Look, I didn't want to be "that" person
who criticizes something just because "it was different in the books".
But I love PJO just way too much to not feel frustrated at the tendencies of modern adaptations that I think new series is suffering from. And I feel much more frustrated because in others aspects the new show is great.
First of all, what's with this downplayed brutality of PJO world? The moment Sally started her speech about Perseus I smelled trouble. In her story, in her reasoning she named him after Perseus because of this beautiful story where happy ending is just something that happens. While in the books thats a huge deal that Percy is named after THE ONLY HALF-BLOOD HERO that had that happy ending. That fact is supposed to highlight the mortality rates and that for most of these demigods happy ending is pretty much NOT IN PROSPECT. Like, despite that rambling post I'm usually fine with some differences that are made in adaptations, most of them I usually can understand. But why do you need change the message of "I named you that way because I hope you will live happily ever after despite being in constant danger" to "I named you that way because it's a beautiful story about a mother and a son"? Especially when they absolutely could do both?
Secondly, the Gabe issue. You see, Percy Jackson books were great because they were able to discuss with children some pretty heavy themes without downplaying them - like domestic abuse. And that scene with poker players and Gabe getting from Percy money was brilliant because it showed that Gabe was so awful that he took everything he could even from a 12 y.o. There were also heavy implications that he beat Percy. But now Gabe is just your usual jerk who is lazy and doesn't have a good relationship with his stepson and argues with his wife all the time. Look, I know, that is awful too, I know that. But the point of Gabe that he was absolutely the worst. That he's the worst of the worst that's why he smells on this metaphysical level and is able to hide Percy. That he kinda deserved what happened to him in the end. And now I sure that we won't get that end because apparently that stuff is too brutal for kids. If they're afraid that much younger audience would get shocked by it they could at least do that in hints, you know. Old shows were great with things that you didn't understand as a child and then later while rewatching them you finally could get the message.
And what's with this Grover thing? Okay, I understand they probably didn't have the time for establishing why Percy would feel betrayed by his teacher but wanted to save this "low point" for Percy's character. But why? Why? How Percy as a character and we as viewers are supposed to feel that amazing friendship if it started for us with betrayal? That just sucked.
Also, personal flaw - they really could insert "This is a pen" line when Brunner gave Percy the pen. They really could and that would be so awesome. But they didn't.
And the sad part is that now I understand that there was no way they could include this important stuff in the series. Because Disney is too afraid to show domestic abuse. They afraid to show Sally Jackson that put up with heavy abuse just to keep her son safe. They afraid to show that literal children die in PJO world. That that half-blood stuff is no game - as Percy said in the very first minute of the series. For fuck's sake they didn't even mention him having ADHD! They implied that by saying that he was being weird! That was so so so so important that those things that kids with ADHD are struggling make them so special and strong in their own way. And now that message is gone too.
And all of that is because Disney doesn't have any balls left. It's like they sanitize everything they make into that 0+ versions of stories while sometimes the point of the story is in discussing something from a real, sad and unsanitized world.
The stuff I listed is just from the first episode and I don't know if the show will go that way, if this tendency of sanitizing the story will continue or not. I'm just really afraid that all of that means that they decided to leave out all the brutality that made Percy Jackson so iconic. It is like watching this new version of Harry Potter where he doesn't live under the stairs - that maybe doesn't change much story-wise but it's just not the same Harry Potter that way.
I want to like the show, I really do. Walker is so amazing is this role. Other actors are really great. I see the effort, I see how people tried to make this adaptation as close to books as they could. The show looks truly amazing. The fight with minotaur was absolutely stunning. Ending sequence is a masterpiece. I have so many good things I can say about it. But those little things they changed - they weren't little at all. A huge chunk of what made those books so special at least for me is gone (especially in comparison with Harry Potter books). And I can't help feeling sad.
