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callaxe · 4 years

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hi im sorry for the long post i've been thinking about kiribaku platonic bromance

my fave headcanon ever is that (dismissing katsu's canon cute ugly ass hyena giggles) is that his genuine laugh is.. so fucking loud and contagious

like. like people who actually go 'AAHAHHHAHAHAH' and it sounds so warm??? DOES THAT MAKE SENSE???

his friends hear him laugh once to some stupid joke and they all end up giggling

so like

he and kiri, best buds, as you do, have their own stupid inside jokes and literally no one gets them even with context

like one day kiri in class goes 'toilet seat so hot with soup' and katsuki crumbles to the ground choking and laughing so hard he starts screaming bc his ribs hurt

kiri's ofc, wheezing along

like they'll be joking around and laughing during lunch, literally out of breath and katsuki's obviously trying to add something but his face is way too red and he keeps giggling like his life depends on it

he manages to get one single word out and kiri nearly dents the table from slapping it too hard and his stomach is cramping from laughing so much

JUST GOOD VIBES YANNO?

and one night when katsuki woke up from a particularly bad nightmare kiri brought him downstairs and played swing dance tutorials on his phone till 4am and they only stopped once they could actually dance correctly

on the days that kirishima feels bad about his hair/his roots, katsuki will steal a flashy leopard print headband from mina or use his hero mask to push his hair back so kiri doesn't feel.. as alone? homeboy's trying, and kiri appreciates it

and he knows that kiri misses his family lots and gets p home sick bc ua doesn't leave much time to visit anyone, so katsuki lets kiri be extra touchy with him and tries his best to initiate it too- walking arnd town and katsuki gets needy so he pulls at kiri's hair until he lets him sit on his shoulders, or when they're just standing in gym class waiting for instructions katsuki will lean an arm against him

he goes with kiri to the store for hair dye and helps him dye it, in the afternoon they'll be sitting in the common room and kiri fell asleep his head on katsuki's lap, who was playing with his hair and making it his personal mission to turn it into the ugliest, most tangled bird's nest ever bc he's still a brat

days where trauma isn't so kind to him, katsuki gets dragged in the middle of the common room or a hallway and kiri forces him to salsa dance together, even if shark boy's kind of carrying (most of) his dead weight, practically half asleep dozing off on his shoulder and kiri wakes him up again by spinning him

okokoakot

take kami and kiri's bro dynamic and apply it to them here

kiri calls everyone bro, its natural but when he n katsuki gets closer, kiri goes "my bro my dearest bro" n "my loveliest of bros... my best bro" and katsuki's "???"

until he just goes with it bc kiri refuses to let up and elaborate

it gets to the point where kiri will be laying on mina's floor whining about how his buddy left him behind, travelling the world by himself

"ei, bakugou's intership isn't even an hour away from here"

"WHAT MATTERS MOST IS THAT MY BRO'S NOT WITH ME RIGHT NOW, MINA"

they reunite, katsuki's not even halfway through the door before kiri tackles him to the ground

just fuckin

glomps him

kiri: MY BRO!!!! OH HOW I'VE MISSED YOU

katsuki: hello brother

kiri: ...what happened

katsuki: i am a changed man

OK SO WAIT. GOING BACK TO SALSA DANCING

in common room

the times where katsuki is actually awake and has a brink of energy, he and kiri will fight over who gets to lead the dance

while. dancing

there was no discussion or hint beforehand

so it's just a mess of pulling at each other's arms, knocking their shins into tables and chairs, tripping over each other's feet and crashing to the floor and getting bruised all over because they're dumb

they start singing some festive spanish song sero taught them with the grace and voice of a pair of war grizzled drunkies, cackling and laughing and their voices crack at every verse

second year kiri pulls a stupid stunt and ends up in the hospital bc he like, nearly actually died

katsuki isn't even that worried, he's the one who dared the guy to jump off tokyo tower and try to land in the pool of the hotel beside it (they underestimated the distance, kiri landed in the fucking street)

he's on his phone in the waiting room with mina and kami nervously fidgeting

kami looks at him and goes "do you not feel bad? it's kind of your fault that he jumped in the first place"

katsuki doesn't even look at him, "my main bro's fucking dead, i'm more concerned with finding a replacement right now"

while they wait for kiri to get out of surgery, katsuki writes up an application form for broship and puts it on twitter; sero replies and they "hook up"

when kiri wakes up, mina and kami are fretting over him and sero finally arrived, but he shrugs them off and immediately goes for katsuki's throat

"so what am i, your side bro now?!"

"sorry you had to find out this way" katsuki is leaning back against sero

kiri is heart-broken, "i thought we had a bond, you and i!"

"...i was gonna show up to your funeral?"

"were you not planning ON GOING BEFORE?"

when they get back to the dorms kiri gives him the cold shoulder for a week before he comes back crawling to katsuki

(by then, he and sero "broke up")

but don't be fooled,

this tokyo tower dumbassery somehow brought them even closer

somehow

don't ask

kiri is the first person katsuki says "trans" to

katsuki is the first person kiri says "gay" to

of COURSE they cuddle, once katsuki warms up to him and his over affectionate touchy-feely bullshit, kiri just loves picking up his bro and carrying him anywhere

swaddling him into a blanket burrito and knocking him off the couch

hiding under his arm during a class horror movie night

sharing a bed when katsuki can't handle being alone in his room at night

viciously criticizing and tearing down the atla movie and being pressed together because there's barely any room, playing a game of footsie bc their legs are tangled to hell and back but the game turns dangerous

(also when they learn that katsuki can, in fact, make explosions from his fucking feet, kiri has a nice scar on his calf that oddly looks like half of a foot and 3 toes seared into his flesh)

(yes, he's bitter)

turns out, katsuki can aslo be a soft affectionate touchy-feely bullshitting asshole when he wants to be, but these days it's mostly out of spite

when the squad starts calling him dad (with the exception of kiri), katsuki goes over and pats everyone's heads when he wants to, and also because he enjoys seeing them freak out by the blatant display of affection

he does little things like letting mina and kami cozy up to him during movie nights or when they go out in town during winter, and lets sero peer over his shoulder to look at what he's cooking and rub his head between katsuki's shoulderblades like a damn cat before walking away like nothing happened

katsuki's used to it, the rest of the class is mystified

one day, common room again, bksquad is playing mario kart vs the izucrew, katsuki's sitting on the couch with kiri on the floor between his legs, letting his hair be played with and braided

then he stands up and announces he's going to bed, out of habit (when did this become a habit, the class thinks) katsuki reaches up and drags kiri's face down so he can.. kiss the top of his head? kiri just smiles and calls out a goodnight and leaves as if, nothing happened

mina asks "what was THAT"

katsuki just settles back down, opens his phone and stares her straight in the eyes "homies kiss each other goodnight if they're not a coward"

that's it that's the post i'll be back with more

#kiribaku #can be just taken as /queer/platonic or goofy bros or eventual romance #its ur pick #bakugou katsuki #kirishima eijirou #bakusquad #bakugou katsuki headcanons #bnha #boku no hero academia #mha #my hero academia

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phandomphightclub · 4 years

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Phinal Round Match 2 (First Place): @auroraphantasma vs. @ecto-american

Writer: @dannyphandump

“You can do this, Nick,” Vic said with a (hopefully) comforting pat on the next phighter’s shoulder.

