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#they're good shots ok
parisoonic · 1 year
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everytime i play medic i rally the troops with this message
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postmodern-blues · 9 months
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BEATRICE: You have stayed me in a happy hour: I was about to protest I loved you. BENEDICK: And do it with all thy heart. BEATRICE: I love you with so much of my heart that none is left to protest. BENEDICK: Come, bid me do anything for thee.
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front-facing-pokemon · 10 months
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sainteda · 1 year
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“we have two versions of wesper now! enjoy them both :)” we did not need two and no i won’t
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experthiese · 3 months
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pretty <33333
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tamagotchikgs · 29 days
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been trying to figure out just how i am going to explain how wildly my brain has been altered since the last time i saw my therapist && it make me realize all of this has happened in 1 month,,,,,,,,,,, it feels like . eons. eternity . in the best way possible
#normally everything feels so short#my anxiety just speeds me through it before i can even take a second to enjoy or even experience anything. everything is a dusty blur#but ive been ok#i've actually had good times ive mayb even started 2 feel close to a person for the first time in my life#feel safe w them#anxiety cant get me when im in their shield bubble#listening 2 em talk n even just Exist like woag ur the best thing in this whole world#just bbzbzbzbzbbzz#of course there r also the Horrors that do come w it just due 2 my avpd but . it still feels so different#and i like to ignore those because they make me feel like a monster i am not jealous noo i am so normal i am very normal#i am beating my jealousy side with a stick and i Will win#i have never and Will never act on it#if i ignore it they cant b real#also i do know it's illogical whihc helps#honestly though im used 2 it because ill get jealous if like . a stranger is nice to me and then is nice to some1 else. like oh. oh it was#all a rouse u want me dead u hate me#and it's like. homie. pal. that is normal. they're not abandoning u theyre not trying to set u up for humiliation#theyre just living their life#it's kinda weird tho because i will get feelings like that simultaneously with knowing i am Nothing i am a Horrid beast no one deserves to#even have to see#and knwoing i am not allowed to care about people and there is no shot in hell they will be even nice to me#so it;s just . a lot of things swirling constant;ly#painful emotions all around there is no joy#(except for rn. with them. i can b free from my brain)
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darklight-owl · 2 months
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If you're one of my victims the people I've spammed Cuarteto de Nos to uh. Hi. Sorry :")
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el-im · 6 months
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will be buying a sheet of the manatee stamps for my sister.
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theskyexists · 2 years
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That Dune story is truly fascinating for its gender roles i.e. how there are always powerful women (inherently so, as space fantasy does) who are never in power for no reason (that is to say, their relative powerlessness is a matter of course, both institutional and completely natural - there is no justification because in the author’s mind, none is necessary) and for its insistence upon genocide of billions and tyranny as ‘necessary’ but then never delivering a convincing argument for that necessity.
It’s a story about defeating an empire - and then usurping it and being an even worse emperor by about a million. Which is hilarious. But also I suppose, unintentionally an accurate portrayal of aristocrats.
