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#okay in order now
ribbononline · 11 months
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& every time it's you
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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prettyprettyboyy · 6 months
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STAFF NO LONGER LOOKING everyone start posting cock and hole
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maplesleep · 8 months
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I am once again banging on the doors to Lego Inc.
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WENT INTO A STARDEW FUGUE STATE LADS ITS FOUR THIRTY AM MY SLEEP SCHEDULE IS FUCKED GOOD NIGHT
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peanuttoffee · 3 months
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Fallen Order Cal is a cinnamon bun and has a precious place in my heart forever
but Jedi Survivor Cal...
thanks for the reference to the dearest @flammabel!
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blackkatdraws2 · 2 months
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There are more things in the Parable than Stanley knows about. [Blank Scripts AU]
#hoh boy i was going to make a comic to introduce these monsters but#i couldnt help myself and made an animation instead#because i just think they're so neat and cool okay#listen i cant for the life of me just infofump about my AU and OCs#because i just think that making actual content about my lore and stuff will not only raise the chances of people being interested#but also it will also raise my motivation to actually produce more content other than the same old recycled front-facing-profile drawings#i need to get creative with my stuff or I'll also loose interest and I DONT want that#in order to be happy with what i have i cant just think about it and expect to be given something new NOOOO i need to MAKE it ughh#i cant believe in order to get more content out of my own au i would need to draw it and feed myself ugh ugh ugh unbelievable (kidding)#but also#i wanna make a little music video or animation again for youtube#its been a hot while since ive uploaded anything in there at all#maybe an animation reel will do for now?#i hope so :(#because ive been working on expanding the Black Scripts AU#and honestly i dont regret it#i had a lot of fun making up scenarios and comics for Stanley and the Narrator (Black)#but yeah!#apart from this little video#you wont be getting an explanation on what these things are supposed to be#and why theyre there#actually i was originally gonna make this into a full fledge animation with sound effect/music/frame-by-frame movement/etc.#but i got lazy HAHA#tsp blank scripts au#tsp au#the stanley parable#the stanley parable ultra deluxe#tsp
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obsob · 1 year
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there he is......the man of the house
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believe-in-alderaan · 2 months
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small touches
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splat-details · 2 months
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Are you able to get the Sisyphean stage from the top down and/or possibly at a 45° angle from the top? Idk if there’s an angle where you can see both splatzones but at least a top down should be good!
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they werent lying that cruel sisyphean floor is 8-shaped
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Howdy's rainbow suspenders.
thank you for coming to my Ted Talk-
#im so mad i didnt notice On Stream hnggggg#characters who have rainbows associated with them: eddie / frank / sally / now howdy as well#please refer to eddie's tie. the butterfly on frank's door. sally's house. howdy's suspenders. thankyew#HE'S FRUITY! I SWEAR TO GOD#listen . Listen.#'oh the filters/light is just affecting the black-'#okay then why is frank wearing black thats entirely unaffected. why is barnaby's nose unaffected. why is howdy's BELT unaffected#why are the colors on his suspenders in Blatant Rainbow Order.#huh. explain it to me. make it make sense other than HE'S QUEER? HOWDY PILLAR LOVES MEN I WILL DIE ON THIS HILL#AND YOU'RE DYING ON IT WITH ME-#ok ok. sorry. normal. im Normal#godddd i just. That Image. from the commercial comp#the way he has a bit of a prominent blush. the way he's leaning towards barn. the rainbow suspenders#absolutely unprompted#howdy pillar#the way that the only times we've gotten something of howdy Without barn making an appearance was#the howdy-sally / howdy-eddie / howdy-poppy / that one makeship ad#laughingstock is so real. oh its so real-#(probably one-sided or barn just has some internalized issues to work through - or they both do - but. But.)#hey! put the gun away! i dont need to be put down! i swear im mentally stable!#im So mentally stable? ive been in the trenches since day one?#wh. what do you mean thats... huh? shhh dont worry about it im fine we're fine and i called it months ago- PUT THE GUN DOWN#anyway no i havent just been staring at that housewarming image. no i havent. Swearsies
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animatedjen · 1 month
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Thinking about the days after Fallen Order, Pt 3
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luobingmeis · 1 year
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anyways thinking abt the amount of people involved in jin zixuan’s death is gonna make me a little insane. like u have wen ning who physically did it. wei wuxian who lost control. jin zixun who planned the ambush. jin guangshan who gave the fucking order to kill wei wuxian in the first place because his son *checks notes* wanted his wife to be happy. the many other people in jinlintai who knew that the ambush was going to happen. and then jin guangyao. oh boy. jin guangyao knowing about the ambush, being involved with the hundred holes curse, hating jin zixun, and then sending jin zixuan to the site of the ambush like. buddy how many birds did u kill with that stone.
