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#wow mounts
ancunin-dekarios · 2 months
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One year ago today I found the time-lost protodrake in World of Warcraft and my husband still hasn't forgiven me 😂
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mrsunder · 1 year
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IT FINALLY HAPPENED
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antiqueanimals · 3 months
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The Spotted Hyena, or Tiger Wolf
A Natural History of British and Foreign Quadrupeds. Written by James H. Fennell. 1843.
Internet Archive
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gummi-ships · 17 days
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Kingdom Hearts 3 - Olympus
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repmet · 7 months
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You'll be watching on the sidelines.
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peachyspaceslvt · 1 year
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WRATHION || THE BLACK PRINCE
— World of Warcraft
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youssefguedira · 20 days
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wrote this instead of doing any of my actual tasks <3 tw for brief mention of animal death (by hunting)
Yusuf has been dreading this since the moment they left for Akkala. He had made as many excuses as he could to stay in Goron City for as long as he could, but every one had run out in the end, and he could no longer put off the inevitable. 
The first time he had walked this road, his father had accompanied him with a platoon of guards, still cautious, still reeling from the attack that had taken Yusuf's mother. The second time there had been fewer, but still many. 
In the years after that, the number of people sent with him had decreased even further until it was only two or three guards, enough to keep him safe. His father stopped accompanying him on these journeys after he turned fourteen and there had been no sign of their worth. 
Now, only Nicolò. 
He follows, keeping a respectful distance away from Yusuf, but closer than he had walked before they had gone to meet Nile, to ask for her help. He doesn't ever ask to stop, or to slow down, letting Yusuf set the pace. He keeps a hand on the hilt of his sword and does not speak. 
What is there to be said? Nicolò knows what lies at the end of this road, even if he does not know what it will mean for Yusuf. 
Yusuf can feel Nicolò's eyes on his back. It is bad enough that the whole kingdom knows he is a failure: he does not need Nicolò to watch him fail and say nothing. 
The sun is low, casting the landscape in burnt orange. It would be beautiful were it not so horribly familiar. There is a cabin nearby, and not far from it, the Spring. They will stay in the cabin tonight; they will leave for the Spring in the morning and spend three days there, then return to Goron City and after that, the castle. 
Yusuf thinks about returning, about his father's inevitable disappointment, and feels sick. 
“Yusuf,” Nicolò says, sounding uncertain. He is not yet used to calling Yusuf by his name. “We are not far, yes?” 
Yusuf had forgotten that Nicolò does not know every cursed inch of this road the way Yusuf does. “No, not far. In a moment you'll see the cabin.” 
Nicolò says nothing. Yusuf glances back just long enough to meet his eyes before looking away. 
What is Nicolò thinking? Yusuf can never tell. 
Yusuf catches sight of the cabin a moment later. Dread sits like a stone in his stomach. 
When they get closer, Nicolò takes hold of his elbow, gentle. It startles Yusuf all the same - he hadn't realised Nicolò was that close to him. 
“Let me go first,” Nicolò says. “To check. But stay close.” 
Yusuf nods, and lingers barely a handspan from Nicolò's back while he surveys first the outside, then the inside, of the cabin. Once he's satisfied, he gestures for Yusuf to enter. 
“You should rest,” he says, and he is being so gentle with Yusuf it almost hurts. Perhaps Andromache has told him what this will mean for him: she has accompanied him before. 
Yusuf shakes his head, because sleep means dreams, and dreams will be worse. “What are you going to do?” 
“I am going to find something for dinner,” Nicolò says. 
“Let me come with you,” Yusuf says. Anything is better than sitting in this cabin alone with his thoughts.
Nicolò looks at him for a long moment. Perhaps he takes pity on Yusuf, or perhaps he thinks that it will be easier to keep Yusuf safe if he stays with Nicolò. Either way, he nods. “All right.”
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Finding something for dinner means that Nicolò leads Yusuf a little way into the woods, far enough that the foliage and the dying sunlight makes it difficult to see, and bids him hide beneath a tree, in a space formed by the roots, while Nicolò crouches beside him with his bow, nocking an arrow in one smooth, seamless motion. From his vantage point, Yusuf can see a small clearing with a few fallen trees.
“Do not move,” Nicolò instructs him in a whisper, “and do not make a sound.”
Yusuf rests his head against the tree and watches the leaves move in the breeze. It is quiet enough that all he can hear is their rustling, the sounds of birds and animals calling to each other, the rushing of the stream nearby. After a moment, and with nothing else to watch, Yusuf begins to watch Nicolò. 
