#also- i put it in the source link at the bottom of the post but the german inscription is copied off a real woodcut of vlad from 1491

[sacchiri]

Hellsing 2002 calendar illustration.

Ein wunderliche und erschröckliche Hystori von einem großen Wüttrich genant Dracole wayda Der do so ganz unkristenliche marrter hat angelegt die mensche, als mit spissen als auch die leut zu Tod geslyffen

A wondrous and frightening story about a great berserk called Dracula the voivode who inflicted such unchristian tortures such as with stakes and also dragged people to death

#hellsing #alucard #kouta hirano #translation was found in a comment by u/lazyfoxheart on r/Kurrent #fun fact this is the highest quality version of this image that exists online #i know because i've been looking forever for a version that's clear enough to actually read what hirano wrote under '1443' #but there weren't any so i had to take matters into my own hands #the real image on the back of the guidebook is only 2 inches tall so i had to take this with my smartphone and will my hands not to shake #anyway i'm pretty sure it's supposed to say Eğrigöz (the location vlad was imprisoned) so yeah. thank you hirano very cool #if i might rant for a sec it took me an embarrassingly long time to figure that out because i didn't have the guidebook at first #and in the images i could find online that part was just a blur that looked suspiciously like a person's signature and i was like. who tf #i was thinking matthias corvinus since he issued some political propaganda against vlad iirc but it didn't match his signature on wikipedia #then i thought it might be vlad II dracul's since he probably had to sign an agreement to send his sons over as hostages at some point #but that didnt seem right either so i kept skimming vlad's wiki page #and then i was like goddammit...hirano.....you just misspelled Eğrigöz didn't you.. .... #i maybe should've made a separate post dedicated to this instead of writing a novel in the tags but eh #the hellsing brainrot runs deep #also- i put it in the source link at the bottom of the post but the german inscription is copied off a real woodcut of vlad from 1491 #except instead of depicting him as an adult hirano drew him as a child which gives the inscription a very different feel imo #the one final thing that interests me about this is the fact that hirano published this calendar in 2002 #which is REALLY early in the series. like this was before volume 5 came out?? #i have no idea why he decided to do a massive spoiler drop in a random piece of japan-only merch #sandwiched between a drawing of alucard as john travolta from saturday night fever and integra as a fish no less #it makes me really curious to know what the fan response to this was back then. like did people even know who this was #maybe im just an idiot and everyone back then was like 'ah yes its alucard as a 12 year old. how very informative'

[sheisraging]

Tutorial: How to Embed Gifs (and get the one you actually want from the set)

There have probably been posts about this before, but since reposting is still a (deeply unfortunate) thing, I figured I'd give this a shot in case it's not a well known trick.

The tumblr Gif tool will allow you to embed gifs directly into your post without saving and re-uploading (reposting) someone else's work.

When you're building your post, just use the yellow GIF icon in the post builder:

You can search here by tag or keyword. If you happen to know one of the tags used on the original post you're looking for, that can narrow things down:

To narrow down to a SPECIFIC post, you can also paste the URL into the search field. This will pull up the very first gif in that set:

If you select that gif, it will pop into your post with a credit and link back to the OP (specifically back to the OPs post with that gif in it):

This is a properly attributed gif embed. The credit on the bottom right points back to the original post:*

Often, the first gif is not actually the one you want to embed, but there is a way to swap the image out for the one you want without losing the source attribution.

*It's helpful to put some reference text near your initial embed so you're able to swap the right image out later on. For this post, I'm going to use that short block right above the embedded gif as a reference.

In another tab/window, go to the OPs post and find the actual gif you want to embed from their set. Right click the image and Copy Image Address:

Once you have the URL copied, go back to your post and scroll to the gear icon at the top:

Open that menu and in the dropdown, where it says Text Editor, swap Rich Text to HTML:

Your post will turn into a bunch of code once you do this. Don't worry, we will change it back.

For this post, I put reference text above that first embedded gif so I could easily find the URLs I need once it becomes HTML. This is super helpful if you're embedding more than one gif. The reference text is highlighted below. This indicated the block that my currently embedded gif lives in:

In order to swap the first gif out for one that's later in the set, you just need to replace the SRC gifv and SRCSET gifv URLs with the image address you copied:

Once you've pasted the image address into these spots, you can go back to the gear icon and switch the Text Editor back to Rich Text:

Your post should return to it's previous, glorious state, but instead of the first gif embedded, you should now see the one you actually want from the set. The credit and source attribution back to the OPs post should remain intact on the bottom right:

This might seem super complicated at first, but it's pretty straightforward once you've tried it, and also a lot less frustrating for gif makers to see this than seeing our stuff just get reposted.

Anyway... If you found the gifs outside of tumblr or you didn't make them yourself, don't save and re-upload (aka. repost) them to tumblr, 'cause someone probably stole them from here to begin with and that's not cool. Search the tags and find the ones you want. Reblog from gif makers. If you want to embed a single gif from a set, try to do it this way, or minimally, credit the person you took it from.

#tutorial #how to properly embed gifs #support gif makers #credit gif makers #rogerhealey #userbess #userhallie #userlolli

[pure-electric]

~an introduction to ecobricking~

hello fellow solarpunks! i've been interested in ecobricking for a while but i recently invested some time into researching them so here's a guide! it's a responsible way to sequester plastic from the environment, but making them is slightly more involved than just stuffing plastic in a bottle, if you want to use them for construction or weight-bearing projects like furniture. I'm mainly using information from GoBrik, which had the most comprehensive guide, but feel free to comment or rb with supplemental information.

FAQ:

Isn't it better to recycle plastic rather than ecobricking?

There are many plastics, such as food wrappers or packaging, that can't be recycled and end up degrading rapidly. Ecobricking sequesters those kinds of plastics from the ecosystem and also reduces the surface area exposed, which limits plastic degredation over time.

How do you use ecobricks?

You can use ecobricks in many applications, from furniture to structures. The long-term environmental impact of using ecobricks is still speculated on, but responsible upkeep mitigates their potential environmental impacts, which are still far less than the impact that plastic would have were it not sequestered.

How To Ecobrick:

Find a plastic bottle. The bottles that you use for ecobricking should all be the same variety, which will help in any building projects that you may choose to use them for.

Find some plastic! Make sure to wash and dry your plastic, as any food residue or moisture could make your brick moldy or structurally unsound. You can cut up larger pieces of plastic, like food packaging (think bags of shredded cheese or frozen berries, or the plastic bags inside cereal boxes)-- just pack em in. If you want to be fancy, GoBrik recommends making the bottom layer of your ecobrick all one color, for aesthetic purposes later on. But it's really up to you. Please avoid putting biodegradable material, such as cardboard or paper, as well as glass or metal, in your ecobrick-- it'll affect the density and preferred composition. Plus, you can recycle those!

Calculate the density! This is the only part that involves math, I swear. You want to aim for a density of about 0.37 grams per milliliter; it shouldn't be under 0.33 g/ml or it'll be structurally unsound. It's also good to aim for a density less than 0.7 g/ml, or your bricks might be too heavy to move comfortably. The equation is just the weight in grams divided by the milliliters of the container you're using, so, for example, if you used a bottle than was 1250 ml, you would be aiming for about 475-500 g of plastic (including the bottle). (a kitchen scale is great for weighing, and you can thrift them pretty easily) Of course, if you're ecobricking to sequester plastic and not necessarily to build, you don't need to worry too much about the density, but if you wanted to donate your ecobricks to a project in the future I would encourage you to try to keep track of density.

Cap your bottle tightly, leaving 1-2 cm at the top of the bottle (basically, you don't want the cap to bulge, because it will make the cap degrade rapidly and crack). Label them with the density of the bottle (if it's relevant) and the date (so you know how long the brick has been around so you can maintain it if needed)-- nail polish works the best. Keep them out of the elements (especially the sun) and off the ground until you plan to use them.

There are tons of ways to use ecobricks! I'll link a few ideas below.

https://ecobricks.org/en/build.php

https://ecobricks.org/en/modules.php

anways, happy bricking! i'll post a picture of my finished ecobrick when it's done (hopefully not soon!)

Sources:

https://en.wikipedia.org/wiki/Ecobricks

https://ecobricks.org/en/how.php

#solarpunk #solarpunk action week #sustainability #zero waste #hopepunk #goblincore

[bunberiii]

10. blueprint (single muse template) UPDATED!!

introducing "10. blueprint", a dark blue, ocean aesthetic in-depth google docs oc template, with many custom drawings such icons, menu, and social media posts. this document includes space for general information, backstory, personality, character relationships, and character headcanon information, themed around the aesthetic of the ocean (depending on the colour chosen, the aesthetic changes from ocean, forest, purple flowers and pink flowers) feel free to edit this as much as you wish as long as you do not remove my credit.

UPDATES: i have lowered the prices of a few of my current google document templates, as i know some of you have mentioned that you can't always afford templates. also this template is officially available in 4 colours!

notes/rules

editing and modifications are welcome once you purchase the template.

all drawings and images in this document are custom created (or in the case of the pictures, edited) by me. If you would like to take elements from this document, you will need to credit me as an inspiration or the creator of that element(s).

resizing or moving objects/images can throw off the document, so be careful.

do not remove my watermark/credits!

please like or reblog this post if you use my template!  ♡

how to use

click the source link above

purchase the template via my payhip

follow the instructions on the downloaded note

once you receive access to the template, go to file  →  make a copy

how to edit

in order to most easily put in your own images, go to replace image then choose how you wish to replace it (either uploading a file or via the image's URL).

this document includes drawings. Double-click the drawing/image on the bottom left or top right corner, then click the edit tab. this will take you to a page where you can replace, edit or delete features of the image

for the custom-edited photos, I've linked a tutorial to how I created them in the zip file you'll receive after the purchase

#google doc #google doc template #google docs template #oc template #google docs #character template #discord rp #template #ocean aesthetic #blue aesthetic #oc #forest aesthetic #purple aesthetic #writing resources #pink aesthetic #flower aesthetic #creative writing #bun: original #bun: google docs

[monsterblogging]

Jaeger Piloting 101: How Rangers Get Into The Thing & Other Basic Stuff

Hello Pacific Rim fans, today I am doing a post on the topic of how rangers get into the conn-pod, and take control of the Jaeger, plus do a quick look at conn-pod interiors in general! I'll be using pictures sourced from movie-screencaps.com to illustrate the process.

