The producer for both TV and OVA series (Ueda Yasuyuki) also quote tweeted, adding:
And they both say: “Now you are truly most beautiful”.
The Japanese VA of Alucard (Jouji Nakata) and Integra (Yoshiko Sakakibara) just met on the set of JJK and they greeted with the line of Alucard and Integra greeting at the ending of Hellsing:
"Welcome back"
"I'm home"
SOURCE:
(1st pic): explaination tweet
(2nd pic): Jouji Nakata's tweet
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I adore the idea that since Alucard has this weird respect towards Anderson, he isn’t hostile towards his kids (except Maxwell he kinda deserves it). Like he sees for example Yumiko on an intel mission and he talks to her. And since Yumiko is the kindest person ever she talks back to him, she’s maybe a little confused and worried because why the fuck is THE Alucard speaking to her and why isn’t he attacking her. Then when he does a random act of kindness for her and she just kinda looks baffled.
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Oh it’s my absolute pleasure!! Thank you for the stories you write, there is so much to be enjoyed about each of them :D
Satis (the lovely, ongoing time travel drama fic by @lesmismignon) updated, so some sketches to commemorate.
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Satis (the lovely, ongoing time travel drama fic by @lesmismignon) updated, so some sketches to commemorate.
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Can't sleep. Gonna throw this out there.
So. Integra.
Let me talk - again, yes, I know I've made similar posts - about how much she cares.
She didn't throw away the girl she used to be, who sat next to a corpse and basically said, "well it would have been nicer if you were a knight in shining armor, but at least I'm not alone, you won't mind me here, will you?" Like this girl cares about whether the very dead(looking) corpse in her basement that she's just met while on the run for her life, minds her being there.
She doesn't bat an eye at Seras joining them. She questions Alucard's reasons, but beyond that, once Seras is there she's there, she's under her wing and Integra will be damned if some priest kills her. She essentially defends Seras with her own body. "That girl is ours." Sir, this is the Judas Priest you're up against? But nah, step in so he doesn't kill the little fledgling vampire you took in like 1 night ago.
She doesn't care what people say to her face, call her whore or sow or bitch or go through her fucking drawer, whatever. But when her house is being invaded Integra really only starts to be visibly upset when it's clear all her men are dead. And again, she doesn't hesitate to throw herself at a rampaging baby vampire and embrace her to get her off her dead, ghoul-turned men. She doesn't want Seras mauling these already dead men, but she doesn't want to stop Seras by force. So she embraces her. It should have registered as a very unnecessary, risky move. But Integra did it anyway.
And during the war, Integra hardly displays any sorrow or woe towards her own predicament - it's only when Alucard cries for Anderson (and himself) that she looks so sad, for him - and it's only when Alucard disappears that she screams (his name) and when Walter dies that she looks so tired and worn.
And still, she says to Seras, Let's go home. Together.
Editing to add: And she's not even in the same ROOM as Walter when he dies. She loved her butler/father figure so much that she felt him die somewhere on the zeppelin and grieved even when he'd betrayed her so horribly. She is layers and layers of love under a heavy coat and goddamn I need to stop crying and go to sleep
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the young lady knight and the weird dead thing that crawled out of the basement and now lives in the walls
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Old Hellsing concept art found in a free space section in one of Hirano’s old doujins.
From top to bottom, left to right it reads:
"HELLSING" by Young King OURs
Glasses-chan will appear again. Both the man and woman. I plan to have the 'Section 13' I drew for the magazine Comic Master appear as enemies.
It's a vampire-hunting occult story... In other words, lots of guns firing nonstop. Yup. Libido at full throttle. I'm completely running with my personal tastes. I definitely want to put in the priest character I drew for the magazine Papipo.
This is the only space where I get to draw about my (non-personal) work so I might as well. Right now this is one of the projects I'm putting my everything into. I want to do my best. Please don't give up on me~
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