#the line change during the reprisal

[bananasareupsidedown]

#gosh #the line change during the reprisal #so GOOOD #the new song being based off the original song #claudine singing the TOP part this time instead of maya #mocking each other's introductions #the GAY dialogue #i didn't enjoy the movie but this scene #chef's kiss #certified mastapeece #revue starlight #revue starlight movie #these two characters saving revue starlight again #maya's entrance in uniform is also similar to her first revue with karen #there's just so much #FOR ME THERE IS YOU #IM SOBBING

[the-last-dillpickle]

DS9 trivia from IMDB - Part 1

- Colm Meaney was initially reluctant about signing onto the series. Meaney was comfortable playing O'Brien on an episode by episode basis for Star Trek: The Next Generation (1987), and at the time, was unsure if he wanted to play a full time television role.  

- Although we only rarely see it, there is an ATM in Quark's bar. It dispenses the various types of currency used by major races visiting the station: Federation credits, Bajoran litas, Cardassian leks, and Ferengi latinum.  

- Constable Odo was originally envisioned as a young Clint Eastwood type. When Rene Auberjonois was called in for his audition, the casting director told him that none of the previous actors had been "grouchy enough". So Auberjonois improvised his lines using his most gravelly voice, and secured the role. Odo's scoff eventually became such a character trademark that the screenwriters would often script it into his lines (as "harrumph!"), much to Auberjonois' annoyance.  

- Michael Dorn did not want to reprise his role as Worf, since the daily make-up application was exhausting, and he was relieved to be able to move on. Dorn said that the salary he was offered made him reconsider.  

- The Dominion storyline was originally only meant to span two episodes. Ronald D. Moore and Ira Steven Behr lobbied to make the storyline on-going, but met with resistance from Executive Producer Rick Berman, who wanted to maintain an episodic format to the series. After Berman left production to oversee the launch of Star Trek: Voyager (1995), Moore and Behr were given more creative control over this series, making the Dominion War the main plot of the show, and adopting a serialized format.   

- Wolf 359, mentioned as the battle site between the Borg and the Federation where Sisko lost his wife, is a real star that is seven and a half light-years from Earth.  

- In Star Trek: Deep Space Nine: Trials and Tribble-ations (1996) when Sisko and Dax see Kirk and Spock, Dax has the hots for Spock. In August 2017, Terry Farrell (Jadzia Dax) got engaged to Adam Nimoy, son of Leonard Nimoy (Spock).  

- The jars of "pills" in Dr. Bashir's office were filled with M&Ms. In many instances during the early episodes, the level of the pills would change between shots because crew members kept stealing them. The problem was solved by epoxying the lids in place.   

- When Colm Meaney was fitted for his Deep Space Nine uniform, he made two requests of the costume designers. He explained that unlike the officers, the non-commissioned Chief O'Brien was a working man. So he needed to be able to roll up his sleeves, and he needed pockets for his tools. The costume department altered his uniform accordingly.  

- The character of Morn (Mark Allen Shepherd), the Lurian bar patron who is always seen sitting at Quark's bar, was written as a nod to the character of Norm Peterson, played by George Wendt on Cheers (1982). Morn is an anagram of Norm. The mask worn by Shepherd originally had no opening for the mouth, so make-up artist Michael Westmore gave him lips over the course of the series, in case the character needed to speak. Several lines for Morn were scripted over the years, but unfortunately for Shepherd, these were always written out at the last moment. So Morn never said one word during the entire run of the show, leading to a running gag where bar patrons, station crew members and civilian residents often mention that Morn is excessively talkative off-screen, and "never shuts up."  

[justmystyles]

Series

Now You're In My Life

summary: a chance meeting at a diner turns your world upside-down and leads you on a whirlwind romance with one of the biggest pop stars in the world.

(More Than) One Shots

(One shots that got away from me, but aren't quite a series.)

Lost (2 Parts) Lose You to Love Me A run-in with your childhood sweetheart brings up old memories, and lingering feelings. Lost and Found You and Harry reconnected a month ago, and he insisted you come along for the final show. when your emotions start to get the better of you, you wonder if you and Harry could ever really just be friends.

End of the Road (2 Parts) Home Stretch As the tour comes to an end, the schedule starts to visibly take its toll on Harry, and you can't help but worry. Crossing the Finish Line It's the final show and Harry charms you into making good on a promise you made last time you were together.

Big Winners (3 Parts) Harry and Y/N have been friends for fifteen years, they finally work together on an album, and it leads them to a night that will change everything for them. Part 1 Part 2 Part 3

One Shots

All I Ask*

You're finally starting to get over Harry, what happens when fate brings you back together?

Having Your Baby

You get some life changing news, and come up with the perfect way to tell your husband.

Wallflower

You're sitting alone at a wedding, can a handsome stranger help you come out of your shell?

Line of Fire

You and Harry have been keeping your relationship off the radar, but his concern for you overwhelms his need for privacy.

Coming Home To You*

Harry comes home early and catches you by surprise in the best way possible.

Scars

Can Harry be the comfort you need after falling back into old habits?

Ooh La La

After a revelation on movie night, you and Harry decide to reenact one of the scenes.

Love Don’t Cost A Thing

Harry loves to spoil you, but you're having a hard time adjusting to his lavish lifestyle.

The Battle in Barcelona

A crazy crowd at the airport comes between you and Harry.

Misplaced Emotion

As Harry prepares to jump back into the spotlight, he has a hard time re-adjusting to public life, and it manifests in the wrong way.

Good News All Around

You reach a big milestone in your life, but feel overshadowed when you call to tell Harry about it.

Perfect Harmony

You're in the final days of the tour, and Harry makes a suggestion that ends up changing everything.

Lights, Camera, Action

What was supposed to be just another job becomes the start of something new.

Business or Pleasure?

You return to Love on Tour after an extended break, but after your last interaction, you come back to an awkward situation with Harry.

Reigning it In

You're about to participate in your first horse show, but the nerves overwhelm you. Harry finds you just in time.

Family Portrait

Harry has a couple of heartfelt surprises for you while you're visiting him on tour.

All or Nothing*

You find a new way to tease Harry during a tour visit, which leads to a new way to drive him crazy.

With this Ring

Harry takes his commitment to you to a new level.

Veiled Insecurities

Harry has some insecurities about your relationship, but instead of talking to you about them, they end up coming out in the wrong way.

Heart Song

As a former member of the Love on Tour band, and current girlfriend of Harry, he asks you to reprise your spot for the final show.

Road to Recovery

After reading some negative comments about yourself, you nearly spiral back into old habits. you try to keep it from Harry, but he finds out and confronts you about it.

A Work of Art

After procrastinating for a few weeks, you finally make moves to finish your assignment, but run into an unexpected road block.

He's Not Me

You introduce Harry to the guy you're seeing, and you see a side of him you've never seen before and are shocked by his reasoning.

Sharing is Caring

You can't find your favorite handbag, Harry assures you he doesn't have it, but you see some photos tell a different story

Cantaloupe

In this one shot/flash forward from the Now You're In My Life storyline, you and Harry recap the big news from your family's Thanksgiving dinner.

Like Riding a Bike

Despite being on break, Harry manages to find his way back onstage.

Fa La La La Freakout

You will be meeting Harry's family for the first time over the holidays, and you are desperate for them to like you.

The Morning After

The morning after Harry's 30th birthday, you're hungover and Harry reminds you of your drunken actions from the night before, leading to a conversation you never expected.

Baby-Baby-Baby

Harry meets his niece for the first time, the joy and excitement are quickly replaced with a whole new set of feelings when his best friend, Y/N joins him at the hospital.

Smoke & Mirrors

Harry asks you to move to London with him, but a new opportunity for him makes things a little more complicated than you'd both expect.

(*) - NSFW

#harry styles #harry styles x reader #harry styles x fem!reader #harry styles x fem! reader #harry styles x plus size reader #harry styles headcanon #harry styles meet cute #harry styles fluff #harry styles smut #harry's house #harry styles fanfiction #harry styles fan fiction #harry styles fanfic #harry styles fan fic #harry edward styles #harry styes imagine #harry styles x you #harry styles x y/n #love on tour #hslot #hslot harry #harry styles blurb #harry styles one shot #harry styles fic

[finleyforevermore]

~Things I would do if I played Quasimodo in The Hunchback of Notre Dame~

"No, last year, [Frollo] said 'someday.........maybe!'" is played for laughs.

Smiling but very confused during the end of Topsy Turvy, like "oh they like me now, ok, I'm still not really sure what changed in those few seconds-"

Like in a community theatre production I saw, I don't reject Phoebus' help following Quasimodo being attacked.

"Oh no, not me, gargoyle..." is played for laughs like in the Papermill production/boot.

For "But in winter...cold", I actually try to think of something to say before simply settling on "...cold"

I do the "oh I'm gonna fall!" trick more than once during "Top of the World"

Absolutely lovesick during "Heaven's Light"

Straight up BOLTING for the bells at the end of "Emeralda"

Quite confused at the start of "Flight Into Egypt", like "where did Saint Aphrodisius come from???"

My Quasi is the absolute WORST liar. It's a miracle Frollo believes him in the scene following "Flight Into Egypt"-

I do little jazz hands towards the statues when I tell Frollo I'm just talking to "....my friends!" after hiding Phoebus

Starts internally/not so subtly panicking when Frollo puts his lamp on the finger of the statue.

"It's a clue!....she gave me!" is played for laughs like in the Papermill production/boot.