Before I proceed, I'd like to remind folks that Lady Danger's canonical name contains a racial slur. It will be depicted here in screenshots, but I encourage fans to use the name "Lady Danger" in casual conversation, fanfiction etc. It doesn't matter if the name was referencing an old engine, it doesn't matter if no harm was intended by it; a slur's a slur.

Before the rangers enter the conn-pod, they must first suit up. This isn't something they can do on their own - they have a dedicated team of assistant techs to help them into their drivesuits. As we can see here, Raleigh and Yancy Becket's team have the name of their jaeger printed on the backs of their jumpsuits:

If you read my earlier post on jaegers, you know that drivesuits come in two layers. Here's Raleigh and Yancy already wearing the first layer, while one of their technicians assists:

Next, the technicians help them into the drivesuit's second, armored layer. On the right side of the first image is the area where the drivesuits are kept when not in use:

And then we have this thing that's pulled out of a special storage box and put over the spinal area, connecting the back of the armor together:

We also see Yancy and Raleigh pull on their helmets, and this strange liquid drains out. (It makes me think of the orange juice Raleigh was drinking earlier.) It's not clear how common this feature is, but we know it's not universal - the refurbished Lady Danger doesn't have this, and Cherno Alpha's helmets don't look it would even be possible.

Next up, the pilots enter the conn-pod. Note those two light gray things on the floor in the first picture; that's part of the Pilot Motion Rig. Also note the dark gray things hanging from the ceiling in the second picture; that's also part of it.

Once the pilots step into the bottom part of Pilot Motion Rig, metal clamps lock their feet into place. On the right, Raleigh is already locked in; on the left, Yancy is not yet locked in:

Meanwhile, more technicians help pilots get into the upper part of the Pilot Motion Rig.

At this point, something magical and wonderful absolutely terrifying else happens: the floor pulls away, leaving the pilots standing like:

If you look down once the floor's pulled back, it's uh. Quite the view.

In the case of Lady Danger, a nuclear-powered Mark-3, this is where technicians drop the head to connect it to the body. (The head is stored separately to reduce radiation exposure that might damage the delicate circuits.)

At this point, the Beckets are looking at this in front of them:

As the head connects, the pilot-to-pilot protocol is engaged, the computer system fires up, and the Beckets see a LOADING screen:

In the Anchorage Shatterdome, Lady Danger was wheeled out through a door on a rolling platform. At this point, the neural handshake was activated with a countdown of fifteen seconds.

The neural link is established, and you got two people in control of a Jaeger!

From here, stuff often depends on the specific jaeger, as control systems can be pretty different. For example, we see Raleigh and Yancy holding these round things in the arms they're controlling at the beginning of the film, but the refurbished Lady Danger doesn't seem to use them, and neither do the other jaegers.

I'd also like to contrast Cherno Alpha's drivesuits with Lady Danger's drivesuits for a moment, just to emphasize how different designs can be. As you can see, each pilot's drivesuit has cables connected to the arm they're controlling:

Also as I was looking at pictures of jaeger interiors, I noticed something curious about Lady Danger vs. Striker Eureka.

The original Lady Danger has a high console like this:

The refurbished Lady Danger has one positioned lower:

Striker Eureka has both a high and low console:

So make of that what you will, lol.

And that's the basics of boarding and controlling a jaeger! If you haven't seen it already I also recommend checking out my other post on jaeger lore, where I compiled everything I could find out about them from various Pacific Rim medias. And you might also read Drifting, as conceptualized by Travis Beacham if you're interested in knowing more about the drifting aspect, and maybe Drift Hangover Lore if the possibility of sentient jaegers appeals to you.

Happy monster punching, or whatever it is you people do out there. *Slinks back into the bog*

#pacific rim #pacific rim 2013 #jaegers #jaeger #image heavy #pictures #screencaps #pacific rim lore #g slur warning

[teetlezhere]

RISE OF THE TMNT: HOMECOMING - STEP-BY-STEP INSTALL GUIDE - UPDATED!

Like promised, I've retraced my steps and the post here is a full guide on how to download and play TMNT homecoming for Android device.

Here below I've compiled a series of steps and useful links in case you might need to play the game:

(Edit: The guide's updated now:)

Step 0: First things first...

First thing first, you'll need an Android device to download and play this game.

UPDATE! - The game now also works on Bluestack!

Second thing you'll need (unless you know chinese) is a picture Translator app.

I've used translation apps that take pictures of the screen and translate it to english and followed the instructions to set up my username and password.

Step 1: Downloading the APK

Unless you live in China, or you can get the game legit in some way I don't know, APK downloading sites might help. However, be careful, for some may be scam sites. Use a VPN to help block unwanted visitors.

I've used this site here to download the APK for the game and seems pretty legit (based on bitdefender, the apk is safe) compared to others I've tried. While the picture is from the beta version in 2022, the update is the most recent from 2023.

If you have another apk downloading site you'd prefer to try download the apk from, try looking up for TMNT Homecoming (it will not show as Rise or ROTTMNT despite being the same characters)...

Or if that fails too, try searching for 忍者龟: 归来 apk if you can't find it in english.

STEP 2: Installation

Once you download the game, install it on your device. Phone might ask for permission due to being considered an unknown APK from an outside source.

STEP 3: Username and Password

If everything has gone smoothly, then it's time for the username and password.

A window will show with MUZHI written on it. Here, you must write your username (top) and your password (bottom). -ps: ignore the writing below. It was my bad 😅-

You shouldn't have any issues with this step as it accepts western keyboard characters.

Just remember to write the ID and PW down somewhere so you won't forget them. Or take a snapshot of it before proceeding.

UPDATE! - It seems there are issues with the western keyboards and won't accept them anymore. So, if this step doesn't work, click the button that says: Quick Registration (the button in red) and proceed to step 4!

Step 4: THE DREADED

A new window opens

It requires that you put a name (top) and ID number (below) in order to play the game.

To bypass this, this helped me:

You can pick any of the codes shown (I used the very first one and it worked like a charm).

Let's use this for example: As you can see, there is a series on numbers first, and chinese characters at the end.

Careful with this step as the name goes on the top bar, and should be only chinese characters.

Like this: 刘剑丽

The ID is only numbers, and they go in the bar below.

Like this: 220283198306236235

It must be like this:

STEP 5: Selecting A Game Name

If you've reached this point, and if you're able to play the game at long last, then CONGRATS! You've made it! But it's not over just quite yet.

The game, eventually, requires that you add a GAME NAME. It can be anything you want it to be, but MIND YOU! THIS IS VERY IMPORTANT!

IT WILL NOT ACCEPT Western Keyboard characters. Only chinese characters!

This is, however, much, much easier to bypass than step 4. Here, you have 2 options:

Option 1: If you want your very own original game name to play, you can go to google translate and simply write down and translate it to chinese.

Example:

Just copy the chinese characters and paste them in the bar. Then proceed.

Option 2: If you don't care about what name you use to play, just generate a complete random name by pressing the dice button right next to the name bar. The game will insta-generate a completely random name for you to use.

STEP 6: Have fun!

If you followed each step of the way without too much hassle and managed to get through the apocalypse that is bypassing this, then CONGRATS! YOU'VE FINALLY MADE IT!

I'm so, so proud of you! Now you're free to play this Rise of the tmnt game as much as you want! Keep your translator close just in case, and have plenty of fun with the features this game offers.

If you're looking to send me a friend request, You'll find me as Ninja of Liberation (or 解放忍者 ).

In case there’s issues, DM me and I’ll see to try help and update the guide.

#tmnt #game #tmnt homecoming #rottmnt #rise of the tmnt #riseofthetmnt #rise of the teenage mutant ninja turtles #save rottmnt #saverottmnt

[monstersdownthepath]

A collection of Nascent Demon Lords (plus an extra)

(Pic source; it’s not 1 to 1 what I have in mind, but it’s close enough! and certainly eye-catching)

I’ve done daemons and sahkil, so here we have a trio of nascent demon lords. And also, as an extra treat, an especially disgusting Qlippoth Lord! These aren’t my only concepts for nascent lords, but if I put all of them in a single post then I won’t have any to post later!

As always, there’s significantly more lore for each of these horrors than I put in their little blurbs. Feel free to ask! If one or another gets enough attention, I might write a full article like I’ve done for bigger divinities.

TW for alcoholism mentions in the second entry, and body horror and major unsanitary themes in the final entry.

----

Caerbannog, the Deceptive Death Chaotic Evil Nascent Demon Lord of Aggressive Mimicry and Camouflage

One of many wicked children of Lamashtu, Caerbannog has risen above his lesser kin and maintained a hold on a small but stable kingdom of labyrinthine tunnels which link into the realms of various other Abyssal powers, which he constantly steals from. Petitioners, territory, treasure, whatever he can claim for himself without risking immediate retaliation. While this audacious behavior would get any other creature slaughtered for their impudence, Caerbannog remains under the radar of beasts such as Jezelda, Angazhan, and Zevgavizeb by sticking to a simple but fairly effective gimmick: Appearing very, very small.

Able to hide his presence to a degree that even True Sight cannot pierce his disguises, Caerbannog masquerades as harmless animals, demon larvae, or lowly creatures such as quasits to creep unseen in the lairs of his betters, taking from them what he can as part of a strange ‘game’ he plays with himself. Patron of all manner of beasts and killers whose appearance belies unholy strength and hunger, Caerbannog is overjoyed when he is found by some guardian or predator which mistakes his taken form for his true one. Exploding forth from the body of a quasit, kitten, or--his favorite--a rabbit, he becomes a whirlwind of shredding teeth and claws that can quickly dismember beasts of any size, leaving him to frolic adorably amongst the gore until he grows bored and moves on.