He has gone as still and as quiet as the trees around them, barely breathing, his shoulders rising and falling only slightly, like he has become a part of the forest. Faron Woods is much further south from here, but Yusuf supposes that this forest must be somewhat similar to where Nicolò grew up. He wonders who taught him to hunt; who taught him to be so comfortable in this place. Why he left it behind to travel to the castle and work for the king.
There are a lot of things Yusuf wonders about him. He cannot tell if Nicolò is aware of Yusuf’s watching; he must be. Still, Yusuf cannot help but watch.
It happens faster than Yusuf can track. Nicolò goes entirely still, and draws his bow swiftly, silently. Yusuf holds his breath and so does the forest.
Nicolò lets the arrow fly.
Yusuf doesn’t see whether it finds its mark, but Nicolò looks for a moment and then stands. “Wait here,” he says to Yusuf, and then heads for the clearing. When he returns he’s carrying something behind his back, the arrow in his other hand. Blood drips onto the grass. 
“You can wait inside while I prepare it, if you prefer,” Nicolò says haltingly. Yusuf shakes his head, and so he sits on a log outside while Nicolò skins the rabbit, arms wrapped around his knees and chin drawn up to his chest. Nicolò keeps his back to Yusuf, shielding most of it from view. 
Who taught him this? Yusuf wonders. It is a part of Nicolò he has never seen before.
When it is done, he takes it back inside to cook over the fire, and they eat it alongside the bread and cheese they brought from Goron City, across from each other at the cabin’s little table.
“When do you want to leave, tomorrow?” Nicolò asks softly. 
“I don’t,” Yusuf says before he can stop himself, and then adds, “I don’t know. Early, probably.” The thought bursts the little bubble he’s been in since they arrived. He doesn’t want to leave, could stay here for the three days they’ve been allocated and return to his father without even having tried and it would change nothing. 
“Just after sunrise, then,” Nicolò says. “It is not far, you said?”
Yusuf shakes his head. “No,” he says. “Not far.”
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The water is freezing.
It has always been freezing. But Yusuf knows well enough that if he stands in it for long enough, it will start to warm. It reaches to around halfway up his thigh; when he was younger, it felt deeper. 
The stone in front of him offers nothing. No sign, no indication that anything is listening to him except for the water and Nicolò, who has been standing at the gate of the Spring for however long he has been in here. Has he been listening? Has he heard Yusuf pleading for something, anything, dreading the moment he returns to the castle and his father looks down at his left hand and sees nothing there? 
What does Nicolò think of him now? If he did not see a failure before, does he see one now? 
His legs may be going numb. They tremble beneath him, struggling to hold his weight. How long has he been standing here? 
“Tell me what I am doing wrong,” he begs the stone. His voice sounds like it’s coming from somewhere else. “I know I am not the one you wanted, but I am trying. I am trying. I have given everything. I do not know how much more I have left.”
The stone says nothing.
Nicolò says, “Yusuf.”
Yusuf hears him without listening, falls to his knees in the water and does not even feel the chill. 
“Please,” he pleads. “I cannot return – I cannot give anymore.”
There is a splash behind him, and then there is Nicolò, pulling him to his feet, pulling him from the water. Yusuf tries to hold fast - he cannot leave now or it will have been three days in the Spring with nothing to show for it. 
“Yusuf,” Nicolò says again. His grip is gentle but unrelenting, and he is warm. Yusuf, shivering as he is, can’t help but lean into it. “You are exhausted. You are going to freeze. Come with me.”
“I can’t,” Yusuf says, even as he lets Nicolò take his weight, lets him guide Yusuf out of the Spring. “I can’t.”
There is a small paved area where their camp is set up. Nicolò has kept the fire going, or restarted it, while Yusuf was in there, and he half-carries Yusuf over to it now. Yusuf’s legs buckle under him the moment Nicolò lets him go, and he sinks onto something soft laid over the paving stones. He blinks, and there is a bowl in his hands, warming even if he does not really taste it. 
“It was never supposed to be me,” Yusuf says without really meaning to. 
From across the fire, Nicolò watches him.
“It was supposed to be my mother,” Yusuf whispers. The only sound between them is the crackling of the fire. Yusuf is so, so tired. He has never said this to anybody else, not even Andromache, but he cannot keep the words from rushing out of him now.
“It came to her when she was nineteen,” he says, “and that’s how they knew it would happen in her lifetime. So she trained, and she mastered it, and we were ready. And then she was killed, and because I was the oldest, it came to me.”
He does not like thinking about this. He has not thought about this in years. They do not speak of it anymore.
Nicolò is still watching him.
