeks are gaunt with a longer chin, ketu narrows and thins the physique
2K notes ยท View notes
naisaspalace ยท 3 months
Text
Personal Nakshatras observation series:
ARDRA NAKSHATRA Part 1:
obs: this series will have multiple sources from random websites to authors/professors that contributed to the creation of this "Article". my opinions are not the ultimate truth and everyone has a different understanding of the same topic. my purpose is to spread my interpretations to help people. contact info will be available at the end of the post.
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Nakshatra Characteristics:
6.40 โ€“20 degrees in Gemini.
Meaning: the star of sorrows.
Translation:ย  "The Moist One", "Fresh", "Green"
Deity: Rudra. (one of Shiva's manifestations)
this nakshatra story starts on the Rohini where Brahma (the creator) wanted to have an intimate relationship with his daughter, Rohini, so in the following constellation, mrigashira, Rohini turned herself into a deer to run from Brahma and he also became a deer to chase her and shiva became so furious that he opened his third eye in anger and from that a powerful spark emerged and transformed into Rudra and he cut off brahmas head to save Rohini.
this action shows the empathy and protective nature of Ardra.
ruler: Rahu. (north node)
element: water
guna: tamasic
dosha: vata
tree: Long Pepperย or Krishna Kamal Flower (karimaram)
symbols: teardrop, diamond, and a human head.
yoni: female dog.
star: Belteguese
mode: balanced.
goal: kama (pleasure, desires, fulfillment)
Body parts: Top and Back of Head & Eyes.
Sex/Gender: Female.
Upward Facing.
Direction: West (or southeast). Color: Green. (mercury gemini)
Disposition:ย  Sharp and Forceful (Tikshna)
Chakra:vishuddhaย (throat chakra)
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story interpretation:
Ardra nakshatra is the first rahu-ruled nakshatra of three and it comes after mrigashira, ruled by Mars, the previous constellation talked about a mind that was constantly chasing something that most of the time ended up being things that would bring a sense of temporal satisfaction. Those people are those who usually are lost trying to search for something to satisfy themselves and after they are satisfied they simply go out searching for the next thing.
But things change when they arrive at Ardra, here is the first time the mind starts to wonder about what the mind storms and turbulences mean, and this time they actually are focused on getting to the end of the search that usually started at mrigashira, by dissecting the problem and arriving at the end goal fiercely like Rudra.
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The star of sorrows
The nature balances the universe with its constructive and destructive abilities. water creates lives and also ends lives by hydrating and drowning and by striking lightning to end the bad and damaged environment that can eventually become powerfully strong as a diamond or cause mass destruction. This is how Ardra's energy manifests itself they bring a storm that transforms us either for good or bad, you are the one who decides who you face this.
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pop culture manifestation
effy stonem (drug abuse, destruction, illusion)
Kaya Scodelario has moon-ketu (conjunction) at Ardra and she played Effy a troubled teen who started to drink and use drugs to cope with her emotions and ended up bringing destruction to herself and the people around her.
she was often seen as this sexy attractive woman and she used a lot of her seduction to cause chaos among the men
the illusion of drugs that make you feel like the mind is now pacified
she loved chaos so much that she chased it constantly or at least thought she loved it.
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a beautiful young woman having fun you might wonder what is wrong with that? effy grew up around an unstable family and this led her to idealize the use of substances to escape herself to a point where she would constantly run away and record vlogs asking her mom to find her and nurture her.
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ardra is the first rahu constellation, also called as the โ€œbirth of rahuโ€ or his โ€œinfant stateโ€ alongside rahu it comes with the birth of the intellectual mind ardra is also called the star of sorrows and the symbol is a teardrop
effy represents a state of disorganized destruction and the consequences of self-neglect created by Maya, illusions, where one fails to find the strength to leave their storms and continues to feed their infinite hunger for emotional satisfaction and the inability to face reality as it is
the storms come to us but they don't come to destroy us they are here for us to thrive above to raise the heavens, just like Rudra throwing his arrow to the sky.
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"Rudraย is known as the divine archer, who shootsย arrowsย of death and disease and who has to be implored not to slay or injure in his wrath"
Effy ended up with a psychotic depression. She attempts suicide but Freddie (her boyfriend), foreseeing this, saves her and she is taken to the hospital and later, institutionalized. Eventually, she lost her memory because the doctor used strong medication and he also manipulated effy into breaking up with her boyfriend and attempted to make her fall in love with him and murder her boyfriend.
