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butchhamlet · 1 year

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i said i was going to arrange a list of my favorite articles/criticism about shakespeare, so here’s my first little roundup! obligatory disclaimer that i don’t necessarily agree with or endorse every single point of view in each word of these articles, but they scratch my brain. will add to this list as i continue reading, and feel free to add your own favorites in the reblogs! :]

essays

Is Shakespeare For Everyone? by Austin Tichenor (a basic examination of that question)

Interrogating the Shakespeare System by Madeline Sayet (counterpoint/parallel to the above; on Shakespeare’s place in, and status as, imperialism)

Shakespeare in the Bush by Laura Bohannan (also a good parallel to the above; on whether Shakespeare is really culturally “universal”)

The Unified Theory of Ophelia: On Women, Writing, and Mental Illness ("I was trying to make sense of the different ways men and women related to Ophelia. Women seemed to invoke her like a patron saint; men seemed mostly interested in fetishizing her flowery, waterlogged corpse.”)

Hamlet Is a Suicide Text—It’s Time to Teach It Like One (on teaching shakespeare plays about suicide to high schoolers)

Commuting With Shylock by Dara Horn (on listening to MoV with a ten-year-old son, as modern jewish people, to look at that eternal question of Is This Play Antisemitic?)

All That Glisters is Not Gold (NPR episode, on whether it’s possible to perform othello, taming of the shrew, & merchant to do good instead of harm)

academic articles

the Norton Shakespeare’s intro to the Merchant of Venice (apologies about the highlights here; they are not mine; i scanned this from my rented copy)

the Norton Shakespeare’s intro to Henry the Fourth part 1 (and apologies for the angled page scans on this one; see above)

Richard II: A Modern Perspective by Harry Berger Jr (this is the article that made me understand richard ii)

Hamlet’s Older Brother (“Hamlet and Prince Hal are in the same situation, the distinction resting roughly on the difference between the problem of killing a king and the problem of becoming one. ... Hamlet is literature’s Mona Lisa, and Hal is the preliminary study for it.”)

Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony & Cleopatra Criticism (about more than just reviewers; my favorite deconstruction of shakespeare’s cleopatra in general)

Strange Flesh: Antony and Cleopatra and the Story of the Dissolving Warrior (“If Troilus and Cressida is [Shakespeare’s] vision of a world in which masculinity must be enacted in order to exist, Antony and Cleopatra is his vision of a world in which masculinity not only must be enacted, but simply cannot be enacted, his vision of a world in which this particular performance has broken down.”)

misc

Elegy of Fortinbras by Zbigniew Herbert (poem that makes me fucking insane)

Dirtbag Henry IV (what it sounds like.)

Cleopatra and Antony by Linda Bamber (what if a&c... was good.)

#essays/academic articles is sort of a false dichotomy but i wanted to separate these into More Casual versus More Academic. so.#misc category exists because. i like those two things so much. not at all for the same reasons #max.txt #misc #hamlet #merchant of venice #henry iv #richard ii #antony and cleopatra #there we are.

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infinatenoise · 4 months

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Shakespere plays badly described in one sentence:

Romeo And Juliet - Your "Love had different plans" writing excuse ended with a restraining order and two dead kids

Macbeth - Girlboss uses her sopping pathetic wet dog of a husband to gain political power, ends horribly.

Hamlet - Pathetic emo boy destroys career of his creepy uncle

Titus Andronicus - It's a soap opera because after you watch it you feel the need to wash yourself thoroughly

The Tempest - One man's real person ship fic saves the government from corruption

Merchant Of Venice - The way to make your play where the main villain is a jewish person portraying every negative stereotype is by making the main christian characters the biggest pricks in existance

Twelfth Night - Shakespeare was a COWARD for not making the woman marry the sister and the man marry the brother.

Othello - A commentary on racism slightly ruined by the fact that the main villain shares a name with a cartoon disney parrot

#I don't have anything better to do #shakespeare #macbeth #hamlet #romeo and juliet #othello #the tempest #twelfth night #merchant of venice

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geese-in-a-frock-coat · 6 days

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#Shakespeare #William Shakespeare #as you like it #twelfth night #romeo and juliet #a midsummer night's dream #merchant of venice #othello #richard ii #hamlet #troilus and cressida #literature

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inthefallofasparrow · 3 months

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#merchant of venice

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dykeofcornwall · 9 months

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#othello #twelfth night #a midsummer night's dream #two gentlemen of verona #the winters tale #romeo and juliet #merchant of venice #king lear #technically wlw regan and cornwall doesn't only exist in my head butchhamlet did write that and it fucks #but wow do a lot of the best plays only have women who are related

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innexury · 7 months

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in my shakespeare class rn and thinking about how he would've loved ao3. he would've banged out 500k word fics in the span of a month

