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#we love an unhinged unreliable narrator
mmelolabelle · 5 months
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who has an accurate perception of what’s going on in the hg universe at any given time? not coriolanus snow or katniss everdeen i’ll tell you that much
the living embodiments of “don’t jump to conclusions!”/“too late! I’m jumping! i’ve jumped!”
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caedi · 2 years
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I might be completely off base here but I think Kinn and Porsche's misunderstanding about Tawan continued this entire episode.
Shoot me, just like you shot your ex
For Porsche that means shoot me dead. For Kinn that phrase may mean something different, depending on what actually happened between him and Tawan.
When we finally hear Kinn's side of the story the wording is very specific. Kinn says he shot Tawan after he sold information to the Italians. He doesn't mention any injury. He doesn't say that he killed Tawan.
Porsche still hasn't accused Kinn - to his face - of killing his ex. And I honestly don't think Kinn knows that Porsche thinks that. He's a besotted idiot. All he knows is that his new boyfriend is cute when he's scared and superstitious.
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revenantghost · 10 months
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I love how unreliable the narrative is in Tristamp
We’re told something one episode--only to have it contradicted or expanded upon in new, thoughtful ways constantly. There are a lot of examples, but the two that instantly pop into mind are:
1. In the first flashbacks, to right after the ships landed. We see Nai and Vash shouting at each other, and first all we see is Nai laughing maniacally as he accuses Vash of being an accomplice--but Nai’s obviously a little unhinged, we don’t trust him. Then after a few episodes, Nai adds in a line that Vash helped him with the access codes. In that same exact scene! That changes things!!! It adds validity to Vash being his accomplice, despite what we’ve learned about Vash as a person.
2. Also in flashbacks, when Vash runs from Home to confront Knives, he comes across him standing there in the bowels of July, sinister, powerful. In control. Malicious as ever. But then that episode ends, and at the very beginning of the next episode, we watch Nai distressed. We watch him crumple to the ground, stricken, useless, and powerless to save his sisters. And, from his perspective, that’s when Vash walks in the room. It reframes the entire moment.
TL;DR: Orange is an unreliable narrator, they know they’re an unreliable narrator, and in a show so tragically about humanity, they’ve made it true to us in one of the most upsetting ways possible: there’s not only one story or right way to perceive a situation. Each of us brings our own baggage and truths, which makes truth a moot point in the end.
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highlandwhackamole · 1 month
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A Grand(ish) Theory of What the Heck
I love the utterly unhinged, super detailed theories about what's going on in Good Omens, especially in season 2. I hope one or more of them turn out to be true, as some kind of glorious puzzle-box-hidden-code monstrosity. And also I think that there has to be a simpler explanation for things, for the people who are at least Somewhat Normal (tm) about this show. (... I assume such people do exist somewhere...) This is what I have been pondering recently.
The thing that started me thinking about this was this post, containing some promotional materials for season 2 that feature main characters with scenes in their heads. Like this:
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Seeing this created a very similar situation in my own head, but with a nice shiny lightbulb.
All the weirdness: the car, the sideburns, the clock, the behavior of the folks of Soho, the vanishing storefront signs. The absence of God. I think this is all because everything we see is in their heads.
I don't mean it's made up. At least not entirely. Memory is already a plot point. Why not explore it on a deeper level? I've read theories emphasizing the minisodes' stories being retold by Aziraphale and Crowley. I think the whole season is like that.
You know that sort of conventional-wisdom-fact-concept that you can only dream faces of people you've seen before (or variations therein), because your brain can't make new faces up? So it just fills in what it thinks is close enough? I think that idea, applied to remembering or recollecting things, could explain so many things that are wonky in this show.
Wonky Things
Crowley parking in an impossible London location? He definitely remembers it was in London, so his brain just stuck some obvious London landmarks in there.
Awkward clattering happening when Crowley throws the stacks of books he's inexplicably carrying around the bookshop? He wouldn't actually throw Aziraphale's books! But he'd like to think he's cool and nonchalant enough to do that, and if he did it would definitely make Some Kind of Noise.
Jim walking toward the bookshop from somewhere mysterious? Maggie and Nina saw him first, and he came from that direction, so he must've walked all that way. They don't know about the elevator in the Donkey.
Aziraphale remembers tartan hills and the Loch Ness monster because he was having a jolly time driving through Scotland, so obviously the scenery must've been whimsical Scottish things.
Nina put the Honolulu roast sign up, so she remembers its presence, but perhaps the occult/ethereal visitors to her shop do not.
Maggie really did text Aziraphale about the rent, but a note through the mail slot is a much more dignified way for a scholarly angel to imagine he received a message.
On the Fallibility of Recall
This season is loaded with unrealistic inclusions. The colors are turned up to 11. Some of the scenes are more caricature than believable interaction. Remembering things never copies or reproduces them with what one might call high fidelity.
Scenes recalled by separate memories will inherently vary. One person's hefty jigger might be another person's dash. Who knows for sure where the sun was that day? You and I might recall an event having different lighting or a different color palette, sort of like viewing something with different lens filters.
According to Neil, Crowley is an unreliable narrator of the story of his Fall. He labels the variations in clock times as a continuity error in a show where Everything Is Meant, but he doesn't say whose continuity error it is. He insists that the Bentley is the same through the whole season; maybe it was the same, but remembered differently. Maybe this is part of why there's more CGI but it's harder to spot.
So What?
Is this all there is to it? I sure hope not. I like my Good Omens with enough layers to put to shame an onion wrapped in a cake and covered in a parfait.
Is this possibly the fancy footwork that's distracting from the real magic trick? I wouldn't put it past Our Gaiman. There are a lot of things one could hide in the narrative of unreliable memory.
Is this going to stop me from rewatching and repondering and remaking theories for the next couple years? Not even at gunpoint.
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actual-changeling · 3 months
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Welcome back to Alex's unhinged meta corner! I am fuelled up with coffee and my adhd medication, so this is about to be a RIDE.
Apologies in advance, since this post will probably get quite long and also scientific at some point, but I will try to keep it as plain and easy to understand as possible. Combine two of my special interests (Good Omens and chemistry) and you get absolutely insane infodumps; it's a blessing and a curse.
As always, this is simply a theory, and maybe I'm wrong, maybe we'll never find out. But it's an option, and I have canonical proof.
There have been endless theories about why the Gabriel-Hiding-Miracle (which I will shorten to GHM) set off alarm bells in heaven and reached a strength of 25 Lazarii. Are their half-miracles really combined that strong? Does it depend on their relationship or love?
Well, today I am here to tell you that, actually, there is no such thing as "half a miracle".
We are going to have a closer look at miracles themselves, but the first important thing to keep in mind is that most of the time, Crowley and Aziraphale are incredibly unreliable narrators and have barely any inside into how heaven and hell work. Remember, they have been on earth since 4004 BC, they are certainly not used to any of the internal routines and functions.
They can tell us all kinds of things, but that does not make them true.
Now, miracles!
Both angels and demons are capable of performing them, though they only seem to be counted as actual miracles when they happen on earth, seeing as they measured in Lazarii.
One Lazarus equals the miracle power it takes to bring one human being back to life—the consequence is that miracles must be bound to the earthly plane, since that is where their unit originated from. When they are performed in heaven or hell, they are still miracles in a broad sense—celestial beings using their powers—but not in a way that ascribes to the measuring system.