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to me, this is where the actress ketu comes into play, as you know ketu represents detachment and liberation and she finally achieved her freedom by losing her memory even if it was momentarily she finds a few moments of peace.
three years after this whole situation she moves to another place but we find her, she seems to be better but she ends up being arrested at the end of the series for being framed by her boss, he frames his fraud crimes into her. Eventually, she told his superiors and he got arrested as well
refusing to heal her past traumas, ketu, she ends up being followed by outside storms that mirrored her mental state; The star of sorrow indeed.
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Taylor Swift (profit, high goals and achievement, superation, philosophy, and fame).
taylor is a pop singer and writer who started her career at young age when she was discovered by a executive of a record label and became a famous celebrity later on.
revenge, pain, mental disturbance.
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(The snake is one of the rahu's symbols, hes the head of the snake represents the mental part)
she became successful due to her telling her heartbreak stories on her music, specifically her ex-relationships, her sorrows became her brand and she is often described as a revengeful person because if you mess with her she will just write a song and win millions with all of this chaotic mess.
Taylor has ardra moon-jupiter and her birth time is not confirmed some will say she is a sideral scorpio rising and others will say she is a Sagittarius, I personally agree with both but for the sake of this interpretation, I will ignore the house where this conjunction falls and give a general interpretation.
moon grants taylor the emotional unbalancing experience and jupiter grants her the wisdom to work with multiple music genres and the writing ability. We all know that jupiter amplifies whatever he touches and this granted taylor her huge popularity and success and guaranteed that she would be able to rise above all of the chaos she faced during her career. Taylor also knows how to play some musical instruments and when she began her career she also had some acting jobs.
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โ€œPatience in the times of conflict, Humbleness in the time of success, Cleverness of tongue in company, Attack in battle, Wish during fame, Addiction in weaponry โ€“ These 6 virtues are in-built and can only be seen in the brave man. Whoever houses these virtues becomes a great soul. Thus, the one who wants to succeed and become greater than he is shall house all 6 of these virtues.)โ€ โ€•ย HEM RAJ JAT,ย RUDRA: The Name of Destroyer
taylor symbolizes the high ambition and dreams of the ardra native, the amount of chaos she passed not only made her strong but she managed to won again and again jupiter guaranteed her success and the ardra moon gave her the ambition drive to achieve it all.
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rahu is highly ambitious and material-obsessed/attached and taylor shows this attribute by never stopping working on her career, she is one of the few artists who did not have a pause during her musical career and during the pandemic she not only announced two new upcoming albums with new and expensive merchandise
the world was in a pandemic state yet Ms. Taylor didn't lose the opportunity to make millions she broke records and became even stronger. rahu is also the significator of social media and taylor is highly influential there.
her gigantic success overshadows her character flaws and she also managed to create this persona, illusion, of ultimate good and moralistic character. this is once again due to rahu being a good manipulator and liar.
don't be mistaken I was once a huge fan of hers but this is an analysis and I cannot act blind towards her motives and actions, she is talented and manages to earn her success and she has good and bad actions just like all of us but we shouldn't be blind towards Rahu, right?
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overall she behaves like a good agent of maya making fame seem delicious, fun, and worth having. to me, her story is of superation, hard work, and good writing with philosophical intellectual exploration on her folklore and evermore albums and just like effy sorrows seem to follow her around.
Daenerys Targaryen ( illusions, transformation, strength, fantasy and victory)
Emilia Clarke is a famous actress most known by her role as Daenerys Targaryen and she have a possible ardra moon
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daenerys had a hard life and she was dependent on her abusive older brother, Viserys, and was forced to marry Dothraki horselordย Khal Drogoย in exchange for Viserys' army to reclaim the Iron Throne in Westeros. she becomes the khaleesi and with this new title, she also gained three petrified dragons as a wedding gift.
a little time has passed and pregnant Daenerys loses her husband and child, but blood magic allows Daenerys to hatch three of her dragon eggs. The dragons provide her with a tactical advantage and prestige.