#as you like it #shakespeare #marauders #merchant of venice #jegulus

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macbooth · 10 months

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full of childish whimsy in a hostile fashion tonight so here’s every shakespeare clown i can think of and whether or not i think i’d beat them in a fight

(i do not mean fools i mean clowns. they do not need to be the secret genius of the play. if they are stupid in every way shape or form i am including them here)

Puck (A Midsummer Night’s Dream) No chance. Bro’s got that magic and ALSO has a big strong scary fairy king as his bear, like, do not separate them. If I even tried throwing hands at this cunt I’d get torn to shreds and used as glitter dude, I’d be over. 0/10

Nick Bottom (A Midsummer Night’s Dream) I could but I’d feel bad. I also think he’d put up a really solid fight. Like this is out of donkey form, bro was a physical worker. Like I reckon I could win a fight with some of the tradies I’ve seen but I don’t think it’d be easy. Also he’s just really dumb so I would feel a little bad. Donkey form though, I’m running away. Scary as shit. I am afraid of horses though. 6.5/10

Touchstone (As You Like It) Absolutely I could beat the shit out of this man. I hate him so much. Full of hostility towards this fucker. His clothes aren’t even subtle I could find this bitch in the forest no time and hunt him down and rip him to shreds, fuckin court jester doesn’t even have the roughness of the country on his side. 9/10 (-1 point cause he definitely fights dirty but I just hate him so much I’d win)

Jaques (As You Like It) First off he’s absolutely a clown. Second off I’ve played him before so my word is gospel. Third off bro has no fucking chance against me. He’s a podcast bro who thinks I don’t know that Tame Impala is one dude. I’d ask him why we can’t print more money and he would explode instantly and it would be the funniest thing he did with his life. 10/10

Audrey & Corin (As You Like It) I’m lumping these two together cause in the show I did they were one character (and I also played them). I wouldn’t even want to fight these two. And even if I wanted to Audrey would absolutely be able to beat the shit out of me and I would thank her. Our setting was in semi-modern country Australia, that girl would have a shotgun. 2/10

Autolycus (Winter’s Tale) Just like Jaques to me. He might be a little bit harder because he’d change costume and I’d get confused because I have no object permanence but other than that what has he got. Bitterness? Resentment? Bitch so did I when I was 15 grow up experience love. 8/10

Falstaff (Henry IV parts 1 & 2, Merry Wives of Windsor) I don’t actually know about this one but he is very punchable. I feel like he’d let me punch him and I think one punch would be enough for me. I think that would satisfy my urge to punch him. He may be a knight but let’s be honest he’s shit at it so I stand by this. 4/10 (just cause I don’t really give a shit)

The Dromios (Comedy of Errors) I absolutely could beat them in a fight but I would feel So Bad. You see how they’re literally already treated in the play, I wanna give them a break. That being said they’re both kinda dicks but they’re going through it already so I’d wanna give them a breather. I would win though, even if they both were attacking at once. 7/10

Launcelot Gobbo (Merchant of Venice) He’s such a prick but I would be laughing too hard at his name to fight him. Bro’s name is Gobbo. Bro’s name is basically Gobby. Imagine being named Blowjob. I would lose my mind. I would laugh so so hard I would collapse. My heart would fail. Biggest L name out there bro. Launcelot Gobbo oh my god. 3/10

Launce (Two Gentlemen of Verona) Nah man he has an attack dog. I don’t care what breed of dog Crab is in a production I fully believe he would kill for Launce, that’s just their dynamic. I understand them better than anyone else (I have a dog). Also he’s already working for Proteus, is that not punishment enough? 4/10

Speed (Two Gentlemen of Verona) I mean I definitely could fight him. I don’t imagine he’s got much fighting experience. But once again, he has to deal with Valentine which does feel like it would be cruel to inflict more onto him. Like Valentine’s not as bad as Proteus but fuck is he stupid. Also if I accidentally flubbed a punch Speed could absolutely tear me a new asshole with his words and I would sob and cry and literally never recover. 4/10

The Porter (Macbeth) Fuck no. Bro definitely has a knife on him at all times. I can’t explain why I think this I just do. He works night shift, he definitely doesn’t get paid enough for his dog shit job, he would absolutely try to stab me just to spice up his evening without me starting a fight. 1/10

Trinculo (Tempest) Yes. Sorry, you’re Russell Brand? L. I could kick your ass. And he’s like drunk for half the show, and almost fucked a fish. I doubt his judgement is good enough to say the alphabet backwards let alone dodge a punch. He couldn’t even get Caliban to kick my ass (who definitely could by the way) cause Caliban fucking hates him. Bro, failwife to Stephano should pay more. But it doesn’t. 8.5/10

