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#she only finds characters attractive if they look like they’re almost dead
artist-issues · 4 months
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Hi! I read your take on the "Snow White being dead" theory and I agree 100%, so I immediately got curious about your opinion on another popular assumption about another popular Disney fairytale movie: The Little Mermaid. A lot of people have been saying that Eric never truly fell in love with Ariel and was solely and literally enchanted by the beauty of her voice as Ariel is, well, a mermaid and mermaids/sirens have always been known (at least in Western culture) for their singing voices that lured sailors to them (and their deaths, usually), so I do see why this seems very plausible for a lot of people. Personally, I don't really buy that theory, but it's a possibility given the history of mermaids/sirens and sailors in fiction. What do you think? It's really been on my mind for quite some time lol
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No! Because 1) a siren’s voice is always used to bring a man to the siren. And Ariel’s all about going to Eric.
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2) Eric does fall under a love spell in the movie, but it’s Ursula’s, so we know what that looks like, and his affections for Ariel are not that.
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3) Eric almost kisses Ariel and is clearly attracted to her and falling in love with her childlike wonder when she does not have her voice.
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4) Ursula’s contract stipulated that Eric and Ariel had to share a kiss if what ladies and gentlemen? True love. Which means it has to be genuine. And she clearly thought they had that without Ariel’s voice, or she wouldn’t have had her eels flip the boat over in a panic when they almost kissed.
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5) Ariel’s voice is like Snow White’s beauty. Let me explain. Nobody talks about how pretty Ariel is in the movie (except for the scene where she walks in with the pink dress on.) But several scenes with different characters put an emphasis on how beautiful her voice is, even when compared with all her sisters. Just like how an emphasis is placed on Snow White’s physical beauty. But both kinds of beauty (physical, vocal) are using that age-old fairy tale technique of using “beauty” to symbolize something deeper: “virtue.”
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Eric is committed to finding the source of Ariel’s voice because it is associated with the “mystery girl” he already believed existed, and now experienced saving his life. Remember, Ariel is not the only character with a dream in the movie. Eric dreams of “the right girl.” And there’s already hints that he believes in some kind of magical, supernatural fate associated with her that will draw them together. She’s almost a mythical creature in his mind already; someone who is out there against all odds, like unicorn waiting to be caught up to, and will be there for him when the time is right. She’s worth the wait, she’s worth the search, she’s worth everybody rolling their eyes at his romantic nonsense. That’s the sense you get from Eric before he ever encounters Ariel.
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So of course the filmmakers are going to introduce her to him with a voice. Something he can’t see, something only he heard—so he can’t be like Prince Charming and use a physical trait, like whether or not she fits a shoe to identify her to others. He can’t identify her to others! It’s something only Eric could hear. That’s importantly thematically, because everybody thinks his dream is just all in his head anyway.
So then when he has a near-death experience, and there’s no explanation for how he could’ve survived, and he sees and hears basically a vision of a girl with a beautiful voice singing to him, of course he’s going to go, “I knew it, she’s real, she rescued me.” And then the filmmakers give you hint after hint that the people around him are denying it, that they’re giving him plenty of reasons to doubt what he thinks was the fulfillment of his dreams, but he doesn’t.
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Why? Because he believes it’s more than just “a good girl came and rescued me.” He believes it’s supernatural—it’s fate that the one girl who’s right for him made an appearance when he almost died. I mean, if you were Eric, wouldn’t you be thinking, “of course I couldn’t die; I haven’t met Her yet.”
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What I’m saying is, Eric represents Ariel’s dream: that not all humans are bad, and the surface world is worth loving. But Ariel also represents Eric’s dream: that there is a girl out there who is specifically right for him, and if he just waits and believes it, nothing can keep him away from her—and her voice is just a symbol of that.
With both Eric and Ariel, the characters learn to find out what their “dream” is really like, instead of just relying on their ideal. And of course, it turns out the thing they were dreaming of was there and real and even better than they imagined all along. Then other characters like Grimsby, Sebastian, and King Triton get to see that Eric and Ariel were right.
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So, no. The filmmakers did not create a story where Eric was only in love with Ariel because of a siren spell in her voice. They took very obvious, intentional steps and scenes to avoid saying that. But I enjoyed answering this question because I get to explore their relationship more! So thanks!
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plitaka · 10 months
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meadows said I should go feral and post deranged kafhime thoughts and y’know what I agree I deserve it
anyways I’m like, obsessed with their contrast and duality of nihilist and dreamer.
Himeko, who fixed a dead god’s train and left her home planet behind for good, to chase her dream of traveling the galaxy, who’s always moving forward and never looks back, who embraces her chosen path of loneliness but sees it as a necessary price
and then Kafka, who one could argue we haven’t seen true nihilism from yet, but I don’t think it has to be something as on the nose as her turning to the camera and saying “nothing matters”. Like Himeko she never looks back, but she also doesn’t care about the future, besides the present it’s all the same to her. She can’t comprehend the value of human life because the concept of fear literally does not exist in her. I don’t think it’s a coincidence her character stories are a lot less telling than her voice lines- to others she’s an enigma, to herself she’s in a neverending chase for the next thrill, at least that’s how I see it. She’s fascinated by destruction and the fragility of things to an almost fetishistic degree and those seem to be the only things she truly has an interest in
now it’s where those two views on life meet that makes me want to put my head through a wall; endlessly idealistic and determined perhaps to a fault Himeko and nightmare fetishist trying to find some meaning to life Kafka. They’re both so different yet so lonely, and their one canon interaction shows exactly how the different ways they view things clash, but what happens when you add physical attraction? A need to figure out that which you cannot comprehend? How would they act under THOSE circumstances?
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arthur-kilgore · 2 years
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The Ahsoka novel hurt my heart in a good way, here are some of the highlights:
Anytime Ahsoka reflects on what she should do in a tough situation she reflects on what both Anakin and Obi-Wan would have done and usually lands on something in the middle, she considered them both her teachers almost equally :’) and she didn’t seem to have specific resentment toward Obi-Wan for his role in her trial, it was about the council/order as an institution
She still talked to artoo as if he were still there and bantered in battles even though no one was there to respond 😭 and at multiple points has to say to herself something like ‘when are you going to accept they’re gone? It’s just you, and they’re dead’ 💔
She has kept her distance from the force but doesn’t struggle to come back to it when she needs it and these scenes are beautiful
She really couldn’t stay out of the fight for long
She turns to mechanic work because of what she learned from Anakin :’)
A flashback showed that a big part of why Anakin never requested a new padawan was because he recognized that jedi typically work in pairs and he didn’t want it to seem like he was pushing Obi-Wan aside 😭 he ‘didn’t know how he felt’ about Obi-Wan requesting a new padawan but he was already thinking of how to incorporate the new one into their strategies
Female character is attracted to Ahsoka, at one point says she could kiss her in a banter-y way and like, mood
A family Ahsoka stayed with while undercover had a force sensitive child that fortunately was not detected by the sixth brother and seemed to be well protected. At one point she returns to that planet to make sure the young one was safe because she felt bad about leaving abruptly earlier
The way Bail found her was equally 🥹 and hilarious because he tracked her down through a series of reports of undercover rebellious activities and didn’t tell the pilots he sent to find her they were looking for a jedi so she knocked them out and only stayed because Bail had sent artoo with them and the reunion was so 😭 anyway she sent a coded message to Bail and then broke into his house to meet with him
Also Artoo didn’t 100% erase the footage of their reunion so Bail found a tiny shot of her montrals and was immediately like ‘!!!!!!’ when he saw her. He wanted to send Obi-Wan a message to let him know but decided against it for the safety of the children 😭😭 and I respect that but I still hate it i just want them both to know the other survived
Baby Leia 😭 who Bail was afraid to open classified docs around because he was afraid she knew how to read at one year old lmaoo he also had actual conversations with her at that age even though others like Ahsoka couldn’t understand what Leia was saying
Artoo souped up her shitty ship that she ‘acquired’ and made it run so much better
The way Ahsoka got the crystals for her white sabers was so lovely 🥹 she took corrupted crystals from the sixth brother and purifies them
Brief section from Obi-Wan’s POV from Tatooine, which shows him trying to reach out to find other jedi in the force and not being able to sense any 😔 but he is making progress toward connecting with Qui-Gon (not totally canon anymore tbh) and also he went to Shmi’s grave to apologize for losing her son 💔
Overall very good and very enjoyable
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volleychumps · 3 years
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« Progressive Rivalry
Omg I love your blog 🥺 could I get a scenario or one shot with iwaizumi or Sakusa (or honestly any character you’d like!) where u run into each other at every tournament and it started out as a bitter rivalry but then they got rly worried bc u got hurt and they’re like “why do I care!?” Does that make sense? Ahaha 😅
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~ just why do you keep running into the guy you hate most, especially when he equally hates your guts as well?
format: One-Shot 
genre: fluff
- includes: Iwaizumi Hajime
Warning(s): swearing, slight mention of blood, enemies to lovers trope 
--------------------------------------- 
“Oh look, my best friend’s here.” 
“Fuck off.” 
A sarcastic grin tickles your lips as you place a hand over your chest, pouting mock-affectionately as the dark haired spiker wipes at his sweaty neck with a damp towel. You adjust the gym bag on your arm as the rest of your team begins to warm up, already used to this turn of events. 
“Aw, Iwa! You always manage to warm my cold, dead heart. If you have a crush on me, just say so. Are you some kind of stalker?” 
“Hah? A stalker? You wish.”  Iwaizumi stands as the red-headed one and popular brunette behind him stifle their amused laughter into their fists. “Who would like looking at your ugly mug all day?” 
The spiker’s failed attempt to intimidate you with his height had your smile widening in challenge, the insult not hurting a bit.  In fact, you lean a little closer, fake sniffing as if he had genuinely hurt your feelings. 
“Yep. I definitely want this temperamental six year old in the body of a seventeen year old to show an ounce of interest in me. How’d you know?” 
“How can I not show interest in things that perturb me?” 
“So you are interested.” You wink. “Don’t hurt your pretty little head over using words that are too complicated for your brain.” You lean around him to shoot a sweet smile to his teammates, ignoring the flash of irritation across Iwa’s face. 
“Issei, Oikawa, Hiro!” You flash a thumbs up, your pretty smile almost blinding. “You guys were cool.” 
“Y/N-chan~ you’re such an angel!” 
“Angel my ass.” 
“Oh. You’re still here.” Your voice falls dejected as Iwaizumi gains an irk mark on his forehead. Glancing back at your team, you smile and wave at the other three. “Gotta go warm up, cheer for me!” 
“Good luck!” Matsukawa calls after you, merely grinning when Iwaizumi shoots him an irritated stare. 
“Not gonna wish the love of your life a good game?” Hanamaki questions, already beginning to walk off while smirking into his water bottle as his dark-haired friend merely scoffs. The teasing from his trio of “friends”  wasn’t anything new. 
“I don’t think that thing is capable of loving.”
“Yeah yeah, you love her, we get it.” 
Iwaizumi groaned inwardly, sitting down tiredly on the bleachers to rest up as your team littered your side of the net. His jaw clenched when you offered him a lazy wave, kneeling slightly in your position as a libero. 
There were many things Iwaizumi had could say about your character or even the irritating smile on your lips at his blatant annoyance, but he couldn’t deny how well your team mixed. Oikawa whistled lowly as Hanamaki absently mentions to Matsukawa about how the other team hardly stood a chance. 
Iwaizumi blinks, feeling a pit of annoyance in his gut as the boys in the stands whistled at every save you made, the pit deepening even further at the smile you cast in their direction. 
“You’ll get frown marks Iwa-Chan!” 
“Shut the hell-” 
“Oh shit! Y/N!” 
Iwaizumi’s head whips back in the direction of your match at the sound of Hanamaki’s exclamation just in time for the collision. 
And then his breath caught in his breath so abruptly he almost choked. 
You clutched your ankle, teeth biting so deep into your lip so hard Iwa swore he could see a bead of blood as you withheld an obvious wail of pain. Your teammate knelt by your side with a hand clamped over her mouth in shock, Iwa being able to make out from your teammates’ panic that someone had accidentally shoved you so hard to the side you swore you heard your ankle snap in an attempt to stabilize yourself. 
“Y/N-chan!” 
“Is she okay?” 
But Iwa wasn’t listening, all distaste for you seeming to drown out of his system as he wondered, 
wondered why the hell he cared so much about the girl who tried her hardest to get under his skin. Your witty retorts, your wide grin, the softness of your irises, and the pang in his chest every time you jokingly bumped your shoulder against his in passing- 
that same girl who’s cheeks were now shining with spilled tears causing him to rise to his feet. 
“Oi Iwaizumi, where are you going?” 
He didn’t spare a glance to your teammates as they silently made way for the wide-shouldered spiker, dark eyes assessing the damage as he bent down, swooping you up into his arms as if you hadn’t weighed a thing. He ignored the stares and wolf whistles from his team as he hurried out of the gym and in the direction of the infirmary towards the specialists who were trained for these events, heart tugging at the sound of your whimpers. 
“I’ve had dreams about this.” You mumble, eyes clenched shut as tears built up on your closed eyelids, arms wrapping around his neck tighter as you buried your face in his neck. “Please be hot, that’s all I’m asking for.”
“You’re still joking at a time like this?” Iwa’s voice cracks at the proximity, wondering why on earth his chest was pounding in his ears as your eyes shot open. Immediately, you begin to squirm, your face heating up as Iwaizumi continues his hurried stride, barely sparing you a glance. 
“You’re taking me?” 
“No.”
“Don’t be sarcastic with me!” 
Iwaizumi leans his head in the opposite direction, away from the volume of your voice, but he couldn’t stop the slight tilt of amusement on the right side of his lips as you seemed distracted by the obvious pain in your ankle. Mission successful. 
He ignores your protests to set you down, frowning at your claims to wanting anyone else to have taken you. Even the brunette one.
“See, now that’s just plain insulting.” Iwa’s eyes narrow at you as he finally sets you down on one of the cots, about to walk off to find the doctor before a hand weakly tugs at the bottom of his jersey. 
“....I think they’ll come soon. Can you...just stay? Just until they come?” 
Iwaizumi blinked. Then blinked again. 
Iwaizumi clears his throat, recovering from his shock before pulling up a stool and grabbing a nearby first aid kit. He tilted your chin up with his fingers, his gentle touch causing your cheeks to flare up as your eyes took on a vulnerable edge. 
“Why do you hate me so much?” It was genuine curiosity, anything to alleviate the strange heaviness in his chest when he acknowledged that fact that you despised him so.
Your eyes widen at the sudden attack, wincing a little as the cotton pad dabs at your lips, soaked in alcohol. “Why do you?” 
“I don’t hate you.”
“Oh-” 
“I just think you’re annoying as hell.” 
“Well I think that not a single thought goes on behind those pretty eyes.” 
“So you think my eyes are pretty?” 
The silence is heavy as you shake your head no quickly, causing Iwa to click his tongue and scold you to stay still as he keeps his eyes trained on your-
oh god he’s looking at your lips. 
“Yes.” You’re almost whispering, shyly avoiding his widened gaze as you lean away from him.
He stumbles over his words at your direct response, unprepared for the way in which you lean a little further back, eyes nervous and not at all the sarcastic gleam he knows as he swallows back the lump in his throat. 
“Well,” and then his hand is cupping the side of your face as he tugs you closer, confusion swirling in his head as his heart surges him forward, practically mumbling against your lips in a daze before he could stop himself. 
“I think you’re prettier.” 
He wanted to smirk at how he could practically see smoke puff out of your head. 
“Even if you hate me?” 
“I’m honestly not sure I ever did.” 
The distance is closed by you, a hand coming up to run your fingers through his dark locks as his thumb strokes your cheek, lips moving feverishly together as you attempt to pull back-
If he let you go, would you go back to hating one another? 
only for him to kiss you back even harder as if he was satiating some sort of hunger, a smile growing on your lips before a shot of pain shoots through your leg, bringing you back to reality as you whine against his lips. Iwaizumi gasps, ignoring your giggles and assuring words that you’re fine, carefully laying you down on your back while elevating your ankle. 
“Y/N.” 
“First name basis? Look at us skipping all the necessary steps.” you tug your hair out of it’s knot, attempting to redo it with a hair tie between your lips as the pain in your ankle falls to a dull throb. 
“What did....are we...?”
“Does the Iwaizumi Hajime want to know if we’re a thing or not?” Your smile has his cheeks flushing, stare becoming irritated. 
“Oi. Nevermi-” 
“Yes, idiot. Now run along and fetch my things, will you?” 
He rolls his eyes at your playful wink, ensuring your injured ankle was positioned properly before beginning to exit the infirmary-
“And Iwa?”
“What is it, doll?” 
Your chest leaps at the nickname, Iwaizumi beginning to smirk at the change in expression on your face before you clear your throat. 
“Thank you.” 
It was one of the most sincere things you had ever said to him. 
Your unexpected boyfriend kissed you on the lips a second time after a few strides, any confusion within him seeming nonexistent as he tucked a strand of hair behind your ear. The way you gazed up at him had his chest doing somersaults, wondering if you were both just denying the attraction you felt towards one another before fate took its turn. 
“Nah, I should be thanking you.” 
“For what?” 
“Hurting your ankle-” 
“Get out.” 
Iwa’s feeling like an idiot with the lilt to his lips when the door slides shut and something hits the door where his head would have been, the slight smile fading back to his usual scowl at the sight before him. 
His three friends had identical grins on their faces, Matsukawa holding a #1 fan balloon and Hanamaki decked out in merch from your school. He narrows his eyes at the bouquet of flowers tucked behind Oikawa’s back. All obviously from the themed store of the tournament. 
Guess he didn’t need to worry about whether or not you would enjoy his idiotic friends’ company. 
“So you're whipped. Didn’t see that one coming.” 
“Whatever.”
“Iwa, where are you going?” 
“...to go get her things.” 
“You so love her.” 
“Shut the hell up and don’t enter her room until I get back.”
It was only when the dark-haired spiker turned the corner, looking behind and in front of him before his back hits a nearby wall as he attempts to calm his heartbeat, swearing he had never felt such a wild surge of energy through his veins as his lips tingled with the taste of you. He sighs, touching the hair tie that he stole from you when he kissed you a second time from within his pocket, wondering just when his hatred melted into the exact opposite. 
He was so whipped.
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Hi all! How are you lovelies doing? I’m going to be on here more often, thank you for 9k and your patience with me has helped me so much! This was one of my requests that I wanted to use to slide back into the swing of things, so I hope you enjoyed! <3
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eponymous-rose · 3 years
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Talks Machina Highlights - Critical Role C2E131 (March 30, 2021)
Tonight’s guests are Liam O’Brien and Sam Riegel!
Brian points out that a lot of Caleb’s greatest fears have come to pass. Liam: “It’s funny, because he’d kind of believed for a while that those things weren’t going to happen. After a while, he got complacent.” He notes that it was extra wild because everything with Trent popped up again in the midst of that complacency. And how did it feel to be defiant toward Trent? “I think Trent successfully made Caleb question if Caleb really was in control“ at the dinner party. “I feel like anything that I do is part of his plans for me, or is that just gaslighting? I’m legitimately scared of that dude.” Sam: “Of Matt?” Liam: “Sure.” He highlights the disconnect between knowing that the M9 is mechanically powerful and could possibly defeat Trent in a dice-and-stats battle, versus fearing him in a story sense and being convinced he can do almost anything.
Sam, on Luc’s death: “That was brutal, man. Matt Mercer is a-- he hates children! Clearly. He actively sought to kill a child in the campaign in as brutal a way as possible. He hates children and wants them dead. Canon. No, but to RP, that was horrible.” He highlights that so much of Veth’s arc has been about trying to get back to her family. “We had to choose something and we thought we were making the right choice. It was all Veth’s fault, and it was pretty rotten. My heart was beating pretty fast, and I certainly didn’t want to have my son die live on the stream. I don’t know what Veth would have done. That’s the end, that’s over. It’s almost worse than when your own character would die. This is something that would also kill Veth.” After the episode was over: “just shaken. I also didn’t know what to do next! That felt like a turning-point moment for my character, weirdly so close to what we assume to be the end arc of this campaign. I texted Matt later that night and was like, that’s it, Veth’s out, I’m tapping out.”
There’s an interlude in which Sam discovers a new dream to record an episode of this show from his Peloton. Dani informs him that she will not be inviting him back.
On Astrid, Liam: “I literally don’t know what she’s doing. I know that she’s dangerous, she always was ambitious, and there’s not been a moment where Caleb let his guard down with her. He’s not trying to reestablish what they had. He cares for the both of them, for Astrid and Eodwulf. He thinks about it a lot, still. He can’t tell how much she buys into everything that she experienced and is now living as a full-grown adult. He suspects that she’s bought in and is not going to change things, because she believes in the system, as much as he’d like to peel her away. He does believe that they want what’s best for the Empire, and stopping whatever wants to come vomiting out of a hole in the frozen north is good for everyone. And they’re powerful. They’re not trustworthy, obviously. But there’s enough at stake to make it worth it. He could imagine a situation where they fight each other to the death.” He was convinced Astrid was going to stop them when they left the tower and was really shocked when she held back. Sam: “Not me! I’ve trusted Astrid since day one. She’s the greatest! I sent a letter to her, she’s very nice, I think you guys would be a nice couple. I believe every word she says.”
On having to decide on Veth deciding to go off and save the world after Luc’s death. “Like I said, I was ready to be done. And then I decided somewhere in there that that’s not very D&D. So I thought I’d leave it up to somebody else, so I asked Caduceus to decide for me, essentially. She knows she’s putting her other family in danger if she doesn’t go. It’s an impossible choice, you know?” Liam: “I love watching you grapple with it, because you’re a lovely father and love your kids.”
On the Sanatorium, Sam: “That was brutal, man. Matt lulls you into a sense of complacency. We’d forgotten that Caleb was a stone-cold killer! It had been a while since he went on a murder spree. Still got it!” Liam: “I never meant for this character to be perfect sunshine.” Brian: “You don’t say.” Liam: “He’s very not-perfect, and I think in his brain, he was going in with the impression that they needed to get in and get out as soon as possible. The place is crawling with people with magic ability, and I didn’t have faith that we wouldn’t be sussed out or something wasn’t going to blow an illusion.” Everything was about getting out of there as fast as possible.