#he beat the emperor! and then made his army of soldiers kill and colonise countless planets billions died#yeah....#(why the fuck did Jessica not put a stop to that lol)#he became emperor! (and oh nooo became a worm - how sad for him)#and then became a tyrant for 3000 years#but it's ok bc he can see the future and everything#lol#it's a study in how fantasy (space fantasy) is just all about repeating the myths of kings#kings good! they know best in the end! they're like gods! they're superior beings! no matter how many people they kill!#anyway#dune#my stuff#personal#also idk why they had so many shots of zendaya in the movie bc in the books her character turns out to be completely irrelevant#and then paul doesn't even value her enough to return her to life!!! even though he fucks off into the desert anyway#when we say women were seen as objects#it can be seen so subtly in things#it WAS subtle#it IS subtle#there is an optimum of humanity in our heads and it does not look like Chani or Leto the second's sister#they are THERE they are SIGNIFICANT but they are not IMPORTANT#enough. they are killed in childbirth because always of course they are#no woman is suitable for the throne....#even in the far 3000 year future there is no escaping gender or its roles - which are not roles to the author - they are inescapable because#there is simply an indelible quality of inherent difference - and you can see throughout the stories how important to the mythology this is!#the bene gesserit - the man who by virtue of being male can bring their powers to full expression - the genetic breeding#it IS a space fantasy of course#gender is inherent to its cosmology#like wot
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cursezoroark · 3 months
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the oc x canon ive allowed myself in the rebornverse is rejuv mc and ren. they're so cute :']]]]]]]]]] to me,,,,, mona just BARELY gets a crush by like karma files though and ren feels Nothing though sooooo lmaoooooo they're doomed as soon as i created them. well ok not Nothing he cares for Mona a lot, just not as like,,,,,, the extent of affection??? if that makes sense. the whole gang's a bit held up with the xenpurge and he's one of the Centers of it i don't think he has the time or thought rlly. for my fav rejuv character and my special lil guy. dorky teenagers in world apocalypse. who are so so doomed.
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verstarppen · 2 months
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now riddle me this .
since all the drivers talk about how hard the singapore gp is because its so hot and humid HOW ABOUT
singaporean fem driver reader whos used to the climate and her shenanigans with the f1 grid
idk i thought this would be a good idea 😢😢
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summary; the singapore heat can't kill you, but the sight of him sweaty and disheveled just might
pairing; oscar piastri x fem! ferrari driver! reader [ no faceclaim ]
a/n; this is my thank you letter to @localwhoore for helping me with the oscar series, i owe you big time; also if anyone has any idea what to do when i hit 3k send me an ask
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liked by scuderiayn, charles_leclerc, f1 and 3,204,985 others
scuderiaferrari The heat never bothered her anyway
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36rg P1 BABY IT'S OUR YEAR
gonestappen not for longggggg
gothfrogasly oh they're so hot for that (get it?)
buttonette_20 It's Oscar and Lando congratulating her mid interview for me
meepshoemaker WHERE buttonette_20 Post quali interviews!! They were walking by, Lando stopped to congratulate her and Oscar had the audacity to wink but it looked so awkward 😭 meepshoemaker bless his soul that boy has 0 rizz
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liked by charles_leclerc, scuderiayn, landonorris and 2,111,901 others
mclaren We, at McLaren, do not take a side in the conflict, and if we had to, it would be Oscar's. That said, here are some of the ways he looks at Y/N. Happy Race Day! 🧡
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sebwebb admin you're so brave for this
maxielhearter take a shot if mclaren admin knowing about oscassgate was on your bingo card
g3org3zilla NAHHHHHH THEY DIDN'T
mclaren Oh, yes, we did 😊 oscarpiastri 🤨
scuderiayn girl
mclaren Just doing my job 😊 scuderiayn how much did mick and max f. pay you to post this mclaren I plead the 5th maxfewtrell DUDE
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liked by charles_leclerc, oscarpiastri, landonorris and 7,800,552 others
scuderiayn i won or whatever LANDO P2 BABYYYY
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forzapluto FERARRI WIN??? WHAT YEAR IS IT????
bottaswiththefur breaking the verstappen domination and being more excited about your buddy getting a podium is insane but not as insane as oscassgate
scuderiayn I JUST GOT A WIN AND WE'RE STILL TALKING ABOUT OSCAR'S ASS?? oscarpiastri You're no longer interested, then? scuderiayn oh charles_leclerc At last mickschumacher I teared up, they grow up so fast landonorris and if i said i caught him looking at your ass too what then scuderiayn you didn't landonorris no i didn't but like imagine if i did what then
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liked by maxfewtrell, scuderiayn, fernandoalo_oficial and 3,121,347 others
oscarpiastri Thank you @ charles_leclerc for revealing your DMs. Without you, it would have taken longer for this to happen.
