#there’s parallels that make me think it’s probably on purpose

[dollsome-does-tumblr]

haunted by the thought of roman’s voicemail on logan’s phone and it being a sort of bookend to dickpickgate, where both instances are “proof” of roman/gerri on logan’s phone but the voicemail is proof that, after the damage has been done, gerri feels more important to roman than trying to get logan to love him

#succession #roman x gerri #god it's so annoying that logan never got to hear it!!!!!!!!!!!!!!!!!! #and also tragic #like just such a perfect stab in the heart re: roman's entire existence #i'm trying not to think about gerri somehow hearing it because i don't think this show is that sentimental #(to put it lightly) #i think it just exists for it to be sad that she'll never know about it #but WHAT IF #i feel like that might be the thing that could make her heart thaw toward him #probably not enough to matter or stop them from going down the sad path they're on #but still #enough to matter #dollsome's deep thoughts #can't believe i'm so emo in a post including the phrase 'dickpicgate' #but these two things gotta be paralleled on purpose right???? #p.s. this show. ted lasso. all these shows throwing emotionally significant voicemails at me. #and then haunting me with them forever.

[ink-of-a-thousand-currents]

Mmm I definitely have Thoughts on site lore and Ancient lore. And I mean, for the most part I (as well as many people) use site lore more as Inspiration/Building Blocks for further lore building.

I've been meaning to get around to writing lore for my Clan and in general, so. I guess I'll just make some notes on the current Ancient Lore and what I think and where I'd go.

Deciding to put this under a read more since it's a lot more than I meant to write lmao

Gaolers - Part of this being because they were the first, and therefore had the most hype around their introduction, but so far lorewise Gaolers still have probably the most impactful story. Them being forgotten by modern society makes sense; withdrawn, a small population of creatures that never evolved into their softer modern counterparts. Which is another thing that makes Gaolers stand out; they're the only Ancient with an explicit connection as being ancestors of one of the Modern breeds. The whole This Thing Is You But Older, More Primal And Dangerous is just. Soooo good. Gaolers as a design have grown on me recently, so it definitely generates some ideas.

Banescales - BANESCALE LORE. BANESCALE LORE. My favorite of the bunch, but this is partially that I am someone who loooves music. The idea of Banescales having been a musical society, and now all that remains is the song that was left to their children as they protected their eggs... god it's just so beautiful to me. Plus the parallel to how Coatls ended up having a notably musical language... The idea of the Flamecaller mourning her first children and passing on their gift. The Coatls and Banes bonding over this similarity. I love them, I need more Banes.

Veilspuns - I'll be honest. I don't remember anything about the Veilspun lore. Legitimately. I love Veil's designs but their lore just Did Not Stick. I'll have to go reread it and probably rebuild it somehow lmaooo

Aberrations - Okay, I also kinda forgot this one, but they literally crawled out of the Wyrmwound, right?? Like, sort of had a "cast away by their god" type of thing? Failed experiment energy? Idk if that was actually what happened, but it's the take I'm going with.

Undertides - They felt betrayed by their god so turned their back on him, and then reintroduced themselves to modern society upon the Surge in the Elements. Cool! Interesting! I think this could be very cool to explore, especially with the modern members of Water Flight who have effectively been abandoned by Tidelord (as far as we know. Dad come back.) Also, strong ties with a specific sect of Maren! Neat! Not as potent of lore to me, maybe, but it's interesting and has potential. Execution was ehhg but I can work with the concepts.

Aethers - I love their lore yes its stupid yes its goofy and I adore them for it. If I go through with my lore crafting I'll keep all this because the other Ancients having cool and fucked up lore next to these dumbass sparkly floofs is hilarious to me.

Sandsurges - Okay I DID. Think the "pay" bit in the story was funny. But I do think a "cooler" take could have been done, with Sandsurges having a better reason to have been unknown to modern dragons aside from "They were underground all along" whsgsgs. I think you can combine the best of both world by saying they return upon seeing the exploitation of modern Lightning society, and the building of something Big and Dangerous, with allusions to this having been done in the past and having had consequences to Ancient Sandsurge society... AKA, they're here to teach the young'uns about unions.

Auraboas - Okay, so. The issues have been brought up several times, and most of us are aware at this point. I can see the angle they were going for, for a sci-fi-esque hivemind tyoe of situation. I also don't necessarily disagree with the decision to make it Nature. While Arcane might make more sense for sci-fi themeing, I think choosing a different Flight makes it a little less on the nose. In any case, I think the concepts are there, but were executed very poorly and with a decent dose of "ignorance and tone-deafness." I think the story specifically should have treated the elder Auraboas with more compassion for their fears for their children and difficulty in communicating with modern dragons. Way less infantilization, and more "person struggling with a language they barely know, reaching out to someone they never would have otherwise out of desperation." (By this I mean I think they could have written the difficulty in communicating far better than they did). The Loop is interesting as well, though very hard to grasp as a concept. This is partially on purpose, and partially because I kind if think staff purposefully left some things vague because they didn't actually want to try and figure out how the concept would work, lol (which I can't entirely blame them for, especially since with Site Lore sometimes less is more, allowing for multiple interpretations by users).

Another note: in both the recent Lightning and Nature ancient stories, they're both stated and/or heavily implied to have already been known about by certain dragons In The Know, so to speak. I have some mixed thoughts on either, and might incorporate them differently. Sandsurges as sort of secret workers was a little funny and backed up the Weird Shady Company Execs thing, but it could be interesting to make it a sort of, deliberately covered up because We Can't Have Them Teaching The New Hires How To Unionize!

As for Auraboas... Not really sure. I can see them being a culture that has been largely self-reliant for their existance, hence the lack of contact with modern dragons. But, given their connection to the Behemoth (and maybe a connection that could be elaborated on), maybe they've appeared or collaborated with moderns in the past over threats to the Behemoth. So, mutual knowledge, but no sustained contact since it was A) difficult and B) outside of curiosity, most on both sides saw little reason to establish further contact. A sort of living alongside one another but never really talking, like neighbors you see sometimes but don't talk to. It's only the disruption of the Loop in the younger generation that both kickstarts a greater Need to connect, but also a bridge for easier communication.

#flight rising #ink writes lore #lore notes #also yea disclaimer i am Very White and while i try to be educated i am aware i will likely Fuck Up #this is personal brainstorming. so if you think there's something i said here abt auraboas that i should rethink feel free to tell me #it's a difficult line to walk when engaging with Interesting concepts that potentially reflect real life situations #i do believe staff was entirely accidental. like this is a game abt dragons and therefore the parallels to IRL aren't intuitive #like its a bit of a different beast to navigate than a fictional world based around humans #bc with humans you can say 'oh this fictional society is modeled after irl society' and can research from there #and therefore judge things based on how well researched the creators have been #whereas with magical animals worlds. it's not intuitive if you're not doing it on purpose! and you're a lot more likely #to unconsciously draw on inspiration sources both good and bad without really Thinking About The Source On Purpose. if that makes sense #so yea we can say staff Probably Should Have thought it through #and i think a firm criticism is that they should at least hire sensitivity readers if not outright hiring More Diverse Writers #but i don't think we should demonize them for it. constructive criticism and all that

[shadowspromise]

ghoapy thoughts

Ghost has a stupid crush on you. He swears he’ll deny it till the end of time.

Soap has an enthusiastic crush on you. He makes it painfully obvious.

Ghost has an even stupider crush on Soap. He tells himself every morning not to let his feelings get ahead of his job.

Soap has, yet again, an enthusiastic crush on Ghost. It’s even more obvious, somehow, than his crush on you.

You know that Soap’s down tremendously for Ghost, but you know that he’s also flirting with you. It confuses you, making you wonder if he’s just naturally flirty or if he really likes both of you.

Ghost wakes up every morning, looks in the mirror, gives himself a firm slap across his own face and tells himself to behave. Crushes are stupid and he’s a grown man with a grown man job. He doesn’t have time for his stupid feelings.

Oh, but when it’s just Ghost and Soap at the bar together, after a few too many drinks…

They can’t help but talk about each other, talk about you. They keep buying each other drinks, knowing that at this rate they’ll have to call someone to pick them up.

“Could barely focus during Price’s meeting today. You an’ Y/N wearin’ those tight shirts… drivin’ me up the damn wall…” Ghost rambles, his eyes parallel to Soap’s.

“Ah did it on purpose, ya know ah love distractin’ you…” Soap responds, his accent thicker due to the alcohol. His cheeks are heavily tinted red, both from blushing and the drinking.

“You think Y/N knows what they’re doin’ to us? Think they do it on purpose too?” Ghost replies, smirking from under his mask. He lifts it over his nose to take another drink.

“God, I hope so,” Soap mumbles, rubbing his temples. He can’t even remember how many drinks he’s had tonight.

“You a’ight Johnny? Think we should go?” Ghost asks, intentionally touching Soap’s shoulder as an act of comfort (and seduction).

“Ah’m fuckin’ blootered, ah’m see’in colors when I close my damn eyes… cannae even feel my toes properly…” Soap starts muttering. Ghost only comprehends about half of what he just said but gets the general point.

“I’ll ask someone to get us. We’ll wake up in a whorehouse if we try walkin’ ourselves back…” Ghost pulls out his phone, squinting his eyes at the screen, trying to focus.

He texts Gaz and gets no answer, probably because it’s late and he’s sleeping.

He texts Price and gets the response of “You’re big boys, get yourself back.”

That leaves you. He decides to rethink a nicer message than the “pick johnny and I up cuntbag” he sent to the others.

“Johnny and I are drunk. Would appreciate if you came and walked us back to base.”

Simon mentally gives himself a pat on the back for managing to type all that without sounding condescending or making a dozen typos.

You respond within 15 seconds, to his surprise. Although he knew you were a good boy/girl and were always eager to help.

“Sure thing. Will be there soon ʕ•ᴥ•ʔ”

The little emoticons you send him drives him mad.