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Oftentimes serpents were described as dragons and magic is also another significator of rahu.
she managed to conquer the seven kingdoms and became the queen after many years of pain and trial she won with fierce and ultimately strength
Daenerys finds her inner strength and courage and emerges as a natural leader adored by her people. She is often described as honorable and compassionate, if somewhat naive, although she can be harsh and vengeful against those who seek to harm her or her followers.
here ardra manifests as a warrior whos strength and ambition led her to the ultimate goal the throne that she had lost and was willing to fight until she won.
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Don't forget that also took revenge and created destruction all around yet shes a manifestation of a fearless warrior determined to eliminate the opposition without hesitation, just like rudra.
however she had a sad ending, she was betrayed and killed by her lover Jon who was also another candidate for the throne, she found out near the end of the show, after she became mad like her ancestors
the mad queen was dead but her legacy and story lived on to show how great one can become by using the right methods and having a good character one is also capable of greatness but just like all of the ladies before the sorrows followed her into her death.
okay being serious the last season was awful and neither her nor Jon had a proper ending we didn't get the chance to see her becoming mad like her father and her character was destroyed yet her story was awesome i dreamed of jon having the throne and i hated the forced sibling rushed romance and I've loved jon i am a sucker for the forced to become a hero trope fight me ... she was doomed to fall because of the prophecy and she did but she didn't enjoy the throne and deserved better.
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End of the first part of ardra analyses.
this was my first post analysis so please be kind and i did my best to be impartial because i do enjoy taylor's work and the other two characters are good! i did not intended to throw hate at any these women i just did my personal observation using the constellation behaviour i hope i was able to spread some knowledge and also to help those who desire to learn.
please share your thoughts and if you want to recommend a theme for me to talk about feel free to do so.
and my reading services are open.
contact info.
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rabiosantologia ยท 10 months
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here's an article going into detail of each color and other herbs, usages in Vedic Astrology:
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divinatorydoll ยท 1 year
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ardras and crying as a remedy:๐Ÿ’ง
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ardra, the sixth nakshatra, is symbolized by a teardrop and governed by the deity rudra. last week, i made a thread about how crying is good planetary remediation for anyone with ardra placements because of these associations !!
sidereal degrees: 6ยฐ40โ€™ - 20ยฐ0โ€™ gemini
tropical degrees: 0ยฐ31โ€™ - 13ยฐ51โ€™ cancer
planetary remediation is the practice of doing specific things to improve the function of the planets in your chart. if you have a planet in ardra, let yourself cry even if other people think itโ€™s stupid
personally i have an ardra jupiter โ€” with jupiterโ€™s connection to film and acting, i like to let myself cry to movies, shows, etc. because the release feels good !!
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my thread was inspired by this wonderful post from @siderealsnake, who talks about rudraโ€™s rulership over ardra and how crying pleases him as a divine healer. as she says here, rudra possesses 1000 remedies and crying is one of them
CRYING REMEDIES FOR PLANETS IN ARDRA:
the sun: while laughing, receiving praise or achievement
the moon: with family, during moments of vulnerability, before sleeping
mercury: while journaling, driving, reading, or studying
venus: while singing, dancing, creating art or music
mars: while working out, playing sports, during arguments, or when excited
jupiter: during movies or shows, while praying or giving offerings
saturn: with the elderly or authority figures, during funeral services
(what is planetary remediation ?)
book a reading !!
my linktree
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natalyarose ยท 28 days
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๐“Ÿ๐“ต๐“ช๐“ท๐“ฎ๐“ฝ๐“ผ, ๐“ฝ๐“ฑ๐“ฎ ๐“œ๐“ธ๐“ธ๐“ท & ๐“’๐“ธ๐“ท๐“ผ๐“ฒ๐“ญ๐“ฎ๐“ป๐“ฒ๐“ท๐“ฐ ๐“ž๐“ป๐“ซ ๐“ก๐“ช๐“ท๐“ฐ๐“ฎ หšโŠฑ๐Ÿฆ‹โŠฐหš
๐ŸฉทAdmittedly, in my years of practicing astrology I've not placed much importance on aspects beyond glaringly obvious ones. I've often felt that aspects can become a very technical way to explain energies that may be better understood through looking at the rest of the chart from a bigger picture perspective.