Neil once answered an ask about Lazarus as a unit, and he stated that miracles tend to be measured in Centi- or Millilazarii (mostly the latter), meaning that the GHM was about 1000x as strong as your usual, daily miracle. The labeling also tells us that the scale for Lazarii is the same as the metric one.
If we treat Lazarus as a base unit, we need to find a way of defining it that is unique to this specific unit.
Globally, we have a collection of agreed-upon base units, the SI units (coming from the French Système international d'unités, aka International system of Units). Those seven are second, metre, kilogram, ampere, candela, kelvin, and mole, and every single one has a very specific definition—they are too bloody complex. None of them can be expressed with one of the other SI units, which gives you great definitions such as these:
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A little excursion for those that are interested: For a very long time, the kilogram was defined by. well. A cube. The "true kilogram", which is still in a vault somewhere in Paris. However, you can probably imagine why basing a unit on a physical objects isn't a great idea long-term, so back in 2018, the kilogram was redefined, along with three other units.
Now, all SI units are defined by natural constants, not physical objects, making them accurate and (more or less) absolute.
Back to miracles!
The reason I am telling you all this is that we need to find such a basic definition for miracles, too, or at least an approximation.
My proposal is that a miracle itself is the force exerted on matter by a a celestial being. That force is then measured in Lazarii, with one Lazarus being equal to the force required to bring one person back to life. This is where it gets a bit tricky because how do you visualize that kind of force?
Matter cannot be destroyed only created, so all the particles currently making up our bodies will continue to exist long, long after our deaths. Meaning when a person dies, the amount of matter that was them is still there, the consequence of which is that their body can be recreated at will. Now, souls seem to be separate from matter, making them metaphysical and thus irrelevant for this conversation. I am going with the assumption that once a body has been recreated, the soul can be put back into without additional cost in miracle power.
There might be another base unit hidden in the metaphysical, but that's a conversation for another time.
All of this amounts to one fundamental hypothesis:
A miracle is either done, meaning matter gets changed, or it isn't, meaning matter remains unchanged.
There is no in-between stage here, a "half-change" is not possible, either you exert a force on particles or you don't. What kind of change that is might not be tangible for us, but a change is a change.
When Crowley and Aziraphale try to hide Gabriel, they change the way he gets perceived, how others perceive him, aka they change the way his presence is processed.
The closest thing to compare it to, in my opinion, is the superior mirage—the Fata Morgana. At its core, it means that light bends as it passes through air layers with different temperatures; your eyes perceive the bent light rays and your brain processes them accordingly. You see images that aren't actually there.
Celestial beings look at Gabriel but see something that isn't actually there, so the "true" image remains hidden.
If we stick to this metaphor, then Crowley creates a mirage for any ethereal beings, and Aziraphale creates one for occult beings. The creation of that mirage is one miracle—not half a miracle, but ONE singular miracle. Both of them change matter, and both of these miracles can exist independently of each other.
Crowley and Aziraphale could have created their mirages on their own, meaning that two miracles were performed, not two halves of one miracle.
If you listen to the sound of the miracles, you can hear that it's different from the other ones they have performed on their own, with the "combined" miracle having two sound peaks instead of one. Tumblr hates it when I upload audio files, so have it like this.
In order, the miracles are Aziraphale lowering the chandelier and moving the shelves, Crowley removing the paintball stain, and the GHM.
IF they had both performed half a miracle, the end result would have been one miracle, meaning it should have sounded like any other—but it didn't! Two connected sounds, two simultaneous miracles.
There is still one thing left to talk about, which is the power of their miracle. Here is where my previous definition of Lazarus as a unit comes into play again.
Heaven measured a miracle power of 25 Lazarii aka a very high amount of force exerted on matter. You might think Alex, if they both performed their own miracle, how come that the alarm bells rang?
If we keep up the mirage metaphor, we can explain that! Crowley's intention was to make it so that ethereal beings cannot perceive him, so his miracle changed matter in a way that aligns with ethereal perception.
However, Aziraphale intended to change matter so that occult beings cannot perceive Gabriel, meaning his miracle changed matter in a way that is adapted to occult perception.
This is where science comes into play again!!
You see, particles aren't just particles, they are waves too. Wave-particle duality describes exactly that, e.g. an electron being both a particle and a wave at the same time. A connected theory to that is the Uncertainty principle, which describes the inability to measure the exact value of two different properties at the same time.
Or, to put it more plainly, if you try to figure out the exact position of a particle, its momentum becomes blurred, unclear. If you then focus on the momentum of the same particle, you can no longer describe its exact position.
You are probably looking at me now, thinking where the fuck are they going with this and why are there suddenly so many principles of quantum mechanics in a Good Omens meta post???
Crowley changes matter in way A.
Aziraphale changes matter in way B.
Those changes can co-exist, like an electron being a particle and a wave at the same time. However—and this is scientific theory adapted to celestial miracles—when an angel looks at Gabriel, then they are focusing on state A. When demons are looking at Gabriel, they are focusing on state B.
Focus on A and B becomes blurry. Focus on B and A becomes blurry.
Maintaining that double-state requires power though, because compared to wave-particle duality, these states aren't natural, they're inflicted—matter was changed. It's like the matter around Gabriel is flickering between those two states, a light switch trying to find a neutral position when there is only on and off.
How do we measure that power? In Lazarii.
The miracle energy that heaven measured is not that high because they each performed half a miracle and combined it into one, it is that high because they each performed one miracle that stands in opposition to the other; as a result, two different states need to be maintained at the same time, meaning the manipulation is ongoing, meaning it needs a fuckton of power.
If you want to keep balancing your light switch, you need to keep trying, you need to keep up the pressure, otherwise you either click it off or on. Same thing with the hiding miracle.
Twenty-five Lazarii.
The power you need to exert on matter to reshape twenty-five people—or to continuously hide one being from two opposing observers with rapidly-switching state changes.
While I think the whole "it's because of love" theory is fun and cute, scientifically it really doesn't make much sense because their powers have rules similar to our base units, so me must approach and treat them as such.
With that, thank you to everyone who made it this far and managed to survive our little excursion into the field of quantum mechanics.
Questions, thoughts, additions, etc. are very welcome!
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thegreymoon · 25 days
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Mo Ran is so gay it isn't even funny.
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Now, this is just my opinion and I realise other people have their own interpretations, but this whole episode is super telling to me of just how unreliable his narration is about having tons and tons of sex with people of both genders in his previous lifetime. He's just so... oblivious. None of this reads as a man with a lot of previous experience with many different people. He did not pick up on her flirting with him at all. Sure, he did have a lot of insane sex in his past life, but as the book unfolds, it becomes very clear that most of that sex was with Chu Wanning. At best, there were only a handful of other people he was involved with, and one was a prostitute he was paying, while the other was his wife whose relationship with him was also transactional.
I know people argue that he is bisexual because he married Song Qiutong, but when we actually get her POV on their marriage, it turns out that they had unenjoyable sex only a handful of times, at least one of which was him taking her from behind and very much imagining that it was Chu Wanning in her place. There are plenty of gay men who end up married to straight women (and vice versa) for whatever reasons and none of this makes them any less gay. He also identifies as a 'cut-sleeve' himself at one point, so he doesn't seem at all confused about his sexual attraction to men. Later on, when we finally get his unaltered POV on his life in the brothel, it comes out that he considered the girls there as sisters at best, never as sexual partners. The only other named sexual partner is Rong Jiu, who is male, and I can buy that there were possibly other people who looked like Shi Mei that he was with under the influence of the cursed love spell, but there was never any real attraction there, which is why some argue that he is attracted only to Chu Wanning and would still be attracted to him regardless of gender.