Did the conversation with Yeza help with Veth’s decision? “First of all, every conversation with Yeza is a beautiful one. Every time she talks to Yeza, it makes her feel good. In some ways, she’s gotten to the point now where she knows Yeza’s going to be supportive, she knows he’s going to allow her to do what she wants, but maybe that’s too much. Maybe she needs to not listen to him, basically, and be like, no, you need to be selfish now, dude, you need to say ‘come home, I’m sick of you leaving’. At a certain point, being supportive can turn into being enabling.”
Cosplay of the Week: Jester in the snow! (liljerbear47, photography by kairiceleste on Instagram)
On Trent’s motivations for chasing Caleb: “I really don’t know. The simplest explanation is to just hammer down the nail that’s sticking up. It has crossed his mind that all high-level wizards are in danger of their own ambition and egos, so it’s occurred to him that Trent might have the same kind of ideas that Halas had in the past, and maybe Caleb was always meant to be another body to jump into. Maybe in some sick, disgusting, twisted way, he wants him to be his successor. I am thinking of the next campaign, without getting too deep in, trying to do something that is much more ride-along. Caleb is very, very specific, and I thought long and hard about all the different pieces on the chessboard for him. For campaign three, I’m looking forward to seeing what happens.”
Dani: “Do I need to be keeping lore on your fucking ads?”
On the cursed dagger: “It was a tricky one, because in campaign one, one of the characters was under the influence of a cursed weapon, but it interacted with him and he knew what it was and what it did. And it affected his gameplay as a character. For me, Veth didn’t know what it was, ever. I as a player knew what it was doing, but Veth didn’t know at all. So it was kind of like my dirty, dark secret for many months. I knew this thing was coming perilously close to killing me, but my character didn’t know enough to bring it up to her friends. Nobody ever asked! So I was like, well, I guess this thing’s just going to kill me one day, and it’s kind of going to be a surprise.” Liam: “Sam, you love danger and self-destruction so much, you might as well be Mollymauk.”
On the fight in Yasha’s sequence, Sam: “You gotta put a character in your storm giant creature. It was so fun! It was so great of Matt to involve us in this encounter. It would’ve been fun just to watch, because Matt would have made it amazing and Ashley was sweating bullets, which is always fun to watch.” Sam notes he felt guilty, but Liam was going for the kill. Liam: “Matt’s gotta be careful about giving me that kind of story beat. I do not fucking care, I just fucking flip, I’m like, well, I’m going to destroy you, and I have no qualms about it. It’s too much fun!”
The Beau/Yasha tower date was in part inspired by not being able to give gifts as easily this last year. “This thing that we do together is a gift, but I love finding these moments, like the book for Jester and the tower for Yasha and for Beau. I really just wanted to give both of them a little magic for a night. I wanted them to leave this-- we’re trying to be as entertaining as possible, but shit is having an effect on all of us too, and I wanted them to have an escape, a great place to escape to.”
Fan Art of the Week: an amazing group shot, plus Marion, Yeza, and Luc! (vocaz on Twitter)
On choosing Essek over Trent, Liam: “It would have been so interesting and awful and great! Essek and Astrid and Eodwulf are everything that Bren used to be attracted to that are terrible for him. Essek, hopefully he can with time find a way out of the hole that he dug himself into, but it was only two months ago where he was found out and his ambitions came crashing down around him. Long-term, I have high hopes for him, but I think it’s going to be hard.” In contrast, Astrid and Eodwulf are still “deep in the shit. It would have been really hard to navigate, but fun to play at the table. We made the right choice with what we went with. Essek’s just getting started, and Caleb doesn’t trust him entirely, because he was burned so hard not too long ago. He’s still more trustworthy than the other three. So it’s the better choice. While Caleb has all these ties on the other side, they’re really fucking dangerous. So if you have to choose, you choose Essek. But fuck that die.” Sam: “Veth, much like Sam Riegel, makes instant decisions about whether to trust someone or not and sticks to it forever. Astrid, 100% trust. Eodwulf, 100% distrust. Essek, completely distrust. I still don’t think he’s a good guy. Ikithon? Trust. 100%. Because you know where he’s coming forward, you know what he wants. I still want him dead, but I trust him.”
On Veth’s post-adventuring plans: “Veth is probably still too in it right now to think about what comes next. I, Sam Riegel, have a good idea of what I want Veth to do post-campaign.” Brian: “Maybe you shouldn’t tell us. Save it for the show!” Sam: “All she knows is she can’t do this anymore. It’s very unhealthy to be battle-wounded every other day. It’s fun for a while, but college has to end at some point, and she’s gotta go home.”
On Frumpkin changing appearance and returning to the Feywild: “I don’t know what I’m going to do, but the way it feels now for Caleb is that he feels too enmeshed in everything that has happened, and too much good has happened, and too much needs to happened, that that really narcissistic, selfish goal has the risk of harming everything else, which is more important. And that’s how he looks at it now. So he’s gearing towards letting everything from the beginning of the campaign, and where he started, go, and trying to figure out what use he’s going to be now and what he’s going to do if they’re not all dead. If Matt throws that shit down, I don’t know what I will do, I think about it a lot. But turning Frumpkin white and saying you’re free either way is him preparing to let go of everything he’s been holding on to for a really long time. He’s addicted to that idea that he can fix himself, and we’ll see if that hard choice gets presented, what he might do. But where he stands now, he doesn’t think that’s going to be reality, and he sees a way that he can be of use that he never really anticipated before, so he’s slowly shifting gears towards living with the pain he was trying to remove.”
On the last request scene and confidence heading into Aeor, Sam: “I feel like that’s a good request. I think all of us realized that if we die, that probably bodes badly for the world. I feel like all of us are at a point now as characters and as friends, that the first order of business would be to take care of everybody else’s shit, although we probably have different ideas of how to do that.” Liam: “I want the Empire to be healed, Caleb has all these memories of his parents and what they wanted for the world, and he wants that too. It’s clearly not in place now, the system needs to be broken and replaced. That could be a part of Caleb’s sunset. I don’t want Caleb to die, so maybe he can work on that after. As everything starts to shake out and we start heading towards our destiny, Caleb’s just free-floating. He’s not even going after the same thing he started for. So he’s looking at Veth’s family, and Luc specifically, and seeing that’s me, that’s a little boy in the Empire.”
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A/N: You can still commission a love letter from your favorite character until 3/10/2021, information is here!
- I’m using Hogwarts mystery for the background here for the relationships because it just makes sense to me
- You know, you’re three kids, sneaking around an ancient castle, in dark corners at a fancy library, trying to break curses
- It’s only natural one -or two- of you catch feelings somewhere in all those late night adventures
- And they both think you’re the most amazing person they’ve ever met
- An absolute original piece, no one else like you in the world
- And while they have both come to realize their feelings for you
- Bill and Charlie are pretty oblivious to each other’s growing feelings for you
- Until one afternoon at the burrow, it’s summer vacation, and you’re on their lawn playing with A 7 year old Ron and a 6 year old Ginny
- “I like them,” Molly says as she peers through the kitchen window, watching the way you pick up Ginny when it looks like she might trip on a tree root
- “I want them in the family” she says, giving a meaningful look to her sons
- “I’m working on it”
- Charlie says at the same time Bill says:
- “I’m planning for that.”
- Charlie’s eyes snap up from his book to Bill, who is looking at him with an equally shocked expression
- Oh
- .
- ..
- ...
- OHHH
- “Well good, that’s twice the odds” Molly says, turning back to whisking her batter
- But it’s only really started for Charlie and Bill
- “So when you said ‘we might have to make you an official Weasley’ -“ Bill starts
- “I was talking about me of course, what did you think I meant?”
- “Well I thought you meant me!!” Bill just thought Charlie liked you as a friend, and that he was supportive of Bill’s new romantic pursuits
- Bill’s been quite obvious about his attraction to you
- He figured Charlie knew
- Bill pinches the bridge of his nose
- Well this is just a spectacular mess
- And Bill is half convinced that maybe he should just back off, he’s the older sibling after all, it’s just the right thing to do
- Charlie on the other hand is having a existential crisis
- How’s he supposed to compete with Bill?!
- For one Bill is older, and he didn’t inherit these god damn freckles from their Dad so that another plus for him.
- Not to add that Bill got their Mum’s brilliant blue eyes, and their dad’s jawline
- Charlie’s clutching his hair- he hasn’t got a chance
- Who in their right mind would ever pick him when they could have Bill??
- “Charlie you can have them if you want, I’ll back of-“ Bill starts
- “No!” Charlie shouts
- Because the only thing more mortifying than being rejected, is his love rival just giving up for his sake
- Charlie claps a hand on his brother’s shoulders. His eyes glistening with determination
- “We’ll compete for their affection as equals, like men”
- And Bill is so overcome with emotion at seeing his little brother showing such robust maturity that he doesn’t see Charlie’s about a second away from falling apart
- Why did he say that????
- Did he really just say that he would willingly compete with Bill?!?
- Perfect, all O’s, prefect, could charm a Veela with just one look, golden boy extraordinaire, Bill Weasley?!?!
- He’s got no chance
- No, he’s got less than zero chance, he’s got a -15% chance of you, by some miracle, picking the nerd who talks about nothing but dragons and magical creatures, over his hunky, tail end of puberty, older brother
- But he knows he had to do it-
- And not just because it’s the right thing to do for his brother
- It’s just that-
- Well if you do love Bill, and why wouldn’t you really-
- If Bill makes your heart race, and makes you excited for the next day because you know you’ll get to see his face,
- If you feel like you’ve been alive for so many years, but the worlds never looked so colorful before-
- Not until you stood at his side-
- Like everything’s sparkles when you’re with him
- If you feel for Bill, like Charlie feels for you-
- Then he doesn’t want to deprive you and his brother of a requited love just because he’s being selfish
- He just wants you to be happy,
- even if it’s not with him
- Molly thinks the whole thing is pretty funny
- She was half joking when she said she wanted one of her sons to marry you-
- she was half serious though, you would make a nice addition to the family, official Weasley or not
- She watches the two negotiate terms, discuss what the most respectful way for each of them is to court you
- “No taking them into the forbidden forest in the dead of night to try and find dragons, they need to sleep or they’re going to pass out!”
- “That’s fair, you should ease up on the dueling club meetings, they can barely stand upright most days”
- Bill nods
- Molly holds back a laugh, these are the same boys who would fight over who got more chips, measuring each one so they all got the same amount
- She shakes her head
- Her sons are lucky to have someone like you in their life
- Someone who brings out the best in them
- Bill and Charlie are only a moment away from writing up a contract on things they can, and can’t do while pursuing your affection when you walk through the door
- Ron and Ginny are each tugging one of your arms
- “(Y/N)’s going to marry me!” Ron’s yells
- Charlie and Bill both flinch at his words
- “No they’re going to marry ME!” Ginny shrieks
- Molly watches her two oldest children stumble towards you, in an attempt to placate their siblings and possibly stop any more love rivalries from occurring
- “Hmm that’s 4 out of 7, almost 60% chance.” Molly murmurs to herself
- Maybe she should introduce Percy to you too, that would bring the odds up to 70%
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A Heartbeat Away | Damian Wayne
✦ pairing — older!Damian Wayne x gender neutral!Plus Size Reader
✦ word count — 2.7k
✦ based off the song I Should’ve Kissed You by One Direction
✦ summary — Damian is haunted by the fact that he only said good night when he should have kissed you.
✦ warnings — light angst, mentions of pregnancy (a minor character is pregnant), mentions of food and beverages, fluff.
✦ author's note i — randomly remembered my obsession with this song and couldn’t get it out of my head.
✦ author's note ii — the parts in italics are flashbacks.
════════════════════════
Ever since he started living with Jason, Damian found himself straying away from the things that held him back.
His life would never be normal, but in hindsight, he could admit things weren’t as bad.
The fallout with his father came crashing down in the worst moment possible — Dick was dead and his relationship with Tim wasn’t the best.
As little as he knew Jason, he was sure he could trust him so he asked for his help instead of somebody else’s.
And Jason didn’t say no. Whether he had the heart to do it or not was irrelevant because he still took Damian in and helped him find a job.
He hated said job.
‘It’s a job,’ you had told him, ‘you’re not supposed to like it.’
You.
Damian rarely stopped thinking about you. Calling it infatuation felt like an understatement, and yet he couldn’t find a better word to describe the whirlwind of emotions you gave him.
He still remembered the day he met you for the first time.
Jason paced in the living room, perking up every time he heard a noise outside the apartment.
You’re driving me insane,” Damian said from the small dining table.
”Roy’s late.”
”Why are you surprised?”
Jason glared at him.
Both of them heard somebody stand on the other side of the door. Their steps didn’t sound like Roy’s.
Pulling the door open, Jason was ready to snap at whoever had knocked.
“You ordered something and gave my apartment number instead of yours. Again.”
Damian didn’t recognize the voice so he slanted his body to the side to see who it was. He couldn’t stop staring.
”I’ll make it up to you.”
”Jay,” you sighed. “I’ve told you before, you just need to tell me beforehand if you don’t want things to arrive to your apartment. My roommate could have opened it.”
Damian chuckled, a single elbow resting on the table.
Jason craned his neck. “You think this is funny?”
”I think you’re a moron.”
”Shut up and come meet our neighbor.”
Damian didn’t have to be told twice. He stood up with an eagerness he hadn’t felt since Jason texted him to let him know he had found the materials so he could build a suit and go back to patrol.
”This is my brother Damian.” Jason turned around to place the package under the table next to the door.
He knew you’d either seen him before or heard about him the moment his eyes landed on you. People always had a visceral reaction when they met him, some found him attractive, others attempted to ask for favors, and some recoiled in fear.
But you didn’t. You held his gaze and stood in the same spot you had been since you knocked on the door.
And whether it had been in a newspaper or a gossip forum, he was glad you knew something about him. There was something about the way you stared at him that screamed for him to trust you. Wishful thinking, perhaps.
“Nice to meet you,” you politely said, smiling at him.
Stunned by the fact that you hadn’t mocked him, and now assuming it wasn’t wishful thinking after all, he tilted his head. Most people did mock now that he wasn’t under his father’s wing.
Still, he said, “Likewise.”
Your smile became warmer. “I live three doors down the hallway in case you need anything.”
He felt a pang in his chest at the gesture. “I’ll keep it in mind.”
Weird sensations in his chest were normal when he was around you. Befriending you was easier than he’d ever admit and talking to you became the highlight of his day.
The pangs in his chest turned into a fluttering sensation in a heartbeat. You’d make him feel breathless when you did the smallest things — when you smiled at him, when you complained about other neighbors with him, when you asked about his day.
He felt special. For once in his life for being the closest he had ever been to resemble a normal person.
And he also remembered, quite painfully, that night he let you walk away without mustering the courage to tell you —or show you— the way you made him feel.
The deserted hallway was yet another proof of how easy it was to lose track of time around you.
Damian hadn’t expected to get back home past midnight or to skip patrol, but 1:00 AM turned into 2:00 and he couldn’t part from you no matter how many times he tried to remind himself to do it.
He hadn’t even expected to enjoy the state fair as an adult, yet he couldn’t remember a time he had more fun than that evening.
You gazed up at him, waiting for him to either do or say something. Anything other than stare at you in the middle of the hallway.
You had already thanked him for making you company, there was no way you’d say anything. And he froze.
“Good night,” he sputtered.
Your brow twitched. “Night.”
He watched you unlock your door and get inside your apartment with a heavy heart.
You moved out a couple months ago and he hadn’t seen you since then. The texts the two of you exchanged were sporadic and they bordered in formal.
He should have kissed you, he was aware of that. And to make matters worse, Jason chewed him out when he found out.
He still looked for you every morning he left the apartment as though you’d remember you had forgotten something. That you had forgotten him.
Jon said it was for the best, that somebody as sweet as you didn’t deserve to carry with his baggage.
Damian knew his best friend to be right, but how could he let go of you that easily when you made him see he was more than his mistakes and regrets?
He didn’t need anybody to carry him, he could drag himself anywhere if needed.
He simply hated the hole in the pit of his stomach every time he entertained the possibility of having to see you one day with somebody else because he wasn’t brave enough to say what he needed to let out.
The idea of being out of time was killing him slowly, so naturally, he’d sought a quick death.
════════════════════════
You gasped upon opening the door. You weren’t expecting anybody to be outside — much less Damian Wayne.
“Oh!”
“Hi,” he softly greeted.
You blinked rapidly. “Did you need anything?”
“I wanted to... Are you on your way out?”
“I’m just dropping this off for my mom.” You momentarily lifted the bags you were carrying in one hand. “She lives nearby.”
He spared a look to the reusable bags in your grasp. “Is she sick?”
“Pregnant,” you explained, playing with your keys. “It’s high risk due to her age so we take as much care of her as we can.”
Damian walked backward, allowing you to come out of the apartment and lock the door.
As you pushed the door to make sure it was locked, he asked, “Would you care for some company?”
Turning around, you gave him a small smile. “That would be lovely.”
He reached over. “Let me help.”
“They’re not heavy.”
“I insist.”
”Okay.” You handed him the bags and took the initiative to lead the way.
He reached your side immediately.
Not knowing what else to do, aware you’d let something slip if you didn’t find something, you made small talk. “How’s Jason?”
“As annoying as always.”
You still remembered when he meant those words, when he complained about Jason and how often they butted heads. His tone was different now, lighter, almost playful.
“Good to know some things never change.”
You walked the streets with an ease you hadn’t been able to in years. Growing up in that neighborhood meant which streets to avoid, and sadly, most of them were unsafe.
There were many things you could have asked or said, perhaps apologize for being cold while texting.
You were in your right to be cold and you could have just not answered, but you wanted to keep contact even though you were hurt.
Damian was great company. It was a shame you misread the entire situation and couldn’t go back to chat with him like before.
It took you a few attempts to get them to talk comfortably, but once he was able to, he didn’t look back. He even gossiped with you.
Stopping in front of the house, you looked around to make sure your mom had the windows open. Once sure, you walked up the front steps.
You withdrew a single key from your back pocket and extended your other hand so Damian would give you the bags.
The floors were recently mopped which meant your aunt had visited that day.
“It’s me,” you yelled so your mom wouldn’t get up. It was her time to be watching TV in the living room.
Carrying the bags towards the kitchen, you caught the jingle from a commercial.
You filled a glass with water and added a couple of ice cubes.
Your mom was comfortably sat on a recliner, feet up and remote control on her thigh. “Hurry back before it gets dark.”
“Don’t worry, a friend of mine walked me here.” You handed her the glass. “Do you need anything else?”
She ignored your question as she took the glass. “Who is it?”
“You don’t know him.”
“Him?” She lifted an eyebrow.
You hadn’t mentioned a guy to her in almost two years now, her surprise was understandable. “Not now.”
“Oh, so it is like that?”
Maybe it was and maybe that was the issue. She wouldn’t blame you if she knew him like you did, if she heard him laugh or saw him change his demeanor to accommodate to somebody else’s sensibilities.
You didn’t think you’d witness anything remotely close to that when you met him for the first time, but you learned really quickly that Damian was full of surprises.
“I’ll call in the morning in case you need something. I’m working ’til 3:00 PM tomorrow.”
“It’s okay.” She took a sip of water. “Did you bring anything sweet?”
“Homemade muffins and a few chocolate bars. Do you want one now?”
She shook her head. “I’ll wait after dinner.”
You kissed her cheek. “Call me, please.”
“Go, go.” She ushered you to go with a gesture of her hand. “Don’t make your friend wait.”
It was your time to ignore her comment.
Damian was sat on the front steps when you came out, looking up at the darkening sky.
“Is everything alright?” you asked in a whisper as to not scare him.
“No.” He shook his head and stood up. “I mean, yes. How’s your mother?”
“She’s good. Having fun watching reality TV.”
Damian squinted. “Is reality TV really that entertaining?”
“It’s mindless stuff, but it’s fun sometimes. You get to judge other people’s lives without feeling remorse because it’s most likely fake.”
The walk back was way shorter and you didn’t want to part. It was time to swallow your pride and your feelings for him.
He didn’t part ways with you at the building entrance. He walked beside you until you reached the elevator — Damian extended his arm to keep the doors open and allowed you to get in first. He followed suit.
You turned the lights on with Damian on your tail. He did wait for you to invite him in, but you were sure both of you knew there was no way you wouldn’t.
“I made muffins. Do you want one?”
Damian nodded.
You guided him to the dining table where a trippy vase in pastel colors rested with flowers.
He looked around the apartment as he walked towards the table. As he sat down, he fixed his eyes on the vase.
“Green or black?”
“Mmh?”
“Your tea.”
You could swear you saw him smile to himself.
“Black.” He placed his cellphone on the table. “You still have that thing,” he said, referring to the trippy vase.
“Why wouldn’t I?”
He huffed a laugh. “Jason said it was ugly.”
“Jason doesn’t have the best taste in the world,” you lightheartedly retorted.
The vase was precious to you, a gift from Damian who spooked you in the middle of a rainy night and made you knock your favorite vase.
You set a plate in front of him and placed the muffin there. “Your tea’s almost ready.”
“No roommate this time?”
“Nope. I miss Lou, but I don’t miss having a roommate that much.”
“I thought the move was temporary just so you could be close to your mother...”
“It is, but there’s still a long way to go. The baby should be here next month and she’ll need help around the house.” You disappeared for a moment as you looked for a mug.
Having found one, you dropped the teabag and poured the boiling water in.
“Sugar.” You put the sugar bowl down just in front of the mug. Feeling his eyes on the side of your face, you gazed at him. “It’s brown, don’t worry.”
He relaxed and uncovered the sugar bowl. “Is the father of your mother’s child around?”
“Yeah.” You sat down on the chair closest to his. “She remarried last year and her husband tries to help, but you know, work gets in the way.”
“Tell me if I can help with anything.”
“Don’t worry, you have enough things to juggle with already.”
“What’s one more? At least let me make you company or walk you home. These streets are dangerous.”
You softly nodded. From the day you met him you knew you would never be able to tell him no — and having his company after a long day sounded nice.
“So...”
“So,” you encouraged him to go on.
“Are you seeing anybody?”
“No. I thought I was a little while ago, but...” You hoped he’d understand what you were getting at. “I guess something got lost in translation.”
“Did it? Or was he too much of a coward to show the way he felt?”
