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#the Maestro
causalityparadoxes · 22 days
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My favourite thing from the new episodes is the lore they're building around Gods (or those from outside the universe) being able to interact with the 4th wall.
I cant quite remember but I think the Toymaker made a few nods to it? The Maestro absolutely did. They took the 4th wall and said hey babes! Pay attention to me ;) right now ;) LOOK AT ME
But the DOCTOR. Oh my god the DOCTOR Literally saying "I thought that was non-diagetic" The fact he can hear the shows backing music!!! (Does he just tune it out normally??) Absolutely insane concept i love it.
You could argue they alluded to this with the 12th Doctor playing the show's theme tune but to outright state it. My god where are they going with this i am obsessed
Similarly him winking to the camera at the end. Very reminicent of the 4th doctor skirting the same line.
But to have what were little silly allisions pointed out and clearly wrapped into the story? As a way of showing showing us WHO is godlike and WHO has connections to outside the universe? Again i am obsessed.
I'm guessing it will tie into their continued explorations of the Timeless Child. I am so excited to find out. I am so excited for more silly 4th wall breakers or perhaps one who makes it terrifying.
As a last, this also implies Mrs Flood is a God. Not surprising but interesting... I have absolutely no idea what to make of any of this.
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idkaguyorsomething · 20 days
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having a new villain show up and pull out the “you killed my father” card only to go “thanks, i always hated the bitch” has to be lowkey one of the funniest things in the devil’s chord though
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siffranne · 20 days
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PLEASE TELL ME IM THE FIRST TO MAKE THE JOKE
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elliottexists · 22 days
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timebones · 21 days
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Look I know that “the Doctor can hear the soundtrack” is possibly pointing toward some big series-long arc.
But in the meantime, I like to imagine that the music represents the Doctor’s alien senses, with the translation matrix turning it into music to make it comprehensible to us, the human viewers. Like when we hear ominous music or a familiar motif, the Doctor is sensing bits of the web of time, or using some other wacky timelord(ish) sense that we don’t have. The Doctor isn’t exactly breaking the fourth wall, but that’s the closest thing the TARDIS can use to approximate it.
It reads as genre savviness because that’s what it would be like if you kind of know the future. Not necessarily in exact detail, not enough to pick the right action every time, since there are countless possible futures/pasts for any non-fixed point. But the Doctor still has way more information about any given time than a non-time traveller would — and seemingly more than a human time traveller would either.
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northernfireart · 12 days
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it's been a while since I posted something from my sketchbook
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mndvx · 21 days
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— The sound of a nuclear winter, the purest music of all. — Aeolian tones, music without the need of people... DOCTOR WHO — THE DEVIL’S CHORD (S40E02)
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galahadwilder · 21 days
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A Theory About the Doctor’s Species of Origin
So usually in NuWho, whenever anyone asks if they have a name other than “The Doctor” or “Doctor,” the Doctor replies something along the lines of “nope, just the Doctor.” However, Fifteen has broken that pattern: when Ruby asked him about that, he responded that “the species that took me in uses titles like [rattles off a bunch]. Use ‘The Doctor’ for a thousand years and that becomes your name.”
The thing about RTD’s writing is that you can sometimes tell when something has extra emphasis, like the thing about the Bees in Donna’s season. And the Doctor repeats this bit of information twice, once completely devoid of context, making absolutely certain that you understand that “Time Lords use titles.”
Who else uses titles? Specifically, who in this season is big on titles?
Well, the Pantheon.
The Toymaker. The Maestro.
Hell, in Classic Who, the Toymaker was originally supposed to be part of the Doctor’s as-yet-unnamed species before Michael Gough died and became unable to reprise the role. The Maestro even gives the Doctor another title! “The Lord Temporal.”
The Toymaker uses doors to step from one end of history to another. The Maestro uses pianos. In both cases, they’re bigger on the inside—doors to extradimensional spaces. What if it wasn’t just Regeneration the Time Lords engineered from the Timeless Child—what if it was all of their tech? What if that’s why nobody can reproduce TARDISes properly—it’s not science, it’s play?
