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Amado Mio Gilda 1946
Amado Mio by Anita Ellis
https://youtu.be/NqC1Wn5pyZk?si=H0HTUbK-xZye0jN8
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🎼♪♫
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"Amado Mio" is a song from the classic 1946 film noir Gilda, written by Doris Fisher and Allan Roberts. The piece was lip-synched by Rita Hayworth and sung by Anita Kert Ellis. Grace Jones's rendition of the song on her 1989 album Bulletproof Heart was released as a single in a special "Brazilian Mix" in 1990. It became a significant dance hit in the US.
Amado mío (de l'espagnol, « Mon bien-aimé », typographiée Amado Mio) est une chanson écrite par Doris Fisher (en) sur une musique d'Allan Roberts (en) et interprétée la première fois en 1946 pour le film en noir et blanc Gilda, où elle est mimée en playback par Rita Hayworth et chantée par Anita Ellis (en).
La chanson a été reprise par plusieurs artistes par la suite, notamment par Grace Jones en 1990 et Pink Martini en 1997.
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“In the movie’s most celebrated scene, Rita Hayworth does an impossibly seductive striptease that involves the removal of just two long, black-satin gloves. It’s a performance charged with eroticism, desperation and tragedy, and it cemented Rita’s status as Hollywood’s reigning love goddess of the 1940s. Movie posters screamed “There NEVER was a woman like Gilda!”, and Rita is reported to have said, “Every man I knew went to bed with Gilda… and woke up with me.””
Gilda (1946) dir. Charles Vidor
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Put the Blame on Mame
"Put the Blame on Mame" is a song by Allan Roberts and Doris Fisher, originally written for the classic film noir Gilda (1946) in which it was sung by the titular character, played by Rita Hayworth[2] with the singing voice of Anita Kert Ellis dubbed in.needed]
In keeping with the film character Gilda being "the ultimate femme fatale", the song sung by her in two scenes facetiously credits the amorous activities of a woman named "Mame" as the true cause of three well-known cataclysmic events in American history: The Great Chicago Fire of 1871, the Great Blizzard of 1888 in New York City and the 1906 San Francisco earthquake. Mame is also credited with causing the fictional shooting of Dan McGrew during the Yukon Gold Rush, an event derived from a short narrative poem published in 1907 by Robert W. Service.
The song was later reprised as an instrumental version in another quintessential noir film, 1953's The Big Heat, when Gilda star Glenn Ford first meets Lee Marvin's character in a bar. It is again played in 1954's Human Desire, also starring Glenn Ford.
Put the Blame on Mame (littéralement « Rejetez la faute sur Mame »), est une chanson humoristique écrite par Allan Roberts (en) et Doris Fisher (chanteuse) (en) pour le film américain Gilda sorti en 19461. Ce titre y est chanté par le personnage-titre du film joué par Rita Hayworth. La chanson intervient à deux reprises dans l'histoire, l'une interprétée par Rita Hayworth elle-même, l'autre où la voix de l'héroïne est doublée par Anita Ellis (en).
La version interprétée par Anita Ellis est classée à la 84e place dans la liste des « 100 plus grandes chansons du cinéma américain » de l'American Film Institute2.
La chanson évoque une femme fatale, Mame, à laquelle reviendrait la faute de tous les maux du monde3, le grand incendie de Chicago en 1871, le grand blizzard de 1888 qui a dévasté New York aussi bien que le tremblement de terre de San Francisco en 1906, et même la mythique fusillade de Dan Mac Grew (en) qui aurait eu lieu en 1905 durant la ruée vers l'or du Klondike. Le refrain dénonce à chaque fois les explications qui ont été données de la catastrophe en précisant que la véritable responsable, ce serait « Mame » :
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Put The Blame On Mame-- from “Gilda”
Put The Blame On Mame-- from “Gilda” · Anita Ellis
https://youtu.be/igCgR5YC7DI?si=Z0dvNnKFesuxoYms
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Rita Hayworth in Gilda (1946)
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100 Greatest Country Songs of All Time
From "Blue Moon of Kentucky" to the Paisley croon of modern Nashville
By Rolling Stone June 1, 2014
What makes a great country song? It tells a story. It draws a line. It has a twang you can feel down to the soles of your feet. Some get mad, some get weepy, some just get you down the road. But these are 100 essential songs that map out the story of country music, from Hank Williams howling at the moon to George Jones pouring one out for all the desperate lovers to Taylor Swift singing the suburban cowgirl blues.