“I was asleep when it happened,” Yusuf continues. “I dreamt it as it happened, but I didn’t know until later. The moment she died, I woke up screaming. They told me afterwards that I was– I was glowing, bright enough that nobody could look at me for long or get close enough to see what was happening to me. They just had to wait until I came out of it. It felt like I was burning.” If he closes his eyes, he is there again, twelve years old and terrified.
“That’s how we know it should be me,” he says after a moment. “Who can do it. Because I did, once, but never again, despite all of this.” He waves at the Spring, the water, the stone. 
Exhaustion tugs at him. His eyes will not stay open, but he cannot let himself fall asleep, not yet.
“Don’t let me fall asleep,” he tells Nicolò. “There’s still time.” It cannot be late yet; the sun has gone down, but it is not quite dark. “Don’t let me.”
“You have to rest,” Nicolò says. It is the first thing he has said to Yusuf since he pulled him from the Spring, and Yusuf cannot tell what he is thinking. 
“I can’t fall asleep,” Yusuf insists.
“At least let yourself warm up first,” Nicolò says. There is a pile of dry clothes in his hands - where did he get them?
Nicolò convinces him to change and to sit back down, to rest a little while longer. This time he  steers Yusuf to sit down on his bedroll instead, and Yusuf’s grip on his arm goes tight.
“Don’t let me fall asleep,” he says again. 
“You cannot go on like this,” Nicolò says. “Sleep, and I will wake you in a few hours’ time.”
Yes, a few hours. That, Yusuf can afford. “Promise me,” Yusuf says, but his eyes are already closing unbidden. 
Nicolò says nothing.
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When Yusuf wakes, it is still dark outside, and there is a cloak that is not his own draped over him. Nicolò is crouched over the fire only a short distance away. He catches Yusuf’s eye, but doesn’t say a word.
It all comes crashing back at once: the water, the stone, Nicolò. Yusuf sits up.
“You didn’t wake me,” he says.
Nicolò watches him for a long moment. “You needed the rest,” he says finally. 
Suddenly his consideration stings. “That wasn’t your decision to make. What time is it?”
Nicolò glances at the sky. “It will be sunrise soon.”
Yusuf’s heart sinks. Sunrise means return, means return to the castle and his father with nothing. He gets up, pushes Nicolò’s cloak aside. “You should have woken me.”
Unexpectedly, Nicolò pushes back. “You would have only made yourself ill. You were barely conscious. I would not have done it if–” “That was not your decision to make,” Yusuf snaps. “I am not a child, Nicolò. I am capable of handling myself. I have lost hours.”
Nicolò does not say anything. Yusuf almost wishes he would keep pushing, but he does not. He simply folds himself back into the same blank expression he always carries, and again, Yusuf cannot read him.
“If the sun will rise soon, there is not much use in staying here for much longer,” Nicolò says eventually, quiet. He doesn’t meet Yusuf’s eyes. Guilt twists his stomach. 
Did Nicolò know? Did Andromache warn him? Or was he just worried?
Yusuf nods. 
They pack up their camp in silence, side by side. By the time they set off on the road back towards Goron City, the sun has risen, and the early light turns the world around them to gold.
Yusuf walks, and Nicolò follows behind him, as always.
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quuerbee · 5 months
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Just saw a picture of divine dragon chung myung before he got that title and it really hit me how small Cho Sam's body was when chung myung came back. This little thought has spoilers for chapter 400+ (I think anyway) and vague spoilers for everything past ch 400 until like. Ch 800
GOD OK so we as the reader understand chung myungs situation very very intimately. WE understand that he is an 80+ year old man mentally. WE understand that he is not in fact 15, then 17, then 19, 20, etc. Everyone around him, however, truly believe that he is those ages.
It's brushed upon multiple times throughout the novel, especially whenever chung myung is down for the count/recovering after a fight. The facade he makes around himself, the strong reliable leader, fades away and the "truth" of who he is reinstates itself to those close to him in this second life. His back, every time he wavers, is described as small. This is always through the perspective of anyone but himself. This is even more apparent whenever he is unconscious after a serious fight. I don't know exactly chapters, but i KNOW that baek cheon (and the rest of the 5 swords plus soso and hye yeon), at least once, has had the reality of Chung myungs apparent age dawn upon them. That they're youngest sajae (sahyung in soso's case) is constantly spilling his own blood to protect them. (This fact is straight up said by yu iseol after the particularly bad fight with Jang ilso, spitting her frustration with only getting in chung myungs way instead of protecting him).
