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#self-directed
oncorhynchus-nerka · 2 months
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VERY IMPORTANT a dam in the Netherlands, the weerdsluis lock, is directly on a migratory path for spawning fish. They have a worker stationed there to open the door for the fish, but they can take a while to open it. So to keep the fish from getting preyed on by birds they installed a doorbell. Only, the fish don't have hands to ring the doorbell. If you go to their website, they have a LIVE CAMERA AND A DOORBELL that YOU RING FOR THE FISH when they're waiting, and then the dam worker opens the door for them! I can't express how obsessed I am with this. look at this shit. oh my god.
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Please check on the fish doorbell once in a while :)
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tofixtheshadows · 21 days
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I've been thinking a lot lately about how Kabru deprives himself.
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Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
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I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
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Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
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It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
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What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
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He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
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Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
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...but he doesn't get to enjoy it like he wanted to.
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Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
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And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
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I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
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Meals are the privilege of the living.
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marireal-de · 11 months
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No one and nothing will stop me any longer. I will get ready for doing the final steps to get released, to finally set this burning heart free. I will no longer accept to be pressed into a role that never fit and oppress my own needs. I've done far to long.
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scholarlygrace · 1 year
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pemprika · 3 months
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an untainted innocence
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firstfullmoon · 10 months
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Megan Denton Ray, from “A Recovery Guide for Adult Children of Alcoholics”
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jkg9sv9vo · 1 year
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qiinamii · 7 months
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quite the poet, quite the inspo
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macdenlover · 5 months
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gender bent always sunny gang because i can’t get them out of my head
(heavily inspired by @bananabirch’s designs <3 major credz to them)
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potato-lord-but-not · 6 months
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merch design I did for WILL WOOD HIMSELF HI HELLO IM UNWELL
and it’s ALSO available as a sticker !! (thank u will)
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ineed-to-sleep · 2 months
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Blacked out in front of my tablet and woke up with sketches of my Touchstarved mc + Kuras my beloved. woops
#I found out dr. kuras is 6'6 I said hold on lemme get a stool so I can climb this man#touchstarved#touchstarved game#touchstarved kuras#kuras#sleepyscribble#oc.emma#my mc is meant to be a self insert but also like. I wanted to come up w a design and character arc and everything jkvkvk#so I ended up basing her on my personality/looks but taking her into a direction that would fit the game#she's like. me but 'characterized' and a bit exaggerated for the sake of being a character yk#the way she turned out is that she's basically a friendly happy go lucky mage who laughs at her own misery but hides#a deep layer of self loathing underneath all that bc of her curse#having been cursed all her life she believes she's a monster and the sunny personality is a way for her to 'make up for it'#but at the same time she feels like a farse. like she's only luring ppl in to an inevitable demise#and she thinks she's selfish bc despite knowing the danger she poses she still goes out there and puts herself among ppl#bc she craves human connection. even tho she feels guilty for 'indulging' in it#anyway I love the cursed mc concept in this game <3 it's been really interesting to think abt how that would affect someone#also I kept her physical features looking pretty much like mine#bc I wanted to draw myself in a cute way. teehee#but the clothing I was basically thinking like. early game simple clothing that she didn't rlly pick for herself#and maybe later I can have an updated design w something she would actually pick for herself
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muzzleroars · 7 months
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the angels were broken of self-worship, yet their need for devotion must find a place if it is left empty
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comradekatara · 23 days
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a really defining moment of aang and sokka’s relationship is that sokka literally lets himself get beat up for aang’s amusement and entertainment like a day into knowing him. like he is literally letting aang drop him onto the ground from a not insignificant height over and over again just to see aang smile and laugh. he is putting his own safety and physical wellbeing at risk because it makes aang happy. and there’s a lot we could get into here about how sokka fundamentally views himself and his body as a vessel through which to provide services to others instead of a whole human being in his own right, but what matters for the purposes of this post is that it’s very immediately established that sokka will do anything to see aang enjoy himself, to the point that he will quite literally put up with physical abuse without complaint to make aang happy. so when people are like “it’s crazy how sokka is so smart and yet loses all his braincells whenever he’s around aang,” it’s like yeah, teenage boy adhd2adhd communication will do that, but also a large part of it is sokka contorting himself into an image that he thinks aang will appreciate, because he knows just how valuable preserving aang’s childhood joy and laughter is.
and what’s beautiful is that through actively becoming this person for aang’s benefit, he also actually starts to internalize the sentiment. through the process of letting himself be silly and goofy for the sake of making aang happy, he also absorbs some of that sillygoofy happiness and regains some of his own childhood joy and laughter and sense of wonder he truly thought he had lost forever. he’s not just helping aang retain his childhood, but aang is also helping sokka regain his sense of humanity. the sokka of book 3 is someone who enjoys “wacky, time wasting nonsense” and throws beach parties, a far cry from the sokka of book 1 who thought fun and joy were luxuries no one could afford. his selfless love for aang is also self-affirming, helps him to embrace aang’s point of view, to love himself slightly more than he otherwise would have. because to love aang is to necessarily let kindness into your life; it’s to learn how to be free.
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anyataylorjoys · 22 days
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THIRTEEN 2003, dir. Catherine Hardwicke
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echofades · 2 months
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STATION 19 | 7.04: Trouble Man
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firstfullmoon · 2 years
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Anne Sexton, from “Hurry Up Please It’s Time,” in The Complete Poems [ID in alt text]
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