Quasi says "I don't hear anything" (like in the aforementioned community theatre production I saw) rather than Phoebus; played for laughs.

I'm absolutely devastated during "In a Place of Miracles", almost crying.

Angriest "Made of Stone" ever XD

G note at the end of "Made of Stone"

Smiling during the "Made of Stone reprise" in the finale, like I'm saying to the statues "hell yeah let's do this!!"

Brief pause before I reply "Yes, your friend!" to Esmeralda. I'm sad that Esmeralda doesn't romantically like me but then it hits me that being her friend is still the greatest honor.

Barely containing anger when Frollo says he could've loved Esmeralda.

I whisper "yes I do" while the gargoyles whisper "yes you do"

I make it a bit more clear that Quasi killing Frollo was spur of the moment and in a blind rage, so when he says the "There lies all I have ever loved" line, and it works a bit better.

I give Phoebus a hug during the "Out There reprise" in the finale.

More of a directorial thing, but I keep the marks on my face, so I'm deformed along WITH the cast. I saw a comment on a video related to the musical (I forget what video tho-) where the acceptance of Quasimodo in the musical is less of "you're beautiful like us" like in the Disney movie and more of "we're ugly like you". I like that a lot more than what the show does. (everyone is deformed other than Quasimodo)

Either the townsfolk reveal they are deformed in their own ways like in the US productions or a crowd gathers around Quasi and young girl who is deaf like him signs "I love you" to him like in the community theatre production I saw.

🔔✨The end!!!🔔✨

#finley's dream roles! 🎭💚 #finley as quasimodo! 🔔 #quasimodo #thond #the hunchback of notre dame #the hunchback of notre dame musical #phoebus #esmerelda #claude frollo #don claude frollo #frollo #jehan frollo #clopin trouillefou #clopin #hunchback of notre dame #hunchback musical

[annabelles1692]

my favorite background moments in falsettos (2017)

this is purely because i am insane. it's a very long list. i might make a similar post for the bootleg of the original broadway cast because they are also very dear to me. anyway, list is below the line!

3:50 ("four jews in a room") during the last chorus, whizzer + mendel starting spinning in a circle as opposed to dancing normally

3:54 ("four jews in a room") trina accepts a piece of the block from marvin and grabs at the back of his head, seemingly picking something out of his hair and tossing it to the ground

17:16 ("marvin @ the physiatrist") following whizzer's "part two", marvin looks over at him and smiles (i can't tell if this is christian to andrew or if it's supposed to be in character)

21:55 ( "my father's a homo") as jason says "my mother's no wife" and "my father's no man, no man at all", both trina and marvin react to their relative assessment. trina stops for a moment and shoots jason a stern look, while marvin turns back at each repeat of 'no man' to stare desperately at him.

25:34 ("everyone tells jason to see a physiatrist") whizzer grins at jason encouragingly following his line "absolutely, jason"

43:16 ("a tight-knit family reprise") following mendel's line "it's embarrassing" marvin looks to whizzer and says "you're watching embarassing" (i'm like 90% sure on this one haha)

43:18 ("a tight-knit family reprise") as marvin's pushing jason away as he's on the cube, he says to him "i can't look at this jackass"

43:55 ("a tight-knit family reprise") after mendel and marvin arm wrestle, whizzer and jason exchange a look

49:50 ("trina's song reprise") trina reemerges having changed costumes, her outfit now including a beaded bracelet we see mendel wearing earlier on in the show

54:57 ("the chess game") as whizzer is yelling at marvin (and the audience) about marvin's absurd expectations, marvin says "come on" and "is that all you got?"

56:00 ("making a home") jason retreats to the background to set his chess board down as well as push in a looser block - not sure if this is just anthony fixing the set or if it's supposed to be in character. he then proceeds to watch trina + mendel setting up the couch before looking up/out to the audience as they do (with the lines "what it needs is people/men and women talking"). he does the same thing at 57:30 during the second chorus

56:23 ("making a home") whizzer is pulling out his clothes from inside one of the blocks, similar to how trina retrieves the couch throw pillows later on

57:08 ("making a home") the photographs they set on the mantlepiece appear to be historical family portraits; the one in the back is most likely trina as a child with her parents, and the one in front are mendel's parents (judging by the era of clothing)

1:03:40 (marvin hits trina") rather than use an instrument (like a clapper), whizzer uses his hands to make the slapping sound

1:05:22 ("i never wanted to love you") marvin and whizzer's eye contact lingers after whizzer's part. i'm curious what you all think christian's trying to express here - to me it looks like he's about to start crying before he turns away.

1:20:00 ("miracle of judaism") when the family erupts to tell jason the second ball is coming, marvin says something along the lines of "there's a...there's a what, what's happening - he's not looking". also, each character reacts in their own unique way. i love cordelia in particular because when jason looks over, she waves first before pointing to the ball

1:21:18 ("the baseball game") this is similar to the previous, i love focusing on what each character says.

cordelia: you're kinda choking up, buddy (motioning to the way jason holds his bat)

charlotte: next inning, jason, next inning

mendel: get your head in the game, think about the footwork a little bit

marvin: it's alright buddy, you'll get 'em next time

trina: you have eight more innings, my love!

1:22:40 ("the baseball game") cordelia + charlotte realize who whizzer is and are shocked, and then quickly try to appear nonchalant about it (1:22:50 you can see charlotte rest a hand on both cordelia and marvin's knees before all three adjust in their seats and separate)

1:23:16 (during "the baseball game") the lesbians nod encouragingly at marvin after whizzer asks "is he still queer?" (i absolutely LOVE this detail it's so cute lolol)

1:30:24 ("a day in falsettoland") cordelia reacts to charlotte's line "...lightbulbs up the ass" by dropping her smile + staring off into the distance in horror

1:30:33 ("a day in falsettoland") following charlotte's line "people overdosed and i saved them", cordelia nods at her + says "yeah, you did"

1:31:06 ("a day in falsettoland") charlotte laughs in shock when cordelia says "...and i save chicken fat"

1:35:25 ("everyone hates his parents") following trina's line "you have paintings of dicks/don't talk to me about taste", she + marvin have the following interaction:

marvin, smug: those are french

trina, exasperated: really?

1:43:15 ("something bad is happening") charlotte holds a copy of JAMA aka the "Journal of the American Medical Association". i'm unsure the larger magazine is

1:50:55 ("days like this") prior to the song beginning, whizzer says either "marvin" or "mornin'" to marvin

1:52:45 ("days like this") marvin turns and says something to whizzer (i can't figure it out and its KILLING ME) as mendel sings "go ahead, be good and pissed/how can i help, says the wiry pyschiatrist"

1:54:00 ("canceling the bar mitzvah") as jason gets up and walks downstage, trina nods in his direction - can't tell if this is her communicating with mendel or marvin, or perhaps both

2:01:30 ("unlikely lovers") following whizzer's line "i love friends that hover", charlotte reaches over and playfully pinches his shoulder

2:09:30 ("jason's bar mitzvah") while trina is singing "probably it's doubly useful/at a time like this", mendel says something akin to "you don't have one/you don't have some?", most likely to jason in regards to the champagne

2:09:38 ("jason's bar mitzvah") after saying cheers, marvin first looks to whizzer and then to jason - presumably because this is jason's first time drinking alcohol. my guess is that he says "good?", asking for jason's opinion on the champagne

2:09:50 ("jason's bar mitzvah") while whizzer sings "please excuse me if i interfere", mendel and marvin have a brief conversation about the cubicle curtain. it's fairly inaudible so i'm not sure of the exact wording

2:12:00 ("jason's bar mitzvah") as marvin is fixing jason's tie, he whispers to him "relax, relax". while the cast sings "like marvin", marvin continues speaking to jason by saying "is that so hard?"

feel free to reblog and add any i've missed! i tried to include those i discovered on my own/ones i haven't yet seen talked about

#falsettos #falsettos proshot #falsettos facts #falsettos analysis #i have too much time on my hands #whizzer brown #andrew rannells #trina falsettos #whizzer falsettos #mendel weisenbachfeld

[lazytitans-world]

Wish re watch thoughts

Having not watched Wish since it came out in theaters in November of 2023 and going down the rabbit hole of abandoned concepts and re-writes in the months leading up to Wish dropping on Disney+ I can now give Wish a re watch and share my thoughts on it. Now keep in mind I am coming at this movie from many angles. On one hand, I want to watch this with a new frame of mind to give it a chance to see if any of my thoughts on the movie have changed. On the other side is my inner "WE COULD HAVE HAD A STARBOY!" fandom side of me looking to see if any of the scrapped concepts could have worked in the movie we got and to see if any traces of those concepts were left behind. But no more waitng, no more writing fanfics, its time to re-watch Wish

• Starting off with the classic story book opening I felt was a great touch as it harkens back to classic Disney animated movies like Snow White, Pinnochio and Sword in the Stone.

• So why was Asha being so secretive to her family about her interview for Magnifico's apprenticeship? That feels like something major to tell your family. Even Asha's friends know about it. It could be Asha wanted to surprise them, I guess.

• Hot take: Welcome to Rosas is not that bad of a song, it's got a catchy beat and introduces us to the kingdom, Magnifico, and the wishes.

• The scene where Asha and her friends discuss her interview does have Asha doing typical "quirky Disney girl" behavior but at the same time she is a teen about to have an interview for what may be one of the most sought-after jobs in the kingdom, I'd be acting weird to if I was her age and in her position.

• We get some hints of Magnifico's jerk personality as he somewhat dismisses Asha's drawings when she shows it to him. The line is "Do we call that a talent?"

