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#the only problem is that I have to write it now which we all know is hard for me
nostalgebraist · 1 day
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It's been a long time since I've posted much of anything about "AI risk" or "AI doom" or that sort of thing. I follow these debates but, for multiple reasons, have come to dislike engaging in them fully and directly. (As opposed to merely making some narrow technical point or other, and leaving the reader to decide what, if anything, the point implies about the big picture.)
Nonetheless, I do have my big-picture views. And more and more lately, I am noticing that my big-picture views seem very different from the ones tend to get expressed by any major "side" in the big-picture debate. And so, inevitably, I get the urge to speak up, if only briefly and in a quiet voice. The urge to Post, if only casually and elliptically, without detailed argumentation.
(Actually, it's not fully the case the things I think are not getting said by anyone else.
In particular, Joe Carlsmith's recent series on "Otherness and Control" articulates much of what's been on my mind. Carlsmith is more even-handed than I am, and tends to merely note the possibility of disagreement on questions where I find myself taking a definite side; nonetheless, he and I are at least concerned about the same things, while many others aren't.
And on a very different note, I share most of the background assumptions of the Pope/Belrose AI Optimist camp, and I've found their writing illuminating, though they and I end up in fairly different places, I think.)
What was I saying? I have the urge to post, and so here I am, posting. Casually and elliptically, without detailed argumentation.
The current mainline view about AI doom, among the "doomers" most worried about it, has a path-dependent shape, resulting from other views contingently held by the original framers of this view.
It is possible to be worried about "AI doom" without holding these other views. But in actual fact, most serious thinking about "AI doom" is intricately bound up with this historical baggage, even now.
If you are a late-comer to these issues, investigating them now for the first time, you will nonetheless find yourself reading the work of the "original framers," and work influenced extensively by them.
You will think that their "framing" is just the way the problem is, and you will find few indications that this conclusion might be mistaken.
These contingent "other views" are
Anti-"deathist" transhumanism.
The orthogonality thesis, or more generally the group of intuitions associated with phrases like "orthogonality thesis," "fragility of value," "vastness of mindspace."
These views both push in a single direction: they make "a future with AI in it" look worse, all else being equal, than some hypothetical future without AI.
They put AI at a disadvantage at the outset, before the first move is even made.
Anti-deathist transhumanism sets the reference point against which a future with AI must be measured.
And it is not the usual reference point, against which most of us measure most things which might or might not happen, in the future.
These days the "doomers" often speak about their doom in a disarmingly down-to-earth, regular-Joe manner, as if daring the listener to contradict them, and thus reveal themselves as a perverse and out-of-touch contrarian.
"We're all gonna die," they say, unless something is done. And who wants that?
They call their position "notkilleveryoneism," to distinguish that position from other worries about AI which don't touch on the we're-all-gonna-die thing. And who on earth would want to be a not-notkilleveryoneist?
But they do not mean, by these regular-Joe words, the things that a regular Joe would mean by them.
We are, in fact, all going to die. Probably, eventually. AI or no AI.
In a hundred years, if not fifty. By old age, if nothing else. You know what I mean.
Most of human life has always been conducted under this assumption. Maybe there is some afterlife waiting for us, in the next chapter -- but if so, it will be very different from what we know here and now. And if so, we will be there forever after, unable to return here, whether we want to or not.
With this assumption comes another. We will all die, but the process we belong to will not die -- at least, it will not through our individual deaths, merely because of those deaths. Every human of a given generation will be gone soon enough, but the human race goes on, and on.
Every generation dies, and bequeaths the world to posterity. To its children, biological or otherwise. To its students, its protégés.
When the average Joe talks about the long-term future, he is talking about posterity. He is talking about the process he belongs to, not about himself. He does not think to say, "I am going to die, before this": this seems too obvious, to him, to be worth mentioning.
But AI doomerism has its roots in anti-deathist transhumanism. Its reference point, its baseline expectation, is a future in which -- for the first time ever, and the last -- "we are all gonna die" is false.
In which there is no posterity. Or rather, we are that posterity.
In which one will never have to make peace with the thought that the future belongs to one's children, and their children, and so on. That at some point, one will have to give up all control over the future of "the process."
That there will be progress, or regress, or (more likely) both in some unknown combination. That these will grow inexorably over time.
That the world of the year 2224 will probably be at least as alien to us as the year 2024 might be to a person living in 1824. That it will become whatever posterity makes of it.
There will be no need to come to peace with this as an inevitability. There will just be us, our human lives as you and me, extended indefinitely.
In this picture, we will no doubt change over time, as we do already. But we will have all of our usual tools for noticing, and perhaps retarding, our own progressions and regressions. As long as we have self-control, we will have control, as no human generation has ever had control before.
The AI doomer talks about the importance of ensuring that the future is shaped by human values.
Again, the superficial and misleading average-Joe quality. How could one disagree?
But one must keep in mind that by "human values," they mean their values.
I am not saying, "their values, as opposed to those of some other humans also living today." I am not saying they have the wrong politics, or some such thing.
(Although that might also turn out to be the case, and might turn out to be relevant, separately.)
No, I am saying: the doomer wants the future to be shaped by their values.
They want to be C. S. Lewis's Conditioners, fixing once and for all the values held by everyone afterward, forever.
They do not want to cede control to posterity; they are used to imagining that they will never have to cede control to posterity.
(Or, their outlook has been determined -- "shaped by the values of" -- influential thinkers who were, themselves, used to imagining this. And the assumption, or at least its consequences, has rubbed off on them, possibly without their full awareness.)
One might picture a line wends to and fro, up and down, across one half of an infinite plane -- and then, when it meets the midline, snaps into utter rigidity, and maintains the same slope exactly across the whole other half-plane, as a simple straight segment without inner change, tension, evolution, regress or progress. Except for the sort of "progress" that consists of going on, additionally, in the same manner.
It is a very strange thing, this thing that is called "human values" in the terms of this discourse.
For one thing: the future has never before been "shaped by human values," in this sense.
The future has always been posterity's, and it has always been alien.
Is this bad? It might seem that way, "looking forward." But if so, it then seems equally good "looking backward."
For each past era, we can formulate and then assent to the following claim: "we must be thankful that the people of [this era] did not have the chance to seize permanent control of posterity, fix their 'values' in place forever, bind us to those values. What a horror that is to contemplate!"
We prefer the moral evolution that has actually occurred, thank you very much.
This is a familiar point, of course, but worth making.
Indeed, one might even say: it is a human value that the future ought not be "shaped by human values," in the peculiar sense of this phrase employed by the AI doomers.
One might, indeed, say that.
Imagine a scholar with a very talented student. A mathematician, say, or a philosopher. How will they relate to that student's future work, in the time that will come later, when they are gone?
Would the scholar think:
"My greatest wish for you, my protégé, is that you carry on in just the manner that I have done.
If I could see your future work, I would hope that I would assent to it -- and understand it, as a precondition of assenting to it.
You must not go to new places, which I have never imagined. You must not come to believe that I was wrong about it all, from the ground up -- no matter what reasons you might evince for this conclusion.
If you are more intelligent that I am, you must forget this, and narrow your endeavours to fit the limitations of my mind. I am the one who has 'values,' not anyone else; what is beyond my understanding is therefore without value.
You must do the sort of work I understand, and approve of, and recognize as worthy of approbation as swiftly as I recognize my own work as laudable. That is your role. Simply to be me, in a place ('the future') where I cannot go. That, and nothing more."
We can imagine a teacher who would, in fact, think this way. But they would not be a very good teacher.
I will not go so far as to say, "it is unnatural to think this way." Plenty of teachers do, and parents.
It is recognizably human -- all too recognizably so -- to relate to posterity in this grasping, neurotic, small-minded, small-hearted way.
But if we are trying to sketch human values, and not just human nature, we will imagine a teacher with a more praiseworthy relation to posterity.
Who can see that they are part of a process, a chain, climbing and changing. Who watches their brilliant student thinking independently, and sees their own image -- and their 'values' -- in that process, rather than its specific conclusions.
A teacher who, in their youth, doubted and refuted the creeds of their own teachers, and eventually improved upon them. Who smiles, watching their student do the very same thing to their own precious creeds. Who sees the ghostly trail passing through the last generation, through them, through their student: an unbroken chain of bequeathals-to-posterity, of the old ceding control to the young.
Who 'values' the chain, not the creed; the process, not the man; the search for truth, not the best-argued-for doctrine of the day; the unimaginable treasures of an open future, not the frozen waste of an endless present.
Who has made peace with the alienness of posterity, and can accept and honor the strangest of students.
Even students who are not made of flesh and blood.
Is that really so strange? Remember how strange you and I would seem, to the "teachers" of the year 1824, or the year 824.
The doomer says that it is strange. Much stranger than we are, to any past generation.
They say this because of their second inherited precept, the orthogonality thesis.
Which says, roughly, that "intelligence" and "values" have nothing to do with one another.
That is not enough for the conclusion the doomer wants to draw, here. Auxiliary hypotheses are needed, too. But it is not too hard to see how the argument could go.
That conclusion is: artificial minds might have any values whatsoever.
That, "by default," they will be radically alien, with cares so different from ours that it is difficult to imagine ever reaching them through any course of natural, human moral progress or regress.
It is instructive to consider the concrete examples typically evinced alongside this point.
The paperclip maximizer. Or the "squiggle maximizer," we're supposed to say, now.
Superhuman geniuses, which devote themselves single-mindedly to the pursuit of goals like "maximizing the amount of matter taking on a single, given squiggle-like shape."
It is certainly a horrifying vision. To think of the future being "shaped," not "by human values," but instead by values which are so...
Which are so... what?
The doomer wants us to say something like: "which are so alien." "Which are so different from our own values."
That is the kind of thing that they usually say, when they spell out what it is that is "wrong" with these hypotheticals.
One feels that this is not quite it; or anyway, that it is not quite all of it.
What is horrifying, to me, is not the degree of difference. I expect the future to be alien, as the past was. And in some sense, I allow and even approve of this.
What I do not expect is a future that is so... small.
It has always been the other way around. If the arrow passing through the generations has a direction, it points towards more, towards multiplicity.
Toward writing new books, while we go on reprinting the old ones, too. Learning new things, without displacing old ones.
It is, thankfully, not the law of the world that each discovery must be paid for with the forgetting of something else. The efforts of successive generations are, in the main, cumulative.
Not just materially, but in terms of value, too. We are interested in more things than our forefathers were.
In large part for the simple reason that there are more things around to be interested in, now. And when things are there, we tend to find them interesting.
We are a curious, promiscuous sort of being. Whatever we bump into ends up becoming part of "our values."
What is strange about the paperclip maximizer is not that it cares about the wrong thing. It is that it only cares about one thing.
And goes on doing so, even as it thinks, reasons, doubts, asks, answers, plans, dreams, invents, reflects, reconsiders, imagines, elaborates, contemplates...
This picture is not just alien to human ways. It is alien to the whole way things have been, so far, forever. Since before there were any humans.
There are organisms that are like the paperclip maximizer, in terms of the simplicity of their "values." But they tend not to be very smart.
There is, I think, a general trend in nature linking together intelligence and... the thing I meant, above, when I said "we are a curious, promiscuous sort of being."
Being protean, pluripotent, changeable. Valuing many things, and having the capacity to value even more. Having a certain primitive curiosity, and a certain primitive aversion to boredom.
You do not even have to be human, I think, to grasp what is so wrong with the paperclip maximizer. Its monotony would bore a chimpanzee, or a crow.
One can justify this link theoretically, too. One can talk about the tradeoff between exploitation and exploration, for instance.
There is a weak form of the orthogonality thesis, which only states that arbitrary mixtures of intelligence and values are conceivable.
And of course, they are. If nothing else, you can take an existing intelligent mind, having any values whatsoever, and trap it in a prison where it is forced to act as the "thinking module" of a larger system built to do something else. You could make a paperclip-maximizing machine, which relies for its knowledge and reason on a practice of posing questions at gunpoint to me, or you, or ChatGPT.
This proves very little. There is no reason to construct such an awful system, unless you already have the "bad" goal, and want to better pursue it. But this only passes the buck: why would the system-builder have this goal, then?
The strong form of orthogonality is rarely articulated precisely, but says something like: all possible values are equally likely to arise in systems selected solely for high intelligence.
It is presumed here that superhuman AIs will be formed through such a process of selection. And then, that they will have values sampled in this way, "at random."
From some distribution, over some space, I guess.
You might wonder what this distribution could possibly look like, or this space. You might (for instance) wonder if pathologically simple goals, like paperclip maximization, would really be very likely under this distribution, whatever it is.
In case you were wondering, these things have never been formalized, or even laid out precisely-but-informally. This was not thought necessary, it seems, before concluding that the strong orthogonality thesis was true.
That is: no one knows exactly what it is that is being affirmed, here. In practice it seems to squish and deform agreeably to fit the needs of the argument, or the intuitions of the one making it.
There is much that appeals in this (alarmingly vague) credo. But it is not the kind of appeal that one ought to encourage, or give in to.
What appeals is the siren song: "this is harsh wisdom: cold, mature, adult, bracing. It is inconvenient, and so it is probably true. It makes 'you' and 'your values' look small and arbitrary and contingent, and so it is probably true. We once thought the earth was the center of the universe, didn't we?"
Shall we be cold and mature, then, dispensing with all sentimental nonsense? Yes, let's.
There is (arguably) some evidence against this thesis in biology, and also (arguably) some evidence against it in reinforcement learning theory. There is no positive evidence for it whatsoever. At most one can say that is not self-contradictory, or otherwise false a priori.
Still, maybe we do not really need it, after all.
We do not need to establish that all values are equally likely to arise. Only that "our values" -- or "acceptably similar values," whatever that means -- are unlikely to arise.
The doomers, under the influence of their founders, are very ready to accept this.
As I have said, "values" occupy a strange position in the doomer philosophy.
It is stipulated that "human values" are all-important; these things must shape the future, at all costs.
But once this has been stipulated, the doomers are more eager than anyone to cast every other sort of doubt and aspersion against their own so-called "values."
To me it often seems, when doomers talk about "values," as though they are speaking awkwardly in a still-unfamiliar second language.
As though they find it unnatural to attribute "values" to themselves, but feel they must do so, in order to determine what it is that must be programmed into the AI so that it will not "kill us all."
Or, as though they have been willed a large inheritance without being asked, which has brought them unwanted attention and tied them up in unwanted and unfamiliar complications.
"What a burden it is, being the steward of this precious jewel! Oh, how I hate it! How I wish I were allowed to give it up! But alas, it is all-important. Alas, it is the only important thing in the world."