“Yeah. I’m tough. I’m cool. I’m the best dang hot pocket-warmer there ever was!”

“...Not sure why that’s relevant, but okay!” Vic flashed him a thumbs up. “Now go out there and kick Aurora’s butt so my security team doesn’t get Vibe Checked halfway across the Zone again!”

The security team had lost G3, Cecilia, and Lori to the cursed Vibe Check. Tali was going to have to reopen Denny’s job applications again at this rate. Which would be kind of a let down, since the Denny’s was about to close after this match anyway.

From their place in the VIP box, Tali watched Vic nudge Nick out into the ring. From the opposite side, Aurora was escorted in by Nero and Rin.

“Man, you guys sure are scared, huh?” Aurora grinned. “What do you think I’m going to do, waste my energy Vibe Checking you when Nick is right there?”

Nick gulped.

Tali started to wonder about the ethical implications of sending Nick into the ring against his constant tormenter, where the only rules were “phight until your opponent is incapacitated.” But it wasn’t like they were going to cancel the Phinal over something as little as fear of permanent trauma.

“Alright frootloops and gentlehoes, phools of all genders, it’s the phight you’ve been waiting for!! Nick aka Ecto-American will face down the terror of the ring, the pillowcase-weilder from Nightmare Valley herself, Auroraphantasma!”

The crowd was split in its cheers, some chanting Nick’s name (and screaming about Hot Pocket Rights), while some chanted “VIBE! CHECK! VIBE! CHECK!” presumably in honor of Aurora.

“No running this time, Nick.” Aurora grinned, holding her oddly-stabbed pillowcase like a sword. It was only now that Danny saw it held still that he realized it had a picture of Denny Phantom on the front, the unofficial mascot of the Ghost Denny’s.

“What did they do to you, my poor restaurant-themed kin,” Danny whispered.

“...You’re gonna accept that Denny’s kinned you?” Tucker asked.

“You know this isn’t the weirdest thing that’s happened.”

“Fair enough.”

“And at risk of causing Nick nightmares for the foreseeable future…” Tali began, “PHIGHT!”

And Phight they did.

Aurora flew in swinging— or rather, teleported in swinging. Her Denny’s application had warned that she could and would teleport behind you, and she intended to use that power to its fullest.

Nick, however, had experience in dodging the now-predictable attack. He cartwheeled out of the way, stuffing his own secret weapon into his mouth: the perfectly-cooked Magic Star Hot Pocket.

“No way,” Tali breathed. “I thought that hot pocket was only found in legends.”

“...It’s literally just a hot pocket?” Bug said behind them. “What’s so special about it?”

“Nick’s been working on the recipe all month,” Tali confided. “You know his vendetta against Mario Kart? It’s partially because Mario Kart apparently ruins friendships, but it’s also because he had to play it for weeks straight in order to collect all of the Power Stars he needed to fuel his Hot Pocket.”

“...That’s some serious backstory you just made up there. Mad props.” Bug nodded.

“Thanks, I try.”

Regardless of the Magic Star Hot Pocket’s origins, it did its job: making Nick completely invulnerable to all attacks. Including the dreaded Vibe Check.

“You have no power over me, Aurora!” Nick called, grinning with the rainbow remnants of the hot pocket smeared across his mouth. “I sacrificed my sanity to Mario Kart for this!”

“Yeah, well, we’ll see how invincible you really are!” Aurora challenged back. She geared up to swing her pillow case, holding it back like charging up Ness’s Baseball Bat attack in Super Smash Bros. She began to glow as the power collected in her crucified pillow case. **

She just had to wait for Nick’s star power to wear off… but she did have less stamina than the fattest cat in the world.

“This is… oddly anticlimactic.” Bug said, resting their chin in their palm.

“Shh, they’re having a stare down,” Tucker said.

“Which would be a lot more intimidating if the Mario star music wasn’t playing in the background,” Sam countered.

Tali didn’t care; they were on the edge of their seat, staring just as intently to see which phighter would break first. Nick began to sweat, not daring to try to strike Aurora while her pillowcase was charged. Even star power could only take him so far. He needed to wait for the right moment…

“Agh, enough of this!” Aurora shouted, throwing her speared pillowcase like a javalin.

The fabric image of Denny Phantom flew through the air. Came into contact with Nick’s chest—

And was flung back just as forcefully, effectively Vibe Checking Aurora straight out of the ring.

“VIBE CHEEEEEEEECCCCCCKKKKKKKK!!!!” She called as she flew out of the stadium, past the Denny’s, into the ghost zone version of the moon. A tiny explosion could be seen on it.

“That… where did that moon come from?” Danny asked.

Tali shrugged. “Aurora’s desire to be dramatic.”

“And dramatic it was,” Bug admitted. “Probably not as much flair as my win last year, but A for effort.”

Tali grinned before raising their kazoo to play the Mortal Kombat theme, while Lexx beatboxed in the Danny Phantom theme over it from across the stadium.

“And there you have it, pholks! Auroraphantasma is unable to battle and is our second place winner! Ecto-american wins the first prize!!”

Vic stepped into the ring to hand the shell-shocked Nick the trophy (which someone should design, because Tali had no idea how to describe it).

“I… I won?”

“You won.” Vic said, offering her hand for a fist bump. “Any words you’d like to give the crowd on your victory?

Nick bumped knuckles with enthusiasm.

“I’ve never played a game of Mario Kart in my life.”