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Brad Paisley, ‘Welcome to the Future’ (2009)
Mainstream country's most prominent liberal ambitiously overloads this nearly six-minute single from 2009's American Saturday Night, explaining that he wanted "to serve up a little multigenerational truth with a strong sense of hope and possibility." In this bright "Future," Paisley marvels at car DVD players and mobile-phone videogames, imagines how trans-Pacific commerce might amaze his WWII-vet grandfather and then brings his mid-tempo country-rocker down a notch to appreciate the racial progress that has occurred in his own lifetime – he debuted the song live at the White House. Basically, it's a typical Brad Paisley A.D.D. special, mixing synth lines with steel guitar, fiddle breaks with speed riffs and sense with sentiment. By Richard Gehr
Music 🎼Country 👢Western🤠
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10,000 Japanese Sing Beethoven's Ninth Symphony
Ode an die Freude / Ode to Joy 歓喜に寄せて
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12/31/23: This ‘magical’ date is sparking Las Vegas wedding bonanza on New Year’s Eve
And while saying “I do” on New Year’s Eve is already a Vegas pastime, this year is what many industry insiders call a “specialty” or “magical” date — an occurrence nearly as rare as a sighting of Halley’s Comet — because the numbers align into a perfect pattern or sequence: 12/31/23, or 123-123.
There is a precedent: Las Vegas set a record for weddings on July 7, 2007, or 7/07/07, known as the “Lucky 7s” day, when 4,492 couples tied the knot.
Nov. 11, 2011, or 11/11/11, was the second-most-popular wedding date, when 3,125 couples were married. Last year, Feb. 2, or 2/22/22, there were 2,331 weddings, making it the sixth-most-popular day on record.
2023 ends with this unique pattern; celestial events to look forward to in the new year
2023 ends with a unique pattern — 123 123.
This New Year’s Eve a unique pattern ends the year: 12/31/23, 123123, 123 123. Whichever way you write it, the repeating pattern is extremely rare. The Old Farmer’s Almanac says it’s so rare, in fact, that it won’t even occur again in this century.
The last time a repeating date pattern happened was January 20, 2012 (012 012). The next time the 123-123 pattern will happen on Dec. 31 will be in the year 2123.
April 2, 2040 (04-02-2040)
May 2, 2050 (05-02-2050)
June 2, 2060 (06-02-2060)
July 2, 2070 (07-02-2070)
August 2, 2080 (08-02-2080)
September 2, 2090 (09-02-2090)
NYE 12/31/23 = 123 123 👼 Angel Numbers
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Elvis Presley
🏠 I'll Be Home for Christmas 🎄
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Amy Grant (Lyric Video)
🏠 I'll Be Home for Christmas 🎄
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Johnny Mathis
🏠 I'll Be Home for Christmas 🎄
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Chris Isaak
🏠 I'll Be Home for Christmas 🎄
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Music on Mind and Mood
Nov 9, 2020
Music has a very strong and powerful impact on our mind and mood. It engages the mind, which is a manifestation of our emotion, imagery, memory, attention, learning, pattern perception, motor control and much more.
One of the only activities that make the entire brain functional is music.
Indulging in music composition, improvisation and learning, demands coordination and involvement of several brain areas. A musician requires a higher cognitive function to keep several features in mind such as pitch, rhythm, timbre, attention, fluency, working memory and emotion. Thus, musicians can process multiple things at once.
Music cognition studies have shown the fascinating ways in which music affects our mood and mind.
Music affects our brain chemistry by releasing neurotransmitter dopamine, which is responsible for making us feel pleasant. Music tends to resonate with us while also giving us chills & goosebumps.
Whether we are in a sad or good mood, music is our best company.
Sad music helps one relate to times, and joyful music adds an extra bounce to our happiness.
Moreover, music improves non-verbal reasoning, fine motor skills, auditory discrimination and vocabulary, making us smarter human beings.
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Weightless Part 4 · Marconi Union
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Reduce Anxiety with THIS Song
Neuroscientists out of the UK have identified not just the type of music best for reducing anxiety and stress, but also specific songs.
Dr. David Lewis-Hodgson and his team hooked the participants up to sensors that measured brain activity as well as physiological states such as heart rate, blood pressure, breathing, etc. Then they gave them a series of difficult puzzles to solve as quickly as possible with different songs playing in the background. The difficulty of the puzzles created a certain amount of stress, and different music was played to determine how it would impact that stress. They found that one song in particular produced a greater state of relaxation than any other music tested to date.
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Marconi Union - Weightless (Official Video)
👇 🎼 👇
https://youtu.be/UfcAVejslrU?si=YTz6xM3rJrPNfIyG
Find out more about how the brain works and how it can work better for you in Happy Hour with Einstein available now on Amazon: http://a.co/aFLKH5y
Weightless Part 4
MarconiUnionOfficia
🎼 ♪♫
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https://www.youtube.com/results?search_query=weightless+by+Marconi
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Weightless Part 4🎼 Marconi Union
👇 🎼 ♪♫ 👇
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https://youtu.be/XoZDqw7ahWU?si=eP2noLIjUQp2STDh
Marconi Union - Weightless
(Official 10 Hour Version)
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https://youtu.be/qYnA9wWFHLI?si=B503kw1M3l9kpzZP
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https://www.youtube.com/results?search_query=weightless+by+Marconi
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