“Don’t.” You hated hearing him talk like that about himself.
“You don’t know how much I regret not kissing you that night. I—“ He sighed, twisting his mouth as he frowned. “I can’t stop thinking about it.”
“At least now I know you did think about doing it.”
“I did. Many times throughout the night.” He turned to the side to fully look at you. “I wanted to find the perfect moment and became overwhelmed. Sounds like a bad excuse, but I swear it’s the truth.”
“I believe you.”
Damian scooted closer and reached over to place his hand on your face. Softly, he caressed your cheek. “I’ve missed you.”
You leaned onto his touch, tilting your head. “Me too. Sorry for being such an ass.”
“It’s fine. I would have reacted similarly.”
“Similarly or worse?”
“Worse.”
You laughed, making him smile.
“May I?”
“Thought you’d never ask.”
Damian leaned in, placing his free hand on the back of your chair as his nose brushed yours.
His lips softly connected with yours, but the slow pace didn’t last. The two of you had wasted too much time, thrown away too many opportunities to be this close —or closer— and patience wasn’t a virtue Damian possessed.
The chair was now balancing itself in two legs, making you interrupt the kiss with a squeal.
Damian then made you stand up and wrapped his arms around your waist. His lips were immediately back on yours.
Your hands went up to rest on his biceps as he kissed you again. His arms tightened around you as he deepened the kiss and you melted.
You melted into the kiss, onto his warmth, due to the fact that he wanted this as much as you did.
Kissing him had become a mere fantasy for you, and there he was, not only making it a reality but exceeding your expectations.
Grabbing him by the neck, you broke the kiss in search of air. His breath was barely ragged and you remembered he told you he could hold it in for a long time.
You needed him to teach you just to be able to kiss him for longer.
“That was nice,” you said, still breathless.
“Yeah, really nice. We should do it more often.”
“Are you asking me out?”
“I’m telling you I want you to be mine.”
All in or nothing, of course. Jason had warned you that Damian didn’t take things lightly.
But you were okay with that.
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The Husky and His White Cat Shizun - Chapter 19
Original Title:  二哈和他的白猫师尊
Genres: Drama, Romance, Tragedy, Xianxia, Yaoi
This translation is based on multiple MTLs and my own limited knowledge of Chinese characters. If I have made any egregious mistakes, please let me know.
Chapter Index
Chapter 19 - This Venerable One Will Tell You a Story
The girl was extremely pale, with an oval face and round eyes which were especially attractive. She was wearing a light pink skirt, her hair tied back. She looked like a young woman. She rubbed her eyes blankly in the dark, looking from side to side.
"Where am I. . .?"
Chu Wanning said: "You are in Return to Truth barrier I set up."
The girl was taken aback and said fearfully: "Who are you? Why is it so dark here? I can't see you, who's talking?"
Chu Wanning replied: "Did you forget?. . . You're already dead."
The girl's eyes widened: "I'm. . . I. . ."
Slowly, she remembered.
Lowering her head, she folded her hands across her chest. She murmured in a soft, unwavering voice: "I. . . I'm already dead. . ."
"Only souls can come to the Return to Truth barrier. Here, their hatred will be eliminated. No matter whether the dead person has transformed into a vicious ghost or an ordinary spirit, they will retain their original and personality appearance, known as their 'Return to Truth.'"
The girl was frozen for a while as if she was gradually remembering the past. Abruptly, she dropped her face and silently wept.
Chu Wanning said: "Have. . . you been wronged?"
The young girl sobbed: "Are you King Yan*? Or Bai Wuchang*? Are you here to avenge me?"
*(T/N: King Yan [阎王爷] is the one to judge the dead while Bai Wuchang [白无常] is one of the deities to escort spirits to the underworld)
Chu Wanning held his forehead and said: ". . . I'm not King Yan or Bai Wuchang."
The girl sobbed quietly. Chu Wanning was quiet for a while and didn't speak. He waited until her cries calmed down a bit and then said: "But I am here to help you air your grievances."
When the girl heard this, she choked and raised her gaze, and said with a mixture of joy and sorrow: "Then you really are Lord Yama*!"
*(T/N: Same person as King Yan)
". . ." Chu Wanning decided not to continue this topic with her and instead asked: "Do you know what you've done after you died?"
"I don't know. . . not really. I just remember that I was so, so sad. I wanted to get revenge. . . I wanted to go to them. . . I wanted to find him again. . ."
When the soul had just awakened, it would take a minute for all their memories to return to them, but it didn't matter. Chu Wanning patiently asked her: "Who did you want to go to?"
The girl whispered: "My husband, Chen Bohuan."
Chu Wanning was astonished. Chen Boyuan - wasn't that the name of the eldest son of the Chen family?
He asked: "What. . . what's your name? Where are you from?"
The power of Tianwen was infused with this illusionary barrier, and the dead who entered would almost always talk honestly with Chu Wanning. Therefore, the girl replied: "I'm a concubine, Luo Xianxian. I'm from Caidie Town."
"Before I came, I read the analects of Caidie Town. There are more than 500 households in this town, and there's no Luo family. Who is your father?"
The girl slowly remembered the details, her eyes filling with even more sadness: "My father used to be a scholar in the village. He was my father-in-law's brother-in-law's close friend. A few years, he contracted tuberculosis and passed away. Then I was the only one left from my family."
"Then why did you die?"
The young girl froze for a moment and then she sobbed: "I had no other option but to die. They, they lied to my father and stole the secret recipe for the butterfly fragrance powder. They beat me and scolded me, threatened me, and told me to leave Caidie Town. I. . . I'm a weak woman, where else could I go? I didn't have a single relative left in this world. . . The world is so big, where could I go? Apart from the Underworld, where else could I go? Where would there be room for me. . ."
After she recalled the events of her life, she seemed to have infinite bitterness and sorrow in her heart, She was desperate to talk to someone. Chu Wanning didn't even have to ask anything else, she slowly continued on her own.
It turned out that Luo Xianxian lost her mother when she was young. She heard from his father that she had an older brother, but her brother was separated from them in the chaos of the Lower Cultivation Realm, and they never saw him again so she didn't know whether he was dead or alive. When her elder brother was lost, Luo Xianxian wasn't even a year old, still in swaddling clothes. Later, she tried to remember her elder brother, but she still had no recollection of him.
There were only two people left in the Luo family were Xianxian and her father. The father and daughter depended on each other. They wandered around and finally built a small house in Caidie Town and lived there.
That year, Luo Xianxian was five years old. The Chen family's oldest son, Chen Bohuan, was two years older than her.
At that time, the Chen family hadn't made its fortune. Several members of the family lived in a two-bedroom earth-rammed hut. An orange tree was planted by the low wall of the small courtyard. In autumn, the tree was full of fruit and it grew over the low wall and snuck into the Luo family's yard.
Luo Xianxian tilted her head. The branches full of oranges looked like lanterns during the Lantern Festival. She was shy and introverted. She didn't play with others. She was always alone. She would dutifully be peeling some beans, raising her head from time to time and peeking at the orange tree peeking over from the Chen family's yard.
The oranges were temptingly yellow, and against the sunlight, you could almost taste the sweet and sour fullness of their juice.
Luo Xianxian looked eagerly, gulping and swallowing from time to time. Her cheeks were sore from the cravings.
But she never reached out to pick one. Her dad was a scholar who had been inferior to her father-in-law's brother-in-law. He failed the exam, but he didn't lose his backbone. His sour scholar brain was probably hurting but he always coached his daughter to be a "gentleman."
At the age of three, Luo XianXian knew that wealth couldn't be lusted after and poverty couldn't be changed. She never reached out to pick the oranges that were close at hand, even though she craved for them.
One night, Luo Xianxian sat in the courtyard humming and washing clothes by the moonlight.
Her father wasn't very strong, so he had to go to bed early. The poor man’s child had to take charge of the house. The little girl rolled up her sleeves, soaked her thin arms in the barrel, and rubbed her face earnestly.
Suddenly a hoarse cough came from the door, and a young man covered in blood staggered in and stared at her.
The little girl was so frightened that she even forgot to scream.
The young man's face was dirty and bloody, but his eyebrows were very handsome. The two people stood frozen staring at each other for a while. In the end, the young man couldn't stand up anymore. He sat down slowly against the base of the wall, panting, and said hoarsely: "Bring some water."
Xu was that kind of young man who didn't look like a bad person or perhaps Luo Xianxian was simply too kind-hearted. Although afraid, she still ran back to the house, made a cup of tea, and held it up to the young man's mouth.
The young man wasn't very polite. He threw back his drink, then wiped the corner of his mouth. Rolling his eyes back, he stared at Luo Xianxian's pretty face. His eyes glazed over and he didn't speak for a while.
He didn't speak, Luo Xianxian didn't either, she just blinked timidly. She held her hands at a distance she thought was safe enough and sized up the stranger.
". . . You look like an old friend of mine." The young man suddenly grinned, squinted his eyes and smiled eerily. With the bloodstains on his face, it was really quite terrifying. "Especially the eyes, they're so round. It looks like you could gouge them out, stick it in your fingers and swallow it in one bite."
When he said such horrible words so plainly, even with a little smile, Luo Xianxian trembled even more, and subconsciously covered her eyes.
The young man said: "Heh, clever girl. Just cover them up. Don't keep staring at me. I can't control my own hands."
He spoke casually with a northern accent.
Moonlight fell into the courtyard. The young man licked his chapped lips and suddenly saw the orange tree stretching into the yard. For some reason, his eyes lit up. His pupils flashed in the light, the lustre brightening for a moment before dimming back down. He raised his chin and motioned.
"Girl."
Luo Xianxian: ". . ."
"Pick an orange and peel it for me."
Luo Xianxian finally spoke up. Her voice was soft, slightly trembling, but she didn't hesitate to say: "Sir, that's not my family's fruit tree. It belongs to someone else. I can't pick one."
The young man was taken aback. She wasn't sure what went through his mind but his face slowly sank.
"I told you to pick one. I want to eat an orange. Pick it for me!" The last phrase was harsh like he spat it out through his teeth. Luo Xianxian shuddered, still stubbornly stood her ground.
The little girl was soft-natured, but her bones were the same as her stubborn father.
"I won't."
The young man's eyes narrowed. He raised his nose, his expression changing: "Do you know who you're talking to, brat?"
"If you want to have some water, I-I'll pour it for you. If you want to eat, there's some food inside, but the orange tree isn't mine. I can't pick it. Father said taking something without asking is stealing. I'm a gentleman. Wealth can't be lusted after and poverty can't be changed. You can't fish. . ."
In her rambling, she started talking about fish instead. The half-grown girl blushed. She insisted on what her father had taught herself and ended up completely fumbling her words, but under the young man's gaze, she was violently trembling, and her legs were weak.
The young man was speechless.
Hearing such a little kid, especially a young girl, say things as odd as "taking without asking is stealing", "wealth can't be lusted after and poverty can't be changed", and - and "I'm a gentleman"?? pfff, he normally wouldn't be able to stop himself from laughing out loud.
But he couldn't laugh.
On the contrary, there was a strong resentment in his chest and his heart was being crushed like it was being trampled by a horse.
"I hate your kind, so-called. . ." He supported himself on the wall, shakily rising to his feet, and hissed out: "Good man, gentleman, hero, benevolent."
Under Luo Xianxian's horrified gaze, he slowly moved his injured foot, he moved over to the orange tree. He looked up, sniffed the smell of the orange tree almost greedily, and then a red gleam of rage flashed in his eyes. Before Luo Xianxian could react, he climbed the tree, shaking it, trampling, kicking, and hitting its branches.
All the oranges on the branch crackled and fell to the ground, rolling away. The young man's smile was twisted and he shouted wantonly: "Taking something without asking is stealing! Wealth can't be lusted after! The mighty never yield!"
"Sir! What are you doing! Stop! Dad! Dad!"
Luo Xianxian hadn't wanted to call for her father. Her father was a weak, powerless scholar so there wasn't much he could do. But she was a little girl after all, and she was so terrified that she finally broke down.
"What are you shouting about! Your dad can come out and I'll cut him down too!"
The little girl was scared silly. Small water droplets rimmed her round eyes, tears forming.
The Chen family next door went to a neighbouring village to visit relatives so the whole family was away. No one could stop this lunatic.
The little madman shook the oranges all over the ground and still wasn't satisfied. He stomped on the ground several times, crushing several oranges, growing ferocious. She didn't know where he found the strength, but he jumped over the wall and flipped into the Chen's yard. In the courtyard, he found an axe and chopped down the whole tree. Then he turned around and cackled.
He laughed and laughed then abruptly stopped. From his squat, he straightened himself, staring blankly in a daze.
Suddenly, he turned his head and waved to Luo Xianxian: "Girl, come here."
". . ." Luo Xianxian didn't move. She was frozen to the spot, the little cloth shoes embroidered with yellow flowers digging into the ground.
Seeing her hesitating, the young man calmed down his voice and said as sweetly as he could, "Come here. I have a treat for you."
"I. . . I don't. . . no, I don't want to go. . ." Luo Xianxian mumbled. Before she finished speaking, the young man suddenly grew irate again——
"If you don't come here, I'll go into your house and slice up your father!"
Luo Xian trembled harshly but finally took small steps towards him.
The young man squinted at her: "Hurry up, I'm not waiting all day."
Luo Xianxian lowered her head and moved towards him. When she was still a few steps away, he suddenly stretched out his hand and violently pulled her over. Luo Xianxian let out a scream, but it only reached the back of her throat before something was shoved into her mouth to gag her. The young man stuffed an orange into her mouth. It wasn't peeled or washed, but covered in the dirt and pushed into her mouth.
The young man tried to force her to eat it in one bite. The orange split open and was rotten inside. Half her face was covered in the rotten fruit, but the lunatic was still smiling. He crushed the fruit into her face, stuffing it into her mouth that she was desperately trying to keep closed.
"Aren't you a gentleman? I thought you didn't eat stolen food. So what are you eating now? Huh? What are you eating now!"
"Haaa. . . no. . . I don't want. . . dad. . .dad. . ."
"Swallow it." The young man narrowed his eyes and stuffed the last bit of fruit into Luo Xianxian's mouth. His pupils gleamed with an eerie light and he shuddered. "Swallow it!"
He watched Luo Xianxian forcibly swallow the orang. She muffledly choked out "Dad". The young man was silent for a while, then he suddenly smiled.
That smile was more terrifying than his hideous face.
He stroked Luo Xianxian's hair with satisfaction, squatting in front of her, and said softly: "What are you calling your dad for? Shouldn't you be called out to me? Isn't the orange I gave you sweet? Was it delicious?"
With that, he picked up another one off the ground.
This time, he didn't stuff it in her mouth. He carefully peeled off the orange peel and cleaned off all the white piths attached to it. Then he wiped his hands, broke off a piece, and brought it to Luo Xianxian's lips. He whispered: "If you like it, eat some more."
Luo Xianxian knew that she had encountered a madman today. She had no choice but to lower her head and silently ate the orange that the madman handed her. The sweet and sour juice melted down her throat and her stomach churned. . .
The young man squatted there, feeding her slices of oranges. He seemed to feel better and even started to gently hum a song.
His voice was rough, very hoarse, like a broken gust of wind, vague and inaudible. Luo Xianxian could only make out a few words.
"Three or four flowers fall into the pool, the bell chimes once or twice on the shore. The best thing is to be young, a light-footed horse, you can see the end of the world. . ."
He suddenly said: "Girl."
". . ."
"Tsk." He curled his lips and reached for Luo Xianxian's slender face, "Let me look at your eyes."
Luo Xianxian shivered. She was powerless to resist. She could only let the young man inch forward, his bloody finger coming closer and closer to her eyes.
"This is how it is," he said.
Luo Xianxian whimpered and closed his eyes. She was really afraid that this madman would, on a whim, poke out her eyes like they were fruit.
But the young man didn't poke them.
The other coldly said to her: "Didn't you teach me the saying that wealth couldn't be lusted after and poverty couldn't be changed? I've also got something to tell you."
"Hmm. . ."
"Open your eyes."
Luo Xianxian's eyes were tightly closed. The young girl laughed in exasperation and hissed: "Don't be like that. Open your eyes!"
". . . Do you think I won't be able to gouge your eyes out if you have them closed?!"
Luo Xianxian forced her round eyes open, her slender eyelashes trembling, and tears streaming down her face which looked pitiful and fearful. She wasn't sure how to make this stranger happy. He suddenly let go of her cheek, his hand lingering in the air, and then gently patted her head.
He gazed into her eyes, and a trembling smile shook from the corner of his mouth. His smile was distorted, ferocious, and just a bit miserable.
He said: "There are men in Linyi. Twenty of them are dead."
After he spoke, he turned around and his figure sank into the darkness and gradually disappeared.
Only the mess on the ground was the only evidence that such a person, covered in blood in the middle of the night, had been here.
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rebrandedbard · 3 years
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number 42 for the drabble prompts please? :)
42. “I swear it was an accident.”
tw: death (not of main characters), kinda gross corpse descriptions
WC: 2456
Poet’s Sight
Jaskier keeps falling in with dangerous creatures and Geralt is starting to think he’s cursed. That is, until Geralt takes a contract for a noonwraith and Jaskier gets ahead of him. It is then Geralt remembers something important about the nature of rare poets.
-
That made the third time. Three monsters in as many months, and Geralt was starting to worry. Somehow, Jaskier had a habit of stumbling upon the creatures before him, even when he was doing his best to stay away from the fight. Though his medallion offered no hints, Geralt felt sure Jaskier had been cursed somehow. There was no other explanation for it. For two of the hunts, Geralt had not yet arrived in town, would not have been able to defend Jaskier if he got himself into any kind of trouble, and Jaskier had been entirely unaware of the contracts. But this had been the final straw. As things were, Jaskier ought not to be living.
“I swear, it was an accident,” Jaskier said. “The light was low and it seemed like any ordinary dog. I swear, it was an ordinary dog. It had fur and everything—nothing at all as you described.”
Geralt squeezed Jaskier’s shoulders, the corpse of the beast just yards away from where they stood. “It was a barghest. Do you have any idea how much danger you were in! It would have eaten you alive if I let it, torn you from the bowels out!”
“But it…”
“They don’t have a quality of mercy.”
Jaskier stared at the corpse. He wore a pinched expression, not quite comprehending the vision before him. The fleshy, mutated monster looked so much larger, so much more twisted than it had moments before. Its odd tongue, prickled and forked, flopped out from its foaming maw. That same tongue had felt the same as any dog’s before as it licked Jaskier’s face. It had been smooth and slimy and affectionate. And it had not had such large teeth.
He’d gone out to fetch more wood for the fire—really, he’d gone out to relieve himself in private—and he’d happened upon a dog among the bushes. It had looked perfectly sweet in the moonlight: a shaggy brown and white thing with a fluffy, wagging tail. It had followed after him on his way back to camp. Jaskier had always been fond of dogs, so he’d stopped awhile to pet it. Really, it had been friendly. It curled up at his feet and allowed him to scratch it behind the ears. Everything had been just fine, and he’d just picked up a large stick to initiate a quick game of fetch when Geralt came crashing out of the trees, sword raised.
“It was an ordinary dog,” Jaskier whispered. He still had the stick in his hand.
Geralt looked Jaskier in the eye. His nostrils flared ever-so slightly, as if scenting for a lie. The lines in his face smoothed and he sighed, prying the stick from Jaskier’s grasp. “I thought you’d seen it. The way you raised the stick …” He looked at it. It would have snapped in an instant in a true fight. He tossed it near the barghest’s corpse and turned Jaskier back towards camp.
“… You felt fur?” he asked.
Jaskier nodded. “Soft as anything.”
“I don’t understand it. To you, it was as if it were nothing more than a dog.”
“Perhaps I’m seeing things wrong. Was it …  as it tasting me before the feast? When I pet it, was it simply waiting to size me up? Oh, Geralt, what if I’ve had my mind taken over by a witch? Am I seeing visions? Are you real?”
He reached up to grope at Geralt’s cheeks, pulling them and prodding at his armour, his swords, and his chest. Geralt pulled his hands away carefully and shook his head.
“There’s not a trace of magic around you as far as I can tell,” he grunted.
“Then we’ll have to find someone who can tell these things. I’m scared, Geralt. I already lack the ability to defend myself in other ways; if I don’t know when to run, I’ll surely wind up dead before the year is out, if not sooner!”
Probably sooner, Geralt thought. “We’ll consult a mage. There are curses strong enough to evade detection from the medallion. They’re rare, but not unheard of. A mage would be able to tell us more: what kind of curse it is and how to lift it.”
As they stepped into the safety of the firelight, Roach raised her head, flicking her ears towards Jaskier. He wobbled over to her and wrapped his arms around her neck. She sniffed him, then turned her ear to Geralt for answers.
Geralt was looking at Jaskier carefully. It would be too dangerous to stay in the woods another night. Where there was one barghest, there were bound to be others. He would keep watch until first light, then they’d set out for the next town.
“Jaskier,” Geralt called.
Jaskier uncurled from Roach’s neck.
“I want you to stay in town for my next contract,” he said. “You’ll under a curfew until this gets resolved: indoors between dusk and dawn. I want you on the inn grounds whenever I’m not present. Are we understood?”
Jaskier balked at being confined indoors. “Can’t I come along with you?” he asked.
“No. If this is a curse, you might be a danger to me on contracts. To me and yourself.” It would be a greater liability than merely getting underfoot. This thing seemed to attract danger, or else to pull Jaskier towards danger. Either way, he was staying put somewhere safe.
“But Geralt—”
“I won’t hear any argument,” Geralt snapped. He narrowed his eyes, pinning Jaskier with a glare. “Do you remember what happened two weeks ago? You heard a woman cry in the middle of the night. And what did you do?”
Jaskier sighed and flopped down on his bedroll. “She didn’t wail like a banshee. And I’ve told you a hundred times over: she looked human! I held her hand! You can’t hold the hand of a ghost,” he protested. “And what’s more, she spoke. It wasn’t nonsense. How was I to know what she was if I can’t trust my own eyes and ears?”
He lay down in a huff, crossing his arms over his chest. Geralt could feel the frustration rolling off of him in waves. “What I find odd is that none of them so far have hurt me,” he mumbled.
“That’s because I came in time to save your satin-covered ass,” Geralt replied.
