the people I love and the reasons I love them (2/?)
I love him because he always starts a question by saying
âquestionââ
which is like the verbal equivalent of the thing I most enjoy about his mother tongue
because really, Âżwhy doesnât everyone do this?
itâs so much clearer that way.
â˘
I love him because he watches people,
knows the ticks and mannerisms of my own family
more keenly than I do, can speak and laugh as them,
uncanny:
a whole essence in the nod of a head or a wave of a hand.
â˘
I love him because despite this,
despite the detail he can grasp from the briefest of meetings,
he is still every inch himself
and yet reduced to stereotype at every turn.
I love him because somehow he doesnât retaliate,
even when Iâd have to shout them down.
Well, I have, on occasion.
(I love him because he doesnât want me to, but that makes me want to more.)
â˘
I love him because their taunts do not diminish him:
I love him because he is kind,
love from the heart outwards, all through.
his mimicry is affectionate, never cruel,
but youâd forgive him if he thought that imitation was for mockery
if you heard how many times in one conversation
his own words are parroted back at him,
accent heightened, eyes wide.
theyâre so ignorant they canât even tell that his grammar is better than their own.
â˘
I love him because when we were in a collision
and he was the only one close to injured,
he kept on asking if everyone else was alright,
even after the first round of checks.
I love him because he fell for the girl nobody was looking at
and she ground his heart into the dirt but he didnât hold it against her,
spoke my favourite sentence to date when she was crying,
question:
Âżshouldnât someone go and consolate her?
â˘
I love him because he writes songs. I love him because he doesnât hide what theyâre about.
I love him because when people mistake us for brother and sister
he doesnât say no, he says âadoptedâ
And basically, I love him âcause itâs true.
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leaving party~
the party was about you leaving
so you left it,
slipped off into the night to continue the countdown alone.
i stayed, tucked into the corner, listened to my mother and her childhood friends
as they spoke of the past, of old haunts and bygones not yet gone by.
firelit, they sent up their memories with the smoke,
laughing through anecdotes Iâd heard before,
but never from so many tellers at once.
theirs, I found, is a folk history,
patchworked by seven voices,
they know themselves most truly by each otherâs testimony. they are each otherâs lives, all through.
I will never have this, I thought into the flames.
your chair, next to mine, was still empty.
the only one who knows me this way is going, going, gone.
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you tell me ânothingâs changedâ
and I really want that to be true. I do.
but two days ago we were not so different
(I thought)
and now my entire heart is broken for you
and I cannot pretend that doesnât change things.
â˘
you tell me ânothingâs changedâ
because youâve always known
and itâs your life after all.
Iâm not trying to say itâs my right to be shaken by this
when itâs not my battle
but youâve never loved me as I do you:
you have the capacity for something else, so you donât know what itâs like
to be at maximum investment,
absolute peak complete and utter ride or die
for someone youâve never had what they call
âfeelings forâ.
this is the furthest I go. this is the only way, and the most I ever love anyone.
this is not something I stop thinking about just because itâs your life not mine.
â˘
you tell me ânothingâs changedâ
and in the ways that matter
it hasnât, it wonât, Iâm here for the long haul
(and you have to know that, or I think you wouldnât have said anything)
but I cannot honestly tell you that today is just another day.
you are the same to me. I love that you told me.
I love that I am somebody enough to you, to merit that.
but you have always been more to me than what people mean when they say âjustâ friends.
there is no âjustâ about this.
â˘
you tell me ânothingâs changedâ
but it has! because everything is different now!
so you might have to grin and bear it for a while.
itâll die down.
for now, let me love you a little more evidently.
you might not need it now.
but you might need it later, and I wonât know,
so let me give you something to reread
or just remember:
â˘
nothingâs changed.
you are all that you ever were to me
and I wouldnât change you for the world.
thatâs change-proof, I promise.
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the people I love and the reasons I love them (1/?)