But I think that this is also not true. He definitely was obsessed with Chu Wanning from an early age, which makes it hard to see what his preferences would have been if Chu Wanning wasn't in the picture, but that chapter when he finally realises his feelings also reveals that he does have a type, which he never dared to think about before because he thought he was unworthy of having a choice. However, Chu Wanning fits this type to a tee, so it's easy to run away with the idea that he is shizunsexual and that Mo Ran's attraction begins and ends with him.
With that said, we do get confirmation later on that he does find other men attractive, in particular, Jiang Xi. It's just that he never has the space or the inclination to do anything about it because of his preoccupation with Chu Wanning. In the extras, when Mo Ran misunderstands Xue Men's relationship with Jiang Xi and thinks they are having a love affair, in his unfiltered Taxian-jun state, he is full of approval because he personally finds these powerful, beautiful, prickly, emotionally unavailable older men to be the height of attractiveness. If Chu Wanning hadn't been in the picture, Mo Ran would have definitely been attracted to Jiang Xi or someone similar. Even Ye Wangxi, whom he also fixates on, fits this type (except for the older man bit because I understood her to be only a few years older than Mo Ran). The fact that she turns out to be a woman also cannot be used as an argument for Mo Ran's bisexuality because she very much presents as a man throughout the book (but whether or not she actually identifies as one is debatable).
In short, Mo Ran does have a type of man he is attracted to and it is definitely men that he likes, regardless of his few dubious and very unsatisfying dalliances with women. While Chu Wanning definitely fits this type of ideal man, there are other men out there whom Mo Ran finds attractive too, it's just that he is too unhinged about Chu Wanning to actually do anything about it. Also, I very much doubt that Mo Ran was nearly as promiscuous as he makes himself out to be because he reads as very oblivious when it comes to sexual relationships in general. Even with Chu Wanning, who was right there and about to pass away from sheer horniness that he couldn't even begin to disguise, Mo Ran was still going, "Shizun is so pure and virtuous!" 🙄
(I'm not going to get into the whole Shi Mei situation and how badly he misread him every step of the way too, but that is because his brain was so badly mangled by him that he really stood no chance on that front until it was entirely too late.)
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mamashenanigans · 5 months
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Okay. I’ve had time to process the spoilers for chapter 407: Paranormal Orphan.
Here are my thoughts:
-WTF?! They are twins?! What is it with Japanese mangaka and having unhinged twin relationships?! I’m looking at you, Nightow.
-AFO was born with his Quirk activated. Stealing nutrients from his mother then desperately feeding off of her corpse. Stole her Quirk too and seems to have some sentimental value in it as he still uses it often to this day.
-Low-key, I think there’s a hint here that the genetic change in babies and pre-pubescent kids started as some sort of STD that evolved considering their mom was a prostitute and “contracted” an illness. That’s just me, though.
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-The first person he ever had was Yoichi and he held his hand right after birth. Also: JFC THAT’S A BIG BOY
-AFO is a victim of his Quirk like the other villains(Toga, Touya, Tenko). He was born wanting to possess things. I don’t like the whole “he was born evil” narrative. Yeah, he looks like a crazy ass Omen baby, but it makes sense he’d think the way he does.
-AFO is also an unreliable narrator here as this is all from his POV
-He says something to the effect of (we’ll know more once we get the scanlations) how, even though Yoichi can’t give him anything like he wants from everyone else, he’s still “his”.
-So, did he just get up and start walking and taking care of his brother out of sheer will when he was still a baby or did someone pick them up and raise them to the point when AFO wanted something from them and killed them when he didn’t get it?
-Yoichi still believes there is some good in his brother because he held his hand as a baby. 😭 Poor kid
-Poor wittle Yoichi getting kicked because he threw something at AFO. For how they’ve had to live, it makes sense AFO would react that way…in a manner of speaking.
-Yoichi learning to read from comics he finds in rubble/a dump. AFO takes notice and sits next to him. He then likes the part where the author says “One for All, All for One.” He should have had a name prior that he must have given himself as Yoichi has one. Though it would make sense that AFO named Yoichi himself as “first gift” since he was the first thing he ever had.
-AFO being jealous of the Glowing Baby is pretty spot on. All of this seems to hint that AFO and Yoichi were the first to have powers considering how AFO talks about the Glowing Baby and the 50 kids born in India.
-The last page is quite a cliffhanger and it sucks we have to wait 2 weeks for the next part(there’s no way this isn’t a two parter).
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-How AFO is thinking about Yoichi leaving him is intensely possessive and reminds me of how Vader choked Padme when he thought she was betraying/leaving him. This also ties into how AFO didn’t know he had killed Yoichi.
-My guess is that AFO lashed out and sliced off Yoichi’s hand in a possessive rage. He was so startled by his own action that it gave the 3rd user time to grab Kudo and Yoichi then speed out of there.
-Is it just me or does anyone else hope AFO kept Yoichi’s hand? Parallel to Tomura having all of his family’s hands. I sure hope he did because I need even more twisted twin obsession.
-It’s most likely Yoichi lived long enough after this(and maybe with his blood) transferred OFA to Kudo. He then died from his blood loss and that’s why AFO didn’t know he had killed him.
-AFO crying over Yoichi’s death maybe the first and only time he’s ever cried. Yoichi did mean something to him, maybe even more than a “thing”, but he didn’t realize it until that one moment. He blames Kudo for his death because of the mental gymnastics he has to go through to convince himself that there’s no way he would have hurt the only person he’s ever actually loved—possessive as it may be. If Kudo hadn’t have taken him from the vault, he wouldn’t have reacted and cut off Yoichi’s hand, and therefore, Yoichi would still be alive.
-If he takes OFA with Yoichi’s soul in it, then Yoichi will be his again and “I totally didn’t kill him. See! He’s still alive!”
-The internet’s hot-takes that AFO is homophobic because he went full possessive Vader over Yoichi is weird. I said it.
-A part of me wants there to be a cliffhanger where we think Bakugo may have defeated AFO. We then get the intense fight between Tomura and Deku. Deku is about to win, however that’s going to happen, but then AFO shows up around the age he was when he kicked Yoichi, and he’s holding Bakugo as a threat, demanding Deku give him his brother back. But that’s just me. Again.
Anyway, I can admit when I’m wrong about a villain’s backstory. It wouldn’t be the first time and I honestly should have expected something like this considering Horikoshi going full on horror during this Final War arc. However, I don’t think AFO being born with his Quirk activated and “wanting to take” necessarily makes him “born evil.” The twins still had to survive on the streets as orphans, anti-meta people believing AFO is a diseased heathen and never wanting to help either of them. So, he took on exactly what they thought of him. It’s actually quite sad when you stop to think about it.
I’m going to be frothing at the mouth for the next two weeks to see how this backstory ends. Since it started with AFO going nuts and thinking Bakugo is Kudo, I’m assuming we’ll get further context of AFO’s thoughts when he’s crying.
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taralen · 6 months
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🎆HOT TAKE: Jevil was never a sane or good person. His true nature was merely exposed by the "strange someone."
(A theory by an actual insane person.)