“Aye, you think they’re into me? They put a… fuckin’ dog or whatever…” Ghost shows Johnny his phone.

“That’s a bear, mate,” Soap points at the text.

“I think it’s a dog.”

“Well you’re wrong, ye braw bastard.”

The bar is just about a ten minute walk from base and you’ll be there any minute, so they spent their “alone” time talking about you (and the things they’d do to you)

When you arrive, Soap gets overly excited and falls over. Ghost tries with every nerve in his body not to laugh, attempting to keep up the cold and stoic personality for you.

You guide them back to base, stopping Soap from stumbling onto the road. Ghost is much more physically put together, but mentally he’s having an aneurysm. He’s staring at Johnny’s ass whenever he has the chance and can physically feel himself get warmer when your arm brushes against his.

At base, you attempt to push them into their separate rooms but they refuse. Ghost and Soap give one drunken look at each other and it’s seconds before they’re cornering you.

That night, all three of you had your dreams come true.

#simon riley x reader #Simon Riley fluff #Simon Riley #ghost x reader #ghost fluff #ghoap #ghoap x reader #soap x reader #soap fluff #john mactavish x reader #john mactavish fluff #johnny mactavish x reader #johnny mactavish fluff #call of duty #call of duty x reader #cod #cod x reader

[hamable]

Ok I’ve been grumbling a lot so here’s what I LOVED about PJO episode seven:

- every Sally flashback. I love seeing the struggle Sally went through, mostly alone, to raise Percy separate from a world actively trying to suck him in. There’s no good explanation for being so adamant to send him away out of love. If they lived in a normal world she’d homeschool him in a heartbeat. Her kid thinks he’s unwanted and it feels like there’s nothing she can say to make her words and actions match. Heartbreaking and really well done. It also allows me a small bit of sympathy for Poseidon, who is in a similar situation on a larger scale. (Not entirely, he’s a goddamn god and all that, but I liked seeing their struggles framed as parallel, wanting to keep Percy safe and having to make hard choices to do that.)

- loving Toby Stephens as Poseidon. Cant wait for more of him.

- Annabeth gave Grover a stress ball

- annabeth immediately takes the stress ball away and I’m like >:0 only to realize it’s bc they’re about to encounter Cerberus and Annabeth is always thinking six steps ahead.

- Asphodel was haunting, I liked it a lot.

- Annabeth getting stuck because she has regrets. It gets me thinking… Percy “good kid” Jackson (who feels like a screw up constantly, who would fall on his own sword a million times before letting someone else get hurt first) and Grover Underwood (who feels directly responsible for Thalia’s death and probably a majority of his ward Percy’s misfortune) are standing RIGHT THERE. What the hell kind of regrets does Annabeth have that she’s the first to get grabbed??

- Hades is very fun. I cannot believe this is Nico’s and Bianca’s father. And Hazel’s omfg. my heart melted when he said “I will give you sanctuary.” Do you know how big a deal that is? Percy is, for all intents and purposes, THE lightning thief, who broke into YOUR underworld, slinging accusations and speeches, blaming you for a war you want no part in (and that he, as the supposed thief, is literally the cause of) and you look at this kid. This poor 12 year old. Who Does Not Know what storm he is walking into. And you tell him he is public enemy number 1, that he is not safe anywhere, but that he and his mother will be untouchable here, should he ask for it. You tell him that you saved his mother of your own volition when we know Zeus himself would not save his own child. Legendary.

#think I’m gonna make a separate post about Hades bc I really like him actually #pjo spoilers #pjo tv show #percy jackon and the olympians #percy jackson

[ennas-aesthetic]

What the fuck is Jesus up to in Good Omens season 3?

This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.

Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)

First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.

But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.

(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)

The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.

Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.

Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.

'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.

Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'

- (Good Omens, 1990)

That is NOT what happened to Jesus.

Adam Bond as Jesus in Good Omens (2019)

Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.

UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.

"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."

- (Matthew 26: 39, KJV)

We get a glimpse of that in s1ep3 of Good Omens, too:

"JESUS

(muttering through the pain)

Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .

Crowley, in black, comes up next to Aziraphale.

CROWLEY

You’ve come to smirk at the poor bugger, have you?

AZIRAPHALE

Smirk? Me?

CROWLEY

Well, your lot put him on there.

AZIRAPHALE

I am not consulted on policy decisions, Crawley."

- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)

SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."

Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.

(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)

Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.

In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.

And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.

Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.

#good omens #good omens meta #good omens 2 #good omens season 2 #good omens spoilers #ineffable husbands #aziracrow #this was such an insane meta post to make but i had to do it #putting my religious trauma to good use iktr #enna rambles

[glossamerfaerie]

One aspect of Gwynriel that really excites me is religion. The other protagonists don’t seem to take religion or rituals very seriously? Everyone respects the Mother and acknowledges her power (and the Cauldron), but we haven’t explored faith among the fae. Feyre has a terrible experience with Ianthe (a sadly accurate depiction of corruption within organized religion). But we know that not all priestesses are like power-hungry Ianthe. Nesta is understandably indifferent even though she later has an experience with the Mother during Nyx’s birth. Rhys and Cassian seem respectful but we’ve never seen them pray or attend services. It’s giving “only attending church during Christmas” level of religious commitment.

Azriel, on the other hand… we haven’t had much canon insight in his head, but I firmly believe that Azriel is more religious than his brothers. Like he’s not the type to attend temple services, but he probably thinks about faith and the Mother regularly. Clearly he has contemplated mating bonds and who creates them — maybe he’s prayed for a mating bond? Maybe his mother raised him to be more religious. In HOFAS, after Nesta takes the mask off in a close call, Az’s very first instinct is to thank the Mother. Possibly that is meaningless (like how an atheist can say “thank god”) but idk. Az seems to have more faith than his brothers.

“The Mask fell from Nesta’s face, clattering on the stone.

Nesta swayed, but Azriel was there, catching her, bringing her to his chest, scarred hands stroking her hair. “Thank the Mother,” he breathed. “Thank the Mother.”

A few chapters later, Az describes the Cauldron and what happens after death.

“Bryce nodded to the carving. “What’s the big deal about a cauldron?”

“The Cauldron,” Azriel amended. Bryce shook her head, not understanding. “You don’t have stories of it in your world? The Fae didn’t bring that tradition with them?”

Bryce surveyed the giant cauldron. “No. We have five gods, but no cauldron. What does it do?”

“All life came and comes from it,” Azriel said with something like reverence. “The Mother poured it into this world, and from it, life blossomed.”

Later in the conversation, Az explains what happens to souls after death.

“When you die, where do your souls go?” Did they even believe in the concept of a soul? Maybe she should have led with that.

But Azriel said softly, “They return to the Mother, where they rest in joy within her heart until she finds another purpose for us. Another life or world to live in.”

The way Az talks about the Mother, with reverence and confidence, makes me certain that he’s more religious than his brothers.

Then, of course, we have Gwyn — a literal priestess who was raised in a temple. She still attends daily services and sings for the choir. I’ve wondered if what happened in Sangravah shook Gwyn’s faith. Maybe she thinks the Mother exists but isn’t a benevolent deity. Maybe she’s bitter that the Mother didn’t save her servants from Hybern attacks. She definitely feels shame and unworthiness — Gwyn no longer feels like she has a right to wear the Invoking Stone. Working through those feelings will be a major aspect of Gwyn’s arc.

“You asked me once why I don’t wear the hood or the Invoking Stone. That stone is a sign of holiness. How can someone like me wear it?”

Within the temple, Gwyn also faces prejudice and discrimination from her fellow sisters. Ianthe isn’t the only asshole within the organization (cough Merrill cough). I’m sure that some people in Sangravah were cruel to Gwyn’s family because of their nymph heritage. I don’t know what SJM has planned, but I feel that religion will play a major role in the Gwynriel book. I wouldn’t be surprised that, like Nesta, Gwyn has a firsthand experience with the Mother. She will definitely use the blue invoking stone for healing (a nice parallel to Az’s blue siphons).

“It’s an Invoking Stone.” Gwyn unfurled her fingers, revealing the gem within her hand. “Similar to the Siphons of the Illyrians, except that the power of the Mother flows through it. We cannot use it for harm, only healing and protection. It was shielding us.”

I’m also curious to see Gwyn and Az discuss their religious beliefs together. Maybe Az gets permission to join the dawn and dusk services. The man barely sleeps, he might as well watch Gwyn during her religious commitments. The shadows are NOT going to pass a chance to hear their girl sing (or watch her glow). Maybe Nesta can talk Az into singing with the choir. 🥹

Nesta could only gape at the lovely melody, the voices from the front of the cavern leading it, lifting higher than the others. Gwyn sang, chin high, a faint glow seeming to radiate from her. The music was pure, ancient, by turns whispering and bold, one moment like a tendril of mist, the next like a gilded ray of light. It finished, and Merrill spoke about the Mother and the Cauldron and the land and sun and water. She spoke of blessings and dreams and hope. Of mercy and love and growth.

Idk, maybe I’m wrong about Az being religious. But it feels like such a wasted opportunity if we don’t learn more about the Mother! At the very least, I do see Az attending the dawn and dusk services if he’s not on a mission. 🎼🩵🎶

#gwynriel #my acotar thoughts #pro gwyn #gwyneth berdara #azriel #gwyn x azriel #nesta archeron #hofas spoilers #house of flame and shadow #acotar #a court of silver flames

[bloodmoonmuses]

you want me so bad rn... | choi beomgyu

genre: beomgyu x reader, established relationship, fluff, drabble (600ish words)

summary: you and beomgyu go on a date to an aquarium, during which he leaves you more flustered than you anticipated.

warnings: the build up to the kiss gets a bit steamy, some suggestive language by my standards lol (but nothing explicit)

The bluish glow leaves a halo around Beomgyu’s face. It’s a random Thursday and the aquarium the two of you are at is practically empty. You admire him lovingly, warmed by his boyish infatuation with the twinkling fish. They refract like specs of glitter- orangey, yellow and gold in their flickering. 

