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#well no I do have an explanation
comicaurora · 7 months
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tldr I committed to a bit too hard
The slow-dawning sunlight dappled down through dense, rich foliage, scattering golden lace across mossy trunks and grassy hillocks. The light caught on the forest floor in a thousand glassy dewdrops and bent, fisheyed, in globed inversions of the canopy above.
No breeze stirred the forest so early in the morning, but a thin mist gathered in the valley under the warming air. Sunbeams lanced through the fog, pale in the dawn but soon to brighten and intensify. For now, the air was damp and cool and still, and the scent of the night lingered.
Pip bent a pawful of grass to the side and sniffed the air suspiciously.
It was too quiet, too still. And with no wind, she couldn't mark the position of the strange beasts and their odd, dusty, acrid scent that had no place in these woods. It hung low and directionless over the peaceful morning, distant but permeating, like a faraway fire.
She adjusted her backslung blade, wrapped her cloak closer around her and dropped onto all fours, nose pointed straight ahead and whiskers standing at attention. Her dusty green-gray wrap would shield her from all but the most attentive prying eyes, and - she quirked an ear, just to be sure of the silence - most of the forest was still asleep, unlikely to mark her passage.
She managed to stifle a flinch as a sound that wasn't a sound bypassed her ears and rang straight into her head.
Pip? Where'd you go?
She exhaled softly through her nose, the barest expression of frustration she allowed herself.
Scouting, Alder. Go back to sleep.
She set off before he could reply, scurrying silently along the mossy forest floor, tracing a sinuous route through the canopy's shadow to stay out of the slow-brightening sunbeams.
Scouting?!
The thought squeaked with disbelief. She didn't answer it.
Alder never had fewer than three thoughts at a time, and the more agitated he became, the harder they became to sort through. A jumble rang in her skull, a snatch of Eldest told us- and moves like thunder and have to hide, that last one echoing in six different ways with the significance it held in his mind. She concentrated on tracing her silent route, one shadow to the next, and came to a stop under a broad-leafed stalk as Alder's distress built to a crescendo.
If she kept moving, eventually she'd slip out of his range. Wasn't that a tempting thought.
I said go back to sleep, she sent, and with an afterthought of inexpert kindness, added I'm being careful. It'll be fine.
The chattering ground to a halt, and she felt the effort it took him to focus his thoughts down to a single thread. Come back, Pip. We have to stay hidden until they're all gone.
We can't hide if we don't know where they are.
Pip caught the beginning of his protest and shook herself violently, breaking off the connection. It was rude, she knew; closing her mind completely was one of her rarer talents, but unlike her other oddities, this one she wasn't particularly respected for. Her skills as a scout were admired precisely because she had such sharp senses, physical and mental both - some days she could even hear the slow, tangled thoughts of the Long Shadows - but when she didn't want to be disturbed, she could wall herself off from the others as thoroughly as if she'd been on the other side of the forest.
And right now, picking her way between treetrunks and sniffing her way towards the bizarre menagerie that had invaded her forest, the last thing she wanted was to be disturbed.
Her right forepaw sank in unexpectedly soft soil, and she recoiled with a stifled gasp. Her eyes darted across the swath of ground, analyzing its shape - and then she widened her scope, scanning the yards beyond that first strange softness. In a low-lying, hollowed track between two thick-rooted trees, the carpet of grass and flowers were flattened and crushed into a felted mat, mud bubbling through it in irregular patches like sickness in a wound. A wide track had been beaten into the soil by dozens - at least dozens, she amended - of flat-pawed creatures. Their dusty, acrid stink lay heavily over it.
She drew back from the unnaturally soft soil. Even with her diminutive size and weight, there was the risk of getting mired in unexpectedly watery ground, and while rescue was never far away in these woods, she certainly didn't want to weather Alder's overconcern or Eldest Luma's quietly smug passivity. Instead she skirted towards a point where the track narrowed, lashed her tail for a momentary burst in balance, then sprang over the mud and latched onto a tree root on the other side, freshly ripped free from the soil and scored with dozens of thin scars from the claws of the marching creatures. She scurried up and settled at the tree's base, where the gnarled roots tangled into a more-than-sturdy foothold overhanging the morass.
With the newfound advantage of height, she surveyed the terrain. The tracks overlapped one another in a mad scramble, pouring up from the lowland forest and curving up and away.
They moved with surprising organization for such motley creatures. She counted at least four very different sizes of print in the track, some barely longer than her own body (nose to the base of her tail) while some were large enough to crush her underfoot without even noticing.
The tracks were only a few hours old. The swarm must have passed in the early pre-dawn. She strained her memory to try and recall if she'd felt any tremors from down in the sleep-halls of the hollow, but if she were honest with herself, they were too far down and too well-insulated by the soft soil walls to have marked their passage.
She turned her attention to where the trail vanished from sight, curving over and up the slope. The land in that direction was treacherous and, to the mind of her people, best avoided. Gravel slips and rain rivulets ran down between the massive plates of rock that jutted out of the soil, and even though trees and flowers overgrew them, their roots could not be trusted to hold the ground together enough for safe passage of one of her size. Fresh rainfall unearthed and dislodged glassy chips of stone, and the soil turned to mud and slipped between the boulders, exposing treacherous chasms that could swallow an unwary traveler. The shattered earth built up and up until it abruptly skewed and slanted down in a gentle curve, like the ground had been struck with a terrible force and the shattering had rippled out from the center. And in the heart of that broken land, glimpsed fearfully from treetops or the shadow of the stones, lay the stronghold of the Long Shadows.
