It’s weird being a Taylor fan right now because so many outlets are publishing as many stories about Taylor as they can to the point where it feels like there’s a microscope on us and what we talk about. Like we used to be able to talk about theories and trademarks and other silly stuff casually and now those discussions are being spun into headlines and I’m not a fan of it.
They had a bit of a chance encounter on a day where Blueblood was dealing with something that was very difficult and was so caught up in his emotions he didn’t even care that he was in the garden getting grass stans on his coat and Ditzy, with her natural impulse to cheer ponies up, didn’t even notice or care that she was flying into the palace gardens when she saw someone sat in the rain.
At first he was definitely going to call the castle guards to come apprehend this strange filly with the odd eyes who was intruding when this was the last moment he’d want to entertain any desperate debutantes, however she surprised him by not fawning or anything, not even caring about his status, just putting one of her fluffy wings up and asking if he needed somepony to lend an ear.
“Don’t let my eyes fool you, my ears work just fine!”
She was incredibly disarming and while he didn’t reveal everything about why he was upset, he found himself talking about his feelings to her. And she made such cheerful remarks, and was very comforting. In the end, he felt better and she came to check on him the next day, even sharing a blueberry muffin with him. He remarked that he’d never seen her around before, and that he wouldn’t mind terribly seeing her more often.
This is the guy I’ve been playing as for my wild card run, with some tweaks to make him a cool oc👍
He’s like if a neurotic scientist and somebody’s well meaning but maladjusted dad where the same person. He likes robots and fishing
You can date some of these doodles depending on my handwriting in it lmao
In terms of design most of my courier characters have one “unique” more casual outfit I just bullshitted up, and an in game armor I’m probably not drawing on model. My NCR courier Dan got first come first serve with the ranger fit so Gazer gets the stealth suit mk II because I crave individuality
Jason grace had two separate potentials to be apart of an absolutely gut wrenching, soulmate coded, beautiful, mind numbingly poetic romance but instead we got jiper
Schrödinger’s Feyre: Where Feyre is simultaneously a cunning and badass girlboss with a mind of steel and a fragile little lamb who doesn’t know any better. When they’re proud, she’s a skilled strategist and competent High Lady, but when it comes to facing the consequences of her actions and the implications of her power, suddenly she’s a little baby waddling through fairy land.
Sometimes I think about Urianger's role in and feelings on the Thancred-Ryne dynamic and I think watching it kills him a bit inside. For several reasons.
Like, to begin with there's the guilt he's been carrying with him since he ushered Minfilia to the first, how he effectively killed the person Thancred cared about the most in the world and who's "death" ended up causing Ryne's entire Situation. He looks at what's happening between them and can only think "I caused this" even though that's not really true. No one person is responsible for this outcome, it's a culmination of several circumstances and the consequences of them. Logically, Urianger knows this. But it doesn't matter, because his guilt is overpowering his logic.
And also, like. What Thancred is doing here, the way he's knowingly letting Ryne be and stay hurt because he literally cannot bring himself to tell her his feelings, is the exact same mistake Urianger made with Moenbryda. Of course, the circumstances are vastly different, and the potential consequences to Thancred telling Ryne the wrong things or her misinterperating it is far greater (being a matter of literal life or death), it's still the same sort of paralysis they are trapped in.
And he knows it. He sees it. But he can't say or do anything about it, he doesn't have the right to. He acknowledges the mistake, but he hasn't really improved upon it yet. He still doesn't voice his thoughts and feelings as he should. He's also non-confrontational by nature, he doesn't argue or try to change peoples minds, he probably doesn't think he has any place to.
So, he tries to help in what little ways he can. Because he doesn't want it to become Monebryda again, he doesn't want to know he stole not one but two people from Thancred. So he does what he can. He tells Ryne little tidbits about Thancred, things that help her understand him but are safe to share. Nothing too deep, nothing too personal. Just small things, things that are purely factual, because he can't afford to give her a false image of who Thancred is. He teacher her fun and interesting things, because Thancred isn't in the mindset to provide her with non-essential skills.
I like to think Urianger has brought it up with Thancred at least once, during one of his stays. But nothing would've come of it. Not really. Unlike Y'shtola, Urianger isn't pushy, he'll bring it up once or twice and when he sees this won't go anywhere, he gives up. He wants to help, but he knows that persistance only does do much, and he is not the person who has the resiliance needed to push and push until Thancred finally budges (because he won't budge, it won't help anything but to sour things further by adding aditional stress to an already strained dynamic).
And like. Urianger gets it. He gets it because he's been the same way- not saying what he should to someone he loves more than anything else because she was meant to figure her life out herself, and 'steering' her in any direction by telling her his feelings (regardless of if the 'steering' is intention or not) will go against that. He gets it. He gets it and it's all the more painful for it. He knows it can't just be fixed by acknowledging it or with encouragement, something needs to happen to break the stasis.
I think this is probably why he stayed behind while they went off to Nabaath Areng. This is the very last chance they have to say what they want to, and he can't afford to be the anchor anymore. This is about them, not him, he can't let their resolution be buffed by his presence, so he stays behind. Which was probably for the best. Ryne got nervous when Urianger said he's staying behind, probably not too excited about being alone with Thancred (well, not alone, but WoL doesn't count) so soon after she had ran away crying. But she needs to be nervous. For anything positive to come out of this Thancred and Ryne both can't afford to be too relaxed. As sad as it is, the stress is necessary for anything to happen. He knows it. Does he like it? Absolutely not, but nor does he like his other plots. At least no one dies this time if it goes right.
absolutely insane that mike literally p a n i c k e d when will was like "well what about us?" because will wasn't even really making things gay he was honest to god just inquiring about the state of their estranged friendship and wondering why mike didn't make time to talk to him when they're supposed to be best friends but MIKE was the one having an aneurysm like "🏳️🌈⁉️ W H AT!!"
“WE'RE FRIENDS” “i know mike” “WE'RE!!! F R I E N D S!!” “right so why don't you call me — ” “I HAVE A GIRLFRIEND” “… that in no way answers my question"
i’ve always kind of assumed that lo and li are azulon’s younger twin sisters and that’s why they were foisted off on azula, because she’s also a younger sister to the crown prince. but the fact that we never actually see them firebend is strange, because it implies either that nonbenders are instructing one of the greatest firebenders in the world, or that they are firebenders who simply do not firebend. and i think that the latter is more interesting, because it reflects how their position as elderly women devalues any firepower they might provide to the empire, passive and subdued even as they train ozai’s favorite weapon.
they are the ones to most overtly illustrate azula’s precarious relationship to femininity, after all. for example, noting the position of her hair after she successfully lightningbends in “the avatar state,” or emphasizing azula’s beauty when they introduce her in “the awakening.” and it’s clear that azula doesn’t really like them, dismisses and avoids them whenever she gets the chance. she can’t even tell them apart. their very existence is almost a humiliation. a reminder to azula that this is who she is destined to become once she lives past her usefulness. not the imperious azulon, her namesake, raised above on a fiery dais, but his sisters, insignificant and functionally powerless.
so of course “almost isn’t good enough,” of course “one hair out of place” is a failure. the only way azula can prove her worth to the empire she has devoted her entire self to in a way that matters is, perhaps, by being perfect, by being better and stronger than the discarded women who came before her. but that, too, is a delusion, that any amount of excellence will reward her in a way that compensates for the erosion of her very humanity. and yet, it’s all she has to cling to. so she gives it her all to excel within a system that will never really care about her because she has deliberately been made incapable of imagining an alternative. of simply recognizing the system for the failure that it is, conceptualizing a world beyond the bars of her gilded cage, and leaving.