Yes, looking at squares, sextiles, etc. can provide insight but to me personally it can sometimes feel like getting 'lost' in the details, especially when it is unclear what counts as an aspect and what doesn't. Sort of similar to when people start looking to the endless, ever expanding range of astroids (eros, valentine, aphrodite, cupido, vesta, etc.) to intuit someone's approach in love, when realistically Venus & Mars alone can provide incredible, personal insight.
However, all of that being said, aspects are still a very valuable tool to use when analysing a chart, and understanding how to come to a consensus about defining what 'counts' as an aspect can be benefical.
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A lot of people only consider aspects to be significant if the orb is verry tight (for some the cut off is as small as 3ยฐ), and this is a reasonable approach, as otherwise there would be way too many aspects to interpret and the major themes highlighted in any given chart would get a little lost. Though, I just want to shed light on a pattern I've seen in my research/observations-
In my experience (and traditionally), aspects, particularly conjunctions should be given an orb range relative to how fast moving the planet/astrological point is. *I want to note that this isn't by any means a new idea, but I just don't see it being talked about much.
This means that the Moon & ascendant especially, being very fast moving, can find themselves affected to a much greater extent by surrounding/aspecting planets even if they are somewhat far away. It's already known that the luminaries are to be given a wider orb range, but I've seen conjunctions especially have an even wider range of influence on a chart's Moon or ascendant than what is typically thought.
The way fast moving planets demonstrate stronger sensitivity to aspects can be understood if you think of how a child is going to be profoundly influenced by the teachings and energies of the adults around them, since they haven't lived very long yet and have little other experience to go off.
In contrast, someone who is very old has been around for a long time and has seen many things (planets) come and go while they stay the same, so these influences really don't phase them. Saturn is barely going to be affected by the Moon even if there is a 0ยฐ conjunction, but the always 'new', ever changing, fluctuating, watery nature of the Moon can feel Saturn's influence very intensely even if it's fairly far away.
I don't think it'd be particularly helpful/ideal to refer to every planet remotely close to the Moon (or ascendant) as a conjunction (especially considering how different Nakshatras bring very different energies to the table), but that doesn't mean the influence should be entirely discounted. Moon & asc in particular call for a more open minded, flexible approach when it comes to reading surrounding energies. My understanding of people through astrology has really expanded by being more aware of how sensitive vs un-phased the planets themselves are and adjusting my interpretations accordingly.
As mentioned earlier this definitely isn't a new idea or anything, but I do think that it's a good/interesting reminder to observe natal charts as if the planets in it are sentient (as they are) and have different ways of responding to the rest of the chart. I've seen people go 'my Moon is 16ยฐ away from Jupiter so it doesn't count as a conjunction' and then go on to completely disregard Jupiter's influence on the Moon when in reality, there's no real cut off point of influence. Yes, it may not technically be a conjunction, but the influence is still there.
Our charts are like an ecosystem, full of life & completely interconnected. All of the energies are fluid, constantly interacting, alive. There's no real numerical point where suddenly there is 0 effect, but we assign numerical points to loosely create a necessary distinction between energies & highlight the aspects which are especially strong,
To give an example of what I'm getting at, if you have the Moon at 2ยฐ Libra, and Venus is at say, 28ยฐ Libra; this is a 26ยฐ orb.. technically, wayy too large to be considered a conjunction, but I believe that completely discounting the way Venus' presence may influence the mind & heart of this person would be a mistake. Yes, it will definitely not be as strong as a conjunction with an extremely close orb, but it's still close enough to be felt by the Moon, being a very energetically porous, receptive, psychic planet.
I may have to go back and edit this later, I'm very tired and I'm not sure if I'm communicating the concept as best as possible, but for now, thankyou for reading & I hope this provides valuable insight/a new perspective for someone ๐Ÿฉท
๐Ÿช๐Ÿฆ‹โœจ
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makingspiritualityreal ยท 7 months
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The Transition between Rahu and Jupiter Redefines the Idea of Greatness.
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We start the Jupiter stage with benefits of Rahu. Children with Jupiter Nakshatras in their big 3 are born into some sort of privilege or feeling of specialness. They don't have to be privileged in a material sense, but they are brought up with an idea of uniqueness. There is a certain amount of hype around them, that comes with their birth. They may stand out from the rest of their family, which gives them a defining trait.
