the fact that charles was so gentle and sincere with his answer to edwin's confession is something I could never forget... because that's what love is about, right?
love is in the way charles could never hurt edwin on purpose, is in the way he protects him, in the way he knows when edwin needs to be seen; love is in the choice of every one of his words, in the way he knows that being honest is the only right answer.
there's still forever waiting for them, there's still forever waiting for charles to figure it out, to discover if he loves edwin in a romantic way too, and it doesn't matter if is not romantic in the end, because that it's just a side of the love they share.
i think is so important not to overlook something like that, not to let that pending romance overshadow the fact that they already love each other in every other way.
because in the end, we are talking about two boys that have experienced excruciating pain, that have seen horrifying things during all their existences, and in spite of it, or maybe because of it, are capable of loving each other in a way that's so pure and strong and relentless...
reducing the importance of it to a reciprocated romantic love seems so simplistic and inconsiderate to me.
534 notes
·
View notes
most fandoms are prone to reducing characters to consumable archetypes for the purposes or comedy (or shipping). but what’s amazing to me is that the atla fandom somehow not only reduces characters into stock tropes, but somehow manages to whittle them down into their exact opposites. aang’s whole deal is that he is a wise and prodigious monk who very deliberately represses the depth of his grief so as not to be crushed under the weight of it, and so naturally he is reduced into an oblivious, blissfully happy child. katara’s whole deal is that she yearns for joy and adventure and often reacts to situations before she’s thought through the consequences, so naturally she’s reduced to the overly-serious, sensible voice of reason. sokka’s whole deal is that he’s a miserable hater who’s way too smart for his own good and thus overthinks himself into a hole at every turn, so naturally he’s reduced to a wacky goofy idiot with no tact and no brain. toph’s whole deal is that she’s uniquely thoughtful and perceptive and waits and listens before acting, so naturally she’s reduced to an impulsive chaotic gremlin with all the emotional maturity of a sea cucumber. zuko’s whole deal is that he can’t read a room, has no filter, and loves to monologue, so naturally he’s reduced to a brooding stoic. iroh’s whole deal is that he is tormented by the sins of his past at all times, so naturally he’s reduced to everybody’s favorite perfect and unimpeachable old man. azula’s whole deal is that her undying loyalty and obedience to an egomaniac shall be her undoing, so naturally she’s reduced to a selfish and hysterical woman who just does whatever the fuck she wants because she’s ontologically evil i guess. ty lee’s whole deal is that she is constantly performing, so naturally people always just take her at face value. i could go on. but i think you get my point.
789 notes
·
View notes
i sketched a boscage maze shadow to complete my set. this version of shadow takes several... creative liberties... with boscage maze, but i think it works? maybe? let me explain.
so, i like the idea that boscage maze is the result of a science experiment catastrophe. the fallout of the accident mutated all life on earth, creating mega fauna (such as thorn rose’s giant flicky), and killer plants. i’m talking humongous venus flytraps that capture and consume people, vines with minds of their own, etc. obviously, this made earth extremely hostile to regular humans... so they left.
the survivors of the catastrophe boarded the ark and left for space. they had plans to return-- but at the current time, it was simply too dangerous to do so. and they needed to make something that would be able to combat the violent mega fauna. enter... shadow. aka halcyon, as he’s called in this au. halcyon has the ability to drain shard energy, thus un-mutating the corrupted plants and animals, and returning them to their natural state.
unfortunately, the people on the ark thought that the world was still too dangerous for him to return to shortly after his creation, so they put him on ice, waiting for a better time to start their restoration project. before that, though, halcyon grew up hearing all kinds of stories about the way earth used to be... a beautiful paradise, a safe haven in a vast, uncaring universe. his best friend on the ark, maria, also instilled in him one wish: save earth. so that’s what he intends to do.
his bitter enemy is thorn rose, whose goal is to protect the horrible mega fauna. but she just doesn’t understand the harm it’s doing to what was once a peaceful planet. and how could she? she never knew what it used to be.
1K notes
·
View notes
My friends i watched love for love's sake and I swear i don't have a fckin clue where even to start.
I know a lot has been said about the show already and i know a LOT more would be said about in the future, but i just can't help adding my own two cents to one of the most thought-provoking, moving and brilliantly executed pieces of art i have ever seen.
I'm not gonna go on about just how much I loved Tae Myungha's character and how he is one of the most interesting people I've seen on screen in a long time. I'm not gonna talk about how unbelievably squishable Yeowoon is and how his duality totally ruined me that I need him to get into my pocket and NEVER leave. And oh I need him to put Myungha in his pocket while at it. I'm also not gonna talk about precious 'of course i'm gay, i've always liked girls, you don't know how to be loved' Sangwon is to me, cos if i start I can promise you I will most certainly never stop.
So for the sake of the rest of this post, I'm moving on. (NOT REALLY THO)
I just LOVE LOVE LOVE all the interpretations that people are coming up with, LOVE LOVE LOVE the show for filling in the gaps but LOVE it more for still leaving room for pretty thought-flowers to bloom around.
You know those artworks or puzzles that have something obvious hidden in a maze of confusion and haze until somebody points out the pattern, you zoom out and realize wow it was this clear all along?? That's a LOT of what watching the show felt like to me. The pattern being how inexplicably inter-connected Myungha and Yeowoon are. Not because they are each other's blorbos, but because why they are eo's blorbos. Why they don't care for each other from a sense of sympathy, but from empathy, despite not knowing the depth of their connections explicitly.