Once, long redmoons ago, Pip had traveled three days and nights to scale the shattered peaks herself, to see the stronghold with her own eyes (mostly due to a burst of rebellious curiosity after a scolding from Eldest Luma). The works of the Long Shadows could always be distinguished from natural formations or nests - they had a love of smooth things, and the stone they shaped stretched cleanly skyward and bore no footholds beyond the straight, geometric fissures that ran up and through them. So Pip already knew that the stronghold was encircled by a massive shadowcrafted cliff, pale and smooth as ice and taller than trees, and it surrounded the entire stronghold just behind the shattered peaks. Beyond the wall, great columns and cliffs jutted skyward, more smooth handicraft of the Long Shadows. At times they were even spotted outside the walls, tending great swaths of land in the same precise straight lines they shaped their stone. Those tracts bore vast quantities of food in unnatural abundance, some that grew nowhere else in the valley, but the Long Shadows guarded them closely and harshly punished intrusion, and the Eldest three generations before Luma had forbade anyone from entering (or even approaching) their strange geometric works, no matter how lean the winters became.
She debated following the trail. It would inexorably lead her towards the stronghold, but if the creatures were focused solely on the Long Shadows, that was valuable information to bring back to the hollow. No doubt Eldest Luma would be pleased to have yet another reason to avoid the Long Shadows and their works.
A sudden awareness prickled in the small of Pip's back, shivering up into her ears and all the way down to the tip of her tail. Her gray fur bristled and she froze, eyes darting wildly, seeking the source. The feeling had no obvious impetus, but she trusted her tail with her life, and something was happening. Something sourceless, something…
At the base of the root she was balanced on, a sprout punctured the trodden soil and curled upwards, splitting into pairs of pale green leaves. She watched as it climbed to twice her height in less than three beats of her racing heart.
Instinct took over. She scampered up the tree like a shot, finding footholds in the bark with a practiced ease that belied her jolting terror. She plunged into the safety of the leafshadow and clung to a branch, breathing fast and shallow and trying very hard to stay quiet.
Below her, a green carpet spread across the mire as grass and flowers bloomed impossibly fast.
The Weeping Shadow was approaching.
Pip strained her ears and caught the hint of a whisper of movement through the grass, distant and soft but certainly coming closer. It was pointless to cast her eyes towards the darkness - The Weeping Shadow was, in the stories, always swathed in gray, near invisible in the shadow of the canopy, and it passed in many tales without a trace, save for its flowering footsteps as its passage drove the forest to frenzy.
But it never came so close to the stronghold. The Weeping Shadow's domain was the deep and tangled woods, much further into the valley than even the hollow. It haunted the river and the wild places, and its realm was thick with plants of impossible vitality and sweetness - but not even the bravest scout dared its domain, even when hunger was rampant. The fruits of the Weeping Shadow's realm were steeped in an absolute sorrow whose depth defied comprehension, and the slow pulse of its thoughts churned in dark and wrenching misery that could be heard across half the valley. It was too much for the mind to take for long, and scouts that had strayed into its influence took moons to recover from the borrowed grief.
That had been the prickling on Pip's neck. The slow approach of the Weeping Shadow was already casting a pallor on her mind - and it was getting closer.
Pip's thoughts scrambled for her next move. If she stayed hidden, the Weeping Shadow would pass nearer to her than anyone had ever dared. She flattened her ears against her head and focused on the walls around her mind. Could she close herself to it strongly enough to hold out?
A wild fear beat against her ribs. She wanted to stay clinging to this branch forever, but she also wanted to bolt, to sprint the length of the branch and fling herself into open space, trusting the soft soil to cushion her fall - or rather, if she were honest with herself in that moment, heedless of what the fall might do to her. The desperate urge to flee was strong in her people, and here, faced with a terror closer than ever before, it was nigh overwhelming.
But Pip had a third instinct that overruled all others when she allowed it, and it had been slowly growing in her mind ever since she'd slipped from the hollow before the dawn. It was a hunger, of a sort, and one that warred always with fear. The hunger was curiosity, a thrumming urge for exploration and understanding that spurred her on through peril and dark for the promise of clarity on the other side.
The beasts in her forest were descending on the stronghold, and their passage had stirred the Weeping Shadow from its domain. Something was happening - something vast, something perhaps unknowable. But it would certainly stay unknowable if she didn't even try to know it.
And perhaps the Weeping Shadow knew.
Pip had more control than most over the openness of her mind. It alarmed her peers, sometimes, that she could pass among them in silence, unreceptive to their soundless speech. It unnerved them more, for those who knew - from a time when she was more open with her secrets and her strangeness - that she could at times hear the deep thoughts of the Long Shadows, and stranger still, sometimes even catch a shred of their meaning. The idea that the minds of the Long Shadows could in any way compare to the bright, clear thoughts of her people was on the surface laughable, and just under that surface, frightening. Still, she knew it was true. Their minds were dark, slow places, but they contained meaning and knowledge, most beyond the reckoning of her kind.
The mind of the Weeping Shadow was an abyss of grief and sorrow, but if she could attune her senses to it - if she could withstand its pressure - she could, perhaps, glean its purpose in the shattered peaks, and what it knew of the creatures that she pursued.
The underbrush cracked. Pip flattened herself against the branch and peered intently at the sound as the rolling wave of green spread under the tree, blanketing in every direction.
A shape moved in the shadow of the trees, ponderous and slow.
Pip felt her eyes grow hot and stinging, the space behind them heavy with unshed tears. A borrowed bottomless grief encroached on the walls of her mind, lapping at it like a swelling river threatening its banks.
The Weeping Shadow broke from the treeline and stepped forward.
It towered, even from Pip's high vantage point. It was gray and still and almost shapeless in the dim of the canopy, but twin lights glimmered near its summit, pale green like the sprouts boiling at its feet.