Domains: Animal, Chaos, Evil, Trickery Subdomains: Fur, Demon, Whimsy, Deception Favored Weapon: Claws Symbol: The head of a herbivorous animal with bloodstains around the mouth. Sacred Animals: Rabbits and kill kittens Sacred Colors: White, brown, gray

Obedience: Attack a creature that saw you as harmless or friendly. Preferably this leads to the creature’s death.  Benefit: Gain a +4 profane bonus to Disguise and Bluff checks.

Boon 1: Harmless Form Boon 2: Beast Shape II Boon 3: Veil

-----

Vodani, the Demon at the Bottom of the Bottle Chaotic Evil Nascent Demon Lord of Intoxication and Misdirected Anger

Among the most human-looking of any demon, Vodani’s sickly yellow eyes and shark-like teeth betray the truth of his heritage, forcing him to take pains to hide them when he walks among mankind. Appearing as an innocent vagrant, Vodani finds groups of beggars and paupers to infiltrate, gaining their trust and sympathy with gifts of alcohol and stories stolen from his past victims. Over time, he will learn everything he can about them and their lives, what decisions or foul luck brought them to this state, and it’s then he will begin to work to twist their innocent desires for a better life into hatred for foes real and imagined.

There are some who mistake Vodani for a benevolent figure, the Patron (or Prince) of Paupers, uniting the destitute and broken against everything that brought them low, but while his cultists may have their own ideas of revenge, Vodani himself cares little for any true justice; he whips his unwitting victims into mobs united against scapegoats and other innocents, and any long-term good he ends up doing is purely accidental. So long as something or someone is destroyed by the end of the resulting riot, he considers it a success, leaving the poor souls he deceived behind to drink themselves to death and rise again as his children to perpetuate the cycle of violence.

Domains: Chaos, Community, Evil, Trickery Subdomains: Revelry, Riot*, Demon, Espionage Favored Weapon: Improvised weapon Symbol: Two beaten flasks, tankards, or cups toasting. Sacred Animals: None Sacred Colors: Yellow, brown *Followers of Vodani can modify the Community Domain with the Riot Subdomain.

Obedience: Find one or several drunkards and spend one hour conversing with them, weaving in purposefully inflammatory statements against targets of ire, be it yours or theirs. Alternately, spend at least one hour drinking alcoholic drinks while ruminating on everyone that has ever wronged you. Many followers of Vodani perform either obedience by accident. Benefit: Three times per day as a standard action, you may cause a bottle of ale, wine, whiskey, beer, or other mundane, low-quality alcohol to appear in your hand. Each bottle contains enough for two servings. These bottles and their contents disappear after 24 hours, or if you fail to perform your Obedience, though having the drinks on-hand allows you to easily perform it.

Boon 1: Rotgut Boon 2: Malicious Spite Boon 3: Song of Discord

----

Galroscul, the Hunger Sealed in Steel Nascent Demon Lord of Cannibalism and Gluttony

In his prime, Galroscul was a terrifying figure to behold. A towering horror in the shape of an anthropomorphic boar with the scales and tail of a dragon, six unblinking eyes on either side of his head, his tusks and claws as powerful as adamantine and his stomach as bottomless as the Abyss itself. He became a Demon Lord by literally eating his way there, legends claiming he consumed an entire Abyssal layer along with every demon and demigod within it to fuel his ascension, and if the stories are anything to go by, he wasn’t nearly close to finished. He had his eye on the throne of gods, hoping that if he drank the blood of Lamashtu, he would stand alongside her and, eventually, devour her as well.

He didn’t even get anywhere close to enacting his plan before he was ambushed by the forces of Zura, lord of cannibals, and Xoveron, lord of gluttons, who both saw his existence as a threat and formed a rare union against him. They drained and consumed what they could of him, leaving him pitifully weakened and, knowing that if they slew him he would simply return to life at full strength, set into motion a plan to humiliate and imprison him with the aid of greedy mortals. On a far-off world, Galroscul has been sealed inside of a great and terrible machine by a cabal of meat-mongers hoping to make their products fiendishly addictive. He rages and starves within this machine, processing countless carcasses but unable to truly eat a single bite, reduced in power to a Nascent Demon Lord and losing more of his sanity with every passing day.

Domains: Animal, Chaos, Destruction, Evil Subdomains: Fur, Demon, Rage, Cannibalism Favored Weapon: Bite Symbol: A boar skull trapped in a metallic diamond. Sacred Animals: Boars and goats Sacred Colors: Red and brown

Obedience: Begin eating a creature while it’s still alive. Alternately, consume a limb taken from a creature within the last 24 hours. Benefit: Gain a +4 profane bonus to your AC versus bite attacks and to your CMD against grapple attempts.

Boon 1: Enemy’s Heart Boon 2: Hunger for Flesh Boon 3: Extended Hungry Pit

----

Lormlecht, the Dung-Eater Qlippoth Lord of Filth and Sepsis

There are creatures considered disgusting, vomit-inducing, or putrid, and then there is Lormlecht, whose nauseating habits put all others to shame. Once nothing but a harmless scavenger scarcely as large as a finger, the Dung-Eater has gone from vermin to hazard to a lethal danger the size of a sea serpent as it has slithered through the sewers and muck of the Abyss, feasting merrily on the leavings of these twisted civilizations and dragging unwary victims into cesspits to ferment to perfection. Many attempts to destroy the filth-eating abomination have been made by mortal and immortal alike, but on the rare occasions these attempts succeed, they’re tragically short-lived as Lormlecht reforms within the bowels of a living creature infected with Filth Fever.

Lormlecht possesses a unique relationship with the wasting disease, able to cause embryonic qlippoth (especially Chernobue) to form within the bodies of any creature infected with even a mild strain. Any minor contact with its form is capable of causing a full-blown infection, to say nothing of the horrifying fate that befalls anyone who suffers even a glancing blow from its alarmingly equine, filth-slicked teeth; such victims are infested not only with a nearly incurable variant of Filth Fever, but a menagerie of other diseases which resist magical cures and can cause an agonizing, septic death within hours. It’s quite telling that even demons consider being bitten by the Dung-Eater a gruesome and miserable fate.

Domains: Chaos, Death, Evil, Water Subdomains: Caves*, Plague, Corruption, Flotsam Favored Weapon: Club Symbol: A piece of rotted offal impaled on a stick Sacred Animals: Rats and otyughs Sacred Colors: Brown *Followers of Lormlecht can modify the Chaos or Evil Domains with the Caves Subdomain.

Obedience: Spend no more than an hour contaminating an area you expect other creatures to pass through with filth and waste. Benefit: Your body harbors Filth Fever, which does not harm or inconvenience so long as you’ve performed your Obedience within the last 7 days. Any creature which ingests your blood is exposed to the disease (DC 13 negates, as normal).

Boon 1: Mud Buddy Boon 2: Tenacious Stinking Cloud Boon 3: Plague Storm

#original concepts

[twentydaysofmay]

So at first, this was a reblog of a different post, but I am now making it an original one for greater reach. Be warned that it's going to be quite long.

So, we all know and love the promotional comics of our Wii boxers, like this one about Glass Joe:

You might have never questioned its origin, and neither did I when I first encountered it a year ago. I just assumed that Nintendo officially published it in a guide, because that's what every source about them that I've read was implying.

But then I learnt that these translations aren't official at all. They were apparently done by the Tumblr user @boink-the-joiner in 2013, whose blog seems to be unfortunately deleted.

And then I was informed of the existence of this image by my friend @fan-mans (Charlie):

He said he originally found it on Tumblr, though he didn't give me the link to where he got it from. (It happens to be included at the very start of this post.)

But this supposed "original version" seemed fishy to me for several reasons:

If this is the "original" Japanese version, and no "official" English one exists that was published alongside it, why are the sound effects written in the Latin alphabet?

Why is the authorship at the bottom in English? And isn't that the exact same font as in the well-known English version?

Why is it read left-to-right? Shouldn't it be flipped from the English version? Wouldn't it make more sense for Mac to punch him with his right arm and for Joe's hair to be more often on his right side than the left, and to first put on the left boxing glove, and hold the coffee cup in his right hand?

Why is there a red rectangle in the middle right?

Charlie said that all of this was because Nintendo was catering to an American audience, but never actually published the guide outside of Japan. (Apart from the red rectangle, which was apparently a part of the website that image originally came from, but he didn't have a link to that either.) I didn't believe it at first, because it just seemed like an incredibly stupid pair of decisions to me.

But today, I found this webpage. It's a blog post talking about strategy books for Nintendo games, and includes this image:

This is it! This is proof that Nintendo printed the comic to be read left to right in the original Japanese version!

There was that little bit of doubt in my mind though. What if the copy that shows the actual pages of the comic is in English? The quality is so low...

...but the kana here are clear enough.

That isn't the end of the story. Shortly afterwards, I came across this webpage:

THIS IS THE ORIGIN OF THAT JAPANESE VERSION OF THE JOE COMIC ABOVE! The red rectangle was, indeed, holding up a textbox.

Anyway, the full website can be found here, and includes a few other materials, such as this part of a guide on Title Defense Von Kaiser:

Sadly, the website only includes Joe's comic, and I haven't found the original Japanese versions of anyone else online, so currently, you'd have to own the guide to know what they look like.

Also, out of curiosity, I decided to use the Wayback Machine to see if the site has ever been modified, but it just wasn't archived there at all. Not even a single snapshot. So I went ahead and preserved what it currently looks like.

The website itself seems to belong to the company that published the guide, Enterbrain, a division of Kadokawa Future Publishing, which is a part of the Kadokawa Corporation. The names "Ebten" and "Famitsu" seem to be related to it as well, but I have yet to figure out exactly how. The full Japanese title of the book is パンチアウト！！完全クリアーガイドブック, and its ISBN is 978-4-7577-5067-8. At least according to these listings.

Not all questions about the comics have been answered. For instance, we still aren't quite sure why Nintendo (or Enterbrain, anyway) decided to flip them. And our translator Boink had to have the copies of all of the Japanese comics, otherwise they wouldn't have been able to translate them! What if they are reachable somewhere else, and we can ask them if they still have the original scans?