Dogberry (Much Ado About Nothing) Without Verges? Yes. With Verges? No way. Those two are a power couple in the dumbest possible way. He would absolutely try to get me arrested though but I simply would not go to prison. What’s he gonna do? Send me to prison? I’m already not going. 7/10

Mercutio (Romeo and Juliet) No chance. Unless Romeo fucked up so bad like he did in the actual play, I would have no chance against this dude. I wouldn’t even want to even if I could. I’m a Benvolio stan first and foremost and a person second you think I’d wanna fight his bestie? Only exception is if it was an actual fight club and not just a pure fight out of hatred. I feel like Mercutio could give Brad Pitt Fight Club Realness, outfits included. I would still lose though. 2.5/10

Don Adriano De Armado (Love’s Labour’s Lost) I reckon I could wreck this dude’s shit. You know that gif where the fuckin dude is doing all these cool sword moves and then he just gets shot? You know the one. I forgot where it’s from but you know the one. That would be this fight. Armado would bust out his flair, his razzle dazzle, his pizzaz, and I would just deck him I think. That’s the power you need in this world, I think. Power of fist to face. Peace and love. <3 8/10

Costard (Love’s Labour’s Lost) I do not think Costard would realise he was being fought even as he was actively getting hit in the face. I know how to say honorificabilitudinitatibus, he doesn’t even have that against me. Bro couldn’t even confuse me with that, I learnt that, like an adult. Anyway yeah I’d kick his ass. 9/10

Holofernes & Sir Nathaniel (Love’s Labour’s Lost) This is the same man to me. I would destroy them both. Fuckin nerds. Flowery ass language nerds. I support gay rights and gay wrongs but the only reason I couldn’t fight those two gay muppets who heckle is cause they’re too far away (in a theatre booth), these two gay muppets who heckle are right in front of me. I’d kick their tweed cladded asses. 10/10

Jaquenetta (Love’s Labour’s Lost) She is just like Audrey to me. I could never bring myself to hurt her. Also she’s pregnant and I feel like it’s fucked up to hit a pregnant woman just for fun. Also she could absolutely wreck my shit. Please wreck my shit Jaquenetta. 0.5/10

Moth (Love’s Labour’s Lost) This little fucker should be an INSTANT knock out but I just know this fucker bites. He’s a shit talking 8 year old? Oh he plays wolves on the playground, I just know it. He plays wolves and he’s definitely been suspended for it, I just know it in my heart. Sure, I could kick him, but he would grab hold of my foot and try to rip it off. We would shake hands and agree to part ways, having met our match. He, who plays wolves, and me, who played fairies, leave the fight with our heads high and respect in our hearts. I am kidding of course but I do think we would tie. 5/10

Lear’s Fool (King Lear) There’s already so much fighting going on, I don’t even think they’d notice if I just started kicking this dude. Not only could I fight him and win, I think I’d get away with it too. I’d win not only physically but socially too. What’s he gonna do? Tell his boss? Bro he’s preoccupied with his whole kingdom crumbling, grow up. 9/10

Lavatch (All’s Well That Ends Well) This is more meta but my hatred of this play would fuel me here. I would fight literally anyone in this play if given the chance, not a joke. I would get in the ring with literally anyone from this play, but honestly, out of them all I weirdly respect Lavatch the most, maybe because he at least knows that he’s a cunt, unlike literally everyone else who Just Suck. I do think he’s probably scrappy though, so I wouldn’t leave unscathed. I also think if he got the upper hand he would be so so awful about it, so I’d really have to fight. 6/10

Sir Toby Belch & Sir Andrew Aguecheek (Twelfth Night) Andrew is canonically bad at fighting, and honestly I do not believe Toby would be any better. Love both of these guys but if I had to fight them both at once I think I would be able to just move out of the way and they’d bonk each other on the head like a cartoon. They’re just silly guys. 9/10

Maria (Twelfth Night) Every woman clown could beat my ass. Audrey, Jaquenetta, Maria, they are all so special to me and would all also fucking destroy me. Maria especially cause I just know she is full of hate. You don’t hatch a plan like the Malvolio plan unless there’s something deeply worrying about you. She’s a Scorpio to me. <3 I do love her, she’d demolish me. 0/10

Feste (Twelfth Night) Would actually kill me. -5/10

I know I’ve definitely missed some but uhhh don’t expect me to remember every clown even if I’m neurodivergent about these plays please. <3

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reisakumaproducer · 5 months

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How to confuse a Shakespeare fan upon first meeting them: Tell them your favourite character is Antonio

#shakespeare #twelfth night #the tempest #mucho ado about nothing #YES IT HAS AN ANTONIO TOO #merchant of venice #did i miss someone #tbh I am judging you if your favourite character is antonio from merchant of venice

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uwmspeccoll · 7 months

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Shakespeare Weekend!