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when your children are still babies, they get so so upset when gojo comes home and doesn’t immediately pick them up. your baby has recently learned that the sound of the front door opening and closing usually signals the return of their father so tonight, when the door opens, your baby’s head perks up. when he finally takes his shoes off and makes his way into the home, he spots his little angel on the couch. “hi baby!” he coos at them with a smile on his face and his hands full with some packages. “let me go put these down and i’ll be right back!” he tries to explain, to which your baby just obliviously smiles at, just happy to see their father and know that he’s giving them attention. but when they realize that he’s leaving their sight and didn’t immediately pick them up… oh have mercy. it becomes a shit storm because who does he think he is?? to not give his baby all his time and attention! gojo comes running back into the living room confused as to why they’re crying but as soon as he picks them up, they stop crying and start giggling. what a dramatic little baby you’ve been blessed with. the apple doesn’t fall far from the tree ig
— doc dad levi anon
SHUT UPPPPP because you know Satoru loves the attention too, they’re a perfect match together bye. All you can do is stand, bemused, as Satoru picks up the baby and almost instantly quells his crying, rocking him back and forth before stretching his arms to hold the kid at eye level with him and cooing, “Oh, I’m sorry my love, I missed you too, soooooo much,” Satoru bends his arms to brush their noses together and grin at the giggles the baby emits, “You missed me too, yeah? Aren’t you the sweetest little thing, missing me like that? So precious.” Satoru covers the baby in kisses and sweet words for nearly five straight minutes and they both love to bask in each other’s attention (you have the videos to prove it).
Something kinda funny tho is… you’re 98% sure your son can tell that Satoru will give into quickest lmfaoo. Your baby cries sometimes when you have to leave him, sure, and can definitely throw a fit when he wants your attention—but he seems to know to cry (or squeal, or babble, or screech) on demand for his sucker of a father. Nanami, Shoko, Megumi, and Yuuta (your on rotation band of baby sitters) have noticed that the kid loves to be held and has no shame gesturing for it—but they’ve never experienced the baby crying when they so much as step away for a moment, unless he’s hungry or needs to be changed. You don’t have the heart to tell Satoru he’s being played tho, so you just let them have their moment <333 (not that it would matter, Satoru can’t stand to see your kid cry in any capacity, so he’d go right back to giving in; plus it’s a win-win in his book anyway: baby stops crying, and he gets cuddles from his son).
(Then again, you think the need and love for attention might just be genetic, because Satoru has cried big tears a handful of times just leaving you and your baby at home for a few hours).
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Oooh how about telling us a little about The Thousand Mile Fall? 👀
Thank you Ash and @bearvanhelsing for asking!
I want to begin by apologizing- I suspect you were looking for Tristian, but this is the single BG3 thing that was on the list. Jay, idk where you stand on discourse game of the year, but Ash, I know that you're not a fan and have been working on distance. I'm placing the rest under a cut. You can read it or not read it. Either thing is fine with me.
As compensation: the one actual Kingmaker ask I got on this (sorry it's not a flashy one), or a PF2e one about Kasander/Asperia.
Still with me? Thank you, I appreciate it!! Let's see to what degree I'm willing to bare my soul before I get too embarrassed and awkwardly trail off.
Ah: DUrge spoiler warning. And content warning: DUrgetash (sorry)
So! The Thousand Mile Fall, something which was only just starting to go beyond planning (and originally planning for a comic) when my laptop committed die. I was really interested in the concept of the Dark Urge as a character who was always framed as having fallen from grace, and who had also fallen from a state of divinity. The liminal state excited me, and we all know how I feel about a horrible someone who's a horrible failure of an angel. Horrible failure of a demigod occupies a similar space. I think the nature of that failure- that fall- began to occupy me quite a bit, since I had a strong concept for Asperia from very, very early on in my playthrough (long before I knew anything besides the DUrge plot besides that they were a Bhaalspawn, even before I had become convinced Kasander and Asperia existed simultaneously) and at the heart of Asperia was someone who was infallible and convinced of their invincibility- maybe rightly so.
So, this story is set only a bit before the game and is meant to unpick the loss of that perfect favor- in my mind, the loss of Asperia's "godhood," something which is stolen twice. The second and definitive loss is of course to Orin in a singular act of violence, but Orin's path to victory was opened by the slow and insidious poison of having known Enver Gortash. In a "the bar is in hell" turn of things, their... acquaintanceship is the closest thing Asperia has ever experienced to a normal relationship and a normal life. And that glimpse of the other side is what unmakes her. It's always been crucial to Asperia's role in the system to be the one who loves being Bhaal's beloved child, who can reconcile anything with belonging, who buys in so fully that it is unthinkable to be less than a god and it is unthinkable to have desires besides those of a god. Others hold the questions, the fear, the other desires- Kasander and Bride especially- but Asperia wants nothing else in life, and Asperia believes with painful, self-destructive fervor.