More information might come as I (and hopefully others) research more.

#glass joe #punch out #punch out!! #punch out wii #icosameron

[astrojulia]

Hi!! I saw your blog and it's beautiful! I'd like to ask if you could share some tips about editing posts, specifically changing the font color and doing that cool effect where it has more than one color on the same font ☺ if you're not comfortable teaching that's okay too! Have a good night

Hello Siren,

Thank you for the compliment. Yes, I can teach you. Just follow a tip from Auntie here: do it because you genuinely like the aesthetic. The time you spend writing the post is sometimes the same as editing it, and in my experience, this won't necessarily translate into more likes or reblogs. So, do it because you think it's beautiful.

As comical as it sounds, I won't be using HTML in this post because using the codes could cause problems. I've seen some tutorials, but I just really learned when I searched on my own.. I also do all my editings on my notebook. So, here's everything I use:

Websites I use for editing:

HTML Code Editor: While you're creating your HTML, you can simultaneously see if it's working

BBcode & HTML Text Colorizer: This is where you'll create the gradient

Browserling: I use this site to make the gradient code compatible for Tumblr

Aesthetic Symbols: this is for that cute symbols

Piliapp: more copy/paste symbols

Fontes e Letras: copy/paste fonts

Canva: This is where I create some of my designs. I also use Photoshop

Deviantart: a lot of material for Photoshop like templates, PSDs and Renders (PNG image with a good resolution), you can see the ones I use the most in my sources

@animatedglittergraphics-n-more: dividers

@saradika: dividers

@engrampixel: cute material

Color Hunt: if you don't have a color pallete in mind, here you can find a lot of options

Adobe Color: if you want to create your own HTML color palette this site can help

DaFont: where I download my fonts, the ones I use the most are: Betterfly, Arcadepix, Starborn, Lemon Milk, Cursive Sans and BubbleGum

EmojiTerra: as I use tumblr on my notebook, this is where I get my emojis

HTML Text Editing

Important:

Go use the HTML Code Editor in this part and your life will be way easier.

Some things I do right here in the tumblr editor, like putting the images and different fonts like Lucille.

All HTML code starts with < > and ends with , that is, when you start a paragraph you will write <p> and when you finish you will write </p> (HTML Code Editor ends your coding automatically)

I'm teaching all this because if you want to make gradients in your entire text and not just in the title, you'll need to know about html

To start your HTML you will need to go to the gear that appears on the right side when you are writing your post, go to the bottom until you find the Text Editor and switch to HTML.

The Codes

<p> start a paragraph </p>

<br> to make a space between text less than a paragraph (good to use in indented text) you don't need to put </br>

<b> make the text bold </b>

<i> leave the text in italics</i>

<strike> leave the text crossed out </strike>

<small> make the text small like this </small>

<h1> make the text large like this </h1>

<h2> make the text large like this </h2>

<ul> Create unordered list (dotted) </ul>

<ol>Create lists with order (numeric) </ol>

*instead of making paragraphs you will create new items in the list using the code <li> </li>

<blockquote class="npf_indented"> make the text indented </blockquote>

<span style="color: #HTML"> Code to color your texts, pay attention that it uses (") instead of (') and doesn't use (;) </span>

Tutorial on creating invisible spaces, just like I use to do the navigation, if I put it here everything bugs. PT-BR

<a href="URL">Link Text</a>: Creates a hyperlink

Making your Gradient

Go to BBCode and HTML already with your HTML text and colors in hand. Write or copy your text in the box, choose the gradient type (I use middle) and select your colors (from one to three different colors)

Now copy the text in the "HTML code for this text: (To use on your website)" box and go to the Browseling, you will replace the (') to (") and the (;) for nothing

Copy and paste your new code direct in your tumblr post editor or in the HTML Code Editor. Success!!

I think that's all. Kisses from the Sea! 🐚

#astrojulia #others #astrojuliasks #html tutorial #gradient text #gradient text tutorial #html

[stitchthesewords]

Redstone for Writers and Artists Part 1: The Basics

Very long post ahead peeps. I tried to put just...as much information as I would want to refer to if I was writing a redstone mechanic into a fic, so. Here it is, along with future links to the other two posts [or three posts, depending on how many questions I get] and the Google Form to send in questions. <3

Let's start with the basics - Redstone dust, or as it will look for the rest of these posts -

I'm using Vanilla Tweaks resource pack addons to make all of the redstone stuff easily visible for the purposes of explaining. the mechanics. The reason there's a big 0 in the middle is because, as you may or may not know, redstone power can only travel 15 blocks before it has to be re-strengthened. Think of redstone dust as the wiring for an electrical component.

Here I demonstrate the distance redstone dust can be powered using both a Redstone Torch and a Redstone Block

A Redstone Block is a permanently on power source for redstone.

A Redstone Torch is a power source for redstone that outputs level 15 power and can both be toggled off and burn out, as shown below. The reason the torch burns out is because the redstone is activating and deactivating the blocks around it too quickly [8 times in ~3 seconds].

This image helps to show what's going on. The bottom torch is attached to an 'off state' block [the powered off redstone lamp] so it can be in an 'on state'. That torch then powers the block above it into an 'on state' [the powered redstone lamp] which then sends a redstone signal to the torch attached to it to put it in an 'off state'. This is one method to power redstone vertically. In the above video, the blocks surrounding the torch are cycling through these on and off states too quickly, causing the torch to burn out.

The next thing to cover is the Redstone Repeater. This little doohickey has 4 different states: a 1, 2, 3, and 4 tick delay, as seen from both the back and side in the below images. A Tick is a measurement of time in Minecraft, defined as 0.1 second for redstone purposes. The repeater puts out a redstone power level of 15 regardless of how strong the power going into it is.

In comparison, a Redstone Comparator maintains the signal stretch coming out of it. As seen below, when comparators are used in place of repeaters, the line no longer full powers.

Comparators can also be used to read the fullness of containers like chests. It's a little hard to see in the video [since I only have 1 computer and 1 account, I can't film this from two angles] but in the right-hand side you can see the redstone number ticking up as more items enter the chest.

Next up, Pressure Plates. There are 4 different kinds of pressure plates in the game - Stone [and blackstone], Light Weighted, Heavy Weighted, and Wooden.

A Wooden pressure plate is a standard pressure plate - drop an item on it, stand on it, or get a mob to stand on it and it will turn on to a power level of 15

A Light Weighted Pressure plate [gold] recognizes all entities but it ticks the number it outputs up by 1 every time there is another entity on it.

A Heavy Weighted Pressure Plate [iron] recognizes all entities but it ticks the number it outputs up by 1 every 10 entities.

[for reference, in the above image there are 9 items on the gold pressure plate and 11 [bc the first 10 count at '1'] on the iron pressure plate]

A Stone pressure plate only recognizes Players and Mobs, not Entities, but when activated also puts out a power level of 15.

Onto Buttons and Levers. In Minecraft, there are two kinds of buttons, Stone and Wood. The main different between them is that a Stone button is depressed for 1 second whereas a Wooden button is depressed for 1.5 seconds. The other difference between the two button types is that Wooden buttons can be interacted with by Arrows and Tridents but a stone button cannot. If you shoot a wooden button, it stays depressed until the arrow or trident despawns. A lever can be flicked on and off to act as a switch for a minecraft circuit.

Other methods of outputting a redstone signal include things such as:

Turning a page in a book on a Lectern[it involves some very complicated math so just know the more pages a book has, the weaker the signal it puts out so you have to flip more pages to output a stronger signal][a book with 1 page outputs a level 15 signal, a book with 15 pages outputs a level 1 signal on page 1 and a level 15 signal on page 15]

Being in the vicinity of a Sculk Sensor [the closer you are when it triggers, the higher the power level it outputs],

Shooting a Target Block[Most projectiles output a signal for 0.4 seconds, whereas an arrow or trident output for 1 second, and the closer the projectile hits to the center the higher the power level it outputs]

A Daylight Detector changes its signal strength based on the time of day, whereat noon it is a full strength signal and it goes down in eithe direction from there. A daylight sensor can also be reversed, wherein it checks for darkness and at Midnight outputs a signal strength of 11 [because of how the game checks the internal skybox] [I am not gonna lie to you. It is more complicated than this. Just know that if its cloudy or raining or storming the signal strength weakens. We're not actually building redstone mechanisms here]

A Lightning Rod outputs a level 15 signal when struck by lightning

A Tripwire acts as a pressure plate if there are tripwire hooks to either side of it. They output their signal into the block they are attached to.

Pistons and Sticky Pistons are fairly simple contraptions. They can push blocks and entities, and sticky pistons can then also pull them back. This list tells you everything a piston cannot push or pull though. We're writing fanfiction and drawing fanart with this information and I tend to...ignore it at my whimsy. There is a very popular mod which a lot of the Hermits have used in their one off videos that allow pistons to interact with containers, for example.

Related to Pistons are Honey and Slime blocks. Functionally these items are identical. They can be pushed by pistons and sticky pistons, and any blocks stuck to their sides will come with them. They do not stick to each other, so they're often used for making things like doors and flying machines[which are redstone mechanisms that move themselves, generally used for more complicated machinery] Below they are combined with sticky pistons in order to move back and forth.

Dispensers and Droppers are both items that can disperse entities into the game. The difference here is that Droppers will always spit out the item and Dispensers can dispense certain items like water [seen below], lava, arrows, and eggs, along with placing Shulkers. Droppers can deposit items into containers directly infront of them, including other Droppers, and make a thing known as a dropper pipe to move items around in a system. You can remember which one is which because a Dispenser looks like an :O face whereas a Dropper looks like a :> face.

Hoppers are containers that can pull items from containers above them and push them into other containers. They can receive a redstone signal in order to 'lock' them and keep from moving items around. <- More information about these specifically will be in the Adjacents post.

Trapped Chests are containers that output a redstone signal when they are open. If you place a trapped chest on top of a hopper, the hopper wont pull items until you close the chest. This can also be used to effectively make traps, hence the name 'Trapped' chest.