Beomgyu’s a walking a paint palette. You think of the colors you’d use to render his beauty- if you were bestowed with such a skill. A wash of watercolor, bleeding and pooling into the grooves of sturdy paper… the faintest of blues. Warm gray, like the clouds that hung in the sky the day you met him. Chestnut-y browns as a final touch- like his eyes, his hair, his guitar. You wish you had brought a camera, to immortalize the joy radiating off of him, but you’re left to rely on your faulty eyes (and memory).

“You’re staring,” says Beomgyu as he reads the placard next to the fishtank. Golden Dwarf, Tiger and Cherry Barbs. Schooling fish. They’re not to be in groups less than six. 

“Can’t help it,” you simply say. 

You’re certain the amazement in your eyes as you look at him parallels Beomgyu’s intrigue with the fish. It’s funny really; for a guy in such a glitzy career, he’s easily impressed. Beomgyu is also very contemplative. You liked watching him think, his brows furrowing and relaxing over and over again, or when he scrunches his nose. He does the latter right now, and you’re overcome with the urge to kiss it. Realizing you possess the privilege to do so, you reach over to take Beomgyu’s face in your hands. Instead of moving immediately, you linger there, drinking up his delicate features. 

“Like what you see?” Beomgyu quirks an eyebrow, in that goofy way he does. He’s never serious, save for the purpose of expediting your impending demise (also known as making you fall in love with him). You answer him with the kiss you so desperately yearn for, barely touching your lips to the tip of his nose. 

“I’ll take that as a yes,” he says. Then, Beomgyu pulls you into an embrace. 

The fish tanks murmur in the background, the running water almost mimicking rainfall. Fluorescent lights sift through the glass creating wavy lines that dance on the wall. You could stay like this forever. 

Beomgyu tilts your chin upward, fingertips grazing your skin just slightly. The touch is hypnotizing, clearing your mind of any coherent thoughts. All you can think of is Beomgyu. Beomgyu, who was born in spring. Beomgyu, who writes hushed ballads as dusk burns into dawn. Beomgyu, who loves you in his own way- patiently and attentively. His breath fans over your lips. Your face twitches for his touch, but all you can do is stand there. You’re frozen. It feels as though if you move, you’ll break into a million pieces. You silently beg him to move. 

Beomgyu likes to tease you in this way, though he’d never admit it. He likes to see how quickly you get flustered and how intensely you crave his touch. A few times, he pretends to lean in, watching how you crane your neck. When he does this a third time, you sigh exasperatedly. 

“Would you like me to kiss you?” he asks with a coy lilt. You nod feverishly. Beomgyu stifles a laugh. “Didn’t catch that.”

“Yes, please,” you manage to whisper. When he finally does kiss you, you’re somehow even more breathless. If only you could be outside of your body- you’d paint this too. Vermillion to render the blush that’s probably dusting Beomgyu’s cheeks, pink to match the tinge on your ears, green to commemorate how evergreen your love will remain. You deepen the kiss, moving impossibly closer to one another. When the two of you come up for air, chests heaving as if you’d ran a marathon, Beomgyu laughs.

“What’s so funny?” you ask.

“Oh… you want me so bad right now!” he teases. 

“Whatever!” You hit his forearm, covering your embarrassed face with your other hand. 

a/n: feedback is always appreciated! <333

#bloodmoonmuses #beomgyu fluff #beomgyu fic #beomgyu x reader #txt fic

[nerdierholler]

IT'S DONE! I made a book! I never thought I'd ever be able to make a book. Sure mistakes were made but it was still a fun process and I learned so much from making this first one.

This a binding of The Wayhaven Chronicles IF but with my personal Detective's choices included and the resulting text smoothed out to read more like a novel.

Honestly, I thought something like this would be way beyond my skill set but it wasn't as scary as I thought once I got started. Definitely check out @renegadeguild for some book making and typesetting guides and their discord is super friendly and helpful as well.

If you want to learn from my mistakes I'll go into some trials and tribulations under the cut.

I'm not sure how well this book will hold up long term but that's ok! It was more about learning and I'll make some adjustments and try again with the same text probably.

Typsetting

Margins - need to make them bigger. I mostly read paperbacks so I was going for that format with narrower margins but then when I ran into paper problems, I didn't have a ton of room for trimming.

There was an option on the imposer to add dotted lines to the center fold and I clicked that but they're visible still even after binding. Could be that I needed to sew my signatures tighter and that would help but regardless I don't think I need them in the future so I'll be skipping that feature.

The font was intentionally small, along with the margins, because I was trying to minimize the number of signatures I was dealing with for a first project. I'll bump it up in the future.

Paper (so much wrong)

So the grain should run parallel to the spine but I couldn't find short grain paper. I read at some point that someone recommended using sketch books instead because that should be the right grain. It was not, at least not what I bought, so it still ended up going the wrong way.

The sketch note book I bought had perforated pages. It made them easy to get out but I didn't realize that the page widths were inconsistent until everything was printed out. The paper width varied by at least 1/8 of an inch. I wasn't planning on trimming my pages but my top was super uneven because of this so an attempt at trimming was made. It could have gone worse (there was no blood) but the trimming could have been a lot better too.

Should have just used printer paper. The results would have been the same.

Making Book Cloth

Used the Heat and Bond method with some spare fabric and it worked pretty well. The problem was when it came to adding backing. I'd read tissue paper or even plain paper so I grabbed some piecing paper that was close at hand. That was a mistake. It was good quality fabric so it was thicker already and the paper backing made it too thick. I could barely fold it over and it kept wanting to flip up. It's the spine fabric and I'm still concern it's going to do this in the future.

Used tissue paper for the marbled looking fabric and it was much easier to work with.

Book Board

Not measuring right was all on me. The rice box worked in a pinch but I think it will be prone to bending. Got me the experience I needed be wouldn't be my go-to material for a project of this size.

Glue

I used Elmer's All Purpose and it got the job done but, again, probably not going to hold up the best long term. However, I'm glad I didn't buy PVA and basically waste it on this project. Elmer's was good and cheap enough for practice. I'll be getting some PVA for future projects.

#the wayhaven chronicles #twc #bookbinding #life at nerdy holler #nerdy makes a book #Already poking the typeset for a second attempt #I really and truly am pleased with this though #even if it isn't super fancy or didn't come out exactly like I wanted #so jealous of the fancy htv titles and cover designs people make #but sadly I don't know anyone with a cricut or similar to make it

[keepingsecretstokeepyoutk]

So Long London - Full Lyric Analysis

My Gaylor/Kaylor interpretation at a glance: Taylor uses the bearding narrative of her breakup with Joe as an allegory to talk about her reluctant decision to “break up” with her fans/kill off her public persona in the process of coming out. 

The Joe bearding narrative was likely created for this very purpose - an "ex" who didn't allow her to "bejeweled" (be her whole self), who she tried to make it work with, tried to change herself for, before realizing she couldn't keep sacrificing her wellbeing, mental and otherwise. Read through this lens, this song is devastating, so prepare yourselves emotionally, maybe have tissues on hand.

I interpret a number of the "break up" songs on this album (almost all of them) as being about her reaching the end of her rope with being in the closet and trying to slowly change her fan's attitude towards her queerness. So many of these songs imply that she has hit her breaking point, and the metaphor of a failing romantic relationship is the perfect vehicle to express this shift.

I believe this precedent exists in her work, and for this particular chapter, was established with "You're losing me".

This is also one of a few songs on the album that conceptualize her fame (as obtained with her public, hetero persona) as a place. In this song, that place is represented by London (hence, "so long, London"). In Florida!!! she may be running away to Florida from this place, (after she comes out and needs to escape the backlash). In "I hate it here", she dreams of escaping this place, and imagines two other locales within the lore of her songs - "secret gardens", a probable parallel to Betty's garden and the "garden gates" in Cruel Summer, as well as the "lunar valleys" referencing the galactic landscape established in Down Bad.

Lets get into it!

Verse 1

“Saw in my mind fairy lights in the mist/kept calm and carried the weight of the rift/pulled him in tighter each time he was drifting away/my spine split from carrying us up the hill/wet through my clothes, wary bones caught the chill/stopped trying to make him laugh/stopped trying to drill the safe”

In this first verse, Taylor introduces the idea of her fans being like a partner who isn’t present in the relationship, and more importantly, a partner that is ultimately rejecting her true self. 

“Fairy lights in the mist” - Taylor has used daylight/light images to represent the end of her closeting/her coming out for at least 5 years. Here she sees small pinpricks of light amongst darkness and the classic metaphor for hiding/confusion, etc - mist. She is saying that in the past she had hope, she saw a possible path forward to coming out while also keeping all of her fans.

“Kept calm and carried the weight of rift/pulled him in tighter each time he was drifting away” - Taylor reflects on her years of hoping that she could slowly introduce her fans the idea that she is not straight, then come out with minimal rupture in her relationship with her fans. She tried to keep the faith and looked past a lot of bad behavior on the part of some of her fans, convinced that she could make them see her and that their love for her would extend past their need for her being the persona they have grown attached to.

“Stopped trying to make him laugh/stopped trying to drill the safe” - ultimately, she gave up, having been rejected too many times - ignored when she clearly signaled her gayness and the masses of her fans just refused to acknowledge it. Beyond refusing to acknowledge it, they bullied those that did see it, demonstrating to her how reviling they found the idea that she might be queer. “Drill the safe” is a metaphor for trying to force something that will never happen, she is realizing she needs to let go of something that isn’t for her.

Chorus

“How much sad did you think I had/did you think I had in me/oh the tragedy/so long London/ you’ll find someone” 

Taylor now must ask her fans, how long did you expect me to sacrifice my own happiness while you continue to ignore my pleas for you to see me? 

