The “oh I could definitely write this fanfic in under 5000 words and it really wouldn’t take me that long” voice in your head is actually the devil speaking
the lair of the white worm (1988) directed by ken russell
"Now, if you're sitting comfortably, I shall tell you why you must not be afraid to die. To die so that the god may live is a privilege, Kevin, and if you know anything at all about history, you will know that human sacrifice is as old as Dionin himself, whose every death is a rebirth into a god ever mightier!"
The fact that Mirror, Mirror didn't explicitly recall the alternate timeline that would have been the future from The City on the Edge of Forever if McCoy saved Edith Keeler.... stupid Wagon Train-esque storyline structure.
In the dark there was no pretence. In the dark there where no poker faces. The tears fell silently. The horror was bone deep. Reassurances where pressed into skin with lips and hands and noiseless care so that when the light came they would be stone again. Staunchly resolute and unrelenting.
There are currently ~2300 works in AO3 tagged with "Created Using Generative AI"
I'll be upfront with my opinion, which mirrors my opinion in regards to my field: using AI will only hasten your own obsolescence. The point of fanfiction is not to crank out fics, but rather to enjoy the hobby and communities of writing and fandom.
It's interesting to note that Bones is the link between these two scenes. Spock gives him the information about Tarsus IV since Jim refuses to speak of his past. In the Mirror Universe, Bones is with Jim when they learn that Mirror Kirk is responsible not only for killing his captain and destroying a whole planet but that this Kirk has killed 5,000 colonists on a planet named Vega IX. And to have the camera show Bones' reaction to Vega IX instead of Jim's response? What a way to recall The Conscience of the King and place the audience with Bones as they hear news of a massacre that chillingly parallels Tarsus IV.
Also, I used these scenes not just for the exposition but also because there's a delightful swapping of both the placement of Kirk's name in the scenes alongside the role reversal. In other words, in The Conscience of the King, the scene reveals that Jim Kirk is the survivor of a massacre, and it ends with the use of his name, albeit in its diminutive, nickname form (Jim rather than James). Whereas in Mirror, Mirror, the scene begins with Jim's full name and rank title, and it reveals that he is the one committing the massacre. The two scenes not only recall each other, but they show the other's reverse as if looking through a mirror.
What if I was all wrong about the "SINNER REPENT" wall writing. What if it isn't a manifestation of the social attitudes of the 1960s (compulsory heterosexuality, gender binary, etc.). What if, like Spock's message of "LOVE MANKIND," Jim's message also speaks to a hidden fear? A fear that is not the breaking of a social taboo (be it a captain's duty and Starfleet regulations, an affair, non-heterosexual love, etc.), but a haunting thought from Jim's past: that he should not be alive, that his continued existence breaks the order of life itself by cheating a certain death. Hence, the use of the words "SINNER REPENT," a phrase that matches how Kodos moralized basic survival needs to justify his eugenics and massacre on Tarsus IV.
SPOCK: Captain, I understand how you must [feel]
KIRK: Yes. Yes, Mister Spock.
Yes, it's a 22-second clip, but by God does it make me insane! Spock! Going to Jim to offer words of sympathy! The words won't change what's happened and might not even be a perfectly Vulcan thing for him to do, but he does it anyway!