Observers are a block which can observe changes to blocks in front of them. The little face on an observer is where it's 'looking', and the little red dot on the back of an observer is where it outputs the redstone signal based on the changes it observes. This list tells you what an observer can and cannot detect, though I also play fast and loose with this list as I need to.

And that about wraps it up for the basics. Don't see what you were hoping to see in this post? In the next day I will be doing - Redstone Adjacents are things like 'Why do Redstoners use so much wool?','How do minecarts interact with Redstone?', and other fun tips and tricks

Part 2: The Adjacents can be found here

#Stitch's Redstone Help #Restone #Minecraft #Hermitcraft #MCYT #Hermitblr #MCYTblr #long post #minecraft and MCYT are both tagged because I want this to be a fiction resource for both groups of people #though the lore post will likely be more MCYT #but #ya know

[genshinnrambles]

[3.5 analysis] The Uncanny, Fate, and the Machine

In Genshin Impact, machines and automatons matter. They are everywhere in the world, from small devices and gadgets to hulking, imposing mountains of metal created for the purpose of war. I wanted to know what happens when we look at these machines through the lens of the uncanny in hopes of better understanding their narrative purpose. It turns out, machines tell us a lot about the plot's direction, from smaller stories like Karkata, Benben, and Tamimi’s relationship to humans, to the larger story of the twins landing in this strange world. This theory will deal with the larger story by applying the uncanny to the Akasha, Irminsul, and the Loom of Fate.

SPOILERS: Caribert (and all Sumeru Archon Quests preceding it, basically), Inversion of Genesis, Aranyaka (Aranara world quest), Alhaitham’s Story Quest (like two screenshots), two of Faruzan’s hangout endings, and one out of context screenshot from 3.5’s Windblume.

DISCLAIMER:

A part 0 to this can be found here, which was produced along the way to writing this theory. It is not absolutely necessary to understand the points in this post, but might be of interest if you liked the psychoanalysis bits and want to take a closer look at the meaning and significance of dreams.

All external sources will be listed at the bottom! If digital, they are linked. If print, the title and author are given.

The Uncanny 101

To be clear, this theory won’t be overly reliant on the psychoanalytic perspective of the uncanny, but I think Freud is a good place to start in order to get to where we need to go. If you’ll indulge me for a moment…

In his essay Das Unheimliche (1919) [The Uncanny], Freud proposes the psychoanalytic significance of the uncanny by first examining its linguistic meaning and then by applying it to literature. In order to fully understand the uncanny (unheimlich), Freud argues that we must first understand heimlich. We will follow suit. Heimlich has two common meanings, and we will start with its first meaning.

Heimlich’s most common meaning denotes familiarity, “belonging to the home,” homely, tame, and intimate. The literal translation of heimlich to English is also “of the home/house.” Seems simple enough. It is something pleasant and familiar.

But, heimlich's second meaning complicates this definition. Heimlich in this second context is “concealed, kept from sight, so that others do not get to know about it, withheld from others.” Secret. Private:

“To do something heimlich, i.e. behind someone’s back; to steal away heimlich; heimlich meetings and appointments; to look on with heimlich pleasure at someone’s discomfiture….to behave heimlich, as though there was something to conceal; heimlich love, love-affair, sin; heimlich places (which good manners oblige us to conceal)” (Freud, 3).

I like to think about heimlich's two meanings as a matter of perspective. Imagine that you are in a house in the middle of an unfamiliar place with your loved ones. The feeling of being together in this familiar, intimate setting puts you at ease. This is the first meaning of heimlich. As the days go by, you settle into the monotony of your routine within the house's walls and begin to wonder about what is outside of the house, concealed from your sight. This is the second meaning of heimlich.

The reason this difference in meaning is interesting to us is because unheimlich has only one use and meaning, and that is strange, unsettling, eerie:

“‘Unheimlich’ is the name for everything that ought to have remained . . . hidden and secret and has become visible,” (Freud, 4).

In other words, unheimlich means the opposite of the first definition for heimlich, but it is synonymous with the second meaning. In this way, what is heimlich is also unheimlich. What is familiar is also strange. What is of the home is also outside of the home. But how can that be?

Dainsleif: My memories are quite foggy, but my subconscious and instincts both assert that something once happened here.

Central to Freudian psychoanalysis is the notion that both traumatic and non-traumatic memories and thoughts we experience throughout life, but especially those experienced as children, are forgotten and repressed in the unconscious, censored from the ego's perception. Freud thought that even if we cannot immediately recall these things, they do not simply disappear from the psyche. 

The process of repression, which relegates these formerly conscious or “preconscious” thoughts to the unconscious, makes something that was once familiar to us, in this case a thought or belief, feel strange and unfamiliar upon its resurfacing. Freud argued that this is the true nature of the uncanny. It is why uncanny feelings are characterized by dread and anxiety - because the object or story or phenomenon triggering the memory's resurfacing reminds us of something we once knew intimately, but that has become unfamiliar through repression and distortion. 

Alhaitham: However, these memories aren’t truly lost, but merely sealed away. They can be restored with the appropriate stimulus. 

The uncanny, then, is characterized by a return of the repressed, a recursion or repetition if you will. This was quite long-winded, but the most important takeaway here is that the boundary between the uncanny and the familiar, the unheimlich and heimlich, would seem impermeable on the surface but is in fact fluid and changeable. With time, things that were once familiar and pleasant can become strange and unsettling.

An example might help here. Let’s take a line from A Drunkard’s Tale, an in-game fictional book (credits to Tuna for this example, which I would not have thought to analyze with the uncanny without having read their observation thread on Caribert):

“What you humans call wine, we wolves call the Abyss.” 

There is a sentence in Freud’s essay that has a very similar structure to this one, printed here:

“We call it unheimlich; you call it heimlich” (Freud, 3)

Or, to more closely mirror the structure of the quote from A Drunkard’s Tale:

“You call it heimlich; we call it unheimlich.”

So, let’s break this up and analyze it in parts:

“What you humans call wine/You call it heimlich.” Wine is a “known” thing, it is a product from an ordered world with rules. We know how it’s made and what effects it has when consumed. It “belongs to the home,” the “home” being an abstraction of all that is familiar.

“We wolves call the Abyss/we call it unheimlich.” Unheimlich is something strange and unfamiliar, a feeling of dread, but it is synonymous with the second meaning of heimlich, a word most commonly denoting what is familiar. The Abyss is "beyond this world," it is everything that exists outside of the boundaries of “Teyvat.” So how can the Abyss even be compared to wine? Maybe because there isn’t as big of a difference between them as we would initially think. The quote is asking this question: how can the Abyss be something beyond this world/outside of it (unheimlich) when it’s right here in your very human/Teyvat things (heimlich)?

Or, if you’ve ever experienced the sensation of déjà vu, that’s also an uncanny feeling. Speaking of déjà vu…

Recursion, Repetition, Samsara

“We think we are creating the system for our own purposes. We believe we are making it in our own image... But the computer is not really like us. It is a projection of a very slim part of ourselves: that portion devoted to logic, order, rule, and clarity.” -Ellen Ullman, Close to the Machine: Technophilia and its Discontents

One of the many machines we became acquainted with in the Sumeru Archon Quest was the Akasha. The Akasha was advertised as an access point to knowledge from Irminsul, but in reality it was a dream-harvesting machine unevenly distributing “bundles of human wisdom” to the terminal-wearing Sumeru populace in exchange for their dreamless sleep.

We know how the story goes: Nahida leads us to the truth of the samsara in Act II by having us make associations about our strange environment ourselves - a process that takes inspiration from Freud’s method for dream interpretation, free association (more on that here). She does this because delivering the truth to us without having made these connections ourselves would “blow our minds,” permanently confusing our sense of reality and dream. Basically, she has us do the opposite of repression - we take information from our strange environment, associate it with things we are familiar with, and arrive at the answers on our own. This exercise helps us understand the hidden truth of the Akasha, a secret concealed by the Akademiya’s sages.

To take our understanding of this a step further and connect it to another angle of the uncanny, I want to turn our attention back to the first meaning of heimlich, specifically how it describes things “belonging to the home.” Another English word for this would be domestic, things pertaining to the house and running the household. Familiar things. All other things outside of the house, like the wilderness, the foreign, would be unheimlich. As we’ve established earlier, the line between these two categories is changeable. Things previously regarded as domestic, belonging to the home, can become unfamiliar with time.

There is a lot we can do with this, but let’s focus on its applications to the Akasha first. Aranaga actually takes a very similar approach when explaining its function in Agnihotra Sutra:

Aranaga: Here, Aranaga's remembrance, is this flower. Cannot blow him away, the Ad Oblivione; cannot destroy him, the device that takes away dreams.

Traveler: The thing that takes away dreams...?

Aranaga: The living memory of nature, dream. Man-made dead thing, mechanism. Taking away living memory, grinding and crushing to extract its juice, like a grinder, for dominion and domestication... Don't like this, Aranara.

Paimon: Eh... Why?

Aranaga: Because the garden of freedom, the source of power, dreams and memories, not only for Aranara, but also for Nara. But Nara don't know. Not good action... extraction, grinding.

Aranaga: Memories and dreams are gone, reason for action is gone, strength is also gone.

Domestication is the process by which things “outside of the home” are brought “inside.” In human history, we can observe this process through the domestication of crops, livestock animals, dogs, and so on. What was once wild and outside the realm of human control is tamed and cultivated within the boundaries of the city center. Domestication has a greater purpose: to extend civilization’s power and control over what is “outside” by controlling its reproduction.

It’s an apt description for the Akasha under the control of the previous sages - it was a Dream Domestication Machine, bringing a “source of power” within the Akademiya’s control in order to populate the Akasha’s records with knowledge. Eventually, it would also be used to attempt to create their own mechanical God, in hopes of bringing a sliver of divinity within human control. In essence, the sages made the strange (dreams) into the familiar (a power source). Domestication, then, is the inversion of repression and the uncanny. 