Although this is the first time I am addressing Jevil on this blog, I feel it is worth analyzing his character due to his parallel yet vastly different experiences to Spamton's. He is very interesting, and I like him for different reasons, but I can't deny that his actions make him less sympathetic as a person.
In-game, Seam, who was once friends with Jevil, describes him as having "gone mad" after talking to a "strange someone." Fans have taken this as a reliable narrative since it's coming from a presumably old but wise figure who was once close to Jevil. However, allow me to introduce these two concepts:
The Unreliable Narrator Perhaps within Toby's intentions, Seam is portrayed as an old yet wise figure, almost like a wizard. Just because a character appears to fulfill an archetype does not mean that the character is actually that archetype.
Cognitive Bias It is a well-known fact that people are willing to see the best in others who we consider to be friends, family, or lovers. Seam thinking Jevil had "gone mad" was likely due to Jevil never expressing his worst antisocial traits openly before talking to a "strange someone."
Seam also describes Jevil as always being into games, which surprises no one given his jester themes and design. Pranksters can be mean-spirited, and in the case of his implied interactions with Spamton, this is very evident. Spamton describes him as only being into "games," and how no matter what he did (even cheating), he could not beat him. This reference is never in-game, but we can still apply it to our understanding of Jevil's character since it was part of a canon Q&A. His implied coulrophobia and disdain for clowns can either be seen as a meta-commentary and joke about the Deltarune fandom's love for secret bosses or an excellent hint of how mean-spirited and unhinged Jevil really is. Someone doesn't develop a phobia from just one bad game unless that interaction was very uncomfortable to the point where it made Spamton feel threatened (possibly for his life). (Also, I am aware some people say they are exes. Given the lack of substantial evidence of this in-game or in the Q&A, I think it's safer to say that the "ketchup kids" part merely references a meme and shouldn't be considered anything substantial for analysis.)
Jevil was already showing signs of someone with antisocial traits, particularly among individuals with Cluster B personality disorders. He also falls under the category of Personality Type B (unrelated to Cluster B personality disorders) because of his lack of urgency. We can summarize him with these hallmark antisocial traits:
Lacking remorse for actions.
General dearth of empathy.
Grandiose Self-Worth (I CAN DO ANYTHING)
Need for stimulation and prone to boredom (which is why his solitary confinement was awful for him.)
Lying and manipulative (tricks the fun gang into breaking him out of jail only to try and kill them afterward. He doesn't even want Kris or Susie's souls. He just wants to have "fun.")
Lack of any long-term goals (he merely exists for games.)
Lack of value for other's lives (he finds the idea of murdering teenagers as an exciting game.)
Blasé attitude about life. Essentially, he is doing whatever the hell he wants without fear of consequences.
Notice the recurring theme of "games." In this case, a "game" to Jevil means whatever he wants it to mean. A game for him might mean torture for another person. His bullet patterns also exemplify this. They are aggressive, cluttered, and have (fittingly) chaotic patterns. Spamton's, by comparison, are structured and not as dense, showing his restrained need to kill the party to achieve his goals (particularly with Kris.) Also, notably, Jevil never considers the party "friends" by the end of the battle, regardless if you choose the ACT or FIGHT options of beating him. If you pick the ACT option, he goes dormant as a tail, but in the FIGHT version, he stays active as the Devilsknife and shows enthusiasm about being used as a weapon (presumably) to harm others.
And here's the kicker of all this: these traits are seldom learned but are inherent to some individuals, particularly those who fall closer to psychopathy than sociopathy.
Psychopaths have strong genetic predispositions, meaning they are born that way. While there are many psychopaths who never go on to become mass murderers, it takes a significant amount of social pressure and understanding for them to realize their actions will get them into trouble.
Prior to speaking to that "strange someone," Jevil was likely held back by his perceived notions of governance and law in the Card Kingdom. As the court jester, he probably believed he could express his desire to mess with others because of his assigned role. Being the "fool" of the court, he must have made the Card Kings laugh at his expense, and for most of his existence, he was probably okay with this since jesters, in our reality, were known to make some pretty nasty jokes about royals only for it to all be laughed off. Playing games with Seam was just an added bonus, and Seam likely saw good in him that no one else did. However, Jevil learned that he could do whatever the hell he wanted with (perceived) zero consequences, and he ran with it.
Any goodwill he had with Seam or the Card Kings was dropped the instant he knew he could do anything he desired. This is not behavior from someone who is even remotely sane. The "strange someone" told him what he wanted to hear. Now, the jokes were no longer just jokes. Seam mentions Jevil saying things that don't make sense, but there is a shadow of doubt that this is the only reason he was locked away. Considering his interactions with the main party, he may have attempted to kill the Card Kings, hence why he was imprisoned by Seam, the only person, as Court Magician, who could match his strength.
This ties back to my initial arguments about Seam's unreliable narrative and cognitive bias. Seam saw Jevil as sane and playful, whereas the "strange someone" knew Jevil wanted to unleash his inner thirst for more dangerous games. These needs were always there, he just needed someone to tell him he could do them.
☠️
This is a bit of an aside, but I recommend anyone who likes Jevil to read Edgar Allan Poe's short story, Hop-Frog. It's about a diminutive jester whose attitude closely mirrors Jevil's, only without a Seam to hold that jester back. Honestly, Hop-Frog was the first thing that popped into my head after beating Jevil. It's definitely worth a read (or listen if you can't read it.)
Like with my Spamton sanity theory, I hope my Jevil analysis and insight as someone with life-long mental health problems can help others see this character in a way that may be enlightening or interesting.
💜
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dalekofchaos · 2 months
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FNAF movie sequel pitch. Fredbear's Family Diner
So I know the sequel might center around FNAF 2 and Jeremy Fitzgerald. But I would love it more if it were about Fredbear's Family Diner and the relationship between William and Henry.
Ideally the movie should have Matthew Lillard using the make up and effects they used to get a young Dr Loomis in Halloween Kills so we can see a younger Lillard as young William Afton.
My fancast for Henry would be Skeet Ulrich.
The movie is about the beginning and decline of William and Henry's relationship and the madness of Afton.
Two best friends from college who have a gift for robotics, engineering and business. Who want to build a place to entertain the masses and A magical place for kids and grown-ups alike, where fantasy and fun come to life.
William and Henry are the faces of Fredbear's Family Diner. Henry is Fredbear and William is Spring Bonnie.
Fredbear's is a huge hit, Fazbear Entertainment is born and it becomes a franchise. Freddy Fazbear's Pizza is born, but then things change.
Mrs Afton dies in a tragic accident and then the Bite of 83 happens. William changes. He becomes more unhinged and notices the perfect life he set up is slowly fading away while Henry's family is perfect. William wants Henry to feel what he feels.
Since you can see visible scars during the Mike/Raglan meeting.
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That's right, we could have the original Springlock incident. It wouldn't just be a accident. It would be intentional. Henry knows what William did. So after the final performance as Fredbear and Spring Bonnie, Henry snaps and attacks William while he's still in the Spring Bonnie suit and causes the Spring lock incident. William barely escaped with his life.
If you want the FNAF 2 experience, you could add in the Toy Animatronics and show William in peak Purple Guy causing the MCI and DCI and William hacking Mangle to cause the Bite of 87 to lobotomize Jeremy Fitzgerald.
William's son is Golden Freddy's spirit and either Michael or Vanessa caused the Bite of 83, which caused Henry to flee with Mike and Garrett and it could end with William abducting and killing Garrett and then seeing Garrett becoming The Puppet and William discovering Remnant. He is on the path to "put his family back together" and everyone will know how and why he always comes back!