This is all that Rahu was asking for. Being able to embody this collectively recognised idea of belonging in uniqueness, after suffering so much oppression in Mars. The inflated ego, the endless perspective to dream whatever one desires to be, just to avoid the shackles of imprisonment from previous Nakshatra stages.
Yet now, at the Jupiter stage, that dream is proving to be nothing more than a hot air balloon, and when the air is gone, the balloon doesn't fly anymore. Just when we thought our dream reached perfection, it turns out to be a pipe dream. We discover, that being special just for the sake of the idea of being special can separate you from the crowd and lead to loneliness, and most importantly, inspires resentment as it bulldozes through people's feelings and problems.
Jupiter is where we first face the idea of collective problem solving through joining individual issues. In Jupiter, we don't live in an idealistic, mental space of perfection anymore. We embrace leadership through our struggle in order to join forces with those also touched with the same issues. Instead of creating freely, we learn that we have to create responsibly to bring in any real results and avoid falsehood.
Jupiter can initially result in a crash landing, as we discover how far reality departs from the original good ideas at the root of any imagined creation. The road to hell is paved with good intentions, and Jupiter finds that out the hard way.
The truth we find out in Jupiter Nakshatras is that greatness needs to touch people in the heart space and impact their lives to be real at all. We can't just imagine that we're great, we need something substantial to back that up, and that something involves being capable of creation and problem solving in a way that benefits the world at large.
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youremyheaven ยท 2 months
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Random Astrology Observations:
I've noticed that Moon-dominant people tend to be extremely attached to their families even when their families are kind of toxic, holding them back or messy, they overlook all flaws to project this image of coming from/belonging to a very happy well adjusted home.
Moon dominant people are often born to mothers who did not want them or felt trapped into having a baby/were forced to stay in partnerships/marriages because of the baby (obviously not every Moon dominant person will relate to this but yeah)
I've always thought that Zendaya and Jennifer Lopez sounded alike and turns out Zendaya is Purvaphalguni Sun and JLo has Venus atmakaraka
The people whose art/work really resonate with yours either have your Venus or Ketu placement in their big 3 or Mercury/Venus (since both these planets affect creativity and communication)
Rat yoni people are the most sexually perverse. I said what I said.
Dog yoni people tend to be very androgynous
I feel like Ketuvians struggle with their gender identity more than any other planetary dominance
Ashlesha placement works better for men than women because women really internalise that poisonous nature and it corrodes them from within (if imbalanced)
Here are some memes for diff placements just because:
Mercurials when people around them start switching up:
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Venusians if every self destructive thought they had turned to diamonds:
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Revatis when someone tells them they have to meet a deadline:
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Jupiter gals be like:
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Ashlesha womencore:
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Moon dominants when someone bruises their ego:
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Rahuvian core:
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Nodalcore af <3
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just wanted to post something goofy hehe lol
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seesree ยท 6 months
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Purva Bhadrapada Channeling Their Inner Femme Fatale ๐Ÿ”ฅ
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Purva Bhadrapada woman tend to like to channel their nakshatra thru replicating the 40s film noir type of dresses which gives a femme fatale type of energy. This nakshatra has a mysteriously unbothered energy. Claire Nakti has explored this nakshatra and femme fatales and i highly recommend if youโ€™re a Purva Bhadrapada to watch her Purva Bhadrapada exploration video.