#phinal round #writer tali #ecto-american #auroraphantasma #round 6 #writeup #results #CONGRATS GUYS!!#nick has actually never played mario kart this is a real fact

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spookyspemilyreid · 5 years

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Happy Anniversary "A Thousand Suns" (September 14th 2010)

A Thousand Suns is the fourth studio album by American rock band Linkin Park. It was released on September 14th, 2010, by Warner Bros. Records. The album was written by the band and was produced by Linkin Park vocalist Mike Shinoda and Rick Rubin, who worked together to produce the band's previous studio album Minutes to Midnight (2007). Recording sessions for A Thousand Suns took place at NRG Recording Studios in North Hollywood, California from 2008 until early 2010.

A Thousand Suns is a concept album dealing with human fears such as nuclear warfare. The band has said the album is a drastic departure from their previous work; they experimented on different and new sounds. Shinoda told MTV the album references numerous social issues and blends human ideas with technology. The title is a reference to Hindu Sanskrit scripture, a line of which was first popularized in 1945 by J. Robert Oppenheimer, who described the atomic bomb as being "as bright as a thousand suns". It also appears in a line from the first single of the album, "The Catalyst".

"The Catalyst" was sent to radio and released to digital music retailers on August 2, 2010. "The Catalyst" peaked at the Billboard Alternative Songs and Rock Songs charts. Three more singles were released to promote the album: "Waiting for the End", "Burning in the Skies" and "Iridescent". "The Catalyst" and "Waiting for the End" were certified gold by the Recording Industry Association of America (RIAA). Linkin Park promoted the album through the A Thousand Suns World Tour from October 2010 to September 2011.

Although it received a polarizing response from audiences, the album received a positive response from critics, some of whom found it to be a natural evolution for the band. The record debuted at number one on over ten charts, and was certified platinum by the RIAA in August 2017 for sales surpassing 1.1 million copies in the United States, according to RIAA.

Recording for the album began in 2008, less than a year after the release of Minutes to Midnight (2007). As with Minutes to Midnight, Shinoda and Rick Rubin produced the album. Primary recording sessions for A Thousand Suns took place at NRG Recording Studios in North Hollywood, Los Angeles, California. In November 2008, lead singer Chester Bennington said the new record was a concept album; he said it "sound[ed] a little daunting to me, so, I think my confidence level will drop, but when it was presented to us by this friend of ours, we liked the idea. It was an inspiring idea, and it was something we could relate a lot of the things we like to write about to."

In May 2009, Mike Shinoda revealed info on the album in a Billboard magazine story, saying: "I feel like we've been writing a lot. I'd say we've got about half the music done, though I shouldn't say halfway because who knows how long the next batch of songs will take. But all the material's just kind of coming together, and every week we meet up and assess the situation and for the rest of the week we just go and work on whatever we find exciting." He also explained the experimentation that the band would be working with, saying, "It's not going to be Hybrid Theory. It's not going to be Minutes to Midnight. And if we do it right, it'll have a cutting edge sound that defines itself as an individual record separate from anything else that's out there."

Bennington continued composing for the album while touring with Dead by Sunrise in support of their 2009 studio album Out of Ashes. He said Linkin Park was still making a concept record, stating in another interview with MTV, "we might need to just make a record and still try to do a concept but figure out a way to do it without actually waiting another five or six years to put out a record, to try to pull off all the grandiose insanity we were thinking of doing. And we're doing that." Bassist Dave "Phoenix" Farrell predicted the band's fans would be divided about A Thousand Suns, saying, "We've known [the album is] going to be different, and if fans were expecting Hybrid Theory or Meteora, they're going to be surprised. It's going to take people some time to figure it out and know what to do with it."

When asked about the new project, drummer Rob Bourdon said, "We tend to be perfectionists and it's sort of how we work. We like being in the studio and when we get in there we write a ton of material." Bourdon said the album was a challenge to complete; he said, "We've been making music for a long time so one of the challenges was to evolve and make something to keep us interested and also have a lot of fun in the process. We've been used to making a certain type of music and using sounds to accomplish that. So to break out of that and push ourselves to grow is definitely challenging." Shinoda later said the album was not a concept record,saying, "People asked us if it's a concept record, and in the middle of the process, we were contemplating whether or not that was what we wanted to do," although he said that eventually, A Thousand Suns at its completion has no narrative and is "more abstract" than many concept albums.

In an interview with Rolling Stone in May 2009, Shinoda said the band was in the process of writing and recording material for the album. The album was originally scheduled for an early 2010 release, but Shinoda was concerned with "the quality of the tunes" and said, "if we need to take a step back and make sure everything is top, top quality by our standards, we will". Shinoda also said that, in comparison to Minutes to Midnight, the new album would have a bigger "thread of consistency" and would be more experimental and "hopefully more cutting-edge".

According to turntablist Joe Hahn, the album's title is a reference to a line in the Hindu Sanskrit scripture the Bhagavad Gita "If the radiance of a thousand suns were to burst at once into the sky, that would be like the splendor of the mighty one," which was made famous by J. Robert Oppenheimer in reference to the atomic bomb. The title also appears in the album's lead single "The Catalyst", which appears in the line "God save us everyone, will we burn inside the fires of a thousand suns?". The band said Oppenheimer's comments about the nuclear bomb influenced the apocalyptic themes of the album.

The band has stated that the album's tenth track, "Wretches and Kings", pays homage to the hip-hop group Public Enemy. Speaking to NME about the song's reference to Public Enemy, Shinoda said, "There is a homage to Chuck D on there. It's probably the most hip-hop song on the record and one of the most aggressive ... Public Enemy were very three-dimensional with their records because although they seemed political, there was a whole lot of other stuff going on in there too. It made me think how three-dimensional I wanted our record to be without imitating them of course, and show where we were at creatively." Ian Winwood of Kerrang! noted that "Wretches and Kings" references the Public Enemy song "Fight the Power" and compared the album's content to Public Enemy's third studio album, Fear of a Black Planet. Chuck D later provided vocals on a remix by HavocNdeeD. The fifth track "When They Come for Me" references The Blueprint2: The Gift & The Curse, the seventh studio album by hip hop artist Jay-Z, with whom the band collaborated on the 2004 EP Collision Course. The album includes samples of notable speeches by American political figures, including Martin Luther King Jr., J. Robert Oppenheimer, and Mario Savio.

