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navybrat817 · 1 year

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Did you see the Sebastian photo with him in the leather jacket and Bucky hair? The black and white one? He looks so good!!!!!!!!

Is it the image below, nonnie? If so, yes! He looks amazing. So much that I had to share more rocker!Bucky. If not, I'm happy to receive the pic.

Everybody Wants a Taste

Pairing: Rocker!Bucky Barnes x Female Reader Summary: Are you really Bucky's girl? He thinks so. Word Count: Over 1.5k Warnings: Implied explicit sexual content, oral implied (m. and f. receiving), possessive behavior, slight jealousy and insecurity, swearing, slight feels (it's me), sort of getting together, communication is key, Rocker!Bucky Barnes (he's a warning, okay?). A/N: Some White Wolf and Luna that no one asked for! This can also count for Week 4 of the @the-slumberparty for Across the Universe!❤️ Not beta read and written on my phone, so any and all mistakes are my own. Banner by the amazing @sgt-seabass and banner by the lovely @rookthorne . Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

When word got around that you were seeing Bucky Barnes, some of your friends back home told you to be careful. Not because you couldn't keep up with the rockstar, but because they didn't want him to throw you out when he eventually grew bored of you. Touching as it was, it was also insulting.

"We're having fun." you said in the group chat. "Nothing wrong with that."

"But everyone wants him!" one of them replied. "What makes you different from the rest?"

What makes you special?

"Nice fucking pep talk. Really. Appreciate the vote of confidence!" you sent.

"I didn't mean it like that."

"I'm a big girl. I can handle myself."

That was the last thing you sent in the chat.

You may have given your phone the finger, too.

As if you needed another reminder that girls, and guys, lined up to get just a glimpse of the man you somehow got to call yours. Some were better looking than you and others were nicer, but you refused to let it shatter your confidence. They didn't click with Bucky the way you did. If he woke up one day and decided he didn't want you, it wouldn't be the end of your world.

You took care of yourself long before you left home and wouldn't depend on a guy for anything. That was something you made clear when you started spending more time with Bucky. At least, you told him once you could form a coherent sentence since he fucked every sane thought out of you.

"It's okay to keep wanting me, Luna."

Being addicted to him wasn't something you anticipated nor did you want to admit that he had a hold on you. If you did, he'd have the entire deck stacked in his favor. But the cocky fucker knew he had you in the palm of his hand and you couldn't bring yourself to care.

Not when you were on your knees worshipping him like the god everyone made him out to be.

You waited for Bucky after rehearsal, knowing he could do with a bit of stress relief. Steve gave you a knowing smirk as he walked by. "Hey, baby," he teased.

“Hey, blondie,” you winked back.

"Don't call my girl 'baby', punk," Bucky said as his friend laughed.

Am I your girl?

Shamelessly allowing your eyes to roam his body as he walked closer, you wondered how he even got his jeans on some days with the heat he was packing. The rest of the band nodded to you as they passed by, knowing exactly what they'd witness if they stuck around.

"I don't remember texting you," Bucky said when he stopped, running his ringed fingers through his hair. "You don't have anything better to do than wait for me?"

Asshole. You're lucky I adore you.

Your eyes narrowed as you pushed yourself off the wall. "Plenty of other things I can be doing that don't involve you."

"C'mon, baby. I'm fucking with you," he smiled as he moved to stand in front of you. "I just figured you might be hanging out with Alice and Sunshine."

"Oh, we did each other's nails and had a pillow fight. Almost fell out of my top as I jumped around," you smiled, leaning against the wall once again.

You liked Alice and Sunshine. You'd be a bitch not to and they understood things that people back home wouldn't get. Jefferson was certainly more cheerful now that he had his girl back in his life. And Hal still adored his high school sweetheart just as much as he had the day before.

What's it like for someone to be loved the way they are?

"And I missed it? That's too bad. Didn't get a facial?"

You arched an eyebrow as he moved a finger along the swell of your breast. "How could I when you weren't there to give me one?"

"I can give you one now," he smirked.

You laughed and shook your head as you tugged him closer by his t-shirt. "I don't know if I want one anymore. I could find something else to quench my thirst."

"We both know you love the taste of my cock."

"Almost as much as you love the taste of my pussy."

He placed both hands on the wall and looked into your eyes as you bit your lip. "My favorite treat. You gonna let me get my mouth on you so I can have my fill?"

"Maybe after you fuck my throat. Maybe," you said before he brought a hand to your throat. He held it there, but didn't squeeze. "So you'd rather choke me with your hand instead of your cock?"