I love her because
she never says 'I am (the thing)'
when she could say 'I am feeling...'
with chattered teeth
she says 'I'm feeling cold'
by weary tongue
she says 'I'm feeling tired'
through lumped throat
she says 'I'm feeling fine'
â˘
I love her because
other people might believe her
but she knows when I don't
and doesn't ask me to,
just accepts a picture of a chubby puppy
that I send in place of eloquence
â˘
I love her because
she is loud in everything
except her whispered beauty,
which she never shows to cameras
I love her because
sometimes I am fast enough
to catch her smiling
but I only post the ones that she approves
â˘
I love her because
she is confident to a fault
except when she's driving,
I love her because
she uses the nickname I made up
to reserve tables in restaurants
â˘
I love her because
when she is feeling sad
she doesn't expect anyone's world
to stop turning
but is grateful if mine slows down a little
â˘
I love her because
I am not her oldest friend
nor her closest or best
but I love her because
she has never made that matter
â˘
I love her because
she pluralises 'mine'
if she's talking about more than one thing
and I love her because
the world has not been kind
but she has never said,
'I'm feeling vengeful'
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i am twenty-two years and eight months and six days old
and i am twenty-two years and eight months and five days older than you
and it should not be me who is writing you an elegy
it should not be this way round at all.
almost three hours, but I'm rounding you up to a day
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sometimes I drive myself so fucking insane
that I figure you must all need a break.
so I give it to you.
(I drop a plan halfway or donât show or walk behind or in front or I turn off my phone. things like that.)
the thing is, you only see it as standoffish
so you isolate me even more
when I next come back around.
I wish I wasnât like this. but I tell myself
itâs an investment, that youâll let me drift on the edges
far longer than youâd want me in your midst.
I guess you think Iâm stubborn and I wish thatâs what it was
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4.2.17
I want to be glad that itâs her,
who I trust to be true
who deserves you.
so I guess I will try
to stop wishingÂ
the other âjust friendsâ
was the lie.Â
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3.2.17
oh, the irony is not lost on me -
that after months, years
of mournful melodrama about things
that barely matter, i have spent
these last months reeling, all but wordless.
there are a thousand verses
lying dormant and unwritten-
sometimes half a thought forces its way
up and through my fingers,
i am waiting for enough of them to come together
to break this silence. this is the only way
iâve ever known how to heal,
so i know it will come.
i splay my fingers over blank paper
and dusty keyboards
and hope that they will dance again soon.
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dear 12 year old me: one day, the two of you will sit under a canopy outside a bar and admit that neither of you still keep in contact with anyone else. he will introduce you to his friends as âmy best friend from back homeâ and youâll wonder why you spent 10 years not believing it (and your heart will grow three sizes. this will impede running-after-train action - youâll be delayed until 2 in the morning. you wonât care.)
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23: a curse of pronouns
I write in second person
like a fever I can't break.
I splash a word like 'you' around,
as though a name won't take.
it's conversation, accusation,
things I ought to say,
things I'd never utter
things I'm scared I might, one day.
I ought to get away from it,
in fact I think I'll try -
and after "you" is gone
I'll think of getting rid of "I".
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22. some months
some months are a city scape,
every day unique, hewn from different rock,
stretched out as a jumbled skyline
to look back on in wonder,
that life can take so many forms
in the space of thirty days.
some months are a desert plain,
the same, the same, the same,
and the jet-setting holiday-makers
can turn up their noses
just as much as they like:
I'm content with a walk to the village,
a picnic and book every day
for as long as the desert can stretch.
the city's a marvel, but things are at rest
in a landscape that doesn't protrude, at their best.
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21. internet friend
I just think itâs funny, thatâs all,
that people who donât have friends on the internet
think that you canât have friends on the internet -
that you canât know a person through a screen,
that you canât know what theyâre hiding,
that you canât keep from hiding yourself.
do they think weâre all projecting perfect versions of ourselves, without the flaws?
because if you ask me, thatâs the beauty of this kind of friendship:
we could pretend to be anyone,
and yet we reveal the darkest parts of our soul to a name in a box,
and we choose to be flawed, to be known, understood
we choose to unfold ourselves just as we are -
if weâre lucky we learn weâre not quite so alone as we thought.
while in daylight, offline, where the choice is not ours to exist as we are,
we resent being seen,
try our best to conceal what we freely admit to our friends on the screen.
I just think itâs funny, thatâs all,
that you call that âreal life.â
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20. bliss is ignorance
I donât want to know when the date comes -
Iâd rather it trickle right by
And see it much later in pictures
When the same sunâs no more in the sky.