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One thing I find so interesting is how in book 19, Cassie’s reckoning comes at the realization she may have leaped after Jake said to back off. When she had permission, she didn’t feel responsibility.
I mean, that's Jake's whole dang role on the team, isn't it? As Marco puts it "No votes. Jake decides. Then if it goes bad, we can all blame him" (#25). As with every Marco line ever, he's both joking and... not. Throw in all the times he sarcastically calls Jake "Dad", as a way of calling out someone else for treating Jake like a dad, and it's clear Marco gets it.
That is the point of Jake. He gives the order, and thus neither Ax (who pulled the lever) nor Marco (who made the call) has the blood of 17,000 yeerks on their hands. It's only Jake's crime. Jake gave the order, and so not only can Cassie (in #50) and Rachel (in #47) blame him for David, but he can go ahead and blame himself (#41). Jake gave the order, and so Ax did not actually run from battle (#26). Jake gave the order, and so Marco did not actually let his mom die (#30).
He's their water-carrier, their scapegoat. He doesn't want to be, but someone has to do it.
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mokutone · 1 year
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i wanted to see what a piece would look like if i finished it in my three main mediums, pencil, ink, and watercolor (+colored pencils) >:*)
#my art#naruto#yamato#yamato tenzo#tenzō#kakashi#kakayama#image desc in alt text#okay now to talk shop. SO. i did these in the order theyre presented#which means that the pencil was done first#and by the time i got to the watercolor id drawn this same picture quite a few times#so if the quality seems to improve thats more than likely a matter of repetition and the benefit of past foresight or whatever#like yamatos shin is too small in the first picture.#and i noticeably lengthened it in following pictures. i also shortened kakashis thigh a little bit#yamatos torso looks really long but thats partially because he's slid back a little bit—his flack jacket is up high and you can see#it gapping at his shoulder#but ultimately that doesnt make the anatomical weirdness completely forgiveable so if i drew this again id do it differently probably#THAT SAID IM STILL SOOOO HAPPY WITH HOW THESE TURNED OUT#drawing the same picture over and over and over again? kind of great actually. i recommend it.#if you want to try doing this and you dont have a lightbox (u dont rlly need one) just like. take one drawing you like#and a blank sheet of paper#and tape it to a window thats getting a LOT of light#and then trace ur old drawing's bare bones (the forms. u know)#and then once you have that down. draw on top of it. or use new materials#it allows you to preserve ur previous drawing also which is great#once i was doing a commission and i realized i got the room i was drawing the characters in backwards#so i just. turned the paper around. put it against the morning window. and traced the now-mirrored image onto a new sheet of paper.#saved SO MUCH TIME LMFAO#the paper on the last picture is different and more yellow in tone so thats why the color is weird there ajxjskhfjahx#anyway happy testostone tuesday to all who celebrate 💚 love you
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varpusvaras · 1 month
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Fox is dead.
He knows he is. His life hadn't been over instantly when his body had been suddenly and violently grabbed and twisted beyond what he could take. He had lied there, after, for a moment longer, knowing nothing but pain and the sinking feeling that he was dying.
He is here, now, not where his body had been left to die, but somewhere else. Somewhere he does not recognise, but knows, still, almost instinctually.
It looks like a grand hall with golden rivers and silver skies, so large that he cannot see how far the walls actually go. He tries to see, but everything is simply too far away.
There are others around him. Fox can see them and hear them moving around, walking past him, stepping around him like they don't see him but still know he is there.
Fox tries to look at some of them. He can see faces, so, so many of them, and if he focuses long enough on one of them, he can see it more clearly for a second, but no more. It is like they are far away from him as well, too far away for him to actually see them.