“I was with the banshee for hours, Geralt. You didn’t arrive in town until the middle of the night. Why would she wait to kill me when she had me already?”
Geralt thought about it. A banshee was more often an omen than an outright threat, though still dangerous. He’d stayed close to Jaskier for the next three days to see what dreaded fortune the omen foretold, but he’d not come to any harm in that time. Then again, he’d never heard of a banshee speaking before. It was possible Jaskier had not been with her for hours as he claimed, for if his senses were betraying him, how could he know the passing of the time? His accounts were questionable until this was resolved.
When they arrived in town the next morning, it was just before noon. There was no inn, but they were given permission to stay in one of the farmer’s barns. Geralt went to the alderman for a contract and left Jaskier safely behind, composing in among the hay. It was a noonwraith, Geralt discovered, that had been withering the fields. He oiled his sword and returned to the edge of town to wait for it to appear.
On the way, he stopped by the barn to update Jaskier. He was surprised to hear no music within. When he looked, he did not see Jaskier dozing among the hay. He was not where he’d left him at Roach’s side. Listening closely, he heard no heartbeat within. Jaskier was gone.
Geralt cursed and tore himself from the barn. “Jaskier!” he called. But Jaskier was not about. Geralt followed the trail of his scent toward the fields, his feet pounding on the dry earth. He’d made Jaskier promise not to leave the barn. He’d damn well better be enchanted to wander off so mindlessly on his own.
“Miss? Little miss, would you please slow down! I’m not supposed to be out here!”
Geralt turned his head toward the sound of Jaskier’s pleas. There, down the hill, he saw a flash of blue among the yellow stalks. Jaskier was running along the edge of the field, one arm out as if chasing something. He was shouting in his worried voice. As Geralt watched, Jaskier paced in front of the boundary, hesitating before an opening in among the tall crops.
“Little girl?” Jaskier called. “This isn’t a game! You bring me back my ring this instant!” Then, he called out again, diving into the fray.
But Geralt had seen no girl.
Geralt charged down the hill and entered the fields full-tilt. He followed the trail, catching up from behind, listening as he did. His sword was at the ready. The sun was already approaching its apex, and soon the wraith would be out. If it wasn’t out already.
“Troublesome girl!” Jaskier gruffed. “First she steals my ring, then she drops it in the dirt like a seed among the ro—”
There came a pause, and Geralt heard a stalk break somewhere ahead by Jaskier. His voice came again from the same place. “Well, that’s an odd find. Popped up like a lucky charm. Did the thing grow through you?”
The wind stirred, carrying Jaskier’s words clearly, though he was still too far to reach. Geralt’s blood ran cold. His medallion was trembling against his chest, warning of the wraith’s arrival.
“Oh? Is it yours, young lady?” Jaskier asked.
Geralt felt the panic wash over him. A ring in a field. A token from the wraith. The idiot ought not to have touched it! She’d make him the target of her wrath, dry up his soul into a husk, and force him to waste himself away like the withered stalks around them with only—
“A dance?” Jaskier asked. He laughed, voice ringing clear above the wind. “Oh, very well, but only a very short one; I’ve still got to find that little girl, give her a lecture about respecting personal property.”
Geralt was almost upon them. He could see the clearing in the field ahead, the strong sunlight filtering through. Jaskier’s voice was clearer, and the wind had a strange quality to it. It seemed to lull in time to Jaskier’s speech.
“Sister? Ah, then I’d best go easy on her,” Jaskier said. He was moving away quickly now. The wind blew, and suddenly Jaskier was laughing, bright and clear. “Buried your mother’s ring? What a scamp! And you’ve been out here every afternoon liking for it since—and no wonder! It’s a lovely piece. May I?”
Geralt broke through the field in time to see Jaskier dancing with the wraith. She was a hollowed thing, burned by the sun, her hair bleached white. They turned once, then Jaskier lowered himself on one knee and, taking the wraith’s hand, slipped the ring onto her finger.
“There!” Jaskier said. “You know? Our rings almost make a pair.”
The wind blew and Jaskier appeared to be listening. He laughed, patting the wraith’s hands, and the wind stopped blowing. “Oh no, I’m afraid I’m spoken for. It would make a lovely engagement ring, but not to me. Even so, I don’t suppose a kiss would be amiss.” And so he leaned forward and kissed the wraith’s cheek, as if she were not a lifeless husk.
Geralt was stunned. It was … it was as if the wraith were speaking to Jaskier. He watched the two of them start up the dance again. He’d witnessed the dancing of noonwraiths before, and their victims screamed in horror until their final breath. The wraith made them dance in a mad frenzy until they fell to the ground, dead from exhaustion and terror. This dance was a frolic, full of laughter. It was unhurried as Jaskier allowed himself to be twirled round and round. When the dance came to an end, it had not been any more than the length of a song. Jaskier tilted his head, listening while the wind whistled in the field.
“So soon?” he asked. “Well, I thank you for the lovely dance. You be sure to tell your sister to mind her manners for me, won’t you? I’ve got to head back myself before I give my witcher a fright. I—oh, there she is now!”
Geralt turned to look where Jaskier was waving, but he saw nothing at all.
“You mind your sister,” Jaskier said, wagging a finger at the empty air. “You’re much too old to be getting up to these tricks.”
And at once, Geralt understood. Jaskier was a poet. There were poets in this world who were made of a different cut—who could see beyond the limits of the physical world. The banshee, the barghest, the wraith … and Geralt was sure even now that Jaskier was shaking his finger in the face of a ghost. They were all of the other realm.
He had sight.
Jaskier waved as the wraith began to fade through the field, disappearing. “Take care!” he called. “And be careful on your way. There’s a contract in town, so there’s trouble about somewhere. Have no fear, we’ll be sure to make everything safe, my witcher and I.”
At that, Geralt snorted, and Jaskier turned his head.
Jaskier turned pale at once, clutching his hands to his chest. “Ger—I can explain, Geralt!” he stammered. “I swear, I would have stayed in the barn, but this little girl came in and she stole my ring right off my finger! It’s my father’s ring, and I couldn’t just let … her …” Jaskier blinked, staring at Geralt, perplexed. “Are you laughing?”
Indeed Geralt was. All the stress from the last three months bubbled up and escaped as laughter, shaking his shoulders.
Jaskier chuckled along nervously. “I would have thought you’d be furious with me for running out. Erm … did you finish your contract then?”
Geralt clapped an arm around Jaskier’s shoulder. “I’d say you finished it for me today,” he corrected. “And I’ve just figured out the answer to your little curse.”
Jaskier perked up slightly, realizing he wasn’t in trouble just yet. “Is that so? Will you tell me then?”
“If you promise me one thing.”
“What’s that?”
Geralt smiled and rubbed the ash from Jaskier’s lips with his glove. “Never,” he said, “kiss another noonwraith again.”
“Kiss a what?” Jaskier squawked.
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standardizedbogey · 2 years
Note
is it too much to ask for all the character development meme q’s for saturn … besides the ones you did already lol …. btw I love your characterization of him in NPC >:3 you have a very clean, mature take on all the characters…. Love That!
(Well, you complimented my baby so now I have to lol. And thanks so much, I'm glad you're enjoying it!
Okay, now for round 2… or round 3 after Tumblr ate the first time I finished this *sob)
🍈 What’s something that others consider unusual about them?
He genuinely thinks the hair looks great.
🥧 What do other people tend to find most impressive about them?
He's an incredibly fast learner, which he had to be. Basically everything he did at Galactic was self-taught.
🥚 What’s the most meaningful gift they’ve ever been given?
He never found out where, or how, Cyrus acquired the door that they installed in their pre-Galactic apartment. But the ordeal and aftermath of installing it was what changed his affection for Cyrus into devotion.
🎵 How do they define beauty?
He’s very big on order. His favorite task is balancing the books because he loves how neat and streamlined they look when they’re done properly.
👖 What’s the most valuable item that they own?
Like most of Galactic, he left home on bad terms and went on to make basically nothing. The only thing of real value he owns is his game system, and he's more than a bit protective of it. 
🍽️ What’s the most satisfying thing that they have done?
He didn't like Charon from minute one, and liked him less the more he got to know him. Getting to tell him where to go when he offered a place in "New Galactic" felt wonderful.
😱 What object they own is the most important to them?
Not an object, but Toxicroak was his starter and he loves it dearly.
🌭 Would they consider their clothing trendy?
Lol no. The men's uniform is basically work pajamas, and outside of it he's very casual.
(Just reposting these two for completeness lol)
🥜 If they could have dinner with any person, alive or dead, whom would they choose?
He spends the rest of his post-game life wanting to get a lot of answers out of Cyrus. He knows that the explanations would probably be unsatisfying, and almost certainly lies, but he nevertheless wants to hear them.
😑 What do they consider to be the coolest thing about themselves?
He ends up reshaping Galactic into a respectable power and research company, once he gets the likes of Charon out of the way, which is an incredible accomplishment. But he also has a speed running record on a couple games, and he'd much rather brag about that.
💪 What’s the most memorable thing they’ve done?
He was largely responsible for the bomb, and it was exhilarating to see it work exactly as intended. He's less proud of it as time goes on.
🚜 How good is their sense of time?
Fantastic, and he's actually a stickler for it. Mars would have gotten away with messing up the Valley Wind Works job if she hadn't gotten her timing wrong.
💥 What’s their heaviest secret?
Saturn was unofficially recruited into Galactic before Cyrus had even settled on a name. There were countless times where, at least theoretically, things could have been altered or stopped. That Saturn allowed it to get as far as it did is hard to live with.
😞 How do they keep up their energy?
Back when I was in college, we had something we called exam juice. It was red bull, orange juice, and coffee mixed together. It tasted as bad as you're thinking, but you could be up for a week on that stuff 
That's the murky beverages in the fridge.
🤴 What do they do to get ready for a night out?
He's the sort to need 2-3 drinks to really loosen up, but once he does he has a great time. The commanders regularly go out dancing or to karaoke bars.
👛 Who do they consider to be the most attractive person they know?
Cyrus, hands down.
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theadventurousdork · 4 years
Text
Dani Clayton and Jamie Taylor: A scene by scene study on the dynamism of a queer romance
by theadventurousdork
Well, here we are! An unnecessarily long essay breaking down Dani and Jamie’s scenes together that I decided to write purely for the fact that they have taken a hold of my queer little heart and haven’t given it back yet. Grab some awful tea or coffee and take a read, if you’d like! 
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Episode One
In this episode, we see Dani and Jamie meet for the very first time. This is the beginning of them and their story. It all starts in the kitchen of Bly Manor where a dirt covered Jamie walks in just in time for the residents of Bly to gather for an afternoon lunch.
“The gardener didn’t even introduce herself to the new au pair. She barely acknowledged her at all. Simply treated her as if she’d always been there. The others in the room just assumed they’d already met, which, if she were honest, was how the au pair felt when she first saw the young woman.”
Jamie walks in without even batting an eye to the new guest meanwhile, we see a soft eyed Dani looking over at the gardener with a gaze that gives the audience the first look to the gravitational pull that seems to be set between them. With Dani explaining her belief that she has seen someone on the parapet of the old wing, Jamie’s reaction is cold. She looks down at the table with a hardened look. She looks almost hurt. We learn later on that Jamie was the first adult resident of Bly to find the dead body of Rebecca Jessel floating in the lake of the manor which has probably resulted in trauma for Jamie as she remembers her late friend. With Owen and Hannah also finding the possibility of someone being on the balcony to be slim, the residents carry on with their meal. As the introduction to Jamie’s character, we are able to see her cold and guarded exterior. However, we also see her wit and humor as she comfortably pokes fun at Miles and Flora. The space she takes when she walks into a room isn’t empty for she fills it with her bold personality and Dani immediately takes notice of this yet she doesn’t show any hint of openly acknowledging it. 
Episode Two
Episode two sheds a different light on the pairing. This episode gives us the first look at Dani’s trauma and the weight that she’s feeling on her conscience. But first, we see her changing the tide at Bly as she puts Miles and Flora to work in the garden as punishment for locking her in a closet. As Dani and the children pull weeds, a relaxed Hannah and Jamie watch from a distance just as Owen offers them drinks. As the trio sip on their gin and tea, they discuss Dani and how her presence is a nice addition to the grounds of Bly. This is where something I call “testing of the waters: part one” occurs. Jamie asks Owen if he thinks that Dani’s pretty before continuing to poke fun at his inability to answer. Now this seems rude, especially considering Hannah’s negative reaction to it even going as far as to remind her that romances don’t fare well at Bly. However, I feel like Jamie does this purposefully to see if Owen would provide any reaction that would indicate that he would have any intent of pursuing Dani, which he quickly shuts down as he states that he only has eyes for Hannah. Jamie’s choice to do this can boil down to a simple poking of fun or maybe something more in terms of her trying to understand, and maybe even deny, the gravitational pull that she’s feeling towards Dani by deflecting it to Owen. 
This episode also offers the first glimpse into Jamie’s humanity and her deeply empathetic nature. As a distressed Dani storms outside in tears after being triggered from seeing her dead ex-fiancé’s glasses, our favorite gardener comes to the rescue with buckets in hand. Now this is probably the first time that Dani has physically seen Edmund’s glasses since she packed them away before leaving Bly which can explain her intense reaction to finding Flora wearing them. The part to highlight about this interaction between Jamie and Dani isn’t the fact that Jamie tries to console her but is the way that she does so. First and foremost, the gardener tries to make au pair laugh. She makes multiple attempts in her dialogue to make Dani crack the slightest smile. Jamie’s dialogue saying, “there we are,” after Dani finally gives into the attempted jokes shows how laughter was Jamie’s initial goal. 
“How else do you think I keep all these fucking plants watered? With my endless well of deep inconsolable tears. That’s how. It’s what got me the job in the first place.” 
After she accomplishes this, she goes on to relate to Dani by telling her that she cries several times a day in an effort to make Dani feel normal and not alone in her vulnerable state. To see someone as cold and guarded as Jamie admit to something like this quickly humanizes her and puts her in the position of becoming a dynamic character. Finally, Jamie tells the au pair that she’s doing a great job and leaves a smiling Dani to watch her as she leaves. This offers insight to how Jamie doesn’t like seeing people in distress. She radiates a grounding energy and puts it upon herself to ensure that no one feels like they’re in over their head. 
Dani is able to return the favor as she finds an angry Jamie kneeled over a massacre of her rose bushes. Jamie’s hotheaded attitude is shown as she wastes no time getting up to confront Miles for cutting her roses before they were ready. The point to highlight in this moment is that Dani hears her out. Dani listens to Jamie’s grievances and not once tells her that she’s overreacting. Dani hasn’t known Jamie for long but she knows the importance of plants to the gardener and she doesn’t give Miles a pass at ruining something that matters so much to her. Having two separate scenes showing that each half of the pair have the power to talk each other down regardless of having known each other long, serves as a taste as what’s to come for their journey together. 
Episode Three
Here we see “testing of the waters: part two” as the keepers of Bly watch over a sleeping Miles and Flora by a crackling fireplace. A tired Hannah rests her head on Owen’s shoulder as Dani and Jamie watch from across the room. Jamie goes onto ask Dani if she wishes she were leaning on Owen instead of Hannah and explains how every woman in town fawns over Owen without him even knowing it. This key moment goes hand in hand with Jamie’s testing of the waters in episode 2 when she tests Owen’s potential attraction to Dani to now testing to see if Dani would be interested in Owen. Jamie’s subtle comments allow her to see the odds of Dani liking Owen without risking any awkward interaction that would potentially be too invasive. With Owen being the only man in the house, it’s understandable for Jamie to want to see if Dani would pursue him which in turn would signal that Dani may not be interested in someone like her.
What comes next is what I like to believe is the moment that Jamie begins to fall for Dani and I mean really fall for her. The conversation about love and possession is beautifully done and sets the distinction that will go onto separate Peter and Rebecca from Dani and Jamie. After a vindictive history lesson on the toxicity of Peter and Rebecca’s relationship, Jamie mentions the idea of loving someone versus possessing someone to which Dani replies that she doesn’t believe should be possible. The effect of this is seen on Jamie’s face as she looks at Dani. It’s a face that says that she’s staring at someone who understands. Understands the fragility of love and the thin lines that separate healthy versions of love from toxic ones. It happens in the span of a second but we can see a switch click in Jamie’s mind just before she breaks her gaze. From what we collect of Jamie’s past a few episodes later, we come to understand that she has always been owned. Stemming from a broken home and growing up in the foster care system, Jamie has always been someone else’s possession to claim ownership of but never was truly loved and nurtured. To hear someone finally understand that there’s a distinction between loving someone versus feeling like they have the right of possessing them, must feel like a moment of overdue comfort. 
After a restless night due to seeing Edmund’s ghost again, Dani wakes up the following morning to see Jamie asleep on the couch. This scene lasts merely thirty seconds so why make the choice to keep it in? What significance does it really hold? Is there any significance at all? For me, the significance is comfort. I feel like there’s a level of comfort that Dani feels when she realizes that Jamie was just down the stairs as she laid awake the night prior feeling as if she were alone in the depths of her own shadows. 
The new day ends in the tragic news that Owen’s mom has passed away. After a sympathetic Hannah sends Owen off and leaves to light a candle for the deceased, the gardener and au pair are left to give their own goodbyes to each other. As Dani voices that she’s glad that Jamie stayed on the grounds throughout the day and the night prior, Jamie agrees and the two share an uninterrupted gaze at one another. Here is where we see Dani’s first advance as she takes hold of Jamie’s hand. Ever so slightly does Jamie latch back before Dani quickly pulls away. 
“Who the hell knew?”
Those words leave Jamie’s mouth as a mixture of relief and shock paint her face as she gets into her car. Dani watches her drive away with an expression that reads “did I really do what I think I just did?” This moment is cut short as she turns around to see Edmund’s ghost staring blankly from behind her. Fear overcomes Dani and a scream is let out as Edmund gets sucked backwards by an invisible force. Up until this point, Edmund’s ghost has remained stagnant, either appearing in a reflection or in parts. This extreme motion of getting pulled backward into the manor can be read as a way to reflect the intensity of the emotions that Dani is feeling in that exact moment. The amount of tension that Dani must have felt to muster up the courage to reach for Jamie’s hand must have been extremely intense which in turn would evoke an intense manifestation of Edmund’s ghost. 
Episode Four 
Episode four is what I call the episode of guilt. In this hour, we delve deeper into Dani’s past and the darkness that she’s been holding in her heart. Dani’s life just before Bly is revealed and we see snippets of her life with Edmund. From childhood best friends to teenage lovers to getting engaged, Dani and Edmund almost seemed like the perfect set up to an 80s romcom. Almost is the key word here as it’s revealed that Dani breaks up with Edmund just before he storms out of their car into the path of an oncoming truck, killing him right in front of her thus revealing why Edmund is haunting her. Flashforward to Bly, Dani has begun to see Edmund’s ghost more and more. His first appearance in the episode is in Dani’s bedroom mirror just as Jamie helps unzip her dress. If it weren’t apparent in the episodes prior, Dani holds an immense amount of guilt. This guilt doesn’t only stem from being the reason why Edmund was killed but also lies in who she is. Edmund’s presence is symbolic for the guilt that Dani feels whenever she is just on the brink of exploring her sexuality. We see that every interaction that Dani has with Edmund’s ghost occurs just after she shares a moment with Jamie. With Jamie being a tangible representation of what Dani desires, her visions of Edmund become more intense and more frequent as her guilt increases. 
The episode continues to show Dani experiencing Edmund’s haunting again when Jamie arrives back to the manor after attending Owen’s mom’s funeral. Here we see Dani catching herself staring at Jamie from across the table. When Jamie catches her gaze, Dani retreats to the sink where we see a mixture of nervousness and excitement across Dani’s face as she looks over her shoulder to take one more look. This moment filled with butterflies and yearning is cut short as Edmund’s hands slide across Dani’s hips as she sees him in a reflection which causes her to panic. Edmund’s presence is growing closer and stronger as Dani has begun to navigate her feelings for Jamie.
In a flashback, we get a glimpse into possibly one of the first times that Dani’s internal conflict of her sexuality crosses her mind. As Dani gets a dress fitted, the female tailor makes flirtatious passes at her. We see Dani acknowledge these advances and isn’t opposed to them occurring. The scene switches to a guilt stricken Dani, her eyebrows furrowed above saddened eyes that wander upward to Jamie who’s helping prep the table for dinner. This quick glance up to Jamie holds so much. The internal turmoil that Dani is feeling in this moment is palpable. To think that all of her moments of repression have led up to this. This feeling of wanting. This feeling of yearning. To live openly and authentically as the person she’s always been.
Later that night, the keepers of Bly hold a bonfire to honor those that they’ve lost. A weight can be felt on the four as they remember their late loved ones by the warmth of the fire. The concept of found family lies in the heart of those who find a home at Bly and can be seen through Hannah and Jamie’s odes to the late Rebecca, Dominic, and Charlotte. 
“Because from here on in, the shadows get deeper… the nights get longer. We’re heading into the dark and we have to hang onto each other. So, we can only carry so much.”
As they commemorate who they’ve lost, Jamie mentions Dani and how she believes that Dani is the key to getting Miles and Flora back to themselves. A moment of pain rushes across Dani’s face as Jamie states how she believes that Dani is stronger than she thinks. To be in the midst of an internal conflict yet hear how someone believes in your strength can be something so painful to hear as you struggle to believe it yourself. We see Dani in a battle with herself as she fights to live authentically regardless of the guilt she’s carrying. 
Eventually, the gardener and the au pair break away from Owen and Hannah to go to the greenhouse. A pivotal moment in the growth of Dani and Jamie’s relationship occurs here when Dani makes the decision to lay everything out on the table for Jamie and finally explain her history with Edmund as well as sometimes seeing his ghost. 
“I’ve never told anybody that.”
These words that leave Dani’s mouth are so intimate and so vulnerable. Jamie takes what she’s being dealt and handles it with such a level of care that ensures that Dani knows that she’s being heard and respected. As we’ve seen Jamie talk Dani down from a breakdown in episode 2, we see a parallel here where Jamie takes it upon herself to make Dani laugh in an effort to console her. This moment is cut short as Dani musters the courage to ask the heartbreaking question that allows Jamie to make the decision whether to take or leave Dani and all of her baggage.
“Think I’m crazy?”