• Magnifico mentioning how he knew of Asha's father and how her dad talked about the stars is an interesting given how everything turns out but for one, this is NEVER BROUGHT UP AGAIN and two, this feels like a leftover of one of the deleted scenes from Wish where Magnifico wanted to harness a stars power but was never powerful enough to do so.

• Oh "At All Costs", how you sparked a fandom when you had no intention of doing so.

• In context of the movie, At All Costs does work as it shows that Magnifico's and Asha's feelings on the wishes. Magnifico holding on too his past trauma and feeling that HE and only HE can protect these sacred things while Asha is more drawn to the person AND their wishes, notably her Saba's wish.

• Opinion time: If we were to have Starboy and a romance, the demo version of At All Costs should have been a reprise, just with the word love instead of promise, showing how Star and Asha's relationship has grown and deepened. It would be a lot like "I See the Light" from Tangled, taking place before the climax.

• It makes a little sense why Magnifico rejected Asha's application since after singing "At All Costs" he sees her drawn to the Wishes and some even being drawn to her as the wish orbs now have a purple hew instead of blue hew like the color of Magnifico's cape to them to match Asha's dress. Magnifico has worries that someone will use the power for personal, and in his mind "selfish" reasons, plus his trauma from his village being destroyed makes him warry of who to trust.

• So what happens to a person's wish if they die? Does it just disappear?

• So that whole opinion of "Asha wants Magnifico to grant everyone's wish" WRONG! Asha wants Magnifico to give wishes back to those who have given theirs away long ago and let the people pursue their own wishes.

• Magnifico's tease that he might grant Sabino's wish is petty and I like it as he starts by saying a name starting with Sa before saying another person's name. That is petty stuff right there.

•If you are aware of the original concept art and the many changes Wish went through during production, it is obvious that Amaya, Star and Sabino got their characters changed, and in the case of some, completely neutered.

• I like Ariana Deboise and Chris Pine as Asha and Magnifico respectively.

• "This Wish" is ok and is mostly carried by Araina's strong vocal range.

• Star's arrival has where my inner fandom is screaming "honey get ready, you've got a big storm coming"

• "Can light be loving?" according to the many re-writes I've read, yes Asha, yes it can.

• Opinion time, again: I am in favor of the Starboy design seen in the concept art. Letting you know now since from this point on is about Star.

• I can totally see the human design of Star working in the introduction they have with Asha.

• I get why the creative team wanted Star to look that way, they wanted to do something different and that design screams "marketable plush"

• Once Valentino started talking and we go into "You're a Star", it all came back to me, that bad feeling. THIS IS WHAT I DID NOT LIKE ABOUT WISH. This part feels specifically aimed at children or at most feels too "cutesy". This, in my opinion, where people turned on Wish.

• Getting back to the Star Boy design, "You're a Star" could have worked as a way of Star showing off their powers, as well as them crushing on Asha. "You know you're a work of art" - Imagine Star Boy blushing as that is being said while looking at Asha, this writes itself.

• Look, I like Alan Tudyk, he can be funny if given witty and sarcastic dialogue and I know he has been a fixture in Disney movies for a while, but they gave him nothing to work with for this. This is not an obligation, more like a reward gone wrong. I am glad that Alan got a more prominent role, but I just thought it should have been something better.

• Another major criticism I've seen is that Magnifico's down fall is just him being controlled by a book when really it is more complicated than that. I akin it to Anakin Skywalker falling to the dark side as in it's not just the teachings that cause someone to go down the path of darkness, it's the feelings and desires of the one learning. Magnifico, at the point of the movie is paranoid and afraid that someone or something is here to take away his powers, threaten his power status, and destroy his kingdom that he works hard to protect in his own way. So it is not just the book doing it but the powers of the book mixed with his own fear, anger, trauma and other negative emotions that cause him to fall to darkness. Hate leads to anger, anger leads to

fear, fear leads to suffering.

•I totally forgot the Simon actually sees and interacts with Star before his betrayal. Star hands him a heart after he says he has forgotten what we wished for and when I first saw this I thought it meant that he had a crush on someone, maybe Asha but after seeing the movie it was just Star trying to be nice to Simon. Which in turn makes Simon's turn even more strange.

•I understand why people would think Asha was selfish in going for her family's wishes first when freeing them but my head cannon is that freeing all of them at once would be too big of scene and she wants to prove to Sabino that his wish is worth granting. However, Magnifico would notice that some wishes are missing and would put two and two together so this plan was not thought out to much but hey she is only 18 and she just met a magic star that can help her so I think her thinking clearly is not to much of an issue.

• "This is Thanks I Get" starts off odd as no one brought up the mirror thing in the scene where the citizens question Magnifico. But the song itself is to show that though Magnifico shows that he cares about the citizens of Rosas and their safety, he would rather have someone else help them then get involved himself and still wanting praise even though he does not really do much for the kingdom outside of granting wishes. The song also is to show that Magnifico is now going down the path of darkness due to his own insecurities and ego. Chris Pine does a great job with the song as he becomes more unhinged in every chorus.

• THERE IS NO SCENE WHERE SAKINA AND SABINO MEET STAR AND TALKING VALENTINO WTH!!! It jumps right to Asha giving Sabino his wish back, no lead in or setup.

•Then we go right to Magnifico breaking into Asha's house after being told she brought down the star. Again, there was no setup or lead in, it just happened.

•We don't even get to see Asha's mom's wish before Magnifico crushes it. It would have added more to the emotion of the scene to see what her wish was just as Magnifico destroyed it. This also shown to be the first time Magnifico has ever destroyed a wish. I chalk this up to his new powers influencing him to destroy it.

• Sabino mentions as they escape that Asha's father would be disheartened to see what Magnifico has done, implying that the father was a believer of Magnifico.

• Star holding Asha's chin as she blames herself for everything again makes me yearn for the Star Boy design.

• Magnifico having a hidden evil lair beneath his royal study is symbolism 101 but nice to see.

• Fun detail: When Magnifico grants Simon's wish, he uses the spear he made from forbidden magic and that in turns corrupts Simon's wish and thus Simon himself. We see instead of the usual blue, pink or other colors used to represent Magnifico's magic its is now the green evil magic, symbolizing that Simon's wish, though granted, is now corrupted as well.

• Simon turning on his friends is shown more as an effect of the forbidden magic Magnifico used.

• How do you have a wanted poster of Asha and not make a "they got my nose wrong" joke from Tangled.

• "My butt found it" - see this is why a lot of people thought this movie was written by AI.

•"Introverts need sanctuary too" - Hell yeah Bazeema

•"What I Know Now" is another decent song as I am a sucker for drum breaks and enjoy the revolutionary feel behind it.

• Apparently, to avoid corruption by the book of forbidden magic you have to wash your hands with obsidian oil before using the book. So to avoiding evil basically comes down to washing your hands, gee you think this movie was made during a pandemic or something. Overall, pretty lame way to defeat evil.

•The rule is "embrace forbidden magic once and you commit to it for eternity". I find it hard to believe that no one has tried to save someone corrupted by this forbidden magic before this.

• I notice that the more obvious Disney call backs happen at the last third of the movie. Before it was subtle but now it is super obvious.

• If we were not going to get a reprise of "At All Costs" then "This Wish" would make sense as it shows the kingdom getting behind Asha and standing up to Magnifico themselves. It is a decent song for what it needs to be.

•Again, I can't help thinking about Star's human design as they are sucked into Magnifico's staff. Imagine them taking one last glance at Asha before being sucked in to the staff, some good romantic build there.

• Simon's betrayal came down to him wanting to feel whole again after giving up his wish and essentially making a deal with the devil to make that happen. I get that people saw him differently and he would want to change that but how he acted with Asha and the others before Magnifico told the kingdom about the light and its apparent danger still made his turn feel off, we needed to see Simon struggle with how he feels and how others see him for it to make sense.

•So Star did not go back to the sky at the end, which does leave the door open for other adventures with Asha and others. Maybe star could turn human at the end (LOOK LET ME DREAM!)

Overall my thoughts on Wish have not really changed since I first viewed it. The movie is passable, a 6 or seven out of 10, a C+ to B grade. The animation is good, the story is fine and the characters do not bother me too much.

But for a movie that is supposed to represent 100 years of Disney animation, one of the most influential studios of all time, it is not wrong to say that we should have gotten more. This movie is missing one thing, that special sauce to put it over the top. It could've been a romance with a human looking Star, it could have been Amaya and Magnifico being a villainous couple, it could have been anything. Wish just needed that extra something to push past some of the pacing and story beats that drag it down such as the bad jokes and odd pacing. Maybe a better relationship between Asha and Star would be glue that held the movie together as most previous Disney film always had that main duo that kept you interested but Asha and this version of Star just don't click like a Moana and Maui or Anna and Elsa did.

I would give it a recommendation now that it is on streaming for an affordable price plus it does come with the deleted scenes and bonus materials. It's also clear to see that the team behind it was passionate about making this the best it could be and I applaud the team for that idea. I know others are going after them for not going through with certain concepts, but I think they did an okay job with what they had.

So yes I like Wish, it's not my favorite Disney movie but it's one I would not mind watching again and understand if it's someone's favorite. Hopefully the initial negativity towards the movie dies down and people actually give it a chance.

#disney wish #disney #wish #starboy #wish 2023 #disney star #asha x star #fandom #wish rewrite #wish disney #wish star #wish movie #king magnifico #queen amaya #valentino

[jedimandalorian]

Ahsoka- Notes on Episode 2 and Kiner’s musical score made by a Sabezra shipper. (You’ve been warned.)

