in light of the coming sans vs cecil finale, i have to say that there is no bad outcome to this now. you did it. you mad sons of bitches, you did it. we could vote this like a true sexyman showdown or we could vote this for a gag, it doesn't matter anymore. but most importantly, the question that this poll raises is...
WHERE is the undertale/wtnv crossover episode where cecil announces monsterkind's return to the surface right outside of town. because "thousands of weird creatures came out of the nearby people-eating mountain after millennia of imprisonment and are currently settling into town via wacky hijinks" is a VERY night vale thing to happen
(UPDATE: you should check the full post cause i swear to god if y'all mention the goddamn mountains again)
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I never really thought about this until now, but. why did Aang never express any opinions on Azula whatsoever after she literally killed him
Like, am I supposed to believe that he's not deeply afraid of her after that? Or at least angry? She left a scar on his back that interrupts his culturally significant tattoos, and we just... never see him notice or care about that??
I'm currently about halfway through Book 3 on my rewatch, and the fact that nobody's even told Aang on-screen that Azula was responsible for what happened is more than a little absurd. I'm pretty sure they acknowledge it at some point, but in some kind of offhanded way that really doesn't do the matter justice.
It honestly feels like the show didn't want to touch that plot point with a ten foot pole, only mentioning it when it was absolutely necessary to further the plot on Zuko's side of things. Which is weird! Why kill your protagonist on-screen, leave him with two permanent scars when he's revived, and then never have him confront or even talk about the person who killed him again???
Aang deserved to have a significant dynamic with Azula after what happened at the Crystal Catacombs and the fact that they dropped the topic almost entirely two episodes later lowkey fills me with rage
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The thing about mean rivals is that like there's kinda a reason we stop having them the second the plots started getting world-ending in scope and that's because you do not have time to deal with some whiny asshole who you've beaten over and over again's shit when a space chinchilla is about to suffocate everyone in the region
Like if they're a dick to you the entire way through they quickly become all bark and no bite because narratively they're going to keep losing to you, and again progressively destroying the ego of a small child is second to whatever this year's eldritch abomination is (and if they went so far as to help the eldritch abomination it raises questions about why they're friendly enough to battle you in the post game).
So like. It's simpler if they're just nice? And have arcs where the fact that they keep losing to you is the point? Your rival isn't the final boss anymore you don't have to build up to finally being able to defeat them for good (except not really) (I guess Hau in USUM arguably but LBR the final boss is Ultra Necrozma)
Like I guess I get annoyed when people don't acknowledge there's a point to how the rivals have been handled since gen 3. You don't have to like it per se but there's a reason the rivals are like this and it's not just the devs don't want to upset little kids.
The fact that the adults care about your safety on the other hand...
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Slash's Famous Scene
Here we are, lads. Everyone's favorite scene in the totally best arc of WC. The one where Slash pins a pregnant woman to the ground and licks her face, while threatening her fetuses and cutting her cheek open so Clear Sky can have more man pain.
So far I've been using "fridging" as synonymous with the brutal killing of a female character to advance a male character's arc; but I do want to remind everyone that the term "fridging" describes disproportionate violence done to women in the service of their husband/brother/father/son's arcs. It doesn't HAVE to be death; it can also be battery, maiming, depowering, or sexual assault.
So far, 8 women have died to serve male arcs, most of them for Clear Sky specifically. Fluttering Bird, Bright Stream, Storm, Misty, Bumble, Turtle Tail, Rainswept Flower, and Petal. Now Star Flower gets sexually harassed and kidnapped, bringing the arc's fridge total to 9.
Anyway content warning, obviously. It's still Warrior Cats and doesn't get too graphic, but this bag contains a dead dove.
First, Clear Sky gets another toesucking from the ghost of his wife who died after leaving his controlling ass. Specifically, after he threw his disabled brother out of his Clan, and after his lust for seeing random people (including his brother) get mauled at the border resulted in the death of Fox.
She tells him that his behavior never drove anyone away, it was all totally not his fault. I'm waiting for a laugh track and it never comes. The apologetics in this arc are unrivaled.
Then, Clear Sky wakes up and his pregnant wife is not next to him. So he goes looking for her and sees her being flanked by Slash and his memorable minions, Grunt 1 and Grunt 2. Star Flower is so possessed by fear that she doesn't move.
They REALLY need to sell that Slash is TRUE evil, PURE evil, because of the wet fart that is Clear Sky's redemption arc. They're saying that Clear Sky ISN'T bad, because he is not this. A dirty, sadistic monster who coos evilly about how he's going to hurt the kittens in his wife's belly and cruelly twitches his whiskers.
(as a petty side detail, please also note that this passage cannot even keep Slash's fur color straight. Behold, a cat so evil that he cannot even remain a brown tabby! He turns gray when he commits nefarious deeds! Ashfurification included!)
Star Flower is the one being pinned to the ground and having her face cut open as Slash screams about how she promised her father she'd be his mate, but this scene is about Clear Sky's distress. Star Flower is an object to this narrative, which these two men are in conflict over.
The pinning, the violence, the sexual implications, are being done to make Slash as monstrous as possible to contrast to Clear Sky. Slash doesn't kill anyone, so the narrative needs to make you SO UPSET your emotions are thrown into overdrive, so you'll accept how truly terrible he is.
The simple truth that this rancid book is trying to make you ignore, is that Clear Sky is exponentially more deadly. He has caused harm so unspeakable that they have to describe his bloody murders in passive voice. They "died" now, instead of "were killed," and the violent system he created is presented as "making up" for the trauma he's caused to the survivors.
"Pushing his muzzle close to her injured cheek, he licked the blood from her fur with a long, lingering lap."
Think critically about the characters they are presenting and the actions they make them do. None of these are real people. They are writing choices. They have portrayed Slash as a perverted, domineering, child-abusing savage, so Clear Sky the Settler can look good in comparison.
then Star Flower gets dragged off, kicking and struggling, feeble and completely unable to defend herself as clear sky thinks about how she might die along with his fetuses.
Obviously Clear Sky is so very stressed out by all this and needs to blow off some steam, so he smacks the nearest woman and starts screeching about how Star Flower is more loyal than the son he abuses
The first thing he does after the Slash event was physically assault the nearest woman. I can't... I don't have the words. Are you seeing this. Do you see what I am fucking dealing with. literally the first woman he sees.
"DOES THAT FEEL LIKE AN ACT??" He bellowed like a fucking wifebeater at the girl whose face is bleeding because he cut her in a fit of rage. That's fine as long as you don't lustfully lick it afterwards I guess!!!
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