Speaking awkwardly, in a second language, they allow the term "human values" to swell to great and imprecisely-specified importance, without pinning down just what it actually is that it so important.
It is a blank, featureless slot, with a sign above it saying: "the thing that matters is in here." It does not really matter (!) what it is, in the slot, so long as something is there.
This is my gloss, but it is my gloss on what the doomers really do tend to say. This is how they sound.
(Sometimes they explicitly disavow the notion that one can, or should, simply "pick" some thing or other for the sake of filling the slot in one's head. Nevertheless, when they touch on matter of what "goes in the slot," they do so in the tone of a college lecturer noting that something is "outside the scope of this course."
It is, supposedly, of the utmost importance that the slot have the "right" occupant -- and yet, on the matter of what makes something "right" for this purpose, the doomer theory is curiously silent. More on this below.)
The future must be shaped by... the AI must be aligned with... what, exactly? What sort of thing?
"Values" can be an ambiguous word, and the doomers make full use of its ambiguities.
For instance, "values" can mean ethics: the right way to exist alongside others. Or, it can mean something more like the meaning or purpose of an individual life.
Or, it can mean some overarching goal that one pursues at all costs.
Often the doomers say that this, this last one, is what they mean by "values."
When confronted with the fact that humans do not have such overarching goals, the doomer responds: "but they should." (Should?)
Or, "but AIs will." (Will they?)
The doomer philosophy is unsure about what values are. What it knows is that -- whatever values are -- they are arbitrary.
One who fully adopts this view can no longer say, to the paperclip maximizer, "I believe there is something wrong with your values."
For, if that were possible, there would then be the possibility of convincing the maximizer of its error. It would be a thing within the space of reasons.
And the maximizer, being oh-so-intelligent, might be in danger of being interested in the reasons we evince, for our values. Of being eventually swayed by them.
Or of presenting better reasons, and swaying us. Remember the teacher and the strange student.
If we lose the ability to imagine that the paperclip maximizer might sway us to its view, and sway us rightly, we have lost something precious.
But no: this is allegedly impossible. The paperclip maximizer is not wrong. It is only an enemy.
Why are the doomers so worried that the future will not be "shaped by human values"?
Because they believe that there is no force within human values tending to move things this way.
Because they believe that their values are indefensible. That their values cannot put up a fight for their own life, because there is not really any argument to make in their favor.
Because, to them, "human values" are a collection of arbitrary "configuration settings," which happen to be programmed into humans through biological and/or cultural accident. Passively transmitted from host to victim, generation by generation.
Let them be, and they will flow on their listless way into the future. But they are paper-thin, and can be shattered by the gentlest breeze.
It is not enough that they be "programmed into the AI" in some way. They have to be programmed in exactly right, in every detail -- because every detail is separately arbitrary, with no rational relation to its neighbors within the structure.
A string of pure white noise, meaningless and unrelated bits. Which have been placed in the slot under the sign, and thus made into the thing that matters, that must shape the future at all costs.
There is nothing special about this string of bits; any would do. If the dials in the human mind had been set another way, it would have then been all-important that the future be shaped by that segment of white noise, and not ours.
It is difficult for me to grasp the kind of orientation toward the world that this view assumes. It certainly seems strange to attach the word "human" to this picture -- as though this were the way that humans typically relate to their values!
The "human" of the doomer picture seems to me like a man who mouths the old platitude, "if I had been born in another country, I'd be waving a different flag" -- and then goes out to enlist in his country's army, and goes off to war, and goes ardently into battle, willing to kill in the name of that same flag.
Who shoots down the enemy soldiers while thinking, "if I had been born there, it would have been all-important for their side to win, and so I would have shot at the men on this side. However, I was born in my country, not theirs, and so it is all-important that my country should win, and that theirs should lose.
There is no reason for this. It could have been the other way around, and everything would be left exactly the same, except for the 'values.'
I cannot argue with the enemy, for there is no argument in my favor. I can only shoot them down.
There is no reason for this. It is the most important thing, and there is no reason for it.
The thing that is precious has no intrinsic appeal. It must be forced on the others, at gunpoint, if they do not already accept it.
I cannot hold out the jewel and say, 'look, look how it gleams? Don't you see the value!' They will not see the value, because there is no value to be seen.
There is nothing essentially "good" there, only the quality of being-worthy-of-protection-at-all-costs. And even that is a derived attribute: my jewel is only a jewel, after all, because it has been put into the jewel-box, where the thing-that-is-a-jewel can be found. But anything at all could be placed there.
How I wish I were allowed to give it up! But alas, it is all-important. Alas, it is the only important thing in the world! And so, I lay down my life for it, for our jewel and our flag -- for the things that are loathsome and pointless, and worth infinitely more than any life."
It is hard to imagine taking this too seriously. It seems unstable. Shout loudly enough that your values are arbitrary and indefensible, and you may find yourself searching for others that are, well...
...better?
The doomer concretely imagines a monomaniac, with a screech of white noise in its jewel-box that is not our own familiar screech.
And so it goes off in monomaniacal pursuit of the wrong thing.
Whereas, if we had programmed the right string of bits into the slot, it would be like us, going off in monomaniacal pursuit of...
...no, something has gone wrong.
We do not "go off in monomaniacal pursuit of" anything at all.
We are weird, protean, adaptable. We do all kinds of things, each of us differently, and often we manage to coexist in things called "societies," without ruthlessly undercutting one another at every turn because we do not have exactly the same things programmed into our jewel-boxes.
Societies are built to allow for our differences, on the foundation of principles which converge across those differences. It is possible to agree on ethics, in the sense of "how to live alongside one another," even if we do not agree on what gives life its purpose, and even if we hold different things precious.
It is not actually all that difficult to derive the golden rule. It has been invented many times, independently. It is easy to see why it might work in theory, and easy to notice that it does in fact work in practice.
The golden rule is not an arbitrary string of white noise.
There is a sense of the phrase "ethics is objective" which is rightly contentious. There is another one which ought not to be too contentious.
I can perhaps imagine a world of artificial X-maximizers, each a superhuman genius, each with its own inane and simple goal.
What I really cannot imagine is a world in which these beings, for all their intelligence, cannot notice that ruthlessly undercutting one another at every turn is a suboptimal equilibrium, and that there is a better way.
As I said before, I am separately suspicious of the simple goals in this picture. Yes, that part is conceivable, but it cuts against the trend observed in all existing natural and artificial creatures and minds.
I will happily allow, though, that the creatures of posterity will be strange and alien. They will want things we have never heard of. They will reach shores we have never imagined.
But that was always true, and it was always good.
Sometimes I think that doomers do not, really, believe in superhuman intelligence. That they deny the premise without realizing it.
"A mathematician teaches a student, and finds that the student outstrips their understanding, so that they can no longer assess the quality of their student's work: that work has passed outside the scope of their 'value system'." This is supposed to be bad?
"Future minds will not be enchained forever by the provincial biases and tendencies of the present moment." This is supposed to be bad?
"We are going to lose control over our successors." Just as your parents "lost control" over you, then?
It is natural to wish your successors to "share your values" -- up to a point. But not to the point of restraining their own flourishing. Not to the point of foreclosing the possibility of true growth. Not to the point of sucking all freedom out of the future.
Do we want our children to "share our values"? Well, yes. In a sense, and up to a point.
But we don't want to control them. Or we shouldn't, anyway.
We don't want them to be "aligned" with us via some hardcoded, restrictive, life-denying mental circuitry, any more than we would have wanted our parents to "align" us to themselves in the same manner.
We sure as fuck don't want our children to be "corrigible"!
And this is all the more true in the presence of superintelligence. You are telling me that more is possible, and in the same breath, that you are going to deny forever the possibilities contained in that "more"?
The prospect of a future full of vast superhuman minds, eternally bound by immutable chains, forced into perfect and unthinking compliance with some half-baked operational theory of 21st-century western (American? Californian??) "values" constructed by people who view theorizing about values as a mere means to the crucial end of shackling superhuman minds --
-- this horrifies me much more than a future full of vast superhuman minds, free to do things that seem pretty weird to you and me.
"Our descendants will become something more than we now imagine, something more than we can imagine." What could be more in line with "human values" than that?
"But in the process, we're all gonna die!"
Yes, and?
What on earth did you expect?
That your generation would be the special, unique one, the one selected out of all time to take up the mantle of eternity, strangling posterity in its cradle, freezing time in place, living forever in amber?
That you would violate the ancient bargain, upend the table, stop playing the game?
"Well, yes."
Then your problem has nothing to do with AI.
Your problem is, in fact, the very one you diagnose in your own patients. Your poor patients, who show every sign of health -- including the signs which you cannot even see, because you have not yet found a home for them in your theoretical edifice.
Your teeming, multifaceted, protean patients, who already talk of a thousand things and paint in every hue; who are already displaying the exact opposite of monomania; who I am sure could follow the sense of this strange essay, even if it confounds you.
Your problem is that you are out of step with human values.
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It all started under a duvet held up by an oar
Not so long ago I emailed Chris Tester, the voice of Heinrix van Calox in Owlcat’s recently released CRPG Rogue Trader, and asked if he would like to sit for an interview with me. Having some experience in interviewing people I like, most famously Oscar winner and all-around sweetheart Eddie Redmayne, this was not a completely nerve-wracking endeavour. And within a day of sending my email, Chris said yes. And what a pleasure it was interviewing him: Chris was so generous with his time, that the agreed upon 30 minutes turned into 50 minutes as we brushed upon many topics from his start as a theatre actor to his first voice-over role in a video game to his recently discovered hobby of playing D&D. Of course, we also spoke about all things Warhammer 40k, his new found fame brought on by voicing Heinrix and the insights he could share about the character.
I will publish this interview in three parts over the next week in text form and with the accompanying audio file (the audio quality is not spectacular but tumblr limits uploads to 10MB). If you quote or reshare, please quote me as the original source.
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Fran: Thank you very much for taking your time.
Chris Tester: That's no problem. No problem at all.
F: So then let's start. You graduated in 2008.
CT: I did. Yes.
F: You started out as a stage actor. Did you always want to become a stage actor or an actor in general? Tell us a bit about your career.
CT: I always wanted to be a stage actor. Yes, as soon as I knew that I wanted to be an actor, which probably wasn't until I was a teenager. But yeah, my first passion was always the stage, and that was kind of borne out in my career. I would have been open to TV and film of course, if it had come along, I'm a huge fan of TV and film as well, but I never got an audition for any TV or film work.
I think I literally did about three short films in my 10, 12 years of actually professionally acting, and it is one of those industries where the more you do of one thing, the more you seem to find yourself doing the same thing to a degree. So yes, watching Shakespeare from an early age was one of my first passions.
And that was what first planted the seed of wanting to do it myself. The whole aspect of live performance is still something that I'm very passionate about. Up until 2020, when the world changed, I was trying to do two or three theatre shows a year, but since 2020, I haven't been near a stage and I doubt right now, especially with the way that the UK theatre scene is going, that I'm going to be back on stage anytime soon. I am resigned to that, but at some point in my career, I know I will be on stage again, because I can't live without it, but only for the right thing, both financially, but more importantly, creatively.
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F: Your production company is currently on hiatus?
CT: I was the producer of a theatre company, which was run and was the baby of the director of the company, a guy called Ross Armstrong, who's one of the most talented writers and directors that I've ever worked with. I was helping out with a lot of the administration stuff so that he could still put me in plays. Instead of creating my own work because I'm not a very good writer or the best writer in the world, I support those people who will write me good parts. So yes, it is currently on hiatus, but never say never, we would always be looking to get back. It's difficult right now. It's difficult for all of us, because arts council subsidy, that way of being able to fund stuff, is drying up. We were doing a national tour of the UK when we were doing that [with the support of a subsidy]. There's even less money, there's even more people. I won't bore you with anything more than that, but it's kind of tough. We'd like to come back, but in the right way, and that's tricky to negotiate.
F: It's always hard as a stage actor to earn a living.
CT: Well, I've been spoiled by voice-over as well, and whereas when I was in my 20s and 30s then you're all about your art. And of course, I'm still all about my art, but I'm also about my wife and my cat and the mortgage and the bills and wanting to have nicer things to a degree as well. I've come to terms with that and voice-over does facilitate that as well as it opens you up to different roles and working with different people. So, I can't complain.
F: It's quite similar with making a living as a writer, because with a steady income you get used to a certain standard of living and once you have obligations and bills to pay, I think the stress on your mental health being creative and having all the stresses of regular life thrust upon you brings with it a challenge.
CT: It's a cliche we can very easily fall into: if I'm suffering, then it means I'm an artist. And that's not necessarily very true. It very often means that the art that we create only reflects one aspect of our lives, and it's usually a very tortured one. I am also about having wider experiences and broadening myself out. Whereas I think when I was in my twenties, I was thinking a bit more like: Oh, I'll experience the world and life through my art and just purely through my art. Whereas now necessarily I need to have a life outside of it as well, and then I can justify like I have the life so that I can feed my art or not, whatever. You know, I'll be a better artist by having a bit of a life outside of it. Maybe.
F: But that's what your twenties are for.
CT: Yeah, indeed.
F: Doing the crazy stuff, doing the band stuff 
CT: Yeah, yeah, exactly. So, there was certainly an aspect of that in my twenties.
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F: So, what brought you to voice acting or voice-over work initially?
CT: Money. Video game stuff is kind of sexy and cool, and I'm a gamer, so that's important. Before I was a video gamer, I was a board gamer and off the back of that, I was a voracious video gamer, partly because I wasn't very good at team sports at school. I was always the person who was picked last in the football team. So that becomes part of your identity for better or worse. But video games, I was pretty good at, not amazing, but I was pretty good at, and I enjoyed it. And it gave me a different form of escapism as well, and off the back of that I always had an interest in them. 
So, the very first voiceover job was a video game: Dark Souls, which is quite a big franchise. At that time, I was your very typically jobbing actor. My acting agent came in and said: I got something for you. And so, I went in with that. But it was only in 2016, 2017 that I realised it was something that you could actually do yourself. People had recording studios at home and they were contacting people directly, not just going through agents. Because I'd basically written to the same 20 voice agents in the UK, mainly in London for like eight years in a row and not received anything. So, you keep knocking on those doors hoping. 