“You’ll find someone” = you’ll find another idol/para social relationship to obsess over, identify with, etc. This is a reference to Dear Reader, when she sang “you should find another guiding light.” In that song, Taylor warned fans that she is not who they think she is ("you wouldn't take my word for it if you knew who was talking"), that the idea they have of her life is constructed, and strongly lamented her life choices, essentially telling fans they shouldn't look to her for life advice, because she is lonely and miserable. Here, the reference not only underscores the idea that they don't know her, but also that she is making the choice for them to "find someone" else, because she is choosing to come out of hiding, and in so doing, is also choosing to leave behind the misery that made her write Dear Reader in the first place.

Verse 2

“Didn’t opt in to be your odd man out/I founded the club she’s heard great things about/ I left all I knew/you left me in the house by the heath/I stopped cpr after all it’s no use/the spirit was gone, we would never come to/ and I’m pissed off you let me give you all that youth for free.”

I made a post about the "Heath" reference that you can read here. Please note the reblog of it that I added an addendum to about the Heath being a park in London. Heath was a doctor that practiced conversion therapy, meaning that her fans "left her at home" with someone trying to change her. By ignoring her signaling, they told her they didn't want the real her, which kept her in the closet, and I fear kept her more vulnerable to those who may have tried to manipulate her into trying to change herself, or deny her true self even behind closed doors.

"I stopped cpr after all its no use/the spirit was gone we would never come to" - again Taylor is using the of a failed romantic relationship to express her lost hope in salvaging the corners of her kingdom that ultimately won't accept her when she comes out. This is also an example of the frequent gothic/death related imagery Taylor uses on this album, a theme consistent with the idea that something is ending, that she is killing off her public persona.

"and I'm pissed off that you let me give you all that youth for free" Taylor has spent so many years choosing her fans and her current carrer path over the full expression of her life and happiness. Again, she had hope that the people who have given her endless validation and effusive praise for years would accept her for who she is. She is realizing that the love between her and at least some of her fans was conditional, and given what we know of how much her fans have meant to her over the course of her career, this was likely a devastating wake up call that took years for her to accept - undoubtedly a huge factor in her seemingly delaying her coming out so many times.

"So long London/Stitches undone/two graves, one gun/I’ll find someone”

Taylor has said her fans are her longest relationship; the imagery in this song reflects the idea that this is a break up with someone she has tried with over and over again. So she undoes the “stitches” that link her to them. This line references her song Glitch on Midnights, “fasten myself to you with a stitch” symbolizing being bonded with a romantic partner (which represent a portion of her fans in this song).

"Two graves one gun" is likely a reference to burying her public persona self, and the second grave could represent her fans (a parallel to the "cheating husband" in "Florida!!!"?) or it could be a shrouded suicidal thought - the second grave being her private persona - both selves being killed off. This lyric is one of my favorites in this song but I don't have a strong conviction on who the second grave is, I'm very open to others' thoughts...

Bridge

“And you say I abandoned the ship/but I was going down with it/my white knuckle dying grip/holding tight to your quiet resentment/and my friends said it isn't right to be scared/every day of a love affair/every breath feels like rarest air/ when you're not sure if he wants to be there/So how much sad did you think I had, did you think I had in me/How much tragedy/Just how low did you think I'd go/Before I'd self implode/before I had to go be free"

"And you say I abandoned the ship...white knuckle dying grip" Taylor emphasizes her wish for things to be different with this lyric, clinging to her ship as it sinks. We all saw her try to right the ship, she's finally choosing to let go and swim to safety (a nautical parrallel to the manuscript's "my trip to your shores"?).

“My friends said it isn’t right to be scared everyday of a love affair…if you’re not sure he wants to be there”

Similar to when someone is in a bad romantic relationship, i imagine her friends expressed their concern that her relationship with her fans is unhealthy. Although many of her friends are high achievers themselves, Taylor’s success is in another league (monster on the hill) and they would likely have expressed their hope that she can slow down and accept a slightly less monumental career in the interest of her mental health. 

“How much sad did you think I had/did you think I had in me/Just how low did you think I’d go?” “before I self implode/before I have yo go be free”

Taylor imagines arguing with her fans in the throes of the break up, and in this passage it becomes clear that she is convinced they know the truth but are refusing to acknowledge it. That they allowed her to keep faking her straight persona for their sake. That she was a woman pushed to her limits by a partner (fans) who knew they were running her ragged, a partner that didn’t in fact love her, but loved what she could do for them.

 So she asks them, how long did you think I could keep doing this before it broke me? How long did you think I would go along with this, be willing to sacrifice for you? how much would she fake/take the money to keep up the straight persona?

“You swore that you loved me but where were the clues?/I died on the altar waiting for the proof/ you sacrificed us to the gods of your bluest days”

The para social relationship is again a perfect match for the metaphor of a partner that uses you but doesn’t meet you in relationship as a full person. The praise puts you on an altar, but their actions don’t reflect the effusive words. “Bluest days” is a red herring to match the bearding narrative/fan rumor that Joe’s mental health affected their relationship, but also could be interpreted as the fans overlooking her truth in the interest of relying on the idea that their favorite pop star has the same boy problems that they do, their "bluest days" were the days they were torn up over a relationship or an unrequited love and needed her break up anthems, and they wouldn't have the same effect if they knew (and weren't in denial) that the songs are about women (or now about them, ironically).

Last Verse/Outro

“I’m just getting color back into my face/im just mad as hell cause I loved this place/for so long London/had a good run/moment of war son/but I’m not the one”

The first line here parallels the language in “you’re losing me”, which uses the metaphor of a relationship literally dying (“i can’t find a pulse”, etc). In this song she is leaving the relationship to save herself, and in leaving she is recovering her health, hence getting the color back in her face after being pale when sick and near death.

“This place” or London, is a stand in for the world, the Swiftverse that she created for and with her fans. It had been her life’s work, her source of pride, self worth, her legacy, but now she must leave, because it was built in large part around a self she created to make herself palatable to the fans she amassed. She can’t be that person anymore, and maybe in some ways “this place” doesn’t even really feel like hers. This parallels Florida!!!, "your home's really a town you're just a guest in/so you work your life away/just to pay for a timeshare down in Destin". She is just a guest in the musical world of the brand of Taylor Swift that she spent her whole life building ("the story isn't mine anymore")

To close, she repeats the main lines of the chorus,

“So long London/Stitches undone/two graves, one gun/you’ll find someone” 

This repetition drives home the finality of this decision - her exit, her killing her public persona, her detaching herself from those that don't see and support her, and her reassuring herself that those people will find someone else to worship, and someone else to see themselves in, and her realization and relief that they aren't her responsibility anymore.

#gaylor #kaylor #bearding #closeting #ttpd #so long london

[zombee]

I feel like the luckiest Our Flag Means Death fan in the world after the season 2 finale. By a series of incredible circumstances - including a significant metatextual realization that came in at the 11th hour - it was close to perfect for me.

This essay has everything. Completely normal behavior over a television series. Steven Universe references. The David Jenkins School of Whatever is Best for the Bit. Humbling catharsis.

First: this piece does not exist with the central thesis of “it’s okay to not like something but that’s not the same thing as it being bad.” I feel like thousands of words have already been written on this since Thursday, so I’m going to try to not get too in depth on that.

Second, cards on the table, because it’s relevant and I don’t want to waste your time if this is going to sour your ability to hear me out: I’m an Izzy Canyon hater. For MANY reasons, but from way before the concept of the Canyon existed, (some) Izzy fans pinged me in the same way as Snape/Kylo Ren fans did, and before May 2022 was over I went from genuinely enjoying Izzy’s character and place in the narrative to hating him because his fans made it impossible for me to enjoy him anymore.

(SOME! of his fans. Please don’t keep making me say this, although I’m not going to talk about the Canyon directly anymore after this. I know there are a ton of normal Izzy Enjoyers and even Canyonites, I am literally friends with many of them, please take this all in the good faith it’s intended and if you’re not One Of The Bad Ones then you’re fine! I very carefully don’t go anti-Izzy on main, and when I stopped enjoying his character, I stopped writing him into fics. I’m not trying to be a dick, I just want to be honest. Anyway.)

The season 2 finale made me weep over Izzy Goddamn hands.

ALL season long, I was disgruntled. All season long. I really, truly, DEEPLY appreciated what they were doing with his character and arc, I thought it was wildly on brand for the themes of community/queerness in the show, I saw the vision, I liked it!!! But. I wanted a fucking apology, yall. I needed three seconds of “sorry I called you a slur, Ed :/” and that would have been enough. But I had to let it go. It was poisoning my enjoyment of the whole season, which I loved with very little exception (not none!) and I just had to let it go. I wasn’t getting an apology. That didn’t negate what they were doing with his character.

Yall. They withheld the apology on purpose.

THIS FUCKING SHOW!!!

Let’s go back a bit. I was at the episode 6 + 7 screening, and the breakup shook me. Probably a LOT more than if I had watched it alone in bed at 3am on my laptop - five days of no sleep after NYCC, lots of emotions, seeing it on a big screen with a hundred other intense fans, etc etc - but I did see other folks reacting in parallel ways to me when the episodes aired to the regular public, so maybe I would have felt the same way. Regardless, I was mad at Stede and to a lesser extent Ed. I NEEDED AN APOLOGY FOR THAT FISH LINE. I needed it! “Whativah” autocorrects to “WHATIVAH” in my phone. I was going through it.

(When I rewatched the episode when it aired it was not nearly as bad as I remember, lol)

So now the episode 8 screeners go out and the reviews drop and I think I catch one half-glimpse of a “What a heartbreaking ending!” kind of snippet, and some of my friends who are spoiler fiends unintentionally drop little hints about similar ideas (devastating/heartbreaking/split the fandom) type shit.

And I was a fucking WRECK! about it.