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Madison Beer, Purva Bhadrapada Sun
notes: Bella Poarchโ€™s birth date is either 8 or 9 and i believe she has Purva Bhadrapada ๐ŸŒ™ and i feel itโ€™s more fitting than Dhanishta or Shatabhisa but Shatabhisa is still likely
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cowrunnerhighonu ยท 2 months
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Visakha Nakshatra; Angelic Beauty๐Ÿ‘ผ๐Ÿผ(Profile)
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Alice Pagani(Visakha Moon) & Dasha Taran(Visakha Moon)
This nakshatra is located in Libra rashi which is ruled by Venus and it is also located in Scorpio which is ruled by Mars. The Jupiter mix with Venus created an angelic physiognomy and preference for a soft style while Jupiter mix with Mars shows us the personality of these woman looking very angelic but having the mind of a devil. โ€œLooks Like A Cinnamon Roll But Could Kill Youโ€
Note: Cherubs are connected to Aphrodite(Venus) or are one of the symbols of her
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The easiest way to spot Visakha? Just look at the cheeks. Their cheeks have alot of emphasis on the cheekbones. Chitra is the sexual consort for Visakha and youโ€™ll notice a similarities between them but in Chitra the cheeks focus is solely on the cheeks not much on the cheekbones
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Fierce or Spacious Eyes can manifest in Visakha(resting b**** face or spaced out face)
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Lorde & M.I.A Both Visakha Visakha
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Visakhaโ€™s tend to be bold when it comes to their aesthetics choices/style
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Rosy Cheeks tend to manifest in Visakha upgrading their cherub physiognomy even more
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venussaidso ยท 10 months
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KETUVIAN WOMEN: (Appreciation Post)
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Even then, natives are not all going to consistently look similar. Sometimes I mistaken a Magha for an Ashwini, and I'll always be surprised. So I made this gif post of all the Ketuvians that I guessed were Ashwini and weren't. The first two are Aswhini moon girls and as you can see, the rest are not Ashwini but have this sort of baby face.
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Ashwini Moon. Ashwini Moon.
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Magha ASC. Magha ASC.
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Magha Sun. Magha Sun.
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Mula ASC. Mula Sun.
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lychee-angelica ยท 1 year
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swati nakshatra ๏ฝกเผถ๐ŸŒฌ.ุนห–โบ
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็พŠใ‚’ๆ•ฐใˆใ‚‹ใ‚ˆใ†ใซ like counting sheep by yuka sakuma
disclaimer .. the following is of my own work, observations & research, so please don't plagiarise. if something does not seem to resonate, simple let it go x
swati nakshatra .. 'the self-going star'
vedic degrees (06.40ยฐ - 20.00ยฐ libra) .. western degrees (00.31ยฐ - 13.51ยฐ scorpio)
ruling deity: vayu (god of air & wind) .. ruling planet: rahu & venus .. symbol: a flower or blade of grass bending in the wind .. quality: moveable
mythological significance
swati is known as 'the self-going star' or 'the star of independence'. it resembles individuality & ego, vayu (god of air) governing swati nakshatra is quite relevant to this idea. as without breath no life is able to vessel our bodies, our 'individuated consciousness'. the word swati literally means sword, it's ability to cut & create division captures this essence of independence. being positioned within the sign of libra (union & relationships) may seem contradictory to this idea of self, however, human connection cannot exist without individuation. swati is a like a double edged sword. the other side to that being, alienation & isolation, due to cutting themselves off from others. it is key for these individuals to understand that every person is part of the whole, not apart from from the whole
swati people are inherently unique, different & stand out. well supported by rahu (eccentric & unusual) governing this nakshatra. they move against the grain, much like the symbol of a bending flower being blown in the wind. it is a nakshatra of non-conformity & standing out from the crowd. for this reason swati is often related to popularity, especially via social media .. rahu & venus (new aged technology, public acclaim & socialisation).