Pip's head pounded. The pressure of its presence was terrible. It was vast, yes, but the power of the sorrow within it seemed vaster still - like all the forest around it was desperate to weep, and the Shadow was the only part of it that could, yet it refused to.
The Shadow tilted its head down, and the lights of its eyes vanished in the gloom. But it was not weeping, Pip knew. It was… looking.
Looking at the tracks under its carpet of grass.
Pip gritted her teeth, gripped the branch, and opened her mind.
It was gentler than she had anticipated. The pressure and power was indescribable, but once she stopped trying to push it back, she found it moved her rather like water would - with force, but without pain. It was almost easy to let the thoughts of this vast creature buffet her where they would.
The words in the Weeping Shadow's mind were unknown to her, but she felt a snatch of them repeating over and over again. The words mattered less than the feeling that drove them, and as she focused, she realized that the Weeping Shadow was, in some way, at war with itself; the thoughts were not all in agreement. The repetition smelled of deep, old terror, but its loop was broken over and over again by a different, newer thought - one that Pip herself was intimately familiar with, strong enough that she needed no translation to parse it:
But I can help.
Dimly, in her faraway body, she felt tears pouring from her, hot and desperate from a grief she couldn't fathom. Her claws gripped the bark of the branch. The Weeping Shadow's thoughts, at the moment, were focused on its inner war, but it did nothing to shield Pip from the substrate of its misery. Still, she was onto something. If she could just push through, she might learn what the Weeping Shadow understood of the intruders to their forest.
Pip dug deeper. The Weeping Shadow knew what these creatures were - knew what they intended - believed it could help in some way - but what did it know of them?
Running below the looping dread and the punctuating bursts of hope, Pip glimpsed a glimmering ribbon of understanding wending its way just below the Weeping Shadow's conscious thought. It snaked under the fear, coiled around the thought of help. This had to be the knowledge that had motivated the Weeping Shadow's unheard-of migration. This was the mystery of the creatures answered.
This, perhaps, was Pip's only mistake. As she caught the thread of that understanding, it abruptly yanked against the current and plunged her down, down, down into the icy depth of the Weeping Shadow's truest misery. Its knowledge of these creatures came from the same bone-deep wellspring as the torrent of tears, and Pip screamed aloud as it battered her mind full-force. Alien thoughts crashed against her, unbearably loud; the grinding of bone, the shifting of stone, the pounding of waves greater than any river, the splintering of mighty trees. A twisting, a breaking - a power like a maddened, wild animal, thrashing and uncontrollable, kept in check only by its own terrible exhaustion and grief. She was so, so small, and somehow in the depths of this vastness she was even further diminished, crushed to a single point of light-
And something was watching her.
With a last mighty burst of willpower she released the thought-thread, flung herself away, and tumbled off the branch. It was something of a mercy that she was too stunned to feel the impact, and the carpet of seedlings cushioned her fall.
The first thing she became aware of was her breathing, high and fast and shallow in time with her racing heartbeat, real panic and borrowed sorrow draining away with shocking rapidity. Second, she felt the pain; her head pounding with spent exhaustion, her paws cramped in every joint, her back and shoulders bruised from where the impact of the fall had driven her scabbarded blade against her spine.
The third thing she became aware of was the shadow stretching towards her, claws stretched as long as her whole body, the deep purple of the skies after dusk.
The Weeping Shadow loomed over her, vaster than mountains. Two points of green pierced out from the dark.
She ran.
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ew-selfish-art · 6 months
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Dpx Dc AU: Ectoplasm is required for Ghosts to be visible to the human eye- And Danny creates his own ectoplasm.
Danny is visiting Jazz in Gotham and its weird how friendly everyone is. Like, the city gets a really bad rapport, everywhere he goes there is someone trying to strike up a conversation or answer his questions about getting around to the tourist spots. A few people even pointed out restaurants and ways to find off the beaten path gems! Jazz seems to role her eyes at him, but when he brings up her 'roommate' being kind of cute she flat out laughs.
Danny then comes to understand the Jazz doesn't have a roommate and that Ghosts in Gotham don't move far from their haunts- He's just been inadvertently turning these undead folks visible by accident of generating abnormal amounts of ectoplasm.
Which, is comforting in a way, he's never walking this dangerous city alone and really, most of the ghosts have been really friendly! They disappear once he's a few blocks away from them anyway.
---
Tim Drake is having a horrible day.
He'd been given intel that one of Black Mask's guys was going to snitch but that he'd died before given the opportunity to reach out to the GCPD. He tracks down the guy's last know whereabouts and yikes. Its next to the Theater. Tim was often grateful for his childhood obsessions, this time it backfired.
Tim and Bruce get into an argument about trust and respect and, worst of all, mental health. And even though Tim was vehemently against Batman accompanying Red Robin to the alleyway - that's exactly what happens.
They arrive and Bruce is closing up faster than a clam in the contaminated Gotham Bay- Clearly being in the Alley bothers him. No fucking shit. RR gets started on collecting evidence, there are a few extra blood splatters and a single left shoe... When a kid walks into the Alley.
"Uh, sorry to intrude-" The kid looks scared shitless, and runs away. And then, all of a sudden, Batman and Robin aren't alone in the Alley.
Tim can hardly believe his eyes as the dead man appears and quickly blabs Black Mask's bank passwords and what the plan had been- and While he's over joyed to have that closure, he turns around to Batman weeping in the arms of his parents.
The ghosts fade, and the emotions are certainly charged as this was never something Bruce or Tim would have ever dreamed of happening. Ghosts in Gotham. Talking, floating, granting closure.