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scuderiayn *being dumb enough to reveal his DMs
charles_leclerc First of all I just scored you a date. scuderiaferrari You should be scoring points instead scuderiayn ha scuderiaferrari You included scuderiayn oh im sorry, you're talking to THE max destroyer charles_leclerc Bow to her highness landonorris someone's about to be known as THE y/n destroyer scuderiayn ok mr nowins scuderiayn wait scuderiayn LANDO
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pic credits: instagram and pinterest
fic-specific taglist; @onecojg @spilled-coffee-cup @cixrosie @sheridamn @namgification @thehufflepuffavenger1 @sxrcxsm26
blog taglist; @wtfisakilometer2 @aexitizen-ln4 @localwhoore @onecojg @sheridamn @cixrosie @gulabjamooon @melozyxo @spilled-coffee-cup @biitch-with-wifi @coffeehurricanes @iifloweringnightsii @jsjcue @lanando4 @fastcarsandshit @christianpulisic10 @allygatcr @marshmummy @lavenderhazeeworld @ravisinghs-wife @namgification @sheridamn @whatislifebutlemons @demvnsriot @stinkyjax @sxrcxsm26 @beskardroids @tbsloneely
(it's my birthday on sunday im about to get the best dutch anthem of the year)
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wileycap · 3 months
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
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caseys-breanna · 11 days
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Ok I just finished rewatching The Rundown Job and so far I have -
The most ridiculously peacocking display of competence porn. What do you mean "'sup Eliot." What do you mean "who needs luck". Where is your damn shame? Where is hundred more episodes of just like this? 10/10 worth every watch.
'I've got a hacker *enter bf*, and a thief *enter gf*'
Only Parker noticing 'too many cops'. It's such a cool detail throughout the show how observant she is just offhandedly, unlike Eliot who observes actively.
Parker pretending to promptly fall asleep as soon as they're in the truck, only to have the handcuffs off in seconds.
"What do they say about me? I hope they gave me a cool nickname." I'll bet all the kudos on my most popular fic that he hacks into his own pentagon file regularly to make up his own nickname.
"Hell your girlfriend's already out of the cuffs" *Parker smiling and sliding them off* AND IT'S DIRECTED NOT TO HARDISON, HER EXPLICITLY STATED BOYFRIEND, BUT AT ELIOT, THEIR BOYFRIEND.
Putting Hardison in those glasses. Those damn glasses. I need a glass of water jfc it's hot in here
'For better or worse, we change together'. Aaaaaand that's on wedding vows.
"I'll drive." "Hold on." "Exactly." "No, I mean hold on. (Our gf is a former gateway car driver)". "Oh. Oh you mean. Yeah."
The hand on the wrist and eye contact and saying 'I'm not afraid. I got the best thief and the smartest guy I know chasing this guy'
HAND ON THE BACK OF THE NECK AND PULLING CLOSER 'HEY LISTEN TO ME YOU'RE THE SMARTEST GUY I'VE EVER KNOWN HARDISON I NEED THAT BRAIN TO GET ME TO HIM. GET ME TO HIM'. Screaming crying frothing at the mouth et cetera et cetera
Figuring out the job TOGETHER
This is Hardison. Hardison likes his personal space. These are Parker and Eliot. Parker and Eliot also like Hardison's personal space.
The eyes on each other's lips during unlocking doors and saying thank you
'Kiss for luck?' the sequel: love boogaloo
HACKING THE MF CAR HORN WITH AN SOS THROUGH A MOBILE PHONE
"BOOM MY BOY THAT'S WHAT I'M TALKING ABOUT!!!" first of all that's his boy so jot that down
Also side note this episode shows the fascinating way Hardison uses his brain and I wish we saw more of it because it's fascinating how he derives what he does from the few bits of data he gathers
"He's on the train!" "Yeah well so am I." "When you pick him out of the crowd-" "No. I'm ON the train! 🙄 Never mind..."