Critics and reporters labeled the album's material with several different genres, including trip hop, electronic rock, ambient, alternative rock, industrial rock, experimental rock, rap rock, and progressive rock on the album. Compared to their previous record, Minutes to Midnight (2007), Shinoda contributed many more vocals, while Brad Delson's guitar riffs are put further into the background, which Gary Graff of Billboard described as "on the back burner (and barely even in the oven)". Shinoda raps on the tracks "When They Come for Me", "Wretches and Kings" and the album's second single "Waiting for the End". Derek Oswald of AltWire.net noted reggae-like influences on Shinoda's verses in "Waiting for the End". He sings verses on "Burning in the Skies", "Robot Boy", "Blackout", "Iridescent" and "The Catalyst". Bennington and Shinoda sing together on "The Catalyst", "Jornada del Muerto" and "Robot Boy", while "Iridescent" features all band members singing together.

The album was exhibited at a 3-D laser exhibition at Music Box Theater in Hollywood on September 7, 2010. A Thousand Suns was officially released on September 10, 2010, in Germany, Austria and Switzerland; and on September 13, 2010, in the US. Linkin Park started worldwide promotion of the album with the A Thousand Suns World Tour, which started on October 7, 2010, and ended on September 25, 2011. The band performed an entire setlist in the Puerta de Alcalá Gate in Madrid; their live performance of "Waiting for the End" was shown at the 2010 MTV Europe Music Awards.

Linkin Park also promoted A Thousand Suns by featuring songs from the album in video games. Joe Hahn said "The Catalyst" would be included in the video game Medal of Honor. Hahn also announced he would direct a trailer for the game; it was released on August 1, 2010— one day before the single's release. Dave "Phoenix" Farrell stated that the band's members believed the song's "dark undertones ... fits with the subject matter" of the game, which was the reason "The Catalyst" was chosen for Medal of Honor. During the Japanese release of the album on September 15, 2010, Warner Music Japan announced that "The Catalyst" would be the official theme song of Mobile Suit Gundam: Extreme Vs. "Blackout" was featured in the soccer video game by EA Sports, FIFA 11. The band released a video game called Linkin Park Revenge—an edition of Tap Tap Revenge that features four tracks from the album and six songs from previous Linkin Park albums. "Wretches and Kings" is featured in the trailer for the video game EA Sports MMA.

"Blackout", "Burning in the Skies", "The Catalyst", "The Messenger", "Waiting for the End", and "Wretches and Kings" were available as downloadable content in the "Linkin Park Track Pack" for the rhythm video game Guitar Hero: Warriors of Rock, which was released on October 19, 2010, on the PlayStation Store, Xbox Live Marketplace, and Wii Shop Channel. Customers who purchased Guitar Hero: Warriors of Rock from Amazon.com between October 17 and October 23 received a copy of A Thousand Suns. Three songs were remixed and released as downloadable content for the rhythm video game DJ Hero 2 in late 2010. On January 11, 2011, a Linkin Park track pack was released for the rhythm video game Rock Band 3; it includes "Waiting for the End" and five songs from the band's previous albums.

On March 5, 2011, Mike Shinoda announced the European release of A Thousand Suns +, a limited re-issue of the album that was released on March 28, 2011. The re-release includes a live DVD of the band's MTV Europe Music Awards concert at Puerta de Alcalá, Madrid on November 7, 2010, and an MP3 audio file of the show. On June 19, 2012, a live version of the album, titled A Thousand Suns: Live Around the World was released on Spotify. It features ten of the album's fifteen songs. The tracks were recorded in London, Hamburg, Paris, Berlin, and Las Vegas.

During the announcement of the album's release date, Linkin Park said the album's first single would be "The Catalyst", which was released on August 2, 2010. From July 9, 2010 until July 25, 2010, the band held a contest titled "Linkin Park, Featuring You". In the contest, fans could download stems from "The Catalyst", remix the stems and/or write their own parts for the song on any instrument. The winner of this contest was Czeslaw "NoBraiN" Sakowski from Świdnica, Poland, whose remix is featured as an extra track on a version of the album made available from Best Buy and Napster. The album's liner notes credit Sakowski with "supplemental programming" on "When They Come for Me". The top 20 remixes that were selected by the band are being considered for future use as b-sides and online downloads.

Two of the remixes by DIGITALOMAT and ill Audio have since been released via the band's webpage as free mp3 downloads, while two by Cale Pellick and DJ Endorphin been released on an exclusive German release of "The Catalyst". The music video for "The Catalyst", directed by Joe Hahn, premiered on August 26, 2010. On August 31, 2010, it was announced that the band would give their first live performance of the single at the 2010 MTV Video Music Awards on September 12, 2010, at Griffith Observatory. The venue was kept secret until the performance, although it was revealed to be a prominent landmark in Los Angeles. The single peaked at number one on the Billboard Rock Songs and Alternative Songs charts, and on the UK Rock Chart. The single also peaked at number twenty-seven in the Billboard Hot 100 upon the release of A Thousand Suns, and spent five weeks on the chart. "The Catalyst" was certified gold by the Recording Industry Association of America (RIAA) in July 2011.

On September 2, 2010, Linkin Park released the promotional single "Wretches and Kings" to those who had pre-ordered the album. On September 8, 2010, the band debuted "Waiting for the End" and "Blackout" on their Myspace page. The band announced on its official website the "Full Experience Myspace Premiere", the streaming of the entire album on its Myspace page on September 10. A remix of "Blackout" by Renholdër was included in the soundtrack of Underworld: Awakening.

Waiting for the End" was released as the album's second single on October 1, 2010. The music video for the song premiered on October 8, 2010, and was directed by Joe Hahn. Linkin Park's performance of "Waiting for the End" at Puerta de Alcala in Madrid was broadcast as part of the 2010 MTV Europe Music Awards. "Waiting for the End" and "When They Come for Me" were performed live on Saturday Night Live on February 5, 2011. "Waiting for the End" was featured in an episode of CSI: Crime Scene Investigation broadcast on CBS on October 14, 2010. The single peaked at number one on the Alternative Songs chart; it was Linkin Park's tenth number-one song on the chart. It peaked at number two on the Rock Songs chart and at number forty-two on the Billboard Hot 100, spending nine weeks on the chart. The single achieved success in other countries, peaking at number thirty-four in Austria, number twenty in Belgium, number 29 in Germany, and number thirty-four in Japan. "Waiting for the End" was certified gold by the RIAA in April 2011.

