Seven of Nine + her journey in Starfleet (S02E09 vs S03E01 vs S03E10)
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Ortus' murder from the point of view of Harrow the Ninth is like. So turns out Crux isn't just Harrow's seneschal, he's her nurse. He was her touchstone for reality for years, the person she turned to to ask "did that really happen?" or "is that real?". And he lied to her.
She didn't believe him, about Ortus. He didn't succeed at pulling that one over on her, but he tried. Which kind of makes you question how many times he might have tried it before, and how many times he wasn't caught.
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Accidentally started rereading Northanger Abbey, and was sudden reminded all over again that Jane Austen is, in fact, fucking hilarious.
NA is her parody/satire of Gothic novels at the time, and she starts the book by choosing violence-- she describes the "tragedy" of the main character, Catherine Morland, a girl Determined to be a Heroine even though ALL ODDS are against her: she has a sane father who doesn't lock up his daughters, a healthy mother who didn't die in childbirth, no preternatural talent for music or drawing through which to reveal her Deepest Soul, and-- most shockingly of all-- absolutely zero love interests for whom she can wander the hills mourning their starcrossed fates until she wastes away from the sheer Sentimentality of it all.
But don't worry! She's got this FIGURED OUT. She KNOWS why she has not yet found her TRUE LOVE:
There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.
But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
(SPOILER: She is introduced to a mysterious young man who lives in an ABBEY, which everyone knows means he has a DEEPLY MYSTERIOUS SECRET PAST and is maybe a TRAGIC HERO or even a ROMANTIC MONSTER and either way this is IT this is Catherine's TIME TO SHINE she is going to get a good grade in DOOMED LOVE, a thing that is normal to want and--)
(...meanwhile Henry Tilney-- an ordinary guy who never expected "get cast as the Hero in some Grand Gothic Romance" to show up on his bingo card-- starts wondering when exactly he started finding Catherine's attempts to locate bloody daggers in his linen closet charming.)
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I gave myself a writing challenge and I am fascinated by it
So basically I put the robins in a randomizer to give them a new order/role (because I just...kinda wanted to see what would happen + I like role-reversal AUs) and got results that are giving me a fucking brain blast.
Stephanie, the first sidekick who defines the role
Tim, the sidekick who dies and comes back wrong
Dick, the sidekick who saves Batman from himself
Damian, the sidekick who was never supposed to be a sidekick but would go on to prove everyone wrong
Jason, the youngest sidekick who is still the Kid Wonder
...So this is fucking wild. I've got some ideas and several of these fit perfectly (Dick's role is pretty similar to his one in canon), but some of these are fucking INCREDIBLE to explore (Steph being the first Robin is something I never even considered but tbh I kinda love it).
I probably won't write a fic or anything because tbh I don't like publishing my writing that much, but I might expand this into a full AU and post about it. I might randomize other stuff too (ie, stuff that I cannot change vs stuff that I cannot keep the same) but this fucking rules as a starting point.
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There's still not enough talk in Avatar circles about how Mai was absolutely hauled off for interrogation after the Day of Black Sun, what with the whole "Zuko was spending all his time with you and he knew the Avatar was alive and attacked the Firelord" thing.
"Oh, by the way, your father also failed to secure the city he was appointed governor of, so this was not a banner couple of days for your family."
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i havent watched detco in a minute but it really does grind my gears how aoyama will introduce female characters that are really cool conceptually (JODIE!!!) but soon enough they'll be relegated to being some guy's sidekick. or ex girlfriend (that was so stupid and unnecessary imo sorry i hate shujodie or however it's called lmao)
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I was rewatching hbomb’s video for the millionth time yesterday and the line “I don’t know why anyone would make video essays like this unless they were strictly in it for the money” stood out to me because if you replace “make video essays” with “write poetry” that perfectly describes my thoughts about Rupi Kaur.