Ahsoka hears voices. She seems to be hearing Sabine’s dream. Sabine is dreaming of Ezra once again. A fragmented rendition of Ezra’s theme can be heard very briefly along with the voices in the dream, but the music is mostly mysterious and unrelated to any other character’s theme.

Baylan & Shin at the stone circle. The end of this track reminds me of purrgil song. I didn’t see them until someone pointed them out in this screenshot.

Lothal tower. Ahsoka hears voices from the past (Sabine vs. Shin fight). Ahsoka’s theme (fragment). Flute plays during loth-cat’s appearance.

Ahsoka inside the tower scene: Music from the Clone Wars is heard. [Edit: It’s from Rebels.] A quiet quotation of Ezra’s Theme is played by the cello when his hologram is activated. Ahsoka destroys assassin droid.

Hospital scene with Sabine trying to recover the droid’s memory. “It’s now or never” is a line that Sabine says that was spoken by both Ezra and Sabine in Rebels. Hera’s Theme can be heard when she tells Sabine “You did good.”

Morgan arrives at the stone circle. Morgan opens the star map for Baylan & Shin. Mostly new musical material here. Thrawn’s theme is heard when Morgan mentions him. There is purrgil imagery in this scene and the first mention of the Eye of Sion. Sinister and mysterious music is used here with a big crescendo to end the scene.

Ahsoka arrives on Corellia. Incidental music here does not use familiar themes until Hera asks Ahsoka to teach Sabine again. The music here is based on Ahsoka’s Theme until Hera asks that question.

Sabine & Huyang and the lightsaber. Sabine says it is “Ezra’s lightsaber.” Huyang says it is hers now. No music during most of the conversation. Sabine says she does not have the talent “like Ezra.” We finally hear Sabine’s Theme when Huyang says “The only time you are wasting is your own.”

Hera & Ahsoka on Corellia. Incidental music doesn’t make use of familiar themes until we hear the first three notes of Ahsoka’s Theme when she leaps out of the window. Fight with Inquisitor and droid. Hera & Chopper in pursuit of stolen SSD hyperdrive. Action sequences have new incidental music.

Sabine returns to the tower. Sabine’s Theme is heard as she lays out her armor. After she cuts her hair the first two notes of Ezra’s Theme crescendo as the scene changes.

Hera, Chopper, & Ahsoka on Corellia. Ahsoka gets a holo from Sabine saying that she’s ready. This is new incidental music until Hera’s theme is heard as she watches Ahsoka’s ship leaving at the end of the scene.

Sabine at the mural. This is new music until Sabine walks toward Ahsoka. A subtle rendition of Ezra’s theme is heard here. From NLB’s acting and the music we know she’s going on this quest because of Ezra. ❤️

Ahsoka & Sabine depart. Segue to the Eye of Sion under construction. Morgan mentions Thrawn and his theme is quoted briefly under her dialogue. The other music used is new.

End credits music: Intro, Sabine’s Theme, Ahsoka’s Theme, Hera’s Theme, and a reprise of Ahsoka’s Theme.

When they find Ezra and Thrawn I hope we hear more of their themes used with the end credits. I loved how Kiner sometimes changed the end credits Music for Rebels to fit with the mood of the episode. I hope he will do that in this series too.

Bonus: a new arrangement of the End Titles Music.

#sabine wren #ezra bridger #star wars #ahsoka series #sabezra #ahsoka tano #star wars rebels #ezrabine #hera syndulla #kevin kiner #chopper #morgan elsbeth #baylan skoll #shin hati #thrawn

[sleepboysummer]

mean girls fandom because i know u are on here. was it some weird dream i had or was there a script change because i explicitly remember that during the scene where cady decides that regina can't sit with them, regina sings a very short few lines of a "someone gets hurt" reprise. i remember her holding a lunch tray, standing next to the table, singing the lines "it's fine, till someone gets hurt" very slow and softly (not belted like in the actual song, and sang specifically towards cady) before going offstage. is this real. why is it nowhere.

#and this memory is kinda foggy but i think i remember finding a short slime tut clip of renee rapp doing it? #that part could be wrong though #the rest of it i am fairly certain i remember correctly #mean girls #mean girls musical #mean girls tour #broadway #musical theatre #musicals #theatre #renee rapp

[tedners]

immediately throwing some of my underworld saga thoughts here

spoilers ahead!!

ok first of all: absolutely incredible. putting that out there first. i love this musical so much. jorge and everyone involved have done and continue to do fantastic work and it really shows.

i love how jorge brings back earlier parts of songs into later ones: both music and lyrics. it brings me so much excitement to see the connections.

now onto the songs:

song one: (the underworld)

the atmosphere is intimidating; you can feel the fear the characters are feeling. and when the souls of his men arrive: the vocals oh my god, i love them. and the imagery of them in the sky above him, watching him. and the infant from the first saga mention. the way the dead characters come back in this song is so heartbreaking but it’s amazing. hearing a polite’s reprise of open arms hurt so much oh my god. (jorge literally mouthed “i’m sorry” during this part in the livestream) oh and odysseus’ mom coming in too?? heart broken again. (also finding out jorge’s mom voiced her, awwww)

also i’d just like to add this comment jorge made during the live stream: no i’m not ok, it actually made me cry lol

song two: (no longer you)

this song is so poetic and i love it so much. of course there’s foreshadowing in this song cause he’s literally a prophet but the way it’s done here is so amazing. i love all the instrumentals in every song but the ending one for this song is so amazing oh my god.

song three: (monster)

dude the character development and change during this song: chef’s kiss. him mentioning the past antagonists of the earlier sagas and then comparing himself to them. him giving up all his morals so they can get home; so he can see his wife and son again.

“what if the greatest threat we’ll find across the sea… is me?” what a great line oh my god.

ooh and ending the saga with “i’ll become the monster.” i love it.

conclusion:

i love this musical so much. the music, lyrics, art, everything, like in every saga, is absolutely beautiful. just incredible.

ok thanks for reading 💛

#epic the musical #the underworld saga #odysseus #these aren’t even all of my thoughts but i’ll stop it here for now #i love this musical

[toasted-valentine]

Still Got Adamandi Details I’m Not Normal About, So Here They Are

A lot of these are going to make me sound like a massive fucking nerd lol

•Beatrix slapping Vincent’s hand away when he tries to grab the archive records from the table.

•Beatrix clearly not wanting to be there during the first two interviews, then just relaxing and teasing Vincent during their interview with him since they’re friends. The switch from strict professionalism to being a bit more playful is a good way of establishing that the two already know each other and are comfortable with one another, especially the opening line about Beatrix not knowing Vincent’s middle name. It’s just a simple thing, but gets the point across well.

•All of Portia’s reaction, highlights include the sweet to surprised one during the beginning of A Little More in Love and her “I’m not mad, just disappointed” look during Ghost Writer.

•The little flourish Beatrix does with the pencil during The One Who Pulls The Strings, I’m curious how many times the actor accidentally stabbed themself before they got that down lol

•This is something I notice gets done in both TAOPP and Adamandi, with the same actor too. The actor for Ambrose and Rowan changes the pitch of their voice and how high the notes they hit are depending on how vulnerable the character is being. Higher is more vulnerable and expressive, lower is more closed off. Extra fucked up points for the fact Ambrose’s notes get higher after he fucking dies.

•I’m going to be a massive music nerd for a minute, my music analysis skills are a bit rusty, so forgive me if I’m a bit wrong. The motif I like to call the “Beatrix Does A Bad Thing” motif. It plays whenever Beatrix does something wrong, it’s the skeleton of their three major songs. Starts with The One Who Pulls The Strings, gets a bit more complicated in the reprise, and is at full force in Ghost Writer. It’s like a building monster, first the bones, then the muscle, then the creature itself.

•The actors for The Saints and the other Phaethon nominees are the same people, so Vincent does in fact cut The Saints up lmao

•The glowing under Ambrose’s shirt goes from a visual of his muscles hardening to a show of his slit throat, which is evil and I love it.

•Beatrix covers their eyes and looks away when Quincy stabs Vincent, I can’t tell if it’s the fact they can’t stomach the murder, or if they fucking got blood on their face and that’s why they’re staring at their hand in horror when Portia comes on stage. It’s also a good transition motion to guide the audience’s eyes from the killing blow to them. They couldn’t actually use blood on stage, stage blood has to be minimal since it’s sticky, stains costumes, and is difficult to get rid of for continuity, so reaction shots like that get the point across well.

•Beatrix has a ring on in The Other Side of Failure, might be just a show that time has passed, or it could be that it’s to help them remember stuff but they’re no longer being tugged around on strings by the admin. Or crackpot theory, it’s one of Portia’s rings from earlier in the show, but I can’t tell if it’s the same one since none of the shots I’ve dug through are close enough to get details.

•The little hand motions Beatrix does in the show are mimicking a puppeteer pulling strings.

•The admins red coloration call back to Beatrix’s red string, it’s a visual callback to the fact she’s being strung along by them and manipulated. The Admin have it on their cloak collars too, keeping the collar in their designs.

•In Read All About It, one of the chorus actors fucks up their newspaper and forgets to close it when they’re supposed to with the others. It’s just something that makes me chuckle, cause you can see how fucking stressed they are about it, and that they close it when they pass behind Beatrix’s actor cause they didn’t think the camera would catch it lol

•When The Admin lift their arms in Read All About It Beatrix does the same, and when the music cuts out they’re super confused on what just happened and are staring at the newspapers contemplating what they just did.