Two good ole boys behind the wheel 🎶 chasing the target and their gf in a million dollar car 🎵 two good ole boys-
*Hanging by her fingertips from a running train roof almost mashed into pulp by signage" WOOOOOO HOOOOO
The way Parker picks him out, not by using thief sense, but mastermind sense that he's immune -> got vaccinated -> pain in the arm. Brilliant way to pick someone out from a crowd while not raising panic
Keeping him talking till she takes the briefcase that he HANDCUFFED to himself right under his nose. How? Well, she's Parker.
"I kept one diamond. Sorry." I love her
Finally "kiss for luck" the trilogy comes to an end
*casually endangers self* "Fire is the only thing that kills it right?"
"Don't do that to me, I can't lose you. Do you understand? I can't lose you. Don't scare me like that. I can't-"
Eliot Spencer: *Barks 'Alright!' at the guy touching him to literally patch up his bullet wound.* Also Eliot Spencer: *ditches crutches so he can lean on his girlfriend and boyfriend*
"I work with them now." Would you like to stay for dinner? "Honor among thieves? Something like that." WOULD YOU LIKE TO STAY FOREVER??!!!
"I don't do hospital." "I told you, he takes getting shot very lightly." Uh huh, you know what I smell? LOVE. In the air! Might be some blood from those bullet wounds too ig.
What a show.
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vidavalor · 8 months
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Nina offering Aziraphale eccles cakes to calm him down instead of the WAY more obvious option of *a cup of tea* is hilarious given the history of eccles cakes...
Nina: What'll you have?
Crowley: Six shots of symbolic liberty in a big cup.
Nina: Ok. And you, Mr. Fell?
Aziraphale: What do you have that calms people down?
Nina: I sell like, I don't know, seventeen different varieties of tea here in my shop that is based in London, including several decaf and herbal varieties, and it's not just implied but is canon later on in the scene where Maggie orders some but instead of saying the most obvious thing possible to you here, which would be that I'd be happy to fetch who I believe to be an older, English gentleman a nice cup of decaf tea, I say...
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Nina, cont.: And why do I say this? Well, we're in a show obsessed with food symbolism so naturally my Soho-set shop-- named after the famous rallying cry of an anti-monarchist American revolutionary as he fought to break away from the English empire whilst still being, at that moment, stuck under its thumb-- recommends, for calming purposes, the delicious little round mini-turnover bits of pastry butter and topped with sugar and filled with currants or lemon things... eccles cakes... which were banned in England in 1650 when Oliver Cromwell took over and got all puritanical and claimed they were pagan. You're stressed, Aziraphale, so instead of offering you THE MOST LOGICAL POSSIBLE THING IN THIS SHOP to calm you down-- that is, a cup of tea lol-- I will, instead, offer you the sweet treats that the crazy Nazis of history think are so good they're sweets of the devil.
Aziraphale:
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Bonus hilarity related to this:
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The Angel got himself locked up for eating Satan's baked goods in 1650 and made Crowley come rescue him, didn't he?
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cybertronic69 · 8 months
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- a little touch?
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warnings: loser!ellie , bff!ellie , top!ellie , bottom!reader , fingering (r!receiving) , choking (r!receiving) , degradation (r!receiving)
"and THAT'S what i told her." you finish your hot piece of gossip. "wow... the world is spinning." you mumble as you rest on your head on ellie's shoulder. she blushes a little and gently strokes your hair with her fingers.
"it's, okay..." she smiles softly. "i got you. take it easy." she takes a sip of her whiskey and tries to not make a face at it. she doesn't like whiskey. in fact, she hates whiskey. but when you invited her to a nice little pub in jackson, she thought that maybe that was her chance to make herself look cool to you. so here she is. drinking rat poison. "i think you've had enough for the night, no?"
