#lecinemaclub

[lady----m]

#march #mars #spring #printemps #mood #blog #blogger #pierrebourdieu #amourfou #jessicahausner #davidhockney #lecinemaclub #josephpilates #pilates #weekend #friday #vendredi

[01sentencereviews]

kristen stewart in personal shopper is one of the great performances of our time

#it's true #nw the olivier assayas doc on lecinemaclub #kristen stewart #personal shopper #olivier assayas #personal

[irisfilmcollective]

Le Cinéma Club, a free online screening series, is currently offering George Kuchar’s absurdist classic HOLIDAZE for a limited time. Find it at https://www.lecinemaclub.com/now-showing/holidaze-1994/

“A time of cheer and chill, giving and getting, chomping and chewing. It’s all here in black and white, plus monochromes and kodachromes and digitized delicacies. The first tape of ’94 is launched amid funereal frivolity.” GEORGE KUCHAR

Happy Holidays from Iris Film Collective to all, see you in 2022!

#Holidaze GeorgeKuchar lecinemaclub irisfilmcollective xmas

[dixiecotton]

Repost from @lecinemaclub • "This is from my favorite scene in the entire film." ANTONIO CAMPOS takes us behind the scenes of THE DEVIL ALL THE TIME  – his haunting Southern Gothic thriller just released on Netflix and led by an incredible ensemble cast including Tom Holland and Robert Pattinson. See the exclusive on-set photo gallery in our Journal, accompanied by Campos’ lovingly dedicated notes to his cast and crew. (Link in bio) #thedevilallthetime @thedevilallthetime_ https://www.instagram.com/p/CFj1RQ_HI4A/?igshid=11cyo12x7wnxc

#thedevilallthetime

[inframince-inc]

ACTUA 1

A film by Philippe Garrel

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From Friday, May 4th to Thursday, May 10th,

#Philippe Garrel #PhilippeGarrel #ACTUA #1968 #lecinemaclub

[abutlermajortwo2022]

Inspiration, concepts & visual research II

Looking at the body in the moving image, video and audiovisual, contemporary portraiture.

Cloudy Rhodes

https://vimeo.com/346756397

Prototype 002 – New Masc by Cloudy Rhodes

DIVING INTO: Life beyond gender, a study in performance, togetherness and openness, resistance, moving in between the binary, beauty in all its forms, kids in the suburbs longing to be free, an experience of wholeness, starting with yourself and ending up with the universe.

Prototype 002 – New Masc by Cloudy Rhodes, screenshots

Looking at relationships in the moving image, video and audiovisual, contemporary portraiture.

 Pol Rebaque, Bound 1

Bound magazine, Bound 1, Pol Rebaque

“Al final todo se acaba (pero quiero saber más)” Focused on the relationship between time and desire, "Al final todo se acaba (pero quiero saber más)” is an exclusive video series of four episodes four our Instagram profile. Directed by @polrebaque with the art direction of @lauradoardo, words and voice of @alejandrasmits and sound design of @mans_o Edited by Bernat Granados @bernatgrana2.

Alba Yruela, Bound 1

Bound Magazine, Bound 1 Alba Yruela

Looking at communication in the moving image, video and audiovisual fictional works.

THE END OF SUFFERING (A PROPOSAL) a film by JACQUELINE LENTZOU. 

The End of Suffering (a proposal) - Trailer

“Sofia is panicky, again. The Universe decides to contact her. An other-wordly dialogue. A planet symphony for Mars, where people dream awake and fight for love.”

A complex fantasy story told through such simple things feels cinematic in a good and non-pretentious way. The use of dialogue is through the use of subtitles. The universe communicates through subtle rhythmic atmospheric sounds, while the subtitles informs us of the communication. From what I remember, from watching this via lecinemaclub the universe contacts sofia through ai technology. 