This weekend we return to Nicholas Rowe’s (1674-1718) The Work of Mr. William Shakespear; in Six Volumes. Published in London in 1709 by Jacob Tonson (1655-1736), perhaps the most prolific of Shakespeare publishers, this second edition holds an important place within Shakespearean publication history. The Work of Mr. William Shakespear; in Six Volumes is recognized as the first octavo edition, the first illustrated edition, the first critically edited edition, and the first to present a biography of the poet.

This week, we introduce you to the second which consists of all comedies, including A Midsummer-Night's Dream, Merchant of Venice, As You Like It, Taming of the Shrew, All’s Well that Ends Well, Twelfth-Night; or What You Will, and The Winter’s Tale. A full-page engraving by the French Baroque artist and book illustrator François Boitard (1670-1715) precedes each play.

In addition to Rowe’s editorial decisions to divide the plays into scenes and include notes on the entrances and exits of the players, he also normalised the spelling of names and included a dramatis personae preceding each play. The only chronicled critique of Rowe’s momentous editorial endeavor is his choice in basing his text on the corrupt Fourth Folio.

Perhaps of interest to some of our readers is the exceptional use of signature marks and catchwords throughout the volumes of The Work of Mr. William Shakespear; in Six Volumes. Found on the bottom of the pages, the signature marks and catchwords helped the bookbinder or printer make sure the pages were sent to the press in the right order and that subsequent leaves were bound in the correct order. Signature marks through the use of a letter and number combination marking the first page of a leaf or section, and catchwords by way of anticipating the first word of the following page.

View more volumes of The Works of Mr. William Shakespear; in Six Volumes here.

View more Shakespeare Weekend posts.

-Jenna, Special Collections Graduate Intern

#Shakespeare Weekend #William Shakespeare #Shakespeare #Nicholas Rowe #The Works of Mr. William Shakespear #Jacob Tonson #François Boitard #A Midsummer Night's Dream #Merchant of Venice #As You Like It #Taming of the Shrew #All's Well That Ends Well #Twelfth-Night or What You Will #The Winter's tale #signature mark #catchword #etching

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k3woru · 9 months

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BSD 109 spoilers!

This detail of the scale in the new BSD official art with Dazai and Fyodor is more than life and death on a scale and let me explain why

I was inspired to make this even though i don’t use tumblr much (i want to now after twitter died) after reading @soupthatistohot ‘s post on BSD as an absurdist text - I found it rly interesting!!

To summarise it for context, “Absurdism is the belief that the world around us is irrational and inherently absurd and that explicitly seeking meaning is pointless … All of the animanga’s main characters are on a journey of discovering their meaning in life, and their place in the world, and they do this by rebelling against its absurdity — especially Dazai.”

We can think of the scale as an allusion to Shakespeare’s Merchant of Venice, where the scale has been famously used to represent the 1 pound of flesh with no extracted blood- essentially no violence or death- that is to be given in exchange for being unable to repay a loan - ultimately, an exact pound of your flesh being extracted would result in death. The scale in the official art depicts that ‘flesh’ in the form of a heart (a vital organ) is of equal weight to an angel wing. Presenting the angel wing which cannot exist in the real world, Asagiri utilises the fantasy elements of BSD to fully drive the possibility for the ability users to thrive within the non-ability world, ‘discovering their meaning … and their place in the world’. This is important because earlier as stated, BSD rebels against absurdity. Dazai’s side with the angel wing suggests his nature to rebel from the original narratives - to subvert our expectations and come out of this through his own means, using his ability for good. To be on the side that saves people.

The sheer fact something like an angel wing-a miracle, basically, from Dazai’s side is possible to resolve conflict and be of equal standing to the pound of flesh that was demanded to repay the loan is crazy. The pound of flesh/flesh on a scale representation has been seen in multiple pieces of media- within animanga, It’s seen in Moriarty the Patriot as a direct reference in one scene too!

Bringing this back to the scale itself, the skull represents mortality - important because multiple character’s mortality are at stake as a result of the present saga’s conflict. Skulls can also represent the opposite however, protection, power, and a gratitude towards life. Further if you wanted to draw upon the ideals of Memento Mori it’s just an overarching symbol that lies perched at the very top of the official art that reminds us that despite these character’s absurdist rebellions, nobody can escape death overall … well, maybe Dazai can here 🤷‍♀️

There’s a lot more I want to say about the official art’s intertextual symbolism… I love how BSD official artworks always have some dichotomy between the setting and the characters that prove something or else.

Let’s hope for a happy ending!!

#dazai #bsd #bungo stray dogs #bsd 109 #bsd fyodor #bsd manga #bsd manga spoilers #kafka asagiri #merchant of venice #moriarty the patriot #bsd official art #bsd analysis #bungo stray dogs analysis #totally not copium #sat0rugojo on instagram

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