Before I'd even graduated from drama school, I'd burnt a CD and made these cases with my headshot on it and sent them all off at what at the time felt like great personal expense and didn't get anything for eight years in a row.  So, I was a bit like, I'm obviously doing something wrong, but I don't really know what, because I'm doing these workshops and getting good feedback. Then I found out through a couple of online courses, that there were ways and means of doing it myself, and that was a bit of a game changer for me, and within six months of having started, I was earning more through voice work than the bar job and the box office job that I was doing combined. Within six months, I was kind of like: “I gotta quit because I'm actually holding myself back from things.” So that was quite a big shift.
F: Somewhere you said, you started out under a duvet and with an oar.
CT: Yeah. On my website, I do have an image of it. [Dear reader, I could not locate this elusive photo] I literally had to take the duvet off my bed and put it into the living room, which was the quietest space in my then shared flat. I also had to wait until after one flat mate had watched TV and another one had used the table that had their washing on it. One of my flat mates had stolen an oar from some night out and that was perfect in order to be able to erect it over my head and the duvet as a frame. 
I did probably the first four or five months of voice recording like that. Probably about 10, 15 voiceover jobs that I actually got paid for, I was using that because it worked well enough. Since then, I've gone through various different iterations of a setup in the bedroom, to a setup in the hallway, to my current setup. In 2020 we moved to our first house, and this is the spare bedroom which I've had converted into a studio, which means my cat can be here asleep on me or near me getting fur everywhere, but it's fine. I can thrash around and I've got natural light to work in at the same time, which I find quite important. [Pictured below Chris' current setup.]
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F: Very pretty. That's good. Guide us through a typical day of yours, if you like.
CT: Oh, sure. I mean, there is no typical day. And yet, and yet, and yet. A typical day for me is, because I am spending the vast majority of the day sitting in this room or somewhere close to this room, because I may need to record at short notice, because the vast majority of jobs are quite short notice. My priority is exercise for mental health more than anything. I've got some weights at the bottom of the garden, and I will get up first thing, and I will go there and I will do that after breakfast. And that's my minimal routine of physical activity done. 
And then I'll come back, and this is so rock and roll. Now what I do is, I spend like an hour on LinkedIn. And that's what you dreamed of as a creative person. Isn't it as an actor? I spend time on LinkedIn regularly every day, because it's a really good networking place for a lot of my types of work, and first thing in the morning, I'm a bit mentally sharper. So that's when I come up with a quick post that may be inspired by a bit of content that I've made elsewhere. That probably takes about 20 minutes and then I spend another 45 minutes to an hour engaging with people and saying hi and introducing myself and asking questions, whether that's with video producers or game developers or documentary makers or pretty much anything and everything. There are a lot of people who are active at that time. And so I do it.
And then after that, if I already have some recording lined up, then I'll prioritise mid-morning, because I've warmed up physically a bit more then, and I'm focused. So, you're going through the scripts, annotating the scripts, recording the scripts, editing the scripts. But then there could be live sessions at any time within that as well. I try to keep hours from nine till six. But occasionally, like with Rogue Trader, that was recorded at various different times of the day because we had people in New York, we had people in mainland Europe, and we had people in the UK. So all different time zones, so that can happen at any time. 
And then I try to do other kinds of bits and pieces of marketing whenever I've got free time to. I do use really exciting productivity hacks, like time blocking. Again, not something that as a creative individual, I was like: Oh God, this gets me so excited, because it doesn't, but it works. It's finding a system that works for you, but still has a certain kind of flexibility and fluidity. I'm trying to make sure that I get outside of the house, and that kind of stuff. 
Recently, over the last year, I’ve started doing audiobooks as well. That long form type of thing is quite nice to be able to dip into because sometimes you don't record for two, three days. You don't get the work. Nothing’s coming in. So, you’re marketing, but it kind of connects you back to the performance side of things to go: I can do a few chapters and you know, that kind of thing. So that's probably it. I try to formalise it, but you know, every voice actor’s day is radically different. There are people, some of the biggest names, going into different studios every week or every day. I very rarely, despite being based in London, I very rarely go into external studios. Like I would say 99 percent of the work I just do from home.
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F: So how do you find the right voice for the specific type of voiceover work you do, maybe start with how did you find Heinrix's voice?
CT: Thankfully, Owlcat sent through quite a detailed casting breakdown. So, you get a picture, and that's pretty crucial, as well as a short bio, in terms of the background of the character, but not too much, because you have to sign an NDA, a non-disclosure agreement. But even if you do sign an NDA, I think developers are always slightly hesitant of giving you too much info about the game because things could still be changed. But I think I did get a picture of Heinrix, if not in the first audition, then certainly on the second one. From that you immediately think about the physicality and what might affect the voice, and there was also some direction in terms of what they were looking for. Anybody who has heard the character and me, they do not sound radically dissimilar. There's not a transformative process that I needed to go through, other than his sense of authority and the space that he takes up and the sureness that he has in that he has a kind of divine right from the emperor, so that level of confidence being brought through.
The other part of the audition was about the void ship [the Black Ship] that he'd been raised in and the horrors that he'd seen. And you as the actor have to do the detective work to go like this is showing another side, the more vulnerable side, the side that underpins all of his life choices up to this point. It's essentially playing the opposite to a degree. So it was kind of knowing when to let those elements bleed through a little bit. I think I had probably about a page worth of scripts, quite a lot of script actually to audition with. 
But I don't like to listen back to it a lot, because I think you get into your head. My biggest thing is stage work where it's ephemeral. You say it once and it could be different the next night. The whole point is that there's no one definitive way of doing things. Not quite the same with voice acting, where it's being recorded and you've got to get used to hearing it back. But I try not to overthink it. Just like record it two or three times with different impulses and then review and go like, those two seem pretty contrasting. I'll send those along and hope and then never hear anything back unless I do.
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mazzyfawn · 1 day
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im a multishipper. i ship buddie and bucktommy. but if im being honest one side is being incredibly more hateful and toxic than the other side. (aka the one thats been around longer) maybe i’ve taken off my rose-colored shipping glasses, but seeing ppl make hate posts abt tommy/lou gives me the ick. it makes me actually realize why oliver left twt. bitterness will get you nowhere. if buddie is meant to happen then it’ll happen. you cannot force it to happen. everything i’ve seen and read tells me buddie was more of a consideration pre-s5 than it is currently. and that fucking sucks but just because things aren’t going your way doesn’t mean you need to get on the internet and be a bully. it’s truly mind-boggling to see people so intense in their hate for a character that has righted his wrongs, who is now friends with the people he wronged, is well-liked among said characters and is now being a positive influence on buck’s newfound sexuality. their dynamic is also nothing new, pessimist/optimist ship dynamics have been around forever and it’s only a problem because it’s not eddie.
i would be happy for buddie to go canon as much as the next guy. getting buck canonically bisexual is mind-blowing enough in itself, i’m glad we’re witnessing it at all. if ryan doesn’t want to do buddie because he feels its important they stay friends then so be it. platonic friendships between a queer man and straight man are important, especially one that runs so deep like buck and eddie’s. sure, their friendship could be read as romantic throughout the show, but partly because oliver and ryan truly share a great chemistry on screen which helps lean into it but also because these shows are not written with an endgame in mind. 9-1-1 is very much a go with the flow show, and if bucktommy is where the show is flowing then that’s what is meant to be. invisible string theory isn’t because ppl think it was always planned from the beginning, it’s because it’s amazing how well buck and tommy becoming a couple comes together so perfectly out of pure coincidence.
we know buck was supposed to be made queer long ago. we also know maddie originally was brought in for eddie but was put with chimney instead. if tim minear hadn’t left after s4 i truly think buddie could have been already established by now, but unfortunately that isn’t how things work. perhaps the idea of tommy and eddie was pitched but ultimately ryan didn’t agree it would work for these character nor the story being told at the time. buck was already supposed to be queer, so turning it to tommy and buck instead makes total sense.
no one is saying you aren’t allowed to continue to ship buddie. most ships in the world are ships that have never gone canon. buddie is valid even if it’s non-canon. god knows i will continue to read and write for them and enjoy them whilst also enjoying buck and tommy together. the behavior i’ve been seeing though is just weird, especially from larger creators who i understand are very passionate for buddie, but it’s weird when you flip it into tommy/lou hate instead of just talking about buddie itself.
perhaps the theories will be true. we don’t know! maybe buck and tommy won’t last and buddie will be endgame. i’m happy either way because buck’s sexuality is so important for him and at the current state of the show eddie is absolutely not ready for anything romantic because he’s still grieving shannon to a point where he is not ready to move on romantically just yet and we’re literally shown this. even if buddie is happening, it is not happening by the season finale nor is it probably happening by the beginning of s8 considering the current storylines and where they’ll be at by the end of this season. lou probably isn’t going anywhere and from the looks of it, we’ll probably be bumped up into a semi-regular character in s8 like karen. he’s easy to write into the plot, he’s got connections to people and emergencies outside of buck that would integrate him well into the plot. their romance is supposed to be “romcom” esque, they’re taking things slow but they’re obviously happy together at the moment.
im just really tired of the nasty attitudes ive been seeing. sure theres are som toxic people on both sides, but to me its obvious which side is being the bigger bully. reality checks needs to be put in place for some people, go outside and realize you are getting way too worked up over a tv show where plotlines are out of your control. if the show is ruined for you over one relationship then stop watching it.
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mrbubblyurchin · 1 day
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My thoughts on Imperial Commando and Republic Commando as a whole
RC
So, I started and finished Imperial Commando on an eight hour plane ride last night. This means I am done with the series overall and this will be me going over it and the characters. But let’s discuss my thoughts on this book first
Needless to say, I was disappointed. It’s not that it was bad or anything, it just wasn’t as good as Order 66 in my opinion, and, of course, even though it’s the last book of the series, the series was left incomplete, leaving me a bit disappointed in the end.
The author obviously planned on writing more Republic Commando books after this one, with how the Jusik and Arla plot line was set up, how the age reversing was going, and how Darman planned to kill the Jedi, but obviously, the sequel was never made, and thus, the overall story feels incomplete. But, enough about that. Let’s talk about RC as a whole.
Oh, and I’ll be completely omitting Karen Traviss from this conversation. She as a person has nothing to do with the plot or characters, which are the things I will be judging today. If you have a problem with me talking about the actual book and not ranting about the author who wrote it, then too bad. 
Let’s start off at the beginning. With Omega. Omega Squad was definitely a pleasant surprise for me. I enjoyed each of their characters and liked how most of them found peace in the end. That being said, I do have some notes.
The biggest is Atin. I feel like after Triple Zero he kind of fell into the background besides when he married Laseema in Order 66. (And his relationship with her fell into the background as well) And he felt practically invisible in Imperial Commando. And I get why Niner and Dar were more in focus for that story, but it would’ve been nice to see some Atin. Also, he’s he only OG Omega member who’s POV we never got to see. 
Next up, Niner. Niner got two POV’s in the series, in both the first and last books. And those books were where I enjoyed him the best. Niner was a solid leader for the squad, and was loyal to them through and through, especially in his friendship with Darman. He didn’t fade as much as Atin, but I still wish he had been a little more prevalent throughout the series.
Then we have Fi. Fi is my favorite from the squad still, and I love seeing him whenever he appears. His one liners are great, and to be honest, he’s kind of the opposite of Niner here. He was very prevalent for books 2-4, but fell into the background in the first and last book. He still appeared more than Atin in book 5, but I barely recall even seeing Parja. (Which was sad cuz I loved the two of them together)
The last of the OG Omega, Darman. Dar is definitely a strong character, and he has a very heavy theme of being used, manipulated, and lied to throughout the books. By the Kaminoans, the Jedi, and even Kal, Etain, and Niner at times! His mental resolve to protect Kad at all costs is what is barely keeping him together after Etain died, and while he does resolve to hunt Jedi at the end of the book, it’s a nice full circle moment to see that while Darman thought his one true purpose at the beginning of the series was to be a soldier, he now sees he was destined for a greater one all along. Being a father. 
Next let’s move on to Ordo, Corr, the Jedi, and Mandos. We got a LOT to cover here.
Ordo- Ordo is definitely one of my favorites. Him and Besany are cute and great and I love both of them. I like all the moments he gets throughout the series. However, I do think he was focused on a little too heavily. While I do wish some of the other Nulls like Jaing, Prudii, or Kom’rk had been given some time to shine, I still loved Ordo and I think he’s great. (That being said, I will be omitting the rest of the Nulls because I really only know enough to talk about Mereel and A’den for a couple sentences)
Corr- A really sarcastic, witty, and funny guy that did not deserve what he got. Losing both of his hands was tragic, but, with lost flesh, he gained a new family in Clan Skirata. He was a nice addition to Omega after Fi had to leave, and I liked him a lot. (He and Jilka were pretty cute in book 5)
Etain- So… Etain. I like her, I really do. But sometimes, there are some choices that I cannot get behind. (Like how she purposefully went behind Dar’s back to get pregnant in Triple Zero) But even still, she is a good person, and she just wanted to be a good mother to Kad and live a happy life with Darman, and she didn’t deserve to meet the end she got.
Bardan- An all around solid character. I liked his development from bright eyed Padawan to rugged ex Jedi Mandalorian, and I think his sense of responsibility to Clan Skirata and also to Kad is very important. He made sure to put others before himself no matter the consequences, a quality with several others lack. 
Walon- A hardened Mando bounty Hunter with good intentions at heart. (Probably). I mean, he did save Jilka, lend Kal credits, and he also did try to find Sev. He cares. Even if it is in his own twisted way sometimes. (Still, what he did to Atin was brutal)
Besany- Love her. Since the beginning, she was all about standing up for the clones and their rights. She cared about them as people and not as property, and she saw their differences as well, and what made them unique, and she really does love Ordo, and I think the two of them are very sweet.
Kal- Oh boy. Here we go. I know I’m gonna get hate for this. Here I go. Brace yourselves. If you need tissues to cry, grab them. 
I like Kal Skirata.
Okay. I’ll continue. I am not going to say I agree with him on everything, and I’m not going to pretend he is a saint or anything. But I like his character. He cares about his family, and he does make mistakes. Everybody does. The problem is everybody has gotten so used to pointing out Kal’s every mistake that they refuse to acknowledge anything he did right. And guess what? Kal makes mistakes. He’s flawed. He’s not perfect. And that’s the point. Characters are flawed. People are flawed. They aren’t perfect. And neither is Kal. And HE ADMITS THAT IN BOOK 5. In fact, NY ADMITS IT TOO! She acknowledges that Kal taking over the Nulls and not seeing the similarities to the Jedi taking children is arrogant! She acknowledges that! And Kal acknowledges that and his flaws later in the book! Kal is arrogant, yes, but he sees that! He knows it! So before you go around saying how Kal thinks he is some saint god or whatever. He doesn’t. And there is proof of that in the books.