Itâs not that I think that Iâll stop it
By stuffing my head in the sand
I know it will happen precisely
The way itâs been carefully planned.
But my day will not be affected.
Iâll live on as though itâs not true -
And if it dawns sunny or raining
Iâll have, either way, not a clue.
Sheâll put on her old new and borrowed,
Sheâll graciously walk down the aisle
Her daughter in front, or behind her,
Theyâll stop at the front with a smile.
Youâll promise to love her forever -
I hope that it stabs at your heart,
And youâll know itâs all lies, like the last time
This nonsense, âtil death do us partâ.Â
Oh Father, you donât know of promise.
You donât even know to pretend.
The knots that you tie donât stay knotted,
You know how this circus will end.
The guests will file out, meet you later
At some picturesque village hall,
But I will know nothing about it
No singular fact, none at all.
I donât want to know âtil itâs over.
Pure ignorance âtil itâs all done.
Say Iâm selfish, a child, whatever.
Itâs fine. Well, I hope you have fun.
But Iâm keeping my distance. Forever.
Youâve chosen a new life apart.
So this time around, maybe keep it.
Donât give up as soon as you start.
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you are my darkest secret:
I deny you at every turn
yet think of you always.
they are all so sure that I will fall in love with you -
like waiting for sunrise
at full light of day
and I swear, I donât mean to be such a clichĂŠ
(19)
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18. nuance
put down your phone, dear.
it's not polite to sit there staring at a screen.
talk to us.
people your age just can't communicate -
it's a crying shame.
in my day we had Conversations.
I don't suppose you've heard the word.
it fell into disuse, you see.
but once upon a time
two people could read nuance in each other, face to face.
we never wrote letters
or did anything comparable to what you're doing.
put it away.
you can't be saying anything important, can you.
you'd have phoned.
(joke's on you, grandma:
texting is nuanced as hell
and just as valid as me sitting here with you.
more, apparently,
because you seem not to notice
the nuance of me not wanting to speak to you -
meanwhile, I've worked out my friend's exact mood
by the length of a ha-ha-ha laugh.
now if you'll excuse me
- which, from nuance, I'm guessing you won't -
I'll find out what's wrong and I'll be on my way)
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17. ribeira
just like Ela never left another Miro
I repay the debt I owe you
to whoever else I can.
we have never spoken of it -
I suspect you donât remember,
still, Iâd crush the wall of silence
retrospectively, with force.
instead, I try with others,
meting out what tiny comfort
I can give them, but itâs yours in truth:
too late, and not enough,
and with an empathy thatâs false
but yours, in secret, like a dedication
printed in faint ink upon a page
that slips the binding
and is lost to every reader -
just the author knows the name it said,
and only I remember
how I left you in the cold.
I try, when you fall short
of what I want from you,
to keep in mind that I was guilty first.
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16. bragging rights
It was nothing more than beginnerâs luck:
I found a little group of tiny fish
and cupped my hands in front of them,
still as could be, until one of them swam
right onto my fingers. I cupped around it,
keeping enough water for the tiny hitch hiker
while I strode across the river to show you.
you were fascinated, and we made such a racket
that the other children wobbled over too,
until we were a gaggle of gogglers,
gawping as the little creature swam round and round
in my hands. then I let it go,
and thought Iâd easily catch another -
well, I was wrong, but it was worth it to hear
you talking with your new-found friends a little while later
as the three of you dangled tiny nets in the water.
did you see the one my cousin caught?
she caught it in her hands.
as though you were describing
some kind of herculean task
Iâd had to train for all my life,
and though the fish was a nice thing to happen
and I loved when it tested my fingers
for nibbling, the thing that I want to remember
(the thing that Iâm writing this poem for)
is how the word âcousinâ just dripped from your lips
as though natural,
the way that Iâve used it for you
since the day you were born
though weâve really no blood tie at all
and our family trees share no branches.
maybe it was just for bragging rights
because Iâm the legendary hand-fisher
but Iâll take it.
did you see the one my cousin caught?
she got it in her friendâs net
a few minutes after I caught mine
and the river cheered.
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