"no..." you shake your head. "i can take it..." your voice is slightly breathy and oh. you really shouldn't say these things around her. not that she is going to do anything about it, cause she's a pussy, but it gives her a hard time. like, come on, have some empathy.
ellie tries to ignore the rumble in her heart when you look up at her with big curious eyes. "is it good?" you mumble when your hands slowly wrap around her cup.
she shrugs trying to act nonchalant. "i like it." she doesn't. her eyes are glued on your lips when you take a sip of her drink. indirect kiss. she wants to slap herself in the face. stop being weird. act cool.
"argh..." you stick your tongue out with a frown and she chuckles. "this shit is ass." you add.
ellie grabs her cup again and takes one more sip. indirect kiss. indirect kiss. indirect kiss. she sighs and shifts on her seat. she's pathetic.
you take a look around and notice that the cozy pub is almost empty now. the little screws in your brain start to work hard. you need to have her before someone else snatches her from you. ellie, being the dumb fuck she is, never notices when girls try to flirt with her. and that includes you too. like, ok... you might not be the most direct person ever but jesus christ the girl is oblivious.
so you shoot your shot. again. "looking pretty cute tonight, els..." you whisper with a little grin.
she looks at you like a deer in headlights. "o-oh... do you think so?" she swallows hard and chuckles awkwardly. "are you that drunk already?" neeever gonna get it.
"you look pretty even when i'm sober." you reply and ellie looks a tomato now. ok, maybe we need a different approach.
"hey... remember when you told me about the holes in the space... with the... snakes...?" you whisper. she always did stuff like that. you actually like it when she elliexplains things to you. it's cute. she's cute.
ellie's heart flutters in her chest just from hearing your voice. "snakes?" she frowns. "oh!" her expressions changes to a amused one and she chuckles. "you're thinking of wormholes... the holes in like... the space-time itself."
"really?" now you're the one frowning. you could swear it was the fucking snakes. maybe if you spent more time actually listening to her than just staring stupidly at her pretty little face.... "well... worms... snakes... they both don't have legs... or arms... so..." you shrug.
"i think wormholes are much cooler than snakes, personally." she gently smiles, finding you funny.
"snakes are definitely cooler." you blurt out and she laughs. "like... at least they're solid. everything in the universe is like dust, gas and blah, blah, blah..."
"not everything is gas or dust..." her eyes are sparkling when she looks at you. "what about black holes?"
"are they solid?" you raise an eyebrow.
"no... but... you can definitely see and hear things that have been affected by one." she stares up at the ceiling, like she's lost in thought. "plus they're infinitely dense, so that's pretty solid right?"
"no, it's not." you hug her arm and rub your face on her shoulder, making ellie's breath hitch for a moment and messing up her train of thought. "you are solid."
"y-yeah..." her voice cracks. "i am."
"i don't think i could hug a black hole, but i can hug you." you grin like you just made the smartest point ever.
ellie nods and stays silent. she's nervous. you make her nervous. even tho you two have been friends for a looong time, she always makes a fool of herself when you're around. trembling hands, stuttered words, flushed cheeks.
"you smell so good..." you brush your nose against her neck and ellie is really about to pass out. she clears her throat and adjusts her glasses that are slipping off her nose.
"you drank a lot, don't you wanna go to the bathroom?" she says trying to change to a topic that doesn't involve your lips being so close to her skin.
"mmh... yeah, i think..." you slowly get up from your seat and your little brain screws get to work again. your direct you gaze at her and smile. "come with me. girl code." girl code my ass.
ellie, not thinking much of it, just nods and follows you. she really is a dumb fuck... but you hope that by the end of the night you will be the one who's dumb.
you two get to the bathroom and you stop in front of the mirror to check yourself out. ellie also stops to check you out. she's very subtle about it tho. at least that's what she thinks.
"you're not going?" you point at one of the cabins and ellie shakes her head. "ok, just wait for me then."
as you sit on the closed toilet lid, your brain is working at the speed of light trying to figure it out what to do. this is the perfect opportunity. "els?" you whisper in a quiet voice.