•I just realized that the marks on Ambrose’s face in the second act weren’t meant to guide where his chisel was, but was a guide for where Vincent had to cut.

•Ambrose looks flattered when Quincy says their professor led a moment of silence, even in death he has his head up his own ass.

•Ambrose is projecting so fucking hard on Vincent during Sound Body Sound Mind, and it makes me laugh.

•There is a continuity error in Oh, Ms. Reporter! The drawers had red strings in them in the previous scene and during the wide shots, but they aren’t there during the close ups.

•This is just a story note, but it’s clever that they had Portia get a better position in The Daily. It serves a duel purpose in the narrative, it emphasizes the fact Rosswell has implicit bias and that she picks the person whose more white passing instead of the more skilled Latina with seniority, and gives an explanation to how they managed to get the article about Vincent and The Admin published. Beatrix wouldn’t have been able to on her own, but Portia’s position allows them greater access to The Daily’s resources.

•In Me, Myself, and I, I think the actor for Ambrose accidentally made their microphone crackle and you can actually hear a small pop in the recording, dude performed so hard the equipment had a small stroke. You can only hear it in the album tho.

•The is just a music thing, Vincent slowing down for his part to explain why being loved is great in Me, Myself, and I serves the music in giving a brief breath of air so when it comes back it feels like it’s going faster and more frantic. It’s a really common technique to make something feel like it’s going faster when it’s keeping a consistent, just had a short slow down.

•Ambrose grabs Vincent’s face during Student Body, it’s creepy, thanks I hate it. The actor for Ambrose did not have to put that much effort into being unsettling, but they did, and they made Ambrose as likable as he is in the show.

•Everything the actor for Ambrose does when the character dies, they’re jerking around like a corpse that’s gone stiff from decomposing. Give them a medal for managing to be the creepiest mf in that show, and keep them ten feet away from me because it kind of freaks me out.

•The little transition in Oh, Ms. Reporter of the chorus members spelling out Ambrose’s name but Vincent cutting it off to continue his song. It’s a creative lyrical moment and hints to the fact that Vincent cut Ambrose’s life short.

•A couple of the people who Vincent mention’s in Oh, Ms. Reporter are actual some of the people Beatrix was interviewing in the first act, you can hear them saying their names when they’re all yelling over each other.

•The little pieces of advice the main four give Portia during A Word to the Wise are foreshadowing. Ambrose trying to be perfect gets him killed, Quincy’s ambition and academic perfectionism causes them to snap, Vincent deciding to murder people instead of an actual project since there isn’t a use of trying anything else, Beatrix being a bystander and waiting to “do something great” gets people killed.

•Whoever wrote the line “What use is a candle if both ends aren’t burning?” is a menace to society and I want to give them all the money in my wallet, because Quincy burns both their hands later on, and that’s evil.

•The mic on Beatrix’s actor accidentally picks up them tapping the notebook too hard during The One Who Pulled the String, just something I find funky.

•Apollo was the god of young men, being eternally youthful, but was also the god of plagues and disease. Ambrose wants to be the white ideal of an eternally twinkish gay trans guy, but ends up falling victim to Vincent, who compares his actions to a disease killing someone.

•The music used to introduce Beatrix into Me, Myself, and I is the same as the beginning of Read All About It, they’re doubting their actions, and their mind is racing like the music.

•Vincent tries fucking squaring up with the other Ardess students during A Word to The Wise when Quincy is about to jump, dude just is ready to throw hands, it’s great.

•Ambrose tries to defend Vincent from the others, but turns around and betrays him after.

•I like the little spin that Roswell does to Beatrix, she’s getting them confused so she can take advantage.

•Vincent and Quincy aren’t singing during the “And two or three students like you” part, but Beatrix is because she’s internalized the racism of Ardess and is trying to fit in.

•Beatrix just is not having a good time during the interviews, and you can see them get annoyed when the nominees try sucking up to them.

•Fun little thing, they get around the fact Beatrix’s actor can’t spin around like the others when the names are read out during A Word to The Wise by having them stagger and open their arms. It’s a little thing, but gets around that nicely.

•When everyone starts stomping to the beat at the end of A Word to the Wise you can see Portia hesitate to join in, start slowly, then join in fully in the end and begin to sing with the others.

•The poses everyone strike at the end of A Word to the Wise actually have a lot of personality in them, Ambrose is being a dramatic dude bro, Quincy is stiff and nervous, Vincent stands out by having their hand to their chest, Portia is hopeful, and Beatrix just continues to smoke and seem disinterested.

•The “I don’t know, do you have any ideas?” guy is the funniest mf in the room.

•The A papers during Perfect at School form a halo. Again, the people who made this are evil and I love that for them.

•The umbrellas in Where Can I Run harken back to a funeral environment, which is nice foreshadowing that death follows Vincent everywhere for most of the show.

•Vincent wants to go home back to China, wants to go back to his family, to the environment he knows, but he’s stuck at Ardess. Without that degree he’s got nothing, he’d be a complete failure, so they’re stuck at a school they hate surrounded by people who hate them with only two people that like being around them.

•I want to find whoever decided to have Quincy accidentally smack Vincent in the face when he goes to kiss them during the first act as foreshadowing to the fact Quincy later harms Vincent, buy them dinner, and then make them pay for my therapy bills.

•I want to know what god the actor for Beatrix had to kill in order to gender so fucking hard. What kind of sacrilegious actions did they have to commit to win that?

•The newspaper that Beatrix’s actor has in one hand during The One Who Pulls the Strings is a random Princeton one and you can see the university’s name during some of the close ups lol

•During A Little More in Love you can see Ambrose’s actor getting ready for their cue under the bookshelf in a few shots.

•I find it funny that Portia hugs Quincy after A Little More in Love while Beatrix just looks offended and brushes Vincent off. Motherfucking Beatrix, blue hair and pronouns, Campbell tried denying the homosexuality allegations and is failing.

•This maybe speculation, but I think the reason Ambrose’s chest is highlighted in red is because he’s trying to work out enough to make his chest smaller. My friend actually does this, a lot of trans masc gym rats do.

•Vincent “Oh, Ms. Reporter!” Lin denies stalking people.

•Vincent keeps writing in their notebook during Sound Body Sound Mind, you can see them pull it out when they go to hide under the ladders.

•Vincent only calls Ambrose by his name instead of Bassford after killing him.

•I like Ambrose getting annoyed at Preston and Adrian not doing the kick line right lol

•I don’t know what Mandela affect bullshit is going on, but I always thought Ambrose kept the pages from Vincent’s notebook, and I have no clue where I got that idea from.

•I like that Portia starts wit “Hi hi!” when she’s nervous, and that she’s so frazzled trying to interview Beatrix that she can’t find a pencil and Beatrix has to give theirs to her. It’s just a cute little bit of character building. Beatrix actually pulls the pencil out from behind her ear, which is also a nice little bit of characterization.

•As soon as the interview starts Beatrix starts wrapping one of their strings around their fingers to try and not forget what they’re lying about. If you pay attention to what the actor is doing with their hands the entire show you can catch a few little fun character building bits like that.

•In the wide shots of the Beatrix and Portia interview scene you can see Beatrix start to stress smoke when Portia compliments them and says they should’ve gotten nominated. Mf feels the weight of her lies on her back real fast lol

•Beatrix sits like a bisexual, and I find that funny.

•Vincent almost manages to talk Ambrose down, but when Quincy gets brought up he almost starts crying and gets violently angry. So close there bud, so close.

•When Beatrix’s actor starts doing their funky little hand motions in Me, Myself, and I it’s actually on cue with the music, reference to Beatrix pulling the strings. They also move their hands on cue to Ambrose and Quincy singing “me, myself, and I” and on cue for when the singing stops. Nice touch.

•The person who Vincent takes the place of during Me, Myself, and I is who saw him fleeing the gym. Just noticed it, that’s such a cool thing. Was super confused on why a chorus member was there, then I remembered the line in Read All About It.

•Portia is still editing articles in the background while Beatrix is having a crisis of morality in the foreground lol

•The actor for Vincent pulls off the ribbon trick to symbolize Ambrose’s death by grabbing the ribbon from the bag while moving towards the back of the stage, hiding their hand behind their back while they continue to sing, and pulling the ribbon out with his free hand when time comes. The song is so grand in scale that no one in the audience would be being attention to his hands.

•The flour cigarette trick is actually refilled a couple times when time allows it, you can see the actor for Beatrix puffing fake smoke out with it a few times, but can only do it once in a scene due to the limits of the trick.

•It is hilarious how disinterest Beatrix sounds when reading Ambrose’s memorial, they know it’s not true and are bored by it lol

•One of The Saint’s actors, Saint Jude specifically, has the remote for the candles in their hand and are the one controlling it during Litany of Martyrs. You can see them accidentally reveal it during one of the close up and quickly try to hide it in their sleeve.

•Saint Jude’s actor doesn’t actually tie the bandage onto Quincy’s hand right during Litany of Martyrs so the actor for Quincy just uses their thumbs to keep it in place.

•When Beatrix gets their strings caught in the typewriter, the mise en scene us is used to emphasize how small The Prize Section is by having Portia sit on the glorified nightstand Beatrix is using as a desk instead of an actual chair.

•Vincent puts his feet up on the “desk” when he breaks into The Prize Section office, which is apparently a habit of theirs since they also do it when Beatrix is interviewing them.