I do love this whole show with my whole chest. I do!!! But I’m not rotted because this is an excellent television show, I’m rotted because two old men kiss each other! On the MOUTH!!! in an excellent television show. You get it, right? I’ve written 700,000 words across almost 100 fics and 98% of them are dedicated to those two men falling in love in different universes. 

So it just did not even occur to me the “heartbreak/devastation/fandom split” would be about anything but Gentlebeard.

Another piece of this that was fucking me up - David Jenkins and his “satisfactory” ending biz. My brain was reacting like this show was ENDING ending, even if I knew logically! that this is just season 2!!! And I wasn’t ready for that, because what if it wasn’t personally satisfying, and I’m a mess about it? Why was I so worried about not liking it? I’d liked the whole season! Even if they didn’t nail the landing I wasn’t going to stop writing fic or hanging out with my pirate community & friends. 

…is what I kept trying to tell myself, but the way anxiety disorders work is funny like that lol. What if I did stop writing fic and hanging out in pirate spaces? That would hurt much more than a show I like disappointing me. And for anyone who’s having that experience with ofmd s2, I’m so very, very sorry. It sucks and that’s where my epiphany came from on Wednesday before the finale.

Because it has happened to me before.

I flit from hyperfocus to hyperfocus, as ya do when you’re spicy, but the last thing to get its hooks in me PROPERLY like pirates was Steven Universe. And I did NOT like the way the regular season ended!!! (I actually really did like most of Future; that’s not what I mean. I mean season 5). I don’t like how they handled the Diamonds, tldr; I think the scope of their villainy got too out of hand, and I was left grieving the thing that had meant enough to me I ran a fan convention for four years based around it. 

Side note: imagine if I had channeled the hyperfocus of almost a million words of fanfiction into an American OFMD con instead. We could have made magic :( I did consult with Our Con Means Death though so I am at least a teeny tiny bit of that one!

I did not like the way Steven ended… but I do respect the story they were telling and think they told it well.

I’m still sad about it. Steven is still one of my most beloved, it will always be beautiful and great to me, but that experience did and does sully my memories. There is so, so, so, SO much more good than bad from being in that fandom, and I cherish it. And I hope, if you’re having this experience with OFMD right now, that you’ll find similar comfort.

But, like I said at the top, “it’s okay to not like something but that’s not the same thing as it being bad” has been belabored already by people better at writing about it than me. I just had the incredible privilege to remember my brush with lower case T trauma and having that experience in my last REALLY big deal fandom. That’s why I had been so extra anxious about being disappointed. Because it happened to me before. It helped so much to connect those two.

So the finale happens, and it’s actually about twelve hours of me going from “eh, rushed but fun, whole season was great” to “THIS MAYBE IS THE BEST SHOW OF ALL TIME, ACTUALLY!”

BECAUSE THIS SHOW MADE ME CRY OVER IZZY FUCKING HANDS!!!!

They literally told me this was the story they were telling this season. “Men can change” “The end  of piracy” “Ed leaving Blackbeard behind (ish).”

As for me? I didn’t get an apology for the fish. Instead, I got “Sorry I was a dick.” “You weren’t a dick. Life’s a dick.”

Just… fuckity BAM. THREE FUCKING SENTENCES resolving that fight. Saying so much in so little.

In real life, should these two men have an actual conversation about this shit? Sure!!! But that’s not how OFMD tells its stories!

It works in symbolism. It works in vibes. It works in an hour’s worth of content into each half-hour episode, and for how much lamenting I have done about the pacing, I would prefer that 100x to having to stretch it out too much.

I have said since March 24, 2022 that OFMD wields anachronism as a weapon. First and foremost, it’s fucking funny, but in addition to that, it’s stating clearly: “This is a fantasy world. This is not real history. This show is about romance (and so much more than that), and the rest is just VIBES!!!”

Sometimes vibes can be historical accuracy. Sometimes vibes can be true emotional poignancy. Sometimes vibes can be Ed finding his sunken leathers in the sea, changing underwater somehow, and coming out of the ocean like the Birth of Fucking Venus, because water and rebirth and mermaids and shit is all very prominent this season. And ALSO, and this is very important! BECAUSE IT LOOKS FUCKING COOL!

I don’t want to do much real Izzy meta here. It’s been said by others, and better than me. But it was telegraphed and it was symbolic – he was the paragon of Traditional Piracy in season 1, for goodness’ sake, and Traditional Piracy is Toxic Masculinity, and he was a part of Blackbeard and Ed had to leave Blackbeard behind (yknow, ish), and he got this ABSOLUTLEY FUCKING LOVELY! storyline about appreciating what a (queer) community can do, and god fucking shit fucking dammit… most of all, best of all (for me), was Buttons landing on Izzy’s grave at the end. Men can change. And Izzy DID!!! He did it for Ed. For love. For community. I am puzzled by “it’s fucked up to use Izzy to further Ed’s storyline” because… this was Ed’s season, in the way that season 1 was Stede’s. And Ed cannot be removed from piracy as a whole (neither can Stede!) so to have this old, set in his ways, coded-queerphobic character blossom to the point he can give this gift to Ed and to piracy… idk man. I just find it so fucking beautiful.

It is okay not to like what they did. It’s okay!!! It’s okay, and it’s okay to mourn, and while it’s not okay to do [insert vile behavior here], it’s okay to carefully examine what you think is “bad writing” vs “what you would have preferred to happen” and give good-faith, textually-based criticism on that.

But I want to remind you over and over and over again, this show works on vibes. It tells its stories leaving many, many, many gaps. There are many things I would have liked to see, and y’know what? I would have told the Izzy story differently. I would have personally done it differently. But it’s not my show! It’s not my show, and I am humbled and delighted to remember that, and to appreciate Our Flag Means Death for what it is and not what it isn’t.

Other words have been written better than I could about the 18 months between seasons 1 and 2 and what that does to us as rabid fans with expectations of how things will go. Millions and millions and millions of words have been written about OFMD, fictional and non, and that is going to color our expectations and experience. We had built it up SO MUCH in our minds and along the way I think some of us forgot (INCLUDING ME!!!) that it is first and foremost about Vibes.

The vibes of Izzy’s death are about rebirth and forgiveness and leaving traditional piracy behind. And he got to die in Ed’s arms, knowing (HAPPILY!) that he had been wrong, and giving Ed the gift of letting him know he is loved, and being a part of something. We had a funeral but we also had a wedding. The only constant is change. Men, piracy, Blackbeard; it all changes. And Izzy found peace in that.

Before my last point, I want to @ myself on things I felt versus realizing in the end it is (I will say it until I’m blue in the face) about vibes.

· I was convinced they left Buttons’ transformation ambiguous because they wanted to leave room for it not having been real. NO!!! It is real, until they decided it isn’t. Magic in the OFMD universe? Fucking why not!!! IT’S SYMBOLIC!!! IT’S IMPORTANT TO ED’S STORYLINE AND THE CENTRAL THESES OF THE SHOW!

· I was unhappy, and still am a little, about the Polycule Situation, but now that I realize Oluwande is Zheng’s Stede… I am less so. The Zheng : Auntie :: Ed : Izzy vibes, btw? Fuckin immaculate.

·        Obviously they touched on Stede/Ed’s “killing people trauma” but I’d reallyyyy like Stede to address it, and even though I think Ed’s is left on a very satisfying note, I’d like him to dip a bit more into it as well. But if they don’t, oh well! It’s not like they ignored it, they just didn’t have a Deep Dive like I Wanted Them To!

· They didn’t deal with Ed throwing Stede’s shit away. They just ignored it! Stede started to collect new trinkets, and I believe that was as much about giving the audience back the old feeling of the Revenge as it was anything important (not to say it wasn’t also important thematically!!!). Just like Ed going back to his leathers is both Extremely Important thematically and about putting Taika back in the leathers because that’s what Blackbeard should be wearing for the epic final scenes for the sake of visually keeping the show consistent. That’s Blackbeard’s uniform.

· Stede’s frilly little outfits my beloved. God I hope they give him back some of his frippery in season 3. I think they will re: cursed suit BUT his journey this season was about something else, so!

· Ed’s stupid little non-profit non-apology, oh my god. It was so funny. And there is a transition from eps 5 to 6 where Ed is back in his leathers and the crew is more comfortable around him. They didn’t have to have him do a Real Apology, it’s implied it was all settled. What was the timeline? A day? DOESN’T MATTER, BABY, VIBES!!!

· Lots more, I’m sure, but now that I’ve tried to let it all go, I’m remembering less of what I wanted and appreciating what I got!

And, last point here, I think it is also very very very important to remember that a lot of people are normal about this show. In fact, WAY more people are normal about this show than aren’t. And that is EXTREMELY! IMPORTANT!!! because otherwise it wouldn’t be profitable and we all know what would happen then. We are the core of it, to be sure. Without word of mouth that stems from our intensity, this show would not be NEARLY as successful as it is. I truly, truly believe that.

But.

Do normies need deeply emotional discussions dissecting the central relationships? No. What normies need is Ed and Stede running dramatically toward each other on the beach and kissing. And I am happy, so fucking happy, to realize that’s what I need too. I’ve got fanworks for the rest.

I love this fucking show and this fucking fandom and its fucking creators so much. Fuck.

#our flag means death #ofmd #ofmd s2 #ofmd season 2

[charismaofobedience]

what makes you think mikoto is good rep? specifically, what is it about double that convinces you?

Okay okay, it took me some time to perfectly articulate my thoughts on how MIkotos system isn't horrible rep and instead was tackled... Somewhat well? This was also written after me and another friend who's a system discussed this extensively and how our own situations lowkey match the situation Mikoto himself is facing. Under the cut because I did *not* expect this to get so long </3

To start it off with some debunking of things people have been mentioning as "oh but this proves he's not a system" (after Milgram itself confirmed them as one but oh well), the whole thing on how DID only appears during childhood isn't... Really the full truth? The most common thing to happen with DID is, instead, for someone to develop the conditions for it through their childhood, but the symptoms only start showing when older. I myself was a case of that and while it started around my 6 years, we only had our first split at 14. Mikotos just happen to be later. I personally also think that, during the phone call with his mom, there wouldn't just have a random baby crying noise for no reason. He probably developed it that early, but just didn't split until recently, however that's just my own reading and not anything confirmed.

