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#there’s no merit
wooshofficial · 6 months
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hello what are ur thoughts on the new hbomberguy video
OKOK SO I watched it from the hours of midnight to 4am, so I was kinda incoherent when posting that BUT I still do have thoughts.
Mainly I want to pummel James Somerton into the ground for multiple reasons, most of which H put more succinctly than I ever could.
It’s just so fucking disheartening to see someone like James Somerton be so successful off the hard work of people who have dedicated their lives to the stuff he’s ripping off of when those original authors are barely getting paid. It’s very hard to be an academic and watch this video because I know that if I were to write something academic about the queerness in media and publish it, which I plan to do out of college, there’s a very real possibility of James or someone like him finding the work, yoinking it and not giving me the credit, when I won’t get a fucking cent from the publication or him.
I hate that he’s getting away with it too, basically pulling the “I’m gay so I can’t be bad” card. That’s a fucking step BACK from the equal rights that LGBTQ people have been fighting for. By pulling this excuse, he separates the “gays” from the “straights”, putting each group under one black and white label- the straights are evil people who just want to put us gays down. That is a nasty idea right there. Follow that train far enough and you find yourself spouting homophobic rhetoric. Equal rights and seeing the LGBTQ community as equal to others means seeing them as human at ALL angles, the good and the bad. Just because you’re gay doesn’t mean you can’t fuck up. Hell, I’m gay, and I’ve fucked up more times than I can count! It just makes me human, and it doesn’t make me less gay. James Somerton is touting himself as The Gay Person Who Knows Everything, which is blatantly untrue, discredits every queer person he’s ripped off of, and separates himself from the other LGBTQ people who make content as “better”- there’s that seed of homophobia again.
AND HE KEEPS DOING THIS! He’s biphobic and misogynistic! He routinely attacks “straight white women”—who could very well be bisexual, but because they’re women they MUST be straight according to Somerton logic—and discredits the work of bisexual authors (mainly bisexual women) who talk about the struggles of the LGBTQ community because “they like the opposite sex so they wouldn’t get it”. He dips himself into transphobia in order to give his biphobia and misogyny some weight, misgendering ND Stevenson (who has been on record about his struggle with coming out and gender identity) and Rebecca Sugar (who has done the same) on multiple occasions. And it’s really fucking disgusting. It really fucking is. When he copies off of work that mentions the words “trans” or “transgender”, he covers those words with generalizations, which takes the transgender community out of the queer experience. So on TOP of being misogynistic and biphobic, he’s ramming headfirst into transphobia too. Which holy fucking shit.
I just. H said not to send hate to James or his team or anyone else talked about in the video on his behalf. I agree and I don’t want to do that. But I sure hope this video is enough to make James Somerton stop being the utter fucking academic supervillain he is. He thinks he can get away with it because YouTube doesn’t count as academia, but there is so much goddamn evidence against him at this point he can’t possibly get off Scot free anymore. I hope YouTube staff sees that video and takes his channel down. I hope Nick, his co-writer that he threw under the bus, gets compensated and a better job. I hope every author and filmmaker Somerton ripped off makes enough money from the video to pay for rent. This can’t keep happening. It just can’t.
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The products of trying to recreate what was going on outside the frame during the kiss. (for ENTIRELY SCIENTIFIC purposes)
@actual-changeling altered my whole outlook on life with this post about Aziraphale's left hand (I'd only been looking at his right hand) and I couldn't stop thinking about it, so I painted the rest of the fucking owl (and his bf).
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so normal about this
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loriache · 2 months
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"I've been waiting for ages for somebody to unmask them."
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This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
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His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
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The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
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But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
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So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
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Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
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The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
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Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
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That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
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The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
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And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
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Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
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I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
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Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
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and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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anneapocalypse · 1 year
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So, just curious how many writers and creators will have to be forcibly outed by relentless harassment before we acknowledge that "This queer characters was written by a cishet person and that's why they're bad" is not good criticism.
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fabcreature · 8 months
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you know what, since we've been talking about how annoying it is when people react like "what drugs were they on when they wrote this 🤪" when someone is creative, i just wanna say
everyone who says "HOW IS THIS A KIDS' MOVIE 😱😱", when a kids' movie is a little bit out of the box and features dark or deep imagery and meanings, owes me one thousand euros
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lastoneout · 5 months
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Saw a post talking about this and didn't want to derail it, but like, honestly, at this point, I'm becoming less and less tolerant of people acting like straight/cis passing privilege is a real, very serious thing that needs to be taken into consideration every time someone speaks on queer issues bcs I swear to god the only time I ever see it actually brought up is when someone is trying to deny someone else a seat at the table. Like first it was used against bi+ people to explain why we're not queer unless we're in a same gender relationship, and then it was used to shit all over ace and aro people for not being "visibly queer", then they turned on nonbinary people who "look cis", and now I see people throwing it at trans men for some reason like???? This is legit becoming an exclusionist dogwhistle to me. Any merit to this concept is completely obliterated by assholes who are so addicted to playing oppression olympics they're meticulously crafting pokemon type advantage charts to categorize all the gays based on who actually has "real" problems and who doesn't, it's agonizing.
Like putting "straight/cis passing privilege" up on the shelf next to "comphet" until people can learn how to use it in a way that doesn't invalidate someone else's queerness.
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deerteatime · 1 year
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im having very strong feelings about AI art in this chilis tonight. [ID in alt.]