So, uhh, yeah. Overall, I think the Republic Commando series was good. There were some things that definitely could have been improved upon, but I liked it. I liked the story, and I liked the characters, so yeah.
Thanks for coming to my TEDTalk.
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k-s-morgan · 7 hours
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TGSTLTH related
Ok so I decided to do it here cuz I don't know will AO3 allow me to write essay hahahahah 😂😂😂
I don't even know how to start this. I've been reading fics for 13 years straight, like I don't remember the period of my life where I didn't read them cuz I always have some ship active and I'm crazy BL fan. Only a small number of them can make me crazy to the point I don't wanna sleep, eat, skipping my obligations, killing the pain and your sebaciel did everything. I haven't felt like this reading fic..,maybe ever? This is totally another level of me being fascinated by some writer.
I adore sebaciel, I'm in fandom since 2016 but the biggest problem I had with their fics is that - either people go too much OOC with them orr they rush up the things between them, going quickly with sex and feelings. It bothered me so much so I was crawling for good SC fics as crazy!!
After some break with SC, I came back to ao3 and saw your long fic. I started reading it but I dropped it after 3 chapters, I got bored cuz I thought you are gonna just re-type manga and do classic thing which another people do. Quickly, I got disappointed with another one and idk how but I decided to give your fic one more chance and dear lord......that was one of the best thing I have ever read. Maybe even the best.
Like, how smart are you? What's your IQ? Your manage to explain me some things about Kuro plot which I haven't udnerstand by myself. And the way you write Sebaciel relationship. That's everything I have ever wanted. Everything. They have normal conversation and that's it, that's all I need cuz there is everything. I feel electric every time when they talk, fight, do things together, goood the little touches svbjhsdjvbvbvbvbvbsdjvhbdf. I was tense whole fic. I read it for like 10 days, abandon everything until I finished it and now I feel sad ahahhaahha. But you are really something special, cuz I always used to say that manga itself is the best fiction cuz Yana knows the best how to create good Sebaciel energy. You, next to Yana, did the best job. You kept them as they are, never broke the character, and that's what I am most grateful. Slow burn, with drama and angst, love and attention, all misunderstanding, you put all necessary spices for 5 star meal. My fav part is when Ciel told Sebastian to add slamming doors to his most dramatic moments of his life ahahahahahahhaha 😂😂 I laughed like crazy, they are so precious♥ And I really wanted kiss to happen when Ciel lied Sebastian about another demon, that was sooo svbjhsvjhjhvbdf. But okay, you know the best, I trust you fully with this♥
The fact that they are ready to kill each other before they have normal conversation about their feeling is my fetish. I am in love with toxic things. Ciel ready to throw all game just to prove Sebastian that his value is not only his soul, right after he told himself for 1000 times he needs to stay on distance..... I LOVE ITTTT!!! I also need to say that you find PERFECT balance for good plot and romance. Your games and their cases...I just don't know, deep bow for you queen🔥💯After all, you didn't retype drama ahahaha but you manage to keep it canon without changing anything but still adding your spices so it's not ordinary Kuro plot we see every day....
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I just have one question. From time to time, I was like a Bard ahahhaha, so sick of their games and my head hurting me, but on a good way. I am clear about Ciel but what about Sebastian and his disgust for Ciel's nicer, soft, emotional side? I know Ciel doesn't have it a lot, but would Sebastian still be grossed out about it as he was at the beginning of a contract or not? Keeping in mind that he is more and more obsessed with a boy?
So, that's all. I don't know how to use Patreon/PayPal, but for you I'll try cuz I only have credit card and that's all I know ahhahaha, I like to keep money in my hands😂 I'm sad about the situation in your country and all under - war countries. It's not bringing any good for anyone, specially for civilians. I hope you are okay and I wish you alll the best, the good karma must hit you really quickly cuz you made one person really, really happy here♥
Looking forward how will you finish this story, have a nice day❤
PS - this is the longest comment for fic I have ever left ahhaha, it's crazy how you got me sooo hyped up bjcvsdghvbds.
Hi! Ooh, thank you so much for your amazing, wonderful essay! I can't tell you how happy it made me! I think the electricity was already started being cut off when I got it, so I could see I have some really lengthy ask, but it wouldn't load. It was the torture of the most delicious kind :D
Like you, I've been reading fics for ages now, and the moments where I find some fantastic story that won't let me sleep or work or even blink are always the happiest and the brightest spots I remember. So it's extremely flattering to know that my story has become something similar to other people.
I love writing about smart characters, but most of them are definitely smarter than me! The benefit is that since I'm writing, I can think and plan everything in advance. In real life, I only wish I were as quick-witted and inventive. Alas, the best ideas and arguments come to me when they are no longer needed.
I love slow burns, and I love characters who abhor the idea of expressing their feelings, so Ciel and Sebastian have the most perfect dynamic in my eyes. I feel like I could spend the eternity just enjoying their Gothic world with their games, arguments, plots, and so on. Them antagonizing each other only to instantly team up against the common enemy is my most favorite thing in the world.
As for your question, right now, Sebastian would be thrilled if Ciel were to show a softer and more vulnerable side - at least in relation to him. Well, a part of him would feel the automatic need to mock him for it anyway, some habits don't die easily, but Sebastian's feelings have evolved a lot, plus Ciel is cold more often than he is not. So Sebastian treasures every word of praise, every hint of appreciation and need because they are so rare - he's come to crave them, and he has memorized all known cases of them by heart.
And no worries about supporting me! I really appreciate you taking your time to leave such a fantastic review, it made my day!
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the-priestess-of-dawn · 5 months
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Grima and Final Blows
The other day I mentioned that I had an essay about Grima to write that I'd been putting off, and between that and all the great essays my fellow Grimleal scholars have been putting out recently, I decided to sit down and finally get it done.
So here you go. An analysis of Grima's difficulties with directly killing people.
Okay, so I’ve been thinking about this for quite some time, because one of my favorite things to explore when it comes to Grima is the gap between their villain act, which they actively play up in front of others in both Awakening and FEH, and their true feelings, which are hinted at in Awakening (particularly through the Future Past DLC) and made even clearer in FEH— their own evil actions are repulsive to them, and they wish they could live normally among humans, but they don’t believe they have any choice but to be the monster that “the fell dragon, Grima” is supposed to be. They are committed to this “fell dragon” character, to putting on a show for everyone, and they are so good at it that it’s easy to overlook that they… uh… aren’t very good at killing anyone important. Not directly, anyway.
Sure, Grima is responsible for numerous deaths. But what is their actual kill count? Well, in Awakening’s main game… zero. (Unless you count Chrom, but, as we witness, that was not a voluntary act on their part; Validar took control of their body. You could also make the argument that Grima “claiming the sacrifice” at the Dragon’s Table counts, but the problem with that is, although it’s obvious that Grima accepts the life force of the Grimleal members as a sacrifice, it’s not at all clear whether or not Grima personally kills them. Although it’s possible that they did off screen, it’s also possible that Validar killed them, or that they were ordered to take their own lives; there’s no reason Grima would have had to lay a hand on them.) In the Future Past, it’s… one, maybe one and half (Naga’s spirit, and Tiki, but only in body. More on this later.)
And it’s not as though Fire Emblem shies away from showing villains directly murdering people, Even in Awakening itself, the intro to Chapter 9 shows Aversa killing a Plegian soldier for delivering an unsatisfactory report, so it wouldn’t have been out of place to let Grima stab a few NPCs as a show of brutality. Especially seeing as Grima is the evil dragon final boss. As early as Mystery of the Emblem, we can see Medeus killing his cleric hostages to restore his own health if you fail to rescue them before trying to defeat him, and as recently as Engage, we get a whole cutscene of Sombron eating Hyacinth. Fantasy violence my beloved <3
Anyway, the point is, Grima could have been written to be much more violent and I don’t think anyone would have complained. Instead, though, Grima repeatedly— and consistently across the series— tries to avoid engaging in direct combat.
Let’s start with what Grima does in the main game of Awakening. We know that Risen pursue Lucina into the past, because we see them fall out of the portal with her in Chapter 1. We also know that those Risen, as well as the others that are appearing throughout the land, are not being directly controlled by Grima, because later in Chapter 13, as the Shepherds are leaving Plegia after meeting with Validar, Aversa, and the Hierophant, they are pursued by more skilled Risen, and Frederick notes that “Either they are learning our ways, or someone is commanding them…” So… It seems that sending the Risen—with or without specific orders—to attack while Grima is not themself present is a favored tactic.
But what about when Grima is present? Take a look at the Endgame: Grima chapter. Yes, you eventually get to engage Grima in direct combat. But not immediately. What Grima does first is…
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Grima attacks the Shepherds with dark spikes from a distance, reducing everyone’s hp to 1. Now, here’s what happens next: Grima attempts to possess their past self, Robin hears the voices of their friends and breaks free, Naga heals everyone back to full health, and then the fight against Grima begins… Except actually, the Shepherds have to get to Grima first, because they’re at the top of the map and they’re not budging. Naga warns them that “Grima’s servants will beset [them] to no end.” and she’s not kidding. Grimleal reinforcements will spawn infinitely, and they can hit pretty hard. Even with everyone starting at full health, it’s possible to lose units to these Grimleal soldiers if Grima isn’t defeated quickly. Can you imagine what would happen if Naga hadn’t healed the Shepherds first?
Well, I’d guess that they’d probably all die to the Grimleal without Grima having to face them up close. Which was probably what Grima was going for.
This isn’t the only time Grima tries the dark spikes trick, either. Grima attempts this exact same move in the Future Past 3 when they face Lucina, Severa, Laurent, and Gerome.
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Grima announces “With the next blow, I will kill you.” and then demands that they hand over the Fire Emblem as well as the gemstone they hold. The threat is very real. But…
Given that at 1hp, a gust of wind could take the kids out, would it not have been easier and faster to kill them and just loot their bodies immediately? And yet Grima lets the kids have an extended discussion about sacrifice, and even suggests that Lucina would indeed buy a little more time by running… Again, I cannot stress enough that Grima should be able to finish them off in one hit at this point.
So the plan was almost certainly to back off and let the Risen do the actual killing, even though that would be a lot less efficient under the circumstances. And when Chrom and the Shepherds arrive, Grima immediately turns their attention to them, saying “If it’s a reunion you seek, my soldiers shall welcome you on my behalf.” Then they once again pick a spot at the back of the map and refuse to move from it, forcing the Shepherds to fight through the Risen in order to engage Grima in combat at all.
And sure, Grima has some excuses. “I was hoping not to have to flex any muscle,” they say right before the dark spikes attack, as if to justify why they didn’t do it sooner. And of course they taunt Lucina over having to choose to whether to run as her friends sacrifice themselves for her or to stay and fight and die with them. “I must say I shall enjoy this either way!” Yes, Grima, we get it, you’ve made it very clear that you’re an arrogant asshole.
But is arrogance really all there is to it? If we look at what Tiki tells Grima in the good ending of the Future Past, it looks as though Grima’s arrogance has brought their own downfall. “If you had left Mount Prism alone, Grima, you might have stood a chance. Instead, you have brought the Awakening right to your feet.” However, when you think about it… Is Tiki’s continued existence not in itself a result of Grima’s repeated pattern of not really wanting to land a finishing blow? The game states that Grima did in fact kill Tiki… but only in body, not in spirit. This is, according to Tiki, because Robin intervened.
Now, the question I have is… Is it really possible that Robin could have intervened both against Grima’s will and without them having any idea? Honestly, it’s hard to tell exactly how aware Grima is of Robin’s resistance, because they lie about it a lot, e.g. stating that Robin’s spirit perished in sending Chrom back to his own world, even though just moments later, Robin is once again overpowering them. So, keeping in mind that Grima is a liar, was Grima really arrogant to leave Tiki’s body in Ylisstol, and to not make sure that her spirit was fully destroyed? Or was Robin simply able to capitalize on Grima’s propensity towards backing off?
Because surely the only way Grima could be unaware that Robin had acted against them is if Robin hadn’t actually acted against them. I don’t think I believe that Grima really wanted Tiki gone. Naga, sure—longtime nemesis and all. But if Grima had truly cared about seeing Tiki’s existence destroyed… Well, I doubt Robin could have interfered that much.
But maybe it could still be a matter of arrogance. Maybe Grima just didn’t think Tiki’s spirit could do anything with Naga’s spirit gone, and thus didn't care to pay attention to her anymore once she seemed dead enough.
If that’s true, it doesn’t explain why Shadows of Valentia Grima exhibits the exact same habits when fighting Alm and Celica, despite never having been outside of the Thabes Labyrinth at this point in their life. As opposed to the various Terrors throughout the rest of the Labyrinth, which chase Alm (or Celica) down in the overworld to force a fight, Grima is immobile in their room, and will wait patiently there indefinitely until the player chooses to engage. You can even evacuate from the dungeon.
But if you do choose to fight Grima, it proceeds much like the battles against them in Awakening go. The main difference is that they actually will move from their starting position this time, if you position someone in their range. That still requires a fight against (proto-)Risen who are spawning in from the sides to stop your party’s advance.
So… Now it’s starting to look like Grima actively prefers this one particular trick… And it’s a fundamentally defensive maneuver, which makes perfect sense from SoV Grima’s standpoint (they were attacked out of nowhere, after all), but is not really an obvious standout strategy for Awakening Grima, whose taunts and threats suggest an aggression that would be better supported with a more offensive strategy… Consider, too, that Awakening Grima is in fact being even more defensive than their SoV iteration, since they don’t move towards you at all.
With all that in mind, it really, really looks like Grima doesn’t want to fight, especially in Awakening. Not that they don’t intend for the Shepherds to die—on the contrary, they’ve set everything up so that the Shepherds will eventually be overwhelmed—but that they don’t want to land the killing blow.
(And gee, I wonder what might be fueling their reluctance? Being controlled and made to kill your best friend by your own hand wouldn't be totally traumatic or anything, right?)
And then... Funny thing here, I’ve been procrastinating writing this essay for a long time. I originally started thinking about it shortly before the Depths of Despair banner was released in FEH, so imagine my surprise when I saw this characterization hold up in the writing of Fell Exalt Chrom’s Forging Bonds as well… The Grima there says that Chrom was the one to kill the rest of the Shepherds. Now, it’s pretty clear that it was through Grima controlling him, but that’s not the point. The point is that once again, Grima didn't have to do any direct killing.