"yes? are you okay?" her voice sounds gentle and caring. god, you need to have her.
"i think i need your help, can you come inside?" you unlock the door of the cabin.
"um... yeah... sure..." her filthiest dreams usually started like this. she's scared. and horny. "what is it?" she mumbles, now standing inside the cabin.
you get up and frown looking down at your clothes. "there's something making me itchy... i think it's like a tag or something... can you take it off for me?" get this woman an oscar.
ellie feels her voice dying out in her throat, so she simply nods.
"thanks, els." you lock the door and hear her gulp. "just in case someone tries to walk in..." you add with a grin plastered on you face.
"makes sense..." ellie mumbles and her eyes double in size when you start to take your shirt off. she is having a hard time looking you in the eyes. i mean, she always does, but this time there's a reason right in front of her. two reasons, if you want to be specific.
"cute bra, right?" you whisper with an amused look on your eyes.
she sighs with a flushed expression. "yes..." when you touch her shoulders and gently make her sit down on the toilet, she has to hold in a gasp. "w-what?"
you smile again. "just so you can see better. you know... the tag that we're trying to find in my clothes." your turn around and slightly fold the fabric on the waistline of your pants. "do you see anything?"
yes, she does. she sees your fucking white lace panties and this is so not fair to her. she looks up at you with that cute expression that she makes when she's too embarrassed. slightly furrowed brows, puppy eyes and flushed cheeks. she looks miserable and it's turning you on a little too much.
"what?" you try to look serious but the way your lips are curling up in a smile gives you away.
"why are you doing this to me?" ellie mumbles and her voice is so broken, so needy...
"because..." you get closer to her, making her nose brush against your ribs. "you make me so horny..."
ellie looks like someone who was hit by a car. her heart is beating so fast that she thinks she's going on cardiac arrest. "you're drunk..." she babbles breathlessly.
"doesn't chance the fact my panties are soaked right now..." you sit on her lap and she whines.
ellie was going to die. her boxers felt too tight, her lungs didn't seem to be doing their job correctly and her blood pressure was on the ground. "this is... this is not...."
"don't you want me too, els?" you bury your face on her neck and your hot breath against her skin is making her hyperventilate.
ellie closes hers for a moment and takes a deep breath... she tries to keep her cool and whispers. "we can't do that, you know it. you're drunk." her veiny hands hesitantly touch your bare back. "just relax... try to ignore... t-this feeling..."
"but it's such a good feeling..." your hips slowly start to move on their own, trying to get some relief.
ellie starts to panic a bit now "shhhhhhhh... just... ignore it..." she whispers again. her hands reach your hips, holding you tightly now, not letting you move around.
you let out a soft whimper at this. her hands feel so good against your skin... you need more.
"just...." ellie sighs. she brings you closer again and looks into your eyes... she feels your hips moving faster. she grabs you harder and tries to hold you down. "calm d... down..." she mumbles. "be good... for now..."
"touch me more... please..." you mumble against her neck.
ellie is trying to hold her breath now. her cheeks are a deep red, her jaw clenched and a few drops of sweat are now visible on her forehead. she can feel your hips moving against hers. "stop... don't make me do it..."
"do it..." your voice is shaky and full of need.
"i shouldn't... i c-can't..." she tries to calm down but it's not working. in a moment of impulse she starts kissing the side of your neck.
"nngh... love you, els...." you babble already feeling drunk in her.
"i... i love you too... i love you so much... that's why i... can't..." ellie's sentence is cut off by her leaning forward and nibbling your neck. she grips your hips tightly, not letting you move around.
"give me a k-kiss... a real one... " you touch your forehead on hers.
ellie's eyes go wide and her breathing becomes even more shallow as she hears you say that. "we're drunk... you're... not thinking clear..." she whispers, trying to find excuses so you change your mind.
