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ilostyou · 4 months
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hit-song-showdown · 1 year
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Year-End Poll #68: 2017
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[Image description: a collage of photos of the 10 musicians and musical groups featured in this poll. In order from left to right, top to bottom: Ed Sheeran, Luis Fonsi and Daddy Yankee, Bruno Mars, Kendrick Lamar, The Chainsmokers, Migos, The Chainsmokers, Sam Hunt, Imagine Dragons, Post Malone. End description]
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It's easier more than ever to see the effects of streaming on the pop charts. As electropop and club music become a distant memory, the pop music of the late 2010's works better with individual listening. As mentioned before, streaming works better for album listening, much more than the iTunes era which encouraged the purchasing of individual songs (which was great for singles artists, but not necessarily for albums). Some artists were able to hack this system. For example, Drake's Views (featured on the previous poll) was notable for having 20 songs on its tracklist -- which is a lot for a pop release. Unlike the iTunes era or even the CD era before, longer albums with shorter songs flourish more in the streaming landscape.
Streaming also helped to continue blurring the line between genres and audiences. Without going too much into it (because this is a topic I could ramble on about endlessly), genres were not handed down to us from Mount Olympus or something. Genre is a tool of marketing, and the lines drawn between them can have a variety of cultural, racial, economic, gender, religious, and other variables between them. These lines were more prominent in previous years before streaming made it easier to access just about every kind of music at once. This is when we start to see the rise of a concept known as the "monogenre". In order to cater to as wide an audience as possible, everything starts to sound like everything. A little rock, a little indie, a little trap, a little tropical house, a little festival EDM. There were also those who criticized the streaming era in how it promotes a more "passive" listening style, since playlists and algorithms could continue playing ad infinitum without the listener needing to seek out new music themselves. While I certainly see the evidence of that on the charts, I don't think this tells the complete story.
As a less cynical counter-argument, streaming has made it easier for listeners to find music that otherwise wouldn't have been marketed to them. I believe that this could be one of the factors behind reggaeton finding a growing audience among English speakers. Obviously reggaeton did not originate this year. The roots of the genre can be traced back to the 1980's in Panama where it would later grow an even larger audience in Puerto Rico. The genre would grow in popularity in the States as well, especially in the early 2000's. But if you weren't paying attention to Spanish language music (and you didn't grow up in the Southwest), it was easy for mainstream audiences to miss it. Reggaeton includes influences from dancehall and hip-hop, so it makes sense that the genre would find a mainstream English-speaking audience when those two genres were also shaping pop music. Because Despacito wasn't just big for a reggaeton song. It wasn't even big for a Latin pop song. Despacito led to Daddy Yankee becoming the sixth most listened-to artist on Spotify in 2017, and led to an influx of Latin and reggaeton artists who were able to cross over without English language remixes. Billboard magazine has an article here about the "Despacito Effect".
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guessimdumb · 4 months
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David Kilgour - Everytime it Rains (2008)
David Kilgour sounds perfect on a blustery February day. From his excellent collaboration with poet Sam Hunt.
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cyber69 · 9 months
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hips like honeyyyyy 🍯
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freetheshit-outofyou · 10 months
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Very sad news. Telling girls of a bigger bottoms they are not worthy of being immortalized in song, very sad indeed. Phrases like "naughty nanny" with a "big fat fanny," as well as "fat bottomed girls," are terms of endearment, not terms of disparagement. It's odd that we can have Pedo Drag Queen story time aimed right at little kids BUT we can't have them hear anthems of empowerment that use words like “Fat Bottomed girls”, because somehow that give kids a bad message. Sad damned world we live in. Oh and I'd like to add this...
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and....
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You juicy bottomed women keep on keeping on.
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midnight-star-world · 15 days
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#CountryMusic
MSR 5-11-24 Midnight Star Report 5-11-24
So today I will be bringing you the Top 20 Country Music Songs for the week of 5/11/24 with the help of both CMT (Country Music Television), the Billboard Country Music Airplay Charts, & even myself. So let's get started right now.
Number 20 belongs to Tim McGraw who is new to the list this week - One bad habit.
Number 19 belongs to Warren Zeiders who is dropping 1 spot this week - Pretty little poison.
Number 18 belongs to Chase Matthew who is moving up 1 spot this week - Love you again.
Number 17 belongs to Jelly Roll who is moving up 3 spots this week - Halfway to Hell.
Number 16 belongs to Nate Smith who is moving up 1 spot this week - Bulletproof.
Number 15 belongs to Jordan Davis who is dropping 13 spots this week - Tucson too late.
Number 14 belongs to Chris Young who is staying in the same spot as last week - Young love & Saturday nights.
Number 13 belongs to Old Dominion featuring Megan Moroney who are staying in the same spot as last week - Can't break up now.
Number 12 belongs to Bryan Martin who is moving up 3 spots this week - We ride.
Number 11 belongs to Megan Moroney who is moving up 1 spot this week - I'm not pretty.
Number 10 belongs to Scotty McCreery who is dropping 9 spots this week - Cab in a solo.
Number 9 belongs to Ashley Cooke who is moving up 2 spots this week - Your place.
Number 8 belongs to Jason Aldean who is moving up 2 spots this week - Let your boys be Country.
Number 7 belongs to Tyler Hubbard who is dropping 2 spots this week - Back then right now.
Number 6 belongs to Bailey Zimmerman who is moving up 1 spot this week - Where it ends.
Number 5 belongs to Kenny Chesney who is moving up 1 spot this week - Take her home.
Number 4 belongs to Lainey Wilson who is moving up 4 spots this week - Wildflowers and wild horses.
Number 3 belongs to Carly Pearce featuring Chris Stapleton who are moving up 6 spots this week - We don't fight anymore.
Number 2 belongs to Jackson Dean who is moving up 2 spots this week - Fearless (The echo).
Number 1 belongs to Sam Hunt who is moving up 15 spots this week to regain the top - Outskirts.
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And that's a wrap for the Top 20 Country Music Songs for the week of 5/11/24 with the help of both CMT (Country Music Television), the Billboard Country Music Airplay Charts, & even myself. Thanks as always goes out to both CMT, & the Billboard Country Music Airplay Charts for doing their weekly Country Music Song Countdowns. And thanks as well goes out to you for taking the time to read this weekly list. See ya all next time.
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rorygilmre · 1 year
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the way i’ve had a crush on this man for NINE YEARS and i’m just never getting over it
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musicforlyrics · 7 months
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mildlysedat3d · 4 months
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eljd2r2 · 5 months
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We’ll always be in between real love and real life.
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spectrumpulse · 6 months
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dudebro231 · 6 months
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hyperpop/breakcore remix of body like a back road i just dropped lol
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southdigitalcreation · 9 months
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qadirvyrotek · 6 months
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detectivelamprey · 2 years
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herbert west and dan cain kiss. fr. on the mouth. so do sam hunt and anton mordrid. also fr. and also on the mouth. both of these pairing hold hands 24/7.
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