PS. I have someone different casted as Henry instead of Garrett Hines because Mike is an unreliable narrator.
As for Mike, they can leave it open in the air if he's Henry or William's son. But I would still make Mike an Afton, while Garrett and Abby Henry's children. I would save the reveal of Mike being Michael Afton for FNAF 3, basically a LOT of repressed trauma causing Mike to form false memories and with Mike slowly finding out who he is and with William confronting what he did.
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thistle-and-thorn · 2 months
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Dying to know what you thought of the goldfinch. I never read it and am very 👀
thank god you sent this because i was about to make an incredibly long, rambling post about this but now you have prompted this, it feels less unhinged to put it into the form of a solicited answer. @.@
I....have mixed feelings about GF. Like, really mixed feelings. When I was in college, I took a seminar on opera history and we studied the opera, Wozzeck, and my professor described watching it as "an act of endurance." I felt sort of similarly about The Goldfinch. Like I'm glad I read it, and I can't wait to never read it again lmao.
It's a really well-written book--God, I want to write like her--and it is a compelling story with a lot of really great moments, but I found it to be overall less thematically incisive than TSH and, though TSH had some pacing issues, especially towards the end, The Goldfinch felt much, much more uneven. There's a lot of crossover between the two novels--unreliable narrators that are closeted queer men, so much drinking, so much drugs, etc--to the point where I thought a twist would be that they were set in the same universe and that Theo's father was somehow Richard Papen. But TSH felt bolder in a way, more satirically cutting, funnier, wilder, and younger. The Goldfinch is a sadder book, unrelentingly anxious and grief-stricken. And I do think this is sort of the point and I don't criticize it for that. It did make the melodrama of the novel's conclusion feel a little...i don't know...less justified and a little more gimmicky? And anxiety is a monotonous state so I think the GF lacked the emotional texture that made TSH much less....exhausting?
The Goldfinch is DT's ode to Dickens and there a lot of nods to Dickens in both direct references and style (the book is basically like what if uriah heep from david copperfield was psychosexually obsessed with pip from great expectations). There are certainly class dynamics here, episodic adventures, varied characters, and a lot of ruminations on providence but I did keep wondering what about Dickens drew her to tell this particular story which on a surface-level seems to ruminate on the impact of beauty, as opposed to the impact of wealth. In a lot of ways, TSH, with its commentary on class and wealth, even more over-the-top characters, feels like a better fit for Victorian literary structures.
In my wild and quite honestly unfounded speculation, I think the conclusion that I have come to is that it is a really, really personal book. Dickens was an intensely personal writer who used his own experiences, including those with his difficult father and poor upbringing and young infatuations as material, even in sort of unrealistic scenarios. I made a half-joking post about Brett Easton Ellis serving as DT's muse but I think....like...that may be true? I spent a lot of time, while reading this book, googling and reading about BEE and his erratic personality, contradictory and sometimes controversial and nihilistic media statements, and drug addiction. (Something that stood out to me was that BEE said that Patrick Bateman was based on his father, which he later retracted, to say that he felt like he was more like Patrick Bateman and wrote that book from a place of intense depression and isolation and consumption. This third-eying of oneself through the lens of the father is so Theo to me.) It's an examination of a self-destructive person but feels so clearly written from the point of view of someone who loves them--there is a real tenderness in how Theo is rendered that makes me think that it is not directly autobiographical about DT's own life but is the record of someone else who is loved and who is grieved. I have no evidence of this, truly, but this is what I keep thinking.
Some random other thoughts: one thing that @attonitos-gloria and I have talked a lot about is how DT always writes from the point of view of men who desire other men but whose desire is so hidden and buried that it becomes warped and we think that this is fascinating. @.@ The women in both TSH cannot be held as whole people in the eye of the narrator, their wholeness exists but beyond the borders of the male narrators' understanding of them. I also love how DT loves places and loves things. She creates fantasias of real places that feel like they influence the narrative and I think that's really cool.
TL;DR: I thought TSH was better, but GF was more personal and thus more messy. But it won a Pulitzer so literally what do i know.
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lumosatnight · 11 months
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Lani's Birthday Oneshots: 2023 Edition!
So, today is my birthday (SCREAMING!), and as a continuation of last year's tradition, I present a ONESHOT REC LIST to celebrate 🥳! Here are 15 oneshots, all under 10k words, one for each day in June leading up to my birthday. Lots of genres, lots of tropes, ordered by ship (kinda).
🌼 - fluff | 💔 - angst | 🔥 - smut | 👀 - mind the tags
1. Potter's Got a Tiny Dick (that I can't stop thinking about swallowing whole) by @vukovich [Draco/Harry, E, 4.1k] 🔥🤣 This is crack. Hilarious and filthy crack with bff Ginny, nasty car sex, and unhinged Draco wanting "Just a little nom of a cock."
2. Boy Wonder by @maesterchill [Draco/Harry/Ron, E, 6.1k] 🔥🎹 Established in love Rarry with Draco returned from abroad! Wonderful Ron characterization, witty snappy dialogue, and dacryphilia!!!
3. A Saving People Problem by @the-francakes [Draco/James, E, 5.9k] 🔥🏍️ Draco living at Grimmauld place, and James can't keep his eyes off of him. Oh heck yeah! Surprisingly sweet for such a hot cross-gen pairing. Also poor Harry lol.
4. Gray Eyes (Tell No Lies) by @danpuff-ao3 [Sirius/Draco, E, 3.7k] 🔥🍏 Draco with a lingerie kink! Sirius with a one-way magic mirror! So hot, so delectable. Throw in a praise kink too, and I'm drooling.
5. A Sight to Behold by @lumoslyra [Sirius/Luna, T, 2.5k] 🌼🥐 Luna and Sirius dancing around each other. Hermione watching it all and Harry is just confused. Super cute and sweet.
6. in rivulets, in waves by @dulosis [Bellatrix/Luna, M, 2.0k] 💔👀 Dark and deceptive. I couldn't put this fic down. What happens if Bellatrix survives the war? What if Luna takes her in?
7. Catch Me As I Fall by @this-world-of-beautiful-monsters [Bellatrix/Lily, T, 5.8k] 🌼💔 This fic is a wonderful AU of Lily befriending Bellatrix at Hogwarts. How she slowly changes, how she still is roped into the war. Just spectacular!
8. (give me) the first taste by @iamsiriuslyriddikulus [Narcissa/Lily, M, 4.4k] 💔🌿 Narcissa and Lily as hot moms smoking weed!!! Yes!! This Muggle AU is so well thought-out. The characters are so memorable. (Also I'm a sucker for flangst).
9. Love in a Hopeless Place by @dragonsandotters-dh [Remus/Narcissa, T, 4.6k] 💔🐺 So much hurt but also so much comfort. Draco gets bitten by Greyback. A heart-wrenching and hopeful look into the aftermath.
10. Male Bonding by musigneus [Remus/Severus, E, 9.8k] 🔥👀 This is angsty fuck-or-die to the max. Trapped in a cellar before the full moon. But it's SO GOOD and a somewhat hopeful ending.
11. Open a Vault For Me by Sevanna_OHera [Charity/Severus, M, 3.4k] 💔🧪 I found this pairing recently, and the angst level is off the charts. So much hope and longing in this fic and also a canon-compliant ending.