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thinking about how they could've ruined madalena's character so many ways in galavant but they didn't < 3
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time princess players how do y'all picture the MCs of every story
like since every set and piece of official art has a different hair colour, length, and style with every picture of them, and sometimes there's descriptions that don't match the images, which one do you go with
and do you make half of them look like your avatar or have your own designs
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Y'all do know you can't make Jason be NOT white without changing his whole character, right?
For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.
This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).
Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. Nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.
He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.
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i can never take nickel and balloon's conflict fully seriously even if they make up and apologize to each other etc because the whole time im just imagining that comic of baseball and suitcase going back to hotel oj after season 2 and seeing that nickel and balloon are #besties now meanwhile suitcase had a psychotic break over their bullshit 😭😭
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It's the time of year to get really upset that Jane Austen never finished The Watsons.
It would have put the Jane Fairfax/Fanny Price Changeling Child plotline front-and-center, with a heroine who'd been adopted into high society only to be sent back to live with a lower-class family she no longer knows.
But she'd have had an Anne Elliot sister whose good-natured practicality keeps the family together even while she deals with the heartbreak of being separated from the man she once loved.
And a harpy of a sister whose machinations make everyone's lives miserable.
And a brother who's a surgeon (!) who has his own hopeless unrequited love story happening in the background.
And when their father died, the girls would have had to live with a higher-class brother and his disagreeable wife who would have found them a burden.
Meanwhile, our heroine is being pursued by a socially-awkward, proud lord who doesn't know how to discuss anything but hunting.
But she's really in love with a humble, kind curate who is devoted to caring for his widowed sister and her children.
But the curate is being romantically pursued by the lord's predatory mother.
And mixed up in all this is a charming, lively young man who uses his skills to grovel for position with his betters.
In short, we could have had Jane Fairfax and Anne Elliot as devoted sisters forced to live with John and Fanny Dashwood while their sister Lucy Steele causes problems, a Charles Musgrove version of Mr. Darcy pursues Jane, Anne gets a chance to be reunited with her Wentworth, and Jane falls in love with a Henry Tilney version of Edward Ferrars who's being pursued by Lady Susan, while Wickham is doing his best to be Mr. Collins. Plus a romance plot for a brother! We could have had a book with the family complexities and darker issues of Sense and Sensibility and Mansfield Park and the light, bright and sparkling humor of Pride and Prejudice.
But we don't, because she never finished it, and I'm so upset.
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choked up in my room rn bc i was sat in the car with my mum completely lost in thought and she out of nowhere went 'are you okay?' and i was like 'yeah? why?' bc i was totally fine i was literally just thinking and she let it go and then five entire minutes later she goes 'are you sure? have i done something?' and she sounded so genuinely anxious and i could tell she'd been thinking about it the entire 5 minutes while id been completely oblivious and i spent so many years as a child letting everything bottle up until it all burst out in a messy and ugly breakdown that took her down with me and despite that she never hated me she only ever blamed herself for not seeing the signs and she's never been able to see my signs because i keep everything to myself and it terrifies her that she might miss something and she handles things poorly when she's scared and she gets too angry but fundamentally she's trying her absolute hardest to be a good mother and it wasn't always enough and i know i have to hold her at least partially accountable but also she's my mum and im her daughter and she always just wants to know if im okay and most of the time im not and somehow that feels like ive betrayed her
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I also think that maybe my idea of repression is a bit different than what sometimes gets presented as repressed because it's like. Repression refers to the process of holding back or ignoring things but what those things are varies wildly from person to person. For some people, if you got rid of the repression, there's a fun-loving, sensory stimulation seeking person underneath. But I think that a lot of times, what we repress has to do with what the people around us expect. sometimes what's under there is a really deep frustration, or a list of ways that the world is overwhelming and exhausting, or the realization that you've been seeking out experiences not because you want them but because they were a compromise between what you actually wanted and what you thought you could get. Anyway this post is basically the lead-up to saying that if harrow was less repressed, she probably wouldn't have metaphorically fucked ianthe in the first place. the fact that harrow isn't in touch with her feelings in htn is a big part of the reason the bone arm sex even happened
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