•Adrian and Preston’s actors aren’t on stage as their characters until Oh, Ms. Reporter! because they’re also chorus members in Read All About it, so needed time to get changed and get their makeup done.

•The Saints are mimicking hellfire during I Hate and I Love, creepy as fuck, but one hell of a visual. They’re still there when Quincy is talking to Portia too, like goddamn, leave them alone you weird religious bongos.

•You can see Beatrix’s actor struggling to keep their glasses on their face the entire show, and it is the funniest thing to me, because I have similar glasses and I know how much of a pain in the ass they are to keep on when trying to move around quick.

•Of course English major Beatrix would correct Portia’s grammar when she’s trying to tell them that Vincent is the killer.

•I find it funny you can see Beatrix mouth “fuck” when Portia goes to raid The Prize Section for information after suggesting they stop Vincent.

•Alright, I think the way they spliced together the audio and video for the YouTube version is with two dress rehearsals and the two nights the show was put on combine. The dress rehearsals are the close ups, but you can tell which one of them came first based on the costume for Beatrix. The earlier one has gloves with the tags still on and the red string in the second act is shorter, plus they used to have a flower pin on the jacket but lost it for the actual show. The audio is from the actual performances from show night asides from a few bits where they needed to cut the audience’s reaction out, but the music on the album is a mix of all of them and just the best takes they had put together. It’s why the mic cracking on Ambrose’s actor can be heard on the album but not on the YouTube version, in the YouTube version the audio tech didn’t turn Vincent’s actor’s mic on in time during his part, so they had to use the cracked audio for the album.

•The Admin are casually homophobic and racist towards Quincy and Vincent during their meeting, actively try to divide them, and I want to kick all of them in the skull. You can see just how manipulative they are, calling Quincy and Vincent’s relationship a friendship, openly insulting Vincent, hinting that Quincy is being held back, they’re so fucking bitchy and I want them to get slapped with a tuna.

•You can see the different mentalities Quincy and Vincent have with how they react to the admin, Quincy is acceptance, and Vincent would definitely kill them all if possible. I love the “bullshit” line so much.

•I love and hate how hurt Vincent gets when Quincy accuses them of not caring. The entire Where Can I Run (Reprise) scene is so good, Quincy shoving Vincent off, the ghosts dragging Vincent’s jacket off them, both their parts being haunted by their respective demons with The Saints and the ghosts of The Marmorius.

•Explanation of the staging trick used to make it look like Beatrix and Portia’s actors are kissing. It’s a really old trick, but a useful one. The actors are both about the same height so it’s possible, they quickly press their foreheads together, turn, and the lights dim. They aren’t actually kissing, but the quick motion of it, the fact you can’t see their faces, and the dark lighting hides it. It’s also why Quincy and Vincent’s actors couldn’t do that, Vincent’s actor stands solidly at chest height with Quincy’s actor, and it would look too awkward to have them kiss like that. Quincy’s actor would have to bend down, and that would look really weird.

•Vincent calling his murders the “smoothest” murders just make me think of him being a smooth criminal lmfao

•The prop for Quincy’s notebook during I Hate and I Love and Vincent’s notebook for The Other Side of Failure are the same notebook, just a basic molskine I think.

•The boots for Beatrix’s costume don’t have laces because those are doc martens, and doc marten laces are a pain in the fucking ass to keep tied, so they just are using zip ups lol

#adamandi #vincent aurelius lin #beatrix valeria campbell #quincy cynthius martin #ambrose wellington bassford #portia elizabeth harper

[erikahenningsen]

Thoughts on the movie? Spoilers welcome lol

MEAN GIRLS (2024) SPOILERS BELOW

Overall I really liked it! I had very low expectations, especially considering the track list showing that a lot of songs had been cut. That actually turned out not to be true, as there were some songs in the movie that weren't on the track list (Cautionary Tale, Someone Gets Hurt (Reprise), I See Stars). I expected a lot to be changed, but it actually followed the show fairly closely with some changes (they don't go to the mall, for example). A lot of the lines from the original movie and the Broadway show were kept but there's a lot of new stuff too that really made me laugh. Damian has some good one-liners.

Generally I liked the musical numbers, although I found Angourie kind of lacking when it came to performing during songs, although that's not entirely her fault. They changed Stupid With Love to be slowed way down and just like generally low-key and lines like "I am filled with calculust" just don't hit the same when you're singing it softly with no expression on your face lol. I've never been a big fan of Stop but I do wish Jaquel had had some song of his own. He just has Cady's part in Apex Predator now. The new opening song for Cady (What Ifs) was... fine, but I've never been super in love with Wildlife or It Roars so whatever. It seems like the writers never really could settle on what they wanted for that song since it had a lot of changes for the tour as well. They did totally remove Cady's dad's existence with no explanation which was kind of funny. (My new headcanon is that he was eaten by a lion.)

Definitely cannot go without mentioning that Janis is canonically gay and takes a girl to spring fling, and even Damian has a date he dances with! Regina does also tell Cady she likes her although I think they were going for platonic (could go either way). Cady had the exact same reaction to seeing Regina for the first time as Aaron, which was very funny to me. Obviously I didn't expect them to make everyone explicitly gay so I appreciate the little things they did add. (We know the truth.) I was worried they would completely remove the storyline about Janis's sexuality since the trailer showed the burn book saying "pyro freak," but it's still there. They also made Norbury and Duvall a canon couple which was cute.

I think they did go a little too hard on the gen Z culture aspect; I found some of the language was little cringy at times and felt like a cariacture, but I'm also not a teenager, so maybe it is authentic ¯\_(ツ)_/¯ (any teens reading this please report back to me).

In summary I had a really good time and I have some minor gripes but the bar was really on the ground for me and I'm excited to go back! I'm bringing a coworker this week who didn't know me during MG on Broadway and has never seen or listened to this musical so that should be wild.

#mean girls 2024 #mean girls 2024 spoilers #ask #anonymous

[whoops-im-obsessed]

(More) Things I Noticed in UKsies: Fansie Night Edition (Act 2)

First one got too long so here is act 2!!

At Jacobi's Albert says 'why do old people talk?' Directly to Jacobi who waves him off

'Jack don't run from no fight!' '*in the highest, squeakiest voice imaginable to mock Les* Take it down short stop!!'

Katherine dances on the tables with the boys in KoNY and I'm not sure if Bronté does but Bobbie does the nerve tap!

Cup song time

Katherine and Les have such cute little interactions

Nyoom tables!!

They don't shy away from showing what they do to keep themselves safe, when the newsies grab the lamps, you can see them clip themselves on but it only serves to make you go 'something is about to go down!!'

The newsies on the ground dance around the tables and tap metal plates to the table newsies' feet

Ascension with frantic spinning, incredible

In a bit of a stark contrast, letter from the refuge is a really poignant moment

Crutchie breaks the forth wall and speaks directly to the audience, including them in his thought process

A cop watches the whole thing from the scaffolding

Crutchie is left handed

Crutchie actually starts crying at 'I'll be fine' and hearing that emotion in his voice contrasted with his trying to be optimistic - ugh, have I mentioned that I love Matthew Duckett?

Crutchie gets up and passes on his letter to Specs before being slowly helped off stage by a refuge newsie, still struggling when the next scene begins. When he got up he winced so hard someone next to me whispered 'ooh that was real'

Jack was Properly Angry in Watch What Happens reprise and his fear for Crutchie shone through

Ryan!Davey may be the king of eye-rolls but Alex!Davey is the king of raising his eyebrows in incredulation, especially to Les

'Lighten up no-one died' is said a lot subtler, like he knows how bad that sounds but doesn't know how to confront it

'HECANTTAWLKHELLCALLYABACK'

The mayor actually shows some sympathy towards the newsies but in the end doesn't act due to Synder and Pulitzer's influence

Fun fact: Jamie Golding (Wiesel/mayor/theatre worker/police/etc) has NINE costume changes during the show, he is so many people

Pulitzer grabs Katherine as she's trying to walk away at 'you can't have mine'

George Crawford (Morris Delancey) has an amazing evil laugh which he uses a lot during the show

As the printing press is being brought out, the Delancey brothers bring Jack behind the scaffolding. Although this can't be seen by most of the audience they continue to intimidate him and get really up in his space

Shout out to Zack Guest super swing who played Oscar!!

Brooklyn newsies met with the Most applause they are so cool

Brooklyn's here is broken up with a little roll call which makes the 'now them soakers' hit harder

Spot has a slight lisp

'If we disband the union..' *outrage* 'this is your union!!'

The newsies all call Jack out in various ways when they see him take the money, Spot has to be physically held back from beating him up

Something to Believe in is a little different, the Jatherine is believable but isn't really focused on much in the show, it almost feels like an afterthought. The line 'what was ours still will be' really resonates, it feels more like they had a little whirlwind mutual attraction but both think it'll end with the strike

Universal 'oooohh!!' From the audience when they kiss

Lighting for once and for all is so pretty, they have lanterns and there's a sort of orange mottled pattern like the reflection of the lamps projected across the entire theatre

Once and For All really lets the vocals shine, it isn't as high energy as the other numbers and the scaffolding doesn't move like it does in livesies, instead a giant newsies banner falls from the ceiling that they parade around the stage. The choreo isn't missed at all, the sheer wall of sound is incredible

The newsies line the theatre as Jack talks to Pulitzer and smack their fists either into their hands of onto the railings in time with the music as they hum

'The boy, Jack Kelly is here :)))'

Spot makes the 'I'm watching you' gesture at Pulitzer

As the other characters leave Jack to talk to Pulitzer, Hannah loudly says 'I love your show!!' To Medda

So many hugs when they win

Crutchie coming in with his little police hat, greeted with the biggest hug from Race and the boys

The reaction to Crutchie calling Roosevelt 'your highness'

Crutchie & Les reunion 🥺

And perfect finale and curtain call!!