Last bit of evidence: the Maestro is aware of the background music and the fourth wall. They open the episode by playing the Doctor Who theme, intentionally triggering the opening credits. The Doctor is the only other character so far who’s proven to be aware of the fourth wall (the Beethoven’s Fifth rant in Before the Flood, for example), to the point that he even mentions during The Devil’s Chord that he thought the background music was non-diegetic—as in, he can hear the background music. He knows he’s in a show.
The Doctor, the Lord Temporal, might very well be one of the Pantheon.
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tinkerbitch69 · 22 days
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In reference to the theory I’ve seen going around that Ruby is secretly part of The Pantheon
The Toymaker= the living personification of games
The Maestro= the living personification of music
Both of them have the ability to warp reality specifically they often warp it to fit the rules of their respective concepts. The Toymaker makes the world run on the rules of a game, The Maestro makes the world run like a musical. And reality continues to warp around Ruby BUT it does so in very specific ways…
The space station adheres to the rules of a children’s story, the rules of time travel change to incorporate the butterfly effect based on stories she knows and coincidences or connections continue to pop up around her and the plot of a story is often built on connections, often coincidences that turn out to be anything but. So…
Ruby Sunday= the living personification of stories
What do we think, tumblr?
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cameron-possibly · 21 days
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like father, like child
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masterreborn · 2 months
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i’ll gladly eat my words if i end up being wrong but i am POSITIVE that jinkx monsoon’s character is not the master. naming her “the maestro” has to be a misdirect. the master has had a prominent role in five of the last six seasons and i’d be hard-pressed to believe RTD would bring the character back so soon. THAT BEING SAID. if the master doesn’t come back at some point in fifteen’s run and make out with the doctor onscreen for real i might commit a crime
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umbrellasareforever · 20 days
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I don’t wanna sound like a Negative Narvin™️ but almost every theory I’ve seen about Ruby has her ending up being the daughter of either the Doctor or a companion of New Who significance (River, Rose, etc) and the absolute dread that fills in me at the thought of that being the twist is almost incalculable. The thought of it is just so boring and so uninteresting to me that if the final twist is something along those lines I will be so deflated.
Personally, I don’t have many theories yet but I stick with my original one and that is that Ruby is what I will call a Paradox Baby™️. This means that the woman dropping her off at the church, her “mother”, is actually herself and we never truly learn the origin of Ruby Sunday.
She doesn't trigger any sort of paradoxical effects by holding her infant self because she was always the one holding her infant self. The reason snow appears when they discuss Ruby’s origin is because reality can’t handle looking too closely at the paradox that is her existence. The Maestro was so unsettled by the (Christmas) song in Ruby because the song is representative of her paradox. It’s why the TARDIS makes strange noises around her every once in a while. Hell, it could be why the whole butterfly thing happened (regardless of what the Doctor said). She is able to exist because after Flux and everything with Swarm and Azure, time and space are nowhere as synchronous as they once were.
Finally, it all lines up with her line from the trailer, “It’s taken me all this time to realize what I’m meant to do. I’m going to save the world.”
Realizing that she has no past to speak of beyond that Christmas on Ruby Road, she needs to look forward to her future, her purpose.
And in a way this all sort of parallels the Doctor’s story with his past. He’s an “adopted” child with no idea of where he’s really from, but that just means all he can do is look forward to the future and what he’s going to do with it.
Hell, not to get too conspiracy theory, but it would also explain the music choice in the primary trailer. Changes by David Bowie is about how you can’t change time but time changes you.
That’s my working theory, at least.
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nb-n0v4 · 22 days
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Hey Maestro I mean they
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thespianwordnerd · 21 days
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Adding 'drag queen bursting out of my piano' to the list of oddly specific and completely implausible fears that doctor who has induced in me
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narcatsisst · 18 days
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i really REALLY love the direction doctor who is going with the toymaker and maestro. dont get me wrong, i loved the master as an antagonist, but theres this specific type of crazy that the toymaker and maestro have. theyre both so silly and whimsical but that makes them even MORE scary. its just a game to them. there isnt a word in the dictionary that can explain how excited i am to see who shows up next
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I heard there was a secret chord that McLennon played and it killed the enemy of the time lord...
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