We can see this in the Akasha’s predictive capabilities as well. Given enough information, the Akasha can use behavioral logic to predict (though not dictate) the movements of a person, but only to a certain point. Its ideal subject was someone like Cyno before the Archon Quest - a “decisive and principled person,” someone who prefers to operate independently of other people and their behavioral logic, which can muddy and change our own. Cyno’s behavior was once predictable and familiar to the Akasha’s algorithms, but by changing his behavior he became unreadable, unfamiliar, and strange, if temporarily.

“A Flower Not Of This World”

Considering the Akasha was made by the Dendro archon, whose origins lie in Irminsul, and the copious foreshadowing in Act II’s samsara for the resolution of Inversion of Genesis, it is not outlandish to view the Akasha as an analog to Irminsul. Though they may not function exactly the same way, we can already observe that Irminsul behaves more like a machine than something biological, what with Nahida functioning as a sort of system administrator to it (with limited privileges, it would seem…), its use of system permissions, its virus vulnerability (forbidden knowledge), its strictly literal interpretation of commands executed to its database...you get the picture.

So what is the purpose of this arboreal machine? And what are the rules?

While the intimate details of Irminsul are still murky, including who all can control it and who made it, we do know a few important things about it:

It contains a record of everything that has happened in Teyvat in the form of collective memories. It acquires memories through the Ley Line network, which stretches all over Teyvat, and records information as it happens. It also seems to acquire the memories of those who pass away - it is repeatedly stated in Aranyaka that everyone “returns to Sarva” when they pass.

It can alter memories of the past when edits are made to its database. We have two known instances of this so far, both of which are deletions: the removal of the memory of Rukkhadevata, and the removal of the identities “Kabukimono” and “Balladeer.”

The Traveler's memories are not affected by edits to Irminsul because they are not of this world. This is because of the truth hidden by Irminsul’s records - it contains no records of “descenders,” because to do so would be to admit that the sky is fake.

Deleted memories are not lost forever if necessary precautions are taken. While non-fiction books, quest dialogue, domain descriptions, and other quest items are altered by Irminsul edits, fiction is outside of its reach. Nahida understood this intimately, so she hid the true history of the Wanderer in a fairy tale story, which was her own unique form of distortion independent of Irminsul’s distortion. This allowed her to freely associate the elements of the fairy tale back to the truth, just like what we did in Act II to arrive at the truth of the samsara, and just like what Freud had his patients do to interpret their dreams. Through this, she resurfaced her memory of the truth.

Returning to the idea of the uncanny and the familiar, what happens when we think of Teyvat as a “home,” and everything considered separate from it (like descenders, the abyss, or forbidden knowledge) is the uncanny, outside of this world? The utility of Irminsul becomes clear: it delineates the boundaries of “Teyvat” so as to maintain a closed system of memory production in its inhabitants.

Another way to look at Irminsul, then, is as a Memory Domestication Machine. This analogy requires us to stretch the definition of domestication as not only involving something under human control, but it still functions the same way. 

It’s important that we understand the rules of this machine and familiarize ourselves with its boundaries - only then can we understand its limitations and exploit them:

Alhaitham: You may find it hard to believe, but for those people, everything the Akasha transmits to them is nothing short of absolute truth.

Alhaitham: Imagine if you've been using a device like the Akasha since the day you were born. And this device has always supported you during times of need...

Alhaitham: After all that time, what do you think you'd become?

Paimon: Uh... A fool? A machine?

Alhaitham: A slave to orders. And that's why rules are so important. In addition, those who understand the rules can delineate boundaries, and identify gray areas.

Paimon: Hmm... but why would you need to identify the gray areas?

Alhaitham: You could say that those kinds of ambiguous zones can be very interesting. One might even say they're advantageous in the right hands…

Dottore: And now, it seems they can no longer hold back their sheer adoration.. 

Under the dominion of the Akasha, the line between human and machine was blurred. The same can be said for Irminsul – even alterations to its records produce the same fates with different recollected details, further calling into question the notion of free will under Teyvat’s laws. In the real world, we use the Turing test to measure a machine's ability to imitate a human, but the Akasha and Irminsul turn this idea on its head - are humans, in fact, the machines here? 

If free will is an illusion, then one perspective might posit that human lives in Teyvat are no better than programs running to completion. It’s part of the irony that the remnants of Khaenri’ah’s technology are humanoid automatons (“Machines of war built in man’s image”). Whether or not that perspective is correct is for you to decide.

Alhaitham: One way to stabilize a collective consciousness is to remove the test subjects’ humanity altogether. 

(look, I’m not saying Irminsul is a machine with an Overmind using it to create a collective unconscious, but that is also what I am saying).

Although it can change how the past is remembered, Irminsul has to abide by fate. Considering that the Akasha had predictive capabilities and is an analog to Irminsul, we might be tempted to ascribe predictive capabilities to Irminsul as well. It’s not outside of the realm of possibility. But, I think what is more likely at this stage is that Irminsul and the Ley Lines are just parts of a greater system of machines delineating Teyvat's boundaries, and one of those machines has dominion over fate.

One last piece of information we gained from the Sumeru Archon Quest was that the Traveler’s sibling is recorded in Irminsul. The Wanderer states that “[the sibling] only came to this world because the heavens responded to the summoning,” that Khaenri’ah was their first destination upon arriving sometime before the Cataclysm, and after which they traveled the Seven nations before their fate became “deliberately obfuscated” by “someone.” Now, they are running the Abyss Order.

At the end of "Akasha Pulses, the Kalpa Flame Rises," Nahida told us this: 

Nahida: There's only one possible explanation: [they] belong to this world.”

But Nahida’s wording here is very important. It reminds me of Sucrose’s philosophizing about the prophecy Collei found in this year's Windblume:

Sucrose: I was thinking about the flower that is "not of this world." It could mean a human-cultivated variety that doesn't occur in nature... But that's basically claiming that it doesn't come from this world in the first place, when actually it's just a variant of an existing breed.

Sucrose: So the initial question is: Can the flower's origins be traced back to a natural organism? If so, it cannot be correctly described as "not of this world."

Sucrose: But then... supposing we identified something outside of that category, whose job would it be to decide whether it belongs in this world or not? Then the question becomes: Do "of this world" and "from this world" mean the same thing... or is it deeper than that?

The heimlich and unheimlich are divided by a permeable, fluid boundary. While there is absolutely still room for more plot twists regarding the Abyss Sibling’s origins, for now I think the additional information we have about their arrival to Teyvat simultaneously contradicts and supports Nahida’s initial hypothesis. The Abyss Sibling may indeed not be from Teyvat, just like the Traveler, but that does not preclude them from being brought into the boundaries of Teyvat through an unknown method of tampering with Irminsul, so that they now belong to Teyvat and are “of this world.” I mean to suggest that the Abyss Sibling was domesticated into Irminsul’s memory, and therefore into the boundaries that delineate Teyvat. How exactly, by who, and for what exact purpose is currently unclear. But if I were to guess….

The Uncanny and the Abyss

Chlothar: To us, you were the Abyss…a wondrous mystery far beyond our imagination and comprehension…and the one who controls the Abyss can control everything!

So like…we need to talk about Caribert.

In Chlothar’s despair at having failed to recover Caribert’s consciousness, the Abyss called out to him and opened a strange domain near Sumeru’s entrance to the Chasm. Once there, he and the Abyss Sibling discover a mysterious hanging crystal which whispers about a power the bowing Hilichurls and Chlothar covet. This power, which Chlothar understands as the Abyss, does indeed resurface Caribert’s consciousness, but it comes with a price. Chlothar’s obsession with the crystal steers his attention away from his son, who in child-like wonder gazed upon his maskless reflection in a hand mirror, only to discover the horror of reality: this is not a fairytale world like his father said, he has really become a Hilichurl, his home has been obliterated, and there is no going back to life as he once knew it.

So, he rejects his fate and removes his mask one final time, unleashing a dark power that engulfs his body. Though the player passes out at this moment, Chlothar later says something cryptic regarding his son, who has now vanished from sight:

Chlothar: You saw it too, didn't you? Unmistakable... The power inside Caribert and the power of the one you call a "Sinner," it was one and the same...

Chlothar: I am positive now... it's the power of the Abyss, isn't it?

Chlothar: At long last, I have seen it with my own eyes...

Traveler: I didn't see clearly...

Traveler: What happened to Caribert?

Chlothar: That is no business of yours!

Chlothar: A sinner... Yes, salvation for a sinner can only come from a sinner...

Chlothar: Caribert did not deserve his fate, but now... It's wonderful — he will be able to weave his own destiny anew.

Chlothar: Born into abject sorrow, he shall now become... "The Loom of Fate."

There is a LOT in this dialogue to unpack. First, let’s talk about what happened to Caribert. Though we do not see it ourselves, Chlothar says “salvation for a sinner can only come from a sinner,” and that now Caribert can weave his own destiny anew. He also states that he has never seen the power of the Abyss before now, but I also wonder if he is saying he has never seen the Loom of Fate’s power with his own eyes before. To me, this suggests that Caribert fused with the Abyss, or even with the Loom of Fate (assuming these two are separate things to begin with).

Then, Chlothar says more strange things about the Abyss Sibling:

Chlothar: ...Sinister? ...Dangerous?

Chlothar: I never imagined that you, of all people, would deny the Abyss... How ridiculous!

Chlothar: We once believed that you would bring new strength and hope to Khaenri'ah.

Chlothar: To us, you were the Abyss... A wondrous mystery far beyond our imagination and comprehension...

Chlothar: ...And the one who controls the Abyss can control everything!

Chlothar: We yearned for that future. We looked to you to take us there.

Chlothar: But what did you bring us instead?

Chlothar: O Prince... of Khaenri'ah?

Remember how in Inversion of Genesis, Wanderer told us that the only reason that the sibling was able to come to Teyvat was because “the heavens responded to the summoning?”, and the Traveler immediately suspected that Khaenri’ah had to do with the sibling’s appearance in Irminsul’s records? Yeah, well. I'm not exactly saying they summoned the twins, but they clearly were up to no good once they encountered the sibling.