The pain in Dani’s face as she asks this shows just how scared she is to be rejected by the one person she wants the most. Without even a hint of hesitation, Jamie reassures her that nothing has changed in her view of Dani’s strength. A wave of relief comes over Dani as she’s hit her tipping point of acting upon the feelings she’s been suppressing all this time. She kisses Jamie and a moment of vulnerability is shown on Jamie’s face as she gets the confirmation that Dani is sure in her decision to do this. This moment is short lived by Edmund’s ghost appearing just behind Jamie, causing Dani to retreat in a panic. This is probably the worst cockblock in the history of cockblocks. Dani quickly retreats as Jamie mirrors her actions and immediately puts her walls back up as embarrassment sinks into them both in different directions. As the pair make it back to Hannah and Owen, Dani is visibly disappointed with how things ended up. Jamie’s comment of “it’s all good” as she guides Owen away from the bonfire shows how she would prefer to move on right away instead of confronting the confusing messages she’s just received from Dani. 
The final scene of the episode is what I like to call Dani’s last straw. Dani’s guilt has turned to anger as she makes the decision to confront her own shadows by throwing Edmund’s glasses into the bonfire. Flashbacks of kissing Jamie intercut the scene to really solidify Dani’s desires to move on and be able to freely love her without the burden of her past. 
“It’s just you and me then.”
Dani is tired. She’s waited for this moment. She’s finally accepted this part of her and she stares straight into Edmund’s ghost without any more fear. She’s found the strength to move on. 
Episode Six
The sponsor of this episode is cement as Dani and Jamie cement their relationship in this hour. The episode begins with Dani’s attempt at reconciliation after the unfortunate cockblock of a certain dead ex-fiancé in episode four. Dani wakes up at the crack of dawn to visit Jamie in her greenhouse. Dani’s entire existence in this moment is ridden with nervousness as she puts on her best “everything is normal” face. Jamie is quick to notice how out of character waking up this early is for Dani to which Dani dismisses. We see that Jamie’s cold and guarded exterior is back and for good reason considering the unfortunate events at the end of her and Dani’s last interaction.  Dani’s eagerness to patch things up puts her through several attempts at getting a reaction out of Jamie, each of which ends up being shut down. First is the gesture of giving Jamie coffee which results in her gently spitting it back into the cup. Next is Dani’s attempt at voicing how lonely she’s been.
“No Owen. No you.”
Dani’s voice drags on a little longer here to emphasize how Jamie’s absence the last few days have created a noticeable emptiness at the manor. Jamie responds with a simple “sometimes people wanna be alone” which seems like her own personal choice. However, Dani finally gets a reaction through Jamie’s icy exterior when she makes her laugh after a terrible attempt at a British accent. This mirrors the other instances prior where Jamie has made the effort to make Dani laugh in order to ease any emotional tension. After the ice has been broken, we see Dani’s first wind of confidence as she asks Jamie out to a boring ol’ date at a boring ol’ pub. We can see relief and a sense of pride strewn across Dani’s face when Jamie catches her drift. This marks the beginning of a fresh start for the two. 
The next time we see the pair is in the kitchen as Jamie surprises Dani by coming back to the manor after initially leaving.
“Made it halfway home and I thought ‘rough day, maybe Poppins might fancy a little boredom.’”
Dani’s shocked excitement quickly turns into awkward nervousness as Hannah and Owen wave them away to spend time together. Jamie gently takes Dani’s hand and guides her out of the room. This presents the reaffirmation that Jamie still cares enough to try again with Dani.  
The gardener leads the au pair somewhere off on the grounds of Bly to a secret area where moonflowers have bloomed. She explains how difficult they are to grow in England and how fragile their lifespan is. 
“That’s a lot of work for a flower that only blooms once.”
“That’s what people feel like to me. Exhaustive effort, very little to show for it.”
“All of them?”
“All of them. Even you. Even me… especially me.”
Jamie’s emphasis on herself shows her insecurity of not being enough after anyone makes the effort to break down her walls and gets to know who she really is. What follows is a tear-jerking speech that gives insight on Jamie’s past and her painful upbringing. From the details of her childhood like growing up in a broken home, being forced into foster care, and serving time in jail, we begin to understand why she puts such a strong, guarded front. The absence of a family unit in her youth and young adulthood has resulted in her feeling like she may be unlovable. Like she might not be worth the effort of loving. Just as Dani did in episode four, this is Jamie laying everything out on the table for Dani to decide whether or not she will take or leave Jamie and all of her baggage. After Jamie finishes her monologue, Dani gets up and doesn’t say a word. She takes hold of Jamie and kisses her. No words can alleviate the pain that Jamie’s endured but the effort of loving her can be a start. Dani pulls away for a brief moment to reveal a relieved Jamie smiling back at her after she has realized that Dani has chosen to accept her for everything that she is. 
The next scene they have together is the morning after Dani finally gets her first restful night’s sleep. 
“The au pair could not remember that last time she’d slept this well. And she thought perhaps she never had.”
The moment to highlight in this short scene is Dani stopping to look at herself in the mirror. She is finally able to see her truest self without being haunted of guilt. She smiles as she looks at her reflection and to a sleeping Jamie in the bed next to her. She’s finally made peace with herself. 
The final Dani and Jamie scene of the episode occurs at the end of the day just as Dani puts Flora to bed. Here we see the purity in the relationship that the two are creating. We see Dani unapologetically long for Jamie as she says she’s going to leave for the night. The au pair’s subtle look at the gardener’s lips as she speaks and the inching closer and closer to her shows just how high Dani’s confidence levels have risen to after being able to finally love freely. To see Dani in such a smitten state of mind is a breath of fresh air for not only herself but for us, the viewers, who have seen her in such a trapped state of mind when it comes to loving someone. The innocence of longing, in tandem of making the promise of spending other nights together, show how much care and caution they are taking in order to ensure that they’re building their relationship in a healthy manner. What they are both experiencing shows a trade off of what they each have to give to the other. Dani has accepted her sexuality, which is something that seems like Jamie has already done long ago. Meanwhile, Jamie is being loved and wanted, potentially for the first time which is something that Dani has already experienced in her past. Each half of the pairing offers support and guidance to the other as they begin their journey as a couple. 
Episode Nine
This final episode of the season was an absolute doozy in terms of Dani and Jamie’s relationship. I’ve watched all of these scenes a solid million times over and I bawl my eyes out every. damn. time. But I mopped up my tear-soaked notebook and carried on for the purpose of this essay. The episode picks up action as Flora sacrifices herself to save Dani from being dragged and choked to death by Viola, the Lady of the Lake. As Jamie and Owen arrive back at the manor after both having awful dreams, they briefly see Hannah as she says that they’re needed at the lake. Jamie bolts the second she hears Dani yelling. She knows Dani’s in trouble and wastes absolutely zero time trying to find her. Jamie yells Dani’s name and you can feel that her sense of urgency has one goal in mind: save Dani. 
“It’s you. It’s me. It’s Us.”
Viola has accepted the au pair’s offer. Besides Flora, Jamie is the only witness to see Dani’s last moment of belonging to only herself. From this point on, the darkness begins to fester deep within Dani’s soul and Jamie must live knowing that there was nothing that she could do as she watched Dani let part of herself go to let Viola in. Jamie runs into the lake as Dani’s trauma starts almost immediately. Her breathing is quickened, and she can’t stop repeating those final words that she felt deep in her bones. The gardener holds the au pair and takes one look at her as she already notices the effects of trauma. Dani’s darting eyes are panicked as she struggles to register that Jamie is there with her. Her breathing finally slows as Jamie holds her close in her attempts to calm her down. Jamie is Dani’s grounding force in this moment. Dani has finally freed the ghosts of Bly but at the cost of her own self. Her own life for the souls of the others. 
The following scene highlights the days following the incident at the lake, immediately starting with Jamie and Owen looking into the well to find Hannah’s dead body. I wanted to highlight this moment just for the sake of Jamie for she has been there to witness all the deaths of her loved ones firsthand. She was the first adult to find Rebecca in the lake, one of the first to find Hannah in the well, and the first to see Dani die in more ways than one. She just can’t seem to catch a break but after all… death is beautiful, it’s natural.
Jamie finds Dani as she packs away her things however, Dani’s mind appears to be somewhere else. Darkness has begun to burrow itself into Dani’s soul. She’s shaking. She’s terrified. She’s mourning the loss of herself. 
“I feel her. In here. It’s so quiet, it’s so quiet, but she’s in here. And this part of her that’s in here, it isn’t… peaceful.”
Dani explains how Viola’s presence feels like a beast waiting for her in a thick jungle. She feels hopeless again but this time feels heavier than all the rest. She has something to lose here now. She has a relationship with Jamie to lose, she has an entire life to lose. It isn’t as simple as feeling the guilt of losing someone or the guilt of loving someone. This feeling isn’t human, this feeling of dread goes beyond what the stages of grief entails. Where is she to go if she can’t go within herself to find peace? 
“She’s gonna take me.”
A tear falls down Jamie’s face as these heavy words fall out of Dani’s mouth. This is the first hint of Jamie losing Dani. The fear of the inevitable fills the room with such a weight that no words can alleviate Dani’s pain. Yet Jamie tries. She tries her damn best. She offers her company with the seal of a pinky promise. She gives all that she can offer: herself and her love. Dani’s feeling of darkness doesn’t have to be lonely this time. 
After a final goodbye to Henry, Miles, and Flora, the gardener and the au pair set off to start their lives together as the image of Bly fades away into the distance. Their life together starts at a diner as Jamie plans their course of action, hoping to end up in Vermont to see snow by Christmas. Here we see Dani looking at her own reflection in the tableside jukebox before stopping Jamie as she worries that they’re planning too far ahead. Dani’s cautious. She doesn’t want to get either of their hopes up. 
“One day at a time is fine by me. As long as those days are with you, Poppins. One day at a time is what we’ve got.”
There’s a brightness in these words which in turn reflect onto them. There’s a light in this moment that shows that they haven’t lost their footing yet. And thus begins the final climb to their highest point before the tragedy that lies ahead occurs. We flashforward to a year later to The Leafling, the flower shop that the pair have opened up together. Dani is still Dani and Jamie is still Jamie but more in love this time than the last time and the time before that. 
“You see, I’m not sick of you. At all. I’m actually pretty in love with you, it turns out.”
Here we see the reintroduction of the moonflower. The symbol of Jamie and Dani’s love. The last time we saw the moonflower was back when the pair finally made the choice to accept one another and start their relationship. This time, we see the moonflower one last time as Jamie chooses to solidify their love by finally breaking the big L word. 
A montage ensues of the gardener and the au pair’s life together. Years have passed and peace was just finally in their grasp. Or so it seemed. This feeling of fluttering innocence is put to a halt as Dani sees Viola’s reflection in the door of the flower shop. Dani stops in her tracks as she stares at the reflection, her face is still as she stands in a quiet shock. That is until she sees Jamie through the door, smiling at her with such a playful gaze. This instance shows yet again that Jamie is Dani’s grounding force even after all this time and Dani’s own reflection returns not even a second later. This is a moment for the audience to take a peek into Jamie’s importance in Dani’s life, especially at a point that something so vengeful is making its way to the surface. To see Jamie’s smiling face cut through the image of the beast in the jungle, we can’t help but feel the same pain yet also the sense of relief that Dani must feel in this moment. Although Dani returns to herself, we can’t help but feel Viola’s presence looming. 
The scene that follows is another significant milestone in Dani and Jamie’s journey together as Dani comes back home with a dying plant that’s concealing an engagement ring. Above the surface, Dani has put the ring in a dying plant because she knew that Jamie would waste no time investigating how to save it. But this can also be interpreted in relation to Jamie’s moonflower speech where she says “every living thing grows out of every dying thing” to show how their relationship is taking the next step of growth as she pulls the ring out of a dying plant. The ring itself is a traditional Irish Claddagh ring, which shows how Dani did her research and chose a ring specific to Jamie’s northern heritage. The hands that make the band of the ring represents friendship, while the heart representing love, and the crown representing loyalty. These representations are fitting for the relationship that the pairing has created and for Dani’s proposal speech. 
“Here’s the thing - you’re my best friend and the love of my life. And I don’t know how much time we have left but however much it is, I wanna spend it with you.”
The thing to highlight about Dani and Jamie’s relationship is that it runs on Dani’s timeline which is something that is so important to showcase, especially considering how Edmund had made almost all the choices for her in her previous engagement. Jamie understands this and has always insured that Dani felt comfortable before progressing further into their relationship together. In this moment, Jamie finally has a promise of love while Dani has security in the person she loves the most. As Jamie accepts her proposal and the two share a moment of celebration, Dani’s face of worry as she hugs Jamie shows that she feels an inability to be fully happy. She’s unable to fully give herself to Jamie in this moment which in turn shows how Viola’s presence is getting closer and getting darker. 
We jump slightly forward in time to the pair visiting Owen’s aptly named restaurant, A Batter Place. After a moment of remembrance for Hannah, Dani looks into the reflection of a metal water pitcher to see Viola’s reflection yet again. Dani’s face is surprised by this sight, but she keeps it quietly to herself as to not ruin the moment of reunion. If we compare this instance to the first time Dani looked at her reflection at the tableside jukebox at the diner years prior, we can see that this moment is filled with much more darkness. The light that used to be inside of her is dimming. Although Jamie is holding her and is physically next to her in this moment, she doesn’t cut through the darkness anymore. Jamie’s power as a grounding force is dimming as well. 
“So, they’re all happy?”
The inflection in Dani’s voice here is so subtle that only Jamie takes notice of it. Jamie looks at Dani and senses that something has gone off in her. Owen continues to explain how Miles and Flora have no recollection of the events that took place at Bly. No recollection of the sacrifice that Dani made to save them. 
“So, if they don’t remember Hannah…they don’t remember…”
Dani’s voice trails off here. She looks down and is caught in the bitter realization that her sacrifice has been forgotten. This feeling of a looming darkness, this feeling of living a life that’s ticking down to her own demise… was it worth it? Jamie can feel Dani’s pain immediately as her eyes stayed glued on Dani who’s trying to see if there would be any way to remind Miles and Flora about what she did.  The gardener stares at au pair without breaking away and in this instant, we can see that, along with Dani, Jamie is breaking too. Breaking under the burden of knowing that she can’t take Dani’s pain away.
The scene that follows shows Dani washing dishes where she sees Viola again in the water. She panics and finally admits to Jamie that she’s been seeing her more and more. The tension that was present between them moments earlier immediately fades away as Jamie wastes no time in trying to console Dani. Jamie’s blind optimism here has a slight tinge of desperation as she refuses to let Dani slip away into the abyss that’s growing stronger and stronger. Dani’s interaction with Viola’s reflection in this moment sets off an alarm bell within her, unlike the other times where she sat quietly and dealt with it on her own. This is Dani’s tipping point. The highest level of fear is felt as the reality is beginning to sink in that the beast is coming for her. Another thing to note here is that even after all these years, Jamie still makes the conscious effort to make Dani laugh. 
“I’ll do the washing up from now on, yeah? You’re shit at it anyway.”
Dani can’t help but give the smallest laugh, but it’s more than enough for Jamie. Through Jamie’s optimism, we have begun to see that she’s not only consoling Dani but also herself as she tries to convince both of them that they can have so much more time together. The episode continues on with the train of heartbreak as Jamie comes home after receiving civil union paperwork for her and Dani. What comes next is what I feel like is the most heartbreaking Dani moment in the entire series. Dani stares deep into an overflowing bathtub where an ominous Viola stares back at her. Jamie is quick to bring Dani back to reality but Dani has lost her footing. Her hold on Viola has flipped to Viola having a hold on her. 
“It’s like every day I feel myself fading away, but I’m still here, and… I don’t really understand how that is.” 
The fear has withered away into emptiness as Dani struggles to stay afloat. We see Jamie so pained as she watches the light fade into a grey nothingness as she listens to Dani talk about how she is beginning to lose herself to the beast. 
“I’m not even scared of her anymore. I just stare at her, and it’s getting harder and harder to see me.” 
To listen to the love of her life slip away through her fingers has Jamie in a phase of denial as she continuously refuses to let Dani break apart. We see the gardener’s optimism wavering as she tries her best to help the au pair hold onto herself. Dani’s voice as she says Jamie’s name is filled with nothing but pure hopelessness and despair as she dips further and further into uncertainty. Yet Jamie doesn’t lose hope. Jamie would never give up on Dani as she repeats the words she told Dani in the diner all those years ago. 
“One day at a time.”
However, Jamie has run out of answers. She can only offer comfort now. 
Next we see Dani hit her lowest low as she is taken over by Viola and awakes to see that she almost strangled Jamie to death in their sleep. Dani is shocked and broken as she sits in the disbelief of what she almost did. The time has come. The beast has arrived. Viola has waited years until Dani was so broken down and so vulnerable, that she would finally be able to take her. However, we can’t help but believe that Dani fought off Viola this long thanks to the love her and Jamie shared.
The gardener wakes up the following morning to find an empty space next to her. She reaches to the empty space in the bed and then for the note left on the bedside table. It can only mean one thing: her biggest fear has come to light. With her strong will and determination, Jamie gives one final push and flies back across the pond to Bly to face what she’s been in fear of all this time. The amount of immense grief that is felt in this moment, to be at the same place that the love of her life began to be taken away from her all those years ago, must be incredibly damaging. The manor holds so much of Jamie’s life. She found her family there. She created a beautiful garden on those grounds. Her and Dani’s love blossomed on the same grounds that she first began to lose her that night at the lake. Jamie storms off to the edge of the water. Her face is so tired. She already knows what she’s going to find and yet she still doesn’t lose the hope that maybe, just maybe, it wouldn’t be true. 
“The gardener said the words she’d heard those years ago; she willed it with everything she had. You, me, us. Us. ‘Take me with you,’ she cried in her heart. ‘Take me. Drag me down like you did the others.’ But the lady in the lake was different now – the lady in the lake was also Dani. And Dani wouldn’t. Dani would never.” 
The agony and desperation that we see Jamie endure in the moments that we see her find Dani laying at the very bottom of the lake is a type of pain that is unmatched from any other moment of pain that we’ve seen this season. Her muffled screams as she takes a hold of her heart, only to let her arms go in despair under the water is something so haunting yet so unbelievably moving to see her love so much considering how far she’s come from the cold and guarded gardener we saw all the way back in episode one. She would’ve given up everything. Absolutely everything to take Dani’s place. Given up everything to join Dani at the bottom of the lake. Unlike Peter with Rebecca, Dani could never take Jamie down to the depths. Dani could never harm a single soul, let alone the one person that mattered the most to her. By letting Jamie go and taking Viola’s place as the lady of the lake, Dani has broken the cycle of violence that’s haunted the grounds of Bly for centuries. As Jamie was the hero of Dani’s story, Dani will always be the hero to Jamie’s. 
The final act of the season ends with an older Jamie finishing her story to the wedding guests. 
“She would know nothing of the gardener, nothing of their life together. The details, the specific moments would all fade away. More time will pass, and the water will wash away the delicate features of her; of her beautiful, perfect face. But she won’t be hollow, nor empty. And she won’t pull others to her fate. She will merely walk the grounds of Bly, harmless as a dove, for all of her days. Leaving the only trace of who she once was in the memory of the woman who loved her most.”
We see an older Jamie comfort a teary-eyed Flora who is afraid of the time when she would also lose the love of her life. Jamie comforts her with advice that we can only ever assume she learned in her time with Dani. The final scene shows the gardener’s nightly routine as she stares into reflections, hoping to catch one last glimpse of the au pair. As she drifts away into sleep, a hand wearing a golden wedding ring rests gently on her shoulder. Our haunting love story has come to an end. And the rest? Well the rest… is confetti.  
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Skwisgaar's Psychology
After rewatching Metalocalypse a total of three times ever since the news of the potential finale movie I kind of had a realization; I really fucking love Skwisgaar. I also started by halfway through rewatch two realized that his story and background and general psychology is really fucking fascinating to me.
So I am going to do my best to discuss his character and his psychology and how we see him progress through the show....I already did this with Toki a while back and kind of would love to do it with Murderface and maybe Pickles as well, I'd say Nathan, but he's the....least fucked up in a sense.
Skwisgaar let's start has the most dialogue in the first couple of seasons of the show and even then it isn't overwhelming compared to the other members of the band. By season four he speaks very little and rarely.
When we are introduced to him in the beginning of the show he seems to be like the rest of the group; a diva spoiled rich rocker who has been grossly wealthy for so long that he's forgotten how to function as a human.
You also with the first season especially have this running gag that isn't even a running gag that Skwisgaar or Toki will say something weird and then the other will add onto it and they just say weird shit about life and death or the violence of man, it's weird, and strangely endearing.
Which speaking of how those two play off each other brings me to the fact the pilot episode immediately establishes that these two are almost always together. The band goes to a grocery store and everybody splits up, except for Skwisgaar and Toki who go off together when in all reality that isn't remotely necessary. We also learn in that first episode that Skwisgaar gets pissed when Toki teases him and calls him a woman despite Skwisgaar calling him one like a second earlier and also that Skwisgaar is sexually attracted to elderly women.
Two things are heavily associated with Skwisgaar as a character; he is extremely sexually active and he's got his guitar with him in 99% of scenes. Skwisgaar also doesn't appear to be the most talkative, he can be bitchy and throw tantrums like the rest of his bandmates, but also seems to be more prone to crying and becoming anxious or worried for his friends and their wellbeing/safety, in terms of socializing he seems to be a bit awkward and seems the most comfortable communicating through sex and music. He's teasing and can be a dick, but there's no real edge to it. He also while seeming in some regards to be a bit....dumb to be blunt about it seems to actually be rather smart, though often seems to just keep that to himself probably because he knows who his friends are and they aren't prone to listening to people.
Season one wasted no time in introducing the band's parents and this included Skwisgaar's mother, Serveta. One thing that I do find super interesting is that he is the only member of the band who comes from a single mother, technically it isn't interesting, but the theory (probably canon) that their fathers aren't really their fathers at all and that their mothers became pregnant by the Deth Star makes it interesting. To me at least.
