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#large-format
velantian · 2 years
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Back on my sh*t again
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sacrificial1-lamb · 10 months
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a study on american fields
Large format 4x5 color film
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xomnus · 3 months
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aurosoulart · 4 months
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hey. artists who make process videos but want to expend the least amount of effort possible:
fake that shit. finish your piece and then make your lineart white and color it back in. mask your color layers and then un-mask them with brushstrokes. choose something eye catching to copypaste and do that a couple times. add bits of glow/sparkle/foliage/freckles/whatever else is relevant
if you get like three shots like this and then have the rest be video of your finished work no one will know. no one will CARE I promise. do not give your soul to the Microcontent Wheel it is Not worth it
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chromatophorium · 6 days
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This is an entirely self-indulgent SOMA/Splatoon crossover, haha. (a reworked au, as those who have seen certain other posts of mine may know)
So, helmet/head is a Octocopter helmet. Arms are the hoses of Octotroopers. Legs are the ones of a Octopod. And the internals of the torso is a Octoling Soldier's inktank.
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essektheylyss · 16 days
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I know I joked about DVDs but in all seriousness, I'm really glad that there's an option for watching VODs that isn't on Twitch and YouTube. It's been mentioned a few times today, but both of the interfaces of these platforms have been increasingly enshittified. I simply do not use YouTube anymore because of how horrid the interface is. I caught up on campaign 2 entirely on YouTube (and sometimes via podcast) in 2019 with no issues, but it is straight up maddening trying to use it now, and I don't know that I would have made it through the campaign if I was trying to catch up today.
I absolutely understand being tired of additional streaming services and I am absolutely in the same boat, but I also don't know how many people really recognize how gutted media distribution has become in the last ten years in the name of convenience. We all kind of realize it, but it's hard to grasp just how extensive it is. We can talk about independent business choices separately, and we should, but when the only platforms on which you have the option to distribute your work are at best frustrating to use and at worst hostile to human life, when monetization services can censor anyone they please with little explanation and have been cracking down on any content they arbitrarily deem inappropriate, when it is not clear that centralized conglomerate social media sites will continue to exist in the next year let alone decade, it is genuinely crucial for independent creators to start building alternative avenues of distribution that they control now.
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stanford-photography · 6 months
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Exploring the French Riviera in 1972 with Isabelle By Jeff Stanford, 2023
Buy prints at: https://jeff-stanford.pixels.com/
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dirt-ghoul · 3 months
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cahun, digital/4x5 photography, 2023
featuring @gurneykink
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naphelion · 1 year
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rdr stuff from twt i never posted :3
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railwayhistorical · 9 months
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While I've posted this image before, I recently re-scanned the negative for more detail in the shadows. This was taken in the fall of 1981 (42 years ago) when I first moved to Brooklyn.
The entire 4 x 5 inch negative is shown here. As for the subject matter, no caption needed given today's date.
One image © Richard Koenig.
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selinkamayer · 3 months
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Obsolutely being my large format guinea pig. 4x5 Fompan 400, plus detail.
The sky'd be so big that it broke my soul (Obsolutely), January 202
patreon - print shop - everything else
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fionaapplerocks · 1 year
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Fiona Apple // photo: Patrik Andersson
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virtualpeople · 7 months
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blueiskewl · 9 months
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A LARGE IRIDESCENT AMMONITE Canada
The 14-inch Placenticeras costatum from the upper Cretaceous, Bearpaw formation (75-72 million years ago), showing strong iridescences of red, orange, green and the rare color of purple, displayed on natural shale matrix. Specimen: 14 x 115⁄8in. (35.6 x 30cm.). In matrix: 257⁄8 x 32 x 41⁄8in. (65.8 x 81.2 x 10.5cm.).
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fish-bowl-2 · 4 months
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Edd Moodboard consisting exclusively of images saved on my phone.
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essektheylyss · 9 months
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I love that Imelda Goldfinch went from "mildly unsettling, probably evil but I'm going to hold out judgment before I decide whether she's intentionally malicious or has just bought into the zealotry too hard" to "oh she is EVIL evil, actively, willfully, terrifyingly zealous evil" instantly this season.
It's very fun because it also immediately puts you on the side of both Weepe and Jonas Spahr, both of whom looked very bad at the end of season 1. But I think it's also the first time we get a look into Jonas's head, and find that it is very similar to Phineas's, and that also adds a whole extra layer of "you are also partially a victim here, and you just might actually be on the verge of starting to recognize it." (And honestly, I wonder if Jonas, who does not necessarily feel like he needs to struggle for some kind of external validation, may recognize it faster than Phineas now that he's really seeing the effects up close and personal.)
This show is fascinating for how terrible all of the characters are yet also how simple they make it to identify who is simply terrible and who is terrible because there are only shit choices in the world of Midst.
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