swati nakshatra has qualities of wandering & moving far places, as wind travels far & can drift spores of flowers to far away places. this can simply mean someone who enjoys adventure & travel or it can create distance within certain relationships in the person's life
the nakshatra symbols are not coincidental at all as they encompass many traits of these individuals. as exemplified by the flower being bent in the wind, swati relates to strength & resilience. they have the ability to 'bounce back' & grow in the presence of adversity
swati karakas .. the word karaka means significator of events or factors in astrology. however, not all swati people share the same interests or karma in life, the following are just some notable karakas of swati
plants, gardening & knowledge of such things
natural liking & appreciation of sharp weapons & swords
popularity & social media
travelling, wandering & walking. especially in nature or foreign countries
textiles, fashion & knowledge of such things
independent or partnered business endeavours
planets in swati nakshatra .. i would also like to note that even if you don't have planets in swati, house cusps are also relevant in their own regard
ascendant or ascendant lord in swati .. these people come across as unique & unusual, but in an endearing way. they are highly individualistic & original in their expression of self. they venture through life independently & has a great deal of self reliance. these people have a sharp intelligence & are progressive with their ideas. they are quite beautiful, sweet & friendly, but will never fail to establish their own sense of identity & stand out for this reason
moon in swati .. from a mental & emotional stand point these people are highly self-reliant & independent. they are taught from a young age that they must 'sow their own seeds' in life, due to a premature individuation or emotional disconnection from dependency. for this reason, they are emotionally resilient & strong. these people may be prone to feelings of alienation & isolation, due to deep inner lack of relatability with others. they may have a distant relationship with their family, particularly the mother, whether emotional or literal. this placement can indicate someone who has fluctuating & wavering mental or emotional state. these people are sweet, delightful & youthful. the person's ideas & mental impression is naturally quite non-conforming, unique, progressive & intelligently sharp, they most likely innately express themselves in this way too
sun in swati .. these people are highly-self reliant, in my observations they are better at 'adulting' than others their age. they never lose sight of their individual identity, tending to express themselves creatively in a way that makes them really shine & stand out from the crowd. they naturally tend to be quite popular or well-liked for this reason, especially via social media. however, this placement specifically must be careful of egotistical tendencies & feelings of superiority. otherwise, they have a very intelligent, delightful & sweet nature about them. something important to note is that sun becomes debilitated in swati, as the planet of structure & stability is not comfortable in such a non-conforming & dispersing nakshatra. for starters, these people may have a distant relationship with their father. they may also struggle against attaining their ambitions & goals in life, whether due to ever-changing desires in life or wishing to pursue a path that is not 'tried & true'
mercury in swati .. this placement indicates a high level of intelligence that can best described as sharp, inventive, original & progressive. mercury in rahu nakshatras will always indicate abnormal & eccentric ways of learning & communication. however, in swati these people are most original. they may literally speak in an unusual manner & become short of breath when speaking. their ideas move against the grain of common thought, so it can indicate a sense of division within their friendships & social connections. positively, this ultimately drifts them closer toward friendships that are not so trivial, rather based on the higher yearning of venus. they are good at keeping it light & peaceful with their friendships. their way of learning is highly modulable & resilient, they tend to never stop learning more in life
venus in swati .. as venus is in it's moolatrikona sign, these people have a great sense of balance, resilience in love. they tend to be very beautiful, possessing a sweet & charming nature. these people can be very popular & sought after in love for their beauty! although, they are not the kinds of lovers to be overly dependant, they prefer freedom, given the free-flowing & wandering nature of swati. they like to keep their independence alive, being able to balance love & friendships well in life. although, they may easily become bored when it comes to love & pleasure or even material satiation. they can fall in love with someone who lives at a far distance from them & motivates them to become an independent in life. lastly, these people have amazing artistic & creative potential that can be best described as original & well-received
mars in swati .. people with this placement act on their own accord, given the high synergy of independence. they have a great capacity to pursue their ambitions & set action into motion. one of their biggest struggles may be where these aspirations & their energy should be directed. however, when these people resiliently choose a path of non-conformity or independence they are able to reap their success. is an amazing placement for independent business endeavours. as both swati & mars indicate strength & resilience, i noticed that these people can amass muscle on their body easier than most & exceptional at competitive sports or games. they are usually open-hearted, active & are very good at motivating others
jupiter in swati .. this placement indicates someone who has very open-minded & balanced outlooks or philosophies in life. they tend to be seen as unique & original when they express these more spiritual or religious topics. they may be particularly interested in foreign cultures & beliefs. however, jupiter is not just an esoteric planet, it also resembles politics & education. so their political ideologies are also formed independently. their perspectives are refreshing, balanced & unique. they may also struggle a lot with deciding what to study or whether to in the first place, given the non-conforming & dispersing nature of swati. lastly, as jupiter resembles husband in a woman's chart, these people may end up marrying someone who lives far away from them or of a different culture
saturn in swati .. these people have amazing work ethic, they have the ability to remain resilient & strong in face of struggle, determination & ambition. this is due to saturn being exalted in swati, so it is a great placement for saturn. as saturn becomes fruitful for most later in life, they may find their unrealised potential of becoming independent & free when it comes to work life. they work better than most in independent & partnership endeavours, given they are not self-serving & are concerned for other's welfare. they suffer for reasonable & good cause in life. it is best for these individuals to align their efforts with what serves their personal duties & concerns. working under others may not be so fruitful, it's important that they realise they do posses the potential to be free!
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