"RR, Bats, come in." Oracle calls into their ears.
"Reporting in, but, uh, we need a minute."
"A minute? We have a case on 4th and-"
"O, we just saw the ghosts of the Waynes. It's going to be a minute."
"...Lots of Ghost reports lately then. Any chance you saw a kid looking like he could be adopted?"
"Yeah, actually, black hair and blue eyes. He was super polite before he ran away."
"We have work to do. Oracle, lets prioritize finding our person of interest and divert Nightwing and Robin to the case on 4th." Batman cut between them on the comms and he sounded... calmer than either of them anticipated.
---
Jazz is no longer laughing when Batman appears at her door explaining that he's looking for Danny (Who already flew away from town to get a good night's sleep before class on Monday). Turns out Danny reunited the man with his dead parents just briefly- and then the second guy appears and mentions how Danny had also given a guy who'd been murdered by a Mob enough time to explain the ongoing threats the city faced.
Jazz just rolls her eyes and says that it's not like the ghosts are going anywhere anytime soon and Danny will visit in another month. When pressed, she just explains that her brother is a weirdo. No of course he doesn't have powers. Gaslight and Girlbosses her way out.
And Jazz thinks that the game is up for at least another month, obviously when Danny visits more shit will stir up, but then this new guy appears.
Unlike the other Bats who are keen on watching her from a distance, the Red Hood knocks on her door. Are her eyebrows all the way into her hairline when Red Hood asks her to send his thanks along to Danny because somehow this whole situation led to his Dad expressing remorse for his actions and apologizing? Yes, yes they are.
But Jazz can smell Dissertation Data off of these vigilantes- Who is she to send them away? Jazz welcomes Red Hood into her place for a cup of tea and a small chat.
The story then devolves into Jazz getting shit done, Danny being cute by proximity and also bringing ghosts to the party, and the Bats having trauma resolve between them.
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dostoyevsky-official · 7 months
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mask off 💀
it turns out i'm a little soft hippy centrist shitlib after all: i don't like it when civilians get killed. i am beholden to the idea that life is sacred, holy, and inviolable, that civilians are innocent no matter how much you do not like them. i am against cruelty—i have always been against it— and i believe that informs my understanding of the past and present: i am against the apartheid state and the blockade, i am against the ongoing carpet bombing of gaza. i will not cheer with you when dead bodies get dragged and spat on in the street, i do not think it is a moment of liberation when children get kidnapped and beaten. because i am against cruelty i do not celebrate shooting up 250 stupid concert goers. because of the principles i hold i don't like it when israel murders children, as it has done so in the last 48 hours, with the world's support. i do not support a government that kills over 200 innocents with impunity in retaliation. i do not understand what massacres justify which other massacres. it is barbaric to deny clean water and basic medicine to children; it is barbaric to shoot them, it is not a revolution. i don't like the kahanists and their state that led to this and i don't like hamas. i will not support the state of israel—i never have—and the impending invasion of gaza, instigated by two groups of fascist religious fundamentalists. i think cheering any part of this tragedy atrocious. but now i've gone and pulled a both-sides!
i want you to look at what's happening as a real act and not a media event where you pick the side that's convenient for your team. set aside the outrage, look at the people dying, and think of each life, that holds so much and is a miracle in itself. try to understand the immense tragedy of what it means for that to be cut short. do you not value life? does your value of life inform your politics? do you not support palestinians because you value life?
i’ve consistently posted about how opposed i am to violence targeting bystanders, the terror and bloodshed it achieves and nothing else. the history of the twentieth century, still unfolding around us, tells me that much. if you are celebrating, you are either an idiot, consumed by online politics, or you have lost some sense of humanity; look around—look carefully—and try to preserve it instead
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godsfavoritescientist · 2 months
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An as-of-yet unnamed AU where instead of being Ford's muse, Bill appears to Fiddleford and convinces him to build the portal.
The conversation in the last 2 images continues under the cut:
Fiddleford relaxed all at once, giving Ford a too-wide smile. Then, he opened his eyes one eyelid at a time. “You’ve been a real good friend! And I have a lot of friends, so that’s saying something!” He let out a short laugh. “You wanna know what I’m working on? It’s something that’s gonna usher in an era of world peace! You might not believe it, but no one else would believe you if you told them you’ve just uncovered an ancient alien crash site, would they now? So be a pal and suspend your disbelief!”
Ford felt the hairs on the back of his neck stand up. There was something… something he couldn’t put his finger on… something that flashed in the corner of his eye…
Ford swallowed. “Okay. It’s religious project. But what is it?”
Fiddleford threw a casual arm around Ford. “I think it’ll be easier if I show you!”
~
They walked down a corridor lined wall to wall, floor to ceiling with computers running endless calculations. They bathed the whole room in flickering green light, as words scrolled rapidly across screen after screen after screen, their glowing surfaces reflecting in Fiddleford’s glasses as he walked ahead of Ford, with a confidently uncoordinated stride that made Ford wonder if he was drunk. Ford glanced at the screens, catching bits and pieces of words as Fiddleford rushed by in the black-and-green light. “Probability of Event 4.23A, Probability of Event 23.652C, Probability of Event 1.9C…” dozens of numbers that looked like coordinates… thousands of statistical probability equations being run over and over again…
Fiddleford punched in a seven-digit code on the front of a huge metal door at the end of the corridor. When he swung it open, it revealed a room that looked like something out of a movie, or a nightmare. He stood before a sea of gigantic red raising platforms that Fiddleford effortlessly jumped around on, inputting some kind of code based on the symbols on the squares, until the moving platforms went still.
They moved on into a simple, warmly-lit room with coat racks full of red robes lining the walls, and foam mats stacked in the corner with eyes embroidered on them.