12. Table for One by @littlesixxwrites [Dean/Blaise, T, 3.2k] 🌼🎄 I LOVE THIS SHIP. Bean is the cutest. This fic has instantly smitten Blaise and equally enamored Dean. Lovely fluffy fic that made me squeal with happiness.
13. Maybe This Time (alternatively: once more, with feeling!) by @wanderingdonut [Regulus, G, 4.6k] 🤣👻 THIS FIC!! I died laughing from this fic, then I came back to life cackling and died all over again. Ghost Regulus is perfect. Snarky and entitled and wallowing in death lol.
14. toxicology by @batmansymbol [Hermione, G, 2.9k] 💔💌 A fascinating dive into the possible implication of Harry being a horcrux for so many years. I love how we view everything through Hermione's unreliable narration.
15. just a few sweaters by Prettything_uglylie [Molly, G, 2.4k] 🌼🧶 This story is a cup of hot cocoa in front of the fire. Warm and sweet and content. I adore it with my whole heart.
BONUS FIC (>10k): Tiny Dancer by @rainchance [Neville/Pansy, M, 12.4k] 🌼🩰 A super sweet Panville fic with ballet dancer Pansy and film student Neville. Wonderful background characters and mutual pining.
Want more fics to read?
Try my rec tag: #lumosinthelibrary
Bday Oneshots 2022, 22 Fic Recs 2022, WLW Library
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readingjellyfish · 7 months
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With The Prisoner's Throne getting closer I can say with certainty that what I am most excited about, what I think about daily, is Jude and Suren meeting. Sure, they've met already, but not this Wren, not this unhinged Wren and I am SO excited to see if Jude, a now mature woman who has been a Queen for a good while now will see right thru her facade and that they are very similar people and that she can give Wren the help she wishes someone had given her almost a decade ago.
It could also go a complete different route which could also be very entertaining. I do love a good Unhinged Villain Jude moment yk.
The second thing I'm most excited for is seeing Jude and Cardan thru other people's POVs. Jude was a VERY unreliable narrator when it came to their interactions so seeing it with other eyes will give us new details that we would never get from Jude.
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scoonsalicious · 1 day
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Here we are ladies, gents, and the non-binaries. The long-awaited Chapter 27 which you've blessed us in FULL today. 8 parts??? what have I done to deserve this? And I've got so many thoughts I Literally had to stare at my screen to collect myself because where do I even start????? Well, first off, I can start with the fact that that was amazing and you're incredible, and thank you for this. I've got so many things to say but I'm literally short-circuiting so AAAH. okay. I'm doing it by roughly by parts so I don't miss a thing. And since you've given us 8 parts, expect this to be the longest essay yet (I'm not even kidding please I apologize this got away from me)
First off, the slow build-up was killing meeee. But then again, I do love seeing them having normal conversations (I mean, a dick in the garbage disposal isn't exactly normal but I digress because that part made me laugh) and seeing Bucky be so protective of her because he has a point. Jesse is out for blood and leaving Pocket alone would be a terrible idea (I mean, well, we obviously see this later). I love their banter too! The teasing and the joking and Bucky's smug lil "nothing I haven't seen before" like okay, pipe down. I love Pocket's stubbornness, arguing with Bucky that she can handle herself (which she can obvs) but I couldn't help but giggle when she *pouts* "I have a gun" *pouts* when Bucky told her that even Nat couldn't handle Jane in hand to hand ESPECIALLY when the unhinged snake is set out for the kill and a super soldier at that.
Now, the footage of Jacky in the Hydra base. That was….a lot. It honestly was so disturbing and scary. It's absolutely insane the way Hydra manufactured her obsession with Bucky. But it's also genius in the sickest way. Because THAT is how you make sure you get a mission done. A teenage crush turned obsession? I mean, have you seen one direction fans back in the day? They were unhinged and could hack anything and that's without training (I was a fan too and I saw it all happen online LMAO). Now we have someone who is a teenage girl with an obsession, who's fucked in the head with all that Hydra manipulation, has super soldier powers, a highly trained assassin and has been made to believe that she can get everything she wants? Who’s stopping that? She makes serial killers look sane. She's been set out to him before anyone even knew she existed. Honestly, that whole thing just had me sitting staring at the wall for a few seconds before I could continue because it's insaneeee. It's so scary, just thinking about someone like her existing in the real world. But that part where she was about to jerk off to Bucky's picture has me laughing and feeling distraught at the same time. But that hint of Bucky being uncomfortable about it followed by Pocket's comment about already sleeping with her, at first I thought he just felt guilty about it but after reading all the parts? A foreshadowing that he's never been comfortable in the first place? I see what you're doing. But god, massacring a whole Hydra base and just the image of her Carrie-style but with a proud grin. Chills. Get her away from me please I'm scared.
(on a side note, Pocket thirsting over Jesus Barnes in Wakanda please BIG MOOD. That really reallyyyyy short clip of him in Infinity War throwing that sack with one hand has me falling in line like, yes sarge, me next please. ANYWAY back to the story)
I'm glad they cleared up that whispering in the conference room when the whole below the paygrade comment. Because people keeping forgetting that were just in Pocket's POV and with that comes some unreliable narrating sometimes because we obviously won't get the full scope of what happened because we're only seeing her thoughts and her perception on the situation. Which is why I always think it's important to think on a broader scale outside what's shown on the text. But god, THAT much money? I'm still heartbroken for Chloe though because she didn't deserve that. But sigh, we just discussed not letting Pocket leave the safe house for her safety and then suddenly we're leaving her alone? Barnes? Really? Have you read any fanfics in your life? Anyway.
That whole commentary about the whole trafficking situation was so spot on. I have nothing else to add to that because you pretty much said it all. It's both sad and so enraging. BUT AH NO. YOU DIDN'T HAVE TO LEAVE POCKET SERIOUSLY. But she genuinely did think Dimitri was the least evil of them all so sigh. I already knew where this was going and I already had a hunch who this "Hydra" boss is waiting at the club. But lol the gasp I let out when I read her name. *insert that 'why am I gasping, I already knew that meme' here* Even just that hint of Jordan being so quick and strong since she's a super soldier, it really sets the tone how Pocket really can't get out of this through physical strength. And now the face off begins.
But damn. I honestly didn't think she'd get even crazier yet here we are. I even felt my skin crawl just knowing the amount of time Jerms spied on Bucky, Pocket, and them both together. She's literally been watching their every move even in the confines of their bedroom. And that gives her so much upper hand because all the fights, insecurities, weaknesses, all their trauma and past, what makes them tick as a couple, what breaks them down, she knows it ALL and she's obviously going to use that to her advantage. Well, she did and she did it well. Imagine playing a cheese game with someone who already knows all your moves. How can you win against that? Every time she says she "loves" him I have the urge to throw up. Like girl you don't. You’re obsessed with him. There's a huge difference. And God that she show here obsession and delusion and that really is the best play Pocket could make. Shattering that deranged fairytale she has in her head of Bucky ever wanting her.
That part, where Juno admitting to feeding Bucky all the things she'd been feeding him, especially the degradation parts. When you're so desperate to try and save a relationship, you really do become willing to try anything and take any advice even if it's not the best ones. And like I said many parts ago, she's smart so the way she manipulated Bucky (who's already so insecure and broken and such an easy mind to manipulate) was so calculated that it was always going to be a success.