“To us, you were the Abyss.” The Twins are external to the laws of Teyvat, making them unknown, strange, and unfamiliar to this world. Chlothar’s dialogue suggests to me that Khaenri’ah has been seeking a power from beyond for a long time now. My speculation is that Khaenri’ah has known for a while about this “Loom of Fate,” but could never prove its existence. The Loom of Fate is likely what materializes fate into reality, if it does not also dictate fate, and it seems to be located in the Abyss itself. A loom is a wooden machine of sorts, used to hold thread or yarn taut as the user weaves them into cloth or tapestries. This is the machine I suspect Irminsul is working with as a system. Whether the Loom of Fate is a “Fate Domesticating Machine” is unknowable for now, but surely we can conclude that the Loom of Fate Operation is a fate domesticating mission. Perhaps they sought to control the Loom of Fate through the sibling. Perhaps they hoped to do so in order to change their own fate, as ignorant beings ruled by a cruel order imposed by the heavens above.

One final, somewhat tangential remark I’d like to make is about the name of the Hilichurl curse, the “curse of the wilderness.” This again gestures toward the idea of a home place and a wild place, what belongs to the home and what is outside of it. Something tells me from the last quest with Dainsleif in the Chasm that Hilichurls do not go to Sarva when they die, they disintegrate into the dark mud of forbidden knowledge. The curse casts them “outside” of the cycle of life and death, outside of the memory production system, and outside of fate. Though they are still from this world, in a sense they no longer belong to it either.

A Companion Machine Manifesto?

Faruzan: As for me…I want to stay with Tamimi for a bit longer. Just a bit.

I don’t want to get too into it now since this post is already too long, but it would be normal to wonder after all of this what to do with these boundaries at the center of Genshin’s world structure and conflict. We can’t just get rid of them all – King Deshret already tried that, and it didn’t work out so well for him. For now, when I think of the answer to this question, I can’t help but think of Karkata, Benben, and Tamimi, and their unique relationships to humans.

To be honest, they are what originally got me thinking about domestication as a way of reading Genshin’s worldbuilding. They participate in mutualistic relationships with the humans around them, living together in what feminist scholar Donna Haraway calls a relationship of “significant otherness.” As automatons that belong to lines of machines designed for war, their difference seems significant. I don’t have the precise language for this yet, but when I think of these care-full relationships they share with Tighnari, Jeht, and Faruzan, I can’t help but feel hopeful that things can change.

If you’ve made it this far, I truly from the bottom of my heart thank you so much for reading <3 Until next time!

External Sources/Further Reading

Das Unheimliche by Sigmund Freud, translated by Alix Strachey.

Against the Grain: A Deep History of the Earliest States by James C. Scott.

The Companion Species Manifesto: Dogs, People, and Significant Otherness by Donna Haraway.

“The Uncanny Familiar: Can We Ever Really Know a Cat?” by David Wood (this is amazing btw).

…Okay but the wild part is this is the second post I’ve made about the uncanny since this idea was born in September and I STILL HAVEN’T WRITTEN THE POST I WANT TO WRITE YET. When I get back from my thesis hiatus, we are talking about the ‘bots. And I mean ALL of them. And Dottore. And the Golden Slumber!!

edit 6.16.23: cleaned the post up! edited sentences for clarity, added to some unfinished thoughts, and re-formatted a few things that got lost between gdocs and tumblr. also grammar is hard :[

#genshin impact #genshin lore #genshin impact lore #genshin meta #caribert #chlothar alberich #dainsleif #irminsul #loom of fate #faruzan #theory #I will stop writing about machines when the sun explodes

[steadfvsthearts]

Tutorial: Cutting Posts in the Beta Editor

hello everyone !! i am certainly not the only person to write a tutorial like this, but i'd thought i'd try my hand at writing one. this tutorial covers how to cut your replies in the beta editor using xkit rewritten, as well as how to remove those pesky gif source links. read on for the tutorial !!

keywords: beta editor, xkit rewritten, cutting posts, trim reblogs written 12.09.2023.

Step 1: xkit rewritten

the beta editor requires a new browser extension completely different from the previous xkit ( the one that showed in your tumblr settings ) called xkit rewritten. if you have not done so already, go ahead and install xkit rewritten for chrome or firefox.

xkit rewritten shows in your browser task bar along with your other extensions. i like to pin mine to always show. it is through here that you control all the settings.

Step 2: enable "trim reblogs"

the setting in xkit rewritten that will enable you to cut posts is called "trim reblogs". to turn it on, click the extension icon. a menu will pop up where you can toggle on and off various settings. scroll until you see "trim reblogs" and toggle it on.

you can check this is properly enabled by going to your blog page and looking at any post you've made. at the bottom of the post with the editing, reblog, and like options, there should now be a scissors icon which is the trim reblogs option !!

Step 3: cutting/trimming replies

we are now ready to write and trim a reply !!

Step 3a: write and draft or queue/schedule your reply

write your reply below the other two previous replies.

you do not need to copy or paste anything from the previous replies. simply write your reply in the editing space and put in your gif or icon if desired. when you are done, draft or queue/schedule your post.

**note: as someone who doesn't draft replies first, i'm partial to scheduling the post for a few minutes in the future as a popup like the one below shows at the bottom of the screen when you do this. you can click this pop up to take you directly to the post in your queue which just cuts out having to manually navigate to your drafts or queue.

Step 3b: trim your post !!

navigate to your drafts or queue and find your post. scroll to the bottom of the post and click the scissors icon. this is the trim reblogs icon.

you will see the following pop up. the checked box is the reply that will be removed. classically, the first box is the one you want checked as you are removing your old reply.

make sure the correct reply is checked, then click trim !! you will now see the post has been trimmed to just the proper two replies.

that's all !! you are now ready to post.

**note: if you forget to draft or schedule your post, you can trim reblogs directly on the dash too !!

Bonus: getting rid of the gif source link

if you are seeing the source link show beneath your gif like above, there is an easy way to get rid of it! in the post editor, hover over the gif and click the link icon:

delete the text in this field and click done !! that's all !!

this concludes this tutorial !! one last note : if you are an android user, you are also able to use xkit rewritten to cut posts while mobile. for a more detailed tutorial on how to set that up, see here. please consider giving this a like and/reblog if you found it helpful !! happy rping !!

#rph #cutting posts #trim reblogs #rp tutorial #beta editor #;; mine

[bunberiii]

11. fam (family tree/oriented google template)

introducing "11. fam", a pastel flower/korean-style aesthetic in-depth google docs oc template for the planning and documenting of information for families within roleplays and creative writing. with many custom drawings such as icons, menus, a customisable family tree and much more, this document includes space for individual family members, collective family history, name meanings, fun facts, heirlooms and more (section names can be changed to fit your needs). this template is also available in four colour options: ivory/white, persona/pink, lilac/purple, and serenity/blue. feel free to edit this as much as you wish as long as you do not remove my credit.

notes/rules

editing and modifications are welcome once you purchase the template.

all drawings and images in this document are custom created (or in the case of the pictures, edited) by me. If you would like to take elements from this document, you will need to credit me as an inspiration or the creator of that element(s).

resizing or moving objects/images can throw off the document, so be careful.

do not remove my watermark/credits!

please like or reblog this post if you use my template!  ♡

how to use

click the source link above

purchase the template via my payhip

follow the instructions on the downloaded note

once you receive access to the template, go to file  →  make a copy

how to edit

in order to most easily put in your own images, go to replace image then choose how you wish to replace it (either uploading a file or via the image's URL).

this document includes drawings. Double-click the drawing/image on the bottom left or top right corner, then click the edit tab. this will take you to a page where you can replace, edit or delete features of the image

for the custom-edited photos, I've linked a tutorial to how I created them in the zip file you'll receive after the purchase

#google doc #google doc template #google docs template #template #discord rp #family template #family tree #writing resources #creative writing resources #white aesthetic #flower aesthetic #blue aestheitc #pink aesthetic #purple aesthetic #aesthetic #pastel #pastel aesthetic #bun: original #bun: google docs

[would-you-punt-them]

so. have you seen this post

and has anyone submitted olaf

because the post specifically calls for him to be punted into the sun

and also (—i know that this isn't what we do here and i also run a couple poll blogs myself so i'm joking when i say this—) can we punt the post itself

in case linking it to the word didn't work: https://www.tumblr.com/teaboot/618145028653662208/what-on-gods-green-earth-are-you-talking-about?source=share

olaf was submitted before the blog even went live, but he just straight up refuses to die

i shuffle the queue fairly often, and not once has olaf even been put into the top half of the queue, let alone come close to be punted

even in the middle of writing this i wondered if maybe i'd jinxed it, so i saved this post as a draft and hit shuffle one more time

mf got put second from the bottom

at this point i'm honestly rooting for him

#asks #not a poll

[faentasy-paesta]

Donations Masterlist

MASTERLIST PART 2. MASTERLIST PART 3 LINKED IN PT 2

So basically I tried to create a masterlist of donation links for mainly Palestinian Families/Aid Organizations, but it was very messy/unorganized. I want to try again by reposting the all of links here. I’ll try to keep this as updated as possible. This masterlist will also include links and resources for other crises around the world (Sudan, Congo, etc. ). When I get time, I’ll create seperate masterlists for those causes but they will reside here for now. Please donate if you can, otherwise reblog/share widely.

Linktree: This is my personal linktree. Please take the time to check it out and scroll down to the fundraisers I haven’t gotten around to cross posting yet. It takes a long time so this won’t be completely updated for a while.

Original Masterlist: I tried my best to put all the links from there to here but just in case, please check this as well. This masterpost will still be the most consistently updated.

Organizations:

Care for Gaza: Paypal for Care for Gaza (@/CareForGaza), an on the ground aid organization for Palestinian Refugees in Gaza. Recently, they posted QR codes (QR 2) (QR 3), on twitter/x)5 and encouraged people to send $ through crypto. Care for Gaza’s has gofundme as well

UNRWA: They’re the primary source of aid for Palestinian Refugees and they’re expected to be forced out of service by the end of THIS MONTH. THAT IS LITERALLY NEXT WEEK. PLEASE DONATE. CALL YOUR REPS TO REINSTATE UNRWA FUNDING.