"Luna, baby, don't tease me."

"Isn't teasing just another form of foreplay?" you asked.

The flirty, fun banter never got old with him. Even on the days you didn't have sex, you found yourself smiling at his words and antics. It made it difficult to protect your heart. But like your body, it was yours to give the person you wanted and he had the key to the lock before you knew it.

"I want to see those pretty little lips wrapped around my cock," he stated, tightening his grip when you moaned. "Want you to choke on me before I make a mess of you."

The mere suggestion was enough for your thighs to rub together, tour panties dampening more at the thought of him using your throat to get himself off and paint your face. His thick cock filled every hole of yours to the brim time and time again, reminding you that you belonged to him. But you couldn't always give in so easily. Call it pride or a power move.

You'd both get off in the end.

"Sure you don't want one of your other groupies to suck your cock?"

Everybody wants a taste.

His smirk vanished instantly as he leaned in close enough that you could feel his breath against your lips. You didn't shy away from his gaze, captivated by the blue of his eyes. He liked that you didn't try to hide.

Caught in his trap, you couldn't duck and run if you wanted to.

"I haven't fucked anyone else in weeks," his voice dropped as he shoved his knee between your thighs without warning, your core pulsing as he brushed his lips against yours. "Thought I made it clear that you're my girl."

You swallowed hard enough for Bucky to loosen his grip. If Bucky let you in, that meant something because he didn't give himself away lightly. Sex, he could find that anywhere. Someone to stick around through the highs and lows after was another story.

One you wanted to write with him.

"You never actually asked," you said above a whisper.

It was weak to say it out loud and make him put a label on it, but you wanted to hear it.

"I didn't think I had to ask," he said, kissing the spot between your eyes with a small huff. "I thought you were already mine.”

Your stomach swirled with butterflies. "I thought you were mine, too."

"Because I am. I’m all yours," he whispered, playing dirty by rocking his knee a bit more. You were tempted to slide up a bit more and ride his thigh and weep from knowing he was really yours. "C'mon. Be mine. Be my fucking girl, Luna."

You whined when he brought his lips to yours again. You would have said "yes" regardless. "I'm your girl, but don't you dare break my heart. 'Cause I'll hunt you down and make you sorry if you do. I'll curse that glorious dick of yours, too."

Bucky threw his head back and laughed. The sound brought a smile to your face. "I'd expect nothing less. You better not curse my dick or break my heart either."

His casual tone had an underlying vulnerability that you wouldn't dare joke about.

"You're my guy, Wolfy. I won't hurt you."

And I'll be your Luna no matter what.

"Don't let anyone hear you call me that," he grinned, pulling his knee away to leave you wanting more. Tease. "I have a reputation to uphold."

You smiled as the atmosphere shifted back to the sexual charge. He didn't need to dwell on the emotions for the moment and neither did you. Your heart was full and that was more than enough for today.

"Guess you better shut me up then," you suggested as you reached for his belt.

"Oh, no. Still wanna hear you moan and whine when you take me in your mouth," he stated, stepping back so you could unzip his pants and sink to your knees. "When I'm done, you're gonna sit on my face and sing for me. Those pretty sounds of yours might inspire our next song."

"Call it 'Howl at the Moon'," you smiled up at him. "Dedicate it to me," you added with a wink.

You'd find out later that Bucky already had.

Oh, these two. Love and thanks for reading! ❤️

Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi

#navybrat writes #bucky barnes x reader #bucky barnes x female reader #bucky barnes x you #bucky barnes x y/n #rocker!bucky barnes x reader #white wolf and luna #the vip experience #bucky barnes #rocker!bucky barnes #bucky barnes imagine #bucky barnes fanfiction #bucky barnes au #navy and roo's sleepover #rocker au #sebastian stan x reader #sebastian stan x female reader #sebastian stan x you

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marley-manson · 4 months

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Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.

#mash #marley on mash #mash gen #mash gs #frank mash #hawkeye mash #since you guys liked that trapper gender meta a lot more than i thought you would here have another one #though this is written a little less formally lol #i have more examples of whole scenes that make these comparisons than just the sniper but i'm trying to keep this from being #even longer than it already is #but eg white gold is another good example wrt how they relate to flagg; yankee doodle doctor; army navy game; george; the gun; etc etc #(also it's interesting that when frank leaves hawkeye gets the pathetic loser portrayal more often... though i think that's a coincidence #the shift from early to late mash could be yet another essay on mash and gender lol)#long post

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