Which brings me to the infamous video which was without consent, might I add. The way Jayla made it seem in her text when she recounted it Bucky was so far from what actually happened. She really was selling it as if they'd fuck like no tomorrow and Bucky turned into this feral sex god or something. But that's her delusions playing it up, making it seem like it was the best sex ever when in reality, that couldn't have been farther from the truth. That wasn't fucking, hell I don't even know what you call that. I mean, I could be pushing it here so please do correct me if I'm wrong, but that was SA in a way. An unenthusiastic yes is still a no and you could clearly see that Bucky wasn't into it, tried to stop it even. And with men, there's a different dynamic when it comes to SA because of patriarchal standards and toxic masculinity and this misconception that they always want sex etc. And it truly was pathetic on Josef's part claiming that they fucked because, dude, what was that? But it also left a bad taste in my mouth for Bucky. Because what I saw in my head was just him laying there while she took what she wanted, I guess. And yeah, he didn't push her off and there was a part of him that was so hurt and angry thinking that Pocket betrayed him that he wanted to get revenge but even then, he didn't seem that excited on the fact. I mean, the snake had to bring up the articles and Steve over and over and over again because that's the only way she could keep Bucky angry and hurt enough to not protest and just, let things happen. And she was feeding him lies and hitting exactly where it would sting with that purple push up bra because how could she have known that right? In Bucky's head, that was confirmation that she was telling the truth because he didn't know that Jenny had access to footages. She played her game well and she stabbed him exactly on where the stitches are so that was a lost cause on Bucky's part.
And God, I have all my reports saved in one doc and I really did hit it already did I. About me saying how Bucky probably let Russia happen as a way to punish himself too. And that Jayla truly did play into Bucky's insecurities with those articles because what fight does he have against America's Golden Boy? When he already believes Pocket deserves someone better and that someone took form into the person he's insecure about the most? How can you not spiral? I know I'm repeating myself but we truly can't just ignore what Bucky went through with Hydra in all of this. He's got such a fragile mind and self esteem that it's already easy to break him down if you truly think about it. Now, imagine having someone who knows EVERYTHING that made you crumble and has all the ammo and information to be able to say just the right words for you to trust them? And, well, speaking from experience, you really can't know you're being manipulated until you're out of it. I didn't realize how bad my experience was until I retold it to a friend. So I don't Bucky had an ounce of awareness as to what Joanna was doing to his mental state. It was the sickest most calculated thing what she did that I think even the most secure person could feel that security crumble even for a little. Now you have someone who's already fragile and insecure in the first place? He honestly stood no chance.
Obviously, it doesn't take away the fact that Pocket was still hurt and she has every single right to be. But I think she was more hurt that Bucky wasn't secure in their relationship and her love for him rather than the act itself. Because the way it happened really was kind funny and God I cringed at the way Jocelyn took so so long to even get him going and not even get him going at all because Bucky had to think of Pocket to get hard. And he truly only got himself going by imagining it was Pocket. I mean, he had his eyes closed!!! Beyond me how Juan was able to keep going since Bucky was practically screaming someone else's name so fucking obvious and loud and I have no doubt she heard it since she's a super soldier but she's a different level of delusional so I'm not even surprised. Taking what she could get probably.
I can't WAIT to see feral protective Bucky on the next part. And as much as I want to see all the action, I kinda want him to see him be so calm with his confrontation with Jude. Because you know what would truly break that snake? Bucky telling her over and over and over how he could never love someone like her in all the languages and all the phrases he could. Is it evil of me to want him to break her down on a mental level rather than physical? Because to me, that would be a much more worth it revenge with all the emotional and mental abuse she's done on Pocket and Bucky. Because yeah, Pocket saying those things already hit a nerve. Now imagine it coming from Bucky's mouth? The man she claims she "loves"? Either way, I have no doubt you're going to feed us well so I'm going to be happy not matter what happens. I CAN'T WAIT.
— Jnon 🤍
\y Beautiful Jnon,he 'dick-in-the-garbage disposal' line will live rent-free in Bucky's head for the rest of his life, lol. I like to imagine that it's a visual that got Pocket through a lot of tough times. I loved writing their banter (tbh, I love writing banter in general, lol). I just adore seeing them in a little bit of domestic fluff. And .Bucky has definitely seen it all before, lol. Literally nothing Pocket's got going on hasn't been exposed to his... intense scrutiny, lol. When it came to leaving Pocket alone, the safehouse was probably the safest place for Bucky to do it. I mean, Carthage knew about the Wiggle Room, but she didn't know where the safehouse was.
I'm pleased (which is weird to say) that the Hydra footage was disturbing-- it was 100% meant to be. Like, back in the '90s (the glorious '90s, which I miss with every fiber of my being), I was a HUGE Hanson fan. Like, so rabid I look back on it with embarrassment, lol. And I was thinking-- there's no one with greater obsessive focus than a teenage girl with a celebrity crush, you know? And it just kind of made sense to me that Hydra would harness that to ensure the greatest success to assure they get their asset back. And Jade's not a teenager, but she grew up in isolation, without peers her own age, so I see her as emotionally stunted. In a weird way, she has that in common with Pocket. They were both prevented from growing up in the natural order of things so they could serve the agenda of men. They're like two different sides of the same coin. And Bucky was so uncomfortable at the idea of seeing Jade get off to photos of him, because she did, essentially sexually assault him-- he was never comfortable having sex with her, and the idea that she was using his photo for sexual gratification long before he ever knew she existed makes him feel even more violated.
Let us discus Jesus Barnes. Bless me Father, for I have sinned. I have had impure thoughts of a man, repeatedly, lol. But for real, if you're not familiar, please check out Rock Me, Sexy Jesus from Hamlet 2, which is literally THE ONLY thing I can think about when I see this:
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Like, turn my water in whine, please. (I'm not even sure how that works as some kind of filthy entendre, but I'mma leave it 'cause I like how it sounds, lol)
I almost didn't include the bit about Bucky telling Pocket what he actually said to Jade during the mission briefing, but I realized I didn't want her thinking he divulged her secrets. He did some shit, but he didn't do that.
Bucky has not read any fanfics in his life, unfortunately, but this just gave me a hilarious idea for a oneshot where Pocket tries to get him riled up by reading a smutty Bucky Barnes fanfic to him, so thank you for that, lol.
Sad part is, Pocket trusted Dimitri. And I think he trusted her, too, which was why he was so betrayed when he found out she wasn't who she said she was. I did need Bucky to leave Pocket alone, but in his defense, the safehouse was the safest place he could have left her. I mean, Jade knew about the Wiggle Room, knew that she would be working there, but she didn't know where the safehouse location was. So, it seemed liked the safest place at the time, and it would have been if Dimitri hadn't shown up for her. Everyone wanted Pocket to kick Jade's ass, and I wanted it, too, but Jade's always been too strong and fast. All Pocket could use to beat her is her wits.
Having her spy on Bucky and Pocket was actually a late addition to the narrative, and I'm so glad I included it, because it really cements how messed up she is. And it gave her so much ammo to use against them. They really did not stand a chance with her having all that access. (Also, I know you meant "chess game," but you wrote "cheese game" and I am in so in love with that, I'm going to pretend you did it on purpose, lol). I also wanted to show that Jade wasn't just crazy, but she was smart, too, and resourceful, which is what makes her so much more dangerous.
And you're not wrong-- the Russia incident bordered on sexual assault. I don't think he would ever see it like that, being a man from the '40s, but it was. An unenthusiastic yes is just as bad as a no. She pushed and manipulated him so badly, he really had no chance. And once she brought up that purple push up bra? It was over. Without knowing she'd been spying, how could he not believe her?
