hi I hope i don't seem rude but what do you mean by "prev has been outlawed by staff"? hope you've a good day!
(in reference to this post)
so when you look at a post on your dashboard, or perhaps in the like blog-specific view that looks like the dashboard, there's that bit at the top that says current-blog [reblog symbol] other-blog, where other-blog is the one that current-blog (the one you're looking at) reblogged the post from. and it USED TO BE that when you clicked on the url other-blog, it would take you to this specific post on that other blog.
but no longer. staff recently pushed a change so that now when you click on the url of other-blog, it'll just take you to the top of other-blog, not to this specific post at all.
personally this pissed me off, because I like to follow reblog chains sometimes, especially of my own posts – it's neat to see what mutual spread the post so far and wide! or sometimes I come across a post reblogged from a friend, and I want to see what my friend said! or when someone reblogs something off my blog from a while ago, sometimes I wonder what it was I said on that post, so very long ago, and I want to go back and see what my tags were! but no, now we can't do that anymore.
apparently there's an xkit fix for this! I've been busy but I'm going to install xkit this weekend and give it a try, fingers crossed bc this has been really annoying. I'll report back once I've done it
and in case you're new here, explanation of what 'prev tags' means: a little while ago a trend arose of tagging a reblog 'prev tags' to mean "I liked the tags of the person I reblogged this from", instead of copying those tags onto the reblog itself. anyone who wanted to see those tags you liked would just click back in the reblog chain. only now you can't do that, bc staff took out that functionality.
it may surprise you to know I really disliked the prev tags trend :P tumblr blogs disappear or change urls all the time, or sometimes people delete posts, and then poof! the previous tags are gone! can't find them, can't see them, they'll forever be a mystery! plus I don't want to be constantly following reblog chains, I want to follow them when I'm actually interested. there's no need for this prev tags business, just copy the tags onto the reblog if you like them! (or into your own tags, which is also perfectly fine and friendly so long as you indicate that's what you're doing.) that's what we do here!
I say 'disliked' past tense bc I did see a few people say "prev tags isn't for ppl reading my blog, it's for the person I reblogged from, I am sending them a little kiss" and you know what I respect that. that's a conversation between two people, that's you two hanging out, that's chill. so these days I assume, for my own happiness, that that's what everyone intends when they say 'prev tags'. it's possible they don't always mean that, but I am assuming it, for me.
and I have had a good day, thank you! you're not coming off rude at all, don't worry about it, you're doing great <3 I hope you're having a good day too!
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finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!
so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.
this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.
(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)
the good
self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain
data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.
folks who sing and dance will be paid for both of those things now, which is great
they've added MLK day and Juneteenth as holidays (about time)
a performer cannot be required to translate their own lines
principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists
it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen
miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.
this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.
the "...hm..."
intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.
residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.
the bad
the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)
as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.
but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.
a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:
what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))
what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.
so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.
the AI good
a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)
the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)
actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.
the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.
if the replicas are being used in other mediums, that must also be consented to, thank god.
replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.
the AI "...hm..."
it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no
the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.
alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.
the AI bad
there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.
synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.
the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:
there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!
similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.
if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.
woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.
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The Night Security
Danny decides to tag along with Dani and travel around the world. With him now being in his late twenties he decided he could use a break from all the craziness back home, and he's been wanting to spend more time with Dani.
Dani despite it being years still looks the same, they had gone to Frostbite to make sure nothing was seriously wrong, Dani was completely healthy but it seems Vlad's messy attempts at cloning alongside her also being a halfa had made it so Dani would age a lot slower than a normal human would.
Danny until that point hadn't realized that he also looked very young for a man who was almost 30, but he could just get away with it by just saying he had a baby face.
To gain money for their travels Danny decided to start doing random jobs normally he would end up with being night security since those positions weren't very popular and always had a position open or where willing to have an extra pair of eyes on the job.
With that being said Dani and his sleep schedule were completely flipped over now being practically nocturnal. They would go out shopping or have fun while the moon was still high in the sky.
Now with that being said, he had no clue why there always was at least that one person at whatever job he would have that seemed to believe he was a vampire,
Yes a vampire, and he could brush it off if it had only happened once or twice but no! This has happened in the majority of his jobs.
And look he gets it, he only gets night jobs, he hangs out with Dani outside only when the sun is nowhere in sight, and yes both he and Dani were sensitive to the sun but that was normal for people with pale skin they would burn easily and considering that pale blue eyes tend to struggle seeing with too much sun clarity especially since they're not used to being around the sun as much as before.
See he gets all those can kinda be vampire things but they where also just very normal and common human things as well.
So yes he was out here fighting vampire allegations instead of ghost ones like when he was young.
~
" Mr.Kent sir you dropped this."
Clark turned around slightly spooked he hadn't heard the young man a moment ago, which should be impossible with his super hearing. Focusing on the man In front of him he realized that the heartbeat he was now hearing was... too slow, unhealthily so. If he had just been hearing the heartbeat he would have been sure it was from someone dying, but the man In front of him showed no struggle or weakness in spite of that.
"Sir?"
Clark snapped back into the present. "Oh! Right sorry about that, it's been a very long day usually I'm out of here long before the sun sets."
"No worries man I totally get that, I just saw that you dropped your glasses case near me and wanted to quickly return it."
"Well thank you Mr.?"
"Fenton, Danny Fenton I work the night shift here."
~
Danny doing his job
His coworkers spraying holy water to prove he's a vampire:
~
check my tags for some extra ideas I had on this
~
Just an Idea
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