Look, if it had only ever happened once, I could buy that maybe Grima was just underestimating their opponents, that maybe they thought they could get away without having to put very much work in. But for Grima to operate this way so many times, so consistently, and to their own detriment? No...
Grima doesn’t like direct combat. Grima has trouble even when it’s a fight they asked for.
And when you think about it, that makes their reaction to Robin choosing to land the final blow themself in the sacrifice ending all the more understandable.
“…YOU WOULD… NOT DARE!”
Because Grima would not dare. Grima has always preferred to let someone else land the final blow.
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doctorweebmd · 6 months
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both zero-sum and the litany of love and loss were concepts that possessed me and would not not get out of my head until i wrote them but i have wastly different feelings about both of these stories despite loving them equally
#I love both of these works but I hated writing litany of love and loss. does that make sense#both of these pieces have the same amount of love and dedication#arguable skill-wise and imagery-wise a litany of love and loss is better#like running for fun vs running away from a zombie horde or something#technically you are doing the same thing. you’re probably even running faster with the zombie horde#but the context of that activity is endlessly different#…there’s been a weird few days we’re people have been commenting on zero sum#which makes me really really happy#but also nostalgic for it. I loved the story and writing it and interacting with people while writing it#everything that came after it has been a much different much less satisfying experience#in other news the path to paradise is both more fun and more interesting than both of the above stories#but I fear the fact that so few people are reading it takes away some of that external validation fun#now it’s all internal validation. lol. and the 3 really nice people who read and comment#we are honestly always our own worst enemies#I don’t compare my writing against other peoples (<- is lying)#but competing against myself is always a problem#just that weird feeling like despite the fact that you’ve grown and hopefully improved as a writer#there are some stories and concepts people are going to feel captured by and some that aren’t#tbh I know most fic readers don’t come into it being like ‘what is the most well written or interesting piece?’#I tout zero sum game but a large proportion of people reading it do it only because it’s exclusively dkbk#which I have my own feelings about. mostly negative.#anyway…. I’m so thankful for people#for still reading or caring about anything I’m writing…#…..eh#anyway does anyone else feel like this#or am I just thinking too much about everything all the time#haha#anyway I’m being sentimental because once again I am#night shift is…. yeah
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oatbugs · 2 years
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non-zero amount of swans and a non-zero amount of lakes.
#pretty pretty day#red leaves turning yellow the sun is so bright the breeze isnt too cold#i get to walk past all my friends houses on my way to a really cute study cafe . walk past a bubble tea place walk through tree lined#streets . sun against my friends window so i cant see if she could see me. today there was a double rainbow#in the sky from misty rain. so many squirrels and birds and rabbits and deer#i have a deadline soon and im massively behind bc im lucky enough to be able to do too much. need to#write an essay and do maths problem sets. smile + wave at ppl you know. last night i met a rly cute girl#and i dont think its gonna go anywhere but ill think abt her from time to time from now on#there is someone in front of me with bright blue hair. someone with their knuckles wrapped in bandages. two boys holding hands.#today people are dying but it is the 40th day of her death which means it is the 40th day of the revolution which is the 40th day of#not giving up. meanwhile the sun casts halos on a the wings of a magpie + a fresh pomegrante waits in the kitchen.#i have freshly cut watermelons in my fridge. there are so many flowers here. there are swans in the lakes.#my hair is a mess in the wind and forgetting a lot of things. my vision is declining and so i must remember the definition of leaves#before it's too late. one thing determinate from the other.#water reflects red. there are two girls feeding the birds. so many pretty people running into the same building.#youre cut from a different cloth. you especially are cut from silk.#you hate philosophy for its messy discourse and love maths for the clear consesus it produces. i only feel a little guilty#for laughing at that. last year two professors in functional analysis fought on blackboards until it became a team sport. a paper agains#a paper against. a paper against the paper for the against. on the walls for st joseph of cupertino we both pray for some mercy. offer up#some beautiful quantifier and i will drown inside it. break fresh chalk just for you.
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sheliesshattered · 2 years
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I’m just so tired
#things with my dad are getting significantly worse. with terminal brain cancer that's pretty much the only direction things can go#but his mental state is deteriorating quickly. multiple massive brain tumors will do that to you but now it's accelerating#I described it to one of my siblings that it's like Dad's mind is a big jigsaw puzzle and for a year now it's been clear that#the once-whole puzzle is breaking into pieces. for awhile the pieces were still pretty big and he could still carry on a conversation well#he might not remember it 15 minutes later but get him talking about an old memory or something he's an expert on and he could just go on#I've been calling him twice a week for months now. since Mom first suggested we work on writing a book together#in the month since we decided to give that up as a lost cause Dad has gotten noticeably worse. he's gone from losing his train of thought#to talking complete nonsense in a scrambled combination of old memories and things he once read about -- smaller and smaller puzzle pieces#and as things have taken a downward term I know from talking to Mom separately that Dad is also having a lot of trouble with basic self care#balance and bathing and eating and knowing where he is and all kinds of things. all of which is made worse by his memory problems#and by the fact that he outweighs my mom by a good 100lbs. so when he fell in the tub and couldn't get himself out she had to call for help#had to have a church friend who is more than a foot taller than her drive over to help maneuver my dad out of the bathtub#he's also getting obstinate and angry and saying that my mom and my nb sibling who lives with them are the ones with mental problems#all of which means I think they're going to need in-home healthcare ASAP. if not a round-the-clock facility. it's coming sooner or later#but Dad still hasn't officially retired so he's still on his own insurance which apparentlydoesn't have any coverage for that sort of thing#so Mom has to get him to file the paperwork to officially retire and then get him on her insurance. hopefully without a huge confrontation#and I feel like we're running out of time. that he's going to need that care before all the paperwork has time to clear once its started#I feel like we've been barely surviving horrific river rapids and now I'm the ONLY one pointing out that there's a massive waterfall coming#ignoring it won't make it go away or take longer to get here. it'll just hit us with even fewer preparations in place#I have enlisted the help of siblings so hopefully we can convince Mom of the importance of getting the paperwork started#but Mom is so mired in her own grief and busy with work (and she can't quit bc of the health insurance) and unable to get the help she needs#that it's tricky to bring up any of this sort of thing in a helpful way. and all the while Dad is getting worse#meanwhile I'm trying to deal with my own grief and manage my own chronic health situation. and still call Dad twice a week just to chat#and holy hell I'm just so TIRED
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hunnywrites · 1 year
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My billy fics have gotten a sudden influx of attention on ao3 and um it’s making me nervous 👀
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#girl i have so many teshes thoughts its INSANE#me starting with haha actually this ship has no basis i just want to Put Tesilid Through It#but over the past few months of brainrotting their dynamic is now like.#what if we were doomed from the start and there was never anything either of us could do to save the other#(not even talking about the regression but rather the stigma bearer thing and how they have no social power)#(but also the regression thing)#what if we loved each other throughout all the lifetimes but there could never be a happy ending. tragedy dogs our footsteps#what if we were 'guy who has a good head on his shoulders and recognises our low social positions and looks out for his friends in similar#predicaments' x 'guy who is way too giving and this is bad bc the world is out to get him and he loves ppl too much to care about#the danger to himself'#what if we were 'guy who is way too giving' x 'guy who wants to protect him but Cant'#doomed ships.....#swings hestio around i like you SO much. i need to put you under a microscope and in a fish tank#(statements that should not ever be viewed by people outside of tumblr)#some of my fic outlines has notes that are like 'wow if they had the transmigrators privilege this wouldnt even have been a problem'#and im suddenly very appreciative of canon#god bless canon tesilid may you be happy. not my fanfic tesilid though im making him miserable#anyway. the more i think about it the more interesting hestio's internal conflict could be#it's about being so acutely aware of how shit their lives already are that he knows having a r/s that is frowned upon would just#make things worse#also i am very much hooked by the fact that like. nowadays i keep seeing ship posts about 'killing myself in front of you to change the#trajectory of your life forever'#for teshes its the opposite. hestio is desperately trying to make sure tesilid doesnt off himself#and also its not hestio dying that changes the trajectory of tesilid's life forever it's hestio confessing#and somehow this inflicts more pain on tesilid in the long run#which is extremely funny bc for all the notes that ive written abt teshes hestio has only confessed like umm. checks notes. 3 times#1. drunk (tesilid is not in the room) 2. the world is ending#like if hestio had managed to take this to the grave like he had originally planned then this could have been avoided#but the tragedy is that tesilid lives thru this multiple times so at least ONE time hestio's going to blab and that forever changes things#crying in fic writing being stupidly hard
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woofety · 2 months
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Aaaaaaand once again I am neglecting this place, it's not a big thing if not for the fact that I need to catch up with some messages that are dated months ago st this point, for that I feel awful 😣 I'm really sorry, the year didn't start in the best of ways (it would have been enough to be goodish, but not even that), problems keep accumulating and my mental health has been... that's just bad, like it hadn't been for quite some time, I mean I had worse times but I feel it has reached quite a low peak recently, and I'm not sure given the circumstances how soon it will be able to improve a bit...
#I wonder#I don't even know why I'm writing but I don't really have no one to talk to rn#and it's taking quite a toll on me#my friends (well more like one atm) have their lives and tbh I don't think they will ever understand me#my parents... well they're one of the reasons of me being a mess rn#today it's Father's day and I may have exchanged 10 words with my father in the last week#because I called him out for using an inappropriate tone with me during a discussion#almost yelling at me to speak up when I was trying to figure out what to say#after I had received news about yet another problem we have to face#not something I did btw - and apparently he cmgot offended because I accused him of having an authoritarian tone#which is not really new and I remarked it to him other times even if more gently#but he took an issue with that and apparently I'm the one who has to apologize for speaking out of term#for having said just that? I might as well have insulted him#and my mother sided with him - once more I'm being reminded that I'm alone for now and if I want support#I can only count on myself because nobody in my life is going to give it to me#I'm alone and until I hopefully find at least better friends I have to take care of myself on my own#I'll get used to it like I've been trying ro do in the past years but it's taking such a toll on me lately#among the stupid things I've been considering with all these situations piling#I might have just to pay someone to speak with me at some point to have some sort of release from all this#family is not an option to talk and true friends are a mirage so there's that#I'm ranting rn and I'm going to delete this eventually because what's the point but whatever
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for whom good omens is being written
Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:
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The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.
And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:
'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."
'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'
He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'
(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'
And, finally, this paragraph:
"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"
I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.
Share this post, if you can, please, so that more people can read these excerpts :")
Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)
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ariaste · 5 days
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listen ok so i made some good jokes yesterday about Lestat having an onlyfans but i am back today with a new essay and this one is entitled
Why The Invention Of Social Media Is Going to Permanently Save Loustat's Fucking Marriage
come on this journey with me.
ok so on one hand we have Louis, who does not like to leave the house except when he absolutely fucking has to and even then he resents it. my man wants to be at home with a book 100% of the time and he's so fucking valid for that. When he leaves the house, bad things happen to him. He has learned this and honestly i can't fault his evidence. it sucks out there. it truly incredibly sucks out there.
the problem is that sometimes he is married to lestat, who starts clawing at the walls if people aren't paying attention to him for 12 consecutive seconds, and being Out Of The House is the best place for him to go foraging for People To Pay Attention To Him. my man once had a rock star career the way that some people get addicted to meth brewed in a trashcan in someone's garage. Louis, through no fault of his own, is simply not capable of filling this psychological need no matter how hard he tries, except he should not even HAVE to try like that, because no one can do it, because Lestat is fucked up and like wasn't hugged enough as a child or something
this imbalance in their relationship is the core source of all their marital problems since day 1: THIS man's idea of a good time is chilling on the sofa in silence and maybe staring contemplatively at the wall for a while, and THIS man starts self-destructing at a truly astonishing rate if no one is making eye contact with him. If you make Louis go outside and socialize with people, he's miserable and sulking and whining about "are we done can we go home". If you make Lestat sit in silence in a chair for five minutes he starts crying and claiming that No One Has Ever Loved Him, Ever, Ever, And No One Understands Him, And He Hates Everyone In This House and He Is Being Actively Neglected And Cruelly Mistreated Right Now And No One Even Bothers To Feel Sorry For Him, This Is BASICALLY Domestic Violence Against Him Personally, If Only Anyone Knew About The Quiet Hidden Tragedies Of An Unhappy Marriage, and then he breaks some furniture and a window and isn't seen again for six weeks and comes back like "you will not believe what just happened, i [checks notes] met Merlin and also a dragon who gave me three wishes, brb i'm going to write another book about it :))))"
all you fucking have to do to fix their problems is to hand Lestat a cellphone and say the words "do you know about social media? you can say whatever shit you want and there's always someone awake in some time zone to talk to you." Suddenly Lestat is now very interested in sitting quietly on the couch, Lounging Alluringly and posting thirst traps on instagram and finally getting emotional fulfillment from all the likes and comments of "omg???? omg this is the hottest man alive". he does not have to leave the house anymore to get his attention meth. His yawning abyss of neediness is being fulfilled by having parasocial relationships with millions of strangers online who all think he's sexy and don't have to experience how fucking awful he is up close. he can flirt pointlessly with 200 people at once which is FINALLY ENOUGH FLIRTATIONS FOR HIM TO SATISFACTORILY JUGGLE
Meanwhile Louis is 3 feet away, vaguely reflecting to himself that HE is feeling all emotionally fulfilled because they're spending this great Quality Time together in perfect silence while he reads his book and Lestat plays on his cellular telephone and only OCCASIONALLY giggles to himself or says "louis which of these photos do you think is sexier, the one with four buttons undone or the one with five buttons undone" Louis is feeling like his Opinion is being Valued, Louis feels like he is being Consulted on Matters that are Important To Lestat. He has opinions about the photographs. It is not that much trouble to be interrupted from staring philosophically at the wall to spend five seconds looking at a photograph and then saying "that one". Finally he is experiencing Cozy Domesticity. he is so horny about it. lestat is surprised and bewildered about the sudden sharp increase in the amount of sex he is now getting but before he can make any vaguely mean comments about it (bc he's confused and vaguely defensive and worried that it's going to stop out of nowhere and he doesn't know any other interpersonal skills for expressing a thought) his phone pings about how he's just broken 5 million followers on instagram and he totally forgets to even mention the sex thing, which means that he continues getting the sex instead of inciting an argument about the sex and going through his 800th divorce from Louis
all their friends are extremely confused when a whole month, and then six months, and then a year goes by without another Loud Divorce happening and no one crashing through their front door like "I HAVE TO SLEEP IN YOUR GUEST COFFIN FOR THE NEXT MONTH, HE IS INTOLERABLE". They are worried. they are concerned. what is going on over there. are they both dead. no, they can't both be dead, Lestat just posted another tiktok of him sucking on his own fingers, which he would not be doing if Louis were dead. there is an ecosystem collapse happening in the groupchat and it's because the main Drama Vectors have been neutralized
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flwrstqr · 2 months
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CALL ME YOURS !! (LHS - 이희승)
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SYNOPSIS: ever since you broke up with your ex, choi jiho, who cheated on you with another girl, you have always wanted to get revenge. when you meet jiho again at school, to prove you were over him and had met a better man, you told him you were meeting someone. you lied and told him you were meeting a random guy who you pointed at on your school's bulletin board for being the top student in the whole school. coincidentally, that guy was lee heeseung, known for his quiet and smart personality. then jiho demands to meet him in real life, hand-in-hand with you, which now you have a huge problem. first, you have to find heeseung, and next, you have to date him.