The post finale choreo is incredible and was met with applause right up to the final bows

Crutchie is up on the scaffolding for much of the choreo and makes his way down for the bows. He slid down the stair rails in the same way you would slide down a ladder. Then he kept sliding. And kept sliding. And then his leg got caught. And then he kept sliding. Basically, he ended up on the floor tangled in the stairs and had to call a couple of people to help him out of the mess he got into 😅

And that was that! Post-show Q&A was pretty short but really lovely, there were mostly questions about the audition process, advice, favourite bit of the show, etc but it was really sweet how they all cared to stay and so many people did! Plus there were mega shout outs to dance captain Alex Christian who plays Butttons and is a legend!!

Honestly this show means so much to me and to be able to see it with such an enthusiastic cast and audience was incredible, see it if you can because it is in a league of its own.

#newsies #newsies the musical #uksies #britsies #newsies london #west endsies #jack kelly #crutchie morris #david jacobs #joseph pulitzer #katherine pulitzer #katherine plumber #crutchie newsies #les jacobs #medda larkin #michael ahomka lindsay #matthew duckett #bobbie chambers #alex james hatton

[hoodoo12]

At Times Like These--

--we have only each other.

This past weekend was a blur but my exhaustion is worth it.

I splurged and saw the matinee on Sunday and well as the final show.

First, Andrew Kober as Beetlejuice for the matinee. He is AMAZING. It felt like watching the show for the first time again. People have their favorites and fans like us can appreciate the differences all the understudies put into the role, but Kober is the second best Beej. Full stop. He has a fantastic mix of desperation and manic energy, with an underlying menace that, ngl, Alex sort of lost as the show went on.

During the matinee there was audience participation I haven't heard ever happening:

Kober says his line, "All I want is for someone, anyone to look my way and say “Hey."

Couple of audience members say loudly, "Hey!"

Kober continues, "I see you."

More audience, "I see you!"

Kober, "I accept you."

More audience, "I accept you!"

Kober, "And I fear for my safety around you.”

All of the audience, "And I fear for my safety around you!"

Kober, pauses. Then, "Nope. Didn't work."

We, the entire audience, lost.our.minds.

Now. The closing show ...

Fucking hell. I mean that in the best possible way.

Standing ovations from the beginning. For every actor.

It took so long for Alex to even drop the newspaper. He tapped his foot. He leaned back (allllll the way back) to lean on the coffin. He got on the floor. Then, and only then, did he drop the paper to renewed enthusiastic applause.

Every actor played along with their rightfully deserved ovation and applause during their entrances. It was so heartwarming.

I know everyone has seen all the "what happened during the last performance" posts that people are doing, but NO ONE has mentioned these things:

1) at the end of the TBS reprise, Alex ran up the stairs with a clone and started aggressively making out with them as the set changed

2) when Adam stops him from murdering Charles and goes into his "you have groped me, etc" speech, Alex made these increasingly feral, increasingly loud snarling noises like he was getting ready to scrap (. . . or screw)

3) during the Adam and Beej kiss, it went hard. Alex groped David's ass and pretended to dip a finger between his ass cheeks/shove a finger in him, then smelled his finger when David was pulled away. Then he stalked after David for more before Kerry grabbed him.

(I know I am looking at all that though the lens of a smut writer, but hoooo boy.)

Alex Timbers' speech was nice, but not allowing anyone else to say anything?! Fuck whoever made that decision. Alex was actively walking forward for the mic when the curtain stared coming down. He and Elizabeth looked surprised, so they weren’t told about it, obviously, which is unfortunate and understandably upsetting. Here is someone who had been active with the show since 2017 helping to make it what it became plus a new star that embraced (and was embraced by) the fandom, to the point she cracked during the very last word of the show, and they were denied? I'd heard from reliable sources that other cast members had some things prepared as well, and they didn't get the chance to say anything either. It was just abrupt and crushed the energy that had been wild up till then.

This show has meant so much to so many people, including myself. Alex Timbers told us what we already knew: Over a million people saw Beetlejuice on Broadway. That the audience for Beetlejuice was statistically younger than the average for Broadway shows. That Beetlejuice was the first Broadway show for a huge number of audience members. That the fact that fans were so engaged and active that we helped bring it back from the dead. We said his name three times, and Beetlejuice returned for a real send off, one the show deserved, to 1600 adoring Netherlings.

#Beetlejuice #Beetlejuice broadway #musical Beetlejuice #Alex Brightman #Elizabeth Teeter #Andrew Kober

[justmystyles]

Now You're In My Life

summary: a chance meeting at a diner turns your world upside-down and leads you on a whirlwind romance with one of the biggest pop stars in the world.

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7*

Part 8*

Part 9

Part 10

Part 11*

*****************

One Shots

All I Ask*

You're finally starting to get over Harry, what happens when fate brings you back together?

Having Your Baby

You get some life changing news, and come up with the perfect way to tell your husband.

Wallflower

You're sitting alone at a wedding, can a handsome stranger help you come out of your shell?

Line of Fire

You and Harry have been keeping your relationship off the radar, but his concern for you overwhelms his need for privacy.

Coming Home To You*

Harry comes home early and catches you by surprise in the best way possible.

Scars

Can Harry be the comfort you need after falling back into old habits?

Home Stretch

As the tour comes to an end, the schedule starts to visibly take its toll on Harry, and you can't help but worry.

Ooh La La

After a revelation on movie night, you and Harry decide to reenact one of the scenes.

Love Don’t Cost A Thing

Harry loves to spoil you, but you're having a hard time adjusting to his lavish lifestyle.

The Battle in Barcelona

A crazy crowd at the airport comes between you and Harry.

Misplaced Emotion

As Harry prepares to jump back into the spotlight, he has a hard time re-adjusting to public life, and it manifests in the wrong way.

Good News All Around

You reach a big milestone in your life, but feel overshadowed when you call to tell Harry about it.

Perfect Harmony

You're in the final days of the tour, and Harry makes a suggestion that ends up changing everything.

Lose You to Love Me

A run-in with your childhood sweetheart brings up old memories, and lingering feelings.

Lights, Camera, Action

What was supposed to be just another job becomes the start of something new.

Business or Pleasure?

You return to Love on Tour after an extended break, but after your last interaction, you come back to an awkward situation with Harry.

Reigning it In

You're about to participate in your first horse show, but the nerves overwhelm you. Harry finds you just in time.

Family Portrait

Harry has a couple of heartfelt surprises for you while you're visiting him on tour.

All or Nothing*

You find a new way to tease Harry during a tour visit, which leads to a new way to drive him crazy.

With this Ring

Harry takes his commitment to you to a new level.

Veiled Insecurities

Harry has some insecurities about your relationship, but instead of talking to you about them, they end up coming out in the wrong way.

Crossing the Finish Line

A sequel to Home Stretch, it's the final show and Harry charms you into making good on a promise you made last time you were together.

Lost and Found

A sequel to Lose You to Love Me, you and Harry reconnected a month ago, and he insisted you come along for the final show. when your emotions start to get the better of you, you wonder if you and Harry could ever really just be friends.

Heart Song

As a former member of the Love on Tour band, and current girlfriend of Harry, he asks you to reprise your spot for the final show.

Road to Recovery

After reading some negative comments about yourself, you nearly spiral back into old habits. you try to keep it from Harry, but he finds out and confronts you about it.

A Work of Art

After procrastinating for a few weeks, you finally make moves to finish your assignment, but run into an unexpected road block.

He's Not Me

You introduce Harry to the guy you're seeing, and you see a side of him you've never seen before and are shocked by his reasoning.

Sharing is Caring

You can't find your favorite handbag, Harry assures you he doesn't have it, but you see some photos tell a different story

Cantaloupe

In this one shot/flash forward from the Now You're In My Life storyline, you and Harry recap the big news from your family's Thanksgiving dinner.

Like Riding a Bike

Despite being on break, Harry manages to find his way back onstage.

Fa La La La Freakout

You will be meeting Harry's family for the first time over the holidays, and you are desperate for them to like you.

The Morning After

The morning after Harry's 30th birthday, you're hungover and Harry reminds you of your drunken actions from the night before, leading to a conversation you never expected.

Big Winners - Part 1

Harry and Y/N have been friends for fifteen years, they finally work together on an album, and it leads them to a night that will change everything for them.

Baby-Baby-Baby

Harry meets his niece for the first time, the joy and excitement are quickly replaced with a whole new set of feelings when his best friend, Y/N joins him at the hospital.

(*) - NSFW

#harry styles #harry styles x reader #harry styles x fem!reader #harry styles x plus size reader #harry styles headcanon #harry styles meet cute #harry styles fluff #harry styles smut #harry's house #harry styles fanfiction #harry styles fanfic #harry edward styles #harry styles imagine #harry styles x you #harry styles x y/n #love on tour #harry styles blurb #harry styles fic #harry styles one shot

[paginate54]

Dave Lewis, LZ chronicler, on Robert's performance of Stairway. From Led Zeppelin Celebration Days FB page:

Some personal thoughts on this performance of Stairway To Heaven...