And then, at last, they entered what appeared to be their destination. This room was gigantic, and frigidly cold. The walls and floors were all made of metal. And at the center of the room, a machine towered over them. It was part metal and part unfinished scaffolding. A huge upside-down triangle with a hole in the middle of it, like a great big maw.
Fiddleford gestured at it with a grin. “My magnum opus! A portal directly to god.”
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lilhub · 27 days
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So. What's up with the duplicate statues in Eden?
If you've played Sky: Children of the Light and gone through The Ascent, you may have noticed these statues:
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And you'll know that the Vault has the same exact statues:
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Now the question we're asking here is why.
Of course, I have a theory in regards to it that ties into a couple of other theories, but it's gonna be long and probably a little complicated, so buckle up.
TL;DR will be at the bottom of the post for a simpler(and less all over the place) explanation!
Now, I'm going to start at the beginning with something that may seem completely unrelated:
Take a look at the top of this broken building in the Battlefield.
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Does it look familiar? It should.
It looks like the vault masks.
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That's odd though, isn't it? The Vault Elder is, well, the Vault Elder. They belong in the Vault.
To that I say: what if they weren't always there?
What if that building used to be their temple?
Almost every other Elder has their own building that serves as their temple and little else; why would the Vault Elder be any different? They're certainly just as important as every other Elder, so why would they be singled out?
Some more evidence for the broken building being an Elder's temple?
Look here, in The Seed's spirit memory:
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The spirit was a medic that treated and aided soldiers on the battlefield, and this displays them in a Medic's tent. Where? In the broken building.
Other than it being the arguably safest structure aside from the Vault, there's...no real reason for it to be here of all places. They could have had it anywhere else; this is in the thick of the fighting, after all, the entire map is called the Battlefield for a reason. But there's a reason it was here.
Why?
Well, the Elder's temples are sacred. They're holy places, not to be trifled with, even in the midst of a war, they're like churches. And what was guaranteed if you took shelter in a church?
Sanctuary.
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Unfortunately, this doesn't guarantee its outside will be particularly safe from conflict, especially toward the end of the war. Survival began to matter more than walls, I suspect, and it's clear from the Lookout Scout's memory sequence that even then, this place was broken down; potentially from Dark Dragons, potentially from the Ancestors. Unfortunately, we currently have no way of knowing for sure.
On the topic of placements and symbolism in the Battlefield map, though: there's also all of this imagery of the King leading up to the Wasteland Elder's temple.
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Let me suggest to you the following as an answer to why:
Eden was not always the primary residence of the King.
Before you grab your torches and pitchforks, hear me out. The Eden Castle was not always there, and this is explicitly shown in the Aurora concert during Warrior, but also the fourth quest in Season of Passage:
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No castle.
Now, what does this mean for the King? Well, logically they should have them residing in the otherwise safest place in the Kingdom—like, perhaps, a Vault.
Now we're getting somewhere.
Let's go back to the statues.
Many theorize that they're graves, due to the fact that there's one in each temple and when you sit, you're taken to the respective cutscenes that feature the Elders in their limbos. I disagree.
I think they were communication lines. Every Elder will need to contact one another at some point, and other than the Windpaths, there's really no shortcuts through the realms; thus, the statues function as telephones in a home network, if you will. If one person picks up the line while others are having a conversation, they can listen in as well.
Who needs to have a way to contact every single Elder?
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The King.
A ruler needs to be able to conveniently contact the others that help them run a kingdom, especially at a moment's notice, and phones don't exactly exist in the Kingdom. Thusly following the path of logic here, wherever the King is, there should be each statue for each corresponding Elder.
Once the castle became the primary residence of the King, now that the Vault Elder was no longer close by, there was a statue added to the arrangement; this also explains why it's just sat in the middle of them instead of up with the rest.
There is one other thing, though.
What's up with the Wasteland Elder?
After all, if the Vault was the primary residence of the King, and the statues support that, then why and how does the Wasteland Elder come to inhabit that building?
I have a few thoughts on that too.
Let's take a look at the Wasteland Elder, for starters.
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They look like a soldier. Which is no surprise, really, seeing as they were in charge of what is now the Wasteland, and the war that seems to have primarily taken place there.
I have another thought though.
The King needs a guard, or more accurately, the Prince does. Sure, there is plenty of power when you are the King, but before that they was a Prince, and there are always precautions that should be taken with the future ruler of your Kingdom.
From what little we see of their character, the Wasteland Elder is protective. Defensive. Willing to do anything to safeguard what lay beyond that gate. They had to learn from somewhere. That instinct has to come from somewhere, because they clearly have worked themselves to the point of absolute exhaustion in their efforts to safeguard that gate.
To this, I ask you: what better protection is there for a Prince than a Star?
Of course, once the Prince becomes a King, and Eden is more than adequate as a safe spot for them, this Star needs to be put somewhere else.
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And the Wasteland still needs a protector. After all, the Dark Dragons at this point must be becoming a problem, and Darkstone production is likely growing larger and larger by the day; the people need someone to keep them safe and reassure them that all will be okay.
Who better than a Star that already knows everything about protection and defense? Who has the necessary experience? Who has likely had to manage other guards that helped protect the Prince?
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TL;DR: Before the fall of the kingdom, while the King was still a Prince, before the Castle was built the Prince resided in the Vault. And before the conflict in the Wasteland, the Vault Elder's temple was the broken building we now see in the Battlefield. This explains both the King imagery leading up to (what is now)the Wasteland Temple(which also doubles as the entrance to the Vault) and the symbol atop the broken building that resembles the Vault masks.