I'm dying to hear your thoughts about Chapter 28! I can't wait! Love you!
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eat-men-like-air · 26 days
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Alex Turner keeps me from being gay
“The uncanny" is, theoretically, the feeling of being haunted by a memory, encountering something that takes on the feeling of aching familiarity, instead of just being mysterious or creepy. A piece of the past or a buried memory resurfacing in an almost twisted way. The song 505 is constantly operating in a state of the uncanny. From the grandiose structure to the lyrics, something in the undercurrent of the song is bubbling with wistfulness. The narrator is unreliable in a clever way. There's a manipulation of the point of view, the information is very non-straightforward. The song is established by deliberately restricting information from the listeners. We hear the narrator reminisce and feel forlorn for a girl we know nothing about. The narrator knows something that we don't and that is what makes the song even more exciting. The auditory concept is built on curiosity and destination for we are following the narrator on a journey to room 505.We experience the narrator contemplating if the past is as good as he pretends it to be. If resuming the relationship despite knowing that it will all end in suffering and pain would be worth it.
The entire song is tied to older ghosts of music and modern trends. 505 is for me all at once the past, present and future, creating a timeless masterpiece that can even exist in the vacuum of time. The climax, oh god the climax (that's what she said) is a moment of conflict both upbeat and sad. The moment when all the tension is released and all the strings are drawn apart. that segment feels harmonically unhinged. I just love how fragile yet crude the words feel, almost like a literary foreplay leading upto the big moment. (Get urself a man who crumbles when u cry). Alex’s songwriting is like delicate threads joining up and being woven into each other to form a tapestry of his intricate mind. The song runs on streams of thoughts that reject each other, confuse each other but it makes sense to the listeners because we know that the writing is meant to sound like thought. Instead of having a head and foot, his songs always culminate with a greater plan. Alex lets the emotions from imagery form the larger metaphor about relationships that are falling apart. Another thing to admire about the songwriting is the use of sensory touch, thighs and neck for instance. A lot of times writers get stuck in the eyes and forget kinetic descriptions and touch. The Arctic Monkeys aren't strangers to killer cinematic moments in their songs but oh lord is 505 the kingpin of them. 505 as the last song on the album felt like an unhurried and logical step into the more mature sounds on AM like seduction and temptation. The song is scathing and deeply empathetic which goes to show why 505 is considered the quintessential song of the band’s discography.
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thesilverlady · 9 months
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While I personally don't like Daemon but reading greens takes about him especially Aemond stans is so funny because they're very bitter about the fact that Daemon is better than Aemond in everyway possible and that's an objective truth, they like to play the high moral ground that Daemon is a groomer pedo (which is true) and that Aemond is morally better which is really funny because who said that the person who nuked whole region because he was angry is morally better than anyone? Do they think that Aemond's relationship with Alys is some Disney story when he literally killed everyone of her bloodline then take her as his war prize which could translate to a sex slave. I NEED Aemond's stans to accept that they're stanning a dark character and not some jon/rob type of a character because fighting other real people and insult them for your fave genocider and rapist is actually embarrassing
sorry I took quote long to answer this but I finally finished my uni exams so I'm only now finally free (🥳)
Anyways, I'm very happy that despite not liking daemon's character you can see the ridiculousness in those takes.
honestly, the show is the reason to blame for SO many bad takes. Like, people not understanding how bastards and legitimacy works in the fantasy world of Westeros, not realizing honor and broken oaths play role, the politics of north vs south, the religious power, the MANY dubious/power imbalanced relationships we see, the family drama... I mean, there are even people who genuinely refuse to acknowledge that misogyny is a huge theme in the book and plays a huge role in the dance, so...
And I get it, not everyone is a reader. And despite how much I love f&b I'll be the first to admit that it's not an easy book. And some people will simply never understand how unreliable narration works.
I think the people you're mentioning will either have a rude awakening when s2 will air or some huge celebration, depending how the show will take aemond's character.
I have no doubt they'll have him do his canon actions. Similarly how he did in s1 (attacking his nephews, the toast during dinner, killing Luke etc) But as you can see with how they portrayed his murder of lucerys (aka suddenly he couldn't control his dragon because.... ✨ plot ✨) They can easily twist his future actions (burning the riverlands, massacring house strong, the dubious thing he had with Alys) into something more sympathetic.
George being part of the team means nothing to me. If he cares for the story and the characters he wouldn't have let them getting destroyed like this in the first place.
And in my eyes there's no fixing hotd.
Now when it comes to the fandom, a huge issue that goes both with team green and team black is that they cannot seperate book canon, show version and headcanons. They put everything into the mix and you get the most unhinged arguments.
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as much as i love mlpfim, it dropped the ball on sm occasions and i just can't ignore it anymore so here goes rewritting the literal entirety of it in a several part, unhinged rant over the course of only mom (mother marry) know how long
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i wanna start with the literal 1st give mins of the show w/ the story book Twi is reading bc i have sm opinions abt monarchy and the obsurd absolute power the princesses seem to have. like there is basically no parliament and that concerns me but that's smthn for future posts.
right off the bat, we have the perfect ~unreliable narrator~ set-up w/ the story of Celestia vs NM Moon being told exclusively from the account of Celestia, who knows how long after the fight actually happened. we are 100% keeping that. on top of that, i want to establish how old the book actually is to compare it to when Luna was trapped in the moon. i think a good way to do this is to open on Twi picking up the book than just already reading it.
this is an entirely ambient scene. it's night outside, Twi looks up to the moon and makes a note on a scroll or scrap paper we get a view of over her shoulder. she's making notes about the stars "seeming to shift" and the constellations changing over the course of several months. the moon is almost brighter as well. she goes to a desk with books scattered on it, some with astrological markings and astronomy equations with others on history and the arts throughout it.
a book with a red gem catches Twi's eye, it's dusty inside and torn at the corners, decades to even a century or two old. on the cover is the moon with a bust of a mare in it. The Mare in The Moon, How She Came to Be - Empress Celestia. Twi opens the book and the opening monolog starts the same, recounting the story of Luna's festering jealousy for how Equestria played and worked during the day but then slept thru the night. their jealousy grew to anger and then to hatred, her magic corrupting her into Nightmare. in a fit of rage, Nightmare attempts to kill Celestia and overtake the throne to bring everlasting night, forcing Celestia to fight her and imprison her into the moon. their castle is destroyed and Canterlot is founded as the new capital of Equestria. now, the moon is always full and bright every night as if Luna is watching over them.
but just as Twi goes to put the book away, a page becomes loose. it falls to the ground and they pick it up to find it's a poem. a prophecy.
A mare of sun, born in cold flame. A mare of moon, born in crimson shame. One will find the truth of the other, bringing pain to them only rage will soothe. One will find none as the aftermaths ensues. Trapped but only for so long. They shall be free with the stars' help and a muse's song.
after reading this, Twi has a brain blast and realizes that the stars are literally moving bc Nightmare has been shifting them while trapped this entire time and the Summer Sun Celebration is always closed out with a song dedicated to Celestia's work moving the celestial bodies. holy shit, it's finally happening.
cut to the theme song that isn't changed at all but it is ever so slightly slower by like one second just to piss ppl who spent the entirety of the 2010s watching this show. bronies, you deserve it.
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