With Skwisgaar's mom in regards to the first season of the show we quickly learn that their relationship is strained. She's an older woman who just like Skwisgaar is very sexually active, we see her come onto Nathan's father who is married and sitting with his wife and son, Skwisgaar's reaction to this is to get upset and begin frantically playing his guitar. Skwisgaar spends a good portion of this episode drinking and at one point saying that ever since his mom got there his stomach had been hurting and he'd just been feeling like absolute shit. When we see him bonding with his mom he's brushing her hair and looking like he'd rather be dead or any place else, seeing him helping her groom is weirdly a red flag to me.
We learn by the third season of the show that his mother is intensely vain and in love with herself, she resents Skwisgaar because being pregnant with him and giving birth to him ruined her 'perfect' body and I'm sure the years where he was too young to fend for himself annoyed her because it meant she couldn't party or have men over or run off whenever she wanted, something I get the feeling that changed when he was about ten years of age. In a bonus video that comes with the first season of the show you see interviews with the band on various random topics; one of the scenes that is...uncomfortable to say the least is when family is brought up. Skwisgaar begins to say something, but trails off and becomes visibly upset before saying he's just going to shut down for a while, Toki confesses some more physical abuse before also shutting down.
I'm going to take a guess that Skwisgaar only had his mother when he was growing up and she only had him, I'm sure she has parents and maybe even siblings and aunts and uncles, but it appears that she has absolutely no relationship with them and Skwisgaar most probably never met these people.
The walls of Serveta's home sport dozens of headshots of herself and a couple of pictures of Skwisgaar as a kid thrown up by the front door almost as an after thought. It's likely and most probable that Skwisgaar was thrusted into the position of caretaker and even a husband sort of position when it came to his relationship with his mom; given the task of looking after her, holding her hair back when she pukes after a night of drinking, doing laundry, cooking, cleaning, etc. We know when he was about ten or thirteen years old he came home from school to find his mom having sex with two men, an event that scared him and led to him being chased by wolves and falling into a pit where if he weren't a demi-god he legit would have died. I feel like his mom reached a point with him where she stopped caring whether or not he saw her....personal life, perceiving him as an adult despite still just being a boy and also seeing him as somebody who is taking up space in her home and preventing her from having fun.
When she marries Tyr they're all over each other constantly....until Skwisgaar and Tyr become friends and begin spending time together, then she cheats on him. She was jealous that her latest man wasn't giving her constant attention and got angry at the concept of sharing him with her own child, which is super fucked up.
Skwisgaar throughout the show has a fake persona. He likes to pretend he in some way is like his mom; he likes to pretend he has his head up his own ass and doesn't need anybody but himself, he loves himself more than he could ever love another person. Which isn't true. At all.
I think that growing up with a narcissistic parent who emotionally neglected and emotionally abused him put him in a position where he had to shut down like that. He had to learn at a very young age that crying and yelling and being angry gets nothing done except maybe piss his mom off more, after finding his guitar he threw himself into music and appeared to shut himself off socially, preferring music over human interactions.
Music is something that Skwisgaar can rely on no matter what happens; he will always have a guitar, he will always be able to create music even if it is just for himself and nobody else. People come and go, people physically hurt you, people emotionally hurt you, or make you feel worthless. When we see the flashback to the night Magnus was kicked out of Dethklok Skwisgaar is faded into the background, almost like a ghost with his slumped shoulders and his hair curtaining his face as if he wants to just disappear. When they're auditioning for a replacement Skwisgaar is positive he doesn't want somebody else in the band, that they are fine just being four.
I think it comes from the fact he was terrified of repeating what just happened with Magnus, finding somebody he might think he can bond with over music only for that person to turn into a monster who makes him feel like he can't even do the thing he loves more than anything correctly....Then Toki came in and when they had their duel it quickly turned from a competition into a conversation. Because that's the one way Skwisgaar knows how to communicate, the way he is the most comfortable with; he likes to communicate through guitar and finding somebody who he could speak to through music excited him.
It's clear for obvious age related reasons that Skwisgaar has/had a care taker role where Toki is concerned. I mean he was about 15/16 when Skwisgaar took him into the band so he was a literal child, even when he's older Skwisgaar still looks out for him and is in his own sense immensely protective where he's concerned. Skwisgaar is also that way with the rest of the band even if it's more subtle. He worries about his bandmates, if they get injured or nearly killed it bothers him and he doesn't want anything to happen to them. When the band is going to break up he completely shuts down, because admit to it or not they had become the only family he ever had. I think Skwisgaar is so hard wired from his childhood to care for people that it's something he can't shake and maybe with the band he doesn't feel its a bad habit, because unlike with his mom, his bandmates arent forcing him to look after them. It's something he does because he wants to do it.
Of course in regards to his attraction to older women that definitely comes from issues relating to his mother....I don't think it's in a creepy Freud way, but more so just wanting to feel cared for back. Very obviously he can't exactly approach any of his bandmates and ask for a hug....well except maybe Toki and Pickles if he's super drunk or high, but outside of those two instances....they aren't people he could exactly just ask for validation or comfort or consolation. They aren't....good with that shit. Older women though usually have a tendency to be coddling and kind, Skwisgaar probably learned that as a teen or in his twenties, I think it's less about the sex factor and just feeling important. In terms of sex with people closer to him in age (I will die on the hill that he's bisexual, because he keeps just throwing it out there that he would blow a guy and he had multiple three ways with Melmord) I think it's a distraction for the most part, he uses sex the same way he often uses music, and honestly....He grew up seeing his mother have men over constantly.
Skwisgaar didn't grow up seeing love or healthy relationships, he saw his mom parade various men through the house and maybe she kept some of them for a while and I doubt the relationships were healthy and I'm sure he knew that his mother didn't love any man she dated or married for a short while. Even in the show he isn't fond of love or marriage, the only time he dates somebody is when he moves back to Sweden and finally starts to get his life together in a more healthy sense and that relationship didn't feel like it was based on sex. It was based on physical and emotional affection and it was the only time Skwisgaar ever looked actually happy in terms of intimacy.
Sex is a job, a chore for him; he's the God of Life so it's technically what....it's y'know his thing, creating life. As a lot of people notice....he seems far more sexually active after him and Toki's second fight in regards to music and petty bull shit. Season four is essentially the season where Salacia gets what he wanted aka the band tearing itself apart and you can see them all fall apart individually. For Skwisgaar falling apart means closing himself off, throwing himself more into his guitar and more into sex. He becomes more of a tool and an object as if that's all he wants to be, because being a person who opens yourself up and lets people in and tries to care about people ends up with you being hurt, badly.
Which does bring things back to his super complicated slightly homoerotic to the point even the show had to mention it for a hot second relationship with Toki.
We can gather from Doomstar that Toki was far more into music when he first joined Dethklok which I think worked out great for Skwisgaar, because as I said before; Skwisgaar communicates through music and this gave him somebody that he could talk to without the awkwardness of verbally conversing.
Though that changed clearly and you can feel that Skwisgaar is bothered by it, like in some weird way it feels like a minor betrayal. Toki notoriously never practices or puts in a lot of effort in terms of making music which Skwisgaar often comments on, complains about, or gets on him about. Reasonable. Guitar is part of who he is, but at the end of the day a talent that made him rich, that's what it is to Toki.....Skwisgaar on the other hand his guitar is literally an extension of himself and seeing him without a guitar in his hand for longer than a single scene gets weird.
Still despite the two of them losing the art of communicating through their music....they're close. Super fucking close. If you watch Metalocalypse and tell yourself going into the show that you're going to focus heavily on a single character or on a certain relationship you notice a ton of shit. Like you notice that Toki and Skwisgaar almost always sit together, stand together, talk over one another, finish each others weird sentences or ideas, copy each other to the point they spend an entire episode bickering like children over copying each other, and often spend their time hanging out together. Again. They're really close as if they're a single person split into two.
They're close to the point that inverse their fans just to some extent assume the two of them are fucking and madly in love and I mean I'm gonna be honest just objectively speaking here I would not be surprised to find out they have had sex before at least once or more times. Just saying.
That aside though and just sticking to the platonic here....They're close, Toki means as much to Skwisgaar as guitar does, and that's saying a lot. One big reason I want to bring up their relationship is that his relationship with Toki brings to light Skwisgaar's issues with death or more specifically death where Toki is concerned.
In season one when Toki has a bit of a breakdown and Pickles suggest they kill him, Skwisgaar looks tense and uncomfortable and says that he doesn't like the idea because it's a lot and it makes him feel not so good. In a deleted scene where the band watch Nascar together Pickles ask Toki and Skwisgaar if they were supposed to be dead or in jail or something because it's the same episode where they got shit faced and got into a high speed chase. Skwisgaar when responding about it changes the word dead/death out for sleep, stating they were supposed to be put to sleep but just had to do community service instead (Toki corrects that it was jail, not being put to sleep). In the deleted IKEA scene when Toki stressed says maybe the two of them should just kill themselves Skwisgaar immediately freaks out and later when they return to Nathan and Murderface they both look super emotionally fucked up and when Nathan ask if they had been crying Toki gets defensive and says no while Skwisgaar beginning to cry again says they had been crying. Then of course after Toki ruins Skwisgaar's reputation and becomes Magnus Jr. for a few weeks and ends up having a panic attack and making an ass of himself....Skwisgaar thinks he's having a heart attack and freaks the fuck out terrified that he's dying.
Then finally for a compilation of Skwisgaar not handling Toki dying well; in Doomstar before they go in to save Toki Skwisgaar makes the sorrowful comment that sometimes he wonders if they should have stayed a one guitar band. It isn't him being a dick, he isn't saying this isn't worth it. He's saying essentially that Toki was stabbed, kidnapped and possibly murdered and it's completely his fault; if he hadn't taken Toki in then none of this would have happened. Which immediately leads me to believe that post the funeral episode that Skwisgaar spent those months high and drunk and late at night blaming himself for Toki being taken/murdered. That's a lot of blame to put onto yourself and to say its your fault solely because a few years ago you took this kid in off the streets is honestly heart breaking.
Early on in the series there's an episode where Toki's pissed that he isn't seen as Skwisgaar's musical equal, he wants solos, and Skwisgaar turns him down. Which through the series and within that episode itself we easily learn why Skwisgaar never gives him a solo; Toki has performance anxiety and he never practices and quite honestly knows almost nothing about guitar. It's valid. Either way in this particular episode Toki gets pissed and decides he wants to take lessons, Skwisgaar offers and Toki turns him down because last time they tried...he kind of just ended up beating the shit out of Skwisgaar. (to be fair don't dump a bucket of blood on your friend's head) So he goes off and finds an elderly man to teach him how to play guitar, Murderface being a dick decides to tell Skwisgaar that Toki is super good at guitar now and.....Skwisgaar doesn't react well. He gets pissed off and has nightmares about Toki becoming better than him. He even confronts Toki and his guitar teacher and threatens to kick him out of the band. When he realizes at the end of the episode that Toki is still....really not great with music....he's chill again, everything is forgiven.
I kind of think that episode is a reason people perceived Skwisgaar as a dick or is one reason, but honestly he isn't being a dick. I mean sure, a bit, but they're all dicks. The thing is guitar is a crutch for Skwisgaar, it is super important to him and he doesn't know who he is without his guitar, without his music. So somebody else threatening to take that from him freaks him out and he reacts poorly to it.
Then we get to near the end of the show when the same issue arises except completely different. Toki again later in the series ask Skwisgaar for a solo and Skwisgaar annoyed refuses him, Toki being the mild psycho shit that he is decides to just kind of ruin his life as revenge. Again by this point in the show its kind of obvious if you actually pay attention at all that Skwisgaar keeps telling him he can't have solos because Toki never fucking practices and even in the studio Skwisgaar has to record most of the rhythm guitar parts. He's also known since Toki's audition that the kid is prone to choking up and making mistakes, so he's technically protecting him without just outright confronting him.
Toki writes a book calling out Skwisgaar as an abusive tyrant and an over dramatic bitch. Admittedly Skwisgaar is a slight diva and just like the rest of them can be a total asshole, admittedly to a lesser degree than the others. What's really fucking interesting for me personally about this episode is that Skwisgaar is catatonic and depressed for 99% of it. He doesn't speak. This starts literally the second that Toki releases his book saying that Skwisgaar abuses him, this is before Skwisgaar's career goes down the toilet, his career hadn't been impacted by this yet.
Skwisgaar falls to pieces because Toki, Toki who he's known since he was just sixteen and took in off the streets and they're always practically attached at the hip and have been since day one just released a book calling him an abusive monster.
I do have a feeling one reason this fucked him up is because he might be terrified that he's turning into Magnus without realizing it, that perhaps he has become an abusive monster and has been making Toki feel the way that Magnus made him feel towards the end of his time in Dethklok. I think there also is probably something soul crushing about the person you love platonically or otherwise referring to you very publicly as abusive. Of course all of this worsens when Skwisgaar's career begins to fall to shit, eventually towards the end when Toki is at the top of his ego trip being a prick Skwisgaar does confront him, that in itself is interesting.
Skwisgaar goes in way calmer than I would be in that situation, sure he gets pissed off as they bicker, but again he's waaayyyy fucking calmer than anybody else would be especially since Toki just yells at him through the entire conversation. Of course interestingly is that Toki perceives Skwisgaar in a way that isn't entirely true, he thinks Skwisgaar mocks him and thinks of him as nothing which isn't true at all, when he says Skwisgaar laughed at him he just responds that he never did that and he sounds slightly hurt by that. They're both hurt and none of these men are good with healthy emotions. Skwisgaar never loses his shit on him in the entire conversation, he looks like he could easily go ape shit but instead warns him that the audience will eat him alive the second he fucks up.
Which turns out to be true, Toki fucks up and people begin turning against him which leads to him having a severe panic attack. Like I mentioned before Skwisgaar thinks he's dying and tries to save him, scared out of his fucking mind at the concept of Toki dying. Which....the dude just spent several weeks treating you like garbage and calling you a monster who abuses him, if Skwisgaar was actually a shitty person then he would have laughed at him or mocked him or given him shit about this moment for years to come....but he doesn't do any of that. He is worried about saving him, probably terrified that if Toki dies then their last conversation was a fight.
Their dynamic changes a lot after this, not in a way that's overly obvious unless you watch it closely. They spend a lot less time together and what feels almost out of character initially in Dethcamp is....Skwisgaar easily going along with Murderface and bitching about Toki, because....again can't stress the Scandinavian dudes are always attached at the hip and now suddenly he's easily saying mean shit about Toki. It feels weird until you remember that not long before this they had a massive fight, Toki called him abusive and momentarily ruined his career and most likely afterwards tried to act like nothing happened at all while Skwisgaar probably wasn't capable of doing that.
Occasionally in season four Skwisgaar and Toki will sit together or stand together, still talk or have that physical closeness but it's far between and you see Toki spend a majority of his time with the toxic trio: Murderface, Rockso, and Magnus. Skwisgaar spends his time typically with Murderface and Pickles then near the end spends most of his time with Nathan.
Skwisgaar is a person who grew up in a home lacking affection and love or safety, he didn't grow up with examples of love or healthy relationships and as far as he's concerned relationships are a waste of time and energy because they all end the same.
Of course for as much as he says that, as they all say that....it's bull shit. He cares deeply about his bands and him trying to act near the end like Dethklok was just another gig it isn't, these people are his close friends and his only real family. Seeing Pickles and Nathan fall apart wrecked him and having Toki turn on him so easily gutted him. Skwisgaar is a super emotionally fragile person, he seems absolutely terrified of showing anger or aggression as if it's something he's never been comfortable with or learned when he was young gets you nowhere or perhaps there were men around who were violent and loud and it made him scared to ever be that way. He's the only one of the band we never see really lose his shit or be randomly aggressive and violent, he also strangely enough cries the most out of them canonically. People always make the assumption Toki cries a lot, but like canonically he cries waaayyyy fucking less than Skwisgaar.
I really find Skwisgaar interesting....clearly and this analysis might be a jumbled mess, but there's strangely a lot of things to unpack and things I probably didn't even touch on as much as I could have, because this is already insanely long. I have a deep appreciation of him rewatching this show now that I'm older and far more into analyzing works of fiction.
I hope that this was remotely coherent.
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yelenassecretlover · 3 years
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Dumb B*tch
anime: attack on titan
characters: ymir x fem!reader
Synopsis: After moving to a new area you meet a new friend on the school bus
warnings: cursing
words: 680
a/n: writing this fed my soul I want to write more ymir >///<
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7:15 am.
‘Seven. Fucking. Fifteen a…..m.’ You let out a deep sigh, you weren’t misreading your phone. The air was cold as you waited on the sidewalk for the school bus. You take a mental note not to wear your pjs next time. But you woke up late, and you were going to a new school where you wouldn’t recognize a single face, so you weren’t looking to impress anyone.
You don’t wait long. One look to the left and the nauseating yellow of the bus slaps you in the face. The worst part of the move is the making new friends part, leaving old friends sure, kind of sad, but it’s the making new ones that’s really killing you.
The bus beeps loudly as it stops in front of you. You’d be irritated but nerves of your first day are overpowering the feeling.
You slowly make your way to the top. There isn’t much chatter on the bus, everyone’s dead tired. Good to see no one gets any sleep regardless of what part of the country you're in. Looking into the bus, it’s full, you must be the last stop before heading to the school. What this means though is only a few seats are available.
You head to the back deciding you’ll attempt to make a friend once you get on school grounds, but for now you want to be left alone.
The only empty seat in the back has an occupant, a girl? She has short brown hair she keeps in a ponytail, many freckles, and a mean mug as she looks out the window. She’s wearing a simple white tee and black sweats, although extremely basic it fits her form very well. You see the backpack next to her taking up a seat and decide to find a different spot and not disturb her, confrontation not your forte.
“Hey!”,
you hear her voice and the ruffling of a backpack, you turn to her, a bit confused. ‘God did I do something wrong, I can not fight it’s 7 am’. The girl gives you a tired look, and you notice the backpacks gone.
“Well don’t just stand there, you'll fall on your ass like an idiot”,
As if speaking into existence, the bus rides over a bump and you're sent flying to her. She catches you but she’s laughing? You land with your back on her lap and her two arms around your waist. You're looking at her, your face hot. You’re definitely awake now. You clear your throat,
“Um let me go?”,
She chuckles before releasing you,
“You’re cute, in a dumb bitch kind of way” you shift a bit uncomfortable in your seat,
‘“Hmm thank…you? I’m not sure if I should be offended…”
She extends her hand out,
“Don’t be, I love dumb bitches, I think they’re hot. The names Ymir ”
You take her hand,
“(Y/n), and I’m not usually dumb…. I’d like to think”, you both laugh. You both feel the bus physically stop, and look out the window.
“we’re here” you sigh,
“So it seems”.
Ymir’s the last one to get out of the bus. She’s holding her backpack over one shoulder, it’s very….attractive. She notices you staring at her.
“It’s called a backpack. Although it may seem as if you never heard of one given the fact you don’t have one”
You look at her confused before your face transforms into complete shock, you insitctvely pat your body down as if that would make it appear.
“Your fucking joking, my fucking backpacks home” you groan as you fall to the ground and grab your head in embarrassment.
Ymir squats down in front of you, her laughing makes you look up at her teary eyed, she’s smirking, but her stare’s unforgiving, you almost flinch. With emphasis on the last word she puts her finger under your chin capturing your full attention,
“I knew I’d like you, my little dumb bitch”
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mrkcore · 3 years
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𝐆𝐇𝐎𝐒𝐓 𝐎𝐅 𝐘𝐎𝐔 - 𝐧.𝐣𝐦
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𝐩𝐚𝐢𝐫𝐢𝐧𝐠: na jaemin x f!reader
𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: jaemin as DC’s nightwing/dick greyson, hero!jaemin
𝐬𝐲𝐧𝐨𝐩𝐬𝐢𝐬: you’re the one picking him up, piece by piece, even when you’re gone.
𝐠𝐞𝐧𝐫𝐞: angst, fluff
𝐰𝐚𝐫𝐧𝐢𝐧𝐠(𝐬): profanity, character deaths, blood, gun use
𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 5.3k (woopwoop!)
𝐥𝐢𝐬𝐭𝐞𝐧 𝐭𝐨: ghost of you - 5sos, lie to me - 5sos, woke up in japan - 5sos, want you back - 5sos, more - 5sos, better man - 5sos, moving along - 5sos, thin white lies - 5sos, red desert - 5sos, lonely heart - 5sos, high - 5sos (just me being 5 seconds of summer trash)
𝐚/𝐧: part of @nct-writers​ collab, the heartbreak hotel (this is probably the longest fic i’m ever going to write, so pls gimmie feedback i will love you forever)
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“imagine you're watching a runaway trolley barreling down the tracks straight towards five workers who you do not know and can't escape. you happen to be standing next to a switch that will divert the trolley onto a second track. here's the problem. that track has a worker on it, too, just one, but they’re not a stranger. what do you do? do you sacrifice that one person to save five?”
jaemin regrets being the hero in the story. 
jaemin regrets everything.
he constantly ponders the situation playing out where he wasn’t the protagonist. people have always said, “a hero would sacrifice you to save the planet, but a villain would sacrifice the planet to save you”. jaemin always thought that was bullshit, but now he knows the despairing truth. 
he regrets, he regrets, he regrets. but regret won’t bring you back.
you seemed so sure when you told him to let you go and it’d be okay, it wasn’t his fault. how was it so easy for you to think and say that? not his fault? he was basically the reason you’re dead. he just found you after so many years, now you’re gone again; but this time, it’s for real, forever.