He watches as they go. They all follow the rivers, each a different one, disappearing somewhere alongside them after a while. Fox knows, somehow, that he is supposed to also follow one of the rivers to somewhere, wherever it may lead him to.
He hears one of them, faintly, if he listens very carefully. It's like the river wants him to follow, but cannot make him do so. Fox also wants to follow, but cannot make himself do so.
He knows the reason as well. He knows that he has done mistakes. Many of them. So, so many of them. He knows some of those mistakes have been too grave for his brothers to forgive.
Fox knows he is not welcome anymore.
The river sighs, and then flows away from him.
Fox stands there, and watches as faces he cannot see walk past him and disappear.
---
He waits.
It is the only thing he can do, after all. Wait.
It's a strange thing, waiting there. Every time he looks somewhere and watches someone, and then looks away for what feels even barely a second, there is already someone else there in their place. He needs to not forget himself, if he wants to not get lost there. He figures that out pretty quickly.
It's cold, there. The rivers look warm and the skies look clear, but Fox cannot feel them. He cannot feel anyone walking past him. They are there, just like he is, but at the same time, it is like they are existing on parallel realities, and only getting a glimpse of what is going on behind the glass that separates them.
Perhaps it's just Fox who sees them. Perhaps no one else sees him.
He tries not to think about that too much.
---
There are a lot of brothers walking around him.
Fox can see their faces clearly. They do notice him too. Many walk towards him, if they see him, and some of them speak to him, if they get close enough.
Fox wonders if they notice him because the Force recognises them as the same, or at least close enough. If the Force recognises them as kin, even when Fox has been casted aside.
His brothers want him to come with them. They can still hear the river, calling them, guiding them forward to somewhere they are meant to go. His brothers try to take his hands and take him with them. Fox had not expected that, if he is being completely honest. He would understand it, if the others were thinking that he was just any brother.
But no. Some of them do recognise him, and still reach for him, even if they are not wearing the Guard red.
"Of course you can come with", one brother in 212th gold tells him. "The Commander always spoke very fondly of you. You are our brother. Of course you can come with us."
He reaches for Fox, and he makes contact, and even when his hand is warm, Fox's legs are stuck on the ground.
The brother looks at Fox with sad eyes.
"I'm sorry", he says. "You are our brother."
"I know", Fox tells him. "I know. Can you say hi to everyone for me?"
"Of course", his brother tells him, and then follows the river away from Fox.
---
The Guards, once they figure out that Fox cannot follow them, want to stay with him.
"You are our Commander", they all tell him. "We're not going to leave you here alone!"
They stay, all of them, as long as they are able to. They hold onto him, like Fox is their anchor, the only thing keeping them from drifting away with the river.
Fox lets them stay with him, for a while, but eventually he tells all of them to go.
"Don't worry", he tells them. "Others will come along. I'll be fine. Say hello to everyone for me, alright? Go now. I'll be fine."
There is always resisting, but eventually, they do leave. They have to. The river is guiding them forward, and they have to follow it. Fox cannot hear the river, and his brothers cannot guide him themselves to it.
Fox stands there, and watches them leave.
---
Stone is the first one to arrive after Fox.
It's strange, to look at him. He looks both like the Stone Fox remembers, and like Stone Fox doesn't quite recognise, Stone who is slightly older and has a new scar across his face.
It's still Stone, though.
Stone stays with him for a long, long time.
But eventually, he leaves as well.
"I'll be fine", Fox says, for the hundreth time. "Say hi to Thorn for me."
"I will", Stone promises. "I will."
---
After Stone comes Hound. He stays for a long time as well, and promises to say hello to Thorn and Stone.
After Hound comes Bly.
Bly puts his arms around Fox and holds him.
"It's not fair", he says, again and again. "It's not fair, this isn't how any of this is supposed to go! It doesn't matter if someone has called you a Dar'vod, you are my brother! That should matter more!"
"I know", Fox says.
"Why are you so calm about this?" Bly asks him. "You are stuck here! You should be with all of us!"
"Bly, please", Fox says. "I can't. Please don't...please don't remind me too much. Please don't."
Bly goes quiet. He still holds onto Fox for a long time.