Eventhough we do see glimpses of it from the start, it only gets more clear later how Myungha and Yeowoon really are mirror versions of eo. How the first time Myungha sees Yeowoon he's stopping him from killing himself, and then we later find out that Myungha ends up killing himself. How both of it was triggered by a series of disappointments in life, starting with a troubling family and ending with a grandmother who passes away. Of how both of them seem to really have no one else to call their own in the world. Of leading very lonely depressing lives, that seem to never have a glimpse of hope. How both of them seem closed off, but inside they really are so fragile it hurts to perceive the depth of their feelings. It all comes and hits you once you've taken the whole show in and have gotten a few 1000 seconds to think about it.
We start off with myungha's character wanting to make his blorbo's character happy, and he's in it cos he cares about him, he doesn't have to think about himself. A 'pathetic' character experiencing a lot of pain, what's not to love, Myungha thinks, not realizing that it's his own mirror self that he is feeling so much for. Myungha sees Yeowoon's problems as someone from outside and is therefore able to objectively look at it, and approach it proactively, taking so many steps to help him, my favourite (and arguably most important) of which is the effort he puts in to help form yeowoon a friend circle. Something that he couldn't do for himself cos he never even considered a possibility of that. Why would anybody want to be around him? He ruins everything right?
And then to go on despite believing that, to falling in love, to deciding to choose to save both his grandma and yeowoon, finally FINALLY taking control into his hands even if for a bit to say what he wants, to spending the last few days together, to breaking up cos he just thinks the worst of himself, cos he doesn't know better. And then to the eternal darkness, where moments before leaving, just like in his real life, he realizes he wants in, he wants to live, he wants to love, but more importantly this time, he wants to try being loved. Even if it's difficult, he wants to try.
I love how eventhough the show is heavily Myungha focused, we get meaningful dynamics with multiple characters. Round eyed gasp inducing moments dont just belong to the two mains but also to sangwon whose line to myungha post the stalker incident just ruined me and really set the tone for whatever the show was later revealed to be all about.
I love how complicated the narrative got while still telling a more or less coherent story, how in hindsight, a lot of it makes even more sense now. How as Myungha gets closer to yeowoon his self-hating tendencies manifest in the form of debuffs and errors, because of his own brain's inability to perceive himself as somebody deserving love. His childhood trauma and the numerous rejections life has given him, because of the kind of person he turned out to be because of those rejections, all appear to stand in his way of happiness, as if he can't help being a bundle of sadness and a harbinger of problems. Even as he says he doesn't believe in destiny or fate. Or as we initially are made to believe in the game as, yeowoon's happiness, when in reality this was never about yeowoon at all. Yeowoon never existed in the first place and in "real" life, he never does.
I was blown away by how Myungha is in fact no longer in the mortal world but that fact doesn't hurt as much as that he would have to leave a world where he could finally feel happiness, feel loved, feel cared for, even if he consciously tried avoiding them. They still came to him, they still cared for him, they still fiercely wanted to protect him, (Cos he is just a tiny meow meow, who has been hurt a lot in his life, who wouldn't wanna caress and nurse him back to health HUH) just as much as he wanted to protect them.
And coming to the question of what's the game, where is it happening and who orchestrated it? It's definitely set in the afterlife or the limbo between life and the life after. It could be the author friend doing it, or the author friend has given myungha's brain the power to control the game OR of course the possibility that this has all been happening in myungha's head the whole time.
Whatever it is, the whole point has been to take Myungha from a person not wanting to live his life, feeling so devoid of love and happiness, to a journey of love and friendship, of the importance of fostering connections, of making efforts, of helping others, but equally of letting others help you, of putting your hand out and asking for that help. And in my head I love it most when I think of it as entirely Myungha orchestrated. Of it being a desperate cry of pain to himself, from himself, to save himself. Yeowoon and the game and the missions and all of it was for him to see himself in ways he never allowed himself to be seen as, to take care of himself in ways he never has, to love himself like he has never known to. To finally run towards himself, even if pathetic and sad, the Cha Yeowoon of the game, the person waiting at the end of the finishing line was the Tae Myungha in him all along.
You know that tumblr quote 'do it for her' but its about your future self, right? Myungha rooting for Yeowoon is sort of like that? When he's protecing him, he's protecting himself? When he's cheering for him, he's actually cheering and rooting for himself? When he's loving him, he makes space and place to love himself?
I just love the idea of a (self) love story.
Eitherway Yeowoon x Myungha supremacy.
Extreme(ly accurate?) Interpretations apart, Love for Love's Sake is truly one of the, if not THE finest (self) love story I might have ever seen.
As a person who avoids fics/books with mcd or shows with tragic endings, it felt absolutely revolutionary to me that my biggest joy and relief came from the fact that the main character is dead (the thought of myungha having to leave the game was too much to handle) and he gets to live in this game where he has a cute boyfriend, a supportive, caring friend group and his grandma back. it wasn't the game that was temporary or non-existent, it was actually his life outside. And that's not bad? Cos this is a story and Myungha isn't real, but as real as he is, he got his happy ending.
The show taught us to love, to see love, to be loved and to share that love. It told us that maybe the afterlife is a videogame simulation where we all get to live in friendship and love forever, with our blorbo and our friends. There are a lot worse lives to live. And I'm glad he found it in himself, enough love, courage and hope to write himself a better one :')
271 notes
·
View notes