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jaemin remembers the cold tiny room he was forced to sleep in with the other children in the circus. 
it was a nightmare every single day. with kids screaming, singing, laughing, and running around the room, nobody could get any sleep. what made it worse was that jaemin had no one to talk to. 
none of the other boys liked him, being handsome, dubbed the “face of haly’s circus”, always talking behind your back how the boss always favoured him because he was bringing so many more views in. girls swarming around jaemin ever since him and his parents ever joined, it was so obvious that he was the most popular. jaemin never liked the attention, he was only trying to survive after all.
then, you arrived. 
y/n, the confounding witch, they called you. 
conjuring up little tricks for audience members, brewing up drinks to transform participants into different species of animals, and controlling birds in cages were only a few acts you could do.
the first day boss introduced you to everyone, you seemed so bright and excited to be joining. your unique eye smile, bubbly personality, and caring nature drew jaemin to you. he’s seldomly trying to calm the younger kids down so everyone can rest, but your patience and compassion towards the kids were something they weren’t used to, and eventually caved in.
soon, it became quieter in that god awful room jaemin always dreaded. but jaemin's heart beat louder in his chest than ever.
jaemin was never one to show off. like we established before, the attention jaemin got was not appreciated by him. except, it became different when you arrived.
he was constantly trying to impress you, sway you, hoping the things he did for the crowds of girls that rushed to buy tickets to see him, would work for you too.
however, that was just his wishful thinking.
you were unlike any of the interactions jaemin had with the opposite gender. you were confident, yet humble, witty, intelligent, and easy-going. he is constantly flustered whenever he is engaging in a conversation with you, but tries to act nonchalant whenever he knows you’re nearby.
after shows, girls screamed and bolted towards the entrance where jaemin stood for exit duty, to say goodbye to patrons. he’d always try to be paired with you for it, trying to make you jealous. 
but of course that never happened. jaemin would always be trampled by his enthusiastic female supporters, as surges of them stopped to interact with him. flirting with them all at the same time, they all swooned over your charms. he’d always see you giggle, laughing at his bursts of confidence he’d never have with you by yourselves. 
this continued for a year, until one day, you let something slip.
“ladies, ladies, i’m so glad you could join us for today.” jaemin smiled at the groups in front of him, glancing at you walking an elderly couple out of the tent. “make sure to take good care of yourselves, wouldn’t want anything happening to any of you sweet gals.” and cue the squeals. 
“hope you had fun pretty boy.” you directed to him calmly, as you walked back into the circus. jaemin’s head snapped to stare at your back. he’s stunned, did you just call him a “pretty boy”? 
remembering that the crowd in front of him was still there, he reacted quickly.
“i guess it’s time for me to go, i’ll catch you lovely girls at my next show, i hope.” he leaves with a wink, following your path straight towards you. 
finding you in your little assigned room, jaemin barged in, gaze fixated right on you, not even thinking what to say.
“oh, jaemin, hey.” you say, not even batting an eye, you’re focused on the book in your hands. “what’s up?”
“you called me pretty boy.” he breathed out. 
“yeah i did,” you’re still not paying attention to him. “what about it?”
“you think i’m pretty?” jaemin is suddenly very close to you, his hand caressing your face, lifting your line of sight up to meet his gaze. 
his eyes are sparkling, cheeks a slight tint of pink, with a look of determination. of course you thought he was pretty, anyone who said otherwise would either be lying, or have never seen his gorgeous face.
jaemin must’ve been acting impulsively, because when he realized how close he was to your face, he immediately pulled back.
“i am so sorry,” he says in disbelief. “i don’t know what came over me.”
“it’s okay,” you smile at him, grabbing his hand to where it was before. “i liked it.”
jaemin is flustered again, standing completely frozen as he admires your face up close. 
you’re breathtakingly beautiful. he’s known that you were attractive, but this just created even more butterflies in his stomach. 
“and yes, i do think you’re pretty.” you wink at him.
and that’s where it started.
you and jaemin started spending time together more.
jaemin was still a bit nervous and frenzied at the beginning, but that melted away, and his flirty, outgoing, and annoyingly confident side was revealed to you.
you were also quite popular amongst the other boys in the circus, so when you two were seen more frequently together, they started spreading rumours about jaemin to get you two away from each other.
“oh jaemin’s just trying to use them.”
“jaemin thinks after getting with them, he’s going to cross all of the names off his list.”
“he’s such a player, y’n’s too good for him.”
of course you’d hear them more often than him, the guys would always say these kinds of things around you.
but you know they’re just trying to stir up trouble. so you ignore them. 
just like how jaemin ignores the talk about you amongst his female supporters.
“she’s trying to take him away from us.”
“he’s not as happy anymore.”
“she thinks she’s all that, he’s probably just a new notch in her belt.”
of course jaemin would never listen to them. they’d never know about the secrets you had together, sneaking out of your rooms and sitting on the roof at night stargazing, your note exchanging, late night talks; they knew none of that. 
“i wish things weren’t like this,” you sighed, leaning on his shoulder as you two look at the early sunrise. “i wish we could be free and do whatever we want. this is so unfair.”
jaemin has never really thought about that. every day, his head was flooded with you. but now he thinks about it, it truly was unfair.
jaemin wishes he could take you on on real dates, take you on meaningful trips to explore the rest of the world. not hidden in this awful place where you could barely talk to each other in public. jaemin wishes he could give you more.
“it’s not your fault nana,” you look up at him like you’ve read his mind and know he’s overthinking. “there’s nothing you can do.”
“yeah,” jaemin exhales. “i know.” he tries to smile when you reach up to caress his face, you look at him with so much fondness, jaemin’s worries are almost all blown away. but you know he’s going to be pondering about this for the next week.
“maybe this just how it’s meant to be, our wicked fate.”
but all the gossip got to the point where the boss heard about it, and asked you guys to talk in his office.
“i think we should end it here.” you say one night on the roof, seemingly out of the blue.
“what?” jaemin is speechless, where did that come from? did he hear you wrong?
“he literally asked us to talk,” you’re facing the ground, not even daring to look at him. “it’s serious this time.”
“so you’re going to just throw all of this away?” jaemin asks, slightly furious. “just because of what a bunch of losers are saying?”
“it’s for the best,” you’re still not looking at him. “for the both of us.”
when you finally do look up to see jaemin’s reaction, you see tears in his eyes and you wish you hadn’t looked up.
“fine, if that’s what you want.” jaemin turns around and walks away, breaking that silence.
but what jaemin didn’t know was that it broke your heart to pieces. it took you so much courage to break it off with him, but in the end, you knew what boss haly was capable of. you needed to protect him, so if this is how it needed to go, it’s for the best.
the meeting the next day went smoothly, it was easy for both of you to deny everything since jaemin was giving you the cold shoulder. you didn’t need to pretend. it was for the sake of the both of you.
after the meeting, you didn’t get the chance to talk to jaemin as he rushed to get ready for his special act today. but it’s not like he would listen to you anyways, you couldn’t blame him.
you felt the aura of the circus today, it felt off. very off. 
maybe it was because you were so shaken by you and jaemin's fight. maybe it was nothing, and you were just overreacting. everything was probably fine.
except it wasn’t.  
as all of the spectators settled into their seats, when you tried to peak through the curtain to see the turnout, and as expected, it was packed.
but something catches your eye. a black raven flies in, the ambience in the tent suddenly changes so fast if gives you whiplash. this isn’t good. this isn’t good at all. something bad is going to happen, really bad. 
you’ve never seen that bird in your entire life, and it suddenly hits you.
someone is going to die tonight.
you pray and pray it’s going to be fine, but the unsettling energy gets to you. you need to tell someone.
“jaemin, jaemin!” you call out to him. he turns around, but when he sees you, his face turns sour. your heart sinks, but what you’re about to tell him is more important, so you brush it away.
“what do you want.” he snarls, you gulp back a sob. 
“something bad’s going to happen, i can feel it.” tears are threatening to spill out of you eyes. “someone’s going to die, and i don’t know what to do.”
“oh, so now you care?” jaemin rolls his eyes. “are you jealous that it’s my show tonight and all of those girls front row are here to see me and think they have a chance with me?” you’re shocked by his words, your eyes are wide. you never thought he was capable of saying something like that. “you’re just a little witch, and it’s all just an act. let it go.” tears stream down your face as jaemin huffs and walks away, strutting into the crowd as the ringmaster announces their act: “the flying greysons!”.
and jaemin was wrong. you were right. something awful happened that day.
jaemin watches helplessly as his parents’ high wires snaps and they pummel to their death. 
you were right. and he couldn’t do anything about it.
jaemin runs away that night as he leaves you in that horrible place by yourself, and you never see him again.
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and here jaemin is. 10 years after the incident, a college student by day, leader of a crime fighting superhero team by night.
after the incident of his parents’ death, mr. jung jaehyun finds him on his path. crying, sobbing, and vulnerable. jaehyun takes jaemin in under his wing. providing him shelter, food, and as much support as he could. jaemin slowly realized jaehyun’s second identity: batman. 
jaemin has heard of jaehyun’s street name. but he’d never thought that he’d meet him in real life, and batman would be someone so similar to him. jaehyun saw a reflection of his younger self, the grief of losing your parents, the reality check of the world being a cruel place at a young age, he didn’t want jaemin to spiral in the same way he did. 
so even though jaemin lived a life of normalcy, his past never stopped coming back to haunt him. 
especially you.
jaehyun dug up some information about the circus, and piles and piles of their dark secrets were revealed. so did the truth of jaemin’s parents’ deaths too. how a well-known and feared crime-lord, threatened the circus unless the owner paid extortion money. boss haly refused, and that night someone messed with the equipment for the performance, resulting in the catastrophe. 
you were right all along, and jaemin didn’t listen to you. it was his fault, everything was his fault.
he even left you there by yourself, all alone, and he never got to say goodbye. oh how wishes he could see you one last time, and say all those things he wanted to these years. 
nightmares woke him throughout elementary school, middle school, high school, and even sometimes during his college time.
the same dream over and over, you reaching your hand out for jaemin to grab and save, but he’s too far away. and you fade away. 
inspired by what jaehyun did to help him, jaemin started to do the same. 
with a bunch of lost and uncared for young kids in new york, jaemin took them under his wing like jaehyun did with him.
with help from trusted individuals he met on the street, mark, renjun, jeno, and haechan, they started to take care of chenle and jisung full time. getting them off the street, given proper shelter, food, water, clean clothes, and access to education, this was the start of the dreamies. 
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today was the same as any other.
jaemin’s philosophy and law studies class has just finished up and he’s walking to his favourite cafe to finish up some work.
“jaemin?” he hears a familiar voice behind him. 
he turns around and sees you. you haven’t changed a bit, still as homely and comforting as he can remember.
is he in a dream right now? how is this possible? 
“oh gosh, it really is you.” you laughed, the same laugh you had. jaemin feels this unknown warmth and reassurance with you here, like a weight has just been lifted off his shoulders.
“y/n.” he finally speaks. your eyes glimmer, looking at him affectionately.
“yep, right here in the flesh.” jaemin starts tearing up. “oh you big baby, why are you crying?”
jaemin pulls you in as he hugs your waist.
surprised by his emotional state, you were going to speak up again. but you choose not to. standing there, a bit awkwardly, stroking his soft hair, embracing him.
and you’re back. 
jaemin learns that you recently moved to new york city recently for your journalist job position, and you’re looking for a place to move in to.
he’s quick to offer his place, even though he’s still in college, his apartment is big enough for two people.
“are you sure?” you’re hesitant to accept his suggestion. “i don't want to be a big burden. you’re probably really busy as a student.”
“no, i’m fine.” he responds, enthusiastically. “my schedule is pretty much free since i’m third year now.”
and you accept. saying you’re only going to crash for a while until you found another place.
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cherishing the time you had together, during the day, jaemin went to his lectures while you went to work, but when you got home, you did everything together. to the point where jaemin barely saw the dreamies, his crime-fighting crew.
staying up to watch the stars and sunrise, talking and laughing until your eyes were threatening to close. conversing about literally anything. 
but as time went by, you noticed that jaemin didn’t really want to talk about what happened back at the circus. you understood since he lost his parents that night, but he never asked you about how you left and ended up in new york. but you don’t push it, you understand that it’s a rough patch in both of you guys’ lives. 
“do you have anything that you regret?” you ask one night, you truly were just curious.
“not listening to you that night.” he says, monotone. “and leaving you by yourself at the circus when i ran away.”
“jaemin…” you start, but no words leave your mouth.
“fuck!” jaemin abruptly exclaims, mood crashing, turning furious. “it’s all that bastard haly’s fault.”
you shouldn’t have asked.
“if he didn’t make that fucking circus, everything would have been fine! it’s his fault, all his fault, i’m going to get revenge and kill that son-of-a-bitch one day!” he’s yelling now. “we could have met in normal circumstances, we could’ve gotten married, created a family, enjoyed life like all of these snarky city folk. why?”
you wipe the tears that are rolling down his face as he turns to cry in your chest. 
“i’m sorry i brought this up.” you pat his head as his sobs turn into soft snores, head in your lap. “maybe this just how it’s meant to be, our cruel fate.” 
it’s been a year now. it doesn’t seem like you’re moving out anytime soon, but jaemin’s not complaining. he loves having you here, you’ve become a standard part of his day. 
with jaemin more adapted to your appearance, he has started to become more involved with the dreamies.
helping 10-15 kids each month, the squad has advanced to milestones jaemin never thought it’d be at. he is so thankful to have the group and you there supporting him.
you’ve even discussed marriage. 
“y/n na has a nice ring to it, y’know.” jaemin beams.
“you’re such a softie.” you giggle out, but jaemin knows you like it. 
jaemin knows you want to wait until you have a stable job and when he graduates, but the thought always makes him elated. 
“what song would you play for our first dance at out wedding?” he asked one morning, waking up to the sun shining heavenly on you.
“hmm,” you grin. “best part, daniel caesar, h.e.r.”
“you’re perfect.” jaemin kisses your face as you cuddle into his warm chest.
imagining you in a white dress, walking up to the alter on your wedding day, saying your vows, slow dancing. you’re the only person jaemin has visioned a future with, and the only person jaemin wants a future with. 
the next day, you agree to slow dance with him in the living room.
jaemin is on cloud nine.
but like the old saying, all good things must come to an end. 
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it’s been 5 years now.
jaemin comes home one night to the apartment door open, which is really unusual.
jaemin thinks it might be a robbery, but nothing is stolen, the apartment looked the same as it was when he left this morning.
but you’re nowhere to be found. jaemin isn’t panicked, maybe you went on a walk and forgot to close the door–
there’s a note on the dining room table.
“meet me on the top of the empire state building to see y/n, if you bring someone else, it’ll be for the last time.”
what is that supposed to mean?
was it one of the dreamies’ past enemies trying to get back at them? 
nonetheless, jaemin is bolting out the door.
when he gets there, he sees the dreamies tied up, sitting and struggling at the feet of someone jaemin never thought he’d see ever again. c.c. haly, the owner of haly’s circus jaemin escaped a whole decade ago.
haly smirks as he sees jaemin approaching, but jaemin is scowling. 
“what are you doing here?” jaemin snaps out, carefully advancing.
“i’m here to finish what you started.” haly says.
“how did you even find me?” jaemin snarls, stopping a fair distance between him and haly. “how did you find my friends?”
unexpectedly, haly starts to cackle loudly at his questions. turning around to reveal someone who has been absent, someone jaemin would never have thought of.
you. 
jaemin’s mind is internally crashing. why are you with haly? what is going on?
“y/n, do you want to explain to our dear jaemin here what’s going on?” haly finds so much amusement playing with you both, watching this event unfold.
“jaemin, i’m so sorry.” your lips are trembling, tears are starting to flood your vision.
“so it was all a lie?” jaemin can’t believe it. “everything that happened this year, it was just you building up to just stab me in the back?”
“i did it to protect you.” you’re sobbing hard now.
“save it.” jaemin cuts you off, now focusing on haly. “what do you want.”
“i want you dead.” haly says, blankly. 
“so what’s the deal.” the dreamies’ mouths were duct taped, but their muffled cries can still be heard.
haly is howling again.
“i get to kill you,” haly grins sinisterly. “and i let y/n and your little friends free.”
“if jaemin says yes, let me say one last thing to him.” your crying has stopped. “it’s the least you can do.”
jaemin is confused. are you just offering him up to haly with no fight? what are you thinking?
you look at him with pleading eyes, asking him to trust you. 
the same eyes he saw that day his parents died, and he knows to trust you.
“okay,” jaemin states boldly. “i say yes. now let y/n talk to me.”
haly is stunned. how did you convince jaemin to agree so quick? maybe haly was right to use you this time. the least he could do is to let jaemin and you have time to still pretend to be in love. so haly allows you to walk up to jaemin to talk.
“y/n, what are you doing.” jaemin whispers frantically.
“trust me, trust me this time.” you glance at him with weary eyes. “when i’m walking back to haly, when i signal to you, i want you to grab your friends and run. can you do that for me?” 
“what?” jaemin tries not to react to much that haly catches on, but do you hear what you’re suggesting? “you want me to just leave you here again?”
“jaemin listen to me, i’ll be fine. trust me.”
and you turn around, not letting jaemin respond.
there’s nothing he can do but go along with your plan.
and when you signal to him behind your back, jaemin grabs the dreamies and drags them away. everything is a whirlwind and happens in a flash. jaemin looks back and you’re struggling trying to get the gun out of haly’s hand. 
you notice jaemin stopping.
“jaemin, fucking RUN.” you scream at him.
there’s nothing he can do. and he hates himself that he got himself in this situation again. so he runs again, like the coward he is.
jaemin runs, because literally the dreamies’ lives are depending on him. when he gets them to safety, when he unties jeno, jeno pushes him towards where they came from.
“go.” jeno is huffing trying to catch his breath after removing the duct tape off his mouth. “i’ll untie everyone else, go get her.”
jaemin looks at jeno, and turns back for you.
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when jaemin arrives back at the scene, you’re on the ground. he runs panic-stricken to you, finding you bleeding out really hard. 
“y/n? y/n, y/n please, are you okay?” he’s shaking you, distraught seeing you in this state.
“jaemin, i’m okay.” you say, barely any breath left in you. “i have the gun here, haly is behind the big box over there.”
“y/n, what are you talking about, we need to get you to the hospital.” jaemin tries to pick you up but you don’t allow him.
“use the gun and kill him.” you mutter out, quieter than before. “it’s what you wanted, jaemin. and he’ll be gone.” you’re smiling softly just thinking about it.
“y/n, are you insane? you’re going to die i could care less about haly, i’m taking you to the hospital–”
“jaemin let me go.” you mumble, stroking his cheek while you’re examining his pretty face for the last time. “it’ll be okay, it’s not your fault.”
“y/n…” jaemin’s tears are staining his shirt as he holds you tightly, trying to preserve your life.
“i love you, na jaemin.” a tear falls from your dazed gaze and trickles down your cold face. “i’m sorry that this is how it’s meant to be, our cruel fate.”
and you’re gone. 
jaemin screams. tears dripping down his face, he picks up the gun beside you and storms towards haly.
he’s basically sitting in a pool of his own blood and has no strength to get up anymore.
“is little greyson here to get revenge for his parents and little witch y/n?” he cackles even in the last moments of his life.
“yeah i am, they didn’t die for you to see another day too.”
haly is laughing sadistically again as if jaemin just told a joke, but the laughter subsides after the bullets fire through haly’s limp body. 
and he’s dead too. leaving jaemin alone, again. 
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it’s been 2 years since you’ve died.
here he is, waking up. still can’t sleep on your side.
he really can’t sleep on your side, because it reminds him of those times where he woke up to your warm embrace, and now it’s desolately cold.
there’s your coffee cup, the lipstick stain fades with time.
he’s saved everything you had, and hasn’t touched anything. he’s also saved everything you shared, your bed, your apartment, everything. he needs those to remind him of those bittersweet memories of you.
when jaemin was going through your stuff, he finds a piece of paper on your work desk.
my dear jaemin,
when you find this, i’m probably going to be gone. but that’s okay, and i’ll tell you why.
first of all, thank you so much for these past 5 years. thank you for showing me what living life is like, what being a part of a family is like, and what being in love is like. you told me you wished you could give me a normal life, and you really fulfilled your wish. 
you must have so many questions right now, so i’m going to answer them.
i never left haly’s after you ran away. i couldn’t. because he was threatened by so many mobs and gangs everywhere, he had to kill off the other people that were a part of the circus. but he kept me. because i was the key to you. the government started an investigation into him, and he needed to keep a low-profile, but he still was angry that you didn’t die that night too. so he plotted this for years, and i just had to go along with it.
at first, i only agreed because i wanted to see you. i was young and still naive at the time, thinking that he wanted to see you too. but as i got older, i saw what he was planning. he would kill me in front of you and then take you out as well if i didn’t do as he said, so i kept quiet. i really did this to protect you.
i enjoyed every second being with you. you showed me the meaning of life i heard our patrons talk about. you showed me what true love was when i saw those elderly couples walking together as they look at each other adoringly while telling me they’ve been in love and married for decades. if i could choose to stay with you for a lifetime, i would, i would choose it a million times.
but i thought very long about this, and it truly is the only way.
remember when i asked you if you regretted anything that night? you mentioned how you regretted not listening to me, how you left me alone at the circus. and that’s when i realized, it was indeed our cruel fate.
you feel bad for me. you feel bad that you didn’t listen, you feel bad for leaving me at the circus, but it’s been over a decade. i know with me constantly here, you’re never going to stop feeling guilty, you’d never let the past go. we’re too young, too dumb, to know things like love. but i know better now. 
so jaemin, i did what i had to do. the best for the both of us. you got your revenge for your parents, and you’ll stop feeling guilty because i don’t want to hold you back and keep you feeling like this forever. 
i’m sorry jaemin i put you through all of this, and reminder that this is not your fault.
my love, nana, truly, truly, truly, thank you for everything. everything, everything, everything. 
there wasn’t a single day where i stopped wanting you. i want you in the most innocent form, i want to say goodnight to you and give you forehead kisses and say i love you when you feel at your worst. i want you in ways where i just want to be next to you and nothing more or less. i wish i could explain your eyes, oh how i adore your angel eyes, and how the sound of your voice gives me butterflies. how your smile makes my heart skip a beat and how every time i’m with you, i feel so complete. i swear when our lips touched, i could taste the remaining years of my life. i want you to know that when i picture myself happy, it’s with you.
i’ve looked at you in millions of ways, and i have loved you in every way.
but this is how it’s meant to be, our cruel fate.
my pretty boy, i love you forever.
his tears are ruining the page, and jaemin tries to wipe his tears away to save the letter.
when he turns around, he swears he can see you. and he chases it down, with a shot of truth.
maybe if he dreams long enough, you’d tell him he’d be just fine.
walking into the living room, remembering how you guys would slow dance like it was your wedding. your wedding. 
and he drowns it out, like he always does. dancing through your house, with a shot of truth, that his feet don’t dance, like the way they did with you.
jaemin knows your letter was right, he’s going to slowly get better, but he needs some time. meanwhile, he needs something help him cope, to get him by. 
so he’s dancing through your house, with the ghost of you.
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©mrkcore, 2021.