On January 22, 2011, Linkin Park announced that its next international single would be "Burning in the Skies". The music video, directed by Hahn, premiered on February 22 and the single was released on March 21. The single reached number thirty-five in Austria, number 35 in Portugal, number twenty-six in German airplay, and number six in Mexico.

On April 13, 2011, Shinoda confirmed that the album's third US, fourth international, and overall final single would be "Iridescent". He also said a slightly shorter version of the song would be included the soundtrack of the movie Transformers: Dark of the Moon, and that a music video directed by Hahn had been made to promote the single. Linkin Park performed the single remix of "Iridescent" at the film's premiere at Red Square, Moscow, on June 23, 2011. The single peaked at number eighty-one at the Billboard Hot 100, spending three weeks on the chart; it also peaked at number nineteen at the Alternative Songs chart and number twenty-nine at the Rock Songs chart. Despite these low peaks, the single achieved moderate success in other countries, peaking at number thirty-nine in Australia, number ten in Israel, and number two in South Korea and one the UK Rock Chart.

A Thousand Suns debuted at number one on the US Billboard 200 chart with first-week sales of 241,000 copies in the United States, exceeding sales of Trey Songz's Passion, Pain & Pleasure by 1,000, according to Nielsen SoundScan. It became Linkin Park's fourth US number-one album, although the first-week sales were significantly lower than those of their previous album Minutes to Midnight (2007), which opened at 623,000 copies. The album entered Billboard's Rock Albums, Alternative Albums, Hard Rock Albums, and Digital Albums charts at number one. In the second week, the album slid to number three, selling 70,000 copies; in December 2010, two months after its release, its sales passed the half-million mark. On January 11, 2011, A Thousand Suns was certified gold by the RIAA for shipments of 500,000 copies sold in the US. It spent 30 weeks on the Billboard 200. By June 2014, the album had sold 906,000 copies in the US according to SoundScan. The sales exceed 1 million as of August 2017.

In Canada, A Thousand Suns peaked at number one on the Canadian Albums Chart with 23,000 copies sold. In February 2011, the album was certified platinum by the Canadian Recording Industry Association for 80,000 units sold. In the United Kingdom album chart, on which it spent seventeen weeks, the album debuted at number two with first-week sales of 46,711 copies, behind The Script's album Science & Faith. On September 10, 2010, two days after the album's UK release, A Thousand Suns was certified gold by the British Phonographic Industry (BPI), marking shipments of 100,000 copies to retailers. In Australia, it debuted at number one on the ARIA Top 50 Albums, and retained the top position for four weeks. The album remained in the chart's top 50 for 18 weeks. By the end of 2010, A Thousand Suns had been certified gold by the Australian Recording Industry Association (ARIA), and the following year it was certified platinum.

Upon its release, A Thousand Suns was well-received by critics, although some were less enthusiastic. At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the album received an average score of 66 based on 10 reviews, indicating "generally favorable reviews".

Rick Florino of Artistdirect gave the album five stars out of five, saying, "after A Thousand Suns, all rock 'n' roll will revolve around Linkin Park"; he credited Linkin Park with creating their own genre. Ian Winwood of Kerrang! gave it an "excellent" rating, saying it "can only be best described as a political album". He praised the songwriting, saying, "These are songs that have been constructed as much as they've been written", and that its closest comparison was Public Enemy's 1990 album Fear of a Black Planet. Dave de Sylvia of Sputnikmusic called it "an extremely well-crafted rock album," saying it was somewhat better than its predecessor Minutes to Midnight (2007), but does not live up to their debut, Hybrid Theory (2000). David Buchanan of Consequence of Sound gave the album three-and-a-half out of five, saying, "Some might argue this new sound is posturing, complete mutation to the point of absurdity; in the band’s associated artwork and videos, evolution has been touted from day one. In essence, Linkin Park has been chasing this all along, and now it has become tangible, complete." Johan Wippsson from Melodic said Linkin Park "have created a very cool and unique sound" and described "Blackout" and "When They Come for Me" as "really innovative". Ian Winwood of BBC Music, in his review of the band's succeeding album Living Things, praised A Thousand Suns and described it as "a body of work startling enough that it gambled with the massive commercial success the group had achieved since their debut album, 2000's Hybrid Theory."

Kerrang! listed A Thousand Suns as the nineteenth-best album of 2010 on their list of the top 20 albums that year. James Montgomery of MTV listed the album as twentieth best album of 2010, calling it "the year's most ambitious major-label rock album ... there's no denying the dense, dark power it packs".

#linkin park #a thousand suns #september 14th #september 14th 2010 #2010 #2010s #mike shinoda #brad delson #rob bourdon #joe hahn #chester bennington #dave phoenix farrell

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xb-squaredx · 4 years

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B-Squared’s Top 10 Games of 2019!

2019 was a year full to the brim of GREAT games, and as is the custom at the end of the year, people love to rank their favorites, so…I’d like to do the same! Of course my own tastes might be different from yours so if you don’t see a thing on here that you liked, chances are I didn’t like it…or more likely, there’s just too many great games out this year, and I couldn’t get to everything. I’d like to stress to that the rankings don’t really matter all that much, especially the farther down we go. Everything on here is an easy recommendation. Without any further ado…let’s take a look at my Top 10 Games of 2019~

#10 - River City Girls

I love action games, but 2D beat-em-ups never really clicked for me. They were largely before my time and I was thinking that it’d be impossible to get me into one in the current era of gaming. And then I saw Marian’s redesign for River City Girls and bought the game. What can I say? Abs are a great sales pitch. But seriously, getting Wayforward on the helm of a beloved classic franchise is already a great way to pique my interest, and while there’s SOME aspects of this game that I don’t quite gel with, it’s a fun, colorful romp through a ridiculous universe that I’d LOVE to see more of down the line. Featuring a role-reversal, with the girlfriends saving the boyfriends this time, River City Girls has gorgeous pixel art, an AMAZING pop-synth soundtrack that’s worth the price alone, and it’s a game that clearly had fun with the concept and that fun rubs off on you. From the stylish animated boss intros, to the co-op fun that can be had with a friend, everything in this game is brimming with charm. Basic NPCs have great designs in their own right, being able to recruit enemies as assists is a neat idea, and it all adds up to a fun, bite-sized adventure with a bit of depth under the hood if you’re willing to give it a look. Can the character designers get a raise for this game, please? And let Megan McDuffie just do all the songs from now on. ALL OF THEM.