Eventually, he has to let go.
"It's okay", Fox promises him. "Say hi to Ponds for me."
---
Thire comes last.
Fox knows more time has passed now. It's strange, to look at Thire, and see his youngest brother there, but also someone who is a lot older than Fox ever got to be now.
He looks a lot like Prime before he died, Fox thinks, but doesn't say it out loud.
He also thinks it's a good thing Thire looks so much older than Fox. Fox knows he wouldn't have been able to endure his little brother dying young like Fox had.
"We have a chance", Thire tells him. "There are a lot of people standing against the Empire. Bail and Breha are with them."
Fox almost starts crying then and there. It's been- he doesn't even know how long it has been since someone has said those names to him.
"They're," Fox swallows, and tries again, "they're alright?"
"Yes", Thire says. "They are. I let them take your body, you know? You're there with them."
It's strange, to think about what happened to him after his death. Fox has been here the whole time, not there.
He guesses whatever was left of him there was what was left of him to everyone else, as well.
Fox thinks about it for a while, and then turns back to Thire.
"What else has been going on?" He asks, because he already knows that Thire is going to be staying for a while.
So Thire stays, and he tells his stories, until he has nothing else to say.
He promises, like all of Fox's brothers before him, to say hi to everyone for him. He hugs Fox for a long while, before he finally lets go.
Fox watches him leave for as long as he can.
---
The Galaxy is big, and there is always someone dying.
Fox has accepted that to be just the inevitable way of life. Everyone and everything dies eventually, even the stars. He thinks he had heard that from someone while he was still alive.
Still, some deaths are more tragic than others. Some deaths are ones that Fox thinks shouldn't have happened, not at least in the way that they did, no matter the inevitable nature of death itself.
He has seen it all pretty much, by now. Many people have been crying when walking past him, but as far as Fox has seen, they have all always dried their tears before they disappear with their rivers. He has seen anger and despair, both in a way that suits normal lives and in a way that he recognises to suit lives that are ended by the brutality of war. They all seem to always get past it, though, before they continue their journey past where he cannot see them anymore.
Fox has learned that it is normal for there to be a lot of people around him, and for them to be in distress.
But still, he knows something is wrong.
Maybe it's the way the people just seem to appear, all of a sudden, all at once, instead of coming in many rivulets. Maybe it's in the way that people are now moving. Many are still walking towards, around and past him, like they usually do, but many, too many, way too many, are running around, shouting and screaming names, searching for faces with desperation and grief written all over their own, whenever Fox gets to look at them for long enough.
It feels less like a river now, flowing towards their ends, but like a wild rapids, like rogue waves being pushed around against shores that are too small and tight for them.
Fox looks at them more closely.
He has seen it all, by now. Adults, elderly, teenagers, even children. People die at all ages all the time.
But this? There are so many of them, searching for each other. All of them are crying. He sees so many small children, healthy looking, yelling for their parents, for their siblings, friends, anyone, and just as many adults doing the same, searching for their children and parents and anyone they know, and they just keep coming.
Fox tries to look at them, tries to listen at them for long enough to figure out what is going on, but it's even more difficult now, when there are so many faces and voices around him. Something terrible, he can tell, because there seems to be no end for them, and whenever he gets to hear more than one word from any of them, they all sound the same, like they all speak the same language in the same way.
Fox doesn't understand how that can be. How can this many people die like this, all seemingly at once, in one place? He has seen war before, but even the largest massacres had been nothing like this.
He listens to them more, and there is now something familiar in the way they all talk, in a way that suddenly makes Fox go cold, like he was dying himself all over again.
He knows it. He knows the way they are all speaking, he has listened to that very same way of speech so many times.
Suddenly Fox understands everyone around him searching and screaming very well, because he is doing the same now.
Not screaming yet, but definitely searching. He tries to look at all the faces, to see if he sees them, and he prays to something, anything, everything, that he doesn't find what he is looking for.
He doesn't need to look into the faces of people around him to see them, eventually, because in the sea of faces and voices on the other side of a misty window, he sees two more than clearly.
Fox understands the grief in everyone's faces now too.
He is definitely screaming, now.