For the point of "but then, why don't the milgram rules work on John if he is indeed the killer? This proves it's Mikoto who killed", just look at irl court cases of systems. The one being judged will always be the host almost all the times, after all, he's the main one who fronts, and not whichever alter committed the murder. The host and body would be the one in jail etc in a real life prison, not the alter who committed it. Milgram is a perfect parallel to that, with Mikoto being restrained and the Es barrier working on him even if he didn't commit any murder while John, the alter and one who committed the crime, doesn't has any restraints or barrier that work on him. Because Mikoto is the host and core of their system, not John.

Second, some quick system terminology. I'll be using the terms host, protector/persecutor and dormancy on this, so for a quick understanding: Host means that, basically, that alter is the one who mainly fronts and takes care of things, may or may not be the core ("original" person), but at Mikotos case I'll assume he's both the core and the host. Protector is what the name implies, they're alters who have as their purpose to protect the system and body. Persecutors just so happen to be protectors who have more drastic means to do things and will inherently be harmful to the system in a way in another, they are not necessarily bad, and might instead just be misguided and think what they are doing is a solution for a issue and that by doing so they're protecting the system. Finally, dormancy is when an alter of a system... Well, goes into dormancy. They can't come to front anymore and will be "asleep" for some time or even forever depending on the conditions. A inclusion is also possible, where two alters (or more) will become one etc, but I don't think that will be the case for Mikoto.

So, as it's settled, Mikoto is the Host and Core of the system and Orekoto/John is the Protector/Persecutor of it. Let's get to the explanation now.

Mikoto's split seemingly very much occurred due to the stress situation he had been feeling from his work. We have John welcoming him home twice through the mv and noticing that Mikoto isn't smiling or anything when coming home anymore and it isn't the only times judging by the "another day" mention. We can see on the second one he's either getting the subway to go home or go to work (probably the first one), but on the first time it's said we get to see Mikoto's phone and, specifically, messages coming through and through.

All the texts are coming from his boss, and from the looks of it Mikoto works for a black company in Japan, so it's no wonder he's stressed and very clearly depressed there. Judging by the time Mikoto would be going back home at midnight and, at that time, he's texted by his boss that he needs to remake a whole product and correct mistakes from another thing for the next day of work, and with "next day" you can bet they mean "when i see you in around 10 hours". For now, this is the main reasoning and sustenance we have for "but why did he split?", aka, Mikoto was under a lot of stress on work and it lingered even when he was home to the point that, eventually, John split as himself and, as himself said, he's got Mikoto, and he could leave it all to him.

By this point I like to think it was already John fronting to reply to the boss call. John got tired of Mikoto overworking himself to the brink of breaking down to appease to his boss and superiors and, wanting to help, came to front to "take it all on" in his own words. I think bringing MeMe up for Double discussion is extremely important because we have to remember that MeMe was visibly only from Mikoto's point of view while in Double we have John telling his own point of view. I don't think Mikoto is lying about not knowing he's a system etc, but instead that Mikoto thinks something is wrong, yes, that he knows whoever this person ruining his life is both not him and him at the same time (mirror scene), but isn't aware exactly that he's a system. John is portrayed as scary and evil and cruel etc in MeMe because that's what Mikoto assumes to be happening, Mikoto doesn't know whatever John is doing and what are his intentions, we knew since them Mikoto is the type of guy to take things happening to him lightly (joking about the milgram situation etc) because he may think he deserves it, and this extended to his work and personal life. Through MeMe we see Mikoto looking sad and not smiling anytime until we got to the ending in the headspace where he's sitting on the couch somewhat smiling, but not looking downright miserable like he is in double because Mikoto's main focus was that there is some scary guy there, not that his work life was putting him under so much strain to the point of splitting. Hell, his work life was never brought up until Double anyways, because Mikoto didn't think it was important and kept playing as if it was cool (even during the call with his mom in Double, as John showed us) and that he could handle it, meanwhile Double has John showing us just how miserable Mikoto looked after work and some situations that would happen on his day to day work, how he never went back home smiling etc. MeMe has a bigger focus on Mikoto, as a Host, not knowing that he's a system and how scary that can feel when you're fully unaware of why you're seemingly doing certain actions that you're not aware of when they're brought up to you, meanwhile Double focuses on his alter, John, telling us about his own motivations and the truth about Mikoto's daily life, showing us that whatever it is he did was to protect Mikoto because being a protector is his role in the system. Mikoto didn't take his issues seriously in MeMe, and in Double John gives us a glimpse on how bad it was. For Mikoto, all of his personal issues were coming from the fact that there was an Evil Scary Serial Killer guy around, while John tells us that nuh uh, it was capitalism all along and he'll protect Mikoto from that stress.

The voice drama also tracks some of these points, such as Es mentioning that Mikoto laughs whenever he's troubled and rarely gets angry or frustrated, ignoring problems, and Es mentioning that John acts more rationally, contrary to what he expected... After all, Es' only views of John came from MeMe as a mv, and then from John getting angry and frustrated as Es because, in the beginning, to John it all felt like people were trying to trouble and hurt Mikoto yet again. He was just doing his job as a protector.

I've seen most people say that the "made me a scoundrel" refers to us, the viewers, but also... I feel it might also just be John talking with Mikoto himself. Mikoto saw John as a evil bad alter on MeMe as we just discussed, and from what we see here... Yes, John is violent and impulsive, but he's still a protector who did things with the goal of "I need to protect Mikoto" in mind. We didn't knew that through the entirety of MeMe because Mikoto himself didn't know, and John might be frustrated that the guilty verdict could have come only because Mikoto portrayed himself in such a way first and foremost. John asks him why he's crying because I'm fairly sure he isn't aware that Mikoto isn't aware of him either. The main issue at play here is the fact their system communication is horrible if not non existent. They can't communicate with each other properly for some reason even through writing etc, so there's no way for them to be certain of how the other feels. There's no way for Mikoto to know why John was doing all that. There's no way for Mikoto to know John was trying to protect and help him.

John in the middle of Double even states that he doesn't know why he's there. So yes, most of us are all assuming it was all due to Mikoto's stress with work, but hell we could all be wrong because, again, Mikoto refuses to open up and actually talk about issues with anyone. "Come to know me as an honest man" is John asking for all of us and Es to go and know him as himself, as John the alter, and not the vision Mikoto had of him on MeMe and the entirety of trial one. Because yes, you can't change the violent nature of his, but we should at least come to know and understand that he is a protector and was simply trying his best to protect Mikoto from something (what? We don't know and can't be sure, but yet again, our best bet for now is his job). John is seemingly willing to open up more this trial, admitting he is indeed the one who committed the murder and asking Es to understand the situation they're being put under, with Mikoto feeling stressed and please forgive him, because Mikoto is not the one who committed the murders. I'm sure we will get more on their situation etc when the questions for Mikoto and Kotoko come, but for now we only have that.

John simply wished to save and protect Mikoto, he himself doesn't know how it all ended like *this* (Mikoto as guilty and not innocent, running away from him on the train because, again, Mikoto isn't aware John is simply trying to help him). Having John asking us to forgive Mikoto many times through both the mv (first image of these 3) and voice drama (next screenshot) basically affirms his beliefs and wishes, that he wants us to guilt him, but not Mikoto. After all, if we get another guilty verdict? In his own words Mikoto will go into dormancy due to the stressful situations of having two guilty verdicts in a row, but if Mikoto gets a innocent this time around? Then, there will be less need for John to front... After all, if the situation becomes a bit more calming for them, then John's purpose of protecting Mikoto will be gone for some time... What we can't have, however, Is Mikoto going into dormancy and then forcing John as the new host, because John wouldn't know what to do by then. He was born to be a protector and his identity is intrinsically connected to this role, the duty of protecting Mikoto, for him, comes above him as his own person. With Mikoto's dormancy, John himself would lose his purpose and motive of existing.

And even so, John apologizes at the end of the milgram, questioning even his own existence that "none of this wouldn't have happened if I wasn't even born". In John's eyes, he failed on his role of a protector by getting Mikoto into this situation. The protector guilt is shown so greatly on John that I did tear up a bit when first watching the Double mv and reading the lyrics. The fact they expanded away from the "scary evil alter" troupe that Mikoto made us belief in trial 1 into a protector/persecutor who feels guilt that his actions caused harm to the host? Into a protector with low empathy who cares more for the well being of their host than his own? Mikoto was neutral on the scale of "is this good system rep" for me initially because, again, Mikoto himself didn't know he was a system. Now we got more information on how things work thanks to John and, from the feelings of how scary finding out there's someone else besides you to the fear of realizing that the person who did whatever the hell it was wasn't you mentally, but it physically was you at the same time is terrifying. I think their writing was very well handled to cover the topics of fear and guilt from both sides. Mikoto is still a host who's unaware of the fact he's a system. John is a protector who feels like he failed on his role after getting Mikoto into this mess. Their communication, due to seemingly being a recent split, is non existent so they cant fully talk with each other to comprehend the other. To me, this is a perfect example of how it felt when I myself found out I wasn't a singlet. I don't think Mikoto's writing is perfect and has no flaws, not at all, but on the grander scale of things? Having this type of rep coming from a japanese song media franchise is great and almost unseen since it's mostly always used as a joke or for the scary evil alter trope alone. Milgram and the team could do some stuff better, sure, but from what we have right now? It's far from me of calling them "bad system representation". After all, just like John tells Mikoto, they're both doing their best.