During the period of time before the Prince became the King, the Wasteland Elder was assigned as their protector, explaining their intense need to defend the Vault 'til their last breath. Afterward, once the Prince becomes King, they are reassigned as the Guardian of the Wasteland, charged with overseeing its people and the Darkstone production taking place there.
Because of the fact that the King resided in the Vault and the Eden Castle, there are versions of each Elder's statue in both places due to them potentially being communication lines instead of graves. Or, at least, they used to be communication lines and were turned into graves for the Fallen Stars after the Fall of the Kingdom. This also explains why each statue takes us to that specific Elder's limbo space; they still, technically, function for their intended purpose.
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Of course, this is all just one huge theory made up of a bunch of smaller theories and doesn't have the greatest evidence but. Alas! I am prone to overthinking details in the Funny Light Game.
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literalite · 4 months
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in case i can't think of an actual good way to edit them this is the eragon cast in the sims as i envisioned them as a kid
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vani-ash · 15 days
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I was rewatching kinnporsche on the plane and
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Did Kim sign Wik for Ohm as well?? Bestie didn't even know who you were Kim 😭
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designernishiki · 9 months
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it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now
#I think on another level he was sorta saying like ‘hey kiryu. you’re making it extremely clear that you don’t trust me and my intentions#and I’ve been trying to show you- over and over again- that I’d do just about anything for you and your safety#but I can’t just let my mask fall off in front of everyone- I need to keep up the unpredictable morally grey wildcard act for both my sake#AND yours. because disguising my helping you as crazy random violent outbursts and weird stalker behavior#is the only way I CAN help you. do you think it would go over well with shimano or literally anyone else if I was outright helping you out#of the kindness of my heart and fondness for you? stop being so fucking dense and look past the crazy wacky nonsense for a second and#maybe you’ll realize that all I do at the end of the day- really- is help you and put my own life and reputation on the line for you.#I am an honest guy when it comes to my real values and when I told you I wouldn’t let anyone kill you unelss it was myself- I meant it.#I’ve taken a knife and a bullet for you now. can you REALLY not see through the act yet? am I REALLY that unpredictable when you think about#it?’#that was a longer explanation than i intended but. it was difficult to put into words#I basically feel like it could be read as him implying kiryu shouldn’t backstab the people who put themselves on the line to help him#and/or pointing out that he’s never actually done kiryu dirty and has stuck to his word protecting him in the ways he can#trying to say yeah all this is a crazy act and all but when it comes down to it you Can trust me#it really makes sense when you think about it that he’d have to help kiryu/show affection towards kiryu in unpredictable convoluted ways#at that point in time because. I mean. there’s a reason he was the only person who showed up to welcome kiryu when he got out of prison#and that’s because A) he sticks to his word and his loyalty to people he cares about and B) no one else had the balls or the batshit insane#mask to wear to ward off anyone asking real questions like majima did. because ANYONE associating themselves with the supposed#patriarch-killer was a HUGE NO-NO at the time. someone important showing up for kiryu and welcoming him back outright could’ve caused#all-out warfare probably. except majima. because majima was dedicated and smart enough to use his widely-feared wildcard persona#(that everyone tended to view as incapable of having any Real agenda to worry about) to his And kiryu’s advantage#does that make sense??? I feel like it makes a lot of sense if you get it to click in your head#kazumaji#majima#kiryu#yakuza#kiwami 1#yk1#rambling
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Dangerously close to plotting a real Skyrim/Lord of the Rings crossover for after Keeping Count because my secret desire for Leara/Glorfindel has reared its head again
Shhh Don't question it.
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puppyeared · 7 months
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ive made myself more wet and pathetic
#new icon because im SUFFERING. im in HELL#its so bad. i had to sign out of discord so now im both lonely and stressed#because i KNOW im still gonna get dstracted. i just did making this URGH#how good are brains at working around things. i once set a 7AM alarm on my phone with snooze cause i was so sure my brain would#be too lazy and keep snoozing instead of actually turning it off. but nay it either kept sleeping through the alarms and snoozing#or actually managed to turn off the alarm half awake that i barely remembered it and then waking up late#i actually have a track record of climbing out of bed and turning my alarm off without remembering. which is impressive bc i have a loftbed#the other thing is setting fake deadlines so make myself panic into doing things ahead of time. but unfortunately that doesnt work either#because if theres one thing my brain will put all its energy into remembering its self assurance. meaning i WILL be able to remember#the real deadline even if i try to trick myself. cant ask someone to give me a fake deadline either#the only things keeping me going rn is that i have deadlines due at least 1 day between each other and excitement being able to talk with#crow after break. but you can see how well thats going <- ignores long term rewards in favor of short term pleasure#BTW CROW IF YOURE READING THIS IM SO SORRY TURNING OFF MY DISCORD WITH BARELY ANY EXPLANATION#im a huge fucking dumbass and i had barely enough impulse control not to block everyone in my dms because i realized that would send a real#really bad msg. youre not distracting me im distracting myself and i promise youre not annoying me i just really like talking to you and#thats why im just barely stopping myself from signing in. I WANT TO TALK TO U LOTS BUT AT THE SAME TIME IM KICKING MYSELF FOR DOING IT#you can be a little mad at me btw cause i definitely could have done that better but i was all over the place abt how to do it without#making u think im ignoring you. IF THAT MAKES SENSE. SORRY#yapping#doodles#puppysona#edit but last week i tried to schedule and give myself work periods and break periods using my class schedule#and reminders on my phone to tell me when to start and stop. can you guess what happened
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sneez · 1 year
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more of my oc tervis (any pronouns), the creepiest most miserable little weirdo in town. which is saying something [id under cut]
/ ID: four digital drawings.