"need you..." you whisper back.
her grip is tight around you. "i... i don't think this is a good idea."
you gently brush your lips against her jaw, almost not touching it. ellie lets this continue for a moment and tries to keep her cool. she feels your lips and your hand cupping her face. she bites her lower lip and tries to stay still. her body reacts to you and she's trying her hardest to stay calm and not lose it now.
but when you peck her lips, ellie loses her cool. she grabs your shoulders and pulls you towards her body, slamming her lips on yours. her hands are touching you everywhere as you're having the sloppiest and most desperate kiss of your life.
"can i p-please.... touch your..." she cups your pussy and you moan. you roll your hips against her hand and she moans.
"there's no need to ask... do it..." you whisper and she nods.
"i'll do.... it." she turns you around on her lap, making your back press against her chest. "whatever... i want..." she mumbles in between hot kisses on your neck, her hand cupping your pussy again.
you moan softly as your back arch against her body. "yes... like this" your head falls back on her shoulder and she wraps one hand around your neck. you gasp. what the fuck. that's what she meant by 'whatever she wants?' filthy. not like you're the best person to judge considering the fact that you were basically smashing your boobs on her poor shocked face not too long ago.
ellie was in heaven. this barely started and it already was better than any fantasy, any wet dream she could possibly have. your hips squirmed on her lap everytime she toyed with your puffy clit through the fabric of your panties and you gasped when she squeezed your neck a little harder and... and... and...
her boxers were soaked. she couldn't believe this. she must be dreaming... that's it. it's too good to be true. but then you grind your ass down on her pussy. she feels it right on her clit and she groans.
"s-stop acting like a slut...." she bites down on your shoulder. "teasing me like that... all the time..." she slides two fingers inside your pussy and you mewl. "gonna give you... what you want... you fucking whore." she babbles against your neck.
see, ellie's mouth wouldn't be nowhere as dirty if she wasn't so pussy drunk. she was a loser, after all. but she had all this accumulated frustration inside her that she needed to let it out. and maybe you are a whore, so who cares? no hard feelings.
"gonna fuck... this pussy... nngh... so good...." she quickens the pace of her fingers, hitting the gummy spot inside your pussy and you sob.
"i-it's too g-good, ellie..." you babble, your hips trembling hard.
"y-yeah? you like it when... when..." she's full on dry humping you now, her hips hitting your ass cheeks making a delicious pressure on her clit. "ah fuck..."
when your walls squeeze hard around her fingers, she also has to close her eyes hard. because what the fuck? is she really about to cum? no... you need to cum first.
her thumb finds your clit and massages it as her fingers keep railing your poor pussy. her free hand grips on your squirming hips, to keep you in place.
"e-ellie.... nngh..." you can't even see anything at this point. your vision is blurry with tears and your lip is in between your teeth.
"shh... you're gonna cum for me, ok? please cum for me..." she whispers against your neck, sounding a little too desperate herself.
you nod eagerly, almost drooling at this point, and your orgasm hits you hard. when you let out a loud strangled moan, ellie's hand shuts your mouth and she buries her face on your back, trying not to make any loud sounds herself.
when she takes her hand off your soaked panties, she has to hold a noise in. you made a fucking mess all over her fingers and she needs to taste it.
"can you... can you give me another one?" she kisses your shoulder. "please, give me another one... need to taste your pretty pussy... come on..."
you simply nod at this, your ability to speak long gone. ellie lifts you up and presses your back against the wall of the cabin. "gonna make it good, i promise..." she whispers as she kisses down your torso and gets on her knees.
you look down at her and the view almost kills you. a very messy ellie, with flushed cheeks, trembling lips, and her glasses still on her pretty face. yours hands caress her hair and she blinks hard.
"you're pretty..." you mumble.
ellie looks very embarrassed at the compliment almost as if she wasn't calling you names 5 minutes ago. "thank you..." she puts one of yours legs on her shoulder. "you're... the prettiest." she kisses your pussy and you shiver.
she takes her time now, being gentle and giving your thighs soft kisses and bites, teasing you until she finally gives your slit a long lick. you groan at this and tighten your grip on her hair. she also groans at this.
as things get more foggy and intense, your noises get louder. "shh... gotta be quiet." ellie mumbles, even tho she's also moaning. from eating you out. insane.