#Milgram #Mikoto Kayano #John Kayano #Orekoto #milgram analysis #♡𑁬࿔ chii talks

[cecewarlock]

Okay so this are pretty disjointed thoughts. I'll probably rewrite once I've calmed the fuck down but I've just watched TBOSAS and I need to talk about it

1- The hanging tree is about a man who is accused of three murders and when he is about to be hanged he asks for his lover to run away

Now in the Hunger games trilogy the song is a call to desperate action. A call for love and hope and freedom with the knowledge it might all end in death

But in TBOSAS it takes a whole different meaning, more especially in what I believe to be Snow's two most important relationships: Lucy Gray and Sejanus.

Unlike the man in the song, Snow has in fact killed three people one of them being Sejanus and unlike the man in the song who chooses his love over his own life. Snow does the opposite. He tells Lucy Gray to run during the games but once she is no longer caged, once she becomes the one thing he believes will cost him his life he chooses to attack. He truly is living embodiment of dr Gaul's philosophy. He is a victor.

2- Many people have already pointed out the Katniss/Snow Peeta/Lucy Gray parallels but I cannot stop thinking about Plutarch/Sejanus.

3- Everything about Tigris makes my heart break.

4-"Snow lands on top" is such a cunty ass line. Say what you will about Snow but he ate with that one. Cannot wait to see it used inappropriately in a fanfic

5- Snow having two scars on his back. One from when he saved Sejanus and one from when Lucy Gray saved him. I need to be sedated.

6- Ceasar being a nepo baby lol

7- "You are as pure as the driven snow" seriously somebody sedate me.

8-the rainbow on the statue's dress at the end. Lucy Gray you will forever live rent free in Snow's mind.

9- Sejanus's last words being "Ma" something he got teased for at the beginning.

10- Everything about Reaper putting the flag over the fallen tributes. And his bravery in the face of death. And his kindness.

11-I normally scoff at prequels that lean too hard on the main story and while I definitely think that TBOSAS suffers from it from time to time I do believe it works because it serves a purpose. It recontextualizes what we know about Snow.

He is a haunted man. The revolution in the hunger games is personal to him. Beyond politics and money. It is Lucy Gray's songs, stronger and lauder than ever, accompanied by the drum of Sejanus ideals. It's payback. They have taken his power.

12- Do you hear that? It's the sound of Snow, falling.

13- In conclusion: If Suzanne Collins has no fans left know that I am dead.

#the ballad of songbirds and snakes #tbosas #coriolanus snow #lucy gray baird #sejanus plinth #reaper #ramblings

[rad-batson]

THIS IS FOR FANS OF CASSANDRA CAIN! PLEASE READ! I WANT YOUR THOUGHTS

(skip to the bottom if you just want silly headcanons about her :D)

Hello! So first, I want to thank everyone who read the Wayne pilot I made :) I appreciate your feedback, and I love you all.

As I'm preparing to post it on AO3, I decided to make a few (admittedly small) changes to the script, primarily around Cassandra Cain, because I haven't quite fleshed her out yet.

I don't have much experience with writing Cass, so I decided to do a bit of research on her yesterday, and wouldn't you know? I fell in love. 10/10. She didn't play a huge part in the pilot, but she will have a bigger one in the second episode, and there are a few things I think can or should be added so she doesn't feel too one-note.

There wasn't anyone who told me this, by the way. (In fact, I actually got some nice comments about her so thank you.) I just had it in the back of my mind while writing, and now that Cass is getting more screen time, I'm finding that my lack of knowledge might lead to mischaracterization.

SO TO COMBAT THIS, I MADE A GUIDE FOR MYSELF ON HOW TO WRITE CASS

Is this overkill? Probably Think of it as a silly headcanon list for my version of her. And I'm posting it here because I want your feedback before it's set in stone. (I know Cass isn't written well a lot, so this is my attempt to right these horrid wrongs.)

If you're going to give criticism, please be constructive. Tell me what you like or don't like. I'm all ears. Have fun :)

Writing Cass

(Btw I still gotta read Cass’s first Batgirl run by Kelley Puckett)

Has some sass, has a lot actually

Used to be awkward in social settings. she’s better at it when she’s with people so she can match their energy but she still prefers to just dip

Speaks in short-ish sentences, trying her best tho

I WILL BE ADDING THIS INTO THE PILOT, I JUST WANT TO KNOW TO WHAT DEGREE?? OR IS IT REALLY FINE

Mostly just relies on body language though

I WILL BE ADDING THIS INTO THE PILOT TOO, ESPECIALLY WITH THE ASL SCENE (BUT IT’S NOT REPLACING THE ASL)

also yes i know her using ASL isn't canon, it just works best for the scene, it would have been written the same whether she was in it or not, it is still a cute nod to fanon tho

Steph and Cass are extremely close BUT ALSO HAVE SEPARATE LIVES (I HAVE BEEN TOLD TO STRESS THAT AND I AGREE)

Messy, low-key gross. Bad-ish hygiene but she’s good at looking put-together so only those close know this about her (this is just my headcanon)

Often forgets bigger words so she occasionally uses the wrong one, she ALSO mixes up proverbs but no one corrects her because 1: it’s cute and 2: they don’t want to discourage her from speaking with them more casually (also my headcanon)

Cass: So I pulled the door off its…*makes motion with hand*…metal books. Steph: Do you mean hinge— Cass: Metal books.

Dick: Well that was a surprise. I didn’t know The Penguin would be here. Cass, nodding: Well life gives you grapes Dick: Wut Cass: You make grape juice. Get on the same book, Nightwing

I'M ON THE FENCE ABOUT ADDING THIS ONE BECAUSE IDK LET ME KNOW PLEASE

Is a cinnamon bun AND a little shit, it’s a balancing act

Production: She’s Wayne’s darling Princess Cass: *will break your fingers*

She does appear behind the camera crew to scare them on purpose, she thinks it’s funny, she likes seeing them freak out

She is super competitive, but she's always like "Oh I'm not that competitive" *proceeds to be very competitive*

Because she isn't super confident in her writing or speaking (or just uncomfortable communicating without seeing the other person's body language) she prefers to Facetime or simply reply to texts with selfies of her reaction. It is a thing now. when you need an honest opinion about an outfit, text a photo to Cass. She will either give back a photo of a thumbs up or a photo of a grimace and some not-so-flattering emojis

Her princess persona is her public cover persona in this show, parallel to Bruce’s “Brucie” and Dick’s “born for the cameras” thing

Is surprisingly vocal (and sometimes snippy) about her distaste with things but she mostly gets a pass because her morals align best with Bruce’s

Is most snippy when her family uses methods other than violence when violence is clearly the faster option, god they're such pacifists

Tim: *trying carefully to pick a lock* Cass: Just break through the wall? Tim: We can’t do that. We’re trying not to be noticed. Cass: Wimp

Bruce: Cass, why did you have to dislocate that man’s shoulder? Cass: I put it back. Bruce: That’s not the point. Cass: Fine, I’ll dislocate it again.

Is the best fighter, none of this “oh she’s the best fighter so when people do win against her, it makes them look cooler” thing, shut tf up, she could break their bones (not important to the show ofc but I need to add this because it is important in general)

Horrible at drawing, wretched (again a headcanon but I did see someone else mention it somewhere)

Also bad at writing, refuses to study to improve out of principle (i.e. she told Babs she doesn’t need to and now she refuses to admit Babs was right)

(AND SIDE-HEADCANON IF SHE IS HORRIBLE AT WRITING AND ACTIVELY HATED STUDYING HER ALPHABET THEN WHAT IF LIKE ONE DAY SOMEONE SAYS “hey can you grab me one of these files from last week’s case, it’s under M” SHE’S LIKE “fuck you, how could you do this to me” WHILE SEARCHING FOR M OR MORE SIMPLY *throws something at them*)

That's all I have right now. If you'd like to give me any recommendations, please do. I can't promise I'll add in every single one because this show is still about the whole Batfam, not just her, but I want to do her justice, and that definitely involves more fine-tuning on my part

OKAY THAT'S ALL LOVE YOU BYE

#the waynes script #cassandra cain #batfam #batfamily #batman #stephanie brown #dick grayson #tim drake #bruce wayne #barbara gordon #jason todd #duke thomas #damian wayne #alfred pennyworth #black bat #batgirl #bat family #cass cain #cassandra wayne #cassandra cain headcanons #batfamily headcanons #batkids

[lxmelle]

JJK0: Gojo’s secret words and Chapter 236: A Satirical translation Geto’s “……”

Gojo: "I love everyone, so I'm not lonely anymore..."

Geto: ........... (Another love confession? Srsly - translations in edit were my own, lol)

Give him a break Gege 😂 how many times does he have to witness people telling him that they love someone else?

Yuta: From here onwards, let’s really be together forever. I love you Rika. (愛してる used; a more traditional “embarrassing” way to profess a romantic love).

Rika: “daidaidaidaidaidaidai daisuki da yo!!” (Uh, it’s like “so so so so so so so- I love you SO much!!!")

Riko: Kuroi, I love you! From now, and until forever!

Kuroi: me too...!! I love you...

No wonder love is like a curse - people seem to die if they get confessed to.

People loved Geto and I think it's not a stretch to imagine that when love was directed to him, it might not have been voiced out. Geto witnessed confessions made to other people. If they loved him, he probably never got told because this isn't really a part of the Japanese culture.

The twins: love, love, love.

It is interesting to note that they don’t actually say they love him. Just 「大好き」 which literally translates to “big liking/affection”. It is implied through.

But the panels above and below refers to Gojo (above, Geto: “my best friend” in the past tense, “there was a fight and that was that.” And below, MimiNana: “we couldn’t forgive the Gojo Satoru who killed our Geto-sama, but we were willing to let it be...” it is cut off in my screenshot, but it goes onto say because Gojo was Geto’s one and only best friend).

One could also stretch the interpretation and say that because they recognised the love Geto has for Gojo, they were be willing to let it be. Just like Yuta recognised the love Gojo has for Geto and sought to slay Kenjaku so he didn’t have to do it again.