#9 - Astral Chain

Most people assumed if we were going to get a Switch exclusive game by Platinum this year, it’d be Bayonetta 3 but instead Nintendo surprised us with Astral Chain, the anime cop action game we didn’t know we wanted. The game boasts great visuals and is probably the most content-rich Platinum game ever made for starters, but for me the true draw is in the combat. Playing as your police officer in tandem with an alien creature known as a Legion, this tag-team action game is unlike pretty much anything else on the market. While the game starts off very simplistic, the Legion itself moving and attacking with no input from the player, over time more and more options unlock and things get considerably more complicated. By game’s end, you’re drowning in options, and once things clicked, combat was always a treat. With plenty of enemies to practice with, Legions to master and a gigantic post-game filled with challenging encounters, I had more fun with the combat in this game than I did with a lot of other games this year. That said, I do feel that Astral Chain could have benefitted from trimming some fat or rethinking its overall structure. For being a new IP with some bold ideas, I’m willing to accept these as kinks that can hopefully be ironed out in a sequel. Oh, and add Lappy to Smash already. You know you want to, Sakurai.

#8 - BABA IS YOU

Puzzle games are hard sells for me, since I don’t like the frustration that often comes from being stuck. You feel dumb, you get embarrassed and turn the game off in shame, or at least that’s my experience. But then sometimes you get a game so clever, so…weird, that you can’t help but be sucked into it. BABA IS YOU is a block-pushing puzzle game, with the twist being that the “rules” of a particular stage are often physically present in levels and are in fact blocks that can be pushed and manipulated by the player. ROCK is PUSH, WALL is STOP, FLAG is WIN and BABA is YOU. But what if you can’t touch the flag because the wall is in the way? Well, make it so WALL is PUSH to move it aside, or maybe make it so that BABA is WIN and you become the win condition itself. As the game goes on, more modifiers and rules are slowly introduced and absorbed into your own internal logic of the game, logic that increasingly has to be broken and remade to suit your needs. It’s a very empowering experience when the solution clicks and the results can often be hilarious and surprising. This game also GOES PLACES the further you go in, and I’d rather not ruin that surprise for anyone who might be looking into the game. Definitely one of the most innovated titles I’ve played in a LONG time. BABA is GOOD.

#7 - Power Rangers: Battle for the Grid

OK, so…hear me out. Power Rangers was a franchise I was obsessed with as a kid, and while I don’t follow it anymore, there’s still some love for it flowing in my veins. So when a small, no-name studio puts out a Power Ranger fighting game that takes the simplified controls of Smash Bros. and the tag-team craziness of Marvel vs. Capcom and slaps it all together for a cool twenty bucks or so? Well you got yourself a purchase and it ended up being WAY more fun than I expected. Power Rangers: Battle for the Grid is far from the best looking fighter on the market, it’s single-player content is lacking, and it’s roster, while interesting, isn’t as big as a lot of the competition, but damn if it isn’t fun to play. With characters taken from across the franchise’s long history, from the live-action movie reboot to the comic books, each choice has been inspired and resulted in an incredibly varied cast. With no crazy inputs for special moves, combined with a tagging system that lets you cycle through your three-Ranger team quickly, the game is the best kind of chaotic fun, but true masters can command that chaos and channel it into cool combos that make you want to say “Morphinominal!” Considering it’s a budget title, it’s also received a fair amount of updates throughout the year to pad out the roster with both free and paid DLC fighters, a full story mode and improvements to the netcode and overall presentation., so if you passed on it at launch, it’s much improved now. It’s not gonna be a fighting game on everyone’s radar, but I’d rather support it than the grind-heavy slog Mortal Kombat has become…Now just hurry up and add that monster that baked the Rangers into a pizza!

#6 - New Super Lucky’s Tale

If your name isn’t Mario or Sonic, 3D platformers are effectively dead. That said, there’s been a few up-and-comers in recent years that are trying to revive the genre. Hat Kid from A Hat in Time, the duo of Yooka-Laylee, and now Lucky from the folks at Playful Studios. The cute fox has quite the history, starting from the Oculus Rift title, Lucky’s Tale, to a full-fledged platformer on the Xbox One X, Super Lucky’s Tale and now the enhanced port/reimagining New Super Lucky’s Tale on Switch. Halfway between a full-blown sequel, and enhanced edition, the game takes assets from the Xbox original game, tweaking and refining everything from visuals to controls to level layouts. The result is a game that is incredibly well-polished. It looks great, Lucky is a treat to control as he moves from jumping, burrowing and sliding around fluidly, and the variety on display keeps things interesting. We’ve got full 3D levels, 2D levels, auto-runners, and even some marble maze levels and puzzles thrown in for good measure. It’s not a hard game, but it IS incredibly fun, and well made. We don’t get many 3D platformers these days, so cherish what little comes of the genre. I hope Playful and Nintendo continue to collaborate, as they really seem more at home here. Just…maybe don’t add more words to the title of the next game, guys.

#5 - Katana Zero

There’s no nice way to say it: there’s too many pixel-based, side-scrolling indie games out there, so the ones that DO stand out deserve to be celebrated. Katana Zero has a real ‘80s flair for starters, using bright neon, TV and VCR visual effects, and a synth soundtrack to give it some real style. When a game kicks off with you slowing down time and reflecting a bullet back at an enemy with your katana, you make a good first impression! Add in the trial-and-error that is planning the perfect route through a stage, the satisfying slicing and dicing of enemies, the unique, challenging boss encounters, and you have a game that was on my radar for a while, before I finally got into it at the end of the year. Its storyline is pretty interesting too, with some slight variances in how events unfold depending on your words and actions, though it ending on a bit of a cliffhanger is a bummer. That said, when a game leaves you wanting more, there’s worse problems to have. At the very least, there’s some DLC hinted at that might be interesting, as well as the implications that this is the merely the first in a trilogy, and at this point I’m game for whatever developer Askiisoft has in store.

