most islanders think Foolish is entirely pro Federation, either because he wants the power they give him or because he doesn’t truly understand what he’s doing or what’s at stake, and is just having fun. even to Cucurucho, he’s a bit of a fool - an overambitious one sure, but a fool nonetheless - who’s irritating and asks too many questions, not quite in a concerning way, but in the way a kid might bother you asking for more ice cream. a newbie on the job who wants the world and is trying to find his place in all of this - any digging for information surely isn’t malicious, because he’s obvious and ignorant about it!
it’s always so exciting when they talk about him, when they say such things to his face - it means it’s working. he tells Cellbit that he’s genuinely infiltrating and he’s not believed. Bad straight up says Foolish’s plans to a Federation worker, and if anything it does more to legitimize him further in the eyes of the Federation.
because he’s silly, and overeager, he can play dumb and his true intentions fly right over everyone’s heads. they only see him for whatever singular facet of his personality that he chooses to present, and it works so well because he can be all those things, he just overplays it to his benefit. Bad is one of the very few who can see his tricks for what they are, who doesn’t underestimate him - because hes right, Foolish does have this way of slipping past peoples defenses to get the info he wants without them even knowing they needed defenses in the first place.
idk this latest stream was just full of these little moments. acting silly when Etoiles asked him why he’s working for the Feds, and grinning when Etoiles says he’s basically a clapping monkey who doesn’t know what he’s doing, calling him naïve. asking Cucurucho a million questions and overwhelming him, acting suspicious and curious around the black concrete nonsense - allowing him to easily get away with presenting exaggerated, biased, and some even fabricated, evidence for his investigation, controlling the narrative entirely, because that part of the convo was made insignificant. (and through those questions, possibly even getting more bonuses for his office and fellow workers - he’s gotten the break room so far, and coffee machines, and another level for investigations, which has swayed workplace opinion towards him heavily.)
then with the AI, Cucuruchito, engaging in banter, then sharing a secret, which seems like a big deal - but everything he told the AI is just what he himself was told by Cucurucho, it was no secret to the Feds at all. then flirting with it for a long time before leaving - which is a tactic he outright explained to chat. to get what you want, information, loyalty, etc, you have to build a good repoire. if it takes flirting, and charm, if it takes a date or two, he’s more than willing to play the part to get what he wants. he’ll pretend to eat up their bullshit about him being special, and let them think he’s charmed instead of the opposite.
Foolish is good at what he does because he catches more flies with honey than with vinegar, and the flies never realize their caught - he’s patient enough to play the long con. and really, could someone as naïve, as foolish as him, be able to do such a thing?
he isn’t taken seriously. and it won’t be their final mistake, but it will certainly be the one that damns them.
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How The Owl House Dealt with Its Villain: The Retribution of Choosing Yourself
There are many layers to what Belos represents, but I believe his overall reason for being part of this journey is to be the antagonist. Seriously, that's what it is. His role is to be the big bad that the heroes struggle against... except, what does that mean exactly? Because if there's anything to take away from Belos' role in the finale, its that his place is far more deeply rooted than just wanting power and blowing up the Isles; he represents more than just a physical struggle against the protagonists, specifically Luz. What Belos truly is in the story is an internal struggle that Luz has to deal with. One that she must recognize and grow from. And if Belos' death is anything to go by, she most certainly did.
I think its interesting how Belos' death played out. Firstly, the way it physically happened; watching Raine, Eda and King kill him felt downplayed for me since they just kind of stomped him like they were stomping a weed and not a living person, but its Disney so I didn't expect them to get too graphic (bummer for us morbidly fascinated folks). It was all very tame since Belos' blood at that point was more of a muddy sludge, and the camera didn't really show Belos' final moments since his face is obscured entirely. However, the highlight comes with Luz's involvement. Belos is dying to the acid rain and Luz just... watches. Belos reaches out to her, begs her for help, and she steps back and doesn't say a word. She stares with no remorse as the others crush him to death. The scene, despite censoring, was quite dark, and what shocked me the most was not only that a kid's show on Disney actually went through with saying "yeah let's kill the villain straight up" with no redemption/imprisonment/'something else entirely kills them that's not the protagonist' plot twist, but that the one to let him die was Luz. That Luz watched him die while the other protags actually get to kill him directly. So lets talk about why Dana and the crew decided to pull that move, and what it implies for not only the messaging of The Owl House, but for Luz as a character.