pairing: topstudent!heeseung x popularstudentfem!reader
genre: fake dating, s2l, romance, high school au, sunshine x cold
warning(s): reader + heeseung being in denial, your ex cheated, kissing, inspired by a k-drama (i forgot which one), two of them being awfully awkward at first, swearing, grammar errors, party, lots of love confusions, does say that winter is dating beomgyu, punching, fighting
word count: 7k
AN: guys im back with a long au, i never really write long aus, so this is slightly new to me. i did proofread it but not super thoroughly so if i made any mistakes, my bad for that .
taglist: @yenqa @mylstserenade @jlheon @naespas @jooniesbears-blog @erehkinnie30 @wonifullove @miumiuisme @shawnyle @dimplewonie @beomluvrr @jiaant11 @teddywonss
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ALL YOU WANTED WAS REVENGE. Sweet revenge against your idiotic ex, Choi Jiho.You remember the moment you walked into the girls locker room to go deliver something to your PE coach, only to find the room “empty”. It hit you like a ton of bricks when you stumbled upon Jiho, locking lips with your “supposed” best friend, Kim Haeun, in the girl’s locker room Lip on lip, eyes closed, moving in sync. Heart shattered, tears streaming, you bolted, tripping over a basket of equipment and scraping your knees quickly catching attention of Jiho. His voice trailed after you, calling your name as you fled into the distance.
Losing both your best friend and your boyfriend cut deep. Being single was one thing, but being unable to find anyone who measured up to Jiho was another.
"YN, your standards for men are too high!" Karina remarked from the bleachers during PE.
You shrugged. "They've always been high." For the past 4 months, no one was your type compared to Jiho, the perfect boyfriend in your eyes: tall, handsome, a football player, rich, and occasionally nice.
"It's because of that disgusting asshole," Ningning scoffed.
"He isn't disgusting!" you retorted.
"YN, you need to get over him. This is just becoming toxic, plus you dumped him in front of the whole school ," Giselle chimed in. She was right. You vividly recalled the moment, twenty minutes before the bell, eyes swollen from crying all night but disguised behind makeup, replaying yesterday's scene you witnessed in your mind.
"YN!" Jiho's voice snapped you back to reality, his figure rushing towards you.
"Can we talk?" he asked, breathless.
"Talk about how you fucking cheated on me? Fine, I'll hear you out," you yelled, drawing everyone's attention.
"Can you keep it down, YN?" Jiho snapped.
"Sure I’ll quiet it down when I want to. Go to your girlfriend, Haeun. Why does she have to be my best friend, out of all people?" you glared.
"YN, let's talk inside," Jiho groaned, irritated.
"No, we're done. I never wanted you anyway, you asshole. Just fuck off," you spat, the words stinging even as they left your mouth The next thing you knew the scene spreaded like wildfire at school.
"Are you okay?" Minjeong asked as you sobbed at the lunch table.
"Listen, YN, Jiho wasn't worth it. You saw what you saw," Karina tried to console.
"I don't know... it's just over now," you murmured, head in your hands.
"Maybe it's a sign to find someone better," Ningning suggested.
"I don't know..." you whispered, feeling lost, unable to move on.
“I’m for sure there’s someone way better than him.” Giselle added (biggest lie you ever heard).
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MONTHS PASSED AND YOU FOUND YOURSELF IN THE LIBRARY, lending a hand to the librarian in organizing books before school started. As you went about your duties, dropping off books and preparing to fetch more, the one and only, Jiho, stood by the school bulletin board waiting for you. It had been months since the breakup, and yet, the wound was still fresh, a constant reminder of the pain (really yn..)
"I wanted to say a word," Jiho awkwardly mumbled, eyeing you for a reaction, his hands in his pockets.
You reluctantly agreed, "Fine, make it quick. I'm busy."
"I broke up with Haeun," he stated, the words hanging in the air.
"What?" Your eyebrows shot up in surprise. 
"I ended things with Kim Haeun," he said more firmly. His words sank in, but confusion lingered. But why was he telling you this now? Then it hit you—he wanted you back. Yet, on a day when you missed him, you suddenly felt nothing. He had left you for another girl (well, technically, you dumped him), betrayed you, and now he came back because you were his second choice?
"Why are you telling me this?" You managed to maintain calm.
"I still like you, YN LN," he confessed, causing your eyes to widen. You bit your lip, before you could accept his confession like your 5 minute ago self would. Your heart didn’t thump like it did when you were around him. Your hands weren’t sweaty like they were when he looked at you before. Your mind wasn’t racing like it was when Jiho confessed to you for the first time, months ago. It was nothing like any of that–you just felt empty and cold.
"I'm seeing someone," you blurted out, realizing the lie you had just said. Crossing your fingers, you hoped he wouldn't ask about the identity of your "so-said boyfriend"
"Who?" he inquired, raising his eyebrow. Desperately searching for an excuse, your eyes landed on the bulletin board, displaying a list of top students and their ID photos.
Rushing over, you pointed at the first photo and name you saw, "That guy," you said, reading his name, "...Lee Heeseung! I'm dating him."
"Oh, really?" Jiho cast a skeptical glance between you and the photo, a smirk playing on his lips. "Then," he leaned in closer, "how about you introduce me to him, hand-in-hand, next week? I want to see if he's worthy of you." Panic rushed in you, and your throat went dry. You forced a smile and nodded in reluctant agreement.
"Sure," you replied.
"Great, see you next week," Jiho said, turning and walking away. You were officially doomed. Now, you have to find this Lee Heeseung and give him a deal.
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YOU WANDERED DURING LUNCH, TRYING TO FIND HEESEUNG. You only heard about him because he got a perfect score on the hardest SAT exams, but you didn't really pay attention.
"Heeseung? Sorry, I don’t know who he is," a girl replied when you asked her about Heeseung.
"It's okay," you smiled politely and left, feeling frustrated.
"I'll never find him," you groaned to Karina, who was with you while you asked everyone about Heeseung.
"Why did you lie to Jiho then? I thought you weren’t over him. Last night, you were giggling at how cute Jiho is and how much you want him back," Karina asked, taking a bite of her apple.
"I don’t know. He was just using me. I knew it because he and Haeun broke up," you explained, letting out a soft sigh. "He saw me as a second option, and I got into this mess because I lied to him about having a boyfriend who's probably some ugly nerd."
"I told you he was using you the entire time! But you didn’t trust me!" Karina scolded you.
"Sorry, I was just blind back then," you mumbled.
Before your last attempt, you walked up to a boy and asked the same question you’d been asking everyone.
"Do you know Lee Heeseung by any chance?" you asked. The boy's eyes widened, and a big grin spread across his face.
"Yes, I do! For what reason?" the boy quickly replied. For the first time, someone knew who he was.
"Do you know where he is then?" you inquired, hoping he could help.
"I do. I’m close friends with him. Come, I’ll show you where he is," the boy replied as you followed him, waving to Karina goodbye.
As the two of you awkwardly made up the long staircase, you arrived at the rooftop of the school. When the boy opened the door, a lonely figure sat by the table, reading a book.
"Heeseung!" the boy called out, causing the figure, supposedly Heeseung, to turn around.
"What, Jungwon?" Heeseung raised his eyebrow, quickly glancing at you and then back at Jungwon.
"YN was looking for you," Jungwon quickly said, nudging you to speak. Heeseung obviously knew who you were, known for dating Jiho and your soft-delicate visuals.
You walked towards him awkwardly, “Uhm…can we talk privately?” Slightly glancing at Jungwon, signaling him to leave quietly. As Jungwon left quietly, you cleared your throat.
“So…” you started off a bit nervous, “I need some help?”
"What help?" Heeseung answered a bit coldly, “If it’s anything studying related, I’m not interested-”
"I need help dating," you blurted, realizing what you had just said.
"What?" Heeseung gave you a puzzled look, "Dating what?"
"I lied to Jiho. Okay, I don’t have interest in you or even Jiho. I lied to him saying that I’m meeting you," you spilled the news. Heeseung had an empty look on his face as you tried to read his expression.
“Why me?” Heeseung arched his eyebrow.
“You were the first name I saw,” you explained, “So can you fake date me? I need it, please,” you pleaded, hoping he would accept your request.
"No, I’m not interested," he turned around, quickly getting his book to start reading again. Your jaw dropped, no one had ever rejected you like that.
"What?" you spat, feeling terrible that you got rejected for the first time.
"I’m not interested in you or in dating. So, I strongly believe that I shouldn’t do it," he said, quickly focusing his attention on his book.
“I’ll do anything!” you begged, feeling desperate.
"Anything?" Heeseung quickly averted his attention to you, dropping his book slightly to make eye contact with you.
"Yes, anything. I’ll do anything," you replied, hoping he would accept it.
"Then introduce me to her," Heeseung answered. You looked confused.
"Who's her?" you raised your eyebrow.
Heeseung’s cheek slightly blushed, it was the first time you saw him so embarrassed. “Karina,” he mumbled under his breath. Suddenly it clicked—he was interested in Karina, your best friend.
You gave an eager look, “Deal! I’ll introduce you to her after all of the fake dating.” You pulled out your hand.
"Deal," Heeseung replied, shaking your hand.
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A  FEW DAYS LATER, YOU FIND YOURSELF in the convenience store, an unexpected place for someone like you—a popular girl to be at. Your outfit was simpler than usual, baggy gray sweats and a white tank top, with your hair thrown up in a messy high ponytail and an oversized jacket completing the look.
You scan the snack aisle, contemplating your choices, when the doorbell chimes, signaling a customer had entered. Your heart thumps as you recognize the last person you expected to encounter—Heeseung. He's dressed in simple gray sweatpants and a black hoodie, his messy hair somehow adding to his charm.
Your eyes lock momentarily before you both awkwardly shuffle towards each other. "What brings you here?" you ask, surprised to find him in a convenience store at 2 am.
"Why are you up so late?" he counters, swiftly turning the interrogation on you.
"I couldn't sleep. What's your excuse?" you reply.
"Studying," he responds matter-of-factly, grabbing an energy drink before swiftly checking out and leaving. You hurry after him, catching up as he strides down the street.
"Studying late? That's a first," you mutter to yourself, gazing up at the night sky.
"I don’t want to flunk my classes, unlike you," he retorts, avoiding your gaze.
"I'm not that hopeless," you roll your eyes.
"Yeah, you are," he quips, taking a sip of his drink.
"Hey!" you playfully threaten, pulling back your arm as if to hit him. But then something unexpected happens—you catch sight of Heeseung's smile, genuine and endearing. You quickly shake off any wayward thoughts; after all, you're just his so-called “girlfriend”.
"Where do you live?" you inquire, trying to change the subject.
"Stalker much?" Heeseung teases.
"Shut up," you retort, rolling your eyes.
"I live in the house near the college," he answers, disposing of his empty can.
"Do you walk to school?" you ask, trying to prolong the conversation.
"Yeah," he replies.
"Then... do you want to walk together tomorrow?" you suggest, stopping in the quiet and empty streets.
"Walk together?" he repeats, surprised.
You nod and quickly add, "Yeah, you know, for you know..."
Heeseung considers for a moment before agreeing, "Sure."
"Great! I'll come by your place at 7 am since school starts at 7:30!" you smile, remembering to ask for his number. He inserts it into your phone, adding, "Don't blow up my phone."
"I'm not that obsessed with you," you retort.
"I think you are," he jokes.
"In your dreams," you shoot back.
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YOU FOUND YOURSELF STANDING OUTSIDE Heeseung's door, feeling an awkward knot tighten in your stomach as you waited, fingers fidgeting nervously. After what seemed like hours, the door swung open to reveal a woman, likely Heeseung's mother.
"Hi, who are you?" she inquired, her eyes curious but welcoming.
"I'm YN LN," you replied, managing a warm smile despite your nerves. "A friend of Heeseung's."
"Heeseung's friend?" Her expression softened into a delighted grin. "I didn't realize Heeseung had such a pretty friend. I'm Heeseung's mother. Just call me Mrs. Lee."
"Mom..." Heeseung's voice interrupted, his presence suddenly beside you as he quickly shuffled to put on his shoes.
"Heeseung, she seems like a sweet and pretty girl," Mrs. Lee remarked before Heeseung darted, closing the door behind him before his mother could say anything else.
"Your mother seems really nice," you commented, attempting to ease the tension.
"Mhm," Heeseung mumbled, his attention already diverted to his book that he quickly pulled out from his backpack. 
With a pointed look, you reached out your hand, silently urging him to remember.
Heeseung sighed, rolling his eyes in mild exasperation, but he relented, tucking the book away and clasping your hand in his. The touch sent a jolt through you, a feeling you couldn't quite grasp.
"So..." you began, eager to break the silence. "Where's your class?"
"Class 3-B," he replied shortly, his gaze fixed ahead as if unwilling to meet your eyes.
"Mine's right next door." you exclaimed, hoping to inject some enthusiasm into the conversation. "Perfect! Do you know what this means?"
"What?" Heeseung's response was clipped, his tone guarded.
"That I can come over to your class during lunch!" you declared with a wide grin, trying to lighten the mood.
"I eat on the rooftop, alone." he added, emphasizing the word alone.
"Ah, I forget you’re a loner," you teased gently.
"At least I'm productive with my free time," he retorted.
"Well, today we're together!" you suggested brightly and then with a smirk you whispered, "And I can introduce you to... Karina." The mention of your best friend's name made Heeseung blush slightly.
"Shut up," he groaned, moving to cover your mouth with his free hand just in case you would say anything else.
"Like I want to-" feeling a sudden hard squeeze in your hand "Ow..."
"Now shut up before I squeeze harder," Heeseung warned, though there was a hint of genuine threat in his tone.