#4 - Luigi’s Mansion 3

The GameCube was an odd era for Nintendo, as they attempted to innovate and try new ideas rather than rely purely on their old standbys. Case-in-point, rather than launch the console with a new Mario platformer, his second-banana brother Luigi got his first starring role in what would become the Luigi’s Mansion series. While not making QUITE as big of a splash as maybe Nintendo hoped, it’s garnered a decent fanbase, and when a sequel was announced for 3DS, people ate it up. Considering the gap between the first and second games, I think many people were surprised at the relatively quick turn-around for the third installment. I was also surprised at the overall quality and how much I enjoyed digging into it. For starters, Luigi’s Mansion 3 is easily one of the better-looking Switch titles, boasting some great lighting and particle effects, with some fun physics implemented for just about everything in the massive mansion. Luigi and company are animated with a lot of expressiveness that never gets old, and the music sets the tone perfectly too. From a gameplay standpoint, the toolset Luigi gains gives him ample options to poke at every nook and cranny, with the slimy doppelganger Gooigi being the clear stand-out. Some of the floors of the Last Resort hotel that Luigi must ascend are particularly massive and intricate too, some floors feeling like Legend of Zelda-style dungeons. While not a particularly challenging game, it’s still really satisfying to poke and prod at everything in sight, sucking in all the coins, gold bars and stacks of paper bills you can handle, not to mention slamming the ghosts around like the Hulk does to Loki. There’s also multiplayer! That I…haven’t really touched but…hey! More bang for your buck, surely!

#3 – Dragon Quest XI S

I don’t consider myself a huge fan of JRPGs. Or at least that’s what I thought before I tried out the Dragon Quest XI demo on Switch. I ended up falling for the game hard and bought the full release, carrying my demo data over and not stopping until I hit credits. Despite having never touched a Dragon Quest game before, outside of an hour or so of VIII, I was overcome with this feeling of nostalgia when it came to this game. That’s because Dragon Quest is THE quintessential JRPG game, the originator of all that we take for granted today. It was nice to feel right at home with a simple, effective combat system, rather than having to watch games re-invent the wheel in an attempt to stand out from the pack (sorry Xenoblade), and the story itself, while predictable and a little basic at times, was told well and told earnestly. It really nailed the feeling of going on a grand adventure, with enough twists on the formula to keep things interesting. The turn-based combat was elementary, but always presented me with fair challenges and lots of ways to solve the encounters laid before me, with enough quality-of-life features added in to minimize grind and make things more convenient. The Switch version of Dragon Quest XI featured a bunch of new content on top of a game that had more than enough going for it, and it’s clear a lot of work was done to make this port as faithful as could be, and it stands out not just as a great port on a system known for some shoddy ones, but as a title that’s brimming with as much polish and quality to rival first-party Switch titles. Don’t ban Hero in Smash and don’t miss out on this game if you haven’t taken the plunge already!

#2 – Devil May Cry 5

The Devil May Cry franchise has had its share of ups and downs over the years. For every game that’s considered a success, you have another game that doesn’t quite measure up. For years many thought the franchise was dead in the water after the attempted reboot, DMC: Devil May Cry failed to grow its audience, but when Microsoft’s E3 2018 show revealed to us a new installment, fans were ecstatic. Devil May Cry 5 boasts crisp visuals, deep combat and trims the fat, removing the wonky platforming and puzzles of earlier games to create a high-octane action experience that ultimately exceeded fan expectations. Its storyline firmly plants Devil May Cry 4’s Nero as a main character in his own right, wraps up the story of the Sparda brothers neatly, and if this ended up being the last title in the series, I think it’s that rare ending that ends up being totally satisfying. Combat is the real draw here though, the game giving players three distinct characters to learn and master. Nero’s robotic Devil Breaker arms allow him a decent amount of variety, while having a balanced, beginner-friendly combat style for new players. Dante remains the king of variety, having more weapons than ever before combined with his signature style switching, though the game is actually designed with all these options in mind so he doesn’t end up breaking the game like he did in 4. Newcomer V ends up being a breath of fresh air, controlling up to three demonic summons at once, forcing players to really think more strategically. The music is incredible too; Nero’s own theme, Devil Trigger, has been stuck in my head since last year and I don’t see it leaving any time soon. All things considered, Devil May Cry 5 might be the best game in the franchise, and a worthy contender for game of the year personally. Now if only we had a special edition with Vergil and the ladies playable…

#1 - Fire Emblem: Three Houses

I got into the Fire Emblem series with Awakening and really liked it a lot, however Fates, the next installment, left a bad taste in my mouth. I couldn’t really get into Echoes, itself a remake of the second game in the series, and I began to wonder if this franchise was really for me. I was willing to give Three Houses a shot, but I was not prepared for the game to blow past all my expectations. Fire Emblem: Three Houses isn’t just a good game, it’s a game that’s redeemed a franchise that’s stumbled a bit in recent years, and it likely cements Fire Emblem as a core Nintendo franchise for years to come. It has class, depth and real heart...with only minor creepy or pervy elements! Making a grand return to home consoles after more than a decade on handhelds, it goes big and it ultimately paid off, on track to become the best-selling entry in the series. The school setting might seem weird at first, and I wondered how well I’d adjust to it, but being able to instruct your units and influence their growth in battle was worth the learning curve. Things are introduced slowly enough that the flow of the game becomes relatively easy to manage, if a bit time-consuming overall. With four distinct storylines you can explore, TONS of character interactions and some interesting tweaks to the strategic gameplay the series is known for, I’m confident in saying that Three Houses is well-worth a purchase for newcomers to the franchise. Divine Pulse is a great quality-of-life addition that lets you undo mistakes, rather than force you to start over from scratch, and overall the UI and layout of the game gives you enough information to make informed decisions without overwhelming you. Makes me wonder how we survived before the games showed us who enemies would target on their turns before now. Admittedly, some aspects of the progression have some issues, especially at endgame, and visually the game really is not up to par most of the time, but these end up being tiny blemishes in the long run for me. They certainly weren’t bad enough to prevent me from starting a new path the instant I finished my first route. If I have one request…just make Claude a gay option. Give the people what they want, Nintendo!

