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ueberdemnebelmeer · 55 minutes
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We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
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ueberdemnebelmeer · 5 hours
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Crash (1996) dir. David Cronenberg
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ueberdemnebelmeer · 6 hours
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ueberdemnebelmeer · 7 hours
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Shorts count as trousers. Leggings also count if you want them to.
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ueberdemnebelmeer · 7 hours
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STRANGE DAYS 1995 | dir. Kathryn Bigelow
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ueberdemnebelmeer · 11 hours
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ueberdemnebelmeer · 22 hours
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“In the secret parts of his peculiar brain, those unhappy and inextricable tangles which he felt at the roots, the boy was disabled by something which we cannot explain. He could not have explained either, and for us it is all too long ago. He loved Arthur and he loved Guenever and he hated himself. The best knight of the world: everybody envied the self-esteem which must surely be his. But Lancelot never believed he was good or nice. Under the grotesque, magnificent shell with a face like Quasimodo’s, there was shame and self-loathing which had been planted there when he was tiny, by something which it is now too late to trace. It is so fatally easy to make young children believe that they are horrible.”
— T.H. White, The Ill-Made Knight
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ueberdemnebelmeer · 22 hours
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La chimera (2023)
Alice Rohrwacher
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KARINA in Supernova (2024)
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aespa SUPERNOVA, 2024
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s.coups | SEVENTEEN “LALALI” | 240427-28 FOLLOW AGAIN TO SEOUL credit.
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The Bitter Tears of Petra von Kant (1972) | dir. Rainer Werner Fassbinder
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everyone had left and he was still laying on the floor
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i think people should talk more about the unique sense of hopelessness which stems from the realization that “help” in the form myth promised you does not exist; there is no help coming and you must create from scratch the tools that will dismantle (or at least diminish) your own suffering, and do this not once but every day for the rest of your life
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