"els... if you k-keep going..." you shut your eyes hard as your legs tremble.
"...you're gonna cum? if i keep going...? her voice is shaky as she seems even more hungry now. she's eating your pussy like she's starved, your juices all over her face.
you roll your hips into her face, pulling her closer by her hair. you're pretty much using her at this point and she couldn't be happier. best day ever. or maybe not, cause soon after that you two hear loud slams on the bathroom door.
"ah, fuck, fuck, fuck..." ellie eyes are wide as she slowly gets up, her legs wobbly. she wipes her face with her shirt and licks her lips.
"the pub is CLOSING. this is not a motel." the loud voice from the other room announces and you can't help but giggle.
"dont laugh!" ellie says, exasperated. "they all will know what we've done when we leave... what if-"
you pull her into a gentle kiss and she melts. when you pull back her face is even more red than before, somehow. "h-hey... i was talking..." ellie mumbles, a slight pout on her lips.
"talk to me when we get to your room... i'm not done with you yet." you put your shirt on and leave the bathroom.
ellie stays there for a little, trying to catch her breath, hoping the redness on her cheeks would stop. it didn't.
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forpiratereasons · 7 months
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ok so here's the thing about izzy imo. narratively speaking, izzy's adoption into the crew in eps four and five is more about the crew than it is about izzy.
the crew is at each other's throats, suspicious, angry, ready to snap. conflicted. they only come together and work through their trauma by coming together and doing a craft project to help someone who clearly needs some help. it's not that izzy especially earned their acceptance or their adoption or their forgiveness. it's that the crew chose all these things regardless. that's healing for the crew. they saw someone hurting, who needed help, and they helped him. offered community. offered stability. they could still do that together.
even stede does this imo. the whole "training montage" thing, when you really look at is, is like, pretty limited? izzy tries to teach stede two things and stede is not at all shown to improve at either. i would eat my shoe if ed actually said izzy taught him everything he knows. frankly i'd eat my shoe if ed had actually said anything to or about izzy since izzy shot him. but izzy is only happy (...in his own way) when he feels needed, or useful. stede knows that he and izzy aren't in a place to have a conversation that would end in a helpful place. instead stede lets izzy feel needed and useful, puts him in a position where he can prove to himself that he's still worth something.
why?? why bother?
because they recognize that izzy's suffering. because they recognize izzy devolving into his own kraken era. because they've learned something about people in crisis through ed's experiences, and they're trying to do something to help. because they're the kind of people who help. because they're embracing stede's culture of kindness. because it heals something in them to do it.
sometimes, and i don't mean all the time, god knows, but sometimes. life will give you people who need to be forgiven even though they haven't earned it, maybe even when they aren't sorry, because you need to do that for your own self. sometimes you need to do it to heal, or for closure, or to cut off the last thing tying you to an ordeal. sometimes you need to do it to prove there's still something inside you that's capable of it. that you are still capable of goodness or kindness or even just fucking. moving on. this isn't true for every case, not for every person or every truth, but sometimes. and izzy is that sometime.
notably, this does not extend, thus far, to ed. ed and izzy have not spoken since izzy shot him. i guess i would be surprised if ed and izzy didn't eventually have A Conversation About Alla That, but at the start of ep 4, neither ed nor izzy were in a position to have that conversation. ed needs to do his healing with stede. izzy needs to learn how to exist as a separate and distinct entity from ed and from blackbeard. izzy could never have gotten there without being shown that he can be that by the crew; his arc is not, for lack of a better term, self-powered. they show him how it can be and he allows himself to be brought into change. then ed and izzy can heal what they need to heal. to stop hurting each other.
the narrative is just setting the two of them up to get there.
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