155 notes · View notes
the-desolated-quill · 3 years
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WandaVision: ‘Subverting’ Good Television - Quill’s Scribbles
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(Spoilers for the first five episodes)
Hey everyone! Well... it’s been a while, hasn’t it? The last time I wrote a proper review or Scribble, people still thought the COVID crisis would be over within a month. The poor saps. But I thought that as a special way to mark this year’s Valentines Day, we could take a closer look at the Marvel Cinematic Universe’s shittiest power couple in their new Disney+ show WandaVision.
The first of many MCU spin-off shows that nobody asked for, broadcast exclusively on Disney’s totally unnecessary streaming platform, WandaVision is about everybody’s favourite whitewashed Nazi experiment and her red sexbot boyfriend as they try to fit into a suburban sitcom neighbourhood without arousing suspicion.
Yes, you read that correctly. The MCU has a sitcom now. My life is now complete.
Sarcasm aside, I was legitimately curious about WandaVision because of its unusual setting. And considering one of my most common criticisms of the MCU is its total lack of creativity, anything that’s even a little bit subversive is bound to attract my attention. Of course ‘subversive’ doesn’t necessarily mean ‘good.’ I could hand you a canvas smeared with my own shit and call it subversive. That doesn’t necessarily make it good art. And that’s exactly what WandaVision is. A canvas smeared with shit.
So lets split this critical analysis/review/angry bitter rant into two distinct chapters. The first focusing on the plot and setting, and the second focusing on the characters. Okay? Okay.
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Chapter 1: Bewitched
Critics seem to be utterly enamoured with the whole sitcom gimmick, and it is a gimmick. As far as I can tell from the episodes I’ve seen, the sitcom setting serves no real purpose whatsoever other than to make the show ‘quirky.’ Which I wouldn’t mind, believe it or not, if the show was actually funny. There’s just one problem. It’s not.
Now in some ways describing why a sitcom doesn’t work is often futile because comedy is largely subjective. What I find funny, you won’t necessarily find funny and vice versa. With WandaVision, however, I won’t have that problem. I can demonstrate to you precisely why WandaVision, objectively, isn’t funny. And it all comes down to one simple thing. The stakes. Or rather the complete and total absence of stakes.
The show makes it very clear from the beginning that none of what we’re seeing is real. The cheesy theme song, the era appropriate special effects (mostly. It’s actually very inconsistent), the joke commercials, and, in the case of the first two episodes, which are in black and white, the appearance of red lights and objects in Scarlet Witch’s general vicinity. (Gee, what a mystery this is).
Basically Wanda has brought Vision back from the dead and created this sitcom world for them to inhabit. I’ll explain the stupidity of this in Chapter 2. The point is none of this is real, and that has a negative effect on the comedy because the very nature of comedy is suffering. Take the plot of the first episode. Wanda and Vision have to prepare a dinner to impress Vision’s boss. If they fail, Vision could lose his job and the couple could be exposed as superheroes. If this were a normal sitcom, it would work. The stakes are clear and it would be satisfying to see the two struggle and overcome the odds. But here, we know it’s not real. If it’s not real, it means there’s no stakes. If there’s no stakes, it means there’s no suffering. If there’s no suffering, there’s no comedy.
It would be one thing if the unfunny sitcom stuff lasted for like the first ten minutes or so before making way for the actual plot, but it doesn’t. Oh no. It doesn’t even last for the first episode. Out of the five episodes I’ve watched, four of them are almost entirely about these unfunny, objectively flawed sitcom homages, each set in a different time period. The fifties, the sixties, and so on. And what’s worse is that nothing that happens in them is plot-relevant. That gets relegated to the last five minutes of an episode. So you’re forced to sit through twenty five minutes of boring slapstick and puns in order to catch even a whiff of actual story. Which begs the question... who is this for exactly? It can’t be entertaining to Marvel fans, who have to slog through all this pointless shit so they can figure out what the fuck is going on. Comedy fans may get a kick out of the sitcom pastiche at first, but after four episodes, surely the joke would wear thin. So why is it in here? Clearly someone in the writer’s room absolutely fell in love with the idea of doing a Marvel sitcom, but nobody put in any time or effort to figure out how it would work in context.
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I cannot stress enough how bad the plotting of this series is. As I said, the vast majority of a thirty minute episode is about shitty sitcom plots that aren’t funny and don’t have any impact on the story, only to then tease you with a crumb of actual plot in order to keep you coming back for the next instalment. Admittedly it’s an effective strategy. I was more than ready to quit after Episode 2 until that beekeeper showed up out of the sewer (don’t ask. It’s not important). WandaVision essentially follows the Steven Moffat school of bad writing. String your audience along with the promise that things might get more interesting later on and that all the bullshit that came before will retroactively make sense by the end. Except, as demonstrated with BBC’s Sherlock, that doesn’t work. And even if it did, it wouldn’t justify wasting the audience’s fucking time. And that’s what the majority of WandaVision is. A waste of time.
The only episode that doesn’t follow the sitcom format is the fourth episode. Instead it basically exists to explain all the shit that happened before. The shit that the audience, frankly, are smart enough to figure out for themselves. Wanda created the sitcom world as a way of coping with the loss of Vision, blah, blah, blah. Yeah, we got it. Thanks. It doesn’t advance the plot or anything. It’s just a massive info-dump. But by far the lowest point was when Darcy (by far the most annoying character in the first Thor film and is just as obnoxious here) was sat in front of the TV, watching the sitcom and asking the same questions we were. Not even attempting to look for answers. Just reiterating what the audience is thinking. Like this is an episode of fucking Gogglebox.
In the end it becomes apparent why the series is structured the way that it is. It’s to hoodwink people into subscribing to Disney’s stupid streaming service. If you think about it, there was no reason for WandaVision to be a TV series other than to lure gullible fans in with a piece-meal story buried in a mountain of crap. This isn’t a TV show. It’s what is cynically known in the world of big business executives as ‘content.’ They’re not interested in entertaining the audience. Instead they crave ‘engagement’, which isn’t the same thing. Watching WandaVision is like staring into the void, waiting for something to happen, while Disney charge you for the privilege.
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Chapter 2: I Love Lucy
So the plot sucks balls. What about the characters? Surely if Wanda and Vision are likeable at least, it’ll give us something to cling onto.
Well as I was watching the first episode, it suddenly hit me that I couldn’t remember anything that happened to them in previous films. I knew Vision died, but other than that, I couldn’t tell you significant plot details or their personalities or anything. Not a great start.
See, up until now, Vision and Scarlet Witch have been little more than background characters. So already there’s an uphill struggle to get us invested in their relationship, especially considering we haven’t actually seen that relationship develop. In Avengers: Age Of Ultron, Scarlet Witch is killing people because she’s pissed off about Tony Stark killing people (you work that one out) until all of a sudden she stops and joins the good guys because the script said so. Vision meanwhile is introduced as a convenient deus ex machina to beat Ultron and gets no real personality other than he’s a robot. Captain America: Civil War comes the closest to giving Wanda a story and personality of her own as it’s her actions that cause the Sokovia Accords to come into effect, but she never gets any real growth or payoff as the film is heavily focused on Cap and Iron Man’s penis measuring contest. And as for Vision, all he does in the film is accidentally cripple War Machine. No real character or arc there as such. And then we have Avengers: Infinity War, where Wanda and Vision are now sporadically in love and on the run until that pesky Josh Brolin, looking like a CGI cross between Joss Whedon and a grumpy grape, comes along and rips out Vision’s Infinity Stone to power up his golden glove of doom, and the film treats this like a tragic moment, except... it isn’t. Because we haven’t really had the time to properly get to know these characters and see their romance blossom. So instead it just comes off as hollow and forced.
WandaVision has the exact same problem. Apparently Wanda was so distraught about Vision’s death that she broke into a SWORD base, stole his corpse, brought it back from the dead... somehow, and then enslaved an entire town of people to create an idyllic lifestyle for her and her hubby while broadcasting it as a sitcom to the outside world... for some reason. Putting aside the dubious morality of it all, it’s impossible to really sympathise with Wanda or her supposed grief because we’ve barely spent any time with her. Had the Marvel movies taken the time to properly explore the characters and show us their relationship grow and develop, this might have had more emotional resonance. But no, it just happens. In one film they barely speak to each other and in the next they’re a couple. No effort to explore how they feel about each other or any of the problems that may arise trying to date a robot. It just happens and we’re just supposed to care. Well I’m sorry, but I don’t care. You’re going to have to try a little bit harder than that I’m afraid. What’s worse is that, thanks to the whole fake sitcom thing, it’s impossible to really become invested in Wanda and her plight because the show has to constantly keep us at arms length at all times in order to keep up the pretence that this bullshit is somehow mysterious.
Looking through the WandaVision tag, it amuses me how many people say that she’s acting out of character. And yeah, her actions are a bit of a head scratcher. Why would an Eastern European’s ideal life be an American sitcom? Why a sitcom? Why kidnap an entire town? Why keep changing the decade? None of it makes sense, but you’re wrong for thinking that Wanda is behaving out of character for the simple reason that Wanda has never actually had a character. In fact, ironically, Wanda mind controlling an entire town and forcing them to do her bidding is probably the one consistent thing about her as she did this in Age Of Ultron. In interviews, Elizabeth Olsen and Paul Bettany described how they used actors like Elizabeth Montgomery and Dick Van Dyke as influences, which is really funny because they’re straight up admitting they don’t have characters and even now they’re still not playing the characters, instead emulating the work of far better actors.
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As I was watching the show, it became abundantly clear that not only do Marvel not have the faintest idea what they wanted to do with these characters, but they also straight up don’t give a shit about these characters. Wanda in particular has had a rough time under the tyrannical regime of the House of Mouse. First they cast Elizabeth Olsen, a white woman, to play a Romani character, then systematically erasing her Jewish roots, even going so far as to put a cross in her bedroom in Civil War, and now the character is being butchered even more by forcing her into an American sitcom housewife role that she apparently willingly chose for herself, which is laughable. I mean say what you like about Magneto in the X-Men films, at least they actually depicted his Jewish culture. At least they recognised his Jewish background was important (though not important enough to cast a Jewish actor apparently). Wanda’s steady cultural erasure over the years is incredibly insidious and judging by Olsen’s comments in interviews, where she called Wanda’s comic book outfit a quote ‘gypsy thing’ unquote, it seems nobody has an ounce of fucking respect for the character or the culture she’s supposed to be representing. (and to all those kissing her arse saying it was a slip of the tongue, she has been repeatedly called out for using the slur in the past, so at this point I’d describe her behaviour as wilful ignorance)
If you want further proof of how much Marvel doesn’t seem to care about Wanda, look no further than her brother Pietro, aka Quicksilver. At the end of Episode 5, Wanda brings Pietro back from the dead, except it’s not Pietro. It’s Peter Maximoff, the Quicksilver from the X-Men films played by Peter Evans, who coincidentally is not Jewish or Romani either. So Quicksilver has the dubious honour of not only being whitewashed three times, but also twice within the same franchise. But should we really be surprised at this point? It’s Marvel after all. The same company that whitewashed the Ancient One in Doctor Yellowface and claimed it wasn’t racist because Tilda Swinton is ‘Celtic’. But now I’m going off topic. My point is that this isn’t a simple case of recasting an actor like Mark Ruffalo replacing Edward Norton as the Hulk. WandaVision actually acknowledges the recast in-universe, which makes no sense. Why would Wanda bring back her brother, only to make him look like a different person? We the audience may be familiar with this version of Quicksilver, but she isn’t. That would be like me bringing my Grandad back to life and making him look like Ian McKellen. He’d be perfectly charming, I’m sure, but he wouldn’t be my Grandad. 
If Marvel really cared about the characters or narrative consistency, they would have brought Aaron Taylor Johnson back. Instead, now they have absorbed 20th Century Fox into the hellish Disney abyss, they use X-Men’s Quicksilver as a means to keep viewers from switching off and so that people will write stupid articles and think pieces about whether the rest of the X-Men will show up in the MCU. It’s like dangling your keys in front of a toddler’s face to distract them from the rotting corpse of a raccoon lying face down in the corner of the room.
And it’s here where I decided to stop watching the show because fuck Disney.
Epilogue: One Foot In The Grave
You know, I am sick and tired of the so called ‘professional’ critics bending over backwards to praise these god awful films and shows when it’s so clear to anyone with a functioning brain cell how bad they truly are. WandaVision is without a doubt one of the most cynically produced and poorly structured TV shows I’ve ever seen. Its riffs on classic sitcoms are pointless and self-indulgent, the writing is terrible, the characters are unlikable and unsympathetic, and it’s entirely emblematic of what the entire MCU has become of late. And it’s only going to get worse as Disney drowns us with more ‘content’ to keep the plebs ‘engaged’. In short; pathetic.
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loserchildhotpants · 3 years
Text
Another destiel prompt from Twitter; say they’re dancing together, still trying to hide their feelings for each other, and because of that, avoiding eye-contract, the best the can, to ensure that the other character doesn’t notice how attracted they are to them (from this prompt list)
“Did you just turn her down?” Dean asks incredulously; Sam is busy sipping champagne next to him, but his eyebrows convey that he would also like clarification on whatever social interaction it is that Cas just had.
They’re all dressed to the nines, stuck at a posh wedding service until they solve this rogue Cupid case; it’s a low-risk case, but a case is a case, and they’ve got it well in hand.
Dean’s not been this dressed up since Bela stuffed him in a monkey suit, and he’d wager the same applies to Sam, but this is certainly the first either of them have ever seen Cas in anything other than his cubicle-life uniform.
Cas’ suit is sharp, pressed, striking, and he’s wearing a cerulean blue tie that has everyone meeting eyes with him coming up short. Predictably, he doesn’t know what to do with the attention, so he mostly apologizes awkwardly for those he seems to startle and thanks the handsy old ladies that liken him to long dead husbands.
With two flutes of bubbly meant for Dean and himself, Cas crossed the great hall, seemed to be stopped by a gorgeous young woman with dark hair, in a low-cut dress and a very promising smirk, but whatever exchange happened left her dejected.
“She asked me to dance,” Castiel tells Dean, passing him his flute, “I regretfully informed her that I don’t know how.”
“You can’t manage a simple little box-step for that hot piece? She was practically drooling, lookin’ at you!”
“We’re on a case,” he says, as though it’s a valid excuse.
“Nuh-unh,” Dean answers, shaking his head and putting his drink down on a nearby table, “That’s - that was a travesty, what I just witnessed. Babes are fuckin’ wasted on you, Cas.”
“She’s a fully grown woman, Dean,” Castiel corrects him, eyebrows scrunched in confusion as he brings his glass to his lips, “Besides, I’d only be wasting her time. I cannot dance, and I’d not be amenable to having relations with her, so it’s better I -”
“Not amenable?” Dean chokes out disbelievingly, “Who the fuck are you holdin’ out for?! Angelina Jolie?”
“I don’t know who that is.”
“It’s a shame you don’t know how to dance, though,” Sam interjects, seeing by the vein throbbing in his forehead that Dean is about to start shouting about beautiful women and Cas’ ineptitudes, “I could teach you, if you want.”
Castiel slants his mouth at Sam, and Sam smiles gently back at him, “I know it doesn’t sound like fun, but, honestly? It’s a good skill to have, and worst case scenario is that you brighten someone���s evening.”
Appealing to his kind nature is the right call; Cas can’t argue that point, so he puts his champagne down and walks up to Sam.
“Very well. Where do we begin?”
“Oh - we’ll probably wanna go somewhere more private, so we can move a little more freely.”
At Sam’s behest, Dean and Cas follow him across the great hall, out onto a spacious balcony, out of the way of most everyone. Double glass doors lead out to it, and flowers line stone railing; no moon is visible from where they are in the mansion, but the sky is bright with stars, and that’s light enough.
While Sam does a fine job of teaching Castiel, and Castiel is a very quick study, they struggle with their height difference while Dean tells them about their height difference, unhelpfully and repeatedly.
Eventually, Sam turns to Dean, and says, “you should step in, man.”
“What? I’m not short,” Dean pouts grumpily.
“No, but you’re at least shorter than me - it’ll make leading a little easier for him.”
Rolling his eyes as though he’s actually put out, Dean peels himself from the French window he’d been leaning on, and takes Sam’s place.
Even and paced, Castiel and Dean take a few turns around the balcony, and Sam is impressed, informing Castiel that it took him a full week of practice to stop tripping over his own feet.
“To be fair, you were still growing into them at the time” Dean jokes.
In a rare moment of familial levity between them, Sam laughs, and Dean smiles at him - all of that makes Cas smile too, and then Sam’s phone rings.
“Oh - it’s Natalie,” Sam lets them know, “She wants eyes on the dance floor for a minute - I’ll take care of it - Cas, you’re doing great, don’t stop practicing!”
To both Dean and Cas’ surprise and humor, Sam appears genuinely bereft to leave the lesson. They both seem inclined to respect Sam’s wishes, though, so they take another turn.
“You gotta stop glancing down,” Dean commands.
Flashing his eyes back up at Dean, Cas mutters, “it’s reflexive. I apologize.”
“Nah, it’s fine, man. You’ve got it,” Dean assures him, “Now that you know how to, you gonna ask that girl to dance?”
“Perhaps,” Cas tries to shrug, determinedly keeping his eyes up, “I feel certain she has moved on in her pursuits, but if I pass her again, I will offer a dance.”
“You know how?”
“Now, yes.”
“No, I mean do you know how to ask a girl to dance?”
“Is there a particular ritual involved?”
Exhaling a laugh, Dean brings them to a stop, and explains, “okay - I’m gonna show you how it’s done, alright? Then I’ll lead.”
“Understood,” Cas tells him with serious conviction, studious and militant.
Dean steps back and away, and they wait for the band’s dreamy rendition of The Way You Look Tonight to end before proceeding.
As The Book of Love begins, the live orchestra swells from inside the hall, Dean bows just a little at the waist, with his right arm crossing his chest, but his head up, and he inquires politely, “Castiel, may I have this dance?”
Tilting his head curiously, Castiel needlessly replies, “yes, Dean, of course.”
Smiling his most winning smile, Dean straightens up, offers his hand, and nods approvingly when Castiel all but glides into step with him.
He keeps the tempo slow, but incorporates making circles, turning them ‘round and ‘round the stone and marble balcony, up and down it’s length; Cas follows him easily, trusting Dean’s direction, and always operating on a similar wavelength - Dean thinks that maybe they dance together well because they fight together well.
“This is nice, Dean,” Castiel remarks softly.
A dusting of rosiness rises up in Dean’s face; he pulls Cas a little closer to better obscure his face from scrutiny, clears his throat and makes some noncommittal noise that could be agreement or indifference.
“You’re the one who taught Sam to waltz,” Castiel surmises conversationally.
“Yeah,” Dean answers.
“How is it that you came to learn it?”
“Eh, you’d be surprised what you learn on the job,” Dean replies easily, pulling away enough to spin Cas, and then move close in again.
“... you just spun me.”
“Yeah, I was there,” Dean jokes, smirking proudly down at Cas; “Don’t worry, when you get to be a seasoned pro like me, you can snazzy up your waltz too. Maybe next you can learn to salsa or tango.”
In a moment of silence between them, Dean follows Cas’ eyes to their clasped hands; Dean’s not sure what Cas is seeing, but whatever it is, it’s making Dean nervous.
“See now what that lovely lady wanted? Feel bad yet?” Dean prompts.
Castiel’s electric eyes refocus on him, startling him with their intensity just as they had the wedding guests that were strangers to Cas, “I do understand now. However, perhaps it’s the soldier in me, but I find I much prefer following than leading.”
“Ah, that’s just ‘cause I’m a great lead,” Dean teases playfully.
“Yes, you are,” Castiel reinforces, eyes flickering between Dean’s, “You do know I would follow your lead anywhere, don’t you?”
“Christ, Cas,” Dean swears, trying to politely move his too-warm face out of view.
“Really, Dean,” Castiel adds, squeezing Dean’s hand where they’re clasped; when that doesn’t work immediately, he takes advantage of a circling turn to near their faces - their noses almost bump, and Dean has no choice but to look into Castiel’s eyes, “I want you to know. You do know, don’t you?”
Swallowing roughly, feeling possibly feverish, Dean down, then away, “... you gotta stop saying shit like that, Cas.”
“Why?” he wonders, “It’s only the truth.”
Clearing his throat again - a nervous tic he didn’t realize he had until right then - he mumbles back, “yeah, well… I talk big, but I’m flyin’ blind, so maybe don’t follow me everywhere.”
“I’m a soldier, Dean. A Commander, actually. When I delivered you to the convent where Sam and Ruby were against the wishes of Heaven, I chose you. I pledged my allegiance to an Earthly King over an absent God, and I knew what I was doing when I did,” their steps slow down as Dean takes that in, “All I knew was that… I had faith in you.”
At that, Dean stops moving altogether, his hand slides down from Cas’ shoulder blade to the cinch of his waist, and he allows their joined hands to wilt a bit lower, but he doesn’t let go.
It seems then that Cas is the one having trouble keeping Dean’s gaze.
He looks to some faraway place over Dean’s shoulder, and rasps, “I still do. So, yes, Dean. I will follow you everywhere you lead, for however long you allow me to. I don’t mind flying blind if I’m flying with you.”
“Cas…”
With difficulty, Castiel looks back into Dean’s eyes, and Dean feels his heart thud in his ears. He wonders to himself if Cas can hear it, or feel it, but all Cas does is stare intently back at him, maybe waiting for Dean to confirm or deny something.
“Guys!”
Dean practically jumps away from Cas, frightened as if he’s been caught doing something untoward, but Cas is unbothered.
“I think I found our guy,” Sam announces, none the wiser, “And I think he brought a friend.”
“Yeah,” Dean affirms gruffly, “Got it.”
Sam turns back around first, through the glass doors, back into the busy hall, and Dean starts after him, a hand already twitching toward his holster, sparing Cas a look from over his shoulder.
The Angel is standing there alone, unmistakably ethereal with a backdrop of twinkling stars and lazy fireflies illuminating him; he’s examining his hand as though Dean may have left a mark or a message on him somehow.
“You comin’, Swayze?”
Cas’ eyes snap to attention again, and his forehead wrinkles, “... I don’t understand that reference,” but he follows after Dean anyway.
He doesn’t seem to notice how Dean clenches and unclenches his corresponding hand, but Dean wouldn’t be able to explain it if he did.
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