Honorable Mentions

I’d like to add on some honorable mentions here before we close things out, though most of these are things I didn’t even get a chance to play, but they certainly might have made this list. For one, Resident Evil 2 Remake seems like a high-quality reinterpretation of the survival-horror classic, but I can’t do horror so I’ll likely pass it up. It’s also for that reason that I might not get to Control but I might try jumping out of my comfort zone for that one. The confusion surrounding both The Other Worlds AND The Outer Wilds is funny, but they’re both space-based games I’d be keen on getting to at some point down the line; the former is a great Western RPG by the folks who made the GOOD Fallout games, while the latter is an interesting space-faring puzzler with some interesting mechanics I’d rather not spoil for those not more in-the-know. Indie titles Sayonara Wild Hearts and GRIS definitely caught my attention with their great visuals, and in the case of the former, its soundtrack, even if the gameplay wasn’t quite there for me, and the weird fighting-game-but-kinda-RPG that is Indivisible demands my attention sooner or later. Bloodstained is the Castlevania follow-up I keep forgetting is out, and I hear great things about Yooka-Laylee and the Impossible Lair. The team behind the Yakuza series recently made a spin-off of sorts, Judgment that hit the West this year and while I like the Yakuza series for its quirky tone and fun combat, there’s still six other games I’d have to sift through, so going with Judgment, which is set to possibly begin a new franchise, seems like a good alternative. And how could I forget the likes of Shovel Knight as we finally receive the last expansion that’s been years in the making? I haven’t touched the King of Cards expansion yet, but I have the upmost faith in anything Yacht Club makes, so that’s surely a game of the year contender. 2019 was crazy good! Glad to close the year out with so much quality, and tons of great stuff to add to the ever-growing backlog.

Hope you had some good gaming memories made this year!

-B

#gameoftheyear #GOTY #GOTY2019 #astral chain #lucky's tale #baba is you #river city girls #devil may cry #luigi's mansion 3 #katana zero #power rangers #fire emblem three house #dragon quest 11 #xb-squaredx

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roodle-things · 6 years

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Fandom Page (Update 10/22/2021)

So I know some people have not been able to see my fandom page for tech reasons, so I’ve decided to just make a post that lists all of them! If you don't see what you’re into on here you can still ask me!

Added links so you guys can see what I've done already!

This list isn’t necessarily stuff that I will 100% make for but rather stuff that I have been interested in at some point in my life. If you don’t see something on here that does not mean I won’t do it. If you do see something on here I might not do it based on what character it is for ex.

Bold means it’s newly added

Bold means the status has changed

:/ means bc of recent news i don’t like it anymore lol

Anime

Aggretsuko - havent seen s2

Bleach - only interested in minor characters

Eyeshield 21 - only interested in minor characters

One Piece - Never watched/read but I know everything

Fullmetal Alchemist 03 - never finished/dont prefer it

Fullmetal Alchemist: Brotherhood

Hello Kitty/Sanrio

Hellsing Ultimate

One Punch Man - not caught up/ not planning on it

Ouran Highschool Host Club - Gonna rewatch

Please Tell Me! Galko-chan

Pop Team Epic - not caught up

Puella Magi Madoka Magica - haven't seen in years

Vocaloid

Books

Fairy Tales

Fangirl by Rainbow Rowell, planning on reading CO series soon

I Have No Mouth And I Must Scream - Short Story/Game

May Bird Series

Miss Peregrine’s Home for Peculiar Children - Gonna reread

Percy Jackson and the Olympians

Heroes of Olympus

The Kane Chronicles - Gonna reread

Cartoons

Adventure Time

Avatar: The Last Airbender

Ben 10/Alien Force/Ultimate Alien

Bob’s Burgers - not caught up/ not planning on it

Courage the Cowardly Dog - nostalgia

Ever After High - nostalgia

Gravity Falls

Hilda

Kid’s Next Door - nostalgia

Legend of Korra

Miraculous: Tales of Ladybug and Chat Noir - not caught up/not planning on it

Monster High - nostalgia

Over the Garden Wall

Powerpuff Girls - nostalgia

Rick and Morty - not caught up/not planning on it

RWBY - not caught up

Scooby Doo

She-Ra and the Princesses of Power

Star vs. The Forces of Evil - not caught up/not planning on it

Strawberry Shortcake - nostalgia

Steven Universe - not caught up/not planning on it

Storm Hawks

The Dragon Prince - caught up to season 2, not watching s3 till show continues coming out

Trollhunters - not into the other shows

WordGirl - nostalgia

Comics

DC Comics - more into the Batman universe

Marvel - kind of into

Games

Among Us

Animal Crossing: New Leaf/Happy Home Designer/Pocket Camp/New Horizons

Apex Legends- haven’t played the quests/lore stuff yet

Bendy and the Ink Machine

Cookie Run: Ovenbreak/Cookie Wars

Cozy Grove

Cube Escape/Rusty Lake

Cuphead: Don’t Deal with the Devil

Dead by Daylight

Doki Doki Literature Club

Dream Daddy

Firewatch

Five Nights at Freddy’s

Ghost Trick

Gris

Hatoful Boyfriend

Legend of Zelda: Breath of the Wild

Life is Strange/Before the Storm/Farewell

Little Nightmares

Neko Atsume

Night in the Woods

Overwatch

Ooblets

Oxenfree

Pokemon - games, anime, most movies included!

Poptropica

Slime Rancher

Smile For Me

Speed Dating for Ghosts

Spiritfarer

Stardew Valley

Super Mario Bros. - Completed Odyssey and LM3

The Amazing Adventures of Captain Spirit

The Arcana - not caught up/not planning on it

Undertale - not caught up/not planning on it

What Remains of Edith Finch

Where the Water Tastes Like Wine

Yearwalk

Movies

DC - Only seen Wonder Woman 1/Birds of Prey/New Suicide Squad

Disney Animated Movies/Channel

Don Bluth Movies - ask me which

Dreamworks - ask me which

Harry Potter - :/

Heathers + musical

Laika Films - ask me which

Les Miserables

Mad Max: Fury Road

MCU - hate it nowadays :/

Over the Moon

Pixar Animated Movies - ask me which

Star Wars - movies/EU/semi-clone wars + rebels + mando (not caught up on clone wars/not planning on watching rebels)

Musicals

Hamilton

Legally Blonde

Wicked

Other Stuff

American Girl Doll

LGBT+

Holidays/Seasons

Podcasts

Alice Isn’t Dead

The Adventure Zone - Halfway through Amnesty/not continuing

The Magnus Archives - never listened but know everything

TV Shows

American Gods - not caught up/not planning on it

A Series of Unfortunate Events - not caught up

Game of Thrones - oof

Lucifer - not caught up

Mindhunter

Preacher - not caught up/not planning on it

Queer Eye

Stranger Things

The Haunting of Hill House/Bly Manor/Midnight Mass

Web Series

Nyan Neko Sugar Girls

The Most Popular Girls in School - not caught up/not planning on it

Slenderverse: Watched MH/EMH/TT, but :/ on TT

Villainous - not caught up/not planning on it

#roodle speaks #fandom page

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