The first image is a series of drawings of Tervis on a paper-textured background. A heading at the top reads 'Tervis (Humble)'. One is a coloured headshot of Tervis looking to the left; they have a gaunt face, short receding hair, a scar bisecting their lip and right eyebrow, greyish skin, and are wearing a red shawl around their neck. An arrow pointing at their right eye reads 'one blue eye (mostly blind)'; another arrow pointing at their left eye reads 'one brown eye'. They have a serious, hostile expression. The second drawing is an uncoloured full-body sketch of Tervis. Next to this is the same drawing but coloured and with more polished lineart. Tervis is a thin, hunched figure wearing a long, dark brown robe, a greyish bag on their back, and a red shawl around their head and neck. They are barefoot, and are leaning on a walking staff with both hands. An arrow pointing to the walking staff reads 'needed for walking, useful for hitting'. Tied to the belt around their waist are several long scrolls of paper with writing on them. An arrow pointing to the scrolls reads ''blessings' they paste on infected houses'. Tervis is looking warily out at the viewer from beneath their eyebrows. An arrow pointing to their head reads 'scar from getting hit in the face with a brick (also knocked out a tooth)'. Alongside these drawings are a series of bullet points giving information about Tervis. These read:
   indeterminate age, indeterminate gender
   religious fanatic (unclear which religion)
   lives alone somewhere in the steppe
   dislikes everyone but is nicer to children than anyone else
   has every disease
The second image is a fake screenshot from the video game Pathologic. Tervis is looking out at the viewer; the background shows scenery from the steppe. The text on screen reads:
CHANGELING: I still don’t see what you could have done that would make you personally responsible for this plague. TERVIS: Responsible… no, not merely responsible! This is my plague, cast upon my head alone. I am the originator; my sin is at the root of all. I have ventured into the town. I have seen the canker there. No matter how many houses I bless, my sickness sinks deeper. The rotted limb is the death of the body… Surely you understand me. You are a healer, are you not? CHANGELING: What is it that you are asking me to do? TERVIS: Let me be the lamb, worker of miracles! My blood shall wet the earth, and bright flowers shall grow… My putrefaction will provide the soil within which new life will burgeon, pure and free of sin and decay. Let it be done. I am ready. My failing flesh is but little sacrifice; in death my weakness will be my strength. Soon these torments will be at an end.
Below are two dialogue options:
You’re insane!
What makes you so sure your death would solve anything?
The third image is a fake screenshot from the video game Pathologic 2. Tervis is looking out at the viewer, and has been painted in semi-realistic style. The text on screen reads:
Tervis: Why do you force me to live? Damn you! Your cure is poison to me. Now I shall never be blessed. You should have left me to bleed.
Below are three dialogue options:
Don’t be absurd. I wasn’t going to watch you die.
What makes you think you deserve suffering?
I wish I had.
At the bottom of the image is a line of dialogue which Tervis has just spoken:
The air is foul. There is rot in this place. The stench of corruption shall be – what was it? What was it? The stench of corruption shall be… swept aside…
The fourth image is a coloured scene depicting Tervis and Clara. They are central in the composition; around them is the steppe, which has been rendered in a loose, painterly style. Tervis is kneeling, their walking staff cast aside, and are reaching out their hands to Clara in a desperate, pleading gesture. They are crying, their face contorted in an expression of agonised ecstasy. Clara stands beside them, one hand reaching out, the other held above Tervis’s head as though about to touch their brow. She has a solemn, pained expression. Behind her head, a break in the dark clouds gives the impression that she is haloed by sunlight; rays of the same light fall onto Tervis, illuminating their face and red robe. End ID. /
#artwork#pathologic#tervis!!!!!!!!!!!! :-D#sorry i know ive already posted that fake p2 screenshot i just wanted to keep all my tervis images in one place. please forgive me#i am having. So Much Fun. i would explode and die for tervis shes the worst i adore her#making fake screenshots is so enjoyable i love trying to match the fonts and copying all the little ui details it's so fun highly recommend#i have a lot of tervis lore which i am still developing but hopefully these drawings give you some idea of his character#hes just a mess really. hes got every imaginable problem#that last drawing is her getting sacrificed in the humble ending. she is SO happy about it#also if you didnt see my last post tervis was originally a warhammer 40k oc (which he still is ive just made a bonus pathologic tervis now)#but ive tried to keep a lot of 40k stuff in her design like the blessing scrolls and the uh. Posture#that's also my reasoning for why nobody knows what his religion is. the watsonian explanation is they are just spouting incomprehensible#disjointed passages from some obscure scripture which nobody can identify (and who would want to try really. tervis is not good company)#but the doylist explanation is that it's literally just the cult mechanicus. just ignore all the references to the weakness of the flesh and#the glory of the machine it will all be fine nothing weird here at all#anyway :-) i could talk about tervis forever but i will stop now#i hope you are all well my dear friends! i am on holiday now wahoo#i am also aware that i have several messages to answer which i will do very soon i am so sorry for being so slow as usual#i love you all i am giving you individual kisses on your individual heads. mwah
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jaynovz · 6 months
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I do wanna say re: Silver Backstory and my rec list and my tendency to poke and prod and explore where he may have come from--
That's not me saying that the way his character is presented in the canon *needs* that, at ALL.
First off, the speech on the cliffs, the Solomon Little stories, the complete inability to share?
It's perfect for the character, as well as an absolutely jaw-dropping ballsy as hell decision to make a prequel/adaptation about the most famous pirate figure in Western media and simply... refuse to define him in those terms the way we've seen the other main characters. It's such a ballsy and brilliant move that sometimes I stare at the wall thinking about what they have done and just, god I hope one day I can write something that great. I could go on about that but it's not my main point.