“Even silence is musical”

[libbycleary99-blog]

[stepsista]

LAST 2 DAYS to watch the beautiful short 'THE YELLOW ISLAND' by great new French director LEA MYSIUS. Catch it on https://t.co/ze1aiG4mBX! http://pic.twitter.com/VX3wuJWl81

— lecinemaclub (@lecinemaclub) June 30, 2017

from http://twitter.com/lecinemaclub via IFTTT

#IFTTT #Twitter

[lecinemaclub]

The road to El Dorado

In Spain 1519, two con artists, Tulio (Kevin Kline) and Miguel (Kenneth Branagh) win a map to the legendary City of Gold, El Dorado, in a rigged gambling match (though ironically they end up winning the map fairly). After being accused of cheating with loaded dice, the two evade capture while being chased by a bull and hide in barrels, which are shortly loaded onto one of the ships to be led by Hernán Cortés (Jim Cummings) to the New World. During the trip, they are caught as stowaways, but manage to break free and take a rowboat with the help of Cortés' horse, Altivo (Frank Welker). They land at an unknown shore, and Miguel begins to recognize landmarks stated on the map. The map leads them to a totem marker outside of a waterfall where a young woman approaches them, chased by a number of guards. The guards see the image of Tulio and Miguel riding Altivo as the same on the totem, and believing them to be gods, escort them and the woman under the falls and into El Dorado, truly a city made of gold.

Tulio and Miguel are brought to the city's elders, Chief Tannabok (Edward James Olmos) and wicked high priest Tzekel-Kan (Armand Assante). While Tannabok warmly welcomes them to the city, Tzekel-Kan mainly sees them as a way to enhance his own standing. Tulio and Miguel begin to argue on what to do. Everyone is convinced they are gods when as a volcano is beginning to erupt, Tulio yells at Miguel to "stop!" and the volcano suddenly stops. After celebrations offered by both Tannabok and Tzekel-Kan, the two are taken to private quarters along with the woman they met earlier, Chel (Rosie Perez), who has seen through their ploy but offers to help maintain it as long as they take her with them when they leave. Tulio tells Tannabok the next day that they are only here for a visit, but will need a boat to leave the city with the gifts the city has showered upon them. Tannabok says it will take them at least three days to construct a vessel to carry both them and the gifts given to them by the people of El Dorado.

Chel encourages Miguel to continue to explore the city, allowing her to become closer to Tulio. When Tzekel-Kan sees Miguel playing a ball game with children, he demands that the gods play against the city's best players. During the match, Tulio and Miguel are clearly over-matched, but Chel replaces the ball with a rolled-up armadillo, allowing the two to cheat and win the game. However, when Tzekel-Kan offers to have the defeated players put to death, Miguel orders him to leave the city. As he is leaving, Tzekel-Kan sees a small cut on Miguel's forehead, and realizes that they are not gods because gods do not bleed. Tzekel-Kan conjures a giant stone jaguar to chase them through the city. Tulio and Miguel manage to outwit the stone jaguar, causing both it and Tzekel-Kan to fall into a giant whirlpool, thought to be the entrance to Xibalba, the spirit world. Tzekel-Kan comes to outside El Dorado, where Cortés and his men are searching for gold. Thinking Cortés is a true god, Tzekel-Kan quickly offers to lead them to El Dorado.

With their boat completed and loaded with treasures, Tulio is ready to leave but Miguel announces that he will be staying because he finds the city peaceful. As Tulio and Chel start to leave, they spot smoke on the horizon, realizing that Cortés and his men are approaching the city with the help from Tzekel-Kan. To protect the city from the Spanish troops, Tulio determines they can use the boat to slam against rock formations under the waterfall path that will cave in and block access to the city. The city residents pull down a large statue to create a wave to propel the boat, but Tulio cannot get the sails up to give the boat enough speed to avoid the statue. Miguel forgoes his chance to stay in the city and jumps into the boat with Altivo to finish hoisting the sails. The boat clears the statue in time, and Tulio's plan is successful; though the boat and its treasures are lost, the entrance to El Dorado is sealed for good. Tulio, Miguel, Chel, and Altivo hide as Tzekel-Kan brings Cortés and his men towards the waterfall. Once Tzekal-Kan finds out that the entrance has been blocked, an angry Cortés takes this as a lie. Cortés and his men then march away with a humiliated Tzekel-Kan in their hands. Tulio, Miguel, and Chel, though disappointed they lost their treasure, take off in a different direction for a new adventure, unaware that Altivo still wears the golden horseshoes he was outfitted with in the city.

#The road to el dorado #movie #cinema #cinema club #lecinemaclub #disney #disney movie #kevin kline #Kenneth Branagh #Jim Cummings #Frank Welker) #con artist #cartoon movie #Edward James Olmos #Armand Assante

[libbycleary99-blog]