Direct Aid for Gaza: This is a paypal link for the organization of Direct Aid for Gaza (@/GazaDirectAid on twitter/x). They also have a QR code for crypto donations here. and here. and here

Amnesty International: Human Rights Watch organization. Donations made will go towards protecting human rights

gazaesims.com: Shows how to get esims to provide internet and cellular service to those in Gaza right now

Pious Proejcts: Provides feminine hygiene kits to those all over the Gaza area. Mensturating people are using tent scraps as makeshift pads currently so please donate to this organization if you can to at least help relieve the hardship of mensturating during a genocide.

Palestine Children’s Relief Fund: Relief fund for Palestinian Children.

Funds for Gaza: This is a linktree with Fundraisers for People in Gaza. They regularly rotate the list so that families don’t get lost at the bottom

K Stone: Aid company in Gaza collecting donations to collect winter clothing, tents, sanitary napkins, healthcare packages, and such to give out to displaced Familes in Gaza.

Operation Olive Branch: This is a spreadsheet with families seeking donations to evacuate Gaza, please scroll to the bottom of the list while looking for families to donate to! You can also recommend families/gofundmes to be added to the spreadsheet

Sudan Tarada Initiative: This is an initiative in Canada started by Husham Hantoush to deliver basic needs such as food and medicine to Displaced People residing in the city of Sinnar, Sudan. Funds will go towards local charities and centers in Sudan to provide these basic human needs.

Help Gaza Children: Initiative started in order to help children in Gaza by providing them with clothing and food. To get more information, their website is https://helpgazachildren.notion.site/

World Food Program: What more is there to know? Donate If You Can And/Or Share.

Rodhiyat’s Emergency Gaza Appeal: Fundraiser for care packages for Women in Gaza

War Child: Doante to Children in Congo (DRC)

Amal for Women (website): Organization in Sudan that is seeking to collect funds to provide food and other necessities to displaced Sudanese Women this upcoming Ramadan. Direct, On the ground support. Their GoFundMe. Other Payment Options. Venmo (Amal4Women)

Families:

Securing the Journey to a Safe Haven - Help Banan and her daughter evacuate Gaza reunite with her husband in Egypt

Help Me and My Family Escape from Gaza War - Thaer Inshasi

Tamer and Samer Skaik of Animals Friends Shelter - Get their families out of Gaza (Donate to support them and their shelter in Gaza)

Help Ameer and his family rebuild in Egypt

Help Omar get cancer medication for his mother in North Gaza

Empowering My Family's Journey to Safety - Muath Abualqumboz, Hanna Raheb

Help Mohammed Zack and his family evacuate Gaza

Help Hazem and his family get out of Gaza

Help Abdalhadi Bashir secure his family during the crisis

Help Ahmed's Family evacuate Gaza - Hasan Yasin,

Help Mustafa Abdullah evacuate his family out of Gaza

Help Kareem and his family get food, clothing, diapers, etc.,

Help Yara and Farag evacuate themselves and their families out of Gaza

Help Zianelbedin Mogharabi support himself and family and raise funds for educational abroad

Help the Zaqout family evacuate Gaza

Help Malaka Shwaikh evacuate her family out of Gaza

Help Reema and her Family evacuate Gaza

Help Hanan and her family evacuate Gaza

Help Abeer J Qannan and his family evacuate Gaza

Help Hasan Suleiman get the medical attention/surgery he needs - Organized by Abrar Ahmed

Help a family in Rafah build a tent

Help Jamal’s Family evacuate Gaza

Support Abdallah of Salam Animal Care (@/RescueCare on twt/x) (GoFundMe)

Help a Handicapped Child evacuate Gaza

Help Mahmoud rebuild his Artisanal Bakery

Help Zinh and her family rebuild their house in Gaza

Help Evacuate Maryam and her family out of Gaza

Help a family in Gaza get basic essentials (eg. food)

Help Mahmoud and his family evacuate Gaza

Help Mumen Aburaida protect his family in Gaza + his paypal

Help Ibrahim Ashour Evacute his family out of Gaza

Help Lama and her family evacuate Gaza

Help Hala Shaheen evacuate her family from Gaza

Donate to support Mo and his animal shelter in Gaza (His GoFundMe) (@/helpcatsmsallam on twitter/x)

Help Mohammed Mosa support and protect his Family in Gaza (@/SARAMoh69489245 on twitter/x)

Help Mohammed Khaled evacuate his Family from Gaza

Help Shayma and her family relocate to safety

Help Sara Eleyan evacuate her family out of Gaza

Help Dana evacuate her family out of Gaza and reunite with them

Help evacuate 4-year-old Ronza and her family out of Gaza, and reunite them with Ronza’s father

Help Assad Herzallah’s family rebuild their home

Help 10-year-old Abdullah Al-Saghir and his family rebuild their lives

Help Canadian Abdel-Rahman Kouta and his family evacuate Gaza

Help Farah Hasan Hashem and her family evacuate Gaza

Help Omar and his Family evacuate Gaza

Help Hammoud Al Zaharneh and his family evacuate Gaza

Help the Busimba Family resettle in America after fleeing Congo

Help a Sudanese Family recover and rebuild after fleeing the crisis in Sudan

Help a Palestinian Family with young children evacuate Gaza

Help Amer Almashharawi and his family evacuate Gaza

Help Aya Alhaddad and her Fiance evacuate Gaza

Help Hala Shaheen evacuate her family out of Gaza

Help Journalist Madiji Al-Batch evacuate Gaza to recieve cancer treatment in Egypt

Help a family impacted by the Sudanese War pay rent

Help Nour and her Family evacuate Gaza

Help Lamees Abu Salim evacuate Gaza and get the medical care she needs

Help a Palestinian in the UK evacuate her child out of Gaza and reunite with her

Help Eman Abdel Rahman and his family rebuild their home in Sudan

Help Support Moe Kouta And His Family, Including Young Children And A Newborn, In Gaza

Other

More links to donate to Palestine I (twitter/x)

How to detect scammers + charties to donate to for Palestine and Sudan (twitter/x)

#free palestine #free gaza #palestine #save palestine #from the river to the sea palestine will be free #gaza genocide #gaza strip #save gaza #gaza #gazaunderattack #donate #donate if you can #please donate #humanitarian assistance #human rights violations #humanitarian crisis #humanitarian aid #humanitarian funding #share #reblog #boost #signal boost #palestine news #eyes on palestine #gaza news #palestine genocide #support palestine #news on gaza #social justice #aid

[prettyoddfever]

hi! there’s a poem that brendon supposedly posted in august 2008 on “dylan’s myspace” that a lot of fans call “the summer poem” and i was wondering if you could confirm if he wrote it or not. i know you touched on the fact that there were a lot of fake accounts made around that time, but this specific poem has always felt more genuine than other posts and the writing style fits his tone. i’ve always really liked it, but i was never 100% sure of its validity. thank you!

ok so I had to google this to see what the "summer poem" was and I found this tumblr post, which had this link at the bottom:

and that links to the dilloncornbreadandchicken myspace as the source of that poem, which explains everything.

So towards the end of the Honda Civic Tour (and shortly after Pete Wentz got married), one of Pete's dog Hemingway's supposed extra myspace accounts posted a bulletin that said “it would make me happy if you would add my buddy dillon. here's his myspace" and linked to the dilloncornbreadandchicken account. The fact that Dylan's name was spelled wrong and she was misgendered was a little weird. Also, Hemingway's real account didn't post anything about this. (Side note: Yes, Panic's myspace got hacked around the end of the Honda Civic Tour, so even the legit myspace accounts could occasionally do something unusual. Also can I please just complain that the hackers could have posted some highly entertaining stuff "from Adam" on Panic's myspace if they'd had any imagination. Like we all know what's going on, so why not just do something absurd for a laugh).

But the dilloncornbreadandchicken account seemed questionable on its own anyways. Keep in mind that a lot of fans were obsessed with the idea that Brendon & Shane were dating... like a lot of the Ryden enthusiasm got channeled there in 2008 because at least it still implied that Brendon was into guys.

Some random things that seemed odd to me:

Several of the pictures on that myspace were absolutely not Dylan. Similar looking dog, but definitely not her.

One of the songs that played on Dillon’s profile was “Ur So Gay” by Katy Perry.

The account said things like "yea i have 2 daddys... out of the ordinary? daddy brendon and shane both take excellent care of me.”

Many girls had convos with the “Shane and Brendon” who ran that myspace. That account was also very active with replying & commenting on other's profiles. June was still a busy month for the real Brendon, who was finishing the Honda Civic Tour (and doing a lot of publicity/media stuff) and then getting ready for Europe.

In July (while the band was still in Europe), fans asked Shane about Brendon's comment to Kerrang about how the last time he cried was when he heard that Dylan ran away for a few days. Shane explained that Dylan was living with his parents while Panic was on tour, and that she'd run away on a nearby golf course to chase rabbits for a few days. Shane also apparently seemed confused when a fan at the Astoria show told him she was friends with Dylan on myspace.

There were a ton of fake myspace & facebook accounts for everyone in PATD over the years. Some of them even managed to spell Brendon's name right. But Brendon just would not be talking to fans on myspace like that (or even be on myspace at that point period). The band had stopped doing even basic journal updates by 2008, but even in 2006 Brendon & Ryan had put a lot of distance between themselves and fans, and we heard from them less & less. The guys didn't even run their band's social media in the Fever era. This whole episode reminded me of how in late 2006 many middle school girls swore they'd been talking to Ryan on AIM and he'd shared secret lyrics with them, and I was like omg common sense please.

The person who wrote that "summer poem" sounds like a school schedule still factored into their awareness, and they're possibly trying to make a subtle connection to Brendon's old part_time_lovah livejournal account. I stopped paying attention to the dilloncornbreadandchicken myspace after seeing so many big fans similarly conclude that it was fake, so I don't remember much about the poem. I'll only say that it should be regarded with some suspicion... even just posting a poem anywhere online like that would have been very out of character for Brendon. (For context, that poem was posted while Brendon was busy being a tired, sick, sweaty mess on tour in Asia and the band was heading to Australia next).

#ryden