Second off, many ppl have said that the point is that the story of Black Sails itself *becomes* his origin, and in many ways that is absolutely true and I agree.
However, I also wanna point out that the acting and the writing reflect all the information we would ever need to know about John Silver even if he cannot bear to speak it in specifics.
in 4.9, Silver says:
“I have no story to tell. It all might seem as though I’m trying to conceal something from you, but… truth is, there is no story to tell. ... Not unremarkable, just…without relevance. A long time ago, I absolved myself from the obligation of finding any. No need to account for all my life’s events in the context of a story that somehow…defines me. Events, some of which, no one could divine any meaning from…other than that the world is a place of unending horrors. I’ve come to peace with the knowledge…that there is no storyteller imposing any coherence, nor sense, nor grace upon those events. Therefore, there’s no duty on my part to search for it. You know of me all I can bear to be known. All that is relevant to be known."
"Other Than That The World Is A Place Of Unending Horrors."
Now, coming at this as someone with my own fucked up trauma, that one sentence coupled with the performance from Luke really tells us everything we need to know.
So yeah, in a way it both does and doesn't matter that we don't get his history wrapped up in a pretty package, both bc it's NEVER THAT SIMPLE, and bc his REACTIONS to events/ppl are... so VERY clearly the reactions of someone who has been deeply traumatized. We don't NEED to know for the story and character to work EXACTLY as intended.
We can see him, we the audience. If you pay attention, he is not some mystery at all. We may not know exactly what happened to him, but also, we do... don't we?
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ricketycr1cks · 1 year
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I know obviously the plan wasn’t to make Mac gay in the early seasons but every time I watch back I think of Mac with internalized homophobia so bad he has convinced himself he was straight. Mac getting called slurs and bullied so relentlessly that he builds an impenetrable persona, one he won’t even let slip when he’s by himself, terrified once he lets it fall he will be too exhausted to keep it up. Mac getting so tired of spending almost two decades of his life pretending to be someone he isn’t that he gets sloppy, Mac who can’t even get himself to have sex with women anymore. I know it wasn’t the intention but they made one of the most accurate portrayals of internalized homophobia I’ve ever seen in media.
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nullapophenia · 2 months
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SYNTHESIS.
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{You’re intimately familiar with all the gears that work together to form you.}
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bayesiandragon · 29 days
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Not sure I care enough to engage with the post, but to read SVSSS + extras and come away with the interpretation that SJ doesn't care about why YQY failed to save him, just that he did fail, and therefore would never forgive him or change his behavior towards him if he learned the truth, feels off-place to me. It seems to lean into the view that SJ doesn't actually care about YQY, just sees him as a useful tool, and thus couldn't be hurt by the supposed abandonment - with that interpretation it would then make sense to think he would neither care nor change his behavior (towards YQY) upon learning what actually happened.
#generously put - I suppose it's not an interpretation that the text of svsss completely forbids#but I don't see it as the most probable interpretation by a long shot and it doesn't explain their interactions or themes well at all#given that Shen Jiu eventually canonically forgives YQY even without an explanation I don't see why he wouldn't if one was earnestly given#I could see SJ continuing to throw some lingering degree of fit if he learned that YQY had indeed tried but failed#(and YQY honestly doesn't need to elaborate on the whole trauma only the important part - that he set out too late)#but I really don't think their relationship would have been anything like how it turned out in canon#no real comment on how SJ's actions would change on ~everything else~ since it's so counterfactual after that point and we know he's a git#I do honestly feel that the novel bolsters this idea with the whole thing at Maigu Ridge#where SY learns of YQY's tragedy and immediately sees what he has to do to avert the same with LBH#he saw how important it was to explicitly let LBH know how loved he is even if he can't explain everything because it CAN change things#and it does for them#the responsibility part is... well everyone is responsible for their own behavior - including SJ#now I don't have strong opinions on this next part#but regardless of trauma or his right to remain silent - YQY has some responsibility for the ~direct~ consequences of the choice he made#namely referring to SJ's belief that he was callously abandoned and his pain and anger over it#but he is absolutely not responsible for SJ's “everything else”#idk just had some thoughts
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viiinz · 29 days
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everyday I think about him (Ippolit Terentyev)
#idk why of all characters he's the one that has left such an impression on me but oh boy#it's been over a year since I've read his 'explanation' and everything that followed and it hasn't left my mind since#ippolit terentyev#the idiot#god all he wanted was some sympathy and recognition#and they just make fun of him#literally all this boy wants is to be taken seriously and no one does#they either laugh at him or beg him to shut up#because his vulnerability and the fact that he's dying makes them so uncomfortable#and he's so ashamed as well over his own vulnerbility#that even when people aren't laughing at him he'll imagine they are#and people blame him for being self absorbed?? like of course he is!!#he's EIGHTEEN and DYING#this is a teenager who's just come to the realisation that he has no agency over his life whatsoever#and that all that awaits him are the cruel laws of nature#he has a right to be upset about that#he's literally the man condemned to death that myshkin talked about#and yes he's ridiculous and awkward and not always right and incoherent and all that#and he can really be insufferable and contemptuous and unfeeling towards others#and even the state he's in doesn't really serve as an excuse for that#yet i feel bad for him#and he's such a teenager too he's so insecure and just wants to impress the people around him#and yes he's doing it for attention#of course he wants attention#can you blame him??#all he wants is to be heard#to feel like his life mattered#but instead everyone's just begging him to shut up#like they're just waiting for him to kick the bucket so the uncomfortable ordeal can be over with#sorry i just have a lot of thoughts about Ippolit and I'm being very incoherent because i didn't plan on typing all this lol
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