This phenomenon is hardly limited to the main group of disciples. After the first myriad men siege on Mount hua (while The Gang is in Xian), everyone subconsciously gains courage with the thought that soon enough chung myung will come, that he'll protect them. The disciples (soso being the most prevalent since she's one of the main disciples focused on in the novel) of course correct this thought, realizing that they cannot rely on chung myung forever. Anyways moving on from just describing this arc. What I mainly want to focus on is Hyun jong and chung myungs interaction AFTER the siege is finished, after un gum is fresh off of his amputation, after chung myung has barely gotten treatment for his own (quite serious) injuries.
What do you think when through Hyun jong's mind, seeing his youngest disciple, the one who brought back the hope that had almost died out with his sect, ruthlessly kill the enemy, return heavily wounded, and then try to sneak out almost immediately to go back to smite those who have harmed his home? To us, Chung myung is more than capable. He's the plum blossom sword Saint, the one who (even with all the regret he holds over this) severed the head of the heavenly demon. He's an 80+ year old man trying to protect the only thing besides bloodshed that is familiar in this second life. We understand the guilt he has over not being able to protect his home the first time. We understand that he would rather die than allow Mount Hua to fall again.
Hyun jong does not know this. He does not understand chung myungs rage (and guilt and grief and longing and-). He looks at chung myung and sees an 18 or 19 (I don't remember) year old boy, covered in wounds, trying to sneak out of his home on a suicide mission of revenge. He sees a boy. He knows that if he let's this boy go, he will never see him alive again. So he uses chung myungs borderline (who are we kidding, it is way past borderline) unhealthy loyalty with mount hua to dissuade him from walking to his death.
ANYWAYS long story not so short, I need need need more analysis over what everyone but chung myung thinks about him. Everyone sees this young teen, then young adult, bend over backwards to the point where he has almost died so so so many times just so mount hua can flourish. They've seen him kill ruthlessly, they've seen him sob over the skeleton of an ancestor (one of his brothers, a reminder of what he has lost, what he will never get back), they've seen him silly and carefree, they've seen him almost mad with bloodlust.
To us, he is chung myung, the old plum blossom sword Saint, slayer of the heavenly demon. To them, he is chung myung, the scrawny 15 year old that changed their lives, that faces unknown traumas, that has had a life so, so unkind to him.
Sometimes I look at chung myung pre time skip, how small he is, how he looks like a child, how he acts nothing like one, and remember that only we, the readers, get the full context behind his actions.
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omusasteelhorn · 9 months
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My own idea for what a Highmountain Tauren paladin's mount would look like in game. I took a lot of inspiration from the current Sunwalker Kodos, as well as the current moose mounts in game.
I thought about using reds and greens, but was afraid it would look almost like a Christmas mount, given the animal being used for a mount. I had a lot of fun with the Night Elf saber and wanted to take a stab at others. I will probably look at orcs and their wolves next.
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bookrat · 1 year
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Due to an unprecedented new organizational technique(making a folder labeled 'old2022' instead of 'old7'), this year I can easily look back on everything I made and put my favorites into list format according to how much serotonin they deliver when I look at them. This is truly the most objective and important of categorical characteristics.
5. Little punk compsognathid
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4. Sinosauropteryx bust
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3. Terrestrisuchus
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2. Nothronychus
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Little Etsy raptor
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blackbackedjackal · 9 days
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GW2 is one of those games I've been playing for so long that it's just a comfort space for me. I love the game and I love talking about it, but you gotta push the hyperfixation button in my brain otherwise I'll hardly mention it.
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pokepaws · 1 year
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sunwarmed furline🐈🔥
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thegreatyin · 5 months
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world of warcraft keeps doing this really impressive thing where they made the single best continent, worldbuilding, and general atmosphere in their entire franchise and proceed to ignore and never do anything like it again for the next *checks notes* 11 years and counting
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ilovemount · 7 months
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Why Mason here looks like Ruben Dias? 😭
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jay-arts-t · 1 year
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Geralt probably cried the first time Ciri called him dad
Ciri: hey Dad can I go down to the creek with Lambert and engage in childlike tomfoolery
Geralt: yeah that's fine just be careful to not split your head open. I know you like Lambert but you don't want to end up like Lambert
Ciri: fair enough, thanks!
Geralt: dinners in an hour by the way!
Ciri: okay Dad!
*two minutes later*
Geralt: oh my gods she called me Dad
Vesemir: you just realized that?
Geralt: *already tearing ups* y yeah
Vesemir: she called you it twice
Geralt: OH MY GODS SHE CALLED ME DAD TWICE IM THE HAPPIEST FATHER ALIVE
Vesemir: Bud, that's like the bare minimum to fatherhood-
Geralt: ITS NOT FOR PEOPLE LIKE US. I HAVE TO TELL EVERYONE I KNOW. THIS IS THE BEST DAY OF MY LIFE
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yoursselo · 1 year
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the prettiest
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