No words at first, no. Just a sound that makes its way out of him without him being able to control it at all. He sees them hear it, because they stop, and they start to look around, their eyes searching the people around them.
Fox hasn't had to breathe in a long, long time, but now he feels like he is out of air anyway. He drags his voice back in, and pushes it back in where it can be formed into words, and he screams again.
"Breha!" His voice is tearing up at its invisible seams. "Bail!"
He looks at them, and that's the moment they look at him and see him, standing there, in the same place where he has been standing his whole time there.
Fox watches as they start running as well, still looking at him, and then they are there, and Bail is just a little bit closer and throws his arms around him.
Fox stumbles, his legs ripping away from the ground. He doesn't get to wonder about it for too long, because Bail is holding him now. He is warm, just the way Fox achingly clearly remembers him to be, and then Breha is there as well, her arms going between Bail's to hold onto Fox just as tight.
They all stand there, for a moment which length Fox cannot measure, in each others arms.
Breha is the first one to speak.
"Fox", she says, in a way she always used to say his name, and Fox is barely able to keep the tears that have sprung into his eyes from falling.
Her hand reaches up and touches his jaw and then his cheek.
"Fox", Bail says then, as well, and Fox cannot hold it in anymore.
He cries.
He is pretty sure they are all crying.
There is another hand on his face, now, both of them wiping away the tears still falling down.
"Fox", Breha calls him again. "Fox, my love, our love. Look at me."
What else can Fox do, than to do as she asks of him?
It is Breha and Bail, standing there, just like he remembers them, but not quite. When Fox blinks, there are definitely grey streaks in Bail's beard and hair, and there is a long, silvery strand framing Breha's face. More lines around their eyes when Fox looks closer, ones he doesn't remember seeing there before.
It doesn't matter to him, not really. He knows them, still.
It's a strange mix of emotions he is feeling. Relief, of finally seeing them again. Happiness, brought by being held by them again.
Sorrow, for seeing them both there, emerging from the chaos of grief, knowing that they are here with him now, because they are both dead.
"Why?" He asks, because he doesn't know what else to ask. It's one word, but they understand it still.
The same grief is on their faces as well.
"The Empire", Bail starts, and pauses for a moment, like speaking pains him, "has figured out how to build weapons of mass destruction beyond anything we could've imagined. We've been fighting against them for a long time now, and...we finally got caught. Alderaan is no more."
"I don't understand", Fox says. "That doesn't make any sense."
Except it does, in a sense that it explains why there were so many of them all of a sudden, all frightened, like they hadn't had any time to prepare for their deaths. But it doesn't, because Fox cannot, will not believe that there is a weapon that can make a whole planet and everyone on it disappear.
"I know", Breha says, soothing, like she isn't the one who has just lost her own life and everything else. "It's not all lost. Our daughter, she's out there. She has the key to stopping them."
"She will do it", Bail says, and he sounds proud, so proud. "She will. We know she will."
Fox believes them when they say it.
"Of course she will", he says. "She is your daughter, after all. If she is anything like you, she can do anything."
They look at him gently, then.
"Our daughter", Breha repeats. "Our daughter. Just because you weren't there doesn't mean she is any less yours. She carries you with her as much as we did."
"She takes after you very much as well", Bail says, and there is a sparkle in his eyes again as he speaks. "Determined and strong, just like you."
Fox cries again. They don't rush him to stop, just stay there with him and hold him until everything has been spent.
"I wish I would've known her", Fox says. "I wish I would've been there."
"We wish so too", Bail says. "There wasn't a day we didn't wish that you were with us still."
"But you are now", Breha says, brushing her fingers softly over the skin under Fox's eye. "You are with us again. We have all the time now to tell you everything."
That is the moment Fox remembers that he can move again.
He has to make sure. He lifts one leg, and takes half a step back, and then makes the other leg follow.
He can move, but he still cannot hear the river.
"I would love that", he says. "But I...I don't know where to go."
"Don't worry", Bail says. He reaches for Fox's hand, and takes it into his, firmly and securely. "We know. We'll show you."
Breha laces her fingers with Fox's as well, tying herself to him like a safety line on the outside of a ship. They turn to face the golden rivers, meandering towards their ends under the silver skies, and they take Fox with them.
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