Larue and Miguel again noting in their exchange that they all loved Geto, and they cared for each other like family. There was another time where they referred to being familial, but loving wasn’t mentioned, so I left it out on purpose. But it was implied. Geto had a set of scrolls hanging behind him at the temple that said, “Death to the foolish, Punishment for the weak, Love for the strong.” I guess he felt all those things were true. But when it was his end, he only wanted Gojo Satoru there. I’m glad he got to choose who killed him I guess. And his family escaped.

So with Gege’s love for foreshadowing, maybe all of those scenes of confession-witnessing and love implications parallel with this moment:

Ha.

It really would make so much more sense if Gojo’s last words were, in fact, 「大好きだよ、僕の親友」 (“I love you, my best friend.” - in fact, it makes more sense than simply, “you’re my one and only best friend.” It is pure headcanon though (´∀｀)

As I mentioned earlier: The phrase 「大好き」 and usage of it doesn’t necessarily mean romantic love, but rather “to like a lot”. I’ll hold my hand up and say I’m not native speaker though, so please accept my apologies if I’m wrong and please correct me if I am! My understanding is that the context matters a lot. The English VA said it was three words in the English language - “my best friend” sounds weird conversationally. “You did well” seems oddly placed and may not illicit a blushing smile. “I love you” seems more apt. Personally, anyway.

I don’t think the same word-limit is imposed in the Japanese version. So again, I think it’s a phrase like “I love you my best friend”. Because it was also apparently embarrassing and said before within jjk0 (could be anyone’s words) but never between them.

So the criteria is met as Gojo is likely to use Rika’s version of “I love you” (daisuki da yo) over Yuta’s “I love you” (aishiteru). Not likely said between them in their friendship.

Also, because he has used it in chapter 236 to refer to the students - so! It is not a stretch for him to say that to Geto. It also explains why Geto goes, “…..” as the phrase of affection may have been familiar to him. He may be thinking about how Gojo has grown and reflected on how distant they felt - when the line was drawn. He notices that Gojo recognised the shift in him. Or, it could be that he “overthinked” that he was replaced.

And then the clincher is, ofc, where as soon as Geto thinks he can conclude that Gojo has been fulfilled by his students cuz he said he is no longer lonely and he had an all-out brawl with another man that he (Geto) never managed to give the Strongest, he is told: his presence would have likely made Gojo satisfied. Bahahaha!! Yes, you shed those tears... you’re loved, you dumbo. (I say that lovingly.)

Gojo Satoru as the Strongest may have needed something you can’t give, but Gojo Satoru as himself was only satisfied with you. Can you be honest now?!? Gojo, is it really enough for him to be by your side and waiting for you at the airport, huh??? Or was it enough for you to see the millennia-old Kenjaku be shocked silly by Geto’s body proving his undying love for you by moving when you called out his first name?? lol. These boys make me feel like a giddy schoolgirl at times; yeah, if only this story wasn’t so dark.

Anyway, it’s an overdone analysis, I know. The common consensus is that Gojo tells Geto he is his best friend. But to me, it makes the most sense for his last, most sincere words to Geto, to be a confession of his feelings for him. It aligns well with Gojo saying he needed him to feel fulfilled in chapter 236 and his tearful / heartfelt chuckle. It aligns well with the love is a curse theme, and love following Geto everywhere, and him witnessing people professing their love too. He just never really knew that he was loved, or if he did, the one that mattered the most was Gojo and if he had known, it may have helped him receive love (be happier) in this world.

I mentioned earlier that love was seen to be a curse by Gojo. And through what Geto knows about cursing and what he has witnessed through the deaths and burdens carried by those who have loved and lost... could this be a reason for why Geto doesn't say it back to Gojo?

We will never know. Nanami chose his words to Yuji as well. So saying something like, 'I deserve to be cussed out at the end' is vague and as much as an apology.

I've said in a previous post too, that I personally feel his heartfelt smile was like a thanks and a nod to how he could smile sincerely - recognising the same bond they shared over their blue spring.

Like the hidden words kept between them, I hope his way of communicating was something also understood just between them.

That’s it from me on this topic - thanks for reading if you did.

Sorry if some of it is repetitive.

#jjk satosugu theories #jjk satosugu #satosugu #jujutsu kaisen #gojo satoru #geto suguru #stsg #jjk analysis #jjk meta #jjk anime #jjk spoilers #jjk 236 #jjk chapter 236 #jjk 0 #jjk0 #jjk satosugu analysis #jujutsu kaisen theory #jujutsu kaisen analysis #jujutsu kaisen manga #jujutsu kaisen Japanese #jujutsu kaisen headcanon #satosugu headcanon #jujutsu kaisen satosugu #sugusato #goge gego #goge #五夏

[aurora771]

Thoughts after the c3e96 Imodna conversation. Laudna is set on having an impact, making a difference, saving Imogen in particular. More so than perhaps her 30years undead she feels her purpose is to actually die in order for her loved ones to live. She feels she has to give all of herself because thats all she has, and it upsets me greatly. She has so much to live for.

Laudna doesn't realise that it's her capacity for love and kindness that has saved her all these years. Yes let's utilise Delilah but I also feel if she just realised she can survive and do both we'd all be a lot happier. I know this is an addiction parallel- but I don't think Laudna is too far gone yet to change things.

Imogen is so set on not telling Laudna what to do, she has always given Laudna her own agency because of Delilah. However there comes a time where Imogen need to shake some sense in Laudna and remind her who is in control of her future and it isn't Delilah. Imogen's missing the cottage line was her most gentle way of saying to Laudna: you're choosing this and you don't need to, this will be the consequence. At this stage of things I do think it's still a choice on Laudna's part.

Laudna probably thinks that she's blown it with Imogen, but Imogen isn't letting go. She's just reminding Laudna that she doesn't really want to die. Perhaps that's the wake up Laudna needed, but I hope Imogen pushes back on Laudna's self sacrifice notions more.

#critical role #critical role spoilers #critical role campaign 3 #laudna #imogen temult #imodna #imogen #campaign 3 #c3e96

[hanafubukki]

Silver’s UM & MC Connection/Malleus’ Power and the Blessing by Meleanor

I’m still thinking about the “Have I see you before” line from Silver in the trailer. I talked about this line before and how it made me so curious about him when I first saw it (also the shipper in me screamed)

With the context of book 7, I’m looking at this line with brand new eyes. Especially after the whole MC being cursed/blessed theory

We know that Silver has the ability to travel into anyone’s dreams, even Mickey’s dreams. Which means that he has the ability to travel across worlds/dimensions.

Are you thinking what I’m thinking?

MC comes from a different world, so what if this is what Silver meant? What if he had unknowingly traveled across worlds/dimensions and met MC in their dreams? And he just?? Forgot?? But it happened enough times that he has a vague sense of familiarity with them?

There have been parallels with MC and Silver multiple times but very subtly, such as the camera, ability to use the sword, etc. (more can be seen in the link)

(It also make you wonder if Silver has unknowingly seen the dreams MC has of the great seven)

And with the way MC is spending time with the dream squad, more connections between two is had. Especially when you consider they both have a ‘hero’ role right now. MC and the blots/Silver and saving Malleus and Lilia.

Ray(@moonlightequin1) and Kallisto (@prince-kallisto) talked about death and rebirth, and in this case, it applies as well.

Dreams can be seen as a type of death, and waking up from it a type of rebirth. So in a sense, this cycle of constant, deaths and rebirth keeps happening. Who has been constantly waking and sleeping? In this cycle? Of course it is MC (with their visions) and Silver (with his dreams), and again the connection is there given how Lilia mentions they have such similar states as well.

@chernabogs mentioned how media love to depict souls seperated from the body, so maybe MC body is somewhere else but their soul is in twisted wonderland, but what am I trying to say? Maybe Silver was able to see MC through a mirror or a dream before they isekaied. Or if we go back to timeloop theory, maybe Silver saw them use the sword then through MC visions.

So you’re probably wondering where does Malleus come into the equation? Because we already see the connection with Silver and MC.

As you can see, Meleanor is weaker than Malleus, who is much younger than her. So I can’t help but wonder if that was done on purpose?

I’m already suspicious about Maleficia and her lack of action in the past, but also right now when it comes to stopping her grandson.

What if, she and Crowley (maybe one of them have divination powers as mentioned in the linked posts) had this all planned. I also found it weird how Lilia was suddenly made to leave the school and hence being one of the reasons for Malleus to OB. When this dragon fae hasn’t OB his entire life given how he grew in isolation and people feared him and how that obviously made him feel lonely and ripe for an OB.

What if this was all planned so Malleus would be stronger? And they need him for that very reason, to be strong so they can use him? Or maybe they need that stone from him specifically, maybe something about a stone from him would be special. Maybe as strong as the stone Meleanor had?

Maleficia won’t stop Malleus but that’s why the stage was set for others to stop him, namely because no one would be able to stop Maleficia is she OB but someone could stop Malleus.

Another thought was that, Malleus is the poster boy. What if they made him this strong for a reason? What if their aim was to make Meleanor’s blessing true??

Make Malleus into someone who would be a great benefit to the fae but someone whom the humans would fear (chernabog??)

Make Malleus into a true villain, feared by all, because then Meleanor’s wish became true didn’t it.

(With the help of Crowley and Maleficia, you can’t tell me some part of the queen doesn’t want revenge. Especially when they killed her daughter. We haven’t heard about grandfather either. And Malleus was locked in the castle, Lilia tried to teach him to like humans but Malleus still had a dislike initially before meeting Silver, so where did that come from if not from someone else Malleus knows? His grandmother?)

Hope that made sense, I feel like I was everywhere with this one lol

#hana queues #twst theory #twst theories #malleus draconia #lilia vanrouge #maleficia draconia #meleanor draconia #dire crowley #twst silver #twst mc #twst yuu #twst analysis #twst book 7 #diasomnia