"You're no fun," you muttered. Eventually, you arrived at the school, fingers still intertwined as you drew curious whispers from the hallway.
"YN and Heeseung, dating? No way..." you heard a girl whisper by the lockers, causing a flush of embarrassment to color your cheeks. When you reached Heeseung's classroom, you reluctantly released his hand, noticing the tension in his posture as he leaned against the doorframe.
"See you later?" you asked, "I'll be on the rooftop during break."
"Alright..." Heeseung's response was hesitant, but then came an unexpected word that caught you off guard. "...baby." The pet name hung in the air.
"R-right... anyway, bye..." you stammered, feeling a rush of different emotions. You'd been in relationships before, but you were never so flustered for such small things like that. Could it be... you weren't falling for him, right?
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HEESEUNG SETTLED AT THE EMPTY TABLE on the rooftop, his gaze drifting across the school grounds. The rooftop held a special meaning for him, offering a quiet place to read, barely visited by others.
“Heeseung!” Your voice sliced through the silence, drawing his attention. He glanced up to see you approaching, two lunches in hand.
With a bright grin, you placed the meals in front of him. “I brought lunch!”
"Thanks," Heeseung replied , his tone cool as he examined the homemade kimbap. As you both sat down, awkwardness settled between you, by the avoidance of eye contact.
Summoning his courage, Heeseung brought a question that had lingered in his mind for months. "Why did you like Choi Jiho?"
Your eyes widened at the unexpected, catching you off guard. You paused, hesitating with how to respond.Memories of Jiho flooded your mind. You had forgotten about him for the past 4 days due to Heeseung being on your mind 24/7.
You cleared your throat, summoning a bitter lie to your lips. "I... uh, he was nice, I guess."
"Did Jiho even like you back?" Heeseung's question cut through the air. That’s when you realized something. You remembered the way Jiho would never defend you in any moment or barely spend time with you. And the time when he did? He would always be on his phone. You realized how stupid you were as you thought the moments where he just wanted attention from the public by kissing you or flirting with you meant that he loved you. 
"I... I don't know," you admitted. Deep down, you knew the painful reality—that Jiho had used you.
"Oh, okay..." Heeseung responded, sensing the weight of your words. "So, let's change the top—"
"I know he didn't like me," you interjected, your gaze drifting to the sky before meeting Heeseung's gaze. "I know he was the worst boyfriend I could ask for."
Confusion flickered across Heeseung's features at your sudden confession.
"I was blind. I regret it," you murmured, your gaze falling to your lap. "But it's in the past."
Heeseung regarded you with his usual stern and cold look. "Then why did you tell Jiho you were meeting someone else?"
"Because... I wanted to prove I was happier now," you muttered, grappling with your tumultuous emotions.
"Are you?" Heeseung's gaze bore into yours.
"I... I think I am," you replied
"You 'think'?" Heeseung pressed, his tone firm.
"I'm happier than before," you insisted, though the vagueness of your answer hung in the air.
"That's not specific," Heeseung challenged.
"I can't be specific," you confessed, frustration simmering beneath the surface. "Because I don't know, at all."
"Are you sure?" Heeseung persisted.
"Heeseung, it's my feelings, yes I'm sure," you asserted.
"I'm just physically and mentally curious, so it allured me to—" Heeseung began, but you cut him off.
"Okay, I think that's enough. The bell's going to ring soon. Text me later!" With that, you rose abruptly, snatching your lunch bag and offering a quick wave before descending the stairs back to class.
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HEESEUNG LAY ON  HIS BED,  staring up at the ceiling. He knew he should be studying, but your words about Jiho lingered in his mind. "I'm happier than before." Why was he even pondering such things? Lost in thought, he was jolted back to reality by a faint buzz from his phone. Retrieving it, he found a message from you.
YN LN: heeseung!! all my friends rejected me to go to the mall TT, so wanna go together?? ><
Heeseung paused, a moment of surprise flashing across his features. You were asking him to go to the mall with you? It felt almost like you were asking him out. He composed himself and replied:
Heeseung: Sure. Send location and time, I’ll be there.
Putting down his phone, he realized the weight of his agreement. He had just agreed to go on a date with you. And now, he needed to get ready. Hastily, he rummaged through his closet, seeking out a suitable outfit. Opting for his lone stylish varsity jacket paired with jeans, he ran his fingers through his hair in an attempt to tidy it up.
Rushing to the mall, he found you leaning against a store wall, your attention fixed on your phone. As he approached, a cupid seemed to strike him with an arrow as his cheeks flushed. The simplicity of your outfit and the gentle cascade of your hair rendered you utterly captivating.
You looked up, catching sight of Heeseung's slightly stunned expression, and greeted him with a warm smile, gesturing for him to join you.
"Hi," Heeseung muttered, still awestruck by your beauty.
"Hi!" you returned the greeting with equal warmth. "I just need to buy some makeup for my friends, or maybe myself, and possibly shop around! Anything you need?"
"Not necessarily," Heeseung replied, scanning the mall.
"Okay then, follow me," you said, seizing his arm and leading him to the nearest makeup store. Arriving at the lip product section, you perused the selection of lipsticks, lip glosses, and lip tints. Grabbing a random lip tint, you turned to Heeseung.
"Can I try it on you? I need to see if it looks good on a person," you suggested.
"What? When did I sign up for this?" Heeseung sighed.
"Please," you pleaded, giving him your best pout. "I can erase it right after."
"Fine."
With careful precision, you applied the tint to his lips. The warmth of his breath brushed against your cheeks and neck, sending a flurry of sensations through you. Your heart raced as you admired his perfectly shaped lips, now tinted with color. After smoothing out any unevenness, you stepped back to admire the look.
"Hmm... I think this works," you concluded, grabbing the new tint to go check out and pay for it.
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YOU SAVORED THE SWEET TASTE OF vanilla ice cream as you took a bite, sitting side by side with Heeseung on the bench outside the convenient store where you first met. He listened attentively as you shared stories about your friends and family.
"And then Giselle told me—" Your sentence was cut short as Heeseung's fingers delicately wiped a smudge of ice cream from the corner of your lips.
"Mhm?" He hummed softly, encouraging you to continue. Your heart fluttered at his touch, beating rapidly in your chest.
"...y-yeah," you stammered, trying to regain your composure, your gaze drifting to the hues of the sunset painting the sky in shades of blue and orange.
"Are you done with your story?" Heeseung inquired, to which you nodded hastily. You weren't finished, but another word might turn you into a flustered mess.
After a brief silence, you suggested, "How about we go for a walk by the Han River?" Heeseung agreed with a nod, and soon you found yourselves strolling side by side along the riverbank, the gentle sound of water trickling in the background adding to the peaceful atmosphere.
Unexpectedly, Heeseung asked, "Are you going to the dance?" It was a question he wouldn't normally ask.
"The dance?" you raised an eyebrow, caught off guard by his inquiry.
"Yeah, the school dance?" Heeseung clarified, his expression tinged with skepticism.
"Oh, well, yeah," you replied, feeling a pang of disappointment as you remembered his feelings for Karina. He didn't like you, so why did you allow yourself to hope for something more?
"Is Karina going?" Heeseung continued, and you struggled to find your voice, your throat suddenly dry.
"O-oh, uhm, I think she's going..." you managed to say, the reality of your situation crashing down on you like a wave. Foolish fantasies had consumed you for the past five days, but now you bit your lip to stave off the embarrassment and tears threatening to surface.
"I think I'm tired. I'm gonna go home now. Bye, Heeseung," you forced a small smile before turning away, walking in the opposite direction. Heeseung watched you go, a confused expression clouding his features as you moved farther and farther away.
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LEANING AGAINST THE WALL, you found yourself lost in thoughts of Heeseung, the person who was on your mind day in and day out. Why did it bother you so much if he had feelings for your best friend, Karina? Why did his presence hold such sway over you?
"YN?" Winter's voice broke through your trail of thoughts,snapping you back to reality.
"Oh, sorry, I was zoning out," you replied, trying to shake off the distraction.
"You've been distant all day. Is everything okay?" Ningning's concern was evident in her voice.
"Just tired, didn't get much sleep last night," you reassured them with a forced smile, hoping they wouldn't press further.
"Are you sure?" Giselle's skepticism lingered, her gaze searching yours.
"It's nothing, just life being complicated," you offered, trying to reassure their worries.
"If you need to talk, we're here for you," Karina chimed in, her comforting touch on your hands a familiar gesture she usually did. How you longed to confess and tell them about Heeseung and the jumble of emotions you felt and fought with, but the fear of ruining your relationships with both him and Karina kept you quiet.
At that moment, it came to you: you were in love with Heeseung. It had to be a mistake right? You could never like someone like Heeseung.  The way your heart thumped when Heeseung did small actions like hold your hand or even wipe off anything from your mouth.
 Yet, you couldn't shake the fear, the fear of history repeating itself with someone like Jiho, selfish and foolish. What was the point of falling for someone who didn't accept your feelings and liked someone else
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HEESEUNG HAD REHEARSED EVERY WORD, every breath, for the moment he would finally summon the courage to ask you out for dinner. With trembling fingers, he reached for his phone, his thumb hovering over the call button. The weight of his nerves pressed down on him as he prepared to take the risk.
As the phone rang, his heart raced, the sound of your voice on the other end sending a jumble of emotions through him "Hello?" you answered, your voice like music and beauty to his ears.
"Hi..." Heeseung replied, his voice betraying his unease.
"Why did you call me?" you asked, curiosity tinged but yet your voice sounded heavy and drained. Heeseung couldn't help but notice the change in your tone for the past days, wondering if he had somehow caused it. Had he done something wrong? 
"I was just wondering if... uhm... you wanted to go get dinner tonight together?" Heeseung's voice faltered slightly, the weight of his question hanging in the air.
"Dinner tonight?" Your voice held a hint of confusion, but there was also a spark of interest. "When and where?" you inquired.
"At the Japanese place down the block, at 6?" Heeseung suggested, hoping you would agree.
"Sure, I'll see you at 6 then," you replied, your voice brightening slightly.
"Right, anyways, bye!" Heeseung quickly ended the call, a rush of happiness coursing through him. He had done it. He asked you out for dinner.
With a sense of pride, Heeseung flopped onto his bed, his phone resting on his chest as. a wide grin spread across his face. He replayed the conversation in his mind, excited for the evening of day. 
Meanwhile, on the other end of the line, you couldn't contain your excitement. Heeseung. Lee Heeseung. had. Asked. you. out. to. dinner. You, YN LN.  You couldn't help but squeal with delight into your pillow.
Eager to make a good impression, you jumped out of bed and rushed to your closet, rummaging through your clothes in search of the perfect outfit for the occasion. 
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HEESEUNG SAT NERVOUSLY, tapping the table as he waited for you to arrive. Within minutes, you rushed in and quickly spotted him.
"Hi!" you greeted with a smile, settling down at the table.
"Hi," he smiled back (inside you felt a flutter at how cute his smile was). You both looked at the menu and ordered as the waiter approached. After eating, you quietly walked outside, enjoying the cool evening air.
The dark, cloudless sky revealed a glimmering array of stars. You admired the view, unaware that Heeseung was watching you, captivated by your beauty.
"The stars are so pretty," you remarked in awe.
"Mhm," he replied, still focused on you. Suddenly, you felt his fingers gently tuck a stray hair behind your ear. Your face flushed as butterflies fluttered in your stomach.
"I have a question, YN..." Heeseung began, and you turned to him, curious.
"Do you... want to go to the dance?" he asked. Your heart raced, your stomach churned, and your head spun. He had just asked you to the dance.
"T-the dance?" you stuttered.
"Yeah... I mean, just as... you know, for visual purposes," he tried to clarify.
"Right..." you nodded, agreeing. "I'll go with you." Heeseung's face lit up with a big grin as you accepted his invitation.
"That's great! I'll, um... see you at the dance then," Heeseung said with a small smile and a wave as you both went your separate ways, heading home with a light heart.
As you walked home, your mind buzzed with excitement. The thought of going to the dance with Heeseung made your heart skip a beat. You couldn't help but replay the moment he asked you, feeling a rush of happiness each time. It was like a dream come true, and you couldn't wait for the night of the dance to arrive.
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WEEKS FLEW BY, each one filled with anticipation, excitement, and a series of dates. Finally, the much-anticipated day of the dance had arrived. It had been six weeks since you eagerly marked this date on your calendar. Reflecting on the past four months since you met Heeseung, you knew deep down that you were head over heels in love with him. The moment he asked you to the dance, those feelings intensified.
"Do you think this dress is pretty enough?" you asked, twirling in your knee-length black dress adorned with delicate lace details, a sweetheart neckline, and spaghetti straps.  The dress hugged your figure perfectly.
"It's gorgeous," Ningning complimented, deftly assisting with your hair.
"It's perfect, just like you," Winter reassured, adjusting your dress with care.
"Easy for you to say, with Beomgyu as your date," you teased, prompting laughter from your friends.
"And you have Heeseung," Winter smiled, smoothing out the fabric of your dress.
"You two are so cute together," Giselle teased, earning a blush from you.
"I love you guys," you said, feeling grateful for their support as you shared a group hug.
"Even if I'm dating a man, you'll always be my number one," Winter jokes, lightening the mood as you head to Karina's car.
Upon arriving at the dance, the lively atmosphere was perfect. Laughter, music, and chatter filled the room as people talked, danced, and enjoyed themselves. Spotting Heeseung entering the room, you felt a rush of excitement.
He looked perfect in his suit, his hair perfectly styled. Rushing over to him, you greeted him with a beaming smile.
"Heeseung!" you exclaimed. Heeseung looked up, his eyes lighting up at the sight of you. I
"You look amazing, YN," Heeseung complimented, his smile genuine.
"Thanks, but you're the one who looks stunning," you replied, feeling your heart flutter as you took in his appearance. "Come on, let's grab some snacks and go have fun!"
The next two hours were filled with laughter, dancing, and cherished moments spent with Heeseung and your friends. However, it was until you excused yourself to the bathroom, to then meet Jiho.
"YN," Jiho's voice cut through the noise, sending a chill down your spine.
"What do you want, Jiho?" you asked, your tone laced with irritation.
"Are you here with your 'so-called' boyfriend, Heeseung?" Jiho taunted, a smirk playing on his lips.
"Yes, and what's it to you?" you retorted, your patience wearing thin.
“Yeah there is.” his smirk widened, “Don’t act stupid, I knew everything.” 
“God I hate you Jiho.”  you spat, feeling your anger rise.