Watching and Dreaming held a very central theme of addressing the moral dilemmas around seeking retribution. Often when someone seeks revenge, especially for themselves, they will face backlash. The idea of getting justice for yourself is still greatly debated in fear that it will lead to people taking it too far, or "becoming just as bad" as the one who hurt them. The Owl House took a very bold stance in favor of retribution; specifically, the murder of a tyrant. Yup, a kid's show is openly supporting the idea of murdering dictators. You'd think that this stance wouldn't be so hotly contested, but you'd be surprised with how far 'pacifism by any means' has taken root to support the idea that anyone can be redeemed, thus we should never kill even the worst of people.
That idea is exactly what Belos tries using against Luz. He claims that letting him die, which can be an indirect form of killing, would make Luz a murderer just as bad as him, as any other monster who takes lives. Luz even questions herself when she's in the presence of King's father, asking if she's truly in the right for fighting Belos and secretly hoping the Collector would kill him during the battle. That's when we have this key piece of dialogue from the Titan; the only dialogue to outright give a response to the questions around retribution. The Titan tells Luz, "hey, I can relate. I was willing to do anything to keep my kid safe, but I attacked the wrong person; dragged the Collector down here for nothing…". He's aware that Luz is afraid of making a mistake, of making the wrong move, and he assures her that he understands her urge to want someone dead to protect her loved ones, while also revealing his own mistakes in life so she knows that a good person is capable of having such thoughts and fumbling through such choices. After all, if an all power god like the Titan can make mistakes and still come out good, surely someone like Luz can. He states Belos' motivations, and how wicked they are in comparison to what Luz is doing. He even laughs when Luz asks if she's as bad as Belos, because the idea is so absurd to him.
"You assume Belos' goal comes from a genuine place."
Belos' doesn't, but Luz's does. And that's the difference. Actions are caused by motivations, and whereas some rash decisions made with well intentions can result in negative outcomes, your well intent makes you capable of growing from it and becoming better. Luz worried about being a hero, but what she needed to focus on was allowing herself to be a person. Belos wasn't deserving of her forgiveness, nor that of the Boiling Isles. A hero would have saved him, sure, because maybe there was a chance he could have been redeemed, but that was not Luz's responsibility to ensure. And she is not a villain for that, she's just a person.
Once we see the true meaning behind Luz's and the Titan's conversation, her actions in the final part of the fight no longer feel so sudden, but are now made crystal clear. As Belos lays dying, he desperately tries to appeal to Luz; "we're human; we're better than this!" And Luz says nothing. She doesn't cower away, but she doesn't help him; she simply watches in silence, not giving him anything more than she already has. This action sent a very powerful message, that letting him die did not make her the same as him; she can be better in the way she chooses, not in the way she's been taught by her environment to be. Eda's response of "well we ain't!" also feels very pointed. Eda is acknowledging that a better person would help Belos, that being compassionate in that way isn't a bad thing, but its also not bad to not accept that path and help the one who hurt you. What this scene conveys is that if someone becomes deplorable in their actions, you're not a bad person for doing what they've pushed you to do (the Boiling Isles folks killing Belos as a result of him terrorizing them). By seeking that sort of justice towards those who could be considered genuinely evil, you're not as good as you could be, but you're not evil like they are; you just are. The Owl House pushed very hard for this idea of moral greyness and I'm very impressed that yet again a kid's show is going to such lengths when it could've just jailed the villain and called it a day.
As for Luz's personal development, her helping Belos like she's tried doing for so many people is the turning point in her no longer grappling with her identity, but accepting that she has changed. She accepts that Belos is a life she is not willing to save, and I feel like that works very well for her character as showing a consequence of the mental health struggles she suffered from caused by Belos, particularly her feelings on having accidentally helped him get to where he was. Luz sort of casts aside this attitude of pure optimism that she had in the beginning as she comes to understand that's just not how the world work sometimes, and she's been through too much to try and uphold it. Its very depressing to watch from our little ball of energy and sunshine, but it shows a grounded realism from Luz that signifies the turning point in her learning to accept what has happened and who she has become.
Resorting to similar methods as bad people doesn't automatically make you as bad as them, especially when considering why you're using those methods versus why they are. This is the point that Dana is making; Luz wasn't willing to save Belos, and she had every justifiable reason for doing so. Eda, Raine and King killed him without hesitation, with their actions being painted as far more justified than Belos' because the motive does matter. Luz and the people of the Isles fought for themselves, their families and homes to take down the systematic oppressor who ruined their lives for so long. Belos hurt and killed innocent people because of his own prejudice and need to feel like some kind of god. The two are not the same, and the show makes it very clear that while pacifism and redemption are good things to want and fight for, you are not a villain for choosing otherwise. By choosing yourself, by drawing a hard line between when to be forgiving and when to seek retribution, by knowing what you're fighting for and why, you can never truly be evil. A hero, maybe not. But not everyone has to be.
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