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demanding a series in the same vein (heh, vein) as Dexter/Hannibal wherein a prolific serial killer plays cat & mouse with the police--except the serial killer in question is a preteen schoolgirl. this would make for compelling television due to the fact that middle school frequently causes girls to become deranged, and more media should reflect this
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ink-ghoul · 9 months
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I hope Doc swears in his next episode
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bbqhooligan · 19 days
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what in the sam hell is this. by god you people are dogs.
thabkfully someone said it
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whomst-the-hell · 1 year
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“Tammy Thompson,” says Robin, voice choked.
“But Tammy Thompson is a girl?” says Steve, feeling the full effect of Russian drugs and not seeing what Tammy Thompson has to do with him being rejected right now.
“Steve.”
“Oh.”
So maybe he does see what Tammy Thompson has to do with him getting rejected right now.
Ok.
“Did you OD over there?” fear is audible in Robin’s voice.
He steels himself.
“You know… I was never looking back. At Tammy, I mean.”
“That doesn’t really- Thanks, I guess,” Robin sighs.
“No, I- hm. I wasn’t looking at Tammy because… because Eddie Munson sat in front of me in Ms Click’s class.“
“Steve?” Robin looks confused, but there is a hesitant kind of hope blooming on her face.
“And he always wore those rings, you know? And they’d, like, shine in the light. And he had all those fucking chains so even when he managed to shut the fuck up, he was never quiet and- and- fuck. “
“Steve.” Robin’s eyes are wide, understanding dawning on her face.
They sit, facing one another across a bathroom stall, smelling of blood, sweat and vomit. They aren’t alone anymore.
They never will be again.
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nyancrimew · 2 months
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i think the funniest thing about the whole irredeemable media thing going on in my inbox is that i am not actually mutuals with anyone who ive ever seen post about any of their examples of "irredeemable media" my "mutuals" are apparently posting about all the time
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egophiliac · 6 months
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Okay so I've been wanting to tell you that you're literally my favourite twst artist 😭🩷
So my question is, how do you manage to come up with these funny comics? CUZ I LOVE THEM SO MUCH
(P.s: Lovin' the art style ✨)
oh geeze, thanks! 💚💚💚 I'm really glad people enjoy my stupid sense of humor; mostly I just draw things to make myself laugh, and if it makes other people laugh too, then bonus points! usually it's just one joke or mental image that gets stuck in my head (every time I saw Fellow spin his cane, all I could think about was him go-go-gadgeting away on it...) and in my quest to justify it, it picks up other jokes and bits along the way and usually doesn't even end up as the main focus anymore. entire narrative arcs have spun out just so I could use a single bad pun in a throwaway line. this is a terrible way to explain it but I'm not sure how else to put it into words!
and sometimes it's just "weird things my sister has said that I make fun of her for"
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danyllura · 1 year
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Josh Hutcherson is my baby boy and I love his Peeta to infinity. But I do think him and Jennifer Lawrence being so close in height unfortunately undermined the validity of Katniss’ apprehension to trust Peeta in their first games. Book!Peeta is a UNIT compared to Katniss who’s short and scrawny. He could easily lift her body weight and has been on the wrestling team for years. Physically he’s very threatening. And to Katniss if she were to let herself trust him and she was wrong- she’d find herself in close proximity with a someone that could overpower her with ease. Like yes she is ultra-paranoid and extremely distrustful, but someone that physically strong is not someone you want to take chances with when you’re in a fight to the death.
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future-crab · 9 months
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The thing about TMA is that if I think about Sasha James too much I will cry and if I think about Michael Shelley too much I will cry and if I think about Agnes Montegue too much I will cry and if I think about Jonathan Sims too much I will cry and if I think about Naomi Herne too much I will cry and if I think about Gerry Keay too much I will cry and if I think about Tim Stoker too much I will cry and if I think about Jane Prentiss too much I will cry and if I think about Martin Blackwood too much I will cry and—
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triplecreature · 14 days
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actually I'm kind of curious about this because it was a huge debate among my peers in my community
Clarifications under the cut:
The poster is in a public space where it is typical for everyday people to post things. It is not someone's private property or possession. Think piece of paper taped to a telephone pole, not sign in a storefront or in someone's yard.
The poster is not protected by law; you are very unlikely to face legal consequences for vandalizing it. Caveat: some peers have argued that it risks being socially consequential because an organization or demographic that you are a part of may be judged as intolerant/oppressive/disruptive/otherwise unpleasant if people witness your actions, and thus advocated against vandalism for fear of damaging your public image.
The poster is not an expensive or personal piece of artwork; it is a mass produced print on letter paper.
You are vehemently opposed to the message displayed on the poster, but it is an opinion that people are free to have in your country.
The 4th option refers to things like intentionally putting your own poster over top of the bad poster or otherwise making the bad poster harder to view; some people argued that targeting the poster for removal is out of line, but posting your own messages is an innocent action that you are well within your right to do (in this context, posters regularly eclipse each other as new ones are posted over top of outdated ones due to limited space)
The poster is part of a campaign; it's not unique. There are many postings of it across the community.
This is all assuming that the offending poster is not old and would typically not be considered fair game for pruning for quite some time, and that it is being specifically targeted for removal because of its message (rather than petty vandalism or because it's obstructive or damaged). E.g., if a poster is advertising an event happening on April 20th, it's typical to prune it after that date but not before.
Of course the situation that prompted the real life debate did involve a specific offending message, but I'm not going to specify what it was for now because I think it'll skew the results as people will just end up voting based on whether they like or dislike that message, which isn't the point of this. For this poll we are assuming that it IS a message that you are very opposed to; you can substitute in your own opinion that you have strong feelings about.
Please reblog for sample size!
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