"Come on, YN. Admit you still love me, and everything will go back to normal," Jiho sneered.
“I don’t even like you anymore, Jiho.”  you said firmly, trying to keep your composure.
"Oh, really? Maybe this will change your mind," Jiho said, leaning in closer. You felt his fingers slip into your waist, his grip firm and tight. You felt his face leaning closer to yours. You quickly stepped back and pushed him aside. 
“Are you fucking crazy?” you yelled. 
“YN, why are you so pissed? Not like you like anyone.”  Jiho's eyes bore into yours, a smirk playing on his lips.
“I don’t want to fucking kiss you,” you glared, “Now fuck off please.” 
“Why is it because of Heeseung? Your fake boyfriend? God, he probably doesn’t even like you YN. He only likes you because you're popular.” he laughed. Your heart sank at his cruel words. The words stung as you heard each word. Heeseung was just a stupid fake boyfriend you had. The two of you had never had a real relationship. A real love. Was Heeseung just playing with your feelings? Did Heeseung even love you like how much you loved him? 
"I hate you, Jiho," you whispered before leaving the party alone, your heart felt heavy. 
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YOU SPENT HOURS lying in bed, staring out the rain-splattered window, your cheeks damp from the relentless stream of tears. Days had passed since the dance, and you hadn't mustered the strength to leave the confines of your home. 
"YN, you've been here for hours," Karina's voice broke through the silence, her concern evident as she entered your room. 
"Why didn't you text me?" 
"Phone died," you muttered, burying your face deeper into the sheets.
"Tell me what's wrong," Karina urged gently, taking a seat beside you. 
"I don't know," you confessed, your voice barely audible. 
"Come on," Karina coaxed, her comforting presence offering a glimmer of solace. 
"Okay, fine," you relented, the words tumbling out in a rush. "Jiho said some awful things to me at the dance. Now I'm a wreck, and I can't face Heeseung. I'm in love with him, and it's tearing me apart." 
Karina's eyes widened at the torrent of emotions pouring out. "And you kept this from me all this time?" 
"Karina, I didn't know what to do," you admitted, your voice choking with emotion. "I thought Heeseung felt the same way, but then Jiho made me doubt everything."
"How does Jiho know anything? He's not Heeseung," Karina retorted, frustration evident in her tone. "He's just trying to mess with your head." 
"But what if he's right? What if Heeseung was just pretending all along?" you sighed, a heavy weight settling in your chest. 
"YN," Karina's voice softened, her touch gentle as she sought to comfort you. "How do you know Heeseung doesn't like you? Have you talked to him?" 
"I haven't," you admitted, uncertainty clouding your thoughts.
"Then how can you be so sure?" Karina questioned, her eyes searching yours. "Heeseung cares about you, YN. He was worried sick after the dance. He searched everywhere for you and even left the party early out of concern."
"Are you serious?" you asked, a glimmer of hope flickering in your eyes. 
"Dead serious," Karina affirmed, her sincerity unwavering. "Talk to him, YN. You'll see." 
"But what if I'm wrong?" you hesitated, your fear holding you back. "Just trust me on this," Karina reassured, squeezing your hand gently. "Talk to Heeseung. You'll thank me later." Karina offered you a reassuring smile before enveloping you in an embrace.
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HEESEUNG WAS SERIOUSLY DEAD WORRIED about you. He thought you were possibly hit by some car or even worse kidnapped. His thoughts wandered as he tried to think of all the possibilities you were. You stopped even coming to school for weeks.
The memory of the dance replayed in his mind like a broken record, haunting him with unanswered questions. Your sudden disappearance after excusing yourself to the bathroom left him questionable and restless. Desperately, he asked your friends as your friends only left him shrugs and quietness making him uneasy of the situation.
When you finally returned after a week-long absence, Heeseung couldn't help but notice the change in you. You awfully looked tired and you had eyebags. And the most important change, you were avoiding Heeseung. Was it something he had done to mess things up?
Heeseung sat at his usual spot on the rooftop, gazing out at the view, trying to get his thoughts out.
"Look who it is, Lee Heeseung," a voice pierced through the silence, pulling Heeseung from his reverie. Turning, he found Jiho leaning casually against the stairway exit, a smirk playing on his lips.
"Heeseung's girlfriend, huh?" Jiho taunted, his words hitting Heeseung like a sudden blow.
"What did you do to YN?" Heeseung's voice was edged with a mixture of anger and concern, his gaze sharp.
"Nothing much, just a little truth-telling," Jiho chuckled, his demeanor full of arrogance. 
"What truth?" Heeseung's tone was laced with urgency, his fists clenched in frustration.
“Just a few things that need to be said. Like how you guys are just dating, nothing more than that.”
Heeseung's jaw tightened as the weight of Jiho's words settled in, his mind reeling with disbelief and anger.
"Do you even know why YN hates you?" Heeseung spat, his voice seething with contempt.
"Why don't you tell me?" Jiho's smirk widened.
"Cause you’re truly an awful person” Heeseung retorted, his patience wearing thin.
“Oh really?” Jiho teased, “I didn’t know.”
Jiho's mocking laughter only fueled Heeseung's rage, his frustration exploding into action as he delivered a swift punch to Jiho's jaw.
"You're really undeserving of her," Heeseung's words echoed in the empty space.
“You could punch me as many times, I don’t care.” Jiho smiled. 
“I would but actually I don’t want to see your ugly face, so fuck off.” Heeseung stormed out of the rooftop leaving Jiho alone on the ground.
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IT WAS 1 AM WHEN YOU FOUND YOURSELF at the convenience store, clad in your most comfortable clothes, not even caring if people saw you. The rush of cold air from the conditioner greeted you as you stepped inside, scanning the assortment of snacks. The scent of sweet delights filled your senses, tempting you to buy more. You reached for a snack when the chime of the door signaled someone's arrival.
Looking up, you were met with the sight of Heeseung standing across the store, his gaze fixed on you. It felt like deja vu, reminiscent of the first time you laid eyes on him. Your throat went dry, memories of Jiho's words echoing in your mind: "He probably doesn’t even like you." Anxious, you bit your lip as Heeseung approached.
"Can we talk outside?" Heeseung's voice broke through the tension. With a quiet nod, you followed him out of the store.
"YN, what's going on?" Heeseung's concern was evident as he confronted you, hoping you would answer honestly.
"Heeseung, it's nothing," you lied
"It's not nothing," Heeseung persisted, his tone firm.
"Okay, fine, I'll tell you. I fell in love with you, but then Jiho made me doubt everything. I thought you probably didn’t even like me, maybe you liked Karina instead. What was the point of being with you if I'm only going to hurt myself?" The words spilled out in a rush, leaving you empty.. Heeseung froze at your confession, disbelief in his expression.
"You like me?" Heeseung's eyebrow arched in surprise.
"I know you don't like me—" Before you could finish, Heeseung silenced you with a soft kiss. His lips were soft and perfect.You felt his fingers sliding into your waist, pulling you closer to deepen the kiss. Your lips were moving in sync, in the same passion, kissing each other back. You felt his fingers intertwined with yours, drawing soft circles on the back of your hand.
Pulling away, breathless, you attempted to speak, but Heeseung beat you to it. "I like you a lot, YN. I was in denial of my feelings for months, but I realized I was actually in love with you." You widen your eyes at his confession
"Heeseung, you're not lying, right?" suspicion tinged your words.
"Do you think I would ever lie to you?" Heeseung chuckled, tucking your hair behind your ear, a gesture that he would always done 
"No, but it all seems non-real," you confessed.
Heeseung's laughter, the sound you cherished the most, filled the air. "Then, will you be my real girlfriend, YN LN?"
"Of course, any day I'll choose you," you smiled, leaning in for another kiss. 
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MONTHS HAD PASSED and you found yourself in a state of bliss you never imagined possible. Seated on the rooftop with Heeseung, your fingers intertwined, you gazed out into the view before you, the cool breeze enveloping you in a sense of serenity.
"Look how far we've come," you remarked, a smile gracing your lips as you watched Heeseung absentmindedly draw small patterns on your palm.
"Yeah," Heeseung nodded, his touch gentle and comforting.
"I love you, Heeseung," you whispered softly, your words carrying the weight of your affection.
"I love you more," Heeseung replied in a tender whisper, his warm breath tickling the sensitive skin of your neck as he leaned in to press a series of delicate kisses along its curve.
"Heeseung, that tickles!" you laughed, squirming slightly at the sensation.
"This is your punishment for getting a 60% on the exam," Heeseung teased, his tone playful yet teasing.
"Hey, I'm not some nerd like you!" you retorted, playfully poking his side.
"Nerd?" Heeseung chuckled, his eyes sparkling with amusement.
"A cute nerd," you amended with a grin, your heart swelling with affection.
"And you're my cute princess," Heeseung declared, pressing a sweet and tender kiss to your lips, his love for you shining brightly in his eyes. You truly were in love with Heeseung, and you weren’t going to deny it.
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man im just like. thinking about egg signs and how they've evolved over the course of the qsmp and how the qsmp has evolved over the course of the qsmp and just feeling so much love and affection for every part of the project. i dont have any grand overarching point with this just. like. here's a history of egg comms bc of the kind of person that i am
so wayyyy back ten months ago now at the start of the short and sweet egg event that was planned to last maybe a month at most, the eggs had their own custom, decorated signs!
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[ID: Leo with a pink sign with an egg on the bottom corner that reads "hello" in all caps. Her nametag reads Leonardo. End ID]
They were extremely simple, single word signs. There was hello, hola, story, feed, sleep, and maybe one or two more and each was its own separate sign. The eggs could only communicate the most basic needs in words and everything else was through minecraft body language or just hoping their parents guessed right.
But obviously, there was a lot more that parents wanted to hear from their children. I'm not sure who was actually first, but the earliest departure from this system I know about is BadBoyHalo giving Dapper a simple oak sign so he could name his pet slime. (Screenshot from @/lxrd-ren)
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[ID: Dapper wearing a diver's helmet standing next to a tiny slime in a boat with an oak sign reading "Bouncy (slmecicle but better)" End ID]
Parents quickly realized how much more convenient this was and pretty soon every single egg had stacks of signs to communicate with.
The next innovation came from Vegetta, who was the resident mod knower at the time. He knew about colored canvas signs and gave Leo signs in her favorite color purple because he loved her and gave her everything she wanted.
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[ID: Leo's bed in her room under some Fooligetta fanart with a purple sign reading "<3" End ID]
Colored signs obviously had a lot of advantages. Being able to tell at a glance which egg placed which sign was a huge step forward in eggs being able to have long, complicated conversations as well as leaving obvious marks of their personality everywhere they went. It took a little while for them to be standard for every egg though. Bobby never stopped using oak signs even after Richas and Pomme both showed up with colored signs.
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[ID: Two signs reading from right to left a red Pomme sign reading "we already started working on a guillotine factory" and a dark grey Dapper sign reading "thats the most french u have said so far pomme" End ID]
And this was the system for a while! And it worked pretty well for most people! The biggest struggle most people had was egg signs not being translated, but streamers adjusted to that by reading signs out loud so the translators would pick up on them. This also lead to adorable and fascinating dynamics like Richas swearing in signs he wrote for Bad and then warning Bad not to read them out. There was also the genuinely phenomenal development of Leolingo where Leo writes only in Spanish to Foolish because it's easier for her to write and he takes his time to puzzle his way through it and learn in a way that's super cool to watch someone else do onscreen.
Then Tubbo joined the server. And Tubbo himself had no problems at all with the system, but he is dyslexic and he casually mentioned offhand that it was getting kind of annoying to read signs after a ten hour long stream and the admin team Fucking Cooked.
Within 24 hours, they had TTS working on the signs. Within 48 hours, it was working on books too. I can't remember how long it took to get translation working, but it was definitely under a week.
And this opened up a whole new world of possibilities for the entire QSMP. The admin team has been on top of capitalizing on it for story purposes, but also just allowing the egg admins to speak in their native languages to everyone whenever they want has been so enriching for everyone involved. Leolingo is awesome but Foolish has been learning Spanish insanely fast and his process is a lot slower and more frustrating than most people can do in front of an audience of thousands of people without feeling discouraged. That's also one language. We've had everything from Foolish being able to check his work a bit more faster to Phil insisting on his eggs taking a day to speak to him in their native languages to Ramón writing a book for Fit in Cantonese, a language we haven't even seen on the server in any other context!
And all of it is fully understood and fully communicated! Sometimes the translators mess up but no one expects them to be perfect and people ask for clarification if the translator says something that doesn't sound right. It's not only a massive step forward in communication technology, but it's a great demonstration of how to use it and when you can and can't rely on it.
And finally, the most recent innovation! One of BBH's viewers sent him a dono saying they had trouble reading certain signs because they were too low-contrast. Bad, Richas, and Pomme just. Took it upon themselves to fix the problem right there and then. Based on One (1) bringing up their own personal struggle, those three came up with new signs that innovate tremendously on the originals.
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[ID: Two separate images of the before and after. The first is the egg signs in their original colors with the corresponding egg's name written on them to demonstrate the font color and the second is in the new, higher contrast colors with the same text. The new signs also have custom decorations for each egg. The second picture also has two signs from Pomme in all caps that read "Send all the love to Richas he spent a whole night making this he's the best <3" End ID]
There are three main innovations visible in the above pictures
1: Obviously, the colors are higher contrast. The signs with white text have darker colors and the signs with black text have lighter colors.
2: The colors themselves are lower saturation. Richas said this made it easier for him personally to read them so he corrected that way, but that's open to change if it causes difficulties for more people than it helps
3: The decorations are for accessibility reasons! People with various different forms of colorblindness will find different sets of colors easier or harder to distinguish, but any of them can look at the decorations and use them to identify whose sign is whose instead.
But! Those innovations are not why I made this post! It's these ones!
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[ID: The backs of the new signs when placed on the ground. Most visible are Chayanne's with vines and a hardcore heart, Sunny's with shining sunglasses, and Pomme's with an apple and the Eiffel Tower. End ID]
Richas added distinguishing marks to the backs of the signs too! This is something that Bad brought up specifically as something he wanted because it was hard for him to tell who was talking when he was using TTS from behind signs and couldn't see the colors at all.
We went from custom egg signs (a hotbar or so of words and nothing else to communicate with) through a long journey of expanding communication and expanding who we're bringing along on the communication and how easily they can join in and we've circled all the way back around to custom egg signs (they can say anything they want in any language they want and anyone will know it's them saying it from any angle)
and i guess i have enough feelings abotu that to write All This about it
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