This episode found the Roys and co. travelling to Norway to meet Lukas Matsson (Alexander Skarsgard) and his colleagues. Multiple Norwegian locations were used to create the single "corporate retreat" setting. The most architecturally striking of these are the Juvet Landscape Hotel ( featured on this blog before, as it was also the location for EX MACHINA (2014)) and the Eggen Restaurant, at the top of the The Romsdalen Gondola. Image via juvet-and-sunnmore
le vieux rappeur du parc s'est fait des amis tout à l'heure il s'entraînait avec la guitare de son copain au loin j'entendais juste une petite mélodie et pas sa voix c'était sympa mais il s'est rapproché de moi maintenant il crie en boucle la même chanson tout seul sur l'instru que passe son téléphone et j'arrive plus à lire mais j'ose pas partir par peur de le vexer
1 aprile … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2023: Dario Campeotto, cantante, attore e doppiatore danese di famiglia italiana, divenne noto per aver rappresentato la Danimarca all’Eurovision Song Contest 1961. Si cimentò poi nell’operetta e intraprese anche una carriera di attore. Fu inoltre attivo nel doppiaggio. Fu sposato due volte. Con la prima moglie, l’attrice Ghita Nørby, visse per un periodo in Italia. Ebbe tre figli. (n.…
According to Ex Machina’s production designer Mark Digby, it took a full-on global hunt to find the Juvet, which stands in for much of the modernist, remote hideout of tech billionaire Nathan (Oscar Isaac). “We wanted it to be among nature, we wanted it to be stunning, and we wanted it to be exclusive,” says Digby, who was given a script that originally placed Nathan’s estate in Colorado. After hunting all over Europe, from the Alps to Finland, the team finally noticed a house under construction on the side of a mountain in northern Norway—and, half an hour away, the Juvet Landscape Hotel. Nathan’s mansion had been found, in the form of two separate, modernist buildings.
That includes the modernist furniture, the kitchen stacked with sleek gadgets, and even the Jackson Pollock replica on the wall. “We chose an eclectic range of mid-20th century designs I think that are classic and everlasting,” says Digby, describing Nathan as a man who collects things, whether artifacts from around the world or ideas from employees like Caleb. “I don’t think he feels that things have to be up to date, it just has to be beautiful design.” By Katey Rich Vanity Fair