There was something profoundly moving watching the YouTube footage of Robert Plant performing Stairway To Heaven at the Andy Taylor concert.

This was the first live public airing of the song since the Led Zeppelin 02 Reunion on December 10 2007.

Before I delve in to this subject, Robert’s entire appearance was captivating. Thank you delivered with much emotion, Black Dog hammed up brilliantly and the version of Season of the Witch segueing into a reprise of Black Dog lyrics and Buffalo Springfield’s For What it’s Worth – as in the LA Forum 1970 Blueberry Hill bootleg.

Incidentally, bassist on the night Guy Pratt noted that he has now performed Black Dog with both Robert and Jimmy Page – he was part of the touring band on the Coverdale Page Japan visit in late 1993. The band line up on the night consisted of the aforementioned Guy, former Reef guitarist Kenwyn House (wearing a dragon patterned shirt shades of Jimmy perhaps), Rod Stewart’s drummer David Palmer, Andy Taylor plus Andy Taylor’s son Andy J Taylor on guitar, singer Anne Rani and musician Dino Jelusick on keyboard and backing vocals.

So back to Stairway To Heaven...

We have all had a journey with this song over the years. Mine commenced on April 4 1971 when I heard it on my radio listening to Led Zeppelin’s BBC In Concert performance on Radio One’s John Peel show. I’d heard Jimmy in an interview describing how it had come together in various sections building to a climax. Sure enough this tentative version did just that.

I first saw it performed live on Sunday November 21 1971 at the Empire Pool Wembley – an extraordinary night. It was of course one of the stand out tracks on their just released fourth album.

It went to attain legendary status – the most played record on American radio and from 1975 the rightful finale to every Led Zeppelin live performance.

Like many of their songs the arrangement was often toyed with, not least by the singer who over time added many an ad - lib to the lyrics. As it was performed on every Led Zep show, this enabled the song to retain a freshness.

The first ad-lib I recall was when he inserted the line ''you are the children of the sun'' during the version to be heard on the classic bootleg Going To California from their performance in Berkeley on September 14 1971. From 1973 onwards 'Does anybody remember laughter?‘’ was an expected insert after the line ‘’and the forest will echo with laughter.’’

By 1975, Robert had changed the line ‘’your stairway’’ to ‘’our stairway’’ adding the line ‘’that’s all we got.’’ As I witnessed in awe from the side of the stage during their 1980 Over Europe performances , Robert added ‘’I keep chopin’ and changin'’’ as they led into the climax.

Post Zep, Robert has sang Stairway To Heaven’’ it a mere four times – at Live Aid in 1985, the Atlantic 40th anniversary show in 1988, a sweet truncated version with Jimmy Page in a TV studio in Japan in 1994 and at the Led Zeppelin O2 tribute concert for Ahmet Ertegun where he proclaimed after the song ‘’Ahmet we did it!’’

Well now he has done it again….

The obvious question is why now and why on this occasion?

There’s no doubt it was a special occasion being a concert staged by the ex - Duran Duran guitarist Andy Taylor. Andy has had serious cancer health issues and staged this concert in aid of Cancer Awareness Trust.

As well as performing on the night, Robert donated his personal gold disc of Led Zeppelin IV for the auction –as he put it ''our not so difficult fourth album.'' A part of this was featured on the video stream and it had clocked an initial £50,000 bid.“I love this music and I still love it now very much although I get a bit coy and shy when I have to go near it because it was such a long time ago,” he said.

In an interview with Led Zep News guitarist Kenwyn House revealed that Robert Plant chose to perform Stairway To Heaven after a wealthy donor agreed to donate a six-figure sum to charity if he did so.

So, a special occasion deems a special song for a very worthy cause.

It says everything for Robert’s ease with the Zep legacy, that he could perform this once millstone around his neck with such dignity.

As we know Stairway To Heaven became much maligned and a victim of much parody – and let’s not mention that farcical version by a disgraced not so all round entertainer.

Although he was quick to decry it in the immediate post Zep years, I happen to think Robert is rightly proud of the song, as he is the whole Zep legacy.

Who can forget his tearful reaction to the Wilson sisters and Jason’s performance at the Kennedy Honours in 2012?

So, with none of the pressure of performing it on a big stage and at a pressurised Zep related occasion, he was able to slot it in at this charity event with little fuss.

It worked majestically….

With an ad- hoc line up with few rehearsals, the arrangement was always going to be more loose than tight. That mattered little, as his vocal phrasing was absolutely spot on and what a joy it was to hear him sing this song with a calm control. Some subtle backing vocals aided the tranquil mood.

Here’s the thing – Robert Plant sang it as though he really meant it – confident in his skin at revisiting a major part of his past. Looking good with the mic off held in that familiar pose we know so well.

I wonder what was going through his mind? I know for me it prompted so many precious memories.

There were no ad-libs this time in what was out a fairly straight rendering – the guitar solo was neat and compact and they were back in for the grand finale. Here, Robert slowed things down and the key with it avoiding any strained vocals and he even sang the last section ‘’To be a rock and not to roll’’ for a second time – making it a unique arrangement. He did retain the ''our Stairway'' sentiment.

It was also unique for being the only time he has performed Stairway To Heaven without Jimmy Page...

The final ‘’and she’s buying’’ line was delivered with a delicate finesse – watching it prompted some instant flashbacks.

Momentarily I was back at Earls Court as the mirrorballs spun above them, back in that field just outside Stevenage when they came back to reclaim their crown (''so many people who've helped us over the years - no more people more important than yourselves who who came here on a blind date -this is for you all of yer'') and at home in 1985 watching the TV as the camera panned out to 90,00 watching them re group in Philadelphia for Live Aid.

I also thought about all the much missed friends and Zep comrades who are no longer around to enjoy this special moment...

All that was enough to prompt a huge lump in my throat and a tear in my eye.

Then Robert really sealed it.

Firstly he dedicated the performance to Andy:

“I know that in this contemporary age of digital stuff there’s every likelihood that other people will see that,” he said, facing Taylor. “So if they do, I offer it up to you and your success and to the whole deal that has happened here today and the future of it all.

And also so it’s not just that, I offer it up to Led Zeppelin, wherever they are”

Andy Taylor replied ‘’God bless ‘em there’s a lot of drummers in the sky we love.’’

Let's ponder on that statement...

''I offer this up to Led Zeppelin wherever they are''

It felt like he was giving the song back to his former bandmates and back to his audience – To the privileged few who were lucky enough to witness this special occasion and beyond that to countless fans like me and you.

Deep in the heart of the Cotswold's on an October Saturday evening Robert reclaimed a major part of his history and ours.

It’s likely he may never ever sing Stairway To Heaven this song again and if he doesn’t, it’s had a suitably poignant send off.

There was none of the pressure of the previous post Led Zep performances. It happened for a great cause and for a great fellow Midlands based musician.

I am aiming to be up in the Midlands in a few days’ time for the Saving Grace featuring Suzi Dian gig at the Birmingham Symphony Hall.

I am eagerly looking forward to it, not least after witnessing the YouTube video of this Andy Taylor tribute. For at 75 he is singing so brilliantly and his enjoyment as to where he is at in these advancing years is both inspiring and infectious.

Knowing that Robert Plant is at one with Led Zeppelin’s most famous song makes it all just a little bit more comforting.

As the song states ‘’If you listen very hard the tune will come to you at last’’

I’m still listening to Robert Plant intensely – as are countless others…

Dave Lewis - October 27 2023

#Stairway to Heaven 2023 #Robert Plant Stairway to Heaven #Led Zeppelin #I've changed my opinion a bit but still seems some personal connection may have ended #Youtube

[thesquirrelqueer]

@woah-uhuh-uhuh-uhuh already made a post about this that you can go check out here but here’s mine with other stuff from the show I noticed from today’s bac bmc performance!

(these aren’t in any specific order it’s just by when I remembered to write it down)

they really said SCARY stockboy cause he had a knife and he yelled a lot

scary stockboy was playing the knife game before jeremy and michael came in

my mothers would be thrilled was added in

crystal pepsi was changed to ecto cooler (broadway version)

mixed up line during bmc pt 2: the “everything about you makes me wanna die” bit was accidentally switched with the “everything about you is so terrible” bit

whenever squip was controlling someone’s dialogue he mouthed along with them

chloe and brooke held hands a lot

there was a literal tango between madeline and zac during the squip tango

rich yelled “hey short ass where’s my money?” at aubrey during the mts reprise

dustin was shoplifting at the mall

the squip looked through files whenever jeremy did something wrong (think like tony stark with jarvis)

during gtikbi reprise christine had headphones on (she is so neurodivergent <3)

mixed up line during ilprl: “is this where you sign up for the play” “no this is where you sign up for the swim team”

the photo used during the mall scene is actually a photo of the real life menlo park mall

chloe pushes up/adjusts brooke’s boobs for the second dywr verse

one of the ensemble threw up in the hood of jared’s onesie during gtikbi reprise

the squip did stewart clarke’s opt up during tpc

michael started screaming when everyone else was screaming during the play

michael’s mailbox during the pants song said “mell box”

jeremy had an x-men shirt during vimh

michael has more than one red hoodie but they're all slightly different

after rich writes boyf on jeremy’s backpack he like does a kiss towards jeremy’s cheek (not like leaning in to kiss his cheek but more like a “mwah” noise)

#bac bmc #jeremy heere #michael mell #christine canigula #the squip #jenna rolan #jake dillinger #brooke lohst #chloe valentine #rich goranski #broadway #musicals #be more chill #bmc #shut up dani