Asperia has already been acquainted with Gortash for some good while here, the wheels turning in the scheme of the Absolute. This is the longest positive relationship of any kind Asperia has ever had outside of whatever pseudo-parental thing he has with Scleritas, and it has been wonderful: novel, collaborative, a meeting with someone who resembles an equal despite being a mere mortal. Asperia has begun to see other facets of the world through this, to see the ways the world of the living comes together for purposes besides inevitable execution. It's all an act of devotion, all furthering the will of Bhaal, all what Asperia desires and wants to do. But the further it's gone the more it's started to be fun for its own sake too, and a certain fascination with a frenemy has begun to blossom into dangerous fantasies.
Asperia doesn't fantasize. Asperia can't fantasize. Asperia is a god, and he only wants things which are real and deserved. Bhaal's favor is proof of that: Orin's ugly, messy desires make her a worse worshiper, and she's never had their divine father's love. Asperia is Bhaal's beloved. Asperia is defined by her distance from those mistakes. And so too is Asperia the perfect disciple, a being beyond sin. If something is what Asperia wants, then it must be acceptable.
And this is how Asperia begins to lose Bhaal's favor.
Asperia starts the story at a personal high and only rising- with the world at her fingertips and Bhaal's love behind her, she's preparing for the victory lap and has taken an extra prize in becoming more intimately involved with Gortash. But you can't have your cake and eat it too- this impossible personal high the seed of Asperia's ruin, already sown, takes root and begins to grow. Bhaal's perfect killing machine doesn't play house with Bane's Chosen. And there are more than enough people who fucking hate Asperia already and are ready to take note- as well as Gortash himself, so much older and colder than young, sheltered Asperia. There may be some genuine affection there in some form, but calculation and power take precedent, as does the enjoyment of solving this Bhaalspawn puzzle by picking her apart.
Over time the increasingly clear dissonance between the impossible misalignment- the first Asperia has ever experienced- between what they want and what Bhaal allows them to desire and have drives them to spiral into a state of exceptional vulnerability that ultimately allows Orin to usurp them. The escalating stress causes them to lose time more and more frequently, beyond what they can explain away to themself and make disappear, and they begin to doubt themself. To fear what is happening, and to develop their own doubts about Bhaal- things that should live elsewhere, things that cause other parts to bubble up in ways they notice. Asperia is straying and rivals like Orin can see it, is becoming less dependable and reluctant allies like Ketheric can see it, is becoming a less than perfect disciple and that butler shepherd of Bhaal can see it (not that every part was always perfect- Scleritas has always known that "Asperia" is more than just Asperia, and has long pitted Asperia against themself). And Asperia is vulnerable and open and easier and easier to see- and Gortash, who has solved the part of this puzzle Asperia refuses to see quite well, sees it all and drives the spiral deeper. Pulls Asperia closer, and begins to learn the others without letting Asperia know (this is a piece of how Kasander knows Gortash, has known Gortash before anything).
So y'know. It's all heading for inevitable tragedy, heartbreak, ruin, bad feelings, and a tadpole in the head, as well as a shitty asshole boyfriend conspiring with one's sister who has been waiting for ages for the change to REALLY wreck one's shit. Yikes! Feel like not enough was spent on the family drama and that's sold Orin short, but she's played a damn active hand through it all. Sacrificial Orin, always underestimated, always overlooked, always surviving.
I dunno how to conclude this and I feel like I probably talked too long (half just to remember things I can't access until the new laptop arrives and is set up). All in all, just a fun little project to play with while I continue to fail to finish the last teeny bit of the actual goddamn game (I'm the worst at wrapping up the last little dregs of things after I've cleaned up the most fun stuff).
TLDR: Asperia